Retro Review: 30 Years Ago, the World Was Introduced to the Coen Brothers with ‘Blood Simple’

blood simple original

In my opinion, there have been very few filmmakers that have changed the cinematic landscape for the better since my birth some forty years ago. Many would likely point to folks like George Lucas and Steven Spielberg as standard bearers for the post-New Hollywood Cinema gang. And while those two certainly changed the cinematic landscape, I wouldn’t say their effect has been good or for the better. That’s another story, though. What I can say is that January 18, 1985 announced the presence of two game changers in Hollywood, and with Blood Simple‘s release, the world met Joel & Ethan Coen. Without a doubt two of the most original filmmakers still working in Hollywood, the Coen Brothers speak in their voice, tell the stories they want to tell and all with flourishes befitting the finest filmmakers in the history of cinema. Read More →

Jeremy’s Review: Michael Radford’s ‘Elsa & Fred’ Is Uneven But Proves Shirley MacLaine & Christopher Plummer Still Have It

Elsa & Fred_1Sheet_rgbFilms for adults are fewer and far between these days. No superheroes? Not based on a bestselling young adult novel? Too bad, so sad. There are a couple that squeak through the system, though, and Michael Radford‘s Elsa & Fred was among them. With an all-star cast including Oscar winners Shirley MacLaine, Christopher Plummer and Marcia Gay Harden along with George Segal, James Brolin, Scott Bakula and Chris Noth you have the making of a pretty good movie in names alone. Does the film live up to the cast, though? Read More →

Jeremy’s Review: Stefan Haupt’s ‘Sagrada’ an Interesting Look at the Building of Gaudí’s La Sagrada Familia and the Contemporary Vision for Its Completion

sagrada_posterHaving never been to Barcelona, I have missed seeing the great bulk of world renowned architect Antoni Gaudí’s work. Ubiquitous as it is in books and photos, it can’t be the same as ever being right in front of it. This clearly extends to La Sagrada Familia, Gaudí’s unfinished cathedral masterpiece, its three façades the telling of the story of Jesus Christ – one depicts the birth, the next the passion, the last the story of his ascendance. Started 132 years, La Sagrada Familia is still undergoing construction and Stefan Haupt gives us not only a historical tour of La Sagrada Familia but a metaphysical one as well.
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Santa Claus, King Moonracer and Most of the Other Reindeer Are Giant A-holes – A Reflection on Rudolph the Red-Nosed Reindeer at 50

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For fifty years now, families have gathered together to sit and watch the children’s classic movie Rudolph, the Red Nosed Reindeer. As I have again started to watch this with my own children, I’ve always been struck by one thing – Santa the slave-driving fascist, King Moonracer of the Island of Misfit Toys and the bulk of the other reindeer surrounding Rudolph, including his father Donner, are just outright assholes.

From the day of Rudolph’s birth, Santa is on his ass about his nose. When Santa visits to see the new buck and Rudolph’s nose starts to glow (as the ubiquitous song points out), Santa says, “Great bouncing icebergs! Let’s hope [it stops] if he wants to make the sleigh team some day.” As if having a red nose somehow prohibits his ability to fly a damn sleigh. And his bastard of a father shows what backbone he’s got (none) by agreeing with Santa. So what does he do? He first covers Rudolph’s nose with mud and when that doesn’t work, he puts on a cap making him sound like a kid with an allergy to cats who gets locked in an animal shelter. Not exactly setting him up for success, are they?

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Despite this auspicious beginning, Rudolph goes to try out for the sleigh team on the day of the Reindeer Games. There he meets Fireball and despite his ridiculous sounding voice (courtesy of the stupid nose cap), he and Fireball hit it off. When they see a couple of does nearby, the mack is on. Fireball prods Rudolph into talking to one exceptionally cute doe named Clarice. After throwing out his smooth lines and getting her to agree to walk home with him, Clarice tells him she thinks he’s cute. This literally sends him into orbit and he jumps into the sky and flies better than all of the other mean ass reindeer at the games.

rudolph - r and clarice

But when he and Fireball engage in a little reindeer fun, his nose cap comes off. And that’s when the shit hits the fan. Fireball immediately yells at Rudolph to get away from him and that’s when the other lemming reindeer come in and start the insults. Instead of stopping the nonsense, Santa scolds his father. “Donner, you should be ashamed of yourself. What a pity.” And to add insult to the injury, Comet the coach, dick that he is, announces to all of the other bucks as they head back to practice, “Oh no, not you. You better go home with your folks. From now on gang, we won’t let Rudolph join in any Reindeer Games, right?” Clarice is the only stand up deer in the bunch as she is still interested in Rudolph despite his “malady”. Of course, her assfaced father comes and busts them up because he doesn’t want any doe of his with a red-nosed reindeer.

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When Rudolph meets Hermey the Dentist Elf, he at least finds a kindred spirit. Hermey, like Rudolph, was run out of Christmastown because he didn’t want to be like every other single-minded toy slave that the other elves were. He probably didn’t dig Santa bagging on the elves for their singing either. They pal up and along their way, they pick up Yukon Cornelius, a precious metals prospector and loner himself. The triumvirate, in escaping the terrible Abominable Snow Monster, Bumble, end up on the Island of Misfits Toys where they, misfits in their own right, hope to stay. Of course, King Moonracer isn’t having any of it stating that the island is only for toys, stating, “Unlike playthings, a living creature cannot hide himself on an island.” I guess he missed the part where he is a living damn creature. After denying them asylum, Moonracer has the balls to ask them a favor! This guy. He asks them when they return to Christmastown, would they ask Santa to come pick up all of the misfit toys and get them to children? Uhhh, Moonracer – Santa basically consented to Rudolph being run out of town, much in the same way you did. Why would they ever go back let alone do you a favor?

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The last turn of assholishness occurs at the end of the movie when Santa declares Christmas is canceled because of some storm. Now, did it not occur to Santa that Christmas could be delayed? That he would rather just ruin the lives of every child on earth who celebrate the holiday rather than reschedule is insane to me. Talk about tunnel vision. Perhaps the most insulting thing he does the entire movie is when he literally sees the light (of Rudolph’s nose to be exact). Only when he figures out that Rudolph can be of any use to him in this exact moment does he embrace him. “That nose. That beautiful, wonderful nose of yours!” Wait a minute – you told his father he should be ashamed of him because of that nose, now it’s beautiful and wonderful? Fuck that. And Donner in true fashion says, “I knew that nose would be useful someday. I knew it all along!” No you didn’t. You were as much of a dick to him as Santa was, Donner, you sycophantic ass, so cut the shit. You see a chance to capitalize on your son’s new status, no different than Honey Boo-Boo‘s mom.

rudolph - santa throwing shade

It’s no wonder kids who grow up watching this turn into assholes, too. This is the blueprint on how to be racist, afraid of “others” (poor Bumble), tyrannical, indifferent and cruel. Get ’em while they’re young, I guess. I don’t know what their intentions were, but maybe the writers and director were using the film as a mirror for American society to look at itself as a way to change these behaviors. I seriously doubt that, though.

My kids love this movie and I remember it with fondness from my childhood as well. That doesn’t mean there isn’t some bad shit in there, though. It’s a wonder kids love Santa at all after watching this. His dickheadedness is hardly subtle. The only thing he doesn’t seem to do is punch his wife or kick a dog. Maybe Tarantino will direct a grindhouse version of it and we’ll get those two elements taken care of. Fifty years on, Rudolph the Red-Nosed Reindeer is still a staple in American households. My questions is, should it be?

Jeremy’s Review: Igal Hecht’s ‘The Sheik’ About Wrestler The Iron Sheik Puts Jabronis in The Camel Clutch

the sheik posterI will admit to being one of the more nostalgic people that I know. Perhaps it is a flaw, but I think it serves a great purpose. While I’m happy to live in the moment, the things that I’m nostalgic for, and reflection upon them, help keep that past as close as possible, which can’t be all bad, right? Especially when we are talking about people like The Iron Sheik, the former WWF bad guy who helped usher in the era of Hulkamania and the golden age of wrestling as entertainment. While many people today only know The Sheik from his exceedingly humorous Twitter feed, his backstory, which Hecht draws out in this film, has remained largely uncovered. The Sheik gives us the whole gamut of the wrestler’s life, up to and including his foray into becoming a social media star. Read More →

Jeremy’s Review: Robert May’s ‘Kids for Cash’ is Heartbreaking, Infuriating and Incredibly Important

kids for cash - posterI’m going to put this bluntly – this film pissed me off, made me incredibly angry. I don’t know how it couldn’t. This isn’t a reaction to the technical merits of the film, which are quite well presented, nor is it the narrative focus itself. This is a story that needed to be told. The fact that what happened in this movie happened at all is what angers me. The abuse of power that is so prevalent in the world today – taking advantage of others so that a select group of already well-off people can get more – turns my stomach. Robert May‘s Kids for Cash details one of these scenarios and it is heartbreaking. Read More →

Jeremy’s Review: Anthony Powell’s ‘Antarctica: A Year on Ice’ Gives Us a First Person View at Life During Winter on the Loneliest Continent

antarctica_a_year_on_ice posterI have always found Antarctica to be a profoundly interesting place. From the fact that it (or the Atacama Desert in Perru, depending on the source) has the driest place on earth (the Dry Valleys), that it’s the home of five breeding species of penguins or that it has just two season, winter and summer in which winter has 24 hours of dark for 6 straight months and summer has 24 hours of daylight for the other six months. Couple that with the harshest landscape and weather on earth, one might ask why in the hell does anyone ever go there. That’s precisely what Anthony Powell does in his fantastic documentary Antarctica: A Year on Ice. Read More →

Jeremy’s Review: ‘Touch the Wall’ Is an Awe-Inspiring Profile of Swimmers Kara Lynn Joyce and Missy Franklin Run at the 2012 Olympics + Interview with Kara Lynn Joyce & Directors Grant Barbeito and Christo Brock

Passing the torch. Rise and fall. Student bests teacher. All of these are oft repeated themes in films, especially in sports films from He Got Game to Hoop Dreams to Bull Durham. Sometimes these themes bring out the best in people, other times they bring out the worst. In a cutthroat world like sports, where ego, money and self-promotion usually trump all, it’s rare to see a film of any kind run counter to these notions. But in Grant Barbeito & Christo Brock‘s documentary Touch the Wall, we see the best of the relationship between two athletes, Olympic swimmers Kara Lynn Joyce and Missy Franklin, who are at opposite ends of their career spectrum – one a champion trying to hold on and the other a phenom up and comer trying to make her mark. What unfolds over the multiple year filming is heartfelt, emotional and really a triumphant journey of these two women who, in and out of the pool, exemplify how best to deal with adversity, fame, victory and defeat. Read More →

Jeremy’s Review: Frederick Wiseman’s ‘National Gallery’ a Brilliant Follow-Up to ‘At Berkeley’

national gallery posterIf you’ve never seen one of Frederick Wiseman‘s many documentaries (I think the total rests somewhere near 40 now), watching National Gallery, his latest opus, might throw you off. He has been called a filmmaker who works in observational cinema or cinema verité, although he detests the term, but it’s easy to see why some people may call it so. Unlike most documentaries these days, Wiseman never veers into Errol Morris territory, meaning that he doesn’t interview the subjects present in his films. He captures them as they are in real time doing what they do. There are no interviews, no “talking heads” and no clever witticisms spoken directly into the camera and this takes getting used to. But it works, this technique. It allows us as the viewer to participate, something that many documentaries can’t do as they are too busy addressing us with a certain (biased?) viewpoint. We get none of that here. We, like the patrons and staff of the National Gallery in London, are free to move around in the space and address what it is that we want while taking in what Wiseman has shot. Read More →

Jeremy’s Review: Aoife Kelleher’s ‘One Million Dubliners’ an Absolutely Touching Portrait of Ireland’s Glasnevin Cemetery

OMD Portrait 2 1800pxIn the opening sequence of Aoife Kelleher‘s One Million Dubliners a funeral is being set and there is an incredibly pertinent quote from James Joyce‘s Ulysses: “In the midst of death, we are in life,” which is a careful reminder to us that even though we are inching closer to death with each day, there is still life to be lived. While pertinent, it may not make much sense to us in the beginning of the film as we allow ourselves to be taken on the journey that Kelleher takes us on in chronicling the history, the energy, the pulse of Glasnevin Cemetery in Dublin, Ireland. Read More →

Jeremy’s Review: Doug Pray’s Documentary ‘Levitated Mass’ About Artist Michael Heizer’s Installation/Sculpture Is Astonishing

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A rock. A very large rock. That is ostensibly what Doug Pray‘s Levitated Mass is about. While that may not seem like a subject of interest, it’s the context in which the rock is taken that makes this film, and the rock, so interesting. A little background to clarify – since the 1960s, artist/sculptor Michael Heizer has been working in large-scale earth art (like Andy Goldsworthy who may be more a household name than Heizer) that is too big to be contained within the traditional confines of an art gallery or museum. Since 1969 he had planned a piece, the titular Levitated Mass – a gigantic rock suspended on concrete rails that allows viewers to walk in a trench under the massive stone, the work, according the the LACMA website where the project now sits, “speaks to the expanse of art history, from ancient traditions of creating artworks from megalithic stone, to modern forms of abstract geometries and cutting-edge feats of engineering.” After a failed attempt, Heizer put the project on hold until a suitable stone could once again be found. Read More →

Jeremy’s Review: Tom O’Brien’s ‘Manhattan Romance’ Is Fun But Hits Familiar Notes

ManhattanRomanceStillIt’s no surprise that Tom O’Brien‘s Manhattan Romance feels like a Woody Allen film. Most of Allen‘s most successful romantic comedies take place in Manhattan and have a tremendous amount of dialogue so in this sense, Manhattan Romance emulates Allen. The circumstances befalling his protagonist, Danny (played by O’Brien himself), and the absence of the signature Allen comedic touches distinguish the film from those of Allen. But they tread in the same water. That isn’t to say that Manhattan Romance is in the same league as films like Annie Hall or Manhattan, but could it be a distant relative? Read More →

Heartland Film Festival 2014 Jeremy’s Review: Paolo Zucca’s ‘The Referee (L’arbitro)’ Is Quirky and Exceedingly Funny with a Touch of Jean-Pierre Jeunet

referee poster

I’m a big soccer fan and have always been. I played from the time I was four until I graduated high school and even considered playing in college. Despite its popularity in the world, I’ve seen very few decent films about the sport. Of course there’s Victory and Bend It Like Beckham was quite charming. The German film Das Wunder von Bern is lights out amazing and there are several documentaries including Once in a Lifetime that hit the right notes. However, none really capture the game in the same way as Paolo Zucca‘s The Referee (L’arbitro). While other soccer films, including some of those mentioned above, have captured the spirit of the game on a number of different levels, I’ve not seen one that has captured it on a more personal, local level than The Referee. Chock full of quirkiness, it is unlike any film I’ve seen in the last 10 or so years outside of the films of Jean-Pierre Jeunet. Read More →

Heartland Film Festival 2014 Jeremy’s Review: Ragnar Bragason’s ‘Metalhead’ Is Pure Icelandic Wonder With a Sparkling Performance by Lead Thorbjorg Helga Thorgilsdottir

meatalhead posterFew countries produce as consistently high quality of film as Iceland. In my estimation, that is. The quantity of films that it produces is low, well at least those that somehow cross the pond and make it onto American screens, usually at film festivals such as Heartland. There are four Icelandic films that I’ve seen in this manner – Nói Albínói, The Seagull’s Laughter, Of Horses and farm animals that areatrained and live at this Horse Retirement Farms. All are unique in their own way, most of them are depressing (an aspect of Scandinavian film that I tend to enjoy) but still manage a way to get a laugh or two in just in case, and all have a laser-pointed direction on what makes their characters tick and tock and they do it so well. Ragnar Bragason‘s Metalhead is no exception.
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Jeremy’s Review: Ian McDonald’s ‘Algorithms’ Falls Victim to the Budapest Gambit

algorithms_posterWhat is the Budapest Gambit, you ask? Well, it’s a chess opening that apparently was able to draw top players into making mistakes only to lose the game. I think it’s an apt appraisal of Ian McDonald‘s Algorithms, a film about chess following three young players from India, which just so happens to be the birthplace of chess, as they vie for prominence in their home country and for a world championship. The catch with these young men is that they are all blind or are partially sighted. Picture that if you can. Chess, a game where there are 318,979,564,000 possible plays in the first four moves, being played by blind players. While these players can certainly be aided by technology that blind players in the past did not have access to, the undertaking is immense. Much is the task that McDonald undertakes in the documentation about three junior players. Read More →

Jeremy’s Review: Peter Sattler’s ‘Camp X-Ray’ Captures Some Strong Performances and Nearly Delivers on Its Premise

CAMPXRAY_FINISH_27x40_1_rgbThirteen years after we first waged war in response to the September 11 attacks in New York, Washington DC and Pennsylvania, we are still seeing a trickling of films addressing the consequences of the invasions of both Afghanistan and Iraq. While there have been some great ones, the bulk of them have been documentaries – Hornet’s Nest, Restrepo and Standard Operating Procedure come to mind, while narrative films haven’t had quite the same success, The Hurt Locker winning Best Picture in 2009 being the shining example. There hasn’t been the same connection to the plight of the soldiers in these wars as, say, those who fought in Vietnam with Apocalypse Now, Platoon, Coming Home, The Deer Hunter and Full Metal Jacket leading the critical praise. Camp X-Ray is writer/director Peter Sattler‘s entry into the post-9/11 film mix. a film that hits some high points, but ultimately doesn’t capitalize on an interesting premise. Read More →

Heartland Film Festival 2014 Jeremy’s Review: ‘Off the Floor’ Is a Well-Constructed and Incredibly Engaging Documentary About Contemporary Pole Dancing

off the floor - posterWhen the film opens, we see Jessica Anderson-Gwin, founder of Jagged, a contemporary pole dance company that’s the first of its kind,  frustrated as she tries to find a venue that will allow her company to use its space for an upcoming performance. The frustration is palpable as so many of the people she talks to confuse what they do with stripping and refuse to host them. This is what Jessica is up against in Matt & Katie Celia‘s spectacular documentary Off the Floor. Read More →

Heartland Film Festival 2014 Jeremy’s Review/Interview: ‘Ben’s at Home’ Is an Incredibly Engaging and Delightful Comedy + Interview with Co-writer/Director Mars Horodyski & Co-writer/Star Dan Abramovici

BENS_AT_HOME_POSTER-731x1024Neil Sedaka famously sang in that once ubiquitous 60s song that breaking up is hard to do. When people are forced out of relationships, they can take it a number of ways, right? Some people move on without hesitation, others get terribly emotional and cry, while others attempt great romantic gestures meant to win back the heart of their love. And some, they just internalize the pain, retreat from friends and family, and do their best to avoid anything that can hurt them again in the same way. And that’s what happens in the wonderful comedy Ben’s at Home, co-written and directed by Mars Horodyski. Read More →

Jeremy’s Review & Interview: ‘The Canal’ is an Especially Spooky and Visceral Haunt Perfect for Halloween & Star Rupert Evans Shares His Thoughts on Making the Film

the canalRare is it that I find the need to find a film to scare me. I usually only need to watch the evening news (Ebola anyone?) or watch any political coverage to get my scares in. However, every once in a while, a film comes along the piques my interest in this arena and Ivan Kavanagh‘s The Canal is one of those films. After seeing the trailer, I was hooked (something that is also quite a rarity). So I gave it a spin and these are my thoughts… Read More →

Jeremy’s Review: Stephen King Adapts His Own Novella in ‘A Good Marriage’

StephenKing'sAGoodMarriage_PosterWhen you hear that Stephen King, the master of modern horror, is finally adapting one of his own works for the big screen, it’s easy to take notice. When you look at the principal two cast members of A Good Marriage in Joan Allen (who I adored in Searching for Bobby Fischer and The Ice Storm) and Anthony Lapaglia there something more to get excited about. Even though the last piece of fiction I read by King was Bag of Bones which was released in 1998, I still had high hopes for this project which is directed by Peter Askin whose documentary Trumbo was stunningly good. Does it lives up to its pedigree? Let’s take a look. Read More →