ADRIENNE

As the muse of Hal Hartley’s indie classics and as writer/director of the critically acclaimed Waitress, Adrienne Shelly was a shining star in the indie film firmament.
Indie film darling, writer, and director Adrienne Shelley‘s tragic death in 2006 sparked immediate action by her husband, Andrew Ostray. His new documentary explores Shelley’s childhood, her artistic talents, and her legacy. What happened that fateful day? How would he explain everything to their then 2-year-old daughter? Andy sets out to let people into Adrienne’s world, her career, and to help his own family navigate their grief.
Adrienne’s rise to fame seemed written in the stars. Certainly in her diary entries. Her daughter Sophie, who bears a striking resemblance to her mother, reads passages from the diaries through the years. Andy talks to Adrienne’s childhood friends, co-stars, and former directors as they recall her talents and loyal friendship. He documented conversations he had with Sophie about Adrienne. Richard O’Connor creates beautiful line-drawn animation with Sophie and Andy’s voiceovers that become great transition moments.
Adrienne was so self-aware. It’s inspiring to watch the interviews where she expresses her values. Her uniqueness and vision allowed her to make a space for herself in the entertainment industry and quickly. She was also making a doc herself about happiness. There is so much insightful footage of Adrienne being Adrienne. A repeating theme is a sadness that she carried with her for a great deal of her life. It’s a heaviness that hovers over the entirety of the film. But she and Andy’s love story is never diminished. It’s the reason we have Waitress; this glorious celebration of a woman breaking free and understanding unconditional love.
The doc swells to the gut-wrenching moment when Andy confronts the man who murdered Adrienne. It is a powerful interaction that had me trembling. But, most likely, you’ve already wept while watching ADRIENNE. You cannot sit through Jessie Mueller’s rendition of “She Used To Be Mine” from Waitress: The Musical and not be a complete emotional wreck. It’s not physically possible. This film is partly a gift to his daughter and Adrienne’s fans. It’s undoubtedly a physical catharsis, leaving the human experience of how one single person can impact everyone around them. It’s a legacy of an extraordinary woman and her story. ADRIENNE will touch your soul.
Year: 2021
So many stories left to tell. Adrienne, an HBO original documentary about the life and legacy of actress, director, and screenwriter Adrienne Shelly, premieres December 1 at 8 pm on HBOMax.




Sometimes the simple pleasures are the best: good food, great friends, and a cold glass of sake. “Come Back Anytime” is a lovely tribute to Bizentei, a cozy ramen noodle restaurant located on a quiet corner of suburban Tokyo. Within this neighborhood gem, ramen master Masamoto Ueda has served comforting bowls of noodles for over thirty years while cultivating a cast of charming regulars that return week after week. While the lush cooking scenes bring to mind the much-heralded “Jiro Dreams of Sushi,” Bizentei has a relaxed communal atmosphere much more akin to “Cheers.” Serving a ramen style considered somewhat old-fashioned but with seriously upgraded ingredients, the regulars cherish the nostalgic qualities of the food as much as Master Ueda’s company, and if you have employees in this company the use of 
Ahmir “Questlove” Thompson’s directorial debut is simply brilliant. It might almost be a given that as a world-famous and beloved D.J., every musical and visual choice in Summer of Soul masterfully cultivates a vibe and maintains that dazzling energy for the length of the entire film. In addition to showcasing a great party, Summer of Soul provides viewers with the essential historical and cultural context to fully appreciate what they are witnessing. Through passionate first-person narratives from attendees, the film balances what in less experienced hands might have become merely a history lesson with one hell of a show. 


Karam’s use of sound, in particular, makes
Beanie Feldstein
The Humans






Peppergrass
Chantelle Han

Zeros and Ones is a surrealistic mash-up from Abel Ferrara – a political and pandemic thriller that is simultaneously thoughtful and baffling. This is a film that invites the viewer in while still keeping them at a distance. The film is bookended by two videos featuring start Ethan Hawke, who speaks candidly to the audience about his excitement and experience relating to the film. Hawke freely admits that he didn’t understand Ferrara’s script when he received it, but that he really liked it. Having just finished “Zeros and Ones”, Hawke’s point resonated.
Hawke offers a game performance in the dual role – although he seems to have far more fun playing the revolutionary brother than the military one (after all, who doesn’t want to spit lines like, “Why is nobody setting themselves on fire?!”)
Holy shit, it’s
Richie might be a modern-day, pot-smoking Puck/guardian angel? Josh Brenner‘s magical role is an in-your-face, witty character that will undoubtedly make you laugh out loud. His energy with Kori and Jason is wildly organic. I would watch a spinoff featuring Richie’s escapades in a hot minute.
Where has 




My aunt has always used homeopathic remedies. She’s beaten breast cancer twice. As someone with chronic pain from a neck injury caused by a car accident, anxiety since childhood, severe dance injuries, and phantom pain and diastasis recti from two C-sections, I would love to find ways to heal myself juts like I found the
In 


Patrick McNamee as John is everything we need him to be; vulnerable and a little lost. I must give mention to John’s would-be sidekick, Nicki. Sacha Parkinson is funny, brash, and fills the screen with her vibrant presence. As the script progresses, the one character we never physically hear from becomes the most intriguing. Phil is an enigma for John. Unraveling the mystery of the man takes center stage and is undoubtedly the most successful aspect of the script. Filled with surprises, The Pebble and the Boy is like a warm hug. It’s a breezy, coming-of-age road movie with one hell of a soundtrack.

Are you
Genre fans, let me introduce
Is “the Pill” killing us? Perhaps not, according to the innumerable doctors who prescribe it to 11 million women. 35% of which are for reasons other than preventing pregnancy. Anytime I heard about my girlfriends going on birth control in high school or college, it was the same complaints; weight gain, mood swings, depression, and suicidal ideation. I never went on the pill because I was terrified by the side effects. In
I struggled to get pregnant for eight months. Every month I cried when the pregnancy test was negative. Then someone turned me onto an app very similar to the method discussed in the doc. I tracked my temperature each morning and some other information because you cannot get pregnant every day of your cycle, but that’s not what has been drilled into our heads since Sex Ed class in 5th grade. Within three months, I was pregnant, and I knew because of my spike in temperature. I knew before taking a test because I had learned the natural cycle of my body. 

JAGGED
Competitive tablescaping? Yes, you read that correctly. What, praytell, is competitive tablescaping? Well, it’s only the most amazing, strange, imaginative, cutthroat sport you’ve probably never heard of. Each year, under the guidance of a specific theme, competitors create place settings that will either wow or ward off a panel of judges and their fellow contestants. In
Every inch and angle of cutlery and drinking glasses amounts to a point total. Scores are a cumulative system where one tiny mistake could cost you the top prize, which I think is bragging rights and not the 50 cent ribbon. What makes this sport so massively entertaining comes down to the interpretation of the theme and the competitors’ personalities. In
The judging is rigid. The rules are clear, but that doesn’t mean some of the comments aren’t questionable. Gawlik presents this aspect with glorious tongue-in-cheek energy through the film’s editing. But the drama pervades the entire process. A mostly female-dominated pastime, SET! also features a male competitor, Tim, who made his Dr. Suess-themed table on a literal dime. Others spend thousands on a single display. The snark, the tears, and the infighting make SET! something akin to 

Director
You must be logged in to post a comment.