DOC NYC Review: ‘SWIM TEAM’ challenges our idea of winners and losers.

SWIM TEAM

To level the playing field, they had to get into the water.

Official Selection
Hot Springs Documentary Film Festival 
*Winner – Best  Sports Documentary *
New Hampshire Film Festival
Heartland Film Festival 

Napa Valley Film Festival 
DOC NYC

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Synopsis
Demonstrating the power of inclusion to transcend disability, Lara Stolman’s triumphant film profiles members of the Jersey Hammerheads, a competitive swim team made up of a diverse group of teens on the autism spectrum, based in the state with the highest rate of autism in the country. Through training and competition, star athletes Mikey, Robbie and Kelvin gain self-confidence and social skills that serve them both in and out of the pool.

SWIM TEAM was selected for the Independent Filmmaker Project’s Project Forum in 2015 and in 2016 was selected to participate in the IFP Documentary Completion Lab. During production, filmmaking team received grants from New York Women in Film and Television, the Loreen Arbus Foundation and the Karma Foundation.

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SWIM TEAM is one of many recent forays into the challenging world of raising children on the autism spectrum. Films like Autism is Love and Life Animated visually bring us mostly into the the subjects’ present lives as adults. Swim Team follows 3 high school boys on their journey for acceptance and self actualization through a team sport. As a society, we must make sure that we aren’t lumping these children together. Broadly labeling them “on the spectrum” has become such a blanket term that it’s easy to categorize and limit them. If you listen to only “the experts” you might be hindering the individual growth and abilities of each child. Mikey, Kelvin, and Robbie are three completely different kids. Swimming for them is the continuation of learning discipline, self control, leadership, self esteem and a massive lot of life skills often overlooked in a school environment, so parents teach their son and daughters to swim from young age, there are even female swimming teams, so parents get Swimwear for Baby Girls and start teaching their girls from young age. We can all learn from director Lara Stolman‘s work. We need more insight as parents, teachers, administration on ways that we can help level the proverbial playing field at all times. Showing other children through our actions and words that we can all be more patient, loving, and understanding. Swim Team, through their journey to the Special Olympic games, will give you hope that kindness and heart can be a guiding light for families from all backgrounds. Autism doesn’t discriminate. It doesn’t care about race or socioeconomic background. The Hammerheads of New Jersey are a team of extraordinary kids, parents, and coaches trying to make a difference in the world one stroke at a time.

New York Premiere at DOC NYC in the Jock Docs Section
Thursday, November 17th at 7:30pm
SVA Theater: 333 West 23rd street, between 8th and 9th Avenues


Directed and Produced by: Lara Stolman (Portraits of Survival)
Co-Produced and Edited by: Ann Collins (Academy Award-nominated Sound and Fury)
Director of Photography: Laela Kilbourn (Twenty Feet From Stardom, American Teen, Emmy-nominated Word Wars)
Original Score by: Mark Suozzo (Metropolitan, Barcelona, Last Days of Disco, Love & Friendship, Sound and Fury)
Produced by: Shanna BelottFor more information, please visit: http://www.swimteamthefilm.com
Doc NYC Website: http://www.docnyc.net/film/swim-team
RT: 100 Minutes

Social Media:
Twitter: @SwimTeamTheFilm
Facebook: @SwimTeamTheFilm
#swimteamthefilm

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DOC NYC Review: ‘AFTER FIRE’ proves that women in the military are not equal.

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Synopsis: Set in the military outpost of San Antonio, Texas, AFTER FIRE highlights the challenges faced by the fastest-growing group of American veterans: women, who now account for one in five new recruits to the U.S. Armed Forces. Demonstrating courage during their military service and resilience in its aftermath, Brittany Huckabee’s subjects candidly confront the fallout of their experiences on their personal lives as they adjust to the civilian world. The film throws a spotlight on the human toll of rape in the military, combat injuriesand bureaucratic dysfunction, telling a universal story about strength in the aftermath of trauma.
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Considering we have an individual heading into the highest office in the land that has repeatedly admitted on and off camera how much he disrespects women, how can we expect our female military personnel to feel any safer than they do now? With a long history of unreported sexual assault in the military, where 1 in 5 women reports PTSD, and 1 in 5 reports rape and MST or military sexual Trauma, how do we, as a country, ensure these brave people that we stand up for them? AFTER FIRE takes a peek into the lives of a few women living with the emotional and physical wounds of MST. The film addresses the gender inequality in an already broken V.A. system. The likelihood of a PTSD claim based on rape only has a 40% chance of being approved since the victims are held to a much higher standard of proof. How do these women survive after something so heinous? Mostly by putting on a brave face. One of the subjects explains that in the military you are, “trained to respond and react, and not to show any emotion about it.” So what happens in an environment dominated by men when only half of all assaults get reported to begin with, what can we do to change the system? We talk by listening. We start by believing. We start by standing up for one another. In this volatile moment in our American history, we need to start caring more about one another, come out into the light, and take action. AFTER FIRE shows us the slow torturous burn of keeping secrets and wearing emotionally scars on our sleeves. These women fight to protect us, the least we can do is protect them.2_after-fire_roberta-anthem

 RT: 90 Minutes
A Transform Films Inc. Production
World Premiere at DOC NYC in American Perspectives Section
Friday, November 11th at 7:00pm (IFC Center) – Premiere Screening
Monday, November 14th at 10:15am (IFC Center)
Film Subjects Expected to Attend Premiere: Valerie Sullivan, Roberta Castaneda, Laly Cholak, Kevin Sullivan

NYFF54 Review: ‘PATERSON’ is poetry in every sense of the word.

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PATERSON written and directed by Jim Jarmusch

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Adam Driver in PATERSON

  • Jim Jarmusch
  • 2016
  • USA
  • 118 minutes

Adam Driver is Paterson, a bus driver who writes poetry and happens to live and work in the city of Paterson, New Jersey, with his effervescent and energetic girlfriend (Golshifteh Farahani). Jim Jarmusch’s exquisite film is set to the rhythm of an individual consciousness and is made under the sign of the great American poet and New Jersey resident William Carlos Williams.

adam-driver-patersonJarmusch does it again with this seemingly simplistic story. The film elegant in that very simplicity. Following Paterson along on his daily routine, which only slight varies as the plot rolls along, we are privy to the everyday moments we often take for granted. We watch his breakfast, eavesdrop on conversations among his route passengers, sit with him on lunch breaks, walking home, and his nightly interactions with local bar patrons, his dog Marvin, and girlfriend Laura. She is a free spirit, artist, baker, and aspiring musician, painting everything in their home in black & white patterns. This is a stark juxtaposition to the lush cinematography when Paterson is out and about. There is an abundance of visual symbolism utilizing time and shadows and even with an almost 2 hr run-time, the film never loses its gentle pace. The beautifully easy score that underlies Adam Driver‘s fantastic voice overs as he writes his poetry in real-time, only serves to highlight how lovely this film truly is. Driver brilliantly portrays a man of calm and old-fashioned demeanor. He is quietly contemplative and extremely well read. With each role, he proves more and more what a star he is.

Review: ‘KING COBRA’ has one hell of a bite.

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Presents
KING COBRA

A Film by Justin Kelly

In Theaters & On Demand October 21stking-cobra_poster2
The description “Gay Porn (True) Crime Drama” is mind bending in its own right. Truly, there is no other way to describe the Tribeca Film Festival hit, KING COBRA. 

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Based on a stranger-than-fiction true story, King Cobra is a deliciously dark, twisted plunge into the behind-the-scenes world of the pornography industry. It’s 2006, YouTube is in its infancy, and internet porn is still behind a paywall. Taking the stage name Brent Corrigan, a fresh-faced, wannabe adult video performer (Garrett Clayton) is molded into a star by Stephen (Christian Slater), a closeted gay porn mogul who runs the skin flick empire Cobra Video from his seemingly ordinary suburban home. But as Brent’s rise and demands for more money put him at odds with his boss, he also attracts the attention of a rival producer (James Franco) and his unstable lover (Keegan Allen) who will stop at nothing to squash Cobra Video and steal its number one star. Co-starring Alicia Silverstone and Molly Ringwald, King Cobra is part delirious, tabloid-shocker satire, part American tragedy.

garrett-clayton-in-king-cobraDirector Justin Kelly‘s intense film comes out of the gate with a bang and does not let up until the final frame. It’s a no holds bar look at the gay porn industry and those inside it. Whether you are at home on your PC, or out and about Amateur Stream will be there for you. Tackling abuse of power, fast money, physical and emotional exploitation of the performers, and beating the competition, King Cobra is truly in your face. Be prepared to have the subject matter front and center. Kelly is not shy about sex scenes and neither are the actors. You’re essentially getting an entire soft core porn with elite Hollywood names and an actual narrative. Go through www.barenights.com.au/male-strippers-melbourne-private-strip-shows-home/ to know more about the private male strippers malbourne.
christian-slater-king-cobra Christian Slater hits a grand slam in this titular role. He walks the thin line of creepy and sad with perfection. Even though you know his character is taking full advantage of his “employees”, somehow you still feel for him. Garrett Clayton, who I had not seen previously, blew me away as our young sought after “Brent Corrigan”. I was convinced they had found a porn star that could, in fact, act really well. franco-and-keegan-allen-king-cobra

James Franco, who I believe gets better and better with each role, is basically as unhinged as it gets. The emotional roller coaster of this rival porn producer/director is nothing short of frightening. But, for me, the absolute star of this film is Keegan Allen. Having followed his role of Toby on Pretty Little Liars since the very beginning, I was not quite sure what to expect. what I experienced was something shocking in the best way possible. Allen’s ability to live this character is unsurpassed by either of his three co-stars. Every breath and beat is filled with backstory and nuance. It is a fearless performance. It’s about as far cry from PLL as you can get. With the series coming to an end in 2017, I cannot wait to see what he takes on next.

Running Time: 92 minutes

In Theaters & On Demand October 21st

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Official Website: http://www.ifcfilms.com/films/king-cobra

Social: @KingCobraMovie / #KingCobraMovie

Review: ‘THE LATE BLOOMER’, Kevin Pollak’s directorial debut, is based on a true and hilarious story.

latebloomer_th_1sht_lr_proof_2_revSometimes, when you get really lucky, you get to be part of movie history. When Kevin Pollak got the call that he was going to direct a movie version of Ken Baker‘s Book, “The Late Bloomer: A Memoir of My Body”, I was in the room. We were just sitting down for a small roundtable interview for his Tribeca Film Festival Film documentary Misery Loves Comedy, when he got a call he had to take at the table. When Kevin Pollak needs to answer the phone, you sit politely and attempt to eavesdrop. There was no need, as he hung up the phone and eagerly explained that he’d be directing a comedy about a kid who doesn’t hit puberty until his 20’s… and that it was based on a true story.
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The story of an adult male who, after the successful removal of a benign tumor resting against his pituitary gland, experiences all the changes and effects of puberty over a three-week period.

While the cast is beyond tremendous, sometimes the jokes just fall flat. The premise is outstanding so I leave it up to the audience this time to decide whether or not to catch this one. Check out the trailer below for a pretty fun preview.
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THE LATE BLOOMER
In Select Theaters and On Demand / Digital HD: October 7, 2016
DIRECTOR: Kevin Pollak
WRITER: Screenplay By Joe Nussbaum, Mark Torgove, Paul A. Kaplan, Kyle Cooper, Austyn Jeffs, Story By Joe Nussbaum and Gary Rosen, From the Book “The Late Bloomer: A Memoir of My Body” by Ken Baker
CAST: Johnny Simmons, Maria Bello, Brittany Snow, Jane Lynch, J.K. Simmons, Kumail Nanjiani, Beck Bennett, Paul Wesley
GENRE: Comedy
DISTRIBUTOR: Momentum Pictures

Trailer & TEDtalk: ‘THE UNCONDEMNED’ is a riveting documentary about an underdog group of lawyers and activists who defied the odds to do what had never been done: prosecute rape as an international war crime

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Presentsthe-uncondemnedthe-uncondemnedposter

In Theaters Starting Friday October 21st

A film by Michele Mitchell and Nick Louvel

Featuring Original Music by Aloe Blacc and Maya Jupiter

Watch their Live performance of ‘Smile’ at Global Citizen

Michele Mitchell is a longtime investigative reporter, journalist and author who has covered politics and social issues for outlets such as PBS and CNN Headline News. A leading expert on the topic of rape and war crimes, and a passionate activist, Michele was a featured speaker at the Global Citizen Symposium in New York in September and just last year did a TEDTalk, What’s Rape’s Brand?

THE UNCONDEMNED is a courtroom drama, turned upside down when three brave women came forward to tell their story. THE UNCONDEMNED is a riveting documentary about an underdog group of lawyers and activists who defied the odds to do what had never been done: prosecute rape as an international war crime. In 1997, the young men and women at the International Criminal Tribunal for Rwanda found themselves inexplicably in charge of the first case of genocide in history. Underfunded, understaffed and overwhelmed, they faced incredible hurdles as they pursued their first case against a small town mayor. Crimes of war and against humanity had not been prosecuted since 1946, and surviving witnesses feared for their lives. And then, based on a last minute revelation, the prosecuting team amended the charge to include rape. Three heroic women would overcome their fears and shame to speak for all those who could not. Secret memos, witness assassinations, setbacks and barriers – THE UNCONDEMNED captures the untold, remarkable story that changed the course of international judicial history.

For more information, please visit: http://www.theuncondemned.com/#the-film

Featuring:

Pierre Prosper (Lead counsel for the Prosecution,Office of the Prosecutor vs. Jean-Paul Akayesu)

Sara Darehshori (Co-counsel for the prosecution,Office of the Prosecutor vs. Jean-Paul Akayesu)

Patricia Sellersn (Legal Advisor for Gender, International Criminal Tribunal for Rwanda and International Criminal Tribunal for Yugoslavia)

Binaifer Nowrojee (Researcher for Human Rights Watch in the Women’s Rights Division)

Lisa Pruitt (Gender Consultant for International Criminal Tribunal for Rwanda)

Godelieve Mukasarasi (Director, SEVOTA)

And the courageous women of Rwanda that testified at trial

NYC Theater: Landmark Sunshine (10/21)

LA Theater: Laemmle Royal (10/28)

Social Media:

Facebook: @TheUncondemned

Twitter: @TheUncondemned

Instagram:@TheUncondemned

Review: ‘JACK GOES HOME’ proves that Rory Culkin is terrifyingly good at his job.

jackgoeshome_theatrical_27x39They say you can never go home again. Maybe some of us should heed this advice depending on the skeletons in our closets. In Thomas Dekker‘s new film JACK GOES HOME, Rory Culkin finds himself playing the title character whose loss might be his greatest gain. Or maybe it’s the other way around.
r1I’ve see a horror film or two in my day, but I’ve never seen anything like Jack Goes Home. The story appears to be straight forward: Jack’s parents are in a car accident. His father dies and he goes home to take care of his mother, who has survived. When something goes bump in the night, he is compelled, by his father’s own words, to explore his childhood like never before. It doesn’t take too long before things get weird. Grief can make people act in funny ways, but this film takes it to a whole other level. Dekker’s script is off the hinges with scares both physically and emotionally. You’re never quite sure who is fooling whom. rl1With genre veteran Lin Shaye as Jack’s mother, you’re immediately thrown for a loop. Her presence is this insane mix of calming and unnerving. Each scene she appears in makes your skin crawl. Rory Culkin is more intense with each role he takes on. Following up on his fierce performance in Gabriel, there is no doubt this young man is a star. Jack is one hell of a character and when the film has the balls to open by having him break the fourth wall, you know you’re in for a ride. Each scene tops the next in mystery and fear and Culkin is the driving force behind your unease. As the credits rolled I thought, “What the hell did I just see?!” Then in watching the trailer again, I had so many more questions and theories. This is a film I’ll be speculating about for some time. It begs for multiple viewings.

JACK GOES HOME hits US cinemas and VOD on Friday, October 14th, from Momentum Pictures.

Motion Picture Rating (MPAA) Rated R for disturbing violent and sexual content, language throughout, and drug use.

Review: ‘CLOWNTOWN’ is as frightening as it sounds.

clowntown-final-dvd-artThanks to the likes of Stephen King, Poltergeist, and American Horror Story clowns are not cool. Lately, in fact, people dressed as clowns are attempting to lure small children into wooded areas in middle America. Why? That’s just sick! In Tom Nagel‘s new film CLOWNTOWN, a group of friends is stranded in what appears to be an abandoned town, until crazies dressed as clowns try to kill them. clowntown-still-8There is good, bad, and ugly about this film. We’ll start with the bad. The story is missing just enough explanation to bother me. The back story does not go  far enough into the connection of why. That’s all I’ll say for now, because I do think the film deserves an audience. The ugly, while I’m being relatively nit-picky at this point, is as follows. The film runs long. It could have been much tighter getting to the “good stuff”. That’s basically all in that category. And now, for the good or I should actually say, the great: the acting. I have to say, with the exception of one character, this film has exceptional performances. I have to give our leading ladies a shout out for the level of terror portrayed on their faces. It reads completely genuine to me. Our clown friends are beyond unsettling. On the whole, I was impressed on this front. My favorite part of the entire film has got to be the opening scene. It harkens back to classic horror tropes featuring a babysitter and the creepy kids, brief gratuitous nudity included. It was a fantastic intro  to a story that had all the potential in the world. Also, high five for the homage final shout. I’ll let you discover that fun gem on your own.clowntown-still-12

Clowntown  opens in theaters tomorrow, September 30th.

TITLE: CLOWNTOWN
IN THEATERS: September 30, 2016
DIRECTOR: Tom Nagel
WRITER: Jeff Miller
CAST: Brian Nagel, Lauren Elise, Andrew Staton, Katie Keene, Jeff Denton
SYNOPSIS: A group of friends get stranded in a seemingly abandoned town and find themselves stalked by a gang of violent psychopaths dressed as clowns.
GENRE: Horror
DISTRIBUTOR: ITN Distribution

Review: ‘I.T.’ sees Pierce Brosnon fight firewall with firewall.

i-t-posterIn a world where our entire life exists online, we are constantly in danger of being hacked. Using tools like an IP Reputation Checker can help us identify potential threats and ensure our online safety. Think about it. We bank online, send photos, texts, emails, shop, pay bills, you can now lock and unlock your front door via an app. We take our security for granted. The recent yahoo hack should prove another warning to folks to check privacy settings, though no matter what we do, that vulnerability may never go away. In the new film, I.T., Pierce Brosnan plays a man whose life couldn’t be better, until one man decides he has too much. it_pr-still_06479Mike Regan is about to launch “the Uber for private jets” in a new app roll out. When his company hires new tech Ed, who seems to have all the quick fixes, Mike invites him inside his home to tweak the glitches in his smart home. Unable to understand social cues after a short period of time, Ed becomes obsessed with taking Mike down notch by notch. Nothing is off-limits. Ed put Mike’s business, reputation, and family in harm’s way. His actions prove detrimental, but Mike will not allow his entire life to be destroyed. He has to fight firewall with firewall.it_pr-still_01312
Brosnan is a solid is ever. His commanding presence is never in question and there are some great moments in this thriller in which I believe his former role as 007 give him a more natural physical step. With solid performances from Anna Friel as wife Rose, Stefanie Scott as his daughter, and Michael Nyquist as specialist Henrik, the film’s pace is quick and intense. The real star of this film is hands down our villain played by James Frenchville. His ability to change emotional direction on a dime is something akin to Ryan Reynolds performance in The Voices, combined with the creepiness of Robert Di Nero in Cape Fear. it_02844I.T. will do nothing less than make you rethink the devices in your hand and how you use them. In a present day where a foreign country is hacking a major political party in real life, that’s awful enough. Perhaps, though, we should be more afraid of the troll in a basement with nothing better to do than destroy others.
I.T. is in theaters today as well as on VOD.

TITLE:  I.T.
THEATRICAL AND VOD RELEASE DATE:  September 23, 2016
DIRECTOR:  John Moore
WRITER:  Dan Kay, William Wisher
CAST: Pierce Brosnan, James Frecheville,  Anna Friel, Stefanie Scott, Austin Swift
SYNOPSIS:  Mike Regan (Pierce Brosnan) is a successful, self-made man who has it all: a gorgeous wife, a beautiful teenage daughter and a sleek, state-of-the-art “smart home.”  But he soon finds himself in a deadly, high-stakes game of cat-and-mouse when his I.T. consultant, Ed (James Frecheville), starts using his skills to stalk Mike’s daughter and endanger his family, his business,and his life.  In a world where there is no privacy, and personal secrets can go viral by the click of a mouse, Mike needs to rely on his old connections to defeat a new kind of nemesis.
GENRE: Thriller
DISTRIBUTOR:  RLJ Entertainment

 

Review” ‘SOUTHWEST OF SALEM’ tells the story of ‘The San Antonio Four’ and their ongoing pursuit for exoneration. #FREETHESA4

SOUTHWEST OF SALEM: THE STORY OF THE SAN ANTONIO FOUR, opening in NEW YORK on SEPTEMBER 16 at CINEMA VILLAGE.SOUTHWEST PF SALEM posterMore often than not, when we think about our legal system today, perhaps the word that comes to the mind of many is “Injustice” How much does personal belief, whether religious or political, sway the decision of a DA’s office or a jury. My husband recently served on a jury here in Manhattan, on a relatively well known case. After his month long ordeal, he stated, “In some alternate universe, if I was ever thinking about breaking the law, well, God help me. A jury of my peers is anything but.” He explained that the particular jury he served on contained individuals who slept during proceedings, doodled in their notebooks, sighed audibly in court, and verbally fought to be excused on a daily basis. He cannot imagine what it would have been like had he been the defendant. In a very important documentary, SOUTHWEST OF SALEM, four women, who happen to be lesbians, were convicted of a heinous crime based upon a modern day witch hunt. In Texas, their jury was most certainly not comprised of their peers. sothwest-of-salem-san-antonio-4

“The San Antonio Four” — Elizabeth Ramirez, Cassandra Rivera, Kristie Mayhugh, and Anna Vasquez. They are four Latina lesbians wrongfully convicted of gang-raping two little girls in San Antonio, Texas. However, the evidence was never there. The San Antonio Four continues to fight against mythology, faux-science, homophobia, and the prosecutorial fervor in their continuous struggle for exoneration in this riveting ‘True Crime’ tale. The suffering, outlandish, and baseless accusations caught one man’s attention who helped to garner the support of the Innocent Project.

 In 2012, writer Maurice Chammah‘s New York Times coverage “Fighting to Exonerate Texas Women Convicted of Child Sexual Assault ” goes into details of the four women’s ordeal.  In February 2016, Texas-based Judge Pat Priest released the ruling that these women are entitled to new trials but not exoneration. The fight to free the innocent continues.

southwestofsalem3Directed by filmmaker journalist Deborah Esquenazi, this emotional documentary first made its big splash earlier this year at the Tribeca Film Festival and received audience accolades. It recently garnered Grand Jury Award at 2016 Outfest and Outstanding Documentary Jury Award at the 2016 Frameline Film Festival.

This film is so essential in aiding these four innocent women in their complete exoneration. In the 80’s and 90’s there existed this idea that satanic cults were operating inside day cares and preschools. This strange concept infiltrated DA and child protective service offices across the country. The suspects brought forth in these cases were predominantly homosexual or suspected to be so. In this case in particular, the children were labeled as being “offered up” as “sacrificial lambs”. Anna states the bias was ripe through the prosecution, essentially telling the jury, “this is what gay people do.” One man, a professor in the Yukon, gets wind of this story. A man named Darrel Otto, goes to bat for these women, reaching out to Liz Ramirez, then contacting The Innocence Project of Texas. The ball starts rolling. Changes in science, recantations, the changing of the times, people are finally getting on board with the truth. But the road is long and slow. These women need our help.

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Watching this documentary is devastating. The lives impacted by these lies, the damage done. I cannot imagine the heartache of Anna, Liz, Cassie, and Kristie, and their loved ones have endured during these many long years. What these four beautiful, strong women, need more than anything right now, is your support, belief, and fight. Call, text, tweet, share their story. They deserve new trials. They deserve complete exoneration. They deserve justice.

You can find out more about this extraordinary story by seeing the film now in New York, and September 30th in LA. Investigation Discovery has recently acquired the television rights and will be airing the film in October, if you’re unable to make it to the theaters.

Southwest of Salem – Festival Trailer from Deborah S. Esquenazi on Vimeo.

SOUTHEWEST OF SALEM- by Deborah S. Esquenazi

OPENING SEPTEMBER 16– NEW YORK- CINEMA VILLAGE

SEPTEMBER 30– LOS ANGELES – LAEMMLE MUSIC HALL BEVERLY HILLS


HERE ARE SOME CLEAR STEPS YOU CAN TAKE RIGHT NOW TO HELP THE SAN ANTONIO FOUR WITH THEIR EXONERATION BATTLE

 

1.  Call 1-210-335-2311 and ask for District Attorney Nico LaHood’s office.

Here’s what to say: “I am angered by Judge Pat Priest’s ruling to not recommend exoneration for Elizabeth Ramirez, Cassandra Rivera, Anna Vasquez, and Kristie Mayhugh. I want Nico LaHood and the District Attorney’s office of Bexar County to take a stand on the San Antonio Four case to declare actual innocence and have the women exonerated for their wrongful convictions.”

2.  Tweet/Facebook the district attorney’s office to take a stand!

Twitter: @BexarCounty @Nico4DA Take a stand about the @SanAntonioFour injustice! Recommend exoneration #FreetheSA4 @IPofTexas #southwestOfSalem

Facebook: I am angered by Judge Pat Priest’s ruling to not recommend exoneration for Elizabeth Ramirez, Cassandra Rivera, Anna Vasquez, and Kristie Mayhugh. I want Nico LaHood and the District Attorney’s office of @Bexar County to take a stand on the San Antonio Four case to declare actual innocence and have the women exonerated for their wrongful convictions. #FreetheSA4 #SouthwestOfSalem

Review: ‘THE VESSEL’ is a struggle between grief and belief.

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In Theaters September 16, 2016

Starring:

Martin Sheen (TV’s “The West Wing,” Apocalypse Now)

Lucas Quintana (Wing it, Death of an Ally)

Jacqueline Duprey (Under Suspicion, Entre Nos)

Aris Mejias (Gabi, “Incógnita”)

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Lucas Quintana; Credit: Courtesy of Outsider Pictures

When tragedy strikes, your universe can crumble. Everything you know can seem confusing or useless. Darkness takes hold. We search for the smallest meaning to turn our sadness into joy once more. In THE VESSEL, one man is burdened with being the guiding light for a small coastal town, following the sudden death of all its elementary aged children.

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Aris Mejias; Courtesy of Outsider Pictures

Martin Sheen‘s performance as a well-meaning priest is genuine and grounded as always. The Vessel was filmed in both English and Spanish, which is an incredible feat for any American actor. Once again teaming up with Terrence Malick (executive producer), the two would have the opportunity to seemingly readdress a series of meaningful conversations in Paris in 1981 in which Sheen’s Roman Catholic faith was restored. Playing our other leading man, Leo, is Lucas Quintana. His strong but never forceful presence is the perfect companion character for the audience to follow. We are 100% on his intellectual journey throughout. Both Jaqueline Duprey and Aris Mejias, as Leo’s Mother and Soraya respectively, give heart-rending performances as two women whose grief controls their daily lives and sanity.

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Lucas Quintana; Courtesy of Outsider Pictures

One thing that must be mentioned is the ethereal score of this film. It is, in itself, an entire character. The music is emotionally entrancing, at moments giving me chills. The Vessel presents a world in which religion and the supernatural collide. A town frozen in time and mourning experiences a miracle that breathes new life into its people. But disappointment leads to anger and hysteria. It’s a visually lovely film in which color plays a huge role. Bravo to director Julio Quintana for assembling a masterful piece of work.

Music, Dancing, Fireworks, Childbirth. In an unnamed coastal town somewhere in Latin America, these are just a few things that vanished from a small fishing village after a massive tidal wave crushed the local elementary school, washing forty-six children out to sea.  Father Douglas (Martin Sheen) urges the grief-stricken mothers to have more children, but they refuse, locked in a state of perpetual mourning. Until one night when a local young man slips off the pier and drowns, only to mysteriously waken three hours later.  “Could this be a sign from God?” the townspeople wonder.

1 Filmmaker, 3 Films: An Introduction to writer/director Steve Balderson

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Steve Balderson has been shattering the industry mold for years. This week, his film praised by Roger Ebert as one of the best films in 2005, FIRECRACKER, has its 10th Anniversary screening. Beginning in a micro studio is Kansas, Steve finally made the jump to Hollywood this year. Today, we’ll bring you 3 reviews and an interview with Steve. Get inside the mind of a man who easily crosses genre lines and does it without the budgets and connections of his predecessors. Ladies & Gentlemen, Steve Balderson.


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This is pitch perfect black comedy with the gore of a horror industry master. Clearly inspired by Twin Peaks, this film is so over the top, it leaves you begging for more. you can read my full review here.


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Theatrical Release, Sept. 9th-15th at Arena Cinemas
El Ganzo is just about the opposite end spectrum from HELLTOWN. Never in a million years would you guess they were created by the same filmmaker. That is  what makes Balderson so interesting. El Ganzo is the story of Lizzy, a woman whose past is as much of a mystery to the audience as it is her her. When she arrives at the El Ganzo hotel in Mexico, she is disoriented and bag less. all she knows is that she’s checked in and searching for something. She comes across another guest, named Guy. He too is a wandering soul, looking for artistic and spiritual inspiration. Together they forge an immediate bond in trying to understand the needs and desires of the other. el-ganzoThe score is stunning, the cinematography might as well be an add for the landscape and the local sites. Susan Traylor, as Lizzy, is haunted and ethereal. Anslem Richardson, as Guy,  is soft and magnetic. Someone, two people who should have nothing in common create a world of self discovery and forgiveness. Written in collaboration with Traylor, Richardson, and Balderson, the dialogue runs in circles at moments, keeping you on your toes constantly. El Ganzo has a quiet elegance that will capture your heart.susan-traylor-ans-anslem-richardson-in-el-ganzo


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10th Anniversary Screening Sept. 10th at Arena Cinemas

Horror legend Karen Black appears in this most unusual story. A young boy from an abusive home longs for escape, while a singer from a carnival longs for the same. When their worlds collide, tragedy strikes. black-and-white-firecrackerThis is one of those films where seeing is believing. The striking visual scope of Firecracker is just one of the things that makes it so unreal. Half in black & white and the other half in overly saturated color, the emotional story lines are hard drawn. Paying almost direct homage to FREAKS, (and far before it’s time, Jessica Lange’s leading lady in Season 4 of American Horror Story) FIRECRACKER is disturbing in so many ways. firecracker-mike-patton-and-karen-black-color-stillBlack plays duels roles, as both the carnival chanteuse and mother with a severe case a PTSD. Son Jimmy is caught between both worlds. The emotional grip this strange tale holds upon the audience is something to experience in the theater, in the dark, on a big screen, surrounded by others experiencing it for the first time. firecracker-013


I was fortunate enough to chat with Steve last week. Here our fun interview.

For even more info on Steve Balderson, you can check out his website.

Steve Balderson – Director

After attending CalArts Film School, Steve Balderson had something many film makers don’t achieve in a lifetime: a fully realized artistic vision.  At the young age of 23, he made his first full-length feature film, PEP SQUAD, which became a cult classic.  His second film, FIRECRACKER, starring Karen Black and Mike Patton, was praised by critics worldwide and given a Special Jury Award on Roger Ebert’s list of 2005’s Best Films.  His third film, WATCH OUT, was praised by critics as one of the great cult films of all time and shortlisted for Best International Feature in various film festivals.  In 2011, the U.S. Library of Congress selected his film THE CASSEROLE CLUB for its permanent collection.  Film Threat magazine says, Balderson makes movies that are so gorgeous that it’s not unreasonable to say that, cinematographically at least; he’s the equal of an Argento or Kubrick in their prime. Some people have perfect vocal pitch, Steve has perfect visual composition.  Interested not just in film but also architecture, design and elements of time and space, Balderson’s milieu is all-inclusive and his work bears an unmistakable, individual stamp.  Though he chuckles when he says his idea of a good time is going out to sketch a story board, he’s not kidding.  Driven and prolific, Balderson happily shares his secrets in Maverick Filmmaking Workshops, where he instructs and inspires filmmakers young and old.

 

Review: ‘LONDON ROAD’ brings an eerie tune to the big screen.

BBC WORLDWIDE NORTH AMERICA

PRESENTS

LONDON_ROAD_poster

Based on the groundbreaking musical from London’s National Theatreimage

STARRING:

Olivia Colman, Anita Dobson, Tom Hardy

And the entire original cast from the London play

DIRECTED BY: Rufus Norris

WRITTEN BY: Alecky BlytheLondon Road Still 5

If you anything like me and millions of other curious cats across the land, you spend far too many hours watching ID channel, MSNBC news crawls, and anything resembling true crime television. Or, you might be like the other half of me. The one who grew up on musicals, studied them in school, directed them as an adult… or something of the like. Well, you smack a murder mystery grabbed directly from the headlines, set it to music, and put it on the big screen, you’ve got my attention. LONDON ROAD is based upon real life interviews with the residents of Ipswich, England in 2006, after the murders of a handful of prostitutes. Turning a small neighborhood upside down, there is a killer on the loose and everyone is on edge. When someone goes on trial, suspicion still looms large as this community tries desperately to work through the confusion and mark of death.
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Imagine if you took Sweeney Todd and combined it with Parade, then set it in today’s overly saturated news media era, that is London Road. Based upon Alecky Blythe‘s hit stage play and same original cast, the film is nothing short of haunting delight. Through clever editing director Rufus Norris and writer Blythe have created an entirely new narrative for film around the audio. Utilizing the same “lyrics” sung by multiple characters, it becomes a swirling chorus of melancholy and dark madness.

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LONDON ROAD is the perfect example that truth is stranger than fiction. The musical numbers are beautifully choreographed in the most nontraditional way, adding to suspense and interest. A nice bonus during the end credits is the actual recorded audio from the real townspeople. It’s amazing how such simple words set to hypnotic beats take on a new life and brand new meaning in and out of context. The cast is a dream, from Olivia Colman, to Tom Hardy, to Paul Thornley, there is not one misstep. I can see why the National Theatre’s run was sold out. Do not miss this opportunity to see a unique presentation of chilling brilliance.

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LONDON ROAD is a verbatim musical – which makes this a very unique and non-traditional film.

Writer Alecky Blythe used the exact words from her interviews with the of residents of Ipswich, England to create the lyrics, which were than set to an innovative score that was inspired by the dialects and intonations of these residents.

LONDON ROAD documents true events that occurred in 2006, when the town of Ipswich was shattered by the discovery of the bodies of five women. The residents of London Road had struggled for years with frequent soliciting and curb-crawling on their street. When a local resident was charged, and then convicted, of the murders, the community grappled with what it meant to be at the epicenter of this tragedy. Using their own words set to an innovative musical score, LONDON ROAD tells a moving story of ordinary people coming together during the darkest of experiences. The stage production ‘London Road’ was an immediate hit and earned five-star reviews when it premiered at the National Theatre in 2011.  It returned to the stage in 2012 for a sold-out run.

Not Rated

Runtime:  93 minutes

NEW YORK – SEPTEMBER 9, 2016

Village East Cinema (181-, 189 2nd Ave, New York)

LOS ANGELES – SEPTEMBER 16, 2016

Sundance Sunset Cinema (8000 Sunset Blvd, Los Angeles)

Laemmle’s Playhouse 7 (673 E Colorado Blvd, Pasadena)

Review: ‘MAX ROSE’ sees legend Jerry Lewis in his first live-action film in two decades.

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Presents

 MAX ROSE

Max Rose Poster starring Jerry Lewis

In Theaters September 2nd

Starring: Jerry Lewis, Claire Bloom, Kevin Pollak, Kerry Bishé, Dean Stockwell, Mort Sahl, Illeana Douglas, Rance Howard, and Lee Weaver

Written and Directed by: Daniel NoahMax Rose still Jerry LewisDrawing on personal experiences tends to be a pretty successful way to tell a story. Raw emotion tends to translate from page to screen, especially if you have a legend bringing your words to life. Jerry Lewis makes Daniel Noah‘s new film a beautiful and heart-wrenching winner. MAX ROSE tells the story of a retired jazz pianist whose world is sent into a tailspin after he finds a letter given to his wife. Who is the mysterious author? This could change everything he’s ever known.kerry bishe and kevin pollak

After the death of his beloved wife Eva, Max finds a relic from her past, along with a love letter from a man who is not him. Adjusting to a new life in which everything feels like a lie wreaks havoc on everyone connected to Max. His granddaughter Annie  becomes his surrogate caretaker, while he pushes away any attempt from his son to help. Max is on a mission to find the truth while attempting to maintain any sense of self or fraction of happiness. Noah’s script is delicate and intense. There is possibly  no other actor able to fill this role other than Lewis, who returns in his first live-action role since Funny Bones in 1995.

The cast is unreal. Kevin Pollak as Max’s son Christopher, is solid as ever. He plays a pragmatic man who yearns for the affection and approval of his Dad. The volatility between the two is so palpable on screen, it’s a joy to watch from any cinephile’s perspective. Kerry Bishe plays Annie. Soft and loving and seeking her own way in the world. Dean Stockwell‘s appearance, is surprising and welcome. Since Stockwell will forever be “Al” from Quantum Leap, seeing him as a much more emotionally stunted man on his death-bed was fantastic.Max rose still

The entire film revolves around the ability of Jerry Lewis to be on his toes. He does not disappoint. This film is a reminder of how truly incredible this man is. It’s not easy to tell the story of an octogenarian in a new and interesting way. There are so few films that center around an elderly main character. Cocoon and Driving Miss Daisy (both starring Jessica Tandy), Nebraska, The Best Exotic Marigold Hotel, Amour, and Harold & Maude are a few wonderful examples, but even they must have a been a hard sell at some point. With Lewis as our main man, we happily sit up and take notice. Everything from tone to timbre is perfection. Noah should be proud of this exemplary sophomore film. MAX ROSE deals with many relevant issues, such as loss, life transition, and hope. No matter the age of the viewer, there will be an instant connection in both story and performance.

MAX ROSE comes to opens Friday, September 2nd

MAX ROSE, featuring the legendary Jerry Lewis in his first starring role in over two decades, is a deeply moving drama about a retired jazz musician whose beloved wife of nearly six decades has just passed away. Though his career wasn’t everything he hoped for, Max always felt like a success because his beautiful, elegant Eva was by his side.  Then, while going through her effects, he discovers a love note from another man, a shocking revelation that leads him to believe his entire marriage, indeed, his entire life, was built on a lie. Following a period of anger and withdrawal, Max decides to confront the man who “stole” his wife in the hope that what he learns will provide the answers he so desperately needs.  A film about reconciling the past, living in the present, and never stopping to plan for the future, MAX ROSE was written and directed by Daniel Noah,   Rounding out the cast are Claire Bloom (as Eva), Kevin Pollack, Kerry Bishe, Mort Sahl, Dean Stockwell, Rance Howard, and Lee Weaver.

Review: ‘ACE THE CASE: MANHATTAN MYSTERY’ features a little gumshoe with gumption.

gravitas and kaufman logosPresents

ACE THE CASE : Manhattan Mystery

A plucky kid puts herself in peril when she matches wits with three scheming criminals in a suspenseful Manhattan mystery and family comedy.

Ace The Case: Manhattan Mystery

Starring:

Ripley Sobo ( Broadway shows “Matilda” & “Once”)

Susan Sarandon (The Meddler, Thelma and Louise)

Lev Gorn (TV’s “The Americans”)

Aaron Sauter (Detachment, TV’s “Alien Dawn”)

Written & Directed by:

Kevin Kaufman (“The Perfect Murder,”  “I Married a Mobster”) Ripley sobo ATC:MM

Left in the care of her teenage brother Miles (Aaron Sauter) while their mom is out of town, 10-year-old Olivia Haden (Ripley Sobo) takes her dog Charlie for a late-night walk and witnesses a brazen kidnapping on the deserted streets of New York City. But when she tells Miles what she has seen, he dismisses her, and when she reports it to the NYPD, only a sympathetic detective named Dottie (Academy Award®-winner Susan Sarandon) will even listen. Without solid evidence, there’s nothing Dottie can do, so the intrepid tween sets out to solve the crime herself. Facing down a trio of bumbling crooks, a mysterious fixer toting an oversized bun- ny, and a rapidly ticking clock, Olivia crisscrosses lower Manhattan in an exciting family-oriented thriller sure to delight kids of all ages, as well as their parents.

Susan surandonAce The Case: Manhattan Mystery has more than meets the eye in story and fun. This film is a perfect family pick, something you might expect to see as a Disney Channel original movie. There is excitement and intrigue for kids and enough off the cuff jokes for Mom and Dad to enjoy. Thanks to the writing from director Kevin Kaufman and Executive Producing by one of New York’s most iconic homicide detectives, Rick Tirelli, the film is filled with twists and turns that will have everyone on their toes. This kidnapping plot is anything but straight forward when it goes from no one believing young Olivia, to too many hands in the pot. You’ve got hi jinx from the criminals, a mysterious goon-type toting a giant bunny, to the only person who took our young heroine seriously in the first place. Enter, Susan Sarandon.

Ripley SoboSusan Sarandon‘s portrayal of Detective Dottie Wheel is subtly hilarious. Her relationship with lead Ripley Sobo is endearing and gentle. Their scenes are the stuff these family films are made of. Playing older brother Miles is Aaron Sauter. The onscreen brother-sister chemistry is adorable and all too believable. I could have watched an entire film just between Miles and Olivia. And now we come to our star, Ripley Sobo. Ripley is an absolute gem. She is sweet, authentic and a real scene-stealer. Dealing with some content that might be a tad aggressive for her age, she handles it like a true pro. The highlight and added bonus is the original musical number at the end of the film, ” Aim High”. Smartly taking advantage of Ripley’s Broadway background, we are treated to a great, completely kid friendly song. I wish there were more numbers for Ripley spread throughout the film. This would have taken this movie to next level status. Perhaps Kaufman will take this into consideration when the sequel comes out- Ace The Case: Curse of the Deadly Diamond. Sobo deserves to shine as much as possible.

In Theaters & On Demand on August 26, 2016

Featuring Original Song “AIM HIGH”

Performed by Ripley Sobo

Written by Michele Vice-Masli

RT: 94 Minutes

Rated: PG-13

http://acethecasemovie.com/

Review: ‘The Mind’s Eye’, an unapologetic homage to David Cronenberg.

THE-MINDS-EYE_THEATRICAL_HICWritten and directed by Joe Begos (Almost Human), The Mind’s Eye reunites him with his Almost Human film star Graham Skipper along with cast members Lauren Ashley Carter (Premium Rush, The Woman), John Speredakos (The House of the Devil), and Noah Segan (Some Kind of Hate, Looper). THE MIND’S EYE is undeniably an homage to  David Cronenberg‘s Scanners. Low budget and over the top schlock are at it’s best and tailored for the midnight audience.

(L-R) John Speredakos as Dr. Michael Slovak and Graham Skipper as Zack Connors in the horror film “THE MIND’S EYE” an RLJ Entertainment release. Photo credit Joe Begos.

(L-R) John Speredakos as Dr. Michael Slovak and Graham Skipper as Zack Connors in the horror film “THE MIND’S EYE” an RLJ Entertainment release. Photo credit Joe Begos.

Here’s the skinny on the plot: A couple with psychokinetic capabilities are held hostage by a whacked out doctor who wants to harness their energy for his own personal uses. If you didn’t know what you were signing up for when sitting down, you might be turned off by the acting, the better for tv cinematography, and a final act that resembles something more akin to a constipation battle than a mind-melding fight to see you who eff up the other person first with their overexerted brain power. But, if you know what you’re in for, you’ve come to the right place.

(L-R) Lauren Ashley Carter as Rachel Meadows and Graham Skipper as Zack Connors in the horror film “THE MIND’S EYE” an RLJ Entertainment release. Photo credit Joe Begos.

(L-R) Lauren Ashley Carter as Rachel Meadows and Graham Skipper as Zack Connors in the horror film “THE MIND’S EYE” an RLJ Entertainment release. Photo credit Joe Begos.

Graham Skipper‘s Zack connors sounds a bit too green in his line readings for my taste, but his look is awesome. His chemistry with Carter is spot on. John Speredakos as the mad Dr. Slovak is so over the top that I’m surprised his character didn’t appear in the Buffy series (which in a strange way is a compliment, I loves me some Whedonverse). The shining star of this film is hands down the performance of Lauren Ashley Carter as Rachel.  Every moment is actually believable, filled with panic, and immensely effective. The entire cast is slotted with actors who are no strangers to the genre. It’s kind of cool to see a little indie horror love-fest going on here.

Lauren Ashley Carter as Rachel Meadows in the horror film “THE MIND’S EYE”an RLJ Entertainment release. Photo credit Joe Begos.

Lauren Ashley Carter as Rachel Meadows in the horror film “THE MIND’S EYE”an RLJ Entertainment release. Photo credit Joe Begos.

The practical effects are on point. This is where The Mind’s Eye excels. Heavy handed with the splatter and some truly sick prosthetic casts, these are the shining moments. In a time where Netflix‘s Stranger Things is blowing up, the release could not be more perfectly timed. Check out the trailer below. The Mind’s Eye arrives in theater today and is available on iTunes and VOD.

THE MIND’S EYE – RLJ Entertainment

IN THEATERS AND AVAILABLE ON VOD AND iTUNES: August 5, 2016
DIRECTED BY: Joe Begos
WRITTEN BY: Joe Begos
CAST: Graham Skipper, Lauren Ashley Carter, John Speredakos, Noah Segan
SYNOPSIS: Zack Connors and Rachel Meadows were born with incredible psychokinetic capabilities. When word of their supernatural talents gets out, they find themselves the prisoners of Michael Slovak, a deranged doctor intent on harvesting their powers. After a daring escape, they are free from his sinister institution, but the corrupt doctor will stop at nothing to track them down so that he may continue to siphon their gifts for his own use.
GENRE: Horror, Thriller
DISTRIBUTOR: RLJ Entertainment

Review: ‘SUN CHOKE’, is a mind melding thriller. In Theaters and on VOD.

SC-Poster-04Nothing makes me happier while watching a film than thinking I’m watching one story and then getting hit with a proverbial 2×4 in plot. It’s a ballsy move that either pays off or loses the audience. In Ben Cresciman‘s sophomore feature as both writer and director, a young woman’s health and sanity are in serious question. With the watchful eye from her lifelong caretaker, can she conquer what lies deep down. Welcome to the oddity that is SUN CHOKE.

Sarah Hagan as Janie in the thriller film SUN CHOKE an XLrator Media release. Photo courtesy of XLrator Media.

Sarah Hagan as Janie in the thriller film SUN CHOKE an XLrator Media release. Photo courtesy of XLrator Media.

This is was truly unexpected and shocking thriller. As the story unravels, we are privy to piecemeal information. Margo has a past, but what it entails is shrouded in mystery. It is PTSD? Why is she under house arrest? Irma is her 24hr watcher, mental health guidance, using extreme tactics to cleanse her body and soul of whatever is haunting Margo. When she is allowed to exit the house after a year, things get weird as Margo attaches herself to  a stranger. Will this woman be Margo’s saving grace or is there something else driving the fascination?

(L-R) Sarah Hagan as Janie and Barbara Crampton as Irma in the thriller film SUN CHOKE an XLrator Media release. Photo courtesy of XLrator Media.

(L-R) Sarah Hagan as Janie and Barbara Crampton as Irma in the thriller film SUN CHOKE an XLrator Media release. Photo courtesy of XLrator Media.

This script takes a sharp left turn and to Crescimun’s credit as a writer, it is pretty out there. While the film has left me with more questions than answers, that is precisely why I enjoyed it so immensely. It bares zero resemblance to anything I’ve seen before. With a crisp, almost sterile, and yet angelic look from Mathew Rudenberg’s cinematography, combined with the chilling original score from Boom Bip, to the  off kilter sound design by Michael Solano, SUN CHOKE will make your skin crawl.

Barbara Crampton as Irma in the thriller film SUN CHOKE an XLrator Media release. Photo courtesy of XLrator Media.

Barbara Crampton as Irma in the thriller film SUN CHOKE an XLrator Media release. Photo courtesy of XLrator Media.

Sarah Hagan, you I know best from her time of Freaks and Geeks, and the final season of Buffy the Vampire Slayer, is a beautiful mixture of helpless and frightening.  With a pretty face and a soft demeanor, her actions throughout the film throw your head into a tailspin. And let’s talk about horror goddess, Barbara Crampton, as Irma. Similar to the character of Margo, the audience is unsure of her intentions. Her timeless elegance and style make her a scene-stealer with what seems like very little effort. I cannot express how wonderful she is in this role. If you want to see the pure acting ability and witness her chops as an actor and chameleon, check her out in one of my favorite films from last year, We Are Still Here, from our friend Ted Geoghegan. I am convinced she is a Time Lord or something akin to a magical creature.

 SUN CHOKE
IN THEATERS: August 5, 2016
AVAILABLE ON VOD and iTUNES: August 2, 2016
DIRECTOR: Ben Cresciman
WRITER:  Ben Cresciman
CAST: Sarah Hagan, Sara Malakul Lane and Barbara Crampton
SYNOPSIS: As Janie recovers from a violent psychotic break, she’s subjected each day to a bizarre holistic health and wellness regimen designed, and enforced, by her lifelong nanny and caretaker. But when she develops an obsession with a stranger, Janie’s buried demons begin to surface.

 

‘BLUEBIRD’ is the newest title available from WE ARE COLONY with behind-the-scenes extras!

we are colony logoThe newest digital release from We Are Colony is from first-time director Lance Edmands (editor of Lena Dunham’s Tiny Furniture) titled BLUEBIRD.  BLUEBIRD-iTunes-Full-Key-Art

Starring Mad Men’s John Slattery, The Leftovers’ Emily Meade, The Good Wife’s Margo Martingale plus a cameo from Girls’ Adam Driver, Bluebird will available to rent and buy in the US from Monday 25th July with exclusive behind-the-scenes extras.

Synopsis:

In the northern reaches of Maine, a local school bus driver becomes distracted during her end-of-day inspection, and fails to notice a sleeping boy in the back of the bus. What happens next shatters the tranquility of her small Maine logging town, proving that even the slightest actions have enormous consequences.

BLUEBIRD Amy Morton & Emily Meade & John Slattery Photo by Jody Lee LipesJeremy got the incredible oportunity to see Bluebird at the Indy Film Fest last year. In his review, he outlines the gutwrenching and effecting emotional hold the film has on it’s audience. I could not have said it better myself, so here are a few quotes from Jeremy’s review:

“…at this year’s Indy Film Fest, Lance Edmands’ Bluebird was far and away my favorite of those that I saw and certainly worthy of the Grand Jury Prize, tops of the fest, as well as the American Spectrum Prize for the best film made by an American director…”

BLUEBIRD Amy Morton Photo by Jody Lee Lipes

“Bluebird is not a heartwarming story and thus not for everyone. It mirrors the bleakness and harshness of the landscape and the season in which it was shot so deftly by Jody Lee Lipes (also known for the great photography of Martha Marcy May Marlene). It echoes Atom Egoyan‘s The Sweet Hereafter, a film I would easily put in the top ten best of the 1990s, in tone and even bears some narrative resemblance, yet it stands on its own and makes us take notice.”

You can read Jeremy’s review in it’s entirety as well as his interview with director Lance Edmands. Take a look at the trailer below.

In renting or owning Bluebird through We Are Colony’s digital platform, you are treated to exclusive behind-the-scenes extras.

For more information on this unique platform: We Are Colony Colony-platform

Review: ‘DON’T WORRY BABY’, Daddy’s got you.


Presents

DON’T WORRY BABYDon't Worry Baby poster

The modern family dynamic can be complicated, at best. With the divorce rate at 50%, blended families are more the norm than anything else. The idea of Mom, Dad, 2.5 kids and a dog no longer fits inside a neat little box. If anything, that’s the oddity now. In the new film DON’T WORRY BABY, writer/director Julian Branciforte takes this concept to a whole new level.

Struggling photographer Robert (Magaro) and his philandering father Harry (McDonald) realize that they each had a one-night stand with the same woman, Sara-Beth (Walker), in the same week. Years later, they realize that either one of them might be the biological father of her adorable four-year-old daughter. They begrudgingly agree to share fatherly duties while awaiting a paternity test.

Don't Worry BabyRobert and Harry are strangely pitted against one another for “father of the year” status, in an awkward competition of responsibility. Robert is not only navigating relationship normalcy but he is grasping to find happiness in general. Harry, in a sad attempt to outdo his son, uses demeaning words and actions to cut Robert down at every turn. Branciforte’s story is immensely compelling, offers moments of surprise and nothing but honesty. The performances all around are outstanding.

Dreama WalkerJohn Magaro‘s Robert battle self-loathing and confusion as he finds his way through career, life and love. This role for Magaro is proof that his natural talent is way more than enough. Chris McDonald‘s Harry is a self-righteous prick coming to terms with his own life long mistakes as father and husband. The performance is something I have to come expect from McDonald’s. There is a reason he has had such a long career. Dreama Walker, as Sara-beth, could have been a throwaway character. The ins and out of a quietly complex young woman were well played by Walker. As the film progresses, we become more and more invested in each role as Branciforte does a wonderful job developing everyone. To believe this story, this is absolutely necessary. With solid smaller roles filled by Britt Lower and Tom Lipinski, some of the film’s most shining moments come from Talia Balsam as Harry’s wife Miriam. The dynamic between Sara-beth and the woman betrayed is an unexpected one, but truly inspiring. Let me not forget to mention how fantastically darling Rainn Williams is as Mason, the young lady there is so much to do about. This little sweetheart is meant to be on the big screen. The chemistry between the entire cast combined with tight direction make this a winner.

Don't worry baby stillDON’T WORRY BABY is ultimately about making amends. Coming to terms with what we’ve created emotionally is a huge task, and it’s one that this film dives into head first. You can catch Don’t Worry Baby in theaters and On Demand this Friday, July 22nd.

In Theaters and On Demand
July 22nd

Starring
John Magaro (Carol, The Big Short, Woody Allen’s Upcoming Series)
Chris McDonald  (Happy Gilmore, Thelma and Louise)
Dreama Walker (CBS’s The Good Wife)
Tom Lipinski (USA Network’s Suits)
&
Talia Balsam (No Strings Attached, AMC’s Mad Men)

Written & Directed By
Julian Branciforte

Review: ‘COLONIA’ holds you captive.

Colonia Poster

How far would you go for love? Would you risk your life to save another? Based on true events, COLONIA is a harrowing thriller that follows the attempted escape from one the most bloody and disturbing cults in history.

SYNOPSIS

Florian Gallenberger’s historical thriller, set around the Pinochet coup in 1970s Chile sees Emma Watson’s (Harry Potter, Noah) Lena forced to undertake a dangerous mission when her boyfriend, Daniel (Daniel Brühl, Rush), is abducted by the Chilean secret police in 1973. Lena tracks him down to Colonia Dignidad, an anti-communist sect run by preacher Paul Schäfer played by Michael Nyqvist (Blomkvist in Sweden’s Girl With A Dragon Tattoo trilogy), where they plot an unprecedented escape.

Emma watson and Daniel Bruhl in ColoniaKnowing that the film is based on true  events makes it that much more intriguing and upsetting. With gloriously elaborate sets and pristine period costuming, the look of Colonia perfectly sets the tone as the story rolls along. Starting with vibrant colors on the political revolutionaries in Chile and turning dark and monochromatic once we arrive at Colonia Dignidad. The script is comprised of vast research on the part of Director Florian Gallenberger. Perhaps what is most disturbing is the fact that I’ve never heard about this happening. You’d imagine something so awful would be much more in the limelight. This is a small but brilliant window into a terrible point in human history.Michael Nyqvist and Emma Watson in The Colony (2015)Emma Watson is simply a more grown up and matured star now. Tackling a role in which a woman rescues her boyfriend is brave and important and not often something we’re treated to these days. Her grace on screen is timeless. Daniel Brühl, who I had the pleasure of meeting during the BURNT press conference last year, is nothing short of incredible. His presence is captivating. His role allows his to stretch his acting chops quite a bit and let me say, they are impressive. Michael Nyqvist is intimidating and frightening as  cult leader Paul Schäfer. You can feel the evil emanating off of him at the suggestion of child abuse in one key scene. He a truly scary. Daniel Bruhl in ColoniaColonia is successful as a love story and a political thriller. The film is now available to view via the streaming platform We Are Colony. You can view extras such as behind-the-scenes footage, interviews with the cast and crew, and production stills. Check out the trailer below.