SynopsisWoodstock teen Rosie (Sarah Rich) is mourning the first anniversary of her younger sister Amelia’s death, when she discovers that the mysterious man (Marc Menchaca, ALONE, “The Outsider”) who sexploited and bullied her sister into committing suicide, is back online trolling for new victims. After the authorities refuse to get involved, Rosie discovers a darker side she never knew she had as she takes justice into her own hands.
Rosie is trying to figure out who is responsible for the death of her sister, Amelia. A year afterward, she is obsessed with watching her old YouTube diaries for any sort of clue. The darkest side of the internet comes to light in this unapologetically raw indie. We live in a world where a single tweet can incite violence. But since the beginning of the internet and chat rooms, pedophiles have stalked kids, acted like peers, and lured them into unsafe situations. People don’t seem to grasp the permanence of posting online. The consequences can be life-altering. #Like delves into all these things and in the #MeToo era. Writer/director Sarah Pirozek gives us a revenge thriller that will punch you in the gut.
Marc Menchaca stars in another unsettling role, post ALONE. Here, he is allowed to explore the nuances of his own fear. He is captivating to watch. Sarah Rich is outstanding. You are rooting for her every step of the way. You live in her anger and grief. She gives a fearless performance.
#Like a great companion piece for Promising Young Woman and Hard Candy. The writing is fantastic. The complexity of this screenplay will blow any expectations you have out of the water. The scenes with her closest friends allow them to discuss toxic masculinity in an approachable way. Rosie is balancing teenage life with a vigilante life. She does the police work that the adults have stopped doing. We follow along with her investigation and remain on pins and needles as she digs deeper. Her boldness steers the emotional journey of the viewer. You will not see the twists coming. And that spotlighted song choice? Let’s just say it perfection in its skin-crawling nature. #Like is shocking and brilliant. You’ll walk away slightly traumatized. People will be talking about this film for a long time.
In college, I used to drive 8 hrs, regularly, in my car to visit a boyfriend. I was alone. I drove straight through pausing only briefly if I saw families at a busy rest stop. But, I was alone. John Hyam’s new film is everything I was afraid of happening to me on those long rides. ALONE is a bonafide nightmare. The genius of this script is its simplicity. The relatively mundane encounters build in the most honest and horrifying way. Jessica does everything right. But, once a serial killer has you in his sites, there is no escape, or so you might think. The pacing is absolutely perfect. The sound editing highlights the isolation that is evident in the natural setting. The soundtrack beating it all into you. All combined you feel like you’re in Jessica’s shoes. ALONE is a stripped-down genre winner.
Jules Willcox is a powerhouse as Jessica. Her vulnerability is so relatable making it easy to root for her survival. This is a power dynamic that shouldn’t exist but women, in particular, are used to dealing with it constantly. With an evergrowing population of “incel’ culture, walking with your keys between your fingers, pretending to be on the phone, parking under a streetlight, are all small steps we take to protect ourselves. Women are often deemed too emotional until we are tested by the unimaginable. ALONE exploits all that ingrained fear and mixes it with grief. Willcox nails this role from every angle. Marc Menchaca does a brilliant job with physicality. He comes off as visually harmless but he is downright scary. Perfectly balancing emotional manipulation with the brute strength of a psychopath, you’ll believe he’s done this before.
Presents
Ace The Case: Manhattan Mystery has more than meets the eye in story and fun. This film is a perfect family pick, something you might expect to see as a Disney Channel original movie. There is excitement and intrigue for kids and enough off the cuff jokes for Mom and Dad to enjoy. Thanks to the writing from director Kevin Kaufman and Executive Producing by one of New York’s most iconic homicide detectives, Rick Tirelli, the film is filled with twists and turns that will have everyone on their toes. This kidnapping plot is anything but straight forward when it goes from no one believing young Olivia, to too many hands in the pot. You’ve got hi jinx from the criminals, a mysterious goon-type toting a giant bunny, to the only person who took our young heroine seriously in the first place. Enter, Susan Sarandon.
Susan Sarandon‘s portrayal of Detective Dottie Wheel is subtly hilarious. Her relationship with lead Ripley Sobo is endearing and gentle. Their scenes are the stuff these family films are made of. Playing older brother Miles is Aaron Sauter. The onscreen brother-sister chemistry is adorable and all too believable. I could have watched an entire film just between Miles and Olivia. And now we come to our star, Ripley Sobo. Ripley is an absolute gem. She is sweet, authentic and a real scene-stealer. Dealing with some content that might be a tad aggressive for her age, she handles it like a true pro. The highlight and added bonus is the original musical number at the end of the film, ” Aim High”. Smartly taking advantage of Ripley’s Broadway background, we are treated to a great, completely kid friendly song. I wish there were more numbers for Ripley spread throughout the film. This would have taken this movie to next level status. Perhaps Kaufman will take this into consideration when the sequel comes out- Ace The Case: Curse of the Deadly Diamond. Sobo deserves to shine as much as possible.
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