Review” ‘SOUTHWEST OF SALEM’ tells the story of ‘The San Antonio Four’ and their ongoing pursuit for exoneration. #FREETHESA4

SOUTHWEST OF SALEM: THE STORY OF THE SAN ANTONIO FOUR, opening in NEW YORK on SEPTEMBER 16 at CINEMA VILLAGE.SOUTHWEST PF SALEM posterMore often than not, when we think about our legal system today, perhaps the word that comes to the mind of many is “Injustice” How much does personal belief, whether religious or political, sway the decision of a DA’s office or a jury. My husband recently served on a jury here in Manhattan, on a relatively well known case. After his month long ordeal, he stated, “In some alternate universe, if I was ever thinking about breaking the law, well, God help me. A jury of my peers is anything but.” He explained that the particular jury he served on contained individuals who slept during proceedings, doodled in their notebooks, sighed audibly in court, and verbally fought to be excused on a daily basis. He cannot imagine what it would have been like had he been the defendant. In a very important documentary, SOUTHWEST OF SALEM, four women, who happen to be lesbians, were convicted of a heinous crime based upon a modern day witch hunt. In Texas, their jury was most certainly not comprised of their peers. sothwest-of-salem-san-antonio-4

“The San Antonio Four” — Elizabeth Ramirez, Cassandra Rivera, Kristie Mayhugh, and Anna Vasquez. They are four Latina lesbians wrongfully convicted of gang-raping two little girls in San Antonio, Texas. However, the evidence was never there. The San Antonio Four continues to fight against mythology, faux-science, homophobia, and the prosecutorial fervor in their continuous struggle for exoneration in this riveting ‘True Crime’ tale. The suffering, outlandish, and baseless accusations caught one man’s attention who helped to garner the support of the Innocent Project.

 In 2012, writer Maurice Chammah‘s New York Times coverage “Fighting to Exonerate Texas Women Convicted of Child Sexual Assault ” goes into details of the four women’s ordeal.  In February 2016, Texas-based Judge Pat Priest released the ruling that these women are entitled to new trials but not exoneration. The fight to free the innocent continues.

southwestofsalem3Directed by filmmaker journalist Deborah Esquenazi, this emotional documentary first made its big splash earlier this year at the Tribeca Film Festival and received audience accolades. It recently garnered Grand Jury Award at 2016 Outfest and Outstanding Documentary Jury Award at the 2016 Frameline Film Festival.

This film is so essential in aiding these four innocent women in their complete exoneration. In the 80’s and 90’s there existed this idea that satanic cults were operating inside day cares and preschools. This strange concept infiltrated DA and child protective service offices across the country. The suspects brought forth in these cases were predominantly homosexual or suspected to be so. In this case in particular, the children were labeled as being “offered up” as “sacrificial lambs”. Anna states the bias was ripe through the prosecution, essentially telling the jury, “this is what gay people do.” One man, a professor in the Yukon, gets wind of this story. A man named Darrel Otto, goes to bat for these women, reaching out to Liz Ramirez, then contacting The Innocence Project of Texas. The ball starts rolling. Changes in science, recantations, the changing of the times, people are finally getting on board with the truth. But the road is long and slow. These women need our help.

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Watching this documentary is devastating. The lives impacted by these lies, the damage done. I cannot imagine the heartache of Anna, Liz, Cassie, and Kristie, and their loved ones have endured during these many long years. What these four beautiful, strong women, need more than anything right now, is your support, belief, and fight. Call, text, tweet, share their story. They deserve new trials. They deserve complete exoneration. They deserve justice.

You can find out more about this extraordinary story by seeing the film now in New York, and September 30th in LA. Investigation Discovery has recently acquired the television rights and will be airing the film in October, if you’re unable to make it to the theaters.

Southwest of Salem – Festival Trailer from Deborah S. Esquenazi on Vimeo.

SOUTHEWEST OF SALEM- by Deborah S. Esquenazi

OPENING SEPTEMBER 16– NEW YORK- CINEMA VILLAGE

SEPTEMBER 30– LOS ANGELES – LAEMMLE MUSIC HALL BEVERLY HILLS


HERE ARE SOME CLEAR STEPS YOU CAN TAKE RIGHT NOW TO HELP THE SAN ANTONIO FOUR WITH THEIR EXONERATION BATTLE

 

1.  Call 1-210-335-2311 and ask for District Attorney Nico LaHood’s office.

Here’s what to say: “I am angered by Judge Pat Priest’s ruling to not recommend exoneration for Elizabeth Ramirez, Cassandra Rivera, Anna Vasquez, and Kristie Mayhugh. I want Nico LaHood and the District Attorney’s office of Bexar County to take a stand on the San Antonio Four case to declare actual innocence and have the women exonerated for their wrongful convictions.”

2.  Tweet/Facebook the district attorney’s office to take a stand!

Twitter: @BexarCounty @Nico4DA Take a stand about the @SanAntonioFour injustice! Recommend exoneration #FreetheSA4 @IPofTexas #southwestOfSalem

Facebook: I am angered by Judge Pat Priest’s ruling to not recommend exoneration for Elizabeth Ramirez, Cassandra Rivera, Anna Vasquez, and Kristie Mayhugh. I want Nico LaHood and the District Attorney’s office of @Bexar County to take a stand on the San Antonio Four case to declare actual innocence and have the women exonerated for their wrongful convictions. #FreetheSA4 #SouthwestOfSalem

Review: ‘LONDON ROAD’ brings an eerie tune to the big screen.

BBC WORLDWIDE NORTH AMERICA

PRESENTS

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Based on the groundbreaking musical from London’s National Theatreimage

STARRING:

Olivia Colman, Anita Dobson, Tom Hardy

And the entire original cast from the London play

DIRECTED BY: Rufus Norris

WRITTEN BY: Alecky BlytheLondon Road Still 5

If you anything like me and millions of other curious cats across the land, you spend far too many hours watching ID channel, MSNBC news crawls, and anything resembling true crime television. Or, you might be like the other half of me. The one who grew up on musicals, studied them in school, directed them as an adult… or something of the like. Well, you smack a murder mystery grabbed directly from the headlines, set it to music, and put it on the big screen, you’ve got my attention. LONDON ROAD is based upon real life interviews with the residents of Ipswich, England in 2006, after the murders of a handful of prostitutes. Turning a small neighborhood upside down, there is a killer on the loose and everyone is on edge. When someone goes on trial, suspicion still looms large as this community tries desperately to work through the confusion and mark of death.
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Imagine if you took Sweeney Todd and combined it with Parade, then set it in today’s overly saturated news media era, that is London Road. Based upon Alecky Blythe‘s hit stage play and same original cast, the film is nothing short of haunting delight. Through clever editing director Rufus Norris and writer Blythe have created an entirely new narrative for film around the audio. Utilizing the same “lyrics” sung by multiple characters, it becomes a swirling chorus of melancholy and dark madness.

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LONDON ROAD is the perfect example that truth is stranger than fiction. The musical numbers are beautifully choreographed in the most nontraditional way, adding to suspense and interest. A nice bonus during the end credits is the actual recorded audio from the real townspeople. It’s amazing how such simple words set to hypnotic beats take on a new life and brand new meaning in and out of context. The cast is a dream, from Olivia Colman, to Tom Hardy, to Paul Thornley, there is not one misstep. I can see why the National Theatre’s run was sold out. Do not miss this opportunity to see a unique presentation of chilling brilliance.

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LONDON ROAD is a verbatim musical – which makes this a very unique and non-traditional film.

Writer Alecky Blythe used the exact words from her interviews with the of residents of Ipswich, England to create the lyrics, which were than set to an innovative score that was inspired by the dialects and intonations of these residents.

LONDON ROAD documents true events that occurred in 2006, when the town of Ipswich was shattered by the discovery of the bodies of five women. The residents of London Road had struggled for years with frequent soliciting and curb-crawling on their street. When a local resident was charged, and then convicted, of the murders, the community grappled with what it meant to be at the epicenter of this tragedy. Using their own words set to an innovative musical score, LONDON ROAD tells a moving story of ordinary people coming together during the darkest of experiences. The stage production ‘London Road’ was an immediate hit and earned five-star reviews when it premiered at the National Theatre in 2011.  It returned to the stage in 2012 for a sold-out run.

Not Rated

Runtime:  93 minutes

NEW YORK – SEPTEMBER 9, 2016

Village East Cinema (181-, 189 2nd Ave, New York)

LOS ANGELES – SEPTEMBER 16, 2016

Sundance Sunset Cinema (8000 Sunset Blvd, Los Angeles)

Laemmle’s Playhouse 7 (673 E Colorado Blvd, Pasadena)

‘TRUE STORY’ stars James Franco and Jonah Hill in roles you never saw coming.

True StoryPosterThe mind is a dangerous place. Power is a dangerous thing. Manipulation is a dangerous game. Fame is a monster. Infamy is forever. TRUE STORY, based on real life events, is the story of former New York Times writer, Mike Finkel. Once highly regarded for gutsy journalism, his choice to fabricate pieces of one story come crashing down on him. Let go from the NYT, he moves back to middle America with his lonely and tremendously supportive wife. Soon after his return, Mike receives a phone call about a man who, when arrested for the murder of his family, claimed to be the NYT reporter, Michael Finkel. Naturally intrigued, he sets up a meeting with now inmate, Christian Longo. Armed with only his wits and a notepad, Finkel agrees to tell Longo’s story, that is, if he can get it.

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The question in this film is who’s playing whom? The manipulation of both men walk a razor thin line throughout. Jonah Hill is excellent as Finkel. Thoughtful, gentle, needing to understand why Longo acts as he does. James Franco is downright frightening in this role. The roller coaster ride of this character’s journey is plain to see, with engrossing effort on Franco’s part. These two duel it out in each scene, many times with nothing but eye contact that speaks 1000 words where there are none. This is some serious acting going on here. We all know Hill is perfectly capable of this level of intensity with Moneyball and The Wolf of Wall Street under his belt. Franco, while  I am a huge fan already, really knocks it out of the park as Longo. As an audience member, he is likable and seemingly sincere, all while having an undercurrent of potential sociopath. The way these two play off one another is movie magic. I really think it would be a shame to ignore these performances come awards season.

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Felicity Jones plays Finkel’s wife, Jill, with huge range, as usual on her part. She is vulnerable yet strong, as a woman stuck between a healthy marriage and the ambition of a husband hungry to rebuild his name. Once again, it’s the quiet moments that are some of the most frightening for her. Left alone in the house with remnants of Longo’s drawings and writings, she is visually confronted by his enigmatic musings that are wholly unsettling to stare at. This film is perfectly timed in its release with the popularity of The Jinx and the wildly successful podcast Serial. If you are a fan of either (which, frankly, you should be) True Story will be right up your alley.

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Bottom line, TRUE STORY will chill you to your bone. It will give you pause. The film is so profoundly menacing because it is based on actual events. That creepy crawly feeling under your skin lasts long after you’ve exited the theater. The question still remains; “Who do you believe?”

TRUE STORY is now available on VOD and comes to theaters Friday, April 10th.

SYNOPSIS: When disgraced New York Times reporter Michael Finkel meets accused killer Christian Longo—who has taken on Finkel’s identity—his reporting job morphs into an unforgettable game of cat and mouse. Based on actual events, Finkel’s relentless pursuit of Longo’s true story encompasses murder, love, deceit, and redemption.

Cast:
Jonah Hill
James Franco
Felicity Jones
Robert John Burke
Ethan Suplee
Gretchen Mol