Review: ‘SIBERIA’ left us out in the cold.

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SIBERIA

When a business deal in Russia goes south, a U.S. diamond merchant (Keanu Reeves) and his lover (Ana Ularu) are caught in a lethal crossfire between the buyer and federal intelligence service.

Sometimes I forget how talented Keanu Reeves truly is. He can take a pretty lifeless role and make it into something we weren’t expecting. That being said, these talents are really wasted in Siberia. It’s a poor man’s John Wick. The pace is often excruciating. When it is on, it’s vastly entertaining. The potential lies within the higher stakes, action-oriented scenes, but since they are few and what feels like far between it’s tough to stay on the train. 50 minutes into the 1:44 minute run it finally feels like,”Ok now we’re getting somewhere!” Alas, it will be 15 more minutes until something relatively interesting occurs. The script really takes it damn time getting to the point.

The performances are strong. Ana Ularu is vastly underutilized opposite Reeves. There is so much going on behind that tough girl veneer, a sadness that you want to fix. She has a brilliant presence but has been diminished to sex doll with a heart of gold. Someone write her a juicy role, please.  Molly Ringwald appears for what is tantamount to a cameo, speaking of underutilized. Her performance in this year’s Tribeca selection,  All These Small Moments is proof we need her back in our lives on a more permanent basis. Reeves, as Lucas Hill, diamond dealer trapped in a lackluster marriage and put in a shady work position, is the only saving grace. The problem being, you can feel the pained longing to kick some real ass. Ultimately, Siberia ends up being a midlife crisis cry for help, more than anything else. It left me cold and a bit empty.

Saban Films will release the romantic crime thriller SIBERIA in theaters and On Demand / Digital HD on July 13, 2018

SIBERA stars Keanu Reeves (The Matrix, Speed, Bill & Ted’s Excellent Adventure), Molly Ringwald (“Riverdale,” “The Secret Life of the American Teenager,” Sixteen Candles), and Ana Ularu (Outbound, Inferno). The film is directed by Matthew Ross (Frank & Lola) from a script by Oscar nominated novelist/screenwriter Scott B Smith (The Ruins, A Simple Plan) and producer/screenwriter Stephen Hamel (Passengers, Henry’s Crime).

Review: ‘Inferno’- An unfaithful adaptation but the best film of the trilogy

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A decade has past since Robert Langdon (Tom Hanks) hit the screen for his first adventure in the Da Vinci Code and he now returns for another go in the adaptation Inferno. From director Ron Howard based on the Dan Brown novel, “Inferno”, the fourth book in the series (yes, they skipped “The Lost Symbol”), is an exciting and intricate race against time that kept you intrigued throughout the pages, question is, can the movie adaptation match the cleverness?

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Robert Langdon awakens in a hospital room in Florence, Italy, with no memory of what has transpired over the last few days and unexplained visions of human suffering. Dr. Sienna Brooks (Felicity Jones), the attending physician, tells him that he is suffering from amnesia as a result of a bullet wound to his head and asks if he can remember anything that might help them understand what happened. Langdon has little time to process his thoughts as an assassin arrives to complete her mission. Sienna helps Langdon escape and the chase begins. The two arrive in Sienna’s apartment where they find Faraday pointer among Langdon’s personal belongings with projection of Botticelli’s Map of Hell.

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They discover that the map is part of a mystery left by billionaire geneticist Bertrand Zobrist (Ben Foster), who believes that the world is destined for over population and the extinction of the human race. Discovering that Zobrist had recently killed himself, Langdon concludes that there is a reason for this map to be in his possession and the two find a hidden message within. Langdon’s knowledge of Dante’s work allows the two to follow clues thru Florence and Venice, while evading the assassin and the authorities, including the WHO, whom have a keen interest in Langdon. Sienna and Langdon have less than 24 hours to decipher friend from foe and collect all the information they need to help them stop a global event that will change the human race forever.

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Inferno is a fun movie with beautiful cinematography, but the film version falls short of the excitement that made the book so enjoyable, opting for unimaginative plot changes which will leave fans shaking their heads. Tom Hanks isn’t as crisp and confident in his portrayal of Langdon this go around, but the added vulnerability to the character allows Hanks to explore a more emotional side to his character which keeps this version of Langdon from feeling like a retread of the previous films. Felicity Jones’ Sienna Brooks is a far cry from the book version which had so many wonderful layers to her. Jones isn’t to blame for this, but what she is provided isn’t very interesting nor is her chemistry with Hanks. Most of the blame for the character development falls strictly on screenwriter David Koepp and director Ron Howard who ultimately opted for this watered down version of a film.

Overall, Inferno is a struggle for fans of the novel, but a fun movie that will entertain. If nothing else, the film will allow fans of the franchise to see their favorite professor in action one more time, which is worth the price of admission.

Stars:

3 out of 5

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