SXSW 2023 review: ‘THE APPENDAGE’ is body horror with a moral.

THE APPENDAGE

In Anna Zlokovic‘s SXSW 2023 narrative horror APPENDAGE, Hannah’s anxiety physically manifests as a gnarly growth. One that gets stronger every day. While Hannah struggles to keep it together, as everything in her life begins to deteriorate, she discovers she isn’t the only one with this problem.

Kausar Mohammed is Hannah’s best friend, Esther. She knows Hannah better than anyone, eventually leading her to hero status. Mohammed gives us a fast-talking energetic performance that charms the audience while maintaining a grounded and caring nature. Emily Hampshire plays a fellow support group member Claudia. Starting with cool-girl energy, she flips the script and is undeniably hilarious. It is an epic performance. Hadley Robinson plays Hannah with palpable anxiety. Her physicality places the audience inside that mindset. Robinson shows her acting chops with more than just emotionally intense scenes.

The sound editing deserves a shout-out with their visceral introduction to Hannah’s intense physical pain. It made me twinge. With Hannah and Esther being young fashion designers, the costume choices by Naomi Wolff Lachter are eye-catching. The Appendage creature from Douggy Pledger is equal parts kooky and hideous. Imagine slimy misshapen Ghoulies. As the appendage grows, the special effects makeup from Matt Barrett is downright horrifying. Just wait until you find out who voices the puppets!

The biggest twist gives the audience what feels like Appendage 2.0. Zlokovic’s script allows for some wickedly fun acting choices. I won’t spoil the fun, but multiple roles are distinct and biting. APPENDAGE is body horror that tackles unresolved trauma, mental health, and pushing past fear. I found the final scene reminiscent of Jennifer Kent‘s The Babadook. It is one hell of a metaphor for living with depression. SXSW 2023 audiences understand what a compliment that is.


Film Screenings

Mar 11, 2023
11:15am12:49pm
 
Mar 14, 2023
9:45pm11:19pm
 
Mar 16, 2023
2:00pm3:34pm
 

Credits

Director:

Anna Zlokovic

Producer:

David Worthen Brooks, Arbi Pedrossian, Jenna Cavelle, Katrina Kudlick, Alex Familian, Hadley Robinson, Anna Zlokovic

Screenwriter:

Anna Zlokovic

Cinematographer:

Powell Robinson

Editor:

Alex Familian

Production Designer:

Michelle Olivia Patterson

Music:

Nick Chuba

Principal Cast:

Hadley Robinson, Emily Hampshire, Brandon Mychal Smith, Kausar Mohammed

Additional Credits:

Costume Designer: Naomi Wolff Lachter, Creature Designer: Douggy Pledger, Special Effects Department Head: Amber Mari, Key Effects Artist: Jim Ojala

SXSW 2023 documentary review: ‘ANOTHER BODY’ is a new nightmare for women everywhere.

ANOTHER BODY

*This review also appears on AWFJ.org

Women have always felt unsafe. It is ingrained in our nature to fear, to look over our shoulders, and to carry our keys between our fingers late at night. As if we didn’t have enough to worry about, enter the newest AI nightmare into the conversation. Anyone can go online and copy and paste your photo to create a duplicate or entirely new profile on social media. As if things weren’t bad enough, catfishing gets a superpower with the introduction of deep faking. SXSW 2023 documentary ANOTHER BODY from directors Sophie Compton and Reuben Hamlyn follows the story of a young woman named whose life is upended by one spiteful person with an agenda.

Meet Taylor, an engineering grad student living her quiet life attending classes and living a quiet goal-oriented life with her boyfriend. After receiving what she thought to be spam messages from her classmates, Taylor finds her image stolen, her name tarnished, and harassed by strange men who now know where she goes to school and where she lives. She discovers her face has on someone else’s body in videos on an adult website. Her image and name have an entire account, and new videos keep appearing. ANOTHER BODY is a film about consent on numerous levels and the battle against gender-based violence.

The film mixes sit-down interviews with Taylor, cell phone footage from her investigative journey, and animated recreations of her emotional processing. That is not the most impressive visual aspect of the film. “Taylor” is not what she appears to be. Let me explain this statement. The face projected to the audience is an actress whose face has been deepfaked onto our storyteller. The reveal comes as a complete surprise but perfectly encapsulates the danger of this technology. You will find yourself overanalyzing her movements on screen and realizing how vulnerable our identities are. It is nothing short of fascinating work.

When Taylor reaches out to the police, it is clear that they are out of their element. There are no clear laws about a technology that is rapidly changing. Then the inevitable victim-blaming begins both from law enforcement and friends and family. Taylor takes it upon herself to discover the identity of the culprit. Becoming a DIY detective, she narrows it down to three likely suspects. The mystery deepens as her online sleuthing and fight for justice play out in real time. Taylor finds that other women in her circle are also victims. As they compare notes, one name stands out from the rest. It is undeniably compelling to witness her take action. ANOTHER BODY is an infuriating and invigorating watch. It will resonate with true crime audiences and victims of gender-based violence. When body autonomy becomes threatened, you must become your own warrior.


SCREENINGS:
 
Mar 11, 2023
12:15pm1:35pm
 
Mar 14, 2023
5:00pm6:20pm
 
Mar 16, 2023
9:15pm10:35pm
Directors:

Sophie Compton, Reuben Hamlyn

Executive Producer:

Jenny Raskin, Lauren Haber, Geralyn Dreyfous, Maiken Baird, Gloria Zhu & Stanley Tang – Bearcat Content, Ruth Ann & Bill Harnisch – The Harnisch Foundation, Inmaat Productions, Mason Orfalea & The Natalie Orfalea Foundation, Ann Lewnes, Meadow Fund, Lisa & Matthew Sonsini, Chris & Heidi Stolte

Producer:

Elizabeth Woodward, Sophie Compton, Reuben Hamlyn

Screenwriter:

Sophie Compton, Reuben Hamlyn, Isabel Freeman

Cinematographer:

Nausheen Dadabhoy

Editor:

Isabel Freeman, Rabab Haj Yahya

Sound Designer:

Gisela Fullà-Silvestre

Music:

Holland Andrews

Additional Credits:

Co-Executive Producers: Nina & David Fialkow, Meryl Metni – Ubiquitous EG, Kelsey Koenig, Co-Producer: Avery McCann, Post Production Supervisor & Associate Editor: Claudia Tanney, Animation Studio: Cream Projects, Motion Graphics: Spencer Haley, Studio Macuna, Deepfake Artist: Fernando Sánchez Liste, Consulting Producer: Scott Macauley, Consulting Editor: Karen K.H. Sim

SXSW 23 review: It’s my party and I’ll die if I want to, ‘My Drywall Cocoon’ is a twisted tale of society, secrets, and sadness.

MY DRYWALL COCOON

Writer-director Caroline Fioratti’s SXSW 2023 film MY DRYWALL COCOON launches headlong with time hopping in this 24-hour dig into the death of the birthday girl. A story tackling class, privilege, power, and secrets, this cloak-and-dagger film never lets up.

Maria Luisa Mendonca plays Patricia with gut-wrenching honesty, owning her grief and guilt. Michel Joelsas is Nicolas. His aggression covers his insecurities and sexuality. Joelsas slips into this role like a pro. You equally loathe and feel for him. Mari Oliveira is Virginia’s best friend Luana. She is manipulative and hides a dark coping mechanism. As she flaunts her sexuality for power, her guilt is on par with her disassociation. Daniel Botelho plays Gabriel with a morbid attitude. A bit of a conspiracy theorist, Gabriel’s teenage pushback comes with an underlying sentimentality. Bella Piero plays Virginia with genuine sweetness and surprising fearlessness. Quietly crying for help, but no one is listening. Piero navigates her emotional abandonment with masterful ease.

The score elicits classic thriller vibes. The lighting is magnificent. As we jump in time, neon-saturated party scenes get starkly contrasted by harsh natural light the morning after. Foiratti skillfully drops clues to keep your mind swirling, making everyone a suspect. One particularly disturbing visual remains a mystery until the very end of the film. It is one hell of a metaphor. A carefully crafted thriller, MY DRYWALL COCOON will have SXSW 23 audiences on the edge of their seats, second-guessing the entire way.


 
Caroline Fioratti

Film Screenings

Mar 11, 2023
3:30pm5:25pm
 
Mar 11, 2023
4:00pm5:55pm
 
Mar 13, 2023
12:45pm2:40pm
 
Mar 13, 2023
1:15pm3:10pm
 
Mar 17, 2023
5:30pm7:25pm
 

Credits

Director:

Caroline Fioratti

Producer:

Rui Pires, André Montenegro

Screenwriter:

Caroline Fioratti

Cinematographer:

Helcio Alemão Nagamine

Editor:

Leopoldo Joe Nakata

Production Designer:

Monica Palazzo

Sound Designer:

Ricardo Reis and Miriam Biderman

Music:

Flavia Tygel

Principal Cast:

Maria Luisa Mendonça, Bella Piero, Michel Joelsas, Mari Oliveira, Daniel Botelho, Caco Ciocler

SXSW 2023 review: Sci-fi rom-com ‘Molli And Max In The Future’ is universally relatable.

MOLLI AND MAX IN THE FUTURE

Playing out in chapters, SXSW 2023 audiences meet Molli and Max, two individuals who keep running into each other over the years. Something keeps drawing these two together. The more they learn about one another, the more they realize that neither space nor time can come between them.

Zosia Mamet reached cult status with her role in GIRLS. Since then, a string of indies has kept her busy. Playing the titular role of Molli is in her sweet spot. Her take on a twelve-year emotional journey hits every note. She is quirky, fun, and fearless but maintains the emotional depth we need to care. Aristotle Athari came onto the scene as a hilarious cast member on SNL. His effortless charm and chiseled features sort of force you to stare at him. As Max, he is genuine, kind, and entirely down to earth amidst sci-fi absurdity.

The dialogue-driven film sets itself against a green-screen Tron meets comic bookish multiverse future. The visuals are a fun mixed media, old school meets new school technology feat. But don’t let that part distract you from the genre at heart. Even the jazzy piano score screams peak 80s rom-com era. The film shines brightest when Max and Molli speak directly to one another. Pushing passed all the visual fanfare, their dialogue is engaging as hell. I have to say the parody of the 2016 election is undeniably funny/horrifying/on point. It is all very creative and relatable.

Weirdly, the plot closely mirrors a beloved film starring Billy Crystal and rom-com darling Meg Ryan. From the opening scene in the car to watching television together via split-screen, even the 12-year timeline is ripped directly from When Harry Met Sally. I’m not complaining. It’s one of my favorite films of all time. MOLLI AND MAX IN THE FUTURE made me want to revisit it. If I’m being honest, the runtime feels long, but watching the evolution of a relationship with earnest intentions and a universal (pun intended) narrative will connect with SXSW 2023 audiences.


Film Screenings

 
Mar 11, 2023
11:30am1:03pm
 
Mar 18, 2023
11:15am12:48pm
 

Credits

Director:

Michael Lukk Litwak

Executive Producer:

Jeanne Elfant Festa, Ted Geoghegan, Luke Murphy, Nicole Murphy

Producer:

Candice Kuwahara, Ben J. Murphy, Mallory Schwartz, Kate Geller, Michael Lukk Litwak

Screenwriter:

Michael Lukk Litwak

Cinematographer:

Zach Stoltzfus

Editor:

Joanna Naugle

Production Designer:

Violet Overn

Sound Designer:

Bobb Barito

Music:

Alex Winkler

Principal Cast:

Zosia Mamet, Aristotle Athari, Danny Burstein, Arturo Castro, Okieriete Onaodowan, Erin Darke, Grace Kuhlenschmidt, Michael Chernus, Aparna Nancherla, Matteo Lane

Additional Credits:

Co-Producer: Ivy Lam, Make-Up Department Head: Sarah Plata, Costume Designer: Hannah Kittel Matsuo, Visual Effects: Michael Lukk Litwak, Visual Effects: Zach Stoltzfus, Gaffer: Jesse Moritz, 1st AD: Morgan Ingari

SXSW 2023 review: ‘THE ARTIFICE GIRL’ is everything we’ve hoped and feared.

THE ARTIFICE GIRL

Writer-Director-Editor Franklin Ritch brings his festival hit THE ARTIFICE GIRL and its mesmerizing premise to SXSW 2023 audiences. When an FBI team discovers an advanced AI that entices men online, they team up with its reclusive creator. But as the years pass, technology grows beyond human capabilities, begging questions about morality in ways you won’t see coming.

The first thirty-nine minutes, or chapter one, occur in one room. One single scene sets up the plot. The dialogue is acid-tongued, and the performances are outstanding. The concept of an AI child helping catch predators makes all the sense in the world. It appears to save innumerable lives, but nothing in this world is as straightforward as it seems. What

Admittedly, it took me too long to realize that the second chapter is a jump in time. It is a brilliant visual shift in the narrative and a moment that deserves another watch. It is here our three adult battle one another from a moral standpoint. Amos realizes that Cherry has advanced to the point of “feelings.” He challenges her sensibilities with an assault on Gareth. Everything changes from this moment.

Chapter three features another jump forward, breaking the mold by exiting the unit set and bringing Cherry into the real world. We see her tethered to the wall via power cables but moving about her midcentury home. Now Lance Henriksen takes on the role of now wheelchair-bound Gareth with a calmer, wiser demeanor. This chapter is the most personal and revelatory.

David Girard plays Amos with wide-eyed astonishment and fatherly intuition. Amos’ arc proves complex and integral in Cherry’s development. Girard never fails to astound with the slightest change in facial expression. Sindra Nichols plays Deena with a seemingly hardened demeanor, basically bad cop to Girard’s good cop. Underneath, her motivation reveals the best of intentions. Nichols is captivating.

Ritch plays Gareth, and rightfully so. As the puppet master of this creation in real life, it only seems fair that his extensive knowledge is laid bare for the audience to experience in all its nuance. He hits each beat with intensity and sharpness. With a striking resemblance to a young Sarah Polley, Tatum Matthews plays Cherry with a maturity beyond her age. Ritch’s script allows her to play multiple roles. Most of her performance is delivered directly to the camera because she is an AI. Witnessing her journey is breathtaking.

The script tackles morality, science, privacy, entrapment, children’s rights, autonomy, and unresolved trauma. THE ARTIFICE GIRL would also make a spectacular stage play. The quality of Franklin Ritch’s storytelling is mesmerizing and complex. The possibilities are endless for this story. I am here for whatever comes next.

PS- A perfect ending.


Film Screenings

Mar 11, 2023
11:30am1:03pm
 
Mar 12, 2023
9:00pm10:33pm
 
Mar 15, 2023
12:45pm2:18pm
 
Mar 15, 2023
1:15pm2:48pm
 

Credits

Director:

Franklin Ritch

Executive Producer:

Peter Kuplowsky

Producer:

Aaron B. Koontz, Ashleigh Snead

Screenwriter:

Franklin Ritch

Cinematographer:

Britt McTammany

Editor:

Franklin Ritch

Sound Designer:

Jason Strawley, Dave Chmela

Music:

Alex Cuervo

Principal Cast:

Tatum Matthews, Sinda Nichols, David Girard, Franklin Ritch, Lance Henriksen

Additional Credits:

Co-Producer: Cameron Burns, Co-Producer: Alex Euting, Line Producer: Jason Blankenship

 

SXSW 2023 review: ‘ONLY THE GOOD SURVIVE’ is a witty, dizzying delight.

ONLY THE GOOD SURVIVE

Dutch Southern gives SXSW 2023 audiences wacky whodunit in ONLY THE GOOD SURVIVE. Hauled into the local sheriff’s office, Brea finds herself at the center of wacky murder and mayhem. Can she talk her way out of the trouble she has placed herself in, all for the sake of love?

Lachlan Watson, who I loved in Sabrina, has a small but integral small part in the film and sings on the soundtrack. Watson silently enchants the audience with a glowing aura. It was a lovely surprise. Darius Fraser is Dev. He brings a genuine beatnik Elvis vibe to his performance. It is unforgettable. Will Ropp plays Erve with big ideas and a scheming slant to his physicality. There is no denying his likeness to Dave Franco, and audiences will not complain about his quirky charm. D’Pharaoh Woon-A-Tai is Ry. He has this dumb jock and lovable quality about him. He is a solid foil for his heist counterparts. Sidney Flanigan plays Brea. She is an unexpected heroine for many reasons. Flanigan hits every note with precision, and Southern’s script allows her to explore a variety of highs and lows.

Swirling theories from Cole Mack‘s Sheriff create alternative storylines, each with slight visual differences. Dax Norman‘s animation, a cross between a comic book and diary entries, is delicious eye candy. Dutch Southern forces the audience to sit up straight and pay attention every minute of the 93-minute run. The script is so twisty, amusing, and downright dizzying. It is like watching a real-life cartoon heist. In the same right, it is a challenge to discuss the film without spoiling the fun. ONLY THE GOOD SURVIVE is a film that should not work at all and yet works perfectly. It deserves a second, third, and fourth watch to catch the clues and minute changes along the way. It is the perfect match for SXSW audiences.


Mar 10, 2023
6:00pm7:32pm
 
Mar 10, 2023
6:30pm8:02pm
 
Mar 12, 2023
9:15pm10:47pm
 
Mar 14, 2023
12:30pm2:02pm
 

Director:

Dutch Southern

Executive Producer:

Maureen Taylor, Renn Vara, Brian Udovich

Producer:

Thomas Mahoney, Justin X Duprie

Screenwriter:

Dutch Southern

Cinematographer:

Lucia Zavarcikova

Editor:

Alexandrea Hank, Mengyao Mia Zhang

Sound Designer:

Kevin Senzaki

Music:

Russ Howard III

Principal Cast:

Sidney Flanigan, Frederick Weller, D’Pharaoh Woon-A-Tai, Will Ropp, Darius Fraser, Lachlan Watson, Jon Gries

Additional Credits:

Songs by: Petite League, Costume Designer: Michelle Lynette Bush, Animation by: Dax Norman, Cool Graphix by: Gimetzco, Co-Executive Producer: Sam Vara, Co-Producer: Alex Vara, Co-Producer: Glenn Abbott

Review: MGM+ and Blumhouse bring audiences Yoko Okumura’s ‘UNSEEN,’ a wild story of dual survival.

 

UNSEEN

SYNOPSIS: Two women form an unlikely connection when a depressed gas station clerk SAM (Purdy), receives a call from EMILY (Francis), a nearly blind woman who is running from her murderous ex in the woods. Emily must survive the ordeal with Sam being her eyes from afar using video call.


Emily wakes up disoriented and tied up in a remote cabin by her ex. After fleeing into the woods but breaking her much-needed glasses, she accidentally dials Sam, a meek gas station attendant. (*cue the My Girl fans) Emily cannot see without her glasses. Begging this anxious stranger to video call her to aid in her escape from the ever-looming Charlie. These unlikely partners team up in different locations, leading to freedom for both women.

Michael Patrick Lane is Emily’s captor and psycho ex, Charlie. Scary and somehow kooky, he is like the Michael Myers of ex-boyfriends. Missi Pyle plays Carole, and she’s a real asshole. Her performance is both caricature and authentically terrifying. Pyle gives us rich, tacky, gun-toting Karen energy. I mean, had station is in Tallahassee. Her character work is unreal.

Midori Francis is an absolute badass as Emily. Minutes in, I was yelling at the screen, cheering her on. Her shockingly calm demeanor is all the motivation Sam needs to help. Jolene Purdy plays Sam with zero self-esteem and a heart of hold. Her emotional arc in the film will leave you with a smirk. She and Francis have electric chemistry, especially considering they are never in the same space as one another. They are both stars.

Areal shots are stunning. The addition of out-of-focus camerawork puts you in Emily’s chaotic mindset. The splashy neon colors of the Gator Galore station contrast beautifully with Emily’s overcast forest landscape. Directed by Yoko Okumura and written by Salvatore Cardoni and Brian Rawlins, UNSEEN balances comic, over-the-top characters with nuanced ones and the plausible scenario of a woman’s abduction by her ex. The script is a commentary on class and one hell of a story of gender-based violence. It is undeniably entertaining. Some audiences might initially make comparisons with Shudder’s SEE FOR ME, but that would be a mistake. Unseen stands apart in its unexpected comedy, performances, and clever writing. The final reveal made me say, “Oh, shit.” Be sure to stick around for the credits.


Paramount Home Entertainment will release the horror thriller  film UNSEEN on Digital and On Demand on March 7, 2023 and on MGM+ on May 2023.

 UNSEEN stars an ensemble cast of Midori Francis (“Grey’s Anatomy”), Jolene Purdy (“Orange is the New Black”), Missi Pyle (Gone Girl) and Michael Patrick Lane (“Dynasty”). The film is directed by Yoko Okumura (“The Bold Type”) and written by Salvatore Cardoni (Gnomes & Trolls: The Secret Chamber) and Brian Rawlins. The film was executive produced by Alexander Kruener, Jeremy GoldChris McCumber and Jason Blum.

The film is part of the Blumhouse Television and MGM+ deal to produce eight original films together. MGM’s streaming service, EPIX, rebranded as MGM+ on January 15, 2023.

 Building on Blumhouse Television’s success with the Welcome to the Blumhouse movies slate for Amazon and Into the Dark anthology series for Hulu, the deal is the first-of-its-kind for MGM+, which is adding films to its growing slate of premium original content.


 

Review: Irish folk horror ‘UNWELCOME’ is a fairy tale for adults.

UNWELCOME

Directed by Jon Wright and co-written by Mark Stay, Irish folk horror UNWELCOME has you on edge from the beginning. A fresh start for Maya, Jaime, and their baby on the way, comes with a caveat; their newly inherited country house has a beautiful garden that backs up against the woods and a promised nightly offering to keep the Red Caps at bay. Not upholding tradition with the little people beyond the wall could be a huge mistake.

Colm Meaney is the abusive Daddy Whelan, heading up the unsavory local family fixing the cottage. Proud and fiery, he is just as volatile as his children. Jaime-Lee O’Donnell and Chris Walley make the aggressive audience relentlessly uncomfortable with their behavior and nationalist words. Kristian Nairn plays Eoin, the quiet, clearly complicated, deemed “simple” son of the Whelan crew. Nairn gives a brilliant performance, more complex than at first glance.

Douglas Booth wears his emotions on his sleeve as Jaime. He is charming and kind but channels his unresolved trauma into simmering anger and anxiety. Hannah John-Kamen is enchanting and vulnerable. She owns the screen in her self-assured presence. Her chemistry with Booth and the rest of the cast keeps you watching.

The script is a dark adult version of a Grimm’s fairytale. Costumes are as colorful as the scenery is lush. Gorgeous drone shots down windy roads are breathtaking. The score creeps up on you. The first appearance of the elusive creatures is reminiscent of 80s Jim Henson; think Hoggle and the goblins from Labyrinth. They are awesome in the truest sense of the word. As a person who has been pregnant twice, the violence in the film is visceral. The commitment from the cast is applause-worthy. As the impressive practical effects get more intense, so do their performances. You will find yourself wincing and giggling simultaneously. Yes, it is over the top. And yes, the ending is a real WTF. Just go with it and have fun because in UNWELCOME, keeping the tradition alive keeps you alive.


UNWELCOME is set to be out in theaters this FRIDAY, MARCH 10th

 as it’s part of the AMC Thrills & Chills lineup,

and on Digital Tuesday, March 14th!


 

SXSW 2023: Horror and Sci-fi and Docs, Oh My! A curtain raiser for the masses.

SWSX 2023 has something for everyone, from franchise horror expansion to the hotly anticipated premiere of Dungeons & Dragons: Honor Among Thieves. But we’re here to share some of the films on our radar this year.

 

Click here for tickets and all things SXSW 2023


Pure O
Director/Screenwriter: Dillon Tucker, Producers: Ricky Fosheim, Dillon Tucker, Ray Lee
A young screenwriter/musician grapples with Pure O, a lesser-known form of OCD while juggling his recent engagement and his day job at a high-end Malibu drug rehab. Inspired by the filmmaker’s own personal true story.

Cast List: Daniel Dorr, Hope Lauren, Landry Bender, Jeff Baker, Candice Renee, Breon Gorman, Tim Landfield, Isaac Nippert, Devon Martinez, Clint James (World Premiere)

Speaking as someone existing in a neurodivergent family unit, this one will hit hard for anyone battling invisible disabilities.


Raging Grace (United Kingdom)
Director/Screenwriter: Paris Zarcilla, Producer: Chi Thai
A bold coming-of-rage story where Joy, a Filipino immigrant, and her daughter Grace encounter a darkness that threatens all they have worked for.

Cast List: Maxine Eigenman, Leanne Best, David Hayman (World Premiere)

Femme-centric horror from Paris Zarcilla explores assimilation, trauma, and horror.


Another Body
Directors: Sophie Compton, Reuben Hamlyn, Producers: Elizabeth Woodward, Sophie Compton, Reuben Hamlyn, Screenwriters: Sophie Compton, Reuben Hamlyn, Isabel Freeman
Another Body follows a college student after she discovers deepfakes of herself circulating online. (World Premiere)

As if women didn’t have enough to fear, AI porn enters the arena. This mind-bending and infuriating doc shocks over and over.


Geoff McFetridge: Drawing a Life – 2023 SXSW Film & TV Festival Official Selection

Geoff McFetridge: Drawing a Life
Director/Producer: Dan Covert, Screenwriters: Erik Auli, Dan Covert, Amy Dempsey, Tara Rose Stromberg
What defines a life? The iconic work of artist Geoff McFetridge is everywhere. But this film is more than a primer on his career—it’s about the choices we confront in trying to lead meaningful lives, and how we use our most precious resource: time. (World Premiere)

Hold on, I know that art! This charming and insightful doc will introduce you to Geoff McFetridge, an artist we all know, but don’t know we know. Ya know?


Deadland – 2023 SXSW Film & TV Festival Official Selection

Deadland
Director: Lance Larson, Producers: Elizabeth Avellan, Bob Bastarache, Jas Shelton, Lance Larson, Tara Pirnia, Chris Wilks, Screenwriters: Lance Larson, Jas Shelton
A U.S. Border Patrol Agent tries to apprehend the ghost of his father, a grave decision that will haunt him forever.

Cast List: Roberto Urbina, McCaul Lombardi, Julieth Restrepo, Kendal Rae, Luis Chavez, Julio Cesar Cedillo, Manuel Uriza, Chris Mulkey (World Premiere)

Get ready for chills and politics to collide. You’re not ready.


Hail Mary - 2023 SXSW Film & TV Festival Official Selection

Hail Mary
Director: Rosemary Rodriguez, Producer: Karina Miller, Screenwriter: Knate Lee
A young Belizean girl, Maria, finds herself mysteriously pregnant and trying to cross the US/MEX border while outrunning a deadly virus, the Cartels, Border Patrol, and the right-hand man of the Devil. This genre-bending retelling of the Mary and Joseph story begs the question – who are the real monsters? Cast: Natalia del Riego, Benny Emmanuel, and Jack Huston with Angela Sarafyan (World Premiere)

As a former Catholic school kid and a lover of genre-defying fare, Hail Mary is 100% on my list. The meer idea that this will work brings my eyeballs to the screen.


Only The Good Survive - 2023 SXSW Film & TV Festival Official Selection

Only The Good Survive
Director/Screenwriter: Dutch Southern, Producers: Thomas Mahoney, Justin X Duprie
While unwittingly doing crimes in Texas, Brea Dunlee stumbles upon a QAnon-like cabal that preys on the poor and the powerless. Through a series of interrogations led by a gaslighting sheriff named Cole Mack, we discover not everything is as it seems.

Cast: Sidney Flanigan, Frederick Weller, D’Pharaoh Woon-A-Tai, Will Ropp, Darius Fraser, Lachlan Watson, Jon Gries, Patrick Grover (World Premiere)

Quirky, colorful, and confusing, this ping-pong, time-hopping delight is pure delightful mayhem.


Peak Season - 2023 SXSW Film & TV Festival Official Selection

Peak Season
Directors: Henry Loevner, Steven Kanter, Producers: Lovell Holder, Patrick Ward, Henry Loevner, Steven Kanter, Screenwriter: Henry Loevner
An emotionally adrift young woman forges an unexpected friendship with a wilderness guide when she and her fiancé take a summer trip to Jackson Hole, Wyoming.

Cast: Claudia Restrepo, Derrick DeBlasis, Ben Coleman, Fred Melamed, Stephanie Courtney, Will Neff, Caroline Kwan, Ron Hanks, Gadiel Del Orbe, Natasha Dewhurst (World Premiere)

Look out for this authentic, easy breezy dramedy that is like an emotional warm hug.


Art For Everybody - 2023 SXSW Film & TV Festival Official Selection

Art for Everybody
Director: Miranda Yousef, Producers: Morgan Neville, Tim Rummel
Thomas Kinkade’s pastoral landscapes made him the most collected and despised painter of all time. After his shocking death, his family discovers a vault of unseen paintings that reveal a complex artist whose life and work embody our divided America. (World Premiere)

You could not escape his art in the late 90s. His “lit from the inside” painting of countryside cottages and mass marketable art held America captive. I almost bought one in a mall gallery at 20 years old. They were that enchanting. 


Satan Wants You - 2023 SXSW Film & TV Festival Official Selection

Satan Wants You
Directors/Screenwriters: Sean Horlor, Steve J. Adams, Producers: Michael Grand, Melissa James
The shocking story of how a young woman and her psychiatrist ignited the global Satanic Panic with their bestselling memoir Michelle Remembers. (World Premiere)

One book twisted the narrative of a nation. It would start an avalanche of conspiracy theories that continues to run rampant in crazy circles today.


Who I Am Not – 2023 SXSW Film & TV Festival Official Selection

Who I Am Not (Romania, Canada)
Director/Screenwriter: Tünde Skovrán, Producers: Andrei Zinca
There is male, there is female, and then there is i. Born male and female within one single body, a beauty queen and a male-presenting activist break the intersex taboo through a personal and intimate exploration of truth, faith, and belonging. (North American Premiere)

Timely and important. That’s all you need to know.


Brooklyn 45 – 2023 SXSW Film & TV Festival Official Selection

Brooklyn 45
Director/Screenwriter: Ted Geoghegan, Producers: Seth Caplan, Michael Paszt, Pasha Patriki, Sarah Sharp
In the months following World War II, five old military friends are talked into an impromptu séance, which brings to troubling light each of their haunted pasts.

Cast List: Anne Ramsay, Ron E. Rains, Jeremy Holm, Larry Fessenden, Ezra Buzzington, Kristina Klebe (World Premiere)

Just because I know Ted Geoghegan to be one of the kindest and coolest gents in the biz doesn’t mean I have to mention his newest and perhaps most personal project yet. His work and the company he keeps (he is also producing Molli and Max screening at the fest this year), speak for themselves. I mean, how cool does this still look?! Shudder was smart enough to snap this up ages ago. 


Monolith – 2023 SXSW Film & TV Festival Official Selection

Monolith (Australia)
Director: Matt Vesely, Producer: Bettina Hamilton, Screenwriter: Lucy Campbell
All you have to do is listen. A disgraced journalist turns to podcasting to try and rebuild her career – but her rush to generate headlines soon uncovers a strange artifact, an alien conspiracy, and the lies at the heart of her own story.

Cast List: Lily Sullivan (International Premiere)

The history of deceptive podcasting has changed the lives of suspects and the far right in recent years. This one deserves your full attention.


Talk To Me – 2023 SXSW Film & TV Festival Official Selection

Talk To Me (Australia)
Directors: Danny Philippou, Michael Philippou, Producers: Samantha Jennings, Kristina Ceyton, Screenwriters: Danny Philippou, Bill Hinzman
Lonely teenager Mia gets hooked on the thrills of conjuring spirits through a ceramic hand, but when she is confronted by a soul claiming to be her dead mother, she unleashes a plague of supernatural forces.

Cast List: Sophie Wilde, Miranda Otto, Alexandra Jensen, Joe Bird, Otis Dhanji, Zoe Terakes, Chris Alosio (Texas Premiere)

We caught this one at Sundance and can report that it is franchise worthy. Do not miss it. Talk To Me


The Wrath of Becky – 2023 SXSW Film & TV Festival Official Selection

The Wrath of Becky
Directors/Screenwriters: Matt Angel, Suzanne Coote, Producers: Raphael Margules, JD Lifshitz, Tracy Rosenblum, Russell Posternak, Chadd Harbold
After living off the grid for two years, Becky finds herself going toe to toe against Darryl, the leader of a fascist organization, on the eve of an organized attack.

Cast List: Lulu Wilson, Seann William Scott, Matt Angel, Courtney Gains, Aaron Dalla Villa, Michael Sirow, Denise Burse, Jill Larson, Kate Siegel (World Premiere)

Firstly, Lulu Wilson is a phenom in my book. A follow-up to the 2020 film BECKY, I cannot wait to see this girl kick ass and not give a shit about names. 


The Artifice Girl – 2023 SXSW Film & TV Festival Official SelectionThe Artifice Girl – 2023 SXSW Film & TV Festival Official Selection

The Artifice Girl
Director/Screenwriter: Franklin Ritch, Producers: Aaron B. Koontz, Ashleigh Snead
Three special agents develop a bold new computer program to catch online predators, but its rapid advancement poses unexpected challenges.

Cast: Tatum Matthews, Sinda Nichols, David Girard, Franklin Ritch, Lance Henriksen (U.S. Premiere)

We could not escape the buzz that this film has been generating on the festival scene. It’s about time we join the crowd.


Molli And Max In The Future - 2023 SXSW Film & TV Festival Official Selection

Molli And Max In The Future
Director/Screenwriter: Michael Lukk Litwak, Producers: Candice Kuwahara, Ben J. Murphy, Mallory Schwartz, Kate Geller, Michael Lukk Litwak
Molli and Max In The Future is a Sci-Fi Romantic Comedy about a man and woman whose orbits repeatedly collide over the course of 12 years, 4 planets, 3 dimensions, and one space-cult.

Cast: Zosia Mamet, Aristotle Athari, Danny Burstein, Arturo Castro, Okieriete Onaodowan, Erin Darke, Grace Kuhlenschmidt, Michael Chernus, Aparna Nancherla, Matteo Lane (World Premiere)

After following the cast and crew of this film along the way, Molli and Max feels like a festival darling from the start.


With Love and a Major Organ – 2023 SXSW Film & TV Festival Official Selection

With Love and a Major Organ
Director: Kim Albright, Producer: Madeleine Davis, Screenwriter: Julia Lederer
In an alternate world where hearts are made of objects and suppressing emotions is self-care, a lonely woman rips out her own heart for the man she loves, only to discover that he has run away with it.

Cast: Anna Maguire, Hamza Haq, Veena Sood, Donna Benedicto, Lynda Boyd, Arghavan Jenati, Enid-Raye Adams, Ryan Beil, Laara Sadiq (World Premiere)

The concept alone makes me want to run to the theater. 


My Drywall Cocoon – 2023 SXSW Film & TV Festival Official Selection

My Drywall Cocoon
Director/Screenwriter: Caroline Fioratti, Producers: Rui Pires, André Montenegro
Virginia’s death during her 17th birthday shakes up a luxurious building complex. For most residents, it’s a passing tragedy. For her mother and her friends, it is the beginning of a transformation: the crack in their drywall cocoon.

Cast: Maria Luisa Mendonça, Bella Piero, Michel Joelsas, Mari Oliveira, Daniel Botelho, Caco Ciocler (World Premiere)

The only Brazillian film in the fest this year, this intricately written film will surprise again and again.


Is There Anybody Out There? (United Kingdom) – 2023 SXSW Film & TV

Is There Anybody Out There?
Director: Ella Glendining, Producer: Janine Marmot
Inhabiting a bizarrely unusual body (the body I love), and navigating daily discrimination, I search the world for another like me. Is there anybody out there? (Texas Premiere)

Check out our previous coverage of Ella Glendining’s unfiltered look at self-acceptance and judgment. It will live in my family’s heart forever.


The Angry Black Girl and Her Monster - 2023 SXSW Film & TV Festival Official Selection

The Angry Black Girl and Her Monster
Director/Screenwriter: Bomani J. Story, Producers: Jack Davis, Darren Brandl, Bomani J. Story
Death is ever present in Vicaria’s world – violence, police brutality, substance abuse – and after watching her mother and brother succumb, she’s had enough. Vicaria is going to put an end to all this death… by bringing the dead back to life.

Cast: Laya DeLeon Hayes, Denzel Whitaker, Chad Coleman, Reilly Brooke Stith, Keith Sean Holliday, Amani Summer Boyles, Edem Atsu-Swanzy (World Premiere)

Writer-director Bomani J. Story takes on the complexities of survival and oppression with a femme-centric modern take on Frankenstein. Yes, please, and thank you.


SHORT FILMS

Fuck Me, Richard – 2023 SXSW Film & TV Festival Official Selection

Fuck Me, Richard (Australia, U.S.)
Directors: Lucy McKendrick, Charlie Polinger, Screenwriter: Lucy McKendrick, Producers: Jenna Grossano, Lucy McKendrick, Charlie Polinger
Recovering from a broken leg, a romance-obsessed loner finds herself swept up in a passionate long-distance love affair. Richard is perfect in every way, except that he may be a scammer. (World Premiere)

As someone who “survived” a 5+ year long distance relationship, this one is a yes.


Dead Enders – 2023 SXSW Film & TV Festival Official Selection

Dead Enders
Directors: Fidel Ruiz-Healy, Tyler Walker, Screenwriters: Fidel Ruiz-Healy, Tyler Walker, Jordan Michael Blake, Conor Murphy, Producers: Raven Jensen, Amanda Crown, Gregory Barnes, Conor Murphy, Nico Alvo, Jordan Michael Blake, Eduardo Ruiz-Healy
A disaffected gas station clerk finds out why they call it the “graveyard shift” after oil drillers set loose an ancient race of mind-controlling parasites. (World Premiere)

Horror shorts for the win, ladies, and germs. Give me a new badass final girl every day of the week.


To find out more about SXSW 2023’s full lineup click here!

Review: ‘American Cherry’ offers bold visual storytelling, but narration is less ripe.

AMERICAN CHERRY

American Cherry unfolds like a bold and hazy dream. There are moments of such quiet beauty in every corner of the film – patient shots of dust swirling in a sunbeam, a butterfly crawling across a screen door. The dusty, nondescript town at the center of the film manages to feel familiar and alien all at once.
The plot and narrative are an awkward fit for such an intriguing setting. Troubled young Finn (Hart Denton, toned down from his manic turn on Riverdale) drifts through the town. He’s obviously troubled. His relationship with his parents is strained, and we can tell there’s anger (or worse) bubbling under his quiet exterior. He connects with Eliza, a girl at his school. Eliza is troubled too, in her own quieter way: she lives with her alcoholic mother, the two of them living through a trial separation from her step-father and step-sister. As Finn and Eliza deepen their bond, it quickly becomes clear that he will bring great love or great danger into her life (perhaps both.)

I was impressed with both young leads. Denton appears in nearly every scene of the film and provides its narration. If the audience doesn’t connect with him, American Cherry has no chance. He is up to the task. Sarah May Sommers is particularly affecting as Eliza – I especially admired scenes where she has to navigate between her budding happiness with Finn and the thoughts and expectations of her high-school friends.

I found much to love about American Cherry, but left confused surrounding its tone and intention. From a genre perspective, it somehow sits right at the intersection of romance and psychological thriller, but that ambiguity was confusing in ways that felt unintentional. Is this trying to be Fear for the zoomer generation? Good Will Hunting with more bite? I felt it needed to commit a little bit more firmly. By seeking such balance, it risks underdelivering on both counts.

I found the script somewhat overwrought as well – the heavy-handedness of the dialogue is difficult to reconcile with the casual nuance of the cinematography. It is hard to watch young actors deliver lines like “there’s an umbilical cord connecting my belly with this town” with stone-faced seriousness.

All this being said, the visual power of the film is difficult to resist and does the heavy lifting of transporting the audience when the script can’t quite deliver. This is a confusing picture, but undeniably beautiful.


AVAILABLE MARCH 17
on Amazon, Vudu and Cable VOD (Comcast/Charter/Cox/Xfinity)


AMERICAN CHERRY is a psychological thriller-romance about a mysterious, troubled boy (Hart Denton, “Riverdale”) who meets an impressionable girl (Sarah May Sommers, Once Upon a Time in Hollywood) in their small town. Together they embark on a romance where his love turns into obsession as he tries to protect her from her dysfunctional family — he makes her a video diary that confesses an intricate story of love, mental illness and the tragic consequences if left untreated. 
 
Written and Directed by: Marcella Cytrynowicz
Producers: Geoffrey Goodman, Hanna Griffiths,
Dave Ross,Taryn Sims and Jeff Wald
Executive Producers: Jenny Alonzo, Louis Arriola,
Matthew Helderman, Michael L. Holland,
Grady Justice, Nikki Stier Justice and Luke Taylor
Cinematographer: Gus Bendinelli

 

CAST: Hart Denton (“Riverdale,” “13 Reasons Why”), Sarah May Sommers (Once Upon a Time in Hollywood), Audrey Holcomb, Larsen Thompson, Matty Cardarople (“Stranger Things), and Leonor Varela (Blade II)

 

Berlinale 2023 Film Festival review: ‘UNDER THE SKY OF DAMASCUS’ gives a voice to the silenced.

UNDER THE SKY OF DAMASCUS
*WORLD PREMIERE*

Five Women Unpack the Deeply Entrenched Misogyny in Syria in this Intimate and Affecting Documentary


Heba Khaled, alongside co-directors Talal Derki and Ali Wajeeh, gives Berlinale 73 audiences a vastly impactful and furiously personal look inside the abusive patriarchal structure of Syrian society. Systemic oppression needs a voice of truth. Khaled finds a group of women who take matters into their hands by collecting the stories of women in their community in hopes of creating an original stage production exposing generational hurt. UNDER THE SKY OF DAMASCUS is pivotal storytelling. 

Inside a women’s mental hospital, residents recall their circumstances for being there. Family members dropped off most for pushing back on tradition, some for merely existing at all. Women in a cloth factory and a recycling center recall the physical abuse at the hands of their husbands, passed down to their daughters. Woman after woman, story after story, the abuse is systematic and heartbreaking. 

Ari Jan‘s score heightens the feeling that this situation is a ticking time bomb. As their work progresses, the group’s members begin to dwindle. Either out of fear or blackmail, women quit the project. The film reveals that one of the crew members violated the women while filming. Heba tells the remaining members on camera after flying to Beruit. What happened next broke my heart. We watch these brave women unravel, resulting in a shocking pause in filming. Three months later, a new development knocked the wind out of me. The Play’s self-appointed director makes a decision that could undermine the project’s entire mission statement. 

UNDER THE SKY OF DAMASCUS is often an emotionally crippling viewing experience. It overflows with equal parts despair and inspiration. Quite frankly, it enraged me. The film’s journey is a perfect example of the silencing of women’s experiences and how patriarchal abuse of power can consume even the best intentions. It is a dream and a prayer from one generation to the next. 


Directors: Heba Khaled, Talal Derki, Ali Wajeeh
Cinematography: Raed Sandeed
Editing: Marion Tuor
Music: Ari Jan
Sound Design: Mia Joanna Koskela
Producers: Sigrid Dyekjær, Talal Derki, Heba Khaled, Beth Earl
Executive Producers: Philippe Levasseur, Romain Bessi, Jenny Raskin, Kelsey Koenig, Maiken Baird, Ruba El-Khash

Nominated for the Berlinale Documentary Film Award



BERLINALE SCREENINGS

*PREMIERE: Monday February 20, 18:30 – Cubix 9*


Tuesday February 21, 19:00 – Cubix 5

Wednesday February 22, 21:45 – Cubix 8

Friday February 24, 19:00 – Zoo Palast 2

Sunday February 26 13:00 – International


 

Review: ‘EMILY’ is a sensual and complex tale of loss and genius.


EMILY imagines Emily Brontë’s own Gothic story that inspired her seminal novel, “Wuthering Heights.” Haunted by the death of her mother, Emily struggles within the confines of her family life and yearns for artistic and personal freedom, and so begins a journey to channel her creative potential into one of the greatest novels of all time.


EMILY shares the part-fictional story of a brilliant writer whose life and loss of love inspired one of the greatest novels of all time.

Wuthering Heights fans will recognize the inspiration in Frances O’Connor‘s screenplay. Sibling and familial dynamics loom large, as does jealousy. A myriad of topics appears in the script; grief, individualism, and life in the arts. Emily shirks gender norms and yet yearns for the approval of her Father. Betrayal, morality, lust, defiance, sibling rivalry, adoration, and spite play keen roles in EMILY. A particularly sharp monologue serves as a Freudian confessional. It is brilliant and heartbreaking.

Nanu Segal’s cinematography is both visually striking and emotionally impactful. The score is chill-inducing, ethereal, and classic all at once. Emily contains one of the most gloriously choreographed love scenes. Two particular moments in Sam Sneade‘s editing were particularly effective. First, when Weightman and Emily discuss their inspiration in writing, and second when William first reads Emily’s poem. These subtle choices are massive emotional shifts in the narrative. Bravo.

Fionn Whitehead plays Branwell Brontë with the vibrancy of a firecracker. He is a delightful foil for Mackey. Their connection is undeniable. Oliver Jackson-Cohen is Mr. Weightman. Battling societal morality and love, Jackson-Cohen gives a stunning performance. His intuition and chemistry with Mackey are explosive.

Emma Mackey is perfection. The script allows her to play the full spectrum of human emotion. She is vulnerable, anxious, fearless, defiant, and endlessly passionate. Emily’s curiosity for life and experience gives Mackey the freedom to immerse herself in the role. She nails it.

EMILY is every English Lit major’s fantasy. Emily is an iconic feminist role model, walking the thin line between relatable and remarkable. Frances O’Connor gives audiences a heroine to admire and aspire to be.


Bleecker Street will release EMILY
in select theatres February 17, 2023


Directed by: Frances O’Connor
Written by: Frances O’Connor
Produced by: Piers Tempest, Robert Connolly, David Barron
Cast: Emma Mackey, Fionn Whitehead, Oliver Jackson-Cohen, Alexandra Dowling,
Adrian Dunbar, Amelia Gething, and Gemma Jones


Rated R | 130 minutes

Facebook: @BleeckerStFilms
Twitter: @bleeckerstfilms
Instagram: @bleeckerstfilms

#EmilyMovie


 

Review: ‘Swallowed’ is any LGBTQ person’s nightmare… and then some.

SWALLOWED

Cooper Koch and Jose Colon play best friends, Benjamin and Dom. In order to send Benjamin off to L.A. with some extra cash, Dom coordinates a drug mule operation that complicates everything. When the packages turn out to be something far more sinister, things get much darker than anyone imagined.

Swallowed is a genre-obliterating film with fantastic performances. Jena Malone adds gritty believability. To no one’s surprise, she manages to bring charm and intensity. Koch and Colon have spectacular chemistry, and you 100 percent buy their relationship. Koch possesses an accessible vulnerability. Colon’s honesty feels grounded. Bravo for their openness to go full frontal nude. We all know how rare that is, and it makes complete sense given the plot. The film also features a solid villainous turn from Mark Patton, a genre legend from A Nightmare on Elm Street 2. One line, in particular, is slyly redemptive given his status in the horror canon.

The camera work has visceral intimacy. Writer-director Carter Smith (The Ruins) gives audiences a unique genre entry, with the leads being LGBTQ male characters in scenarios we usually see female characters tackle. Swallowed is part crime thriller, part coming-of-age, and body horror. This film is an LGBTQ scenario of nightmares. Get ready to squirm.

 
The horror / thriller / LGTBQIA+ film, SWALLLOWED, will be released on digital and on demand February 14, 2023.

It stars Jena Malone (The Hunger Games Film Series, Cold Mountain, Stepmom), Mark Patton (A Nightmare on Elm Street 2: Freddys Revenge, Freddy vs. Jason), Cooper Koch  (Fracture) and Jose Colon (Feature Acting Debut)
 
It was written and directed by Carter Smith (The Ruins).


Official Trailer Drop: ‘MOON GARDEN’ is coming to cinemas this Spring.

“One of the most extraordinary and exciting cinematic experiences of the year…”

MOON GARDEN: Official Trailer


We covered the film during GRIMMFEST and could not be more excited for audiences to feel the magic and fear vibrating from the screen. Moon Garden found the perfect home at Oscilloscope Laboratories. Stay tuned to Reel News Daily for updated news on release dates. Cinephiles delight, Moon Garden is, simply put, one of a kind.


You can find our festival coverage below:

One of the most extraordinary and exciting cinematic experiences of the year, GRIMMFEST 2023 audiences got a taste of the uniqueness of Moon Garden. A five-year-old girl’s trauma manifests as bizarre and visceral images as she sits in a coma. The audience hears the real-time action as the doctors and her parents navigate their tumultuous relationship. Guided by her parents’ voices, Emma attempts to escape her mysterious prison world, wading through creatures of good and evil. Moon Garden is an industrial steampunk fairy tale that is relentlessly haunting and undeniably riveting.

Moon Garden is character and world-building at its best. Fascinating and terrifying all at once, we are right alongside Emma in this frightening in-between existence. A bit of Return To Oz with a touch of Pan’s Labyrinth, the magic of Moon Garden grows with each passing second. The editing is stunning. In addition to the monstrous action, writer-director Ryan Stevens Harris incorporates memories, giving Emma the tools to survive in her strange surroundings. It’s a beguiling screenplay tackling love and fear.

Haven Lee Harris plays Emma with authentic fear and wonder. She is darling. As a mother of two children around her age, Moon Garden made my palms sweat. My pulse elevated, and I simply could not take my eyes off the screen. Harris is nothing short of captivating. I cannot wait to see what she does next. What a star!

Ryan Stevens Harris cleverly utilizes cinematic homage and fantasy to express childhood trauma. This gothic fairytale surprises at every turn. It is undoubtedly one of my favorite films of the year.


Learn more about Moon Garden at http://moongarden.oscilloscope.net

  • Year:
    2022
  • Runtime:
    95 minutes
  • Language:
    English
  • Country:
    United States
  • Rating:
    12A
  • Director:
    Ryan Stevens Harris
  • Screenwriter:
    Ryan Stevens Harris

Review: ‘The Way Out’ is a twisted tale of manipulation and revenge.

The Way Out

Pizza delivery boy and recovering alcoholic Alex grieves the loss of his abusive father while navigating the inheritance of his childhood home and mortgage. To get by, he rents a room to Shane, a domineering trainer who takes over Alex’s life with intrusive advice.

Ashleigh Murray is Alex’s best friend, Grace. She gives us the perfect balance of sweet, supportive, and firey. She’s a foil for Beauchamp. Sherri Sheperd is outstanding as Alex’s AA sponsor Ronnie. This is a fantastic turn filled with grounded concern, loving energy, and wise words. Her calm demeanor balances the chaos beautifully. She is a thoughtfully curated character.

Jonny Beauchamp plays Alex. Writet-director Barry Jay‘s screenplay allows him to show his vast range as he assumes some of Shane’s personality traits as the story progresses. Beginning as a meek and mild, lost young man, Alex slowly becomes increasingly more aggressive. Mike C. Manning (Slapface) throws you off balance from the moment he appears onscreen. He oozes toxic masculinity, helped by his intense workout obsession and the score. Shane goes from subtle to overt manipulation quicker than I expected. He is downright scary. While Manning portrays the ultimate gaslighter, his character is more nuanced than at first glance.

Overall, the lighting is a bit dark for my taste, but the score is carefully crafted and smartly used. The script morphs into a sick and twisted revenge story I did not see coming. There is a complex moral ambiguity that is endlessly intriguing. The Way Out is an unexpected journey of self-discovery and one credible psychological thriller.


https://youtu.be/MXIoXo_rrt4

On-Demand Release/Worldwide – Feb 10, 2023

 

Review: Casper Van Dien runs a tight ship in Corey Deshon’s ‘DAUGHTER’

DAUGHTER

SYNOPSIS: A young woman is kidnapped and inducted into a bizarre family as their new surrogate daughter. As she navigates through this twisted dynamic, awful secrets about the past are revealed, leading to even darker implications about the future.


(L-R) Elyse Dinh as Mother, Casper Van Dien as Father, and Ian Alexander as Brother in the thriller film, DAUGHTER, a Dark Star Pictures release. Photo courtesy of Dark Star Pictures

Shot on 16mm film, DAUGHTER comes alive with a timeless 70s exploration horror look. Told in chapters, this slow-burn thriller raises questions about captivity, indoctrination, and freedom of thought. It will make you shiver.

Elyse Dinh tackles the role of “Mother.” She is the stabilizer in the family dynamic. Dinh’s chemistry with Vivien Ngô keeps you watching. Ian Alexander, whom I adored in The OA, plays “Son.” Alexander fully embodies whatever character they play, and this is no exception. There is solid potential for more of this character in the future.

Casper Van Dien is “Father.” He is unsettling from the beginning. A looming figure, he makes your skin crawl. Vivien Ngô plays “Daughter” with the complexity needed to sustain the pace. The audience is along for the ride on her shoulders. She had me constantly wondering what move might come next in the bizarre game of chess. It is a captivating turn.

The sixth chapter is a complete visual departure from the rest of the film. It’s explosive. With a beginning and ending that feels like an homage to Tobe Hooper‘s The Texas Chainsaw Massacre, the long-awaited finale of DAUGHTER feels spot on. Any other choice would have felt like a cop-out. DAUGHTER has the makings of a franchise if writer-director Corey Deshon can quicken the pace with this first film as canon.


Dark Star Pictures will release the thriller film DAUGHTER in select theaters, on Digital and On Demand on February 10, 2023

The thriller DAUGHTER stars an ensemble cast of Casper Van Dien (Starship Troopers), Elyse Dinh (Spider-Man 2), Vivien Ngô (“Queen Sugar”), and Ian Alexander (“Star Trek: Discovery”). The film is written and directed by Corey Deshon (“A Million Little Things”).


DIRECTOR’S STATEMENT

From the wars we fight over our conflicting worldviews, the insane mental gymnastics we conjure in order to justify them, and the insignificance of truth in the absence of freedom, comes DAUGHTER. Shot on 16mm film with a predominantly Vietnamese cast, DAUGHTER is a uniquely diverse and genre-bending tale in the vein of Dogtoothmeets 10 Cloverfield Lane.

Inspired by feminist existentialist philosopher Simone De Beauvoir’s “The Ethics of Ambiguity,” this film is a meditation on the morality and ethics of freedom and creative expression within an oppressed system. Through this surrealist psychodrama, we seek to explore the questions, “Can one truly be free if they do not will the freedom of others? “and, “If that freedom must come at a moral cost, who is going to pay?”


IN THEATERS: February 10, 2023
ON DIGITAL AND ON DEMAND: February 10, 2023
ON DVD: May 9, 2023
DIRECTOR: Corey Deshon
WRITER: Corey Deshon
CAST: Casper Van Dien, Elyse Dinh, Vivien Ngô, and Ian Alexander   
RATING: Not Rated
RUN TIME: 95 minutes
GENRE: Thriller
DISTRIBUTOR: Dark Star Pictures




Review: ‘Woman of the Photographs’ is a hauntingly beautiful and unusual love story.

WOMAN OF THE PHOTOGRAPHS

An unassuming photographer finds himself entangled in influencer Kyoko, who has body dysmorphia. Part fable, part romance, and certainly part body horror.  WOMAN OF THE PHOTOGRAPHS is a one-of-a-kind, genre film.


The juxtaposed images of Kai and his pet praying mantis eating are a delight. Hideki Nagai‘s physicality mirrors that of the insect. He is skittish, introverted, and meticulous in his work. Nagai draws you in immediately. Itsuki Otaki is equally captivating as Kyoko. The chemistry of our two leads is endlessly intriguing. I could not take my eyes off their engrossing dynamic.

The score is lighthearted, almost French. The hyper-augmented sound editing draws attention to the fact that Nagai has zero dialogue. Combined with eclectic music like jazz and Jazz and The Nutcracker Suite, it accentuates the playful nature of the film. Kyoko experienced many fantasy sequences as a coping method.

The film utilizes classic devices. Mirrors and reflection play a dual role. Reds and fuchsias feature prominently in the form of nail polish, shoes, a toothbrush, Kyoko’s blouse, a robe, and phone case, and most importantly, the scar. I can see why this was such a hit on the festival circuit. WOMAN OF THE PHOTOGRAPHS begs a larger conversation about image and self-worth as dictated by the internet and society.


WOMAN IN THE PHOTOGRAPHS in Select Theaters on February 3rd and On Demand everywhere on February 7th.


https://epic-pictures.com/film/woman-of-the-photographs

Shudder capsule review: ‘Attachment’ dazzles with its smart script.

ATTACHMENT

New couple Maja and Leah battle terror and tradition when they move back into the same house as Leah’s Hasidic mother, Chana. Jewish mysticism takes center stage in this unique entry for Tribeca 2022 Midnight section. Is Chana an overprotective parent, or is something more sinister happening? Enter writer-director Gabriel Bier Gislason‘s ATTACHMENT.

The writing is perfectly genius, as it disguises the mystery within the secretive nature of the religion. I watch a lot of horror. ATTACHMENT had me on the ropes. I had no idea where this script would land. The language barrier raises the stakes, as important revelations become lost in translation, literally. Performances are spectacular and nuanced. The emotional journeys are lush. Their pasts slowly revealed creating a genuine and curious bond. I could not take my eyes off the screen while watching Attachment, fearing I’d miss the smallest detail. Audiences will be hypnotized.


*STREAMING EXCLUSIVELY ON SHUDDER*
FEBRUARY 9th, 2023


FEATURE | DENMARK | 105 MINUTES | DANISH, ENGLISH | ENGLISH SUBTITLES
DIRECTOR
Gabriel Bier Gislason
PRODUCER
Thomas Heinesen
SCREENWRITER
Gabriel Bier Gislason
CINEMATOGRAPHER
Valdemar Winge Leisner
EDITOR
Nikoline Løgstrup
US DISTRIBUTOR
Shudder
CAST
Josephine Park, Ellie Kendrick, Sofie Gråbøl, David Dencik


 

Review: Character-driven zombie film ‘ALIVE’ is now available on Digital and VOD

ALIVE

Helen navigates a ravaged world with her boyfriend Kevin and her little brother Barney. Desperate to find help after Barney’s infection slowly turns him into a zombie, they come upon a house where lives Dan, a man harboring a heavy secret.

The film has a very BBC look to it. It is difficult, beyond the appearance of a smartphone, to tell what year the film occurs. A mix of religion, politics, and pure survival mode mix to keep the audience engaged in the narrative. The sound editing by Rob Pepper, especially the creepy sound of the virus progressively infecting young Barney, made my skin crawl.

Although the zombie makeup is not great, costumes and general makeup are thoughtfully aged and disheveled. Something that is usually a sticking point in low-budget apocalyptic films. I was equally impressed with the locations. It appears the filmmakers had a lot of options, and they used them to their advantage. Performances are strong all around. A large ancillary and featured extra cast makes for a more impressive final product.

While the drama is a touch overplayed, perhaps akin to a Lifetime drama hokeyness, that does not lessen the intriguing arc in a genre that is tricky to conquer with new ideas. So while we’ve seen the sentimental attachment aspect in the past, the surprising plot point surrounding the very badass Ellen Hillman was phenomenal. Alive‘s final reveal garnered an honest, approving nod from me. I applaud the passion and commitment of writer-director David Marantz. It undoubtedly has an audience.


THE INFECTION SPREADS ON JANUARY 31, 2023 ON DIGITAL AND ON DEMAND!

 

Review: Israel’s Official Submission to the 94th Academy Awards, ‘LET IT BE MORNING’ is a slick satirical dramedy with spectacular performances.

LET IT BE MORNING

Based on the Sayed Kashua novel, Eran Kolirin‘s sharp political satire LET IT BE MORNING hits theaters this Friday. Premiering at Canne in 2022, we find Sami returning to his childhood village to attend his younger brother’s wedding, only to find Israeli soldiers lock down the town without explanation.

On the surface, the film is an intimate character study of the growing tensions in a family and community in close quarters and the disruption of everyday life. Slyly mirroring the Israel-Palestine tensions in a darkly comedic way, LET IT BE MORNING tackles the status quo, the want for power, and the need for change in a superbly brilliant way.

Shai Goldman‘s cinematography captures both the beautiful landscape and the claustrophobic living conditions, smartly accentuated by natural light, soft candlelight, and lone street lamps. Music tracks like SIA‘s “Chandelier” break the tension in seemingly mundane moments. The script gets funnier and deeper under such dark circumstances as everyone approaches their physical and emotional breaking points.

Performances are undeniably fantastic. Most notably, Juna Sulieman as Mira, Ehab Salami as the ever-optimistic Abed, and Alex Bakri as an often indifferent Sami. They wade through politics, flailing relationships, and the facades we curate for survival. LET IT BE MORNING utilizes biting humor, metaphor, and reluctant honesty to tackle happiness and hope.


LET IT BE MORNING opens in theaters on February 3rd in New York City (QUAD Cinema) and LA (Laemmle Royal)

The film will then expand into select major cities on February 10th and nationwide on February 17th.


The film premiered in the Un Certain Regard section of the Cannes Film Festivalthen went on to acclaim at other festivals around the world. It also won in nine of the eleven categories in which it was nominated at the Ophir Awards (Israel’s Academy Awards), including Best Film, Best Director, Best Actor, and Best Actress.

 
QUAD Cinema’s Retrospective Series Honoring Filmmaker Eran Kolirin
Quad Cinema in New York will also be presenting a four-day retrospective (Jan 30th-Feb 2nd) featuring select films from Eran Kolirin’s filmography, celebrating the director’s work leading up to the theatrical release of Let It Be Morning. Co-sponsored by the Consulate General of Israel in NY, the retrospective series will include the 2007 global phenomenon (and Kolirin’s feature directorial debut) The Band’s Visit on 35mm as well as the 2011 Venice-selected, quirky comedy The Exchange and soldier-returns-home drama Beyond the Mountains and Hills, which competed in the Un Certain Regard at the 2016 Cannes Film Festival. Filmmaker Eran Kolirin will be present for Q&A discussions after select screenings throughout the retrospective and during the opening weekend of “Let It Be Morning” at the QUAD Cinema. 

 

About filmmaker Eran Kolirin:

Born in Tel Aviv in 1973, writer/director Eran Kolirin’s feature film debut THE BAND’S VISIT (2007) thrust him into the international spotlight, winning critical acclaim and over 50 prestigious awards from around the globe, including eight Israeli Academy awards, two awards and special mentions at the Cannes Film Festival and two European Film Awards. His second film THE EXCHANGE (2010) competed at the 68th Venice International Film Festival in 2011. In 2016, his third film BEYOND THE MOUNTAINS AND HILLS premiered in the Un Certain Regard section of the Cannes Film Festival. LET IT BE MORNING is his fourth feature film as writer/director.