SXSW 2023 review: DEADLAND’ is a haunting portrait of power, politics, and unresolved trauma.

DEADLAND

This nail-biting thriller from writer-director Lance Larson starts with a bang and ratchets up the tension by the minute. Two seemingly unrelated mysteries plague border control agent Angel Waters. When a man attempts to cross the raging rivers onto US soil, he is swept downstream. Upon transporting his body, the man resurrects and requests, “El Paso, por favor.” Plans go awry, and Angel, his two coworkers, and the man become haunted by their choices. Meanwhile, Angel’s long-lost father appears in his home. His pregnant wife plays mediator in a volatile situation.

McCaul Lombardi plays Agent Hitchcock with the epitome of toxic masculinity, while Julieth Restrepo‘s humanity as Salomé proves to be her undoing. Their journey is akin to watching a car crash. Luis Chávez is chilling. Manuel Ariza and Kendal Rae leave their hearts on the screen. Roberto Urbina plays Angel with a masculine aura but anxious hesitancy and unresolved abandonment issues. He is magnetic. As a whole, this cast nails it.

Jas Shelton‘s gorgeously shot landscapes are juxtaposed with cold immigration offices. Angel experiences visions that are nothing short of mesmerizing. DEADLAND‘s final ten minutes made me gasp. Superb writing from Lasron and Shelton and fantastic performances are guaranteed to captivate SXSW 2023 audiences with questions of morality, guilt, and the things that haunt us.


Film Screenings

Mar 13, 2023
11:00am12:31pm
 
Mar 14, 2023
5:00pm6:31pm
 

Credits

Director:

Lance Larson

Executive Producer:

Fred Baker, Charles Larson, John Shoemaker

Producer:

Elizabeth Avellan, Bob Bastarache, Jas Shelton, Lance Larson, Tara Pirnia, Chris Wilks, Marsha Ann Larson, Norah Veloz

Screenwriter:

Lance Larson, Jas Shelton

Cinematographer:

Jas Shelton

Editor:

Lance Larson

Production Designer:

O’Shay Brooks

Sound Designer:

Rene Coronado

Music:

Christopher Dean White

Principal Cast:

Roberto Urbina, McCaul Lombardi, Julieth Restrepo, Kendal Rae, Luis Chavez, Julio Cesar Cedillo, Manuel Uriza, Chris Mulkey, Chris White, Dave Maldonado

Additional Credits:

Line Producer: Wendy Parker, Stunts / SpFX Coordinator: Chris A. Wilks, Art Director: Jennifer Herbal, Costume Designer: Summer Moore, Gaffer: Jake Basnett, Key Grips: Joe Guzman / Kurt Stevens, Set Decorator: Ashley Stewart, Head Make Up: Reanon Casillo, Head Hair Stylist: Erika O’Bar, Casting Director: Beth Lipari

SXSW 2022 review from Unseen Films: Immigration documentary ‘SPLIT AT THE ROOT’

SPLIT AT THE ROOT

When a Guatemalan mother seeking asylum was separated from her kids under Zero Tolerance Policy, a Facebook post by a mom in Queens coalesced into a movement as thousands of like-minded women across the US refused to stand by quietly. Immigrant Families Together was born; a rapid response group committed to doing what the government couldn’t – or wouldn’t do: reunite parents with their children separated by the Zero Tolerance Policy.

Families separated at the border made headlines in 2018, prompting protests and policy changes. Over 2,000 children’s reunification status are still unknown and thousands of people impacted by separations are still suffering the effects of pursuing asylum.


A look at the US policy under Donald Trump to separate illegal immigrant parents from their children. It focuses on the plight of several women who had their children taken away as well as the mothers turned activists who fought to reunite the family. The film focuses on how mothers from across America came together to create Immigrant Families Together (IFT) which was aimed at working to get the separated families together any way they could. In the case of Yeni Gonzalez, the women drove her across the country in stages in order to get her and her kids back together.

This is good but not quite my cup of tea, in that way the film kind of disappointed me. While the film tells an important story, I never really connected to the story, and the problem, for me, was that I never warmed to the women in IFT.  I also completely understand that it was impossible to really follow many of the turns in person, owing to the inability to film in various official facilities, but I kept wanting to see more.

Frankly, the problems come from seeing a steady diet of similar films and as a result, I unintentionally have compared it to other films while not taking it entirely on its own terms. On the other hand, if you are not an insane film watcher like me you may want to give the film a try.


Director:

Linda Goldstein Knowlton

Executive Producer:

Rosario Dawson, Zak Kilberg, Amanda Marshall, Regina Solorzano

Producer:

Marti Noxon, Maria Grasso, Linda Goldstein Knowlton, Miranda Bailey

Cinematographer:

Nelson Hume, Nancy Serna-Guerrero

Editor:

Eric Torres, Alessandro Soares

Music:

Lili Haydn

Additional Credits:

Line Producer: Yasmine Gomez, Sound Recordist: Ben Posnack, Veronica Lopez, Lead Assistant Editor: Stephanie Huerta Martinez


To read more of Steve’s thoughts on this year’s SXSW22 lineup, head to Unseen Films