SATAN WANTS YOU
Dollars and the Devil. SATAN WANTS YOU at SXSW 2023 is more relevant than most of us would like it to be. In 1976, Dr. Lawrence Pazder and Michelle Smith had an unusual doctor/patient relationship. Under hypnosis, Michelle describes dreams as Pazder records and interprets for her. These sessions became a bestselling book, ‘Michelle Remembers, and the beginning of what we know as ‘Satanic Panic.” The monetization of fear is a powerful little devil on your shoulder.
The film utilizes many media forms, from the infamous session tapes, photographs, archival footage, sit-down interviews, and clips from television appearances in the 80s. In interviews with Michelle’s sister, Charyl describes a violent childhood at the hands of an alcoholic and abusive father. But if you believe Pazder and the Catholic Church, there were an awful lot of Baby-stealing Satanists out there stalking hospitals and daycares.
Michelle describes her recollections like scenes straight out of Rosemary’s Baby. The sheer absurdity of Michelle’s claims made me shake my head and roll my eyes. Dr. Pazder gives off quack vibes from the beginning. If you believe Larry’s family, Michelle may have been the driving force in this unusual relationship. Enough so that Marylin Pazder filed for divorce. These two were glued to one another, making money and collecting groupies hand over fist.
You cannot ignore the similarities between Satanic Panic and the rise of “The Deep State” and QAnon. To think that one book caused such chaos for so long is downright infuriating. If they fear you, you can control them. Ask Fox News how they prefer their audience. No doubt, SATAN WANTS YOU will fire up SXXW 2023 audiences.
Film Screenings
Directors: |
Sean Horlor, Steve J. Adams |
|---|---|
Executive Producer: |
Sean Horlor, Steve J. Adams |
Producer: |
Michael Grand, Melissa James |
Screenwriter: |
Sean Horlor, Steve J. Adams |
Cinematographer: |
Blake Davey |
Editor: |
Graham Kew |
Production Designer: |
Juan Gonzales |
Sound Designer: |
Mark Dolmont |
Music: |
Mark Dolmont |
Principal Cast: |
Sarah Marshall, Charyl Proby-Austman, Charles Ennis, Debbie Nathan, Ken Lanning, Elizabeth Loftus, Blanche Barton, Jeffrey S. Victor |
Additional Credits: |
Associate Producer: Hayley Morin |
Pollack’s gritty documentary takes the viewer through the story of Ricky Kasso, a disaffected teen who took the media by storm in 1984 when he stabbed a friend to death in an alleged “satanic sacrifice.”
The documentary can’t decide if it’s about a kid who was repeatedly failed by his parents, about mental illness, or about the start of the satanic panic. It gives you a little bit of everything. Rather than bringing a voice to the victim behind this story, it focuses much more on the myth and legacy of Ricky Kasso. This documentary makes clear that the satanic elements of the case were sensationalized but simultaneously give a platform to some interviewees to further perpetuate these very myths.
The chemistry between Alexandra Daddario and Maddie Hasson is off the charts cool. You’ll find yourself rooting for something you never thought you would because it’s entertaining as hell, no pun intended. The kills are fun, which always sounds weird no matter how much horror I consume. We also get everything 80’s you ever wanted, iconic tunes, over-the-top decor, bitchin’ cars, big hair, and cocaine. It’s no surprise that with a team of Marc Meyers and Alan Trezza, We Summon The Darkness has, at the very least, sequel potential. 
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