Review: ‘ SOMETHING YOU SAID LAST NIGHT’ is a completely fresh take on trans storytelling.

A Film by Luis De Filippis


Ren, an aspiring writer and mid-twenty-something, accompanies her parents, Mona and Guido, and her younger sister, Siena, on a beach resort holiday in cottage country. As Ren navigates the resort, she struggles to cope with her parents’ loving yet overbearing nature, and tries to balance the yearning for independence with the comfort of being taken care of. The realities of being a stunted millennial and a trans woman coalesce in Ren not wanting to be perceived as a burden. Looming in the back of Ren’s mind is the secret of her recent dismissal from work, and that once the holiday is over, she will need to rely even more on her family’s support.


SOMETHING YOU SAID LAST NIGHT centers on sisters Ren and Siena and their parents on vacation. Emotional turmoil, family drama, and love make this an exceptional indie.

The cast is phenomenal. Focusing on our leading lady, Carmen Madonia, gives Renata an often aloof attitude, hiding a lost mindset. She’s soft-spoken, outwardly feeling othered by her sister’s personality. But little is said. Madonia’s face replaces any unneeded dialogue.

The family chemistry is deliciously authentic. Each fully fleshed-out member has their quirks and distinct personality traits. What makes this script particularly special is the approach to transgender storytelling. They let Ren exist, merely hinting at her identity for the first time 30 minutes in. It’s never directly addressed. The juxtaposition of a pair of aggressive little boys is genius. The sound editing is a character unto itself. What we hear in the background speaks volumes. At times, Ren is almost an ancillary character. It’s undeniably intriguing filmmaking. 

SOMETHING YOU SAID LAST NIGHT takes trans storytelling in a fresh direction. Representation matters. Moreover, seeing a loving dynamic in the life of a trans woman is essential.


Opening in NY / The Quad on September 22
and LA / The Culver Theater on September 29

SOMETHING YOU SAID LAST NIGHT is based on director Luis De Filippis’s short film, “For Nonna Anna”, which premiered at the 2017 Toronto International Film Festival and received the Special Jury Prize at the 2018 Sundance Film Festival. The film was awarded Outfest’s Grand Jury Award, TIFF’s Changemaker Award, and Rotterdam International Film Festival’s Youth Jury Award.

WRITTEN AND DIRECTED BY Luis De Filippis
PRODUCED BY Jessica Adams, Michael Graf, Harry Cherniak, Rhea Plangg, Michela Pini, Luis De Filippis
EXECUTIVE PRODUCED BY Julia Fox, Francesca Silvestri, Kevin Chinoy, Andrew Adams, Jennifer Konawal, Jeremy Smith, Omar Chalabi, Charlie Hidalgo
STARRING Carmen Madonia, Ramona Milano, Paige Evans, Joey Parro, Augustus Oicle, Mi’de Woon-A-Tai, Carmelo Nelson
CINEMATOGRAPHY BY Norm Li, csc
EDITED BY Noemi Preiswerk
MUSIC BY Ella Van Der Woude


 

TIFF 2023 review: Kei Chika-ura’s ‘GREAT ABSENCE’ will rip your heart out.

GREAT ABSENCE


Filmmaker Kei Chika-ura brings his sophomore feature, GREAT ABSENCE, to TIFF 2023. Gorgeously shot on 35mm, the story unfolds within flashbacks between estranged father and son and the present-day disappearance of his stepmother, Naomi.

As dementia sets in, Yohji’s arc proves devastating to witness. The story also unravels the piles of notes strewn about Yohji’s home. Takashi must piece together this collection of garbled messages, love letters, and diary entries.

Tatsuya Fuji plays Yohji with a stern but soft heart. His mental decline brings out agitated frustration and a wild confidence in his storytelling. Understanding his background makes it all the more impactful. As Takashi, Mirai Moriyama brings a weariness and a curiosity that captivates. He puts the audience in his shoes. As the father-son relationship becomes more apparent, the more impressive the work. The chemistry between the two is something of cinematic dreams. It is as if they each play dual roles that are quietly award-worthy.

Yutaka Yamazaki‘s cinematography is memorable. There is something special about letting the camera be static and allowing the performances to speak for themselves. The script surprises with every scene, which is quite a feat for a two-and-a-half-hour runtime. GREAT ABSENCE is a nuanced look at memory, perception, regret, and the endless complexities within relationships. This film will bring you to your knees.


TIFF 2023 capsule review: Aptly named neo-noir ‘LIMBO’ puts racism in the forefront.

LIMBO

Aided by car trouble, a detective looks into the 20-year-old disappearance of a local girl named Charlotte. Travis Hurley is a messy addict, but with nowhere to go, he delves deeper into the case, interviewing old witnesses and suspects. What he discovers will frustrate and ultimately shock no one.

Simon Baker gives Travis a gritty aura. He is simply fantastic. The stark black-and-white cinematography throws the brain into chaos. Knowing what the Australian landscape normally looks like, it is a striking choice. Serving as Writer, Director, Producer, DOP, Editor, Colorist, and Composer, filmmaker Ivan Sen depicts the ever-present racism faced by the indigenous population. LIMBO is a neo-noir crime drama that leaves you with a pit in your stomach.

Check out the trailer below:

TIFF 2023 review: Christian Sparkes’ ‘THE KING TIDE’ spins fear and fanaticism to create one hell of a small-town mystery.

THE KING TIDE

Ten years past the discovery of a baby on the shores of their small New England fishing island, residents have avoided sickness and death through the girl’s mysterious ability to heal those around her. Young Isla is essentially the town’s diety. With her mysterious power, she holds the balance of life and death in her presence. Because of this, the adults have sheltered the children, telling stories of mainlanders as evil outsiders. They know nothing of technology or books from off the shores, nothing of illness that Isla cannot cure. Following a traumatic experience, her talents come into question, launching the village into panic and chaos. With elements of The Village and The Green Mile, themes of isolation, paranoia, morality, and magic pull the viewer into a swirling mystery.

The cast is strong, particularly Alix West Lefler as Isla. She has a purity to her performance that is nothing short of mesmerizing. The overcast skies, neutral costumes, and lantern-lit sets keep us unsettled. The foreboding cello-heavy score makes you catch your breath. The tension builds into an uncontrollable monster. The film culminates in a shocking and award-worthy finale. THE KING TIDE is inarguably one of the best-written films of the year. It deserves a prequel and a sequel. It is a must-see.


Directed by 

Christian Sparkes

Writing Credits  

Kevin Coughlin … (story by)

Ryan Grassby … (story by)

Albert Shin

William Woods


 

TIFF 2023 review: ‘IRENA’S VOW’ is harrowing, engrossing, and timely film.

IRENA’S VOW

Based on the true story of Polish nurse Irena Gut Opdyke, director Louise Archambault brings TIFF 2023 audiences IRENA’S VOW, a harrowing tale of a young woman’s relentless bravery during WW2.

Feeling an overwhelming need to protect a group of Jewish workers during the Nazi regime, Irena hatches a plan to hide them in plain sight. Under the watchful eye of a vile general and the comings and goings of those who would have them all killed on a whim, one woman saves the lives of strangers, making way for change. Opdyke’s meticulously choreographed schedule of maneuvering workers and her wards is breathtaking. Her sacrifices will bowl you over. Sophie Nélisse breathes life into Irena. She is equal parts heroic and vulnerable. I didn’t even recognize her from her brilliant work on Yellowjackets. She transforms into Irena with an elegance that is perfection.

The costumes and sets place you back in time, making you feel claustrophobic within the walls of a mansion. Bravo to the production design team. The storytelling is authentic, brutal, heartrending, and inspiring. IRENA’S VOW displays how quickly evil permeates a culture, how goodness can overcome those forces, and the importance of standing up for what’s right in the world. Timely and crucial in the face of ignorance and hate, IRENA’S VOW is a triumph in this year’s lineup.


Monday, September 11
Scotiabank Theatre Torontolocation_on

Review: ‘MADELEINE COLLINS’ overflows with complexity.

MADELEINE COLLINS

Judith (Virginie Efira)’s life is split between two households in two countries. In Switzerland, she is Margot, a translator who lives with Abdel (Quim Gutierrez) and the little girl they are raising. In France, she is known as Judith and lives a glamorous life with acclaimed orchestra conductor Melvil (Bruno Salomone) and their two older boys. This fragile balance, based on complex lies and tightly scheduled back-and-forth trips, gradually begins to crack and veer dangerously off the rails. The mysterious reasons for her lies, and the complications that ensue from her efforts to keep the two lives separate, propel the third narrative feature from Antoine Barraud anchored by a virtuoso turn from Efira in all of her character’s many guises.
 

Judith/Margot’s curated existence managing two identities and two families begins to crumble, exposing her lies, motives, and underlying trauma.

Virginie Efira wows audiences as a woman wearing all the hats. Effortlessly embodying each distinct persona, Efira proves, once again she is a star. It is a balancing act of power structures, dangerous satisfaction, and unusual sacrifice.

Antoine Barraud gives audiences a film almost best viewed without prior knowledge of the plot. Enticing the audience and challenging their sense of morality, MADELEINE COLLINS hypnotizes with twists, turns, and deep complexity. Barraud and co-writer Héléna Klotz carefully weave an unmissable commentary about beauty, unrequited male infatuation, and childhood trauma into the narrative. The film overflows with nuance, and its final reveal changes everything. It is a wildly elaborate hurricane of grief.


Directed by Antoine Barraud
Written by Antoine Barraud and Héléna  Klotz
Starring Virginie Efira (Revoir Paris, Other People’s Children, Sibyl, Elle, Benedetta)
Co-starring Bruno Salomone, Quim Gutierrez, Jacqueline Bisset, Valérie Donzelli, Nadav Lapid 
 

Opens on Friday, August 18 in NY (IFC Center) and LA (at Laemmle Royal and Laemmle Town Center, Encino)


 

Review: ‘JULES’ provides a sweet perspective amid alien frenzy.

JULES

What a month aliens are having! If Marc Turtletaub’s Jules had debuted any other time of year, it might not have resonated nearly as loudly. But as it stands, it premiers amongst a swirl of government hearings that may make some believe, more than ever, that we are not alone in the universe. Spielberg wishes he had this kind of publicity for E.T. Jules provides a welcome vision for skeptics and believers alike.

Ben Kingsley stars as Milton Robinson, a melancholy widower going through the motions in a quiet Pennsylvania town. He attends town halls, watches tv, and tends to his garden. The only break in his routine seems to be occasional visits from his daughter, Denise (Zoë Winters). A son is mentioned, but only barely.

Then a UFO crashes in Milton’s backyard.

After unsuccessfully trying to raise the alarm, Milton gets to know his new neighbor, the silent creature (Jade Quon) who is eventually given the titular name. The alien eventually comes to greatly influence Milton, along with two other women who regularly attend the town hall (Harriet Sansom Harris and Jade Quon) Silent and largely immobile, the alien serves as a blank canvas upon which the others broadcast their hopes, questions, and fears.

As compared to our current media environment, Jules’ vision of our interaction with aliens is refreshing delightful, if not a little far-fetched. Nobody seems particularly threatened by the alien, nor the alien by them. In fact, calm would be the best way to sum up reactions on both sides. While there are some darker themes that emerge throughout the film, they are brief. At its core, this is a sweet and thoughtful film.

The performances are universally warm and thoughtful. Kingsley’s Milton is too gruff at first, but quickly reveals layers. He blossoms as his discovery brings new people into his life. Harriet Sansom Harris is a marvel as Sandie, radiating a warmth tinged with sadness. Jane Curtin’s comedic timing continues to age like a fine wine.

Jules is a perfect film for today’s fascination with the idea of aliens. Everyone is looking at the news and asking “What’s out there?”. Jules’ introspective focus answers that big question, but also suggests that it is what’s going on inside us that continues to matter the most.


*Winner: Audience Award – 2023 Sonoma International Film Festival*
 
Directed by Marc Turtletaub (Puzzle)
Written by Gavin Steckler (“Review”)
Starring: Ben Kingsley (Gandhi, Schindler’s List), Harriet Sansom Harris (Licorice Pizza),  Zoe Winters (“Succession”), Jade Quon (Transformers: The Last Knight) and Jane Curtin (“3rd Rock From the Sun”)
Produced by Debbie Liebling, p.g.a., Andy Daly, Michael B. Clark, p.g.a., Alex Turtletaub, p.g.a., and Marc Turtletaub, p.g.a.

JULES will open in the following Los Angeles theaters next Friday, August 11:


AMC The Americana 18
322 Americana Way, Glendale, CA 91210

AMC Century City 15
10250 Santa Monica Boulevard, Los Angeles, CA 90067

AMC Citywalk Stadium 19
100 Universal City Plaza, Universal City, CA 91608

AMC The Grove 14
189 The Grove Drive, Los Angeles, CA 90036

Regal Sherman Oaks
15301 Ventura Boulevard, Sherman Oaks, CA 91403
 
*Please note, this list of theaters is partial and will be updated.

Fantasia 2023 review: Run to see the powerful Ukrainian drama ‘STAY ONLINE.’ It will rock you to your core.

Fantasia Festival 2023 logo

STAY ONLINE

Stay Online poster

Best served on the biggest movie screen possible, STAY ONLINE takes us on a real-time journey of political mayhem through the eyes and laptop screen of one Ukrainian resister. Switching from tab to app to window, Katya places us inside the war via news popups, video calls, and chats while air raid sirens blare in the background. This coordinated chaos forces you to sit up and pay attention. Following the action takes focus, and there isn’t a moment of downtime.

Stay Online - Ukrainian thrillerThe narrative flips when Katya becomes entangled with the son of the laptop owner. Her online sleuthing would put the cops to shame. It is millennial cyberstalking at its best. Liza Zaitseva gives a heart-stopping performance as Katya. Her relentless emotional investment is a rollercoaster ride. She is simply magnificent.

STAY ONLINE speaks directly to the power of information sharing in a time when news media outlets gloss over images of war in tightly edited clips that run every hour. Grisly is profitable, and so is fear-mongering. The human aspect often becomes a political pawn. Ukrainian filmmaker Yeva Strelnikova‘s feature-film debut leaves your heart in your throat. The film’s premiere comes at a particularly auspicious time, with Ukraine throwing its hat in the ring at NATO. STAY ONLINE is gripping, devastating, and entirely brilliant. It is one of the most powerful films of the year.



Mon July 24, 2023
2:05 PM

DWF LA review: Thriving with anxiety is a challenge in Sara Friedman’s ‘HEIGHTENED’

HEIGHTENED

Neurodivergent behavior manifests in a myriad of ways. Sometimes it rears its ugly head in the form of ticks, rituals, and a short temper, but mostly in weird behavior misunderstood by the general population. HEIGHTENED boasts an augmented sound design that perfectly captures what it feels like to be sensory overloaded. As a fellow SPD (Sensory Processing Disorder) sufferer, this film is intentional visceral torture but for a purpose. Although they never explicitly call it that, all the signs, symptoms, and medical gaslighting appear in the script.

Real-life couple Xander Berkeley and Sarah Clarke play Nora’s waspy parents. Their seemingly selfish nature and high expectations explain Nora’s closed-off temperament. They are fantastic additions to the cast. Dave Register is Dusty, the Park ranger who mentors Nora. His genuine sweetness pours off the screen. Register’s performance is grounded in kindness and perfectionism that comes with a backstory.

Writer-director-star Sara Friedman exposes the complexities of neurodivergence, exploring daily life and behavioral origins with heart and humor. Nora’s journey comes in waves of empathy for Dusty’s bullying. His presence calms her. Their relationship takes a natural turn as Friedman and Register have a fun chemistry. They hit the mark with slightly larger-than-life humor leaning into a loveable and quirky side of character-building.

HEIGHTENED is a lovely little film that delicately delves into the minds of those grappling with constant anxiety, capturing the raw emotions without ever daring to overstep boundaries. It sincerely respects our differences and beautifully celebrates the journey of finding a partner who accepts you as you are. Just like the welcoming atmosphere of the stiiizy santa rosa dispensary, where individuals can find solace and understanding, this film embraces the diversity of human experiences. For a similar comforting experience, try THC gummies like Indacloud strawberry funta. These gummies offer a delicious way to unwind, making them a perfect companion for moments of relaxation and reflection. One thing you can also do to relax and de-stress is by pampering yourself and getting a manicure; you can learn more about when to replace your nail polish here.


For all things DWF LA, click here!

DWF LA review: ‘KATIE’S MOM’ is a delicious homage and star vehicle for Dina Meyer.

KATIE’S MOM

Katie's Mom poster

SYNOPSIS
A heartfelt comedy influenced by THE GRADUATE but told from the perspective of a protagonist inspired by Mrs. Robinson. Set in Pasadena, KATIE’S MOM is about Nancy Rosenfeld (Dina Meyer (STARSHIP TROOPERS, SAW)), a nurturing mom and recent divorcée, whose beloved Jewish/Christmas mashup holiday celebration with her adult children is derailed when she falls for Alex Rojas (Aaron Dominguez (Only Murders in the Building)), her daughter’s charming new boyfriend. Their electrifying affair upends her status quo and sets her on a path to becoming the woman she was meant to be.


Nancy is a divorcee trying to plan the perfect Christmanukah for her kids, Katie and Eli. When Her daughter arrives with her new boyfriend, things get complicated.

Nancy’s grown children, Katie and Eli, are selfish brats, if we are being honest. Julia Tolchin and Colin Bates tap into rude rich kid personas from different but equally effective angles. Aaron Dominguez is effortlessly charming as Alex. You buy into his sincerity. He’s a solid foil for both Tolchin and Meyer.

Speaking of the titular character, Dina Meyer nails the divorced Mom vibe with a combination of sexual frustration, invisible labor, and unconditional love. I would watch an entire series based on her upcoming shenanigans. She is incredibly camera friendly and oh-so-watchable.

Fantasy sequences are fun and sexy. The storytelling is undeniably relatable to any woman who has let her identity slip after marriage and kids. There is a broad audience for this film. KATIE’S MOM is a different kind of coming-of-age story. It is a sexual awakening and a reclamation of power.


For all things DWF LA, click here!

 

DWF LA review: Christopher Beatty’s film ‘BIBI’ is hauntingly beautiful madness.

Dances With Films LA poster 2023BIBI

Bibi Poster

Writer-director Christopher Beatty gives DANCES WITH FILMS audiences a stunningly atmospheric film with BIBI. Stuck in a cycle of grief, Vivian experiences nightmares of her late daughter Ava. Seeking solace through a strained relationship with her eldest daughter Bibi, the nightmares bleed into her reality. Discerning between the two becomes a battle between good and evil, the past and the present.

Bibi stillStand-out editing from Benjamin Murphy keeps viewers on their toes, while John Paesano‘s score takes you to another world. The costume design by Kimberly G. Grader completes the picture of upper-echelon existence and ethereal madness.

Tammy Blanchard counters the mood with her brash persona. She is a necessary and memorable piece of this puzzle. Performances from Judith Ann DiMinni and Elizabeth Paige, playing Bibi and Vivian, respectively, are phenomenal. Beatty’s script gives both women the chance to show their acting chops. They wade deep into anguish, darkness, and mystery.

Elizabeth Paige in BIBIBIBI is a compelling supernatural thriller that is reminiscent of Jennifer Kent’s The Babdook, possessing a shocking final act you will not see coming. The physical manifestation of grief and trauma swirls into a hypnotic storm of emotional chaos. BIBI should not be missed.


For more information on DWF LA click here!

 

Tribeca 2023 review: David Duchovny’s ‘BUCKY F*CKING DENT’ is loaded with laughs and heart. Dare I say, it’s a home run.

tribeca festival logo 2023BUCKY F*CKING DENT

David Duchovny adapts his novel of the same name for the big screen at Tribeca’s 2023. If you grew up a Red Sox fan like I did, the name Buck Dent is akin to “He Who Shall Not Be Named” in Harry Potter. Being a Sox fan, I was constantly aware of the curse. You can spot the mix of joy and anguish on my face throughout the years in a series of photos of little Lizzie propped up against The Green Monster. Duchovny perfectly captures the masochistic nature of born and bread fans in his heartwarming and hilarious film BUCKY F*CKING DENT.

Ted is a failed writer who slings peanuts at Yankee Stadium -of all places. When he finds out his estranged father, Marty, has terminal lung cancer, the two go on an unexpected journey of reconnection through an elaborate hoax by Ted. Through the aid of Marty’s barbershop buddies and his assigned “Death Nurse,” Mariana, father and son discover they are more alike than they realized.

Logan Marshal-Green in Tribeca's Bucky Fucking DentA bit of truth and fiction, the film combines Super 8 recreations of scenes from a novel Marty never intended for anyone to see and the masterminded shenanigans from Ted and Co. The dialogue is pure acerbic deliciousness. The chemistry between Duchovny and Logan Marshall-Green is divine. The back-and-forth between the two feels effortless. I can’t remember the last time I laughed so hard at the inevitability of death.

BUCKY F*CKING DENT is a joyous celebration of forgiveness, fearlessness, and living. Dare I say it is a crowd-pleasing home run of a film? Nay. It’s a Grand Slam.


For all things Tribeca 2023, click here!

RND Logo

DWF: LA is coming! Take a peak at a few of the eclectic selections at this year’s festival.

Dances With Films LA 2023 poster

Some of the best new discoveries of the year come out of Dances With Films. (Their brilliant lineup of shorts is to die for.) It’s a festival you should never sleep on. Here is a preview of a few titles you can catch from June 22nd to July 2nd.

DANCES WITH FILMS (DWF: LA & DWF: NYC), now in its 25th year, champions the unflinching spirit at the very core of the independent film scene. While the vast majority of film fests rely heavily on celebrity, we have relied on the innovation, talent, creativity, and sweat equity that revolutionized the entertainment industry. And that reliance continues to prove successful with alumni moving on to write, direct and produce celebrity-studded vehicles, star in blockbuster movies and television series, produce multi-million dollar films, and create hit TV shows. Oh…. and we even have several OSCAR® nominees… In a world of homogenized, formulaic film festivals, DWF: LA continues to defy the rules.


THE MAD WRITER– LA Premiere Documentary

The Mad Writer

SYNOPSIS: This music documentary by Zach Kashkett takes us on both the mental and physical health journey of hip-hop beat writer L’Orange as he faces a medical condition that could affect his career in music. The Mad Writer premiered at Slamdance Film Festival in Park City in January, and this is their Los Angeles Premiere.  Zach’s most notable projects include: Shawn Mendes: In Wonder (documentary), Always Jane (TV Series), Sins of The Mother (TV Mini Series).

(70 minutes) 

Monday, June 26, 2023—7 pm-Mann Chinese Theater- Hollywood/Highland

FAREWELLING– World Premiere Narrative

The Farewelling

SYNOPSIS: In the midst of the pandemic and aftermath of her best friend’s overdose, Jenna finds herself in crisis as she reunites with those still around her. Questions of her own ethics and morals surface as she grapples with the “why” of everything, eventually discovering what it takes to truly break us. This is the World Premiere for the film at Dances with Film 26th Annual Film Festival. Writer/DIrector: Rodes Phire 

Lead Actress: Cristen Coppen (Shameless)

(93 minutes) Farewelling Trailer

Saturday, June 24, 2023—9:30 pm- Mann Chinese Theater-Hollywood/Highland

THE BLACK GUELPH– US Premiere (Ireland) Feature

Still from THE BLACK GUELPH

SYNOPSIS: Irish actor turned director John Connors brings the US his latest film. This film was inspired by Dante’s Inferno and the seventh terrace of Lust. The symbolism of unresolved sexualized trauma permeates down through the generations and flows deep within the psyche. The film based on the Irish Traveller’s Group community, creates a cathartic social question in the way that it addresses toxic masculinity in the context of unresolved childhood trauma. The film ultimately throws a lens at the human spirit and the capacity to overcome adversity, when it seems utterly hopeless. (125 minutes) 

 
Friday, June 30, 2023—9:30 pm- Mann Chinese Theater- Hollywood/Highland

ABLED- THE BLAKE LEEPER STORY– LA Premiere Documentary

Still from ABLED- THE BLAKE LEEPER STORY

SYNOPSIS: This Documentary by Director Einar Thorsteinsson documents paralympian Blake Leeper’s story using candid interviews, incisive reporting, and rigorous scientific testing, to reveal the deliberate biases faced by disabled athletes who want to compete against the able-bodied, and the dubious science and deceptive publicity used to bar them from cross competitions. The film just had its World Premiere at Seattle International Film Festival in May and this is their Los Angeles premiere through Dances with Films. 

(87 minutes)

Saturday, July 1, 2023—12:30 pm-Mann Chinese Theater- Hollywood/Highland

MERMAID’S LAMENT–  World Premiere

A still from Mermaid's Lament

The film follows two women: Oee (Dayva Summer Escobar) a traumatized woman who has lost her voice and may or may not be a mermaid. Her therapist, Dr. Nell Jamison (Justina Mattos) battles with anxiety herself, and attempts to help Oee overcome her delusions and connect with reality.

91 min.


SUN JUNE 25 @ 9:30PM

CLICK HERE!!!


 

Tribeca 2023 Unseen Films review: ‘DOWNTOWN OWL’ finds real-life couple Lily Rabe and Hamish Linklater in their directorial debut.

DOWNTOWN OWL

I went to the world premiere of Downtown Owl. It takes place in Owl, North Carolina about a high school teacher, played by Lily Rabe, who recently moved there. She doesn’t know anyone and soon another teacher, played by Vanessa Hudgens, invites her to come to the local bar. They wind up spending many nights there. There she meets an introverted ex-football star who she soon has a crush on. She also befriends an older man at the diner, played by Ed Harris.

This film is a mix of comedy and tragedy, as well as a high school coming-of-age movie. I thought it had a nice mix. I think I will always love movies set in high school, and this one was no exception. I loved its quirkiness. I would have given this movie an almost perfect rating had it not been for the ending. It’s odd to me when characters in movies look at the camera and talk to the audience, especially when it hadn’t been done prior in the movie. The ending in general though was just bizarre.

Downtown Owl is directed by real-life couple Lily Rabe and Hamish Linklater and it’s their directorial debut.  It’s based on the book by Chuck Klosterman which I had never read, but am kind of curious to read at some point now to see how it compares and to see if more is explained about some of the characters.

Despite not loving the ending, I recommend this film, especially if you like quirky movies. It’s kind of just a fun enjoyable film!


DIRECTOR
Lily Rabe, Hamish Linklater
PRODUCER
Bettina Barrow, Lily Rabe, Hamish Linklater, Rebecca Green
SCREENWRITER
Written by Hamish Linklater, based on the book by Chuck Klosterman
CINEMATOGRAPHER
Barton Cortright
EDITOR
Nena Erb
MUSIC BY
T Bone Burnett
CAST

Lily Rabe, Ed Harris, Vanessa Hudgens, August Blanco Rosenstein, Jack Dylan Grazer, Arianna Jaffier with Finn Wittrock and Henry Golding


You can find all of Steve’s Tribeca coverage ( and so much more) on his regular page

Unseen Films! Go there. Go Now!


Tribeca 2023 review: ‘CATCHING DUST’ is an artsy, melancholic neo-noir

CATCHING DUST


Sunset in the desert. A modern mobile home splashed with paint, the bold hues almost glowing in the half-light. A man with a rifle. A shrill scream. Stuart Gatt’s Catching Dust announces itself by beginning with these enthralling moments. A film centering on a painter, it is interested in the motivations of its character, but also in placing them as figures within beautiful tableaus. The cinematography is gorgeous – there are shots in this film that could be framed and hung on your living room wall.


Erin Moriarty (The Boys) stars as Geena, an artistic outcast marooned in the Texas desert with a domineering lover, Clyde (Jai Courtney) Their run-down mobile home is the only shelter for miles. Suddenly one day, a shiny new mobile home is parked across the road. It signals the arrival of two strangers from New York, and this change throws Geena and Clyde’s stagnant lives into total turmoil.


Moriarty brings a believable and balanced complexity to Geena – like many couples, we believe she is capable of alternatively loving and hating her partner within the space of a few seconds. I also loved the way the film showcases Geena’s double desperation – a desire to escape her circumstances, and a desire to express herself artistically. Courtney has to navigate a tougher road as Clyde – he appears nearly mute at times, with most of his communication coming in over-the-top grunts and glares. But he also is prone to moments of deep sincerity.


Catching Dust is an art-film packaged as a noir thriller. It’s rare that a film starts with a gunshot, but spends a significant amount of time focused on the principles of abstract art. It is a beautiful, if not totally fulfilling, watch.


Sun June 11 – 6:15 PM
PASSED
Closed Captions available

 

Wed June 14 – 6:30 PM
PASSED
Closed Captions available

 

Thu June 15 – 9:00 PM
Closed Captions available
DIRECTOR
Stuart Gatt
PRODUCER
Mark David, Jon Katz, Edward R. Pressman, Stuart Gatt
SCREENWRITER
Stuart Gatt
CINEMATOGRAPHER
Aurélien Marra
EDITOR
Nicolas Gaster
COMPOSER
Danny Mulhern
EXECUTIVE PRODUCER
James David, Samantha David, Francesco Goedhuis, Lydia Baylis, Dara Sepehri, James Berylson, Giannis Kairis, Ioanna Procopiou, Sebastián Álvarez, Nitin Saigal, Vedika Bhaskar, George Mangos, Christos Mangos,
CO-PRODUCER
Angelica Huéte
COSTUME DESIGNER
Lily Faith Knight
CAST
Erin Moriarty, Jai Courtney, Dina Shihabi, Ryan Corr

Tribeca 2023 review: Luke Evans and Billy Porter shine in ‘OUR SON,’ a very personal modern-day family drama.

OUR SON



Billy Porter and Luke Evans return to Tribeca playing partners of thirteen years. Billy stars as Gabriel, an aspiring artist struggling to find creative and personal spark while caring for the young son he shares with his ambitious partner, Nicky (Luke Evans). Stress and anxiety flare as their relationship gets to an unrepairable place, forcing the couple to head for a divorce. Now the two must navigate the unenviable position of revealing the news to shared friends and family. Thus begins the journey to find themselves and support their son.


Luke Evans plays Nicky with a workhorse attitude that comes off as dismissive and arrogant against Billy Porter’s caregiver grace. This dynamic rings authentic for me as the default parent in my marriage. Porter nails every aspect, from his sing-songy tone of voice with Owen to the hesitancy to speak up for his emotional needs. Seeing myself on screen hit hard. While I’ve not had to go through divorce and custody dynamics, I have had these “come to Jesus” moments with my husband. I’ve been lucky.

Both Evans and Porter give us their all in these roles. Watching them navigate the complexities of an evolving relationship is heartbreaking but universally relatable, regardless of your romantic circumstance. Love is complicated and messy. Christopher Woodley as Owen is outstanding. He captures the boundless curiosity and impressionable innocence of a child his age. Writer-director Bill Oliver and co-writer Peter Nickowitz‘s dialogue could be taken directly from my world as a wife, parent, and friend.

OUR SON greatly benefits from two standout supporting performances. Andrew Rannells‘s sarcastic yet caring presence grounds the relationship between Nicky and Gabriel. He is spectacular in every role he tackles. Phylicia Rashad plays Gabriel’s mother, and the pairing is pure magic.

OUR SON is a story of a family trying to figure out what’s best for their child and each other. The characters are fully fleshed-out flawed humans working their way through ever-changing feelings of emotional security. You cannot help but connect with them through the good, the bad, and the ugly.


DIRECTOR
Bill Oliver
PRODUCER
Fernando Loureiro, Eric Binns, Guilherme Coelho, Jennifer 8. Lee, Christopher Lin
SCREENWRITER
Peter Nickowitz, Bill Oliver
CINEMATOGRAPHER
Luca Fantini
EDITOR
Zach Clark, Tyler Jensen
CAST
Billy Porter, Luke Evans, Robin Weigert, Andrew Rannells, Isaac Powell, Phylicia Rashad

In Person

Sat June 10 – 2:00 PM
PASSED
Closed Captions available

 

Sun June 11 – 3:30 PM
PASSED
Closed Captions available

 

Wed June 14 – 8:30 PM
Closed Captions available

 

Tribeca 2023 review: ‘THE FUTURE’ is a sharp commentary on womanhood and our reliance on technology.

THE FUTURE

At 42, Dr. Bloch (Reymonde Amsellem), a profiler, wants a child. A future. Her only way is to find a surrogate mother. At the same time, her groundbreaking algorithm designed to identify individuals planning to carry out terror attacks fails and a young Palestinian woman (Samar Qupty) assassinates the Israeli minister of Space and Tourism. In order to ‘fix the bugs’ in her algorithm, Nurit faces the assassin in person. The sessions between these two brilliant women raise questions about their past, while the sessions between Bloch and the potential surrogate (Dar Zuzovsky) challenge Bloch’s decision about her future.


An in-your-face opening sequence begins an unexpected plot in Noam Kaplan‘s Tribeca 2023 film THE FUTURE. A stinging and smart near-future Minority Report-like plot, the title has a double meaning. At 42, Nurit is a world-renowned profiler amid personal and professional deadlines. Charged with picking the brain of a resistance assassin named Yafa, she is also approaching the final days to choose a surrogate. Is motherhood part of her future?

Dar Zuzovsky plays potential surrogate Maor with a sunshiny disposition that is completely jarring. Something is off, but you can’t quite put your finger on it. Samar Qupty is Yafa. She is whipsmart with an acerbic wit and defensive edge. Her softening mirrors Nurit in real-time. It is a memorable turn. Reymonde Amsellem plays Nurit with a measured tone. She is undeniably brilliant. The dynamic between Nurit and Yafa is fascinating. They are combative, challenging, and yet connect in ways you don’t expect. Their relationship is essential to understanding Nurit’s journey.

Time is a recurring theme; the days counting down to the moon landing, minutes in traffic, and days until surrogacy implantation. Mixed into the ominous score is a repeated sound of a heartbeat. The numerous double meanings in this film are clever. They are unmissable. Effi Cohen Verte’s editing is a wonder. This femme-centric film focuses entirely on women. You never see Nurit’s husband. You only hear his voice. The final scene hits you like a ton of bricks. It is, simply put, genius.


 

WRITTEN AND DIRECTED BY Noam Kaplan
STARRING Dar Zuzovsky, Samar Qupty, Reymonde Amsellem
PRODUCED BY Yoav Roeh, Arit Zamir
CINEMATOGRAPHY BY Shark de Mayo
EDITED BY Effi Cohen Vertes
MUSIC BY David Klemes


In Person

Sat June 10 – 8:45 PM
RUSH

 

Sun June 11 – 6:30 PM

 

Sat June 17 – 8:15 PM

Tribeca 2023 review: ‘JE’VIDA’ a meditation on identity and grief.

JE’VIDA

With a face hardened by years of hurt, chain-smoking Lida carries the weight of a life defined by the shame and marginalization directed at her as a Sámi woman in contemporary Finland. Though strangers, she sets out alongside niece Sanna to clear out their long-held family home in preparation for its sale. Lida’s instinct to burn anything and everything connected to her past is quickly overcome by memories of a warm childhood spent fishing with a loving grandfather; of railing against the boarding school that tried to beat the Sámi identity out of her; and of being a young woman whose only option was a marriage that could take her far away from her Native roots. Lida finds herself facing a powerful reckoning with her past and a quiet reclaiming of her true self: Je’vida.


Stunning black-and-white cinematography beautifully captures a weary woman haunted by echoes of childhood. Lida reluctantly returns to her reclusive childhood home. Following the death of her estranged sister, her task to clear out the house for the new owner becomes complicated by the presence of her free-spirited and curious adult niece.

Director and co-writer (with Niillas Holmberg) Katja Gauriloff gives audiences a structure filled with flashbacks consisting of a youthful but trauma-laden home life, an abusive Christian school, and the death of those she held most dear. A third of the way through, we time jump to a young adult version of Lida where her innocence has spoiled. She becomes calculated and dispassionate, a defense mechanism for survival. Mixed with mesmerizing underwater shots and an elderly Lida quite literally burning her past, the film is visually breathtaking.

Young Je’Vida comes to life through the eyes of Agafia Niemenmaa. This personification of innocence is captivating against the stark quiet of Finnish snow and ice. She is a star. Sanna-Kaisa Palo gives present-day Lida a palpable lived-in trauma and definitive rage. Dismissive at the beginning, her healing journey comes with the shedding of shame and reclamation of identity through the next generation.

Another glorious achievement, JE’VIDA is the first ever to be filmed in the Skolt Sámi dialect, only spoken by roughly 300 people. Some of the most glorious moments come in coping mechanisms in the form of imagined conversations with Grandpa. He doles out wise words to soothe a wounded child. The idea of home comes full circle in the end. An emotional stunner, JE’VIDA is a meditation on shame and grief.


JE’VIDA

In Person

Fri June 09 – 5:45 PM

 

Sat June 10 – 6:30 PM

 

Sun June 18 – 3:00 PM
 

Tribeca At Home

All At Home Films >>
Tribeca At Home Pass
Stream June 19 – July 2
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Stream June 19 – July 2
This title can only be viewed in the US

Review: Breakout “baguette western” ‘WISTERIA’ making its World Premiere at Brooklyn Film Festival this weekend!

WISTERIA

Synopsis

In this “Baguette Western“ set in Evansville, WY, Jacob, a lonely farmer, sees his life brutally changed after committing the irreparable: the murder of a Native. In a hostile environment where law and order are set by the cold-hearted Marshall Henry, Jacob struggles to redeem himself. Then arrives Wisteria, a Blackfoot wounded woman. A chance for him to finally find peace again.

Wisteria is a revisited drama/romance western. The first ever shot entirely in France.


Shot entirely in the countryside of France, WISTERIA‘s beautiful opening sequences by DP Raphaël Bourdin, combined with Dan Fogelberg‘s theme song, immediately draw you into Samuel J. Attias‘ feature debut. 

The film has a grand overarching nostalgia with its often playful flute and horn-heavy score. There’s poetry to the small moments. It reminds me of classic Disney films from the 50s and 70s in the best ways possible. Jacob’s empathy grows as his grief subsides, and his humanity becomes their saving grace. Pushing past societal norms and grasping at true happiness is as relatable a storyline as they come. Place that in a narrative that honors Native people, and you’ve got something a little extra special.

Jasen Wade is gentle and loving as Jacob. His strong physical presence and thoughtful nature create an intriguing narrative straight away. Jacob’s redemption story begins early on, and experiencing his journey is so satisfying. Violetta Deblieck gives Wisteria a lovely disposition. Her ability to emote without dialogue perfectly matches Wade’s openness. They prove to be a quietly fierce onscreen duo.

I have to mention the sharply choreographed final ten minutes. In under an hour, WISTERIA is a gorgeous and organic love story. It wears its heart on its sleeve with a wholesome nature you can it help but embrace. Samuel J. Attias has a clear vision and an undeniably charming style. It is easy to predict big things on the horizon. 


WISTERIA SCREENING INFORMATION
Saturday, June 10 at 6:00PM
World Premiere
Windmill Studios


Cast: Jasen Wade, Michael Flynn, Violeta Deblieck

Crew: Producer: Laurence Le Rolland. Director/Writter: Samuel Jacob Attias; Direction of Photography: Raphaël Bourdin; Poster Artist: Steven Chorney; Sound mixer: Lucas Rollin; Color Grader: Antoine Ravache; Set Photographer: Ilan Azoulay


DIRECTOR’S NOTE:
Wisteria is a love letter to the Western genre, and my chance to make the first Western film shot entirely in France. Growing up, I was captivated by the movie magic and classic storytelling found in Westerns, and I wanted to capture that same magic on screen.

Through the characters of Jacob and Wisteria, I wanted to explore the universality of love and the power it has to transcend cultural boundaries. Their story serves as a celebration of love in all its forms. I also wanted to pay tribute to the Golden Age of cinema, and to the power of visual storytelling. By using silence and striking camera movements. I aimed to create a film that speaks to audiences without leaning on extensive dialogue. Wisteria is a film made with passion and I hope it inspires audiences to revel in the power of love and the magic of old-school cinema.


Tribeca Festival 2023 Curtain raiser: Films we are putting on our must-see lists before the festival begins

TRIBECA FESTIVAL 2023 brings thrills, mystery, comedy, fantasy, you name it, there is something for everyone. This year’s lineup features Joe Lynch‘s latest, Suitable Flesh, Gabriela Cowperthwaite‘s I.S.S., and David Duchovny‘s Bucky F*cking Dent. Let’s get into a few of the films we are dying to get our eyeballs on this year.

 

THE LISTENER – North American Premiere – Spotlight Narrative 
Directed by: Steve Buscemi
Written by: Alessandro Camon
Produced by: Wren Arthur, Steve Buscemi, Oren Moverman, Lauren Hantz, and Tessa Thompson
Executive Producers: John Hantz, Eddie Vaisman, Julia Lebedev, and Suzanne Warren
Co-Producers: Billy Mulligan, Kat Barnette, and Joyce Pierpoline
Associate Producer: Brian Miele
Starring: Tessa Thompson


An understated drama about a night in the life of a mental health helpline volunteer, The Listener is a stirring testament to the power of empathy.

Tessa Thompson continues her Tribeca greatness in a role that could easily translate from film to stage. This is a character study.


MAGGIE MOORE(S) – World Premiere – Spotlight Narrative 

In Theaters & On Demand June 16th

Directed by John Slattery
Written by Paul Bernbaum
Produced by John Slattery, Vincent Garcia Newman, Dan Reardon, Santosh Govindaraju, Nancy Leopardi, and Ross Kohn
Starring Jon Hamm, Tina Fey, Micah Stock, Nick Mohammed, Happy Anderson, and Mary Holland

When two women with the same name are murdered days apart, small-town police chief Jordan Sanders (Hamm) finds himself wading through an unlikely collection of cheating husbands, lonely hearts, nosy neighbors and contract killers in an effort to put the pieces of the case, and his life, together. The film is inspired by actual events.

The cast alone should get you through the door. This bizarre tale, based on real-life events, is a wacky we-know whodunit, but it doesn’t lessen the impact.



THE MIRACLE CLUB – World Premiere – Spotlight Narrative Category (Sony Pictures Classics)



Directed by Thaddeus O’Sullivan (Vera, Call the Midwife)

Written by Jimmy Smallhorne, Timothy Prager, and Joshua D. Maurer

Produced by Joshua D. Mauer, Alixandre Witlin, Chris Curling, Larry Bass, Aaron Farrell, John Gleeson and Oisín O’Neill


Three close friends who have never left the outskirts of Dublin (much less Ireland) get the journey of a lifetime — a visit to Lourdes, the picturesque French town and place of miracles.

An absolute charmer about healing old wounds and forgiveness set in the gorgeous French countryside. Laura Linney and Dame Maggie Smith? That’s an instant yes.

Check out the trailer below:


SOMEWHERE QUIET– US Narrative Competition

Director/Writer: Olivia West Lloyd

Producers: Emma Hannaway, Taylor Ava Shung, and Eamon Downey

Cast: Jennifer Kim, Kentucker Audley, Marin Ireland, Michéal Neeson

Running Time: 98 minutes

In the ominous and tense Somewhere Quiet, a woman readjusts to normalcy after surviving a traumatic kidnapping — but her grounded sense of reality soon starts to deteriorate when she travels with her husband to his wealthy family’s isolated compound.

This solid thriller will catch you off guard, making you second-guess your sanity along the way.


OUR SON– Spotlight Narrative

Director/Co-Writer: Bill Oliver

Co-Writer: Peter Nickowitz 

Producers: Fernando Loureiro and Eric Binns

Key Cast: Luke Evans, Billy Porter

Running Time: 104 Minutes

Nicky (Luke Evans), a book publisher devoted to his work, lives with his husband Gabriel (Billy Porter), a former actor and stay-at-home dad, and their eight year-old son, Owen. Gabriel loves Owen more than anything; Nicky loves Gabriel more than anything. Despite appearances, Gabriel has been dissatisfied with their marriage for some time and files for divorce, leading to a custody battle that forces both of them to confront the changing reality of their love for each other and for their son.

This beautifully complex story of the growing pains of changing love.


I.S.S. – Spotlight Narrative

Director: Gabriela Cowperthwaite

Writer: Nick Shafir

Producers: Pete Shilaimon and Mickey Liddell

Cast: Ariana DeBose, Chris Messina, Pilou Asbæk, John Gallagher Jr., Maria Mashkova, Costa Ronin

Running Time: 95 Minutes

Tensions flare in the near future aboard the International Space Station as a worldwide conflict occurs on Earth. Reeling from this, the astronauts receive orders from the ground: take control of the station by any means necessary.

A stunning look at loyalty. This intense sci-fi thriller captivates you with Ariana DeBose holding you in the palm of her hand.


SUITABLE FLESH –  Midnight (World Premiere)

Director: Joe Lynch
 
Screenwriter: Dennis Paoli
 
Producers: Barbara Crampton, Bob Portal, Inderpal Singh, Joe Wicker
 
Cast: Heather Graham, Judah Lewis, Bruce Davison, Barbara Crampton, Johnathon Schaech
 
Running Time: 100 Minutes
 

After murdering her young patient, a once-esteemed psychiatrist helplessly watches her life spiral into a nightmarish maelstrom of supernatural hysteria and gruesome deaths, all linked to a seemingly unstoppable ancient curse.

Let Joe Lynch direct all the Lovecraftian weirdness. Honestly, as a genre fan, you had me at Barbara Crampton.


BAD THINGS – US Narrative Competition 

DIRECTOR: Stewart Thorndike
 
PRODUCER: Lizzie Shapiro, Lexi Tannenholtz
 
SCREENWRITER: Stewart Thorndike
 
 
CAST: Gayle Rankin, Hari Nef, Annabelle Dexter-Jones, Rad Pereira, Jared Abrahamson, Molly Ringwald
 
A weekend getaway for a few friends at a snowy resort becomes a psychological tailspin and bloody nightmare. Long-deceased guests and the space itself come to life in this haunting thriller.
 

There is always something to be said for a film that gets snapped up by Shudder before its premiere. The platform’s ability to spot great genre storytelling goes head-to-head with the major studios. Gayle Rankin‘s ability to live in whatever role she takes on is astounding. I have no doubt that she’ll kill it. *wink, wink*

**COMING TO SHUDDER (US, UK, IRELAND, AUSTRALIA, NEW ZEALAND) 
AND AMC+ (US, CA, ANZ) ON AUGUST 18TH, 2023**


BUCKY F*CKING DENT – Spotlight Narrative

DIRECTOR: David Duchovny
 
PRODUCER: Jordan Yale Levine, Jordan Beckerman, Tiffany Kuzon, David Duchovny
 
SCREENWRITER: David Duchovny
 
CAST: David Duchovny, Logan Marshall-Green, Stephanie Beatriz, Jason Beghe, Evan Handler, Pamela Adlon, Daphne Rubin-Vega
 
Follows Ted who moves in with his father Marty when he develops a fatal illness. To keep him happy and alive, Ted enlists Marty’s grief counselor Mariana and friends to fake a Red Sox winning streak.
 
As a born and bred Red Sox fan, Bucky Dent felt like the modern-day equivalent of “He Who Shall Not Be Named,” long before that reference was a pop-culture reference. I grew up sitting against The Green Monster. You can clock my age in successive photographs. Based on his novel, David Duchovny brings this father-son story to the big screens at Tribeca. I couldn’t be more excited. I’m pretty sure that for true fans, this one is destined to be a home run. 
   OF NIGHT AND LIGHT: THE STORY OF IBOGA AND IBOGAINE – Spotlight Documentary

DIRECTOR:Lucy Walker
PRODUCER:Julian Cautherley, Lyn Davis Lear, Laurie Benenson, Lucy Walker
CINEMATOGRAPHER:Sebastian Denis, Lorenzo Hagerman, Aaron Phillips
EDITOR:Parker Laramie

Of Night and Light: The Story of Iboga and Ibogaine tells the astounding unknown story of what might be the scientific discovery of our generation. Back in 1962, a teenage psychonaut in New York City named Howard Lotsof experimented with an obscure psychedelic from the root bark of a West African shrub and recognized its unique therapeutic potential. Together with his African-American wife Norma, a pair of outsider NYU film students, they dedicated their lives to convincing the scientific community and government agencies to research it, certain that it would be of great medicinal benefit, despite it sounding too good to be true – like the textbook definition of snake oil – and being written off as con artists.

Sixty years later, their dream is now materializing as clinics spawned from their original test sites have treated more than 100,000 people with opiate use disorder and now over 1,000 US Special Forces veterans, who have experienced dramatic relief from a spectrum of problems including traumatic brain injury, depression, anxiety, ptsd, addictions, and physical disabilities through the use of ibogaine. Now jaw-dropping new research, about to be published, is revealing that ibogaine is the most powerful therapeutic ever observed for the human central nervous system.

Psychedelics have a complicated past, but their present-day use is more prevalent than most people know. I can’t wait to dig into the history of this life-changing medicine because that’s what it is. I have family members in the medical industry who use them, and audiences will have family members with PTSD, so this one has the potential to be more personal than anyone expected.


THE FUTURE– International Narrative Competition (World Premiere)

WRITTEN AND DIRECTED BY Noam Kaplan
STARRING Dar Zuzovsky, Samar Qupty, Reymonde Amsellem
PRODUCED BY Yoav Roeh, Arit Zamir
CINEMATOGRAPHY BY Shark de Mayo
EDITED BY Effi Cohen Vertes
MUSIC BY David Klemes

At 42, Dr. Bloch (Reymonde Amsellem), a profiler, wants a child. A future. Her only way is to find a surrogate mother. At the same time, her groundbreaking algorithm designed to identify individuals planning to carry out terror attacks fails and a young Palestinian woman (Samar Qupty) assassinates the Israeli minister of Space and Tourism. In order to ‘fix the bugs’ in her algorithm, Nurit faces the assassin in person. The sessions between these two brilliant women raise questions about their past, while the sessions between Bloch and the potential surrogate (Dar Zuzovsky) challenge Bloch’s decision about her future.

This near-future femme-centric drama from Noam Kaplan gives brilliant women the chance to challenge one another at every turn.  A futuristic collision within the ongoing Israeli-Palestinian conflict, THE FUTURE has more nuance than you are prepared for.


TO MY FATHER – Shorts (World Premiere)

DIRECTOR: Sean Schiavolin
PRODUCER: John Papola, Troy Kotsur, Justin Bergeron
SCREENWRITER: Sean Schiavolin
CINEMATOGRAPHER: Brody Carmichael 
EDITOR: Josh Meyers, Sean Schiavolin
COMPOSER: Hanan Townshend
ASSOCIATE PRODUCER: Jessi Bennett
CAST: Troy Kotsur

 

To My Father depicts Deaf actor Troy Kotsur’s journey to winning an Oscar and his father’s inspiring influence on him, despite a tragic accident.

Grab the tissues and be prepared for the beauty presented by Sean Schiavolin. If you haven’t been living under a rock then you are familiar with the extraordinary Troy Kotsur. This twenty-minute short pierces your heart, once again, as we learn more about the deaf actor’s inspiration. Do Not Miss It.


CHASING CHASING AMY – Viewpoints (World Premiere)

DIRECTOR: Sav Rodgers
PRODUCER: Alex Schmider, Carrie Radigan, Lela Meadow-Conner, Matthew C. Mills, Sav Rodgers
CINEMATOGRAPHER: Bill Winters, Bradley Garrison
CAST: Kevin Smith, Guinevere Turner, Joey Lauren Adams, Scott Mosier, Sav Rodgers, Andrew Ahn, Kevin Willmott, Trish Bendix, Princess Weekes, Regina “Riley” Rodgers

 

12-year-old Sav Rodgers watched the film Chasing Amy, and his life was forever changed. Developing a kinship — and maybe a slight obsession — with it as he grew into his queerness, he decides to fund and direct a documentary that examines its role in LGBTQ+ film culture. He makes significant progress, even garnering the support and collaboration of its director, Kevin Smith. However, as the production of the documentary continues, Rodgers realizes that the legacy of the film and his relationship with it might be changing. So where does that leave him?

Chasing Amy was a sexual awakening for more of us than we might like to admit. It felt like a narrative shock to the system in the most welcome way for audiences obsessed with Clerks and Mallrats. We were open-minded Kevin Smith nerds and we were ready to listen. This timely look at LGBTQAI+ issues is sure to spark conversation.


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