DOC NYC 2022 world premiere review: ‘1946: THE MISTRANSLATION THAT SHIFTED CULTURE’ ponders the global impact of a single mistake.

1946: THE MISTRANSLATION THAT SHIFTED CULTURE

In 8th grade, I stood on a chair and declared I was “done with religion.” Eight years in Catholic school, my teacher had just told me that if I went to my mother and told her I was gay, it would be the equivalent of me telling her that I had murdered someone. It was quite the sight in my classroom of 18 students. I was appalled. My conflict with religion has been fraught with pushback ever since. Then I saw a film that took my breath away. Sharon “Rocky” Roggio‘s urgent and eye-opening documentary 1946: THE MISTRANSLATION THAT SHIFTED CULTURE features the philosophical battle between the biblical text and sexual orientation as a distortion of language. The film explores the linguistic integrity and worldwide implications of the word “homosexual.” 1946 is nothing short of captivating.

Roggio’s father is a pastor with stringent beliefs. In his view, The Bible is the word of God. Sharon knew she was gay early on and understood the familial implications immediately. Following a breach of trust leading to Sharon leaving her childhood home, she and her father, Sal, have a public battle in the early 2000s. Thus beginning her path of advocacy. Enter Kathy Baldock, stage left. 

Baldock was about as Christian as one person could be until her impending divorce led her to take up hiking. After learning fellow walker Netto is a lesbian and coming to terms with the fact that her religion would ostracise her new friend, Kathy refuses to accept this is what God teaches. She began her lifelong path to understanding why the word “homosexual” did not appear in biblical text until 1946. How did it get there?

Ed Oxford (now MDiv) was a finance guy, a Christian, and a gay man. But, because the church told him his existence was an “abomination,” his suicidal ideations began as a child. He began collecting every biblical text he could get his hands on, and after meeting Kathy, the two formed an unstoppable team. Together, they travel down the rabbit hole of linguistics to unlock the original meaning of the biblical text, and Sharon “Rocky’ Roggio captures it all. 

Yale University’s meticulous record-keeping in the Sterling library proves invaluable. After scanning 60, 000 pages in the microform media room, the aha moment appears; a 1959 letter between Dr. Luther Allan Weigle, one of the translation committee members, and a mysterious seminary student offering his knowledge of New Testament Greek. That discovery changes everything we think we know about the term “homosexual” and its translation in theologic history. This avalanche of miscommunication has disrupted millions of lives. When religion meets politics in the Reagan era, all hell breaks loose. Gay people are a propagandist prop for the Republican party. It has only gotten worse with the rise of social media.

Pencil-drawn animation and timeline graphics mixed with video clips of influential religious leaders and sit-down interviews with theologists comprise the visual and fact-finding journey in 1946. Historical scholars break down weaponized verses or “clobber passages” used to target the LGBTQ+ community. Kathy and Ed buckle down, never wavering in their search for the truth. Simultaneously, Sharon tries to share the ever-evolving findings with her dad. Roggio’s patience is incomprehensible. Witnessing her composure with her father as they engage in debate is exemplary. The fact that her father, while vehemently fixed in his beliefs, still wants to connect and support his daughter is, for lack of a better word, a miracle. 

To think of the impact that one mistake has made on the world, especially as the LGBTQ+ community struggles to survive the vitriolic rhetoric and now physical threats, is shocking and disheartening. This single word and an abhorrent culture have put innumerable lives at risk. If 1946: THE MISTRANSLATION THAT SHIFTED CULTURE proves anything, it is this: we do better by respecting one another and by educating ourselves. I hope audiences go in with an open mind because the film deserves your full attention.


https://youtu.be/sjL_1TX71yo

1946: THE MISTRANSLATION THAT SHIFTED CULTURE — Directed by Sharon “Rocky” Roggio

World Premiere — US Competition — Acquisition

Produced by Sharon “Rocky” Roggio, Jena Serbu

Executive Produced by Daniel Karslake, Teresa and Todd Silver, Sabrina Merage Niam

Original Music by Mary Lambert

Featuring Kathy Baldock and Ed Oxford

Synopsis: 1946:The Mistranslation That Shifted Culture is thrilled to announce its World Premiere at DOC NYC 2022. Produced and Directed by Sharon ‘Rocky’ Roggio, 1946 is a feature documentary that follows the story of tireless researchers who trace the origins of the anti-gay movement among Christians to a grave mistranslation of the Bible in 1946. It chronicles the discovery of never-before-seen archives at Yale University which unveil astonishing new revelations, and casts significant doubt on any biblical basis for LGBTQIA+ prejudice. Featuring Commentary from prominent scholars as well as opposing pastors, including the personal stories of the film’s creators, and original music by Grammy winning artist Mary Lambert, 1946 is at once challenging, enlightening, and inspiring.

www.1946themovie.com

Instagram: @1946themovie

TikTok @1946themovie

Twitter @1946themovie


 

Grand Jury Prize/ Int’l competition WINNER @ DOC NYC: ‘HOW TO SAVE A DEAD FRIEND’ is a final love letter spread across 12 years of filming.

HOW TO SAVE A DEAD FRIEND

The monster that is depression roars silently because, in Russia, depression is not allowed to have a voice. Putin has seen to that. In HOW TO SAVE A DEAD FRIEND, filmmaker Marusya Syroechkovskaya chronicles over a decade of her emotional roller coaster in life, love, and deep-seated despair.

Kimi was a history major with a brilliant mind, a great sense of humor, and a penchant for drug use. Marusya’s childhood was a bit more idyllic, but that didn’t stop her suicidal ideation. The two bonded over music, beliefs, and self-destructive ideas. They also filmed every waking moment.

Kimi’s traumatic childhood and Russia’s national political upheaval created the perfect ticking time bomb of existence. He and Marusya needed each other to stay alive, but unresolved trauma is a killer lying in wait. Through marriage, rehab, divorce, and Kimi on a headlong downward spiral, Marusya must find other ways to dull the inner chaos. She had to decide, make a plan to live, or join her innumerable friends in suicide.

Marusya Syroechkovskaya’s dedication and fearless openness make it easy to understand why this film won Grand Jury Prize/ Int’l competition at DOC NYC 2022. HOW TO SAVE A DEAD FRIEND is an intimate and unfiltered look at addiction, love, and attempts to survive one more day. It is a must-see film.



Saturday, November 12 – Sunday, November 27, 2022

Venue

Online Screening

Director: Marusya Syroechkovskaya
Producer: Ksenia Gapchenko, Mario Adamson, Co-Producers Anita Norfolk, Alexandre Cornu
Cinematographers: Kimi Morev and Marusya Syroechkovskaya
Editor: Qutaiba Barhamji
Language: Russian
Country: Sweden, Norway, France, Germany
Year: 2022


Netflix documentary review: A family’s mission, ‘I AM VANESSA GUILLEN’ is more than a hashtag, it is a movement.

I AM VANESSA GUILLEN

Netflix presents I AM VANESSA GUILLEN, a film about one family’s relentless push for justice and exposing the toxic culture that permeates the military, specifically Fort Hood. Director Christy Wegener brings us the story that sparked a social media frenzy, a race to pass new legislation, and the family that would not stay quiet.

The systemic failure at Fort Hood will leave you seething. After two months of desperate outcry, the Army finally makes a statement and begins to search, but it is too little too late. With the pro bono help of maverick lawyer Natalie Khawam, The Guillen family takes their fight to Capital Hill.

I remember this story. I remember feeling so angry when I heard how long Vanessa had been missing before I heard about it on the news. Then, when the details emerged of her murder and subsequent failure at Fort Hood, I was disgusted. Those feelings returned and multiplied as I watched this film. Understanding the extent of their coverup will blow your mind. The military justice system allows for secrecy and discretion to sweep everything under the rug. It is beyond broken.

I AM VANESSA GUILLEN proves the saying, “No justice. No peace.” The Guillen family never backed down. The military counted on their silence, and they got the exact opposite. I AM VANESSA GUILLEN has been in the top 10 since the film’s release last Friday. It is easy to understand why.


I Am Vanessa Guillen | Official Trailer | Netflix https://youtube.com/Netflix

I AM VANESSA GUILLEN is now streaming on NETFLIX


 

Disney+ documentary review: ‘Mickey: The Story of a Mouse’ is a nostalgic warm hug reminding us why we love the global icon.

Mickey: The Story of a Mouse

Disney+ has a brand new doc as delightfully imaginative as you’d expect. Mickey: The Story of a Mouse is a darling dive into the making of an internationally beloved icon. It all started with a mouse, and his evolution is a fascinating journey for fans everywhere.

We peek into the minds of fans, young and old, visit the Disney Archives, chat with animators and historians, and hear directly from Walt Disney in classic interviews from our childhood. The work that went into creating Disney’s empire will astound audiences and yet never destroy the magic. We delve into Walt’s unrelenting sense of adventure and fearless attitude about expansion and risk.

The doc also discusses Mainstream Mickey and counterculture Mickey and how his image became synonymous with cultural change through the years. They touch upon copyright infringement and the complexities that grew out of Walt’s loss of Oswald the Rabbit. Filmmakers and interviewees do not shy away from the negative stereotypes appearing in certain cartoons and how Mickey became a corporate symbol. It’s an honest take.

I don’t think I’ve fully understood the impact of Mickey’s image until now. I refuse to dress my five and 6-year-olds in clothing that has characters branded on them, except for Mickey. There is a deeply ingrained subconscious reason that I’m only now realizing. It was a real aha moment for me.

I was lucky enough to have been a performer at Disneyland in 2000. For the insiders, I’ll say I had the magical title of “pageant helper,” which carries more weight than it suggests. I thought perhaps working at the parks would kill a little bit of the joy, as technically, I had peeked behind the curtain, quite literally. Nothing could be further from the truth. Anytime I stepped onto the grounds out from backstage (the areas no guest ever sees), I would be a giant kid all over again. On one unforgettable day, I had the unprecedented honor of meeting the actor Walt hired to wear the first Mickey costume on Disneyland’s opening day. There I am, a sweaty mess, in half a costume smiling like a fangirl. It was a part of history most people would never get to touch.

Visually, Mickey: The Story of a Mouse is a cinematic dream. From hand-drawn frame-by-frame cell animation to chemist-mixed paint to the collaborations we see today as animation and technology shift by the day. We experience the sheer artistry involved in Mickey as animators recreate some of his most iconic roles throughout history. In a sort of meta moment, these creators work on the newest Mickey short, “Mickey In A Minute,” during the doc, one hand-drawn scene at a time. The final product is Disney perfection.

Mickey Mouse is the most famous character in all of history. Three simple circles have made an indelible mark on humanity. Mickey: The Story of a Mouse overflowed with nostalgia and had me giggling and grinning from ear to ear. I could not have loved it anymore.


Mickey: The Story of a Mouse 

premieres today on Disney+

Short Synopsis
One of the world’s most beloved icons, Mickey Mouse is recognized as a symbol of joy and childhood innocence in virtually every corner of the globe. Dreamed up at a low point in Walt Disney’s burgeoning career, Mickey became an overnight sensation when he starred in the first synch-sound animated short, Steamboat Willie. Through the decades that followed, the character evolved into strikingly different versions of himself that reflect both his creator’s remarkable career and dramatic societal shifts in the nation he came to represent. In the fascinating documentary Mickey: The Story of a Mouse, director Jeff Malmberg and Oscar ® -winning producer Morgan Neville (who previously teamed up together for Won’t You Be My Neighbor?) examine the cultural significance of the nearly 100-year-old cartoon mouse.


 

DOC NYC review: David Siev’s ‘BAD AXE’ features hope pushing past hate. IFC will release one of the year’s best docs in theaters and on digital tomorrow!

BAD AXE

Synopsis: ​​After leaving NYC for his rural hometown of Bad Axe, Michigan, at the start of the pandemic, Asian American filmmaker David Siev documents his family’s struggles to keep their restaurant afloat. As fears of the virus grow, deep generational scars dating back to Cambodia’s bloody “killing fields” come to the fore, straining the relationship between the family’s patriarch, Chun, and his daughter, Jaclyn. When the BLM movement takes center stage in America, the family uses its collective voice to speak out in their conservative community. What unfolds is a real-time portrait of 2020 through the lens of one multicultural family’s fight stay in business, stay involved, and stay alive.


The Siev family patriarch Chun is a Cambodian refugee who came to the US to attain the American Dream. He and his wife Rachel opened a donut shop named Baker’s Dozen. Times were hard, and money was tight, but the Siev family stuck together and thrived. In 2000 they opened Rachel’s, a family restaurant in their hometown of Bad Axe, Michigan.

Director and only son in the Siev pack, David had the foresight to capture the upheaval of his family and their community beginning in March 2020. Like many families, the Sievs found their adult children moving back into their homes to help their vulnerable parents. Bad Axe is a small, tight-knit town with two stoplights. It’s a nice place to raise a family. When lockdown begins, local tension boils over, and the Siev family becomes targets of racism and conspiracy theories.

The eldest daughter, Jaclyn, has palpable anxiety. She tries her hardest to protect her father. The tension and stakes are higher than they’ve ever been. The family’s livelihood, quite literally, is on the line. Siblings, Michelle and Raquel, joined by Jaclyn’s husband Mike, Rachel’s boyfriend Austin, and a small handful of Rachel’s loyal employees, work day and night to feed the community and maintain a sense of normalcy while facing political and racial upheaval.

The intimate nature of Bad Axe is visceral. The Siev family could be anyone’s neighbors. They are friendly, hardworking, and respectful members of their community. They bug each other as much as they love each other. They remind me of my holidays when all four siblings invade our childhood home with inside jokes, arguments, and an unconditional adoration for one another.

Chun is a fascinating member of the family. He is a proud man. An opinionated individual, a responsible gun owner, and a survivor of the Cambodian killing fields, Chun’s unresolved trauma reveals itself in harsh words toward Jaclyn. He knows it and owns it. His emotional journey is everything.

The footage of the Black Lives Matter confrontation made my palms sweat. The aftermath of ignorant racist attacks will undoubtedly infuriate you. You will not believe the sheer terror these people have to endure. The courage of the Siev family makes my heart swell. Their bravery to move forward in the face of chaos is astounding. David’s commitment to telling their story gives audiences a peek inside the hatred stirred up by those in politics and the media that I refuse to give fuel by naming them. We all know who is responsible for the uptick of hate. May he lose again and again.

While we witness the many trials and tribulations alongside the Siev family, in the end, BAD AXE is a love letter to an ever-evolving community and an ode to a family that believes love conquers all. I can easily say Bad Axe is one of the year’s best documentaries.


BAD AXE — Directed by David Siev

New York Premiere — Winner’s Circle — IFC Films Release on Nov 18, 2022

Produced by ​​Jude Harris, Diane Quon, Kat Vasquez, David Siev 

Executive Produced by Daniel Dae Kim, Jeff Tremaine

Featuring Chun Siev, Rachel Siev, Jaclyn Siev, Skylar Janssen, Michael Meinhold

 

Screenings:

Online Screening Window – Sunday, November 13, 2022 12am through Sunday, November 27, 2022 at 11:59pm

Run Time: 102 minutes


 

DOC NYC (2022) review: ‘MY SISTER LIV’- one family’s story that speaks to millions.

MY SISTER LIV

Director Alan Hicks brings audiences the intimate story of sisters Tess and Liv through a letter from one the other. MY SISTER LIV is a tale of one family’s relentless journey to save their loved one by diving deep into the all-consuming chaos and shocking prevalence of depression. 

Liv’s personality explodes off the screen. Her bright-eyed energy catches you off guard and makes you smile. Her musical talents are an impressive saving grace. But, her thoughts of self-harm are a relentless monster exacerbated by sexual assault and body dysmorphia. Tess’ guilt is palpable. She and her mother did everything right. They researched medications and therapy and checked in on Liv. Ultimately social media and the need for acceptance lead to dark thoughts and self-medicating with alcohol.

Home videos, Tess’ narration, and Liv’s diary entries comprise a narrative that looks and sounds like so many young people. The doc plays out in two distinct halves; before and after. My Sister Liv begins with Tess telling the audience Liv’s story. The second is Tess and their mother’s emotional devastation and how the pandemic rolled into their already heavy grief, with videos of Liv replaced by videos of Tess. Then zoom discussions of Tess speaking with young people Liv’s age and mental health professionals, expressing similar feelings, coping mechanisms, causes, and statistics. 

Having lost one of my best friends from suicide after years of reaching out and quite literally talking them off the ledge, again and again, I understand the approach to mental health is sacred. My Sister Liv also served as a wake-up call for me as a parent of a five-year-old with OCD and anxiety. Can I prevent their mental health struggles from becoming all-consuming in a world that bombards children with negative thoughts and images 24 hrs a day? I’ve never wanted to predict the future more in my entire life. DOC NYC 2022 audiences have something special at their fingertips. If My Sister Liv gets viewers to start a conversation about mental health, that’s already a hugely important win for everyone. 

 thelivproject.org


Online Dates

Friday, November 11 – Sunday, November 27, 2022

Venue

Online Screening

Director: Alan Hicks
Executive Producer: David J. Cornfield, Linda A. Cornfield, Ross Kauffman, Geralyn White Dreyfous, Curtis Pesmen, Dan Braun, Josh Braun, Rob Galluzzo, Steve Carpenter, Amy Carpenter, Bob Birch, Genie Birch, William Campbell, Alice Fiori, Co-Executive Producers Amy Batchelor, Brad Feld
Producer: Paula DuPré Pesmen, Camilla Mazzaferro
Editor: Andrew McAllister, Michael Mahaffie, Jordan Swioklo
Language: English
Country: Australia, United States of America
Year: 2022


DOC NYC (2022) review: ‘ CIRQUE DU SOLEIL: WITHOUT A NET’ is an awe-inspiring film about the importance of theater and the ability to create.

CIRQUE DU SOLEIL: WITHOUT A NET

CENTERPIECE SELECTION

*WORLD PREMIERE*

Cirque du Soleil’s “O” is the top-grossing show in the world. Enter Covid19 and the subsequent and heartbreaking release of 3400 employees. The show was down for 400 days. In April 2021, restrictions finally loosening Cirque announced “O” would be back. Eight weeks to reopen among health and safety restrictions. The doc spotlights a handful of their performers. We learn how they got to Cirque and follow along as they retrain their minds and bodies after more than a year of uncertainty. We also see the tech and artistic crews rebuilding, sewing, and revamping as quickly as possible to meet the reopening deadline. It is an intricate dance of trust. One slight human or machine error could spell disaster for the artists.

The cinematography is breathtaking, from underwater shots of the artistic swimmers to areal views of acrobatic acts. Ultimately, the film reminds us of the power and importance of performance. It’s an undeniably visceral viewing experience.

As a performer, this documentary feels deeply personal. One particular quote early on struck me immediately. “It’s really difficult to live without purpose.” What is humanity without creation? What is an artist without the ability to access their craft? Speaking from personal experience and the confessions of fellow performers when the lockdown began, it physically pained us not to be onstage. Cirque du Soleil: Without A Net is a celebratory exploration of a performer’s purpose and the joyous return of the world of theatre.


CIRQUE DU SOLEIL: WITHOUT A NET had its World Premiere at DOC NYC on November 13 @ 2:15pm.

CIRQUE DU SOLEIL: WITHOUT A NET tells the story of when the world shut down, its greatest Circus went into freefall. Within 48 hours Cirque du Soleil closed all its 44 shows; within a week it let 95% of its workforce go. The show seemed over for the billion-dollar brand. Now, more than a year later, a group of world-class artists, athletes and crew at “O”, Cirque’s flagship production, face uncertainty as they prepare to bring their show back to life. With unprecedented access, this film documents their extraordinary journey as they attempt a return to stage after one of the world’s greatest crises.

Director: Dawn Porter
Executive Producer: Dawn Porter, Eli Holzman, Aaron Saidman, Richard Bedser, Ailsa Orr
Producer: Dawn Porter, Summer Damon, Sadie Bass, Mark Burnett, Barry Poznick
Cinematographer: Chris Hilleke, Bryant Fisher
Editor: Jessica Congdon, Dave Marcus
Language: English
Country: United States of America
Year: 2022

Online Dates

Monday, November 14 – Sunday, November 27, 2022

Venue

Online Screening

Short film review: ‘Shepherd’s Song’ – Quietly healing nature with nurture.

Shepherd’s Song

When Jenya Schneider lost both her parents by age 18, she was pushed to find meaning and hope in her life. That came in the form of a flock of sheep.

Abigail Fuller’s short film Shepherd’s Song contemplates Earth’s interconnectedness through the eyes of California grazier Jenya Schneider. Climate change threats in the west frequently come in the form of severe droughts and wildfires. Jenya and her partner Jack have chosen a cyclically beneficial lifestyle for the Earth, their clients, and themselves. Four hundred ewes, recycled fencing, and unrelenting passion comprise their venture. Grazing becomes a service to the land, and the sheep produce wool and lanolin. The science behind grazing done right shows the value to the ecosystems it serves. It’s healing the land.

A beautiful score by Serena Goransson moves from subtle to soaring as the film progresses. It feels perfect. Carmen Delaney’s mix of handheld and drone cinematography gives the audience an idea of the landscape scale against Jenya and Jack’s figures through the mountainous grasslands. It is stunning. SHEPHERD’S SONG is part climate film, part nature film, and all heart. We can all learn a whole lot from Jenya and Jack. They are showing the world how to repair the damage we’ve done, one area of grassland at a time.


SHEPHERD’S SONG is now available to view on The North Face’s Youtube channel 
Genre: Eco, nature climate Documentary

The North Face is partnering to release the film on their YouTube channel on October 13th. The film’s director Abigail Fuller was the recipient of The North Face’s “Move Mountains Filmmaker Grant” for women filmmakers.


 

Review: ‘CAT DADDIES’ is a surprisingly purrfect family film.

Man has found a new best friend: Tora, Pickles, Lucky, Zulu, Toodles, Flame, and GoalKitty. These are just some of the lovable feline stars of director Mye Hoang’s debut documentary film CAT DADDIES. A heartwarming and tender portrait of a diverse group of men whose lives have been forever changed by their love of cats, CAT DADDIES takes us on an inspiring journey all across the United States during the challenging early days of the COVID-19 pandemic when people desperately needed hope and companionship. These nine “cat dads” come from all walks of life – a firefighter, a truck driver, a Hollywood stuntman, an ad executive turned cat rescuer, a police officer, a software engineer, an actor/Instagram influencer, a school teacher and an undocumented and disabled immigrant living on the streets of New York City. They couldn’t be any more different, but each of them has a compelling story to tell and share an unconditional love for their beloved cats. A refreshing and timely exploration of modern masculinity, CAT DADDIES shows us how being a “cat person” has no gender, and that the unlikely bond between man and cat is here to stay.

A bit eccentric, incredibly fun, and entirely sweet, CAT DADDIES spotlights male cat owners and their feline friends. Following the lives of nine cat dads, Mye Hoang‘s documentary film shows audiences the unconditional love between owner and pet and subtly dismantles outdated stereotypes about masculinity and cat ownership.

Are you also a cat lover? Cats often wander, especially if they have access to the outdoors. Just like the saying goes, cats are curious creatures; they like to be in the know about their territory. A cat’s tendency to roam can also depend on its hormones; an unneutered male will travel in search of a mate. Thankfully, you can track your cat with a GPS like the ones at https://householdpets.co.uk/best-gps-cat-tracker-uk/.

David and Lucky live in the streets of NYC. A former construction worker originally from the country of Georgia. After rescuing an injured kitten and the ASPCA ignoring his pleas, David and the kitten that survived are now inseparable. David has Cerebral Palsy, and his medical needs are a roadblock to his desire to provide the best life for Lucky. Their story is the greatest through line in CAT DADDIES. We follow their journeys through David’s surgeries and Lucky’s adjustment into temporary care with a friend.

Tora the Trucker Cat, truck driver David, and girlfriend Destiny travel together from state to state for months. Tora has a leash to explore national parks and a seat in David’s backpack when she needs a break. Tora has become the focus of David’s newfound photography skills. She’s a bit of a celebrity that’s allowed David to express himself in ways he never thought possible.

These are just two men featured in the film, but their relationships speak volumes about their feline friends’ impact on their lives. Each story is darling. Filmmaker Mye Hoang creates a beautiful arch of the bond between animals and the men who love them. The doc also brings awareness to the stray cat population and how we can help. You’ll fall in love with these little friends. If you thought you were strictly a “dog person,” think again. I watched the film with my five and six-year-old children, and they were enamored. These kids have been begging for a dog since they were two. CAT DADDIES is here to change minds and capture hearts.


In select theaters beginning October 14th in New York (at Village East by Angelika), followed by Los Angeles (at Laemmle Glendale), Dallas (Angelika Film Center) & San Diego (Reading Cinemas Town Square) on October 21st. The film will then expand into additional theaters/cities later this fall.

About the filmmaker MYE HOANG: 
Mye Hoang is a Los Angeles-based film producer, writer, and director. Her work as a producer includes the award-winning noir thriller MAN FROM RENO (Best Feature, LA Film Festival & Spirit Award nominee 2015) and I WILL MAKE YOU MINE by Lynn Chen (SXSW 2020). Mye has directed several narrative short films that have screened at festivals around the world. Her narrative feature film debut as writer/director, VIETTE (a Vietnamese American coming-of-age story), premiered in 2012 and screened at dozens of film festivals, including the Asian American International Film Festival and Edinburgh Fringe Fest. Mye is also the founder and former Executive Director of the Asian Film Festival of Dallas, and the former Artistic Director of the San Diego Asian Film Festival. She has a BA in Cinema from Southern Methodist University in Dallas, TX where she was born and raised. CAT DADDIES is her first documentary feature.

Beginning this Friday, both in-person in NYC and virtually, The 15th Annual Imagine Science Film Festival is ready to blow your mind.

15th Annual Imagine Science Film Festival
(October 14-21)


Alejandro Loayza Grisi’s Utama opens the festival
with a gala screening at the Museum of the Moving Image


Spotlight screenings include Godard’s classic
Alphaville, Ali Cherri’s The Dam (Le Barrage),
Jacqueline Mills’ Geographies of Solitude,
and Signe Baumane’s My Love Affair with Marriage



This year’s festival is overflowing with cool. Here are a few of the films we’ve previously covered. 

My Love Affair With Marriage

Fire of Love

Maika: The Girl from Another Galaxy 

Of Medicine and Miracles

For more information on this year’s edition, continue below!

 

New York City’s Imagine Science Film Festival
announced the lineup of films and events for the hybrid presentation of its 15 th edition, taking
place October 14-21. Screenings will kick off with the Opening Night presentation of Alejandro
Loayza Grisi’s Utama, and Spotlight Features including a special presentation of Jean-Luc
Godard’s classic Alphaville: The Strange Adventure of Lemmy Caution, Ali Cherri’s The
Dam (Le Barrage), Jacquelyn Mills’ Geographies of Solitude, and Signe Baumane’s My Love
Affair with Marriage. Read More →

October Programming on MUBI – thrills and chills for everyone.

October Programming on MUBI

Includes exclusive streaming premiere of Martine Syms’ art-school satire The African Desperate, Julie Ha and Eugene Yi’s rousing documentary Free Chol Soo Lee, Lucile Hadzihalilovic’s Lynchian horror, Earwig

Plus a month-long Halloween programming with George A. Romero, Michio Yamamato’s Bloodthirsty Trilogy, and more!

EXCLUSIVELY ON MUBI

Tuesday, October 4

Invisible Demons, directed by Rahul Jain

[Viewfinders] A visually immersive exploration of the global threat of climate change, Invisible Demons (Cannes ‘21) is the stunning sophomore film from filmmaker Rahul Jain. Told through striking images and eye-opening accounts from everyday citizens, Jain delivers a visceral journey through the stories of just a few of Delhi’s 30 million inhabitants fighting to survive, as he offers a deeply experiential and new perspective on the clear and present climate reality. A MUBI Release.

 

Friday, October 7

Free Chol Soo Lee, directed by Julie Ha and Eugene Yi

[Viewfinder] A highlight of this year’s Sundance Film Festival, Free Chol Soo Lee finds award-winning journalists Julie Ha and Eugene Yi excavating the largely unknown yet essential history of the case of Chol Soo Lee, a 20-year-old Korean immigrant who, in the 1970s, was racially profiled and convicted of a Chinatown gang murder in San Francisco. A stirring testament to the power of local journalists and the collective political action, this breathtaking true story ignited an unprecedented push for social action that would unite Asian Americans and inspire a new generation of activists, and serves as an urgent reminder that his legacy is more relevant than ever. A MUBI Release. 

Wednesday, October 12

Rosa Rosae. A Spanish Civil War Elegy, directed by Carlos Saura

[Brief Encounters] Legendary Spanish filmmaker Carlos Saura (Cria Cuervos) recovers and manipulates more than thirty images, drawings and photographs to recreate the Spanish Civil War in his new animated short Rosa Rosae: A Spanish Civil War Elegy (2021). The montage of images set to the music of singer-songwriter José Antonio Labordeta pays tribute to those childhoods stolen by the Spanish Civil War, reflecting the horrors of universal warfare and resonating with the urgent topic of conflict in today’s world. A MUBI Release. 

 

Saturday, October 15

Earwig, directed by Lucile Hadzihalilovic

[MUBI Spotlight] Loosely adapted from Brian Catling’s novella of the same name, Lucile Hadžihalilović (EvolutionInnocence) conjures a surrealist Lynchian nightmare in her first English-language feature Earwig – a macabre tale of a young girl with melting teeth and her cadaverous caretaker who molds and refits her dentures each day. Sumptuously-produced and fitted with a hypnotic soundtrack by Augustin Viard (in collaboration with Nicolas Becker & Warren Ellis), Hadžihalilović’s latest beguilingly hermetic world captures the same elusive and hallucinatory fixations on isolation and the horrors of adolescence as her previous work.

 

Friday, October 21

The African Desperate, directed by Martine Syms

[Debuts] The electrifying feature debut from renowned artist Martine Syms, The African Desperate (2022) brings her razor-sharp satire and vivid aesthetic invention to a riotous coming-of-age comedy. Tracking one very long day for Palace Bryant (an expertly deadpan Diamond Stingily), a newly minted MFA grad whose final 24 hours in art school become a real trip, the result is a shocking original vision that becomes a hazy, hilarious, and hallucinatory night-long odyssey, stumbling from academic critiques to backseat hookups while revealing Martine as a major new voice in American independent filmmaking. A MUBI release. 

 

Wednesday, October 26

Spectre: Sanity, Madness and The Family, directed by Jean-Baptiste de Laubier

[Debuts] The debut feature from music producer and longtime Céline Sciamma collaborator Jean-Baptiste de Laubier (Para One), Spectre: Sanity, Madness and the Family (2021), is an intimate docudrama inspired by De Laubier’s own family history. Following the youngest son of a large family whose childhood was dominated by intense spiritual fervor, who receives a mysterious package from his sister that leads to the awakening of long dormant memories, this kaleidoscopic work mixes real and fictional archival footage with a mesmerizing electro soundtrack to reveal the power of buried personal histories. A MUBI Release. 

Thrills, Chills and Exquisite Horrors

This Halloween, MUBI presents Thrills, Chills and Exquisite Horrors, a new series covering the vast range of genre cinema, from classic films to recent arthouse sensations and everything in between. From gothic frights in James Whale’s essential classic The Old Dark House, to the matriarchal anxiety of Veronika Franz and Severin Fiala’s and Austrian sensation Goodnight Mommy, and the haunting technological paranoia of Japanese master Kiyoshi Kurosawa’s cult classic, Pulse, these gems provide an opportunity to come together and celebrate the autumnal ritual of coming together to enjoy the many thrills that the cinema can offer us.

Goodnight Mommy (Veronika Franz, Severin Fiala, 2014) – October 1

Pulse (Kiyoshi Kurosawa, 2001) – October 5

When a Stranger Calls (Fred Walton, 1979) – October 13

The Old Dark House (James Whale, 1932) – October 23

Deep Red (Dario Argento, 1975) – October 31

George A. Romero: Double of the Dead

Legendary horror master George A. Romero returns to MUBI with a gruesome double feature with a generous amount of blood, guts, and sociopolitical allegory to satisfy any zombie movie cravings. From the final two chapters of Romero’s epic five-decade long Dead series: the “found-footage” shot Diary of the Dead (2007) is riddled with media anxieties as a group of film students document their way through a zombie apocalypse, while Survival of the Dead (2009) chronicles two families warring over whether the dead and the living can coexist. 

Diary of the Dead (2007) – October 5 

Survival of the Dead (2009) – October 30

From the Land of Fire and Ice: An Icelandic Double Bill

This October, as the days grow shorter and the air grows colder, MUBI presents a double feature celebrating some of the very best of contemporary Icelandic cinema, which has recently experienced a resurgence of sorts in the international festival circuit. In Rams (Prix Un Certain Regard, Cannes ‘15), Grímur Hákonarson crafts a hilarious and heartbreaking portrait of two warring brothers whose lifelong animosity explodes when confronted with a new disease on their farm, while in Hlynur Palmason’s critically acclaimed A White, White Day, an off duty sheriff begins to suspect a local neighbor of having an affair with his recently deceased wife which spirals into obsession in this singular story of grief, revenge and unconditional love.

Rams (Grímur Háknarson, 2015) – October 9

A White, White Day (Hlynur Palmason, 2019) – October 10

Fears and Fangs in Japan: Michio Yamamoto’s Bloodthirsty Trilogy

To celebrate the Halloween spirit, this October MUBI presents Michio Yamanto’s aptly titled Bloodthirsty Trilogy. Presented here are three tails sure to delight, with The Vampire Doll, which follows a woman and her boyfriend in search of her missing brother in a creepy mansion with a dark history, Lake of Dracula, which finds a young woman’s adolescent nightmares revealing a hellish prophecy, and Evil of Dracula, which sees Yamamato relocating his vampiric frights into an all girls school. Inspired by the British and American gothic horror films of the 1960s, this series represents Toho’s answer to Hammer Studios, with an emphasis on atmospheric thrills and chills that help bridge the gap between gothic classics and Japanese genre cinema.

 

The Vampire Doll (1970) – October 11

The Lake of Dracula (1971) – October 20

Evil of Dracula (1974) – October 27

Artist Focus: Morgan Quaintance

British experimental artist, critic, and writer Morgan Quaintance explores cinema as collective memory. Through his texturally rich short films, Quaintance focuses on hidden or forgotten history through the reconstruction of archival materials, moving image, photographs, written text and disconnected sounds. This month MUBI presents a double bill of his most recent work: Surviving You, Always (2020), contrasting the proposed metaphysical highs of psychedelic drugs versus the harsh actualities of concrete metropolitan life in 1990s London, and A Human Certainty (2021), playfully following the neurotic ramblings of a death-obsessed romantic in the throes of post-breakup blues.

 

A Human Certainty (2021) – October 24

Surviving You, Always (2020) – October 25

Glitch Zone: Films by Martine Syms

To celebrate the release of The African Desperate, Martine Syms’ acclaimed feature debut, this month MUBI spotlights two essential shorts from one of the most exciting new voices in filmmaking. Part of her ongoing series She MadBitch Zone takes us to an empowerment program for teenage girls founded by supermodel and business mogul Tyra Banks, while Soliloquy finds the artist delivering a scathing anti-capitalist manifesto that touches on questions the possibility of change in a society dominated by social media.

She Mad: Bitch Zone (2020) – October 17

Soliloquy (2021) – October 19 

The African Desperate (2022) – October 21

I Don’t Like You Either: A Pialat Retrospective

This month, MUBI continues its ongoing retrospective of misunderstood French master Maurice Pialat with Van Gogh, his bruising and deeply felt portrait of the esteemed Dutch painter. Pialat’s work is marked by a sense of realism that locates them somewhere between his compatriot, Jean Renoir, and the working-class naturalism of Ken Loach, which lends a sense of authenticity to this singular portrait of an artist that emphasizes the everyday labor of the craftsman over the final work. 

Van Gogh (1991) – October 2

Now streaming

Loulou (1980) – September 10 

The Mouth Agape (1974) – September 21

Under the Sun of Satan (1987) – September 27

 Complete list of films premiering on MUBI this month:

October 1 – Goodnight Mommy, directed by Severin Fiala, Veronika Franz | Thrills, Chills and Exquisite Horrors

October 2 – Van Gogh, directed by Maurice Pialat | I Don’t Like You Either: A Maurice Pialat Retrospective

October 3 – The Great Buster: A Celebration, directed by Peter Bogdanovich | Portrait of the Artist

October 4 – Invisible Demons, directed by Rahul Jain | Viewfinders

October 5 – Pulse, directed by Kiyoshi Kurosawa | Thrills, Chills and Exquisite Horrors

October 6 – Diary of the Dead, directed by George A. Romero | George A. Romero: Double of the Dead

October 7 – Free Chol Soo Lee, directed by Eugene Yi, Julie Ha | Viewfinder

October 8 – Tucker & Dale vs Evil, directed by Eli Craig

October 9 – Rams, directed by Grímur Hákonarson | From the Land of Fire and Ice: An Icelandic Double Bill

October 10 – A White, White Day, directed by Hlynur Palmason | From the Land of Fire and Ice: An Icelandic Double Bill

October 11 – The Vampire Doll, directed by Michio Yamamoto | Fears and Fangs in Japan: Michio Yamamoto’s Bloodthirsty Trilogy

October 12 – Rosa Rosae. A Spanish Civil War Elegy, directed by Carlos Saura | Brief Encounters

October 13 – When a Stranger Calls, directed by Fred Walton | Thrills, Chills and Exquisite Horrors

October 14 – Center Stage, directed by Stanley Kwan

October 15 – Earwig, directed by Lucile Hadzihalilovic | MUBI Spotlight

October 17 – She Mad: Bitch Zone, directed by Martine Syms | Martine Syms: Short Films

October 18 – The Gold-Laden Sheep & the Sacred Mountain, directed by Ridham Janve

October 19 – Soliloquy, directed by Martine Syms | Martine Syms: Short Films

October 20 – Lake of Dracula, directed by Michio Yamamoto | Fears and Fangs in Japan: Michio Yamamoto’s Bloodthirsty Trilogy

October 21 – The African Desperate, directed by Martine Syms | Debuts

October 23 – The Old Dark House, directed by James Whale | Thrills, Chills and Exquisite Horrors

October 24 – A Human Certainty, directed by Morgan Quaintance | Artist Focus: Morgan Quaintance

October 25 – Surviving You, Always, directed by Morgan Quaintance | Artist Focus: Morgan Quaintance

October 26 – Spectre: Sanity, Madness and The Family, directed by Jean-Baptiste de Laubier | Debuts

October 27 – Evil of Dracula, directed by Michio Yamamoto | Fears and Fangs in Japan: Michio Yamamoto’s Bloodthirsty Trilogy

October 28 – The Commune, directed by Thomas Vinterberg

October 29 – Dear Diary, directed by Nanni Moretti

October 30 – Survival of the Dead, directed by George A. Romero | George A. Romero: Double of the Dead

October 31 – Deep Red, directed by Dario Argento | Thrills, Chills and Exquisite Horrors


MUBI is a streaming service, a film distributor and a production company. But mostly, MUBI is a place to discover beautiful, interesting, incredible cinema. A new hand-picked film arrives on MUBI every single day. Cinema from all over the globe, from all kinds of directors. From brand new work by emerging filmmakers, to modern masterpieces from today’s greatest icons. All carefully chosen by MUBI’s curators. MUBI also produces and distributes ambitious new films, which members can watch exclusively on the platform. MUBI is the biggest community of film lovers, available across 190 countries, with more than 10 million members around the world. Subscription plans are $10.99 a month or $83.88 for 12 months. MUBI is available on the web, Roku devices, Amazon Fire TV, Apple TV, LG and Samsung Smart TVs, as well as on mobile devices including iPad, iPhone and Android.

mubi.com


 

Documentary Review: ‘WE ARE ART – Through the Eyes of Annalaura’ finds emotional catharsis in creation.

We Are Art – Through the Eyes of Annalaura

Filmed on location in Naples, Italy, We Are Art Through the Eyes of Annalaura was written, produced and directed by acclaimed artist Annalaura di Luggo, in collaboration with production supervisor and creative consultant Stanley Isaacs, and is an inspirational story of creativity, second chances and new beginnings. The documentary feature depicts Annalaura’s journey as she undertakes her most artistic challenge, creating Colloculi, an immersive, multi-media, interactive art installation constructed in the shape of a Giant Eye made of recycled aluminum, symbolizing environmental rebirth and recycling. She incorporates her artistic visualization of the lives of four young people who, in their own way, found a spiritual path out of the darkness into the light and reclaimed their self-esteem and found new value in life.


From concept to fruition, Italian artist Annalaura di Luggo takes inspiration for a multimedia art installation from the Bruegel painting, “The Blind Leading The Blind.” She intends to not only is to inspire but include the viewer in the experience of the piece. They are the fourth layer. WE ARE ART- Through The Eyes of Annalaura is a whirlwind journey through redemption and creation.

The casting process for the four individuals Annalaura wants to include in the project gives the audience a taste of the local Naples community. Each person has a story, a work of art unto themselves. Pino grew up surrounded by drugs, violence, and neglect. His future goal is to avoid a similar path as his parents and thrive through education. Noemi approaches the world through experiences, sports, and animals. Born blind, she longs to break any preconceived notion the world might have about her and to live as fully as any sighted person. Her description of what color is to her is awe-inspiring.

Youssouf arrived on the shores of Naples in a rubber dinghy from the Ivory Coast in 2016. Alone and with nothing to his name, he endured discrimination, educated himself, and began to work. Engaged and with a child, his goal is to be present for her. Adopted at the age of five from Moscow, Larissa found herself bullied for her appearance, leading her to abuse alcohol. Resiliency and self-love push her forward in life.

At Method Treatment, we provide the highest quality care in a luxurious, comfortable setting. Our team of specialists helps patients develop strategies for long-term sobriety.

Like any artist, Annalaura possesses eccentric energy. Her mind is in constant creative mode. Each media artist she approaches finds themselves immediately sucked into her vortex of ideas and enthusiasm. Beyond that first impression, her genuine care for Pino, Noemi, Youssouf, and Karissa is clear as day. Their work together becomes a therapy session melded into Annalaura’s final creation. Her profound words for her subjects will take the viewer aback.

WE ARE ART escapes pretentiousness by keeping the audience involved in each intimate and intentional step. There are a staggering amount of minds and hands touching this project. “Colloculi,” the final work of art, is dazzling, simultaneously speaking to the uniqueness of each life and the universal nature of humanity. Annalaura di Luggo should be proud. Bravo.


Opening At The Laemmle Monica In Los Angeles On September 16
And The Village East In New York September 23

 

Q&A to follow after both Opening Nights

Written & Directed By

Annalaura di Luggo


TIFF 22 short film review: Sophy Romvari’s ‘IT’S WHAT EACH PERSON NEEDS’ pulls the run out from underneath you with its intimacy.


IT’S WHAT EACH PERSON NEEDS

Filmmaker Sophy Romvari features a young woman named Becca Willow Moss as she embarks on a unique journey of self-discovery with others. IT’S WHAT EACH PERSON NEEDS has the audience eavesdropping on phone conversations. The voices on the other end of the line each desire something different. The men seem to seek romance, while others lean more sexual. Her other calls engage an entirely different demographic; the elderly. These chats revolve around memory, singing, reassurance, and pure love.

Becca has a knack for discovering what motivates each person. She describes herself to people as a multi-faceted artist. A label I covet myself. She is the most genuine and gentle communicator. She is giving and authentic. I remain completely enamored by her.

The cinematography is 90% comprised of closeup shots of mannerisms, objects in the room, Becca’s hair and clothes, and her face as she speaks and listens to those she calls. Combined with the fact that the 11-minute run has us solely inside Becca’s apartment lends to the intimacy already created by her words. It’s a brilliant choice, frankly.

Romvari had me thoroughly engrossed from the very beginning. I could have easily watched a feature-length version of Becca and her callers. Therein lies the irony of IT’S WHAT EACH PERSON NEEDS. As we get comfortable with the narrative structure, Romvari steps in, via voice only, and asks Becca what she thinks the project’s meaning might be. Her answer takes you aback. While we enjoy the film for unconsciously selfish reasons, Becca has her own motivation that I did not expect. Undoubtedly one of the best short films at TIFF22. It’s about the universal need for human connection. Everyone needs someone to listen. Everyone needs to feel seen.


Short Cuts Programme 06.
Sophy Romvari
CANADA | 2022 | English
11 minutes


Fri, Sep 16
IN-PERSON
Scotiabank Theatre Toronto
5:30pm


Sat, Sep 17
IN-PERSON
Scotiabank Theatre Toronto
9:05am


 

Disney+ series review: ‘EPIC ADVENTURES with BERTIE GREGORY’ is Nat Geo’s new jaw-dropping series.

Part wildlife and part adventure show, follow the escapades of young National Geographic Explorer Bertie Gregory as he travels the world capturing extraordinary footage of wild animals. Using a combination of technical wizardry, secret fieldcraft and extreme perseverance, he and his team try to overcome the challenges and dangers and get as close as possible to wildlife on its own terms.


One of the most immersive cinematic nature series ever made, Nat Geo’s Epic Adventures with Bertie Gregory is a wow. I was in relentless awe of the up close and personal footage of the arctic life, be it takes, seals, penguins, and much more.

To do the show justice, I suggest watching on the largest screen you can find. Bertie and his team face dangerous temperatures and ocean currents. You’ll fly into the air with high-definition drones above whales and hear the wicked blustering of incoming storms. You’re right alongside Bertie as he navigates the seas, moving about the ship’s nauseating rolling inner sanctum. He fearlessly plunges into the freezing waters. Without proper protection, a human would die in minutes. But the water is the least of Bertie’s problems as a feisty leopard seal gets a bit too close. You will gasp when you witness the eye-popping ariel view of fin whales feeding.

A Fruit bat resting in a tree, giving itself a good clean after a busy night foraging. (Credit: National Geographic/Bertie Gregory for Disney+)

And this is just the beginning of Episode 1 of Epic Adventures with Bertie Gregory. With four more to go, the 28-year-old British wildlife filmmaker and National Geographic Explorer takes audiences into places few have gone before. From the treetops of Zambia to the film African crowned eagles to the waters of Cocos Island in search of the 14 different species of sharks. You’ll be in awe as you learn things you never knew before. It’s a perfect show for the entire family.

The drone in flight, capturing epic shots of the Kasanka Fruit bats. (Credit: National Geographic/Sam Stewart for Disney+)

Episodes Available:

TRACKING OCEAN GIANTS

National Geographic Explorer Bertie Gregory leads a team across the infamous Drake Passage, one of the world’s most dangerous stretches of ocean, to the remote and windswept Elephant Island. His mission: to find and film one of nature’s greatest wildlife spectacles, a feeding aggregation involving hundreds of gigantic fin whales, the second largest animal ever to have lived.

BATTLE OF THE BEASTS

National Geographic Explorer Bertie Gregory and his team are in Zambia, Africa, trying to film one rare moment when a pride of lions takes on one of their most formidable foes – the mighty cape buffalo. 

SHARK ISLAND

Bertie and his team travel to the sharkiest place on Earth to film one of the biggest schools of sharks ever as hundreds of hammerheads join in a mysterious underwater dance. To get close to these super-sensitive sharks, Bertie will have to dive in stealth mode.

The father crowned eagle comes home with food for the nest, the mother greets him. (Credit: National Geographic/Bertie Gregory for Disney+)You can catch EPIC ADVENTURES WITH BERTIE GREGORY exclusively on Disney+.

EAGLE’S REIGN

Every year up to 10 million fruit bats descend upon a small, remote forest in Zambia to take full advantage of a fruit boom—but they don’t go unnoticed by the local eagles. After capturing some tender moments between a crowned eagle mom and her chick, National Geographic Explorer Bertie Gregory sets off to film these powerful predators hunting bats.

DOLPHIN QUEST

National Geographic Explorer Bertie Gregory is heading to the mighty Pacific Ocean off the coast of Central America. He’s on a quest to find and film one of the greatest spectacles the high seas have to offer—a superpod of several thousand spinner dolphins. Searching in the largest wilderness on Earth isn’t easy and leads to some mind-blowing animal encounters.


You can catch EPIC ADVENTURES WITH BERTIE GREGORY exclusively on Disney+.


 

The Disney+ Original Series from National Geographic ‘EPIC ADVENTURES with BERTIE GREGORY’ Premieres Disney+ Day on September 8th

The face of a new generation of aspirational adventurers and natural history filmmakers, 29-year-old National Geographic Explorer Bertie Gregory takes viewers on epic and nail-biting journeys that push into the most spectacular and secretive corners of our wild world!

Armed with leading-edge film technology, the Disney+ original series EPIC ADVENTURES WITH BERTIE GREGORY, from National Geographic, breaks the mold of the traditional natural history program by telling extraordinary, real-life animal stories and taking viewers with him for every beat of the action. For weeks at a time, the charismatic BAFTA Award-winning cinematographer immerses himself into the animals’ lives to capture the untold stories of iconic creatures living in some of the harshest environments on our planet.

This season, we will see Bertie braving the icy worlds of Antarctica in search of the biggest gathering of whales ever filmed and coming face-to-face with specialist buffalo-hunting lions in Zambia. In this multipart adventure series, he will take audiences on an ambitious odyssey across the globe, showcasing the natural world at a time when it faces its greatest challenges.

The series has also been picked up for a second season, which is filming now.


The Disney+ Original Series from National Geographic Premieres Disney+ Day on September 8th

Check out images from Episode 1 “Eagle Reign”


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About Bertie Gregory
Bertie Gregory, a wildlife filmmaker and photographer in his twenties, channeled his childhood obsession with wildlife into photography. Early in his career, photos from this obsession earned him recognition, including being named a National Geographic Young Explorer, Youth Outdoor Photographer of the Year, and Zenith Scientific Exploration Society Explorer. He began assisting legendary big cat photographer Steve Winter on assignment for National Geographic after graduating with a zoology degree from the University of Bristol in 2014. Bertie has since shot documentaries for Nat Geo WILD (Mumbai’s urban leopards and caiman hunting jaguars) and BBC Planet Earth. Gregory’s first solo assignment for National Geographic, tracking and filming the elusive coastal wolf on Vancouver Island’s west coast, became the basis for Nat Geo WILD’s first digital series, wildlife. All of this happened before his 24th birthday. Bertie has recently completed work on a new National Geographic digital series set in South Georgia. Bertie is the next generation explorer, who is standing on the shoulders of Walt Disney, Marlin Perkins, and David Attenborough, and will take us on an epic and heart-warming journey in this new upcoming series.


 

HBO Original review: Heed the warning and relive the trauma as never before seen footage in Ed Perkins’ stunning doc ‘THE PRINCESS’ flags the danger of history repeating itself.

‘The HBO Original documentary film THE PRINCESS is an intimate and immersive look at the life of Princess Diana, directed by Academy Award® nominee Ed Perkins (“Black Sheep” “Tell Me Who I Am”) and produced by Lightbox, Academy Award®-winning Simon Chinn (“Man on Wire” “Searching for Sugar Man”) and Emmy®-winning Jonathan Chinn (“LA92” HBO’s “Tina”). The film debuts on SATURDAY, AUGUST 13 (8:00-9:50 p.m. ET/PT) on HBO, coinciding with the 25th anniversary of Princess Diana’s tragic death, and will be available to stream on HBO Max. THE PRINCESS had its world premiere at the 2022 Sundance Film Festival. HBO Documentary Films presents THE PRINCESS, in association with SKY, produced by Lightbox. Directed by Ed Perkins; produced by Simon Chinn and Jonathan Chinn; editors, Jinx Godfrey and Daniel Lapira; co-producer, Vanessa Tovell. For HBO: coordinating producer, Anna Klein; executive producers, Nancy Abraham and Lisa Heller.


The precise moment I realized what was happening in the opening footage of The Princess, my blood ran cold. The tragedy of Diana, Princess of Wales is something I’ve always held close to my heart. I remember the morning of her death like it was yesterday. My mother entered my bedroom, speechless, holding up the headline on the front page. I had Princess Diana paper dolls as a child. The booklet contained a replica of the crown she wore at her wedding. I mourned her like so many across the globe, understanding her cultural impact even more as my father and I watched her funeral live. I’d never seen him weep before that day. 

The film chronicles Diana’s life in the media from the days before her engagement until her horrific death. There are no talking heads, no overarching narration, simply thousands of hours of archival footage edited together with care and great intention. Studying the body language of Diana, Charles, and the royal family is fascinating. The commentary comes in the form of media voiceovers that are equally adoring and scathing. Feeling as if we know Diana and understanding the revelations that have since come to light, I was seething as I witnessed the treatment of an uncaring husband and the fickle media. 

The score is breathtaking. The editing is an award-worthy triumph. Watching the downward spiral of a young woman thrown to the wolves is daunting. I found myself shaking my head, filled with sadness and anger at those who failed spectacularly to protect her. And therein lies the double-edged sword of this film. Our obsession with a woman so special and fascinating makes us accomplices. The Princess is a cautionary tale as relevant today as it was then. Maybe more so. Harry and Meghan deserve more respect than we ever showed his mother and equal parts adoration for the change they are trying desperately to implement in a family stuck in the dark ages. We, the audience and fellow human beings, must remind ourselves to take a step back and let them live their lives in peace. 

HBO ORIGINAL DOCUMENTARY THE PRINCESS 
Debuting SATURDAY on HBO & HBO Max (8:00-9:50 p.m. ET/PT)

Fantasia International Film Festival is back with its 26th edition to rescue us from reality. Here’s what we’re excited to see! #Fantasia2022

It’s no secret that all the best genre films come through Fantasia Film Festival. 2022’s fest comes just in time to distract us from all the actual horrible things happening in the world.

Welcome to a list of things we’re excited about playing this year. Some are already on our best of the year lists and some we anticipate adding. Check out our picks below.

For all things Fantasia Film Festival 2022 stay tuned to Reel News Daily with some special posts from our friends at Unseen Films


Six films we’ve seen at previous festivals and their reviews can be found below. Highly recommend each of them for a myriad of reasons.

Next Exit
Legions
Sissy


Honeycomb
Hypochondriac
Speak No Evil (One of the year’s most brutal films)



FREAKS OUT (Italy)

– Dir: Gabriele Mainetti

Rome, 1943. A pack of sideshow performers with supernatural powers face off against occupying Nazis in the most unusual superhero film you will ever see. This fantastical and gutsy celebration of the different that walks an electrifying tightrope between blockbuster filmmaking and edgier, more subversive genre work. From the director of THEY CALL ME JEEG. Winner of the Leoncino d’Oro at last fall’s Venice Film Festival. Canadian Premiere. 

Sounding like a genre fan’s wet dream, FreaksOut is a priority watch this year.



Princesse Dragon

Bristle is a little girl raised by dragons. But when her father, Dragon, has to pay the Sorcerog using his second most valuable asset, he offers her Bristle – Throwing her into an infinite sadness and forcing her to flee the family cave. Bristle then embarks on a journey to discover the world of men.

Feminist anime? Give it to me all day, every day.


Polaris

Set in 2144 against the harsh backdrop of a frozen wasteland, Sumi, a human child raised by Mama Polar Bear, narrowly escapes capture from a brutal Morad hunting party and sets out across the vast winter landscape. When Sumi stumbles across Frozen Girl, an unlikely friendship is forged and together they race ahead of the vindictive hunters towards the only guiding light Sumi knows, the Polaris star.

All female-led opening film. Sold.


One Cut of the Dead

(French remake of the cult classic)

After opening this year’s Cannes, FINAL CUT (Coupez!), Michel Hazanavicius’s riotous remake of Shinichirou Ueda’s ONE CUT OF THE DEAD, is coming to North America. Starring Romain Duris, Bérénice Bejo, Grégory Gadebois, Finnegan Oldfield, Matilda Anna Ingrid Lutz, and Yoshiko Takehara reprising her beloved role from the original film as a producer, this hilarious ode to the do-or-die spirit of filmmaking is a joy to behold. It is especially noteworthy for the film’s North American journey to be starting at Fantasia, as the festival was among the first to popularize the original Audience Award-winning ONE CUT OF THE DEAD in the West. Poetically, Ueda’s latest, POPRAN, will also be having its North American Premiere at the festival this year. Bet your viewfinder that FINAL CUT is going to bring the house down in cheers. North American Premiere.

Without knowing the original, the buzz around this remake is out of this world. Will it live up to its predecessor? I guess we’ll all find out together.

Huesera

Pregnant with her first child and consumed by terrifying visions, Valeria (Natalia Solián) believes that she may be cursed by a supernatural entity. A brilliant and frightening breakout debut as important as Jennifer Kent’s THE BABADOOK, HUESERA firmly announces Mexico’s Michelle Garza Cervera as one of the leading new voices of the genre. A scorching personal vision that asks complex questions with ferocious honesty, this profound, nightmarish blessing comes to Fantasia hot off its award-winning Tribeca launch and is already one of the most talked-about genre works of the year.  Canadian Premiere. 

A big winner out of Tribeca 22, this is a slick film tackling identity and motherhood in a surprising way. If you’ve ever been pregnant and didn’t love every single second of it, this one will cut extra deep.



Bodies, Bodies, Bodies

Also screening as part of Fantasia’s closing night events will be Halina Reijn’s wildly entertaining and gloriously twisted BODIES BODIES BODIES. A party game leads to murder when young and wealthy friends gather at a remote family mansion in this instant classic comedy horror joyride that maintains a taut balance of uneasy tension and wicked humor. Starring Amandla Stenberg (THE HATE U GIVE), Maria Bakalova (BORAT SUBSEQUENT MOVIEFILM), Myha’la Herrold (INDUSTRY), Rachel Sennott (SHIVA BABY) and comedy superstar Pete Davidson. Special Screening.

When people cannot stop talking about a film, you know you have to see it. Coming to theaters August 5th.

 DIRECTOR: Halina Reijn CAST: Amandla Stenberg, Maria Bakalova, Myha’la Herrold, Chase Sui Wonders, Rachel Sennott, with Lee Pace and Pete Davidson


Piggy

Laura Galán appears in PIGGY by Carlota Pereda

During the sweltering summertime of rural Spain, Sara carries an extra load of teenage agony due to the perpetual bullying from her peers. She’s also an outsider at home—her parents and little brother just don’t understand her—so, feelings internalized, she’s often found buried in her headphones, drowning out her surroundings. One day, Sara’s usual solo dip at the local pool is disrupted by the presence of a mysterious stranger in the water and an exceptionally grueling bout of abuse at the hands of three girls. But, in a strange twist of fate, along the way home Sara witnesses her bloodied tormentors being kidnapped in the back of the stranger’s van.

Another buzzy title, this one focusing on mean girls and morality is a star vehicle for actress Laura Galán.


The Pez Outlaw

Steve Glew spent the 1990s smuggling rare pez dispensers into the USA from Eastern Europe, making millions of dollars. It was all magical until his arch-nemesis, The Pezident decided to destroy him.

Who wouldn’t want to watch a film about rival pez dispenser smugglers is really the question.


Everybody Goes To The Hosptial (short film)


Based on a true story, EVERYBODY GOES TO THE HOSPITAL is a stop motion animated exploration of physical, psychological, and familial trauma, telling the tale of 4-year-old Little Mata (writer/director Tiffany Kimmel’s mother) as she’s taken to the hospital in late 1963 with appendicitis.

This is s personal pick for me, as someone traumatized by hospitals more than once in my life. The first time was when I was diagnosed with appendicitis. Check out a teaser here.


For all things Fantasia 2022 stay tuned to Reel News Daily with some special posts from our friends at Unseen Films.


 

Review: Shannon Alexander’s candid covid dating doc ‘Sex, Love, Misery: New New York’ has a title that says it all.

Synopsis:
Swiping. Dating. Ghosting. Have you wondered what was really going on in your date’s head? “Sex, Love, Misery” reveals candid thoughts and encounters between singles looking to mingle or marry, from initial texts to hook ups and beyond.


Dating in the city was a complicated nightmare when I was in college. That was 20 years ago now. I do not envy Millenial/Gen Y’s attempts to find love nowadays. Certainly not with the complexities of COVID added into the mix. Filmmaker Shannon Alexander gives audiences a new documentary, SEX, LOVE, MISERY: NEW NEW YORK, in which he follows six people navigating relationships with one another during the pandemic. An up-close and personal confession booth through the lens of modern dating, which may incorporate products like a strong g-spot vibrator, manages to be fresh and timeless all at once. 

The film follows Troy, Camilla, Jack, Izzie, Aisha, and our French transplant Emile. The openness these young people have with Shannon speaks to the power of his humanity. They feel comfortable sharing their most intimate thoughts and insecurities. They are totally unfiltered. It is their willingness to take chances that creates an engaging viewing experience. Go to the fling review website whether it is a fling you’re looking for or a serious relationship.

There are glaring differences in communication. Hearing each reaction to the exact same date is eye-opening. The assumptions made about one another by the forms of communication and interaction are like watching a modern-day version of the HBO docu-series Taxicab Confessions. If you don’t know what that is, let me explain. From 1995 to 2006, the cable network aired a show that featured hidden camera conversations from the back of a cab. Often sexual, it was a series that aired late at night and was one of a kind. SEX, LOVE, MISERY feels similar, except that our six subjects speak directly to Shannon in true cinéma vérité style.

What makes SEX, LOVE, MISERY so intriguing is even though these people are ten to fifteen years my junior, I know them. I was them. We all were. SEX, LOVE, MISERY: NEW NEW YORK is a fantastic proof of concept. I would watch this expanded into series form in a New York minute.


Sex, Love Misery: New New York is a light-hearted/comedic piece covering dating and relationships in NYC during the pandemic,
now streaming on TubiTV.

Review: ‘GIRL IN THE PICTURE’ is Netflix’s most heinous true crime documentary to date

One hell of a mystery! With clues and revelations spilling off the screen like Niagara Falls, Girl In The Picture is another phenomenal entry into Netflix’s true crime genre. The unusual death of a young mother named Tanya and the subsequent kidnapping of her son, what would unravel from those two events would be one of the craziest stories of abuse, fraud, and terror.

Filmmaker Skye Borgman sits down with Sharon Marshall‘s friends from high school. Intelligent, sweet, and determined, she had her life planned out. A promising future as an engineer with a full-ride scholarship, everything changed when she found out she was pregnant. Her father whisked her away on a journey that would lead investigators into a world of heinous crime and abuse.

Borgman delves into the mind of a serial killer. His crimes date back further than anyone expected. He’s a vile individual. But, like many criminals with a penchant for abuse, it’s cyclical. Hopes of discovering Sharon’s origins grew like gangbusters in the early 2000s with the publication of investigative journalist Matt Birkbeck‘s book “A Beautiful Child.” A break in 2005 broke open an entirely new mystery. The hits keep on coming.

With a mix of interviews, photographs, recreations, archival footage, and slick transitions, Girl In The Picture is a heart-pounding and nauseating watch. The how and why will blow your mind. You will have no idea where this story begins or ends. It is one of the most sinister stories I’ve ever heard. Watch as friends and the police unravel the chaos around Sharon, her son, and the man that made their lives a living nightmare. The amount of information in this film could have easily been an entire series. Trust me when I say you will be relieved it isn’t.


Girl in the Picture is only on Netflix on July 6th.

Directed by: Skye Borgman
Source Material: Matt Birkbeck
Produced by: Jimmy Fox
Executive Producers: Matt Birkbeck


The jaw-dropping true crime story of a search to solve a 30-year-old mystery: who was Sharon Marshall, and why was her real identity unknown to everyone – even her?

In his international bestseller A Beautiful Child and its follow-up, Finding Sharon, award-winning investigative journalist Matt Birkbeck told the heartbreaking story of a brilliant and beautiful teenager known as Sharon Marshall. Caught in the twisted web of the monster she called her father, Sharon wasn’t her real name.


Tribeca 2022 review from Unseen Films: ‘HALLELUJAH: LEONARD COHEN, A JOURNEY, A SONG’ is out now!

HALLELUJAH: LEONARD COHEN, A JOURNEY, A SONG (2022)

One of the great films playing Tribeca this is a look at Leonard Cohen through the song Hallelujah. It took him seven years to finish it enough to record it and then it took a long path to discovery and rediscovery along a path that resulted in many versions (he wrote at least 180 verses) and many hits.

The audience I saw this with was crying. Yea it’s about a song, but it’s also about a man’s quest to find his place in the universe. It’s a moving tale of more than any one thing. It’s a film that reveals to us our lives as lived and sung by other people. Everyone saw themselves up there.

I was rocked to my core.

This film spoke to me on a deeply personal and spiritual level and I came out loving the song and it many versions even more. It also made me very sad I could never have sat down and talked to Cohen about life and his journey.

Go see it.

One of 2022’s best



Directed by: Dan Geller and Dayna Goldfine Selections: Venice Film Festival, Telluride Film Festival, Tribeca Film Festival, and more Featuring: Leonard Cohen, Jeff Buckley, John Cale, Brandi Carlile, Eric Church, Judy Collins, Bob Dylan, Glen Hansard, Sharon Robinson, Rufus Wainwright, and many others Synopsis: HALLELUJAH: Leonard Cohen, A Journey, A Song is a definitive exploration of singer-songwriter Leonard Cohen as seen through the prism of his internationally renowned hymn, “Hallelujah.” This feature-length documentary weaves together three creative strands: The songwriter and his times; the song’s dramatic journey from record label rejection to chart-topping hit, and moving testimonies from major recording artists for whom “Hallelujah” has become a personal touchstone. Approved for production by Leonard Cohen just before his 80th birthday in 2014, the film accesses a wealth of never-before-seen archival materials from the Cohen Trust including Cohen’s personal notebooks, journals and photographs, performance footage, and extremely rare audio recordings and interviews.