
Dear…
One person’s story can change the world. From Emmy-winning filmmaker R.J. Cutler, this ten-part docuseries profiles game-changing icons and the people whose lives they’ve inspired.
Dear… is a brand new docuseries featuring letters to some of the most influential people of our time. These fan letters affect the reader as profoundly as the author. ‘DEAR…’ explores the histories of our subjects, what inspired them to be artistic, brave, and to step into the unknown. Like each letter illustrated, the series is one of a kind, and having a good TV to watch it is important, as you can also get a standing tv mount for purposes like this.
Episode 2:
Lin-Manuel Miranda understood that if you don’t tell your story, someone will do it for you in a way that might not be as authentic. He talks about creating In The Heights and literally changing the face and sound of musical theatre. He learned how to say, “No”, and how to wait for the right opportunity. Finally, Latinos were able to see themselves onstage. His fans’ letters speak to the ability to celebrate their heritage. Wait until you see how and where he shares the first 16 bars from Hamilton. Through this show and his subsequent speech at the Tony Awards, he gave renew voice to the LGBTQA+ community. Love is love is love is love is love.
Episode 6:
Jane Goodall is a huge figure for someone so small in real life. What she has done for research and extinction awareness is a gift to the Earth. In her Dear… episode, her letters tell the stories of other people and their journey to protect the planet and its creatures. Jane’s love of animals and Tarzan inspired her to study Africa. Footage of Goodall in 1960 in Tanzania in search of chimpanzees is gorgeous. Thus began her life’s work. Her fans span generations, creating foundations, becoming conservation activists and journalists, mentors, and environmentally progressive teens. Her message through Roots and Shoots is about encouraging each child to be part of the solution and have the courage to raise awareness to those who don’t understand the effect humans have on climate.
Episode 7:
Big Bird, yes our giant 8-foot tall Sesame Street herald, has his very own episode of Dear… Big Bird is technically only 6 years old, but he’s been around since the incarnation of Jim Henson and PBS’ children’s series in 1969. Children follow the social-emotional growth of someone just like them. In 1982, the actor who played Mr. Hooper passed away, and Sesame Street used it as an opportunity to teach young kids about death. Whenever major events happen in the world, Sesame Street deals with them head-on using Big Bird as their universal child. He shows the same vulnerability that a viewer would. His letters are from the adults that grew up with him. With 2 toddlers of my own, we watch Big Bird learn new lessons every day. He teaches them how to be a good friend, how it’s ok to make mistakes, and how to be accepting of those who are different from us. Now that Sesame Street has Julia, a character with autism, my connection with Big Bird is stronger than ever. I am a Mom with a child on the spectrum. He has taught us that being yourself is the best way to be, that would celebrate how special and unique each of us truly is. In a way, this review is my very own letter saying Thank You for continuing to teach us all.
DEAR… also showcases the lives and letters of Spike Lee, Aly Raisman, Misty Copeland, Oprah Winfrey, Yara Shahidi, Jane Goodall, Stevie Wonder, and Gloria Steinem. The beautiful juxtaposition of the authors’ letters dramatized while reading them is stunning. You’ll have chills. The show is hopeful and real. It’s incredibly well done. It’s a series we need right now, in this moment of history. DEAR… can be seen beginning June 5th in its entirety on Apple TV+.


If I’m being honest, when asked to review this film, I wasn’t able to name a single Linda Ronstadt song. Growing up, The Beach Boys and Carole King were on constant rotation in Mom’s station wagon tapedeck. How then, 40 years later, was I recognizing so many hits from a woman whom I assumed was a country singer when I heard her name? Clearly I was mistaken. This film was a reeducation, and boy am I glad for it. In watching Linda Ronstadt: The Sound of My Voice I came to realize I have always been a fan.
Linda Ronstadt’s extraordinary rise to fame is almost like a fairytale. Her incomparable voice quickly rose her from the LA club scene to a record deal. She broke genres and records along the way. Her intellect and wit were evident in the way she promoted herself and other female artists. She was fearless in calling out the toxic masculinity that was rock up until that point. Her vocal range was unmatched by almost any other artist. When a producer told her not to make a certain album, she went ahead and did it anyway… and usually won awards for it. Linda Ronstadt is someone to be respected and amazed by. You can tell, simply by the number of industry stars that participated in sit down interviews (Cameron Crowe, Bonnie Raitt, Dolly Parton, Don Henley, to name a few) what an impact she made in her long and successful career. Without even knowing it, I’ve been a Linda Ronstadt fan through Blue Bayou, Don’t Know Much, A Different Drum, Rescue Me, Desperado, When Will I Be Loved, You’re No Good, It’s So Easy To Fall In Love, and many many more. She is someone I can look up to as a performer and as a woman. Linda Ronstadt: The Sound Of My Voice is a stunning lesson in music history. You will find yourself singing along and living in the music just as Linda does.
Lucky for audiences, LINDA RONSTADT: THE SOUND OF MY VOICE At-Home Movie Night with BrightFocus can
The open ocean intimidates the hell out of me since my biggest fear is drowning. Am I afraid of walking under ladders and breaking mirrors? Guilty. Have I grown up to believe in fairy tales and old wives’ tales? Absolutely. Does my very own sister work in the maritime industry? You’re catching on here. Sea Fever exists to torment me.
Hermione Corfield plays Siobhán, a Ph.D. student placed on a fishing boat for her studies. What she lacks in interpersonal skills, she makes up for in brains and intuition. Battling the folklore of the sailors on board, she is faced with a creature of unknown origins that has an agenda of its own. The cast has instant chemistry and the setting of a confined and creaking ship makes for a skin-crawling experience on its own. Adding a “sea monster” element and all that comes with it makes for both a tragic and truly terrifying viewing experience. You will live in the claustrophobia of the scenario. The sound editing and cinematography combined with a cast doing complete justice to writer/director Neasa Hardiman‘s script is the perfect storm for scary. 


The chemistry between Alexandra Daddario and Maddie Hasson is off the charts cool. You’ll find yourself rooting for something you never thought you would because it’s entertaining as hell, no pun intended. The kills are fun, which always sounds weird no matter how much horror I consume. We also get everything 80’s you ever wanted, iconic tunes, over-the-top decor, bitchin’ cars, big hair, and cocaine. It’s no surprise that with a team of Marc Meyers and Alan Trezza, We Summon The Darkness has, at the very least, sequel potential. 















Performances are eerie and amazing. Genre legend and timelord extraordinaire, Barbara Crampton plays a motherly figure looking after Marisol and her newborn baby. She sets the tone for the remainder of the film with her saccharine-sweet smile and creepy overbearing politeness. She is outstanding. Martha Higareda is the real wow factor. You are rooting for her the entire way and hope she gets everything she seeks. Her IDGAF survival attitude is pure magic. The script is edgy and brings a major creep factor that gets under your skin. The enhanced audio editing is a fantastic tool that heightens the inevitably squirming you’ll do while you watch. The story is one that will resonate with so many people living their own version of what is looking more and more like the American nightmare. This is a stunning debut feature for director Gigi Saul Guerrero and I know the industry, as well as Fantasia International Film Festival fans, can be excited for whatever comes next. 
It’s hard to believe there are have been 20 movies since Iron Man started it all in 2008. Crazy, right? Why not revise your favorites? All are available to rent or buy, but here’s where they can also be found with subscriptions:


FX (FXNOW app with a subscription from your service provider)
Syfy (Syfy app with a subscription from your service provider)
STARZ
Netflix
Just 1 year later, there are so many movies that are now available to stream from last year’s Tribeca Film Festival. There’s something for everyone in here whether it be the young women who dreamed up Frankenstein or a desperate man stopping at nothing to save his child.
All About Nina (2018)
Duck Butter (2018)
Mary Shelley (2018)
O.G. (2018)
The Party’s Just Beginning (2018)


Coming to terms with the explanation of his mother’s untimely death, Alex turns to spiritual contact after the relationship with his father breaks down. As a student of metaphysics, Alex learns of the “scientific” premise of astral projection—the ability to project your spirit into an unseen spatial dimension. Attempting to astral project, Alex becomes plagued by shadow spirits—malevolent entities vying to enter his body to access our world. Alex soon learns that he is not the only member of his family to have been besieged by such beings, as his mother’s dark past is brought to his attention.
The pace of the film is a mystery. By that I mean, it has the feel of a slow and steady burn but in reality, the time passes really quickly. Which is sort of ironic when you consider the editing of a few scenes. You’ll have to watch to see what I mean by that. I was fully engrossed the entire run. Admittedly, the plot went in an entirely different direction than I was expecting which is always refreshing. At first, I thought it was going to be a typical setup of students and professor engaging in some private and shady experiments outside of the classroom but it has none of that. Then you think, well maybe it will a bit Flatliners inspired. Wrong again. Bravo for not falling into any of those traps. With Astral, there is very specific CG and used rather sparingly throughout the majority of the film. The effectiveness of the CG is impactful and it’s all that’s needed to build up the suspense. The film’s believability rests solely with our leading man, Frank Dillane. He happens to be my favorite actor from Fear The Walking Dead and he does not disappoint here. His natural ability to make you feel comfortable is pretty astounding. You genuinely root for him. Astral does an amazing job at making you feel on edge. The ending is worth the wait and the familiar occult historical references give it nicely grounded feel. Is astral projection the new Ouija board? Maybe.






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