Review: ‘Standing Up, Falling Down’ a Bona Fide Winner

It seems strange that Ben Schwartz (of Jean-Ralphio Saperstein from Parks & Recreation fame) had two films that opened on back-to-back weekends and they couldn’t be more different. The first, the much maligned Sonic the Hedgehog opened HUGE and took home the box office crown the past two weekends. The other, Standing Up, Falling Down, opened to much less fanfare but is the far more interesting of the two.

The film gives us the story of Scott Rollins (Schwartz), a down on his luck comedian living in LA who gives up on his dream of making it big the comedy world and comes home to Long Island to reset his life. Of course, like many who set off in the way of Horatio Alger and head west, Scott hangs his head in shame as the prodigal son returns home broken. He’s greeted half-heartedly by his father (Kevin Dunn) and enthusiastically by his mother (Debra Monk) who is happy to have him home. Scott settles into his childhood room that appears no different than when he lived there as a child. Of course, the girl he left behind brokenhearted, Becky (Eloise Mumford), has since married and looms large in the whole scenario. Adrift and unsure of what to do with himself, he meets up with his friend Murph (Leonard Ouzts) at a bar and sees what his life would have been like if he played it like most do – wife, kids, house and all that comes with it. While in the bathroom, he runs into Marty (Billy Crystal), an alcoholic dermatologist who pisses in the sink then tells Scott he’s got a skin issue and he should come by his office to have it checked out.

After meeting up again at a wake, the two form a quick bond and open up to one another about the various things they’ve screwed up in their lives. Marty acts as a guide of sorts, helping Scott navigate the shit situation he’s steered himself into. Likewise, connecting with Scott helps Marty work through his own shit although it happens a little more circuitously.

What unfolds is not all that surprising, but it is a ride worth taking. I found myself incredibly invested in both characters. I know that if I had made a few different decisions in my life, I could easily have been Scott, aimlessly wandering hoping to latch onto that one thing that will make me whole. I’m sure we’ve all had those thoughts.

What really drives this film is the performances of both Schwartz and Crystal. Both have larger than life personalities that can be overwhelming (in a good way, of course). While I lament that there was no running over by a Lexus, Schwartz especially surprised me with his standout performance – subdued but charming and funny with spot on timing and delivery. I hope to see much more of this type of role for Schwartz. Crystal is a legend and he didn’t disappoint. Always able to balance humor and drama, he gives a performance that stands up with his best. Both actors were so relatable and they played perfectly off of one another that kudos are necessary to whomever cast them together.

This is a very satisfying film experience and well crafted by director Matt Ratner with a solid script written by Peter Hoare. Grace Gummer, Caitlin McGee, Nate Corddry and David Castañeda round out the great cast.

I would highly suggest catching this one if you can. It is still in theaters and available through various streaming sources.

Review: Sicario: Day of the Soldado (2018)

Sicario: Day of the Soldado

Theatrical Release: June 29, 2018

Run Time: 2 hours 2 minutes

Reviewed By: Reel Reviews Over Brews

Sicario: Day of the Soldado, begins a new chapter. The cartels have begun trafficking terrorists across the US border, federal agent Matt Graver (Josh Brolin) calls on the mysterious Alejandro (Benicio Del Toro), whose family was murdered by a cartel kingpin, to escalate the war between rival cartels. Alejandro kidnaps the kingpin’s daughter Isabela (Isabela Moner) to spark the conflict, but when the girl is seen as collateral damage the two men will have to decide what to do with her as they question everything they are fighting for.


I’d like to start by saying I loved the first Sicario. It had me on the edge of my seat from the opening scene and had my anxiety up to levels No Country For Old Men put me at. Easily a top 3 movie of mine. Anyway, when I heard they were making a sequel I was less than thrilled. I was worried it would take away from how good the first one was. However, since Sicario, I have been following Taylor Sheridan everywhere. Writing Hell or High Water and writing/directing Wind River with a new TV series Yellowstone. I liked them all. So of course I was checking out this one.

Sicario: Day of the Soldado brought the same intensity as the first movie. The action was raw and the acting was brilliant. Brolin and Del Toro are again, as good as it gets, in Soldado. Newcomer, Isabela Moner, was excellent as well. The movie turned out to be pretty politically charged with the immigrants at the boarder being the driving force of the plot. Soldado kept you on the edge of the seat throughout the entire movie. Just when you thought everything was going smoothly the whole thing flips on its head and all that was left to do was react. One of the most well done scenes comes as a group of terrorists enter a crowed store and blow it up. It is the few moments after the initial explosions that you see a mother and daughter slowly make their way to the door pleading the final terrorist not to do it. It is grip the seat kind of tension. And that is only one of many that leave you shocked. Taylor Sheridan leaves some loose ends for presumably a 3rd installment, which after seeing Soldado I can’t wait to find out what happens next.

Reel ROB Rating: 7.5 out of 10 stars

Post Credits Scene: No

We want to thank our friends at Reel News Daily for allowing us to do this guest review!