KING KNIGHT

SYNOPSIS: “Thorn (CRIMINAL MINDS’ Matthew Gray Gubler) and Willow appear to have it all as the revered high priest and priestess of a coven of new-age witches. But a secret from Thorn’s past throws their lives into turmoil and sends them on a trippy, hilarious journey.”
Committed coven leader Thorn is hiding a secret. How will his partner Willow and fellow coven members react when the truth comes to light? King Knight is a film about acceptance and growth against the backdrop of Wiccan comedy. Yes, Wiccan comedy.
Writer-director Richard Bates, Jr. flips the script on societal norms with a humor reminiscent of Christopher Guest’s films. King Knight has a killer ensemble cast. The eclectic nature of the members will make you grin, with each actor given their time to shine. A highlight performance comes from Barbara Crampton as Thorn’s mother, and it’s simply magic. The horror icon, who seems to appear in one film after another without a break, can do no wrong in my eyes. She is hilarious in her brief but memorable screentime.
Angela Sarafyan as Willow is delicious. She’s ethereal and grounded. Is she a practicing Wiccan? You could have fooled me. Her energy counters Gubler with the ease we needed. Matthew Gray Gubler as Thorn is fantastic. His dedication to the absurdity of the script draws you into King Knight. He’s suave and funny, and I want more of him on my screen. I would watch him dance any day of the week.
It’s easy to see why this was a Fantasia 2021 selection. The use of tarot cards as transition devices is super slick. Quirky and colorful animation adds another element of cool. Oh, the soundtrack is fire, as the kids say. While it struggles a tad from pacing issues, King Knight is a perfectly weird and fun film.
In Select Theaters, On Demand and Digital:February 17, 2022



In my humble opinion, horror must be enthralling to justify 2-hour runtime. Shudder’s latest original film,
Michelle Krusiec
Trauma, the Catholic Church, politics, mental health, justice, and sexual abuse,
The metaphor of a peloton is perfect. The lack of safety as Dave (mostly) rides alone represents every survivor who felt dismissed, who lived in fear, who kept it inside from childhood to adulthood. His unadulterated honesty and bravery connect people of all ages across the country. 

Episodes 1 -3
***Golden Nymph Jury Special Prize Winner – 2021 Monte-Carlo TV Festival***
Streaming Exclusively on Topic Beginning February 17th




Oscar® winner Jordan Peele disrupted and redefined modern horror with Get Out and then Us. Now, he reimagines the summer movie with a new pop nightmare: the expansive horror epic, Nope.
The film reunites Peele with Oscar® winner Daniel Kaluuya (Get Out, Judas and the Black Messiah), who is joined by Keke Palmer (Hustlers, Alice) and Oscar® nominee Steven Yeun (Minari, Okja) as residents in a lonely gulch of inland California who bear witness to an uncanny and chilling discovery.

















When a close-knit circle of private school friends attempts to request a makeup calculus test, things do not go as planned. Student Body flips the script, quite literally, on whatever genre you thought you were watching. In a film of consequences and crazies, surviving high school just became a lot harder.
Writer-director Lee Ann Kurr gives us two distinct genres by structuring the script as one half character development and the other half horror. The issue with the second half is pacing. The urgency is missing. There are 15 minutes between murders, a brief slump then the third. Then, it stops being cohesive at all. There’s an overall emphasis on safety. We know new locks and safety glass were installed as they make a point to highlight it over and over. Unfortunately, unless I missed it, there’s no president for the measure. As the generation who experienced Columbine, some of these details seem nonsensical. Bulletproof windows and roll-down gates, but no classroom locks from the inside?
Ghosts of the Ozarks
Torb and Lucille’s (
The Pact
The sets and costumes are sumptuous. The dialogue is delicious and poetic, possessing a gravitational pull that is undeniable. The film’s intentionally steady and emotional momentum works its magic on you. 
The Spine of Night stars an all-star cast of Richard E. Grant (Can You Ever Forgive Me?), Lucy Lawless (“Xena: Warrior Princess”), Patton Oswalt (Young Adult), Betty Gabriel (Get Out), and Joe Manganiello (“True Blood”). The film was co-written and co-directed by Philip Gelatt and Morgan Galen King.


Boasting spectacular visuals alongside a riveting script from writer-director
As Cosmic Dawn guru Elyse, 

Is this some extensive gaslighting or is Molly still experiencing PTSD from her previous loss? The marrying of these two concepts is here perfection. For Molly, the idea of sitting idly by will drive her mad. A slow-burn mystery with striking cinematography, Knocking will make your head spin. The use of a go-pro-style camera during a climactic confrontation puts you in the manic state of Molly’s brain. It’s a wildly effective choice. Cecilia Milocci‘s performance is truly compelling. You are right there with her on this tumultuous emotional journey. It’s absolutely award-worthy.
With generational tensions you can cut with a knife, the power struggle screams off the screen. The script is carefully curated, with Irish pagan history weaved into the narrative. The tug of war between protection and control makes for a thoroughly engrossing watch. Do not get comfortable with this script. You are in for some gruesome twists. The sound editing creates another layer of fright. Brimming with scary good performances, it is the turn from Carolyn Bracken that will chill you to your core.
Bodies Bodies Bodies
Linoleum
Bad Axe
The Cow
Gabby Giffords Won’t Back Down
Bitch Ass
A Vanishing Fog (Colombia, Czech Republic, Norway)
DIO Dreamers Never Die
Sheryl
2nd Chance
61st Street
Awayy
All the Crows in the World (Hong Kong)
The Voice Actress (Japan, U.S.)
Warsha (Lebanon)
Long Line of Ladies
Angakuksajaujuq – The Shaman’s Apprentice (Canada)
Blink
Act of God
Before
I’m Here
Baby Tate – ‘Pedi’ / Director/Screenwriter: Norton
Lil Nas X – ‘Montero’ / Director: Tanu Muino
Don’t Breathe 2 Title Sequence / Company: Filmograph / Title Designer: Aaron Becker
WandaVision Main On End Title Sequence / Company: Perception / Creative Director: John LePore
(Hi)story of a Painting: The Light in the Shadow (United Kingdom)
Beatday – The Beginning – Mini VR Concert (Taiwan)
Madame Pirate: Becoming a Legend (Taiwan)
Niamh Dornan

Hirokazu Kore-eda (
Is it fair to categorize Air Doll as an unusual coming-of-age story? Perhaps, a story of enlightened consciousness would be better suited. Air Doll is yet another perfectly thoughtful addition to Dekanalog‘s collection of films. It begs larger questions of existence and life, exploring the meaning of happiness on a grander scale. The film’s evolution is endlessly surprising. You won’t be able to look away. Air Doll is truly something special.
Brimming with trauma, Slapface is a unique horror. Bullying, neglect, and violence swirl to create a horrifying tale of a child reaching out for love. Writer-Director Jeremiah Kipp forces us to ride a rollercoaster of emotions that just keeps going around and around. If you’ve been searching for something unlike anything you’ve seen before, Slapface should be top of your list.

My final film for Sundance was NAVALNY about the Russian opposition leader whom Putin had poisoned with a nerve toxin that if administered correctly shuts off all of your nerves, killing you in a way that looks like a natural death because it dissipates quickly from the body. The film is an examination of the poisoning by various places including the excellent Bellingcat coupled with a look at Navalny’s career.

The majority of the acting is pretty hammy. There are disaffected or stagey line readings. But, two standout performances come from Destini Stewart as Leader and Henri Gillespi as PJ. Also, make sure you stay through the credits. It’s worth your time.
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