Review: ‘COLONIA’ holds you captive.

Colonia Poster

How far would you go for love? Would you risk your life to save another? Based on true events, COLONIA is a harrowing thriller that follows the attempted escape from one the most bloody and disturbing cults in history.

SYNOPSIS

Florian Gallenberger’s historical thriller, set around the Pinochet coup in 1970s Chile sees Emma Watson’s (Harry Potter, Noah) Lena forced to undertake a dangerous mission when her boyfriend, Daniel (Daniel Brühl, Rush), is abducted by the Chilean secret police in 1973. Lena tracks him down to Colonia Dignidad, an anti-communist sect run by preacher Paul Schäfer played by Michael Nyqvist (Blomkvist in Sweden’s Girl With A Dragon Tattoo trilogy), where they plot an unprecedented escape.

Emma watson and Daniel Bruhl in ColoniaKnowing that the film is based on true  events makes it that much more intriguing and upsetting. With gloriously elaborate sets and pristine period costuming, the look of Colonia perfectly sets the tone as the story rolls along. Starting with vibrant colors on the political revolutionaries in Chile and turning dark and monochromatic once we arrive at Colonia Dignidad. The script is comprised of vast research on the part of Director Florian Gallenberger. Perhaps what is most disturbing is the fact that I’ve never heard about this happening. You’d imagine something so awful would be much more in the limelight. This is a small but brilliant window into a terrible point in human history.Michael Nyqvist and Emma Watson in The Colony (2015)Emma Watson is simply a more grown up and matured star now. Tackling a role in which a woman rescues her boyfriend is brave and important and not often something we’re treated to these days. Her grace on screen is timeless. Daniel Brühl, who I had the pleasure of meeting during the BURNT press conference last year, is nothing short of incredible. His presence is captivating. His role allows his to stretch his acting chops quite a bit and let me say, they are impressive. Michael Nyqvist is intimidating and frightening as  cult leader Paul Schäfer. You can feel the evil emanating off of him at the suggestion of child abuse in one key scene. He a truly scary. Daniel Bruhl in ColoniaColonia is successful as a love story and a political thriller. The film is now available to view via the streaming platform We Are Colony. You can view extras such as behind-the-scenes footage, interviews with the cast and crew, and production stills. Check out the trailer below.

Review: ‘SEATTLE ROAD’ paves a bumpy path.

Gravitas Ventures Logo

PRESENTS

SEATTLE ROADSeattleRoad PosterSometimes a film divides an audience right down the middle. Something so unique and deep that it either inspires a deluge of praise or a tirade of… well, let’s say “unkind words.” Writer/Producer/Director Ryan David‘s “relationship meets art” love story, Seattle Road has a great tagline:

Seattle Road explores the paradox of a couple’s love and the resentment that forms between two ambitious people.

Now that’s a film I can get behind. It sounds intriguing, with loads of potential. Unfortunately, for me, the tagline was far more clever than the film itself. If you’re going to tout a film with the word paradox, frankly I’m going to expect something wildly fantastic. What I got was some sort of millennial truth-telling, ridiculousness. Seattle Road bears resemblance to a student film with dialogue that is some of the most pretentious and eye roll inducing I’ve heard in a while. The heightened audio smacks just as false, combined with the disjointed time jumps. The film comes off as trying too hard rather than genuine. Julia Voth‘s portrayal of Eve is fickle and unlikable at every angle. I felt not a single ounce of empathy for the fact that her estranged father had passed away, or cared that she was shacking up with a guy she hardly knows in a house that doesn’t actually belong to her, all while crying “woe is me” and bitching about her self-importance. The ending literally caused me to say, “Are you kidding me?” at the screen.seattle-road Julia Voth

The only saving graces for Seattle Road lies in three things: Moments in editing, the music, and our leading man, Maximillian Roeg. Even with the editing being a point a contention for me, there are moments in the film that might as well be mini music videos from the late 80’s to the early 90’s. These are, without a doubt, the most visually interesting, only enhanced by the Music Supervision of Tracy McKnight. Great soundtrack. Finally, our Adam. Roeg is a strong presence in his timidity. As a commune raised artist trying to navigate a seemingly doomed relationship with his own personal demons, he has a quiet strength and I am very much looking forward to seeing him in future projects. If nothing else comes from Seattle Road, please let it be a platform for Maximillian Roeg to shine.

I do appreciate what Seattle Road was trying to do. It’s not a boring film by any means. It went out on a limb and tried something different. For me, the limb was awkward and weak. If you’re intrigued or feel the need to be contrarian, I invite you to watch Seattle Road this week and let me know what you think. For all I know, you may love it.

Available on Demand on all VOD platforms starting – June 24, 2016

Written & Directed by: Ryan David
Produced by: David Zonshine, Cynthia Graner, Ryan David
Cinematography by: Sandra Valde-Hansen
Edited by: Matthew Johnston
Music by:

Cast:

Dhani Harrison and Paul Hicks

Julia Voth (Supernatural, Bitch Slap), Maximillian Roeg (Dream Boy, Maneater), Kelly Lynch (Charlie’s Angels, Road House, Drugstore Cowboy), Daniel Abeles, Alan Nozick

Distributed by: Gravitas Ventures
Release Date: June 24, 2016
Running Time: 82 Minutes / NR

Review: ‘CAREFUL WHAT YOU WISH FOR’ puts Nick Jonas in the hot seat.

CAREFUL WHAT YOU WISH FOR 

Careful what you wish for posterIt’s probably safe to say that every young man’s fantasy would be to have an affair with a hot older woman. The age gap alone could cause all sorts of problems… especially if she’s married. In Elizabeth Allen‘s new film, CAREFUL WHAT YOU WISH FOR, the innocent boy next door gets more than he bargains for.
carefulwhatyouwishfor nick jonasHome for the summer holiday, brainiac Doug becomes entangled with the stunningly beautiful wife of his next door neighbor. Lena is in need of a rescue from a her controlling husband Elliot. Once drawn into a circle of deceit by from both husband and wife, Doug is determined to get her out from under Elliot’s thumb, all while indulging in a hot and heavy affair. Things go wrong pretty quickly. What’s a good kid to do when bad things find him?CarefulWhatYouWishForIsabelLucasNick Jonas is one hot commodity. His on screen presence is so natural it’s a wonder it has taken this long for him to land such a leading role. Nick easily carries the entire film on his shoulders. He has true star potential. After his success in Ryan Murphy‘s Scream Queens, Nick is not slowing down in establishing himself in the acting industry. Forget the days of The Jonas Brothers sugar pop image. Those days are long gone. Isabel Lucas plays the haunted Lena. Massive sex appeal and an elegant air, you know there is more lurking behind those sad eyes. Dermot Mulroney is scary as Elliot. Usually a lead in a rom-com role, it was nice to see him stretch his very capable acting chops. Careful_what_you_wish_for_Dermot MulrooneyCareful What You Wish For is a surefire noir. A total departure from director Elizabeth Allen‘s previous films. It’s in the same league at another Starz Digital fave of mine, Bad Turn Worse. Just when you think you know what’s going on, there is a twist, keeping you interested. While some of the peeks of nudity may seem cliche, but they are very much in line with building up the tension in the plot. No one will be complaining when they see Jonas shirtless, that’s for damn sure. His audience will go nuts.


In Theaters and On Demand June 10, 2016

Starring: Nick Jonas (Goat, FOX’s “Scream Queens”)
Isabel Lucas (Transformers: Revenge of the FallenRed DawnImmortals)
Dermot Mulroney (My Best Friend’s Wedding, Showtime’s “Shameless”)
Graham Rogers (ABC’s “Quantico”, Love & Mercy) 
Paul Sorvino (Goodfellas, Romeo + Juliet)

Directed by: Elizabeth Allen (Ramona & Beezus, Aquamarine)

A steamy thriller set in a wealthy vacation community, CAREFUL WHAT YOU WISH FOR is a story of seduction,  deceit and betrayal. The summer before he leaves for college a young man (Nick Jonas in his debut lead performance) begins an affair with the beautiful wife (Isabel Lucas) of his powerful investment banker neighbor (Dermot Mulroney). The plot thickens when a suspicious death embroils the young lovers in scandal.

RT: 91 Minutes
MPAA rating: R

DVD Review: ‘THE SPOILS BEFORE DYING’ is another hit for Funny Or Die and IFC


THE SPOILS BEFORE DYING 

Starring Michael Kenneth Williams, Maya Rudolph 
and Kristen Wiig

Available on DVD as of June 7, 2016

The Spoils Before Dying” showcases an all-star cast including, Michael Kenneth Williams (12 Years a Slave, RoboCop, “The Wire”), Maya Rudolph (“Saturday Night Live,” Bridesmaids, Big Hero 6), Kristen Wiig (“Saturday Night Live,” Bridesmaids), and Haley Joel Osment (The Sixth Sense, Pay It Forward). Produced by Funny Or Die with executive producers Will Ferrell, Adam McKay, Nate Young, Andrew Steele and Matt Piedmont, “The Spoils Before Dying” was written by Andrew Steele and Matt Piedmont (who also directed). “The Spoils Before Dying” is the second book, based on fictional famous author Eric Jonrosh’s (Will Ferrell) first best-selling epic novel The Spoils of Babylon. Season two from the “Spoils” franchise premiered on IFC on July 8, 2015, and includes six half-hour episodes.
maya rudolph and michael KENNETH WILLIAMSThe series centers on Michael Kenneth Williams as Rock Banyon, who becomes the prime suspect in the double murder of his occasional lover Fresno Foxglove (Maya Rudolph) who is found dead with another man. Panicked, Rock splits for Mexico where he reunites with his one-time big band singer Delores DeWinter (Kristen Wiig). With 72 hours to clear his name or fry in the electric chair, Rock and Delores embark on a dangerous quest for the truth that takes them into an abyss of sex, drugs, betrayal, and of course, jazz. While his world crumbles, Rock’s hard-charging manager Alistair St. Barnaby (Haley Joel Osment) pressures him to record a mainstream jazz album.

will ferrell TSBD stillFunny Or Die can pretty much do no wrong in my opinion. Following up on the 2014 The Spoils of Babylon, The Spoils Before Dying is another total win. If you haven’t seen the first season in IFC, imagine a Sin City narrative combined with the Rodriguez/Tarantino Grindhouse schlock and add in the compressed timing of an SNL Digital Short (sort of, each episode is 30 minutes). Tough in our age of binge-watching, you can happily run through the entire series in the time it would take you to watch any other film, half as fun. The mock commercials stuck into the episodes are as completely tongue-in-cheek as the rest of the production. kristen wiig TSBDThe performances are off the rails hilarious. Will Ferrell reprising his role as Eric Jonrosh is pure insanity. His oftentimes linear thinking combined with overindulgence and narcissism is pitch perfect. Michael Kenneth Williams is a breath of fresh air as he takes on his role with (almost) complete seriousness. We all knew Maya Rudolf has a set of pipes on her, but I had no idea that Kristen Wiig can sing. And when I say sing, I really mean SAAAANNNNNGGGG. The songs are unapologetically ridiculous AND maintain gorgeous melodies. I would be remiss if I didn’t mention Haley Joel Osment, who steals each scene he appears in with total commitment and one over-the-top accent. With appearances by Tim Robbins, Kate McKinnon, Molly Shannon, Michael Sheen, Chris Parnell, Tim Meadows, to name a few,  you simply cannot go wrong with this series. The Spoils Before Dying is now available in DVD. Check out the trailer below!

Review: ‘THERAPY FOR A VAMPIRE’ is a glorious romp with bite.

 

Presents

THERAPY FOR A VAMPIREtherapy for a vampire poster

A Film by David Ruehm

Opening in New York and Los Angeles June 10th 

therapy fpo a vamp Freud and count

How long do you have to be a couple in order to know everything about the other person? A few months? A few years? Does your lover leave their socks on the bedroom floor instead of putting them in the hamper? Do they slurp their soup, even in public. Is their neediness just too much to bear sometimes? How long is too long to have to endure these annoying habits?  In the new festival favorite finally coming to theaters, THERAPY FOR A VAMPIRE, 500 years is enough.

Running Time: 87 minutes 

Vienna, 1932. Count von Közsnöm (Tobias Moretti) has lost his thirst for life, and his eternally long marriage to Countess Gräfin Elsa von Közsnöm (Jeanette Hain) cooled centuries ago. Fortunately, Sigmund Freud (Karl Fischer), with his innovative new approach to solving life’s existential problems, is accepting new patients. During their strictly nocturnal sessions, the good doctor suggests the Count appease his vain wife, desperate to see her own reflection, by commissioning a portrait of her by his assistant, Viktor (Dominic Oley), an aspiring painter. But it’s Viktor’s headstrong girlfriend Lucy (Cornelia Ivancan) who most intrigues the Count, convinced she’s the reincarnation of his one true love. Soon, the whole crowd is a hilarious mess of mistaken identities and misplaced affections in this send -up of the vampire genre, proving once and for all that 500 years of marriage is enough. 

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Writer/Director David Ruehm‘s script could not be funnier. The dialogue is filled to the brim with clever double entendre. Using Freud as a go-between was a massively ingenious choice, using his dream analysis and general beliefs as a backdrop for a film that is, in all accounts, about relationships and their deeper meaning. The story is a fantastical cat and mouse game, centered around longing, jealousy, boredom, and vanity. There is not a loose end when it comes to performances. For a brief moment, I tried to imagine an American version of this film and could not think of any other actors that would have done the roles justice. Tobias Moretti, as the Count, might very well be an actual vampire for all I know. His natural comic timing is a pure delight to watch. Jeanette Hain, as the Countess, is seductive and a sheer wonder to behold on-screen. Cornelia Ivancan, as Lucy, is effortless in her 1930’s ingenue look and quirkiness. Dominic Oley‘s portrayal of Viktor is dashing and adorable all in one, as a man who idolizes his restless lover. Karl Fischer, as Dr. Freud, is genuinely funny and endearing. The cast’s chemistry is immaculate from end to end. Vampire_-_2The cinematography from Austria’s preeminent DP Martin Gschlacht (Goodnight MommyOscar-nominated Revanche) is splendid. The sets are meticulous and the costuming is both period appropriate and completely innovative. I have nothing but absolute love for this film. If Wes Andserson ever made a vampire rom-com, THERAPY FOR A VAMPIRE might look something like the final product. The film has been making the rounds at film festivals for quite some time, and racking up awards as a result. No matter the state of your relationship, everyone, (living or undead) will relate to how the comedy plays out on-screen. The film is nothing short of brilliant.

Official Website: www.musicboxfilms.com/vampire 

Awards & Festivals

  • Winner, Audience Award – Fantasia International Film Festival
  • Official Selection – Zurich Film Festival
  • Official Selection – Sarasota Film Festival
  • Official Selection – Minneapolis / St. Paul Film Festival
  • Official Selection – Secret Film Festival, Santa Cruz

Reel News Daily Exclusive Clip: Go Behind-the-scenes of the WAR & PEACE mini-series coming to Blu-Ray May 10th.

Anchor_Bay_Entertainment_logoWar & Peace blue ray box artBBC recently produced a spectacular new adaptation of Leo Tolstoy’s timeless novel, where three young people experience life, love and loss against the epic backdrop of Russia’s wars with Napoleon. The 6 episode mini-series was filled to the brim with talented actors that included Lily James, Paul Dano, James Norton, Tuppence Middleton, and Jim Broadbent to name a few. With breathtaking period costumes and sweeping cinematography, Director Tom Harper has successfully created a magical adaptation that is as heart-rending and exhilarating as Tolstoy’s original work. Take a look at our exclusive clip of Harper and the cast at the very first read-through of WAR & PEACE.

WAR & PEACE

will be available on Blu-ray and DVD on May 10th from Anchor Bay Entertainment

Lily James as Natasha Rostov

Lily James as Natasha Rostov

Paul Dano as Pierre Bezukhov

Paul Dano as Pierre Bezukhov

James Norton as Prince Andrei

James Norton as Prince Andrei

Review: ‘3RD STREET BLACKOUT’ shines through the dark.

Paladin

presents

3rd street blackout poster

3RD STREET BLACKOUT

Opening TODAY April 29th

Co-created by and co-starring
Negin Farsad 
(“The Muslims Are Coming!,” “Nerdcore Rising,” TED Fellow)
and
Jeremy Redleaf
(Streamy Award Winner “Odd Jobs,” “Sesame Street”)

Also starring
Ed Weeks (“The Mindy Project”),
Phyllis Somerville (“Little Children”),
Janeane Garofalo (“Wet Hot American Summer”)
John Hodgman (“Pitch Perfect 2,” “The Daily Show”)
Jordan Carlos (“The Nightly Show”)
Sasheer Zamata (“Saturday Night Live”)

If you’re in your thirties, you can easily remember a time in your youth when IMing was mind-blowing, chat rooms were presented as a thing of fun and danger, and MySpace was the coolest new awesomeness to ever exist. Nowadays, we live and breathe by texting, messaging, tweeting, instagramming, you name it, but most of it is online and very little exists as person to person interaction. The convenience and commonality of our technological advances has, in a lot of cases, destroyed the way we communicate as human beings. Swiping right (or perhaps left? I’m not sure, I’m married) is the new way to “date”. Now don’t get me wrong, I have four very close friends who are now married because of Match.com, but have we become too reliant on technology to really connect anymore? 3RD STREET BLACKOUT tackles that very question in the funniest way possible.
3rd street still negin farsad and jeremy redleaf
Mina, a neuroscientist and TED-talker, and Rudy, an app developer, live life like any typical NYC couple today.  Texting, skyping, Netflixing and chillling their way through a seemingly healthy relationship. What happens when Hurricane Sandy rolls in and knocks out all of the power and signal, forces Mina and Rudy to confront a new conflict in old fashioned ways. Emoticons are no longer an option. Rudy escapes to Brooklyn to cool off while Mina flails in her own Manhattan environment. The two are lost without  the other and it’s not  until they break “social norms” and actually talk to one another does the problem get attention.
3rd street janeane garofalo and negin
The script is ultra intelligent and incredibly timely. I was genuinely laughing out loud the entire 87 minute run. It felt more like a sit down with my closest friends, drinking and thinking, and less like a formulaic Hollywood rom-com. The dialogue is a super natural and sailor-mouthed delight. The cast is outstanding. Co-writers/Directors/Stars, Negin Farsad and Jeremy Redleaf are fanatstic. With and “every-man” (and woman)  feel in their presence and NY attitude, I was with them from go. I would be remiss if I didn’t mention the comedy stylings of Katie Hartman. Hartman plays one of Rudy’s app developer cohorts and could not be funnier. I would watch an entire film about her character, any day. Overall, I was impressed by this charming indie, chock filled with great performances from hilarious cast. I look forward to seeing more from Farsad and Redleaf in the near future.

3RD STREET BLACKOUT opens today in  NYC!
About Negin Farsad
Though this is her first collaboration with Redleaf, Farsad previously produced, directed, and starred in the documentary hit, “The Muslims Are Coming!,”  which also featured Jon Stewart, Lewis Black, Janeane Garofalo and David Cross.  She also recently completed the feature, “Nerdcore Rising” starring “Weird” Al Yankovic and MC Frontalot.   In addition to being selected as a TED Fellow, she was named one of the “50 Funniest Women” by the Huffington Post, and her first book, a memoir/manifesto entitled “How to Make White People Laugh,” will be published this May, as 3RD STREET BLACKOUT expands nationally, by Grand Central Publishing, a division of Hachette. She has also written for and appeared on various shows on Comedy Central, BBC & IFC among others.
About Jeremy Redleaf
Redleaf is an Emmy Award winning actor/writer/director/producer who has created award-winning digital, transmedia, and experiential productions through his Brackets Creative shingle, including “Odd Jobs,” winner of “Best New Web Series” at the Streamy Awards, and “Best Writing” at the International Television Festival.  As a performer, he plays Gonnigan on “Sesame Street,” narrates numerous shows for MTV, and has appeared across television, films, and commercials.

Tribeca Film Festival Review: Audience Award winner, ‘HERE ALONE’ wrenches a mother’s instinct.

Tribeca Film Festival logo 2016here alone still tribeca

Being a new mom has had it’s toll on my brain. I’ve forgotten to eat. I’ve put the milk carton in the oven. I’ve gone days without showering or changing into socially acceptable attire. Being alone with an almost 4 month old baby all day makes your mind do/think weird things. Stir-craziness is very real. Isolation can ravage the senses. One the up side, this also means I have “a lot of time” (I know, I laughed as I typed that, too) to watch, or at least play films in the background. As a horror buff, I was excited about one film’s description in particular from this year’s Tribeca Film Festival Midnight Section, even if the plot sounded similar to ones that have cone before it. Like The Walking Dead, Rod Blackhurst‘s Tribeca World premiere HERE ALONE, is not about “zombies” but more about the people left behind.

After a terrible virus ravages human civilization, Ann finds herself living alone in a forest, foraging for supplies, and accompanied only by a radio that broadcasts a single transmission in French. Few animals even remain; the only survivors seem to be the roving hordes of infected creatures with a taste for human flesh. One fateful day, Ann crosses paths with two more survivors, Chris and Olivia. But after surviving on her own for so long, she struggles to relate to them and and their desire to settle down and start a new community.

here alone still chris and annAlmost entirely shot in the woods, our lead character Ann has only her vehicle and two small camps on a lake. Screenwriter David Ebeltoft’s immensely effective script, utilizes intermittent flashbacks to show us how Ann came to be on her own. Once traveling with her husband and infant daughter, the audience must allow themselves to be with Ann in the present in order to feel emotionally connected. She is smart and resilient. She has learned that practicality is the only way to survive. Her newly gained skills sometimes fumble, adding to the realism factor. The minute she allows her emotions to control her path, things are bound to go awry. When Ann stumbles upon Chris and his step-daughter Olivia, her motherly instinct may be her undoing. Two mindsets are at play; Stay put or keep moving. Which would you choose? Blackhurst’s use of nudity is never without purpose. There is no glamour factor here, which is much appreciated in the genre in general. Lucy Walters‘ lead performance is breathtaking. It’s not until the very end that we discover what happened to Ann’s daughter. That particular scene, which we know from the very beginning we’ve been building up to, is one of the most gut-wrenching I’ve seen on film. Maybe it’s the new Mommy hormones, maybe it’s Ebeltoft specifically crafted script, or maybe it’s the perfect storm of the two. I don’t think I have ever wept while watching a horror film until now. In a “what would you do?” scenario from hell, HERE ALONE tears your heart out and challenges how you think you’d react in a doomsday situation. When you’re down to your last bullet, it’s life or death.

HERE ALONE is one to catch. It may not necessarily be a new idea, but it is told from a fresh perspective. (Mothers be warned.)

Tribeca Film Festival Review/Interview: ‘DETOUR’ is a modern noir with two sides of one story.

Tribeca Film Festival logo 2016

detour, tye, emory, bel

Sometimes in life, a single instance, a momentary decision, is something we wish we could change. Thinking that if only you had said something else, gone the other way, chosen another path, your life might be completely different. These “what ifs” might haunt us but unless you’re a Time Lord there isn’t much you can do about them. That doesn’t stop us from wondering what life would be like. In a Tribeca Film Festival world premiere, DETOUR takes us on a ride that begs that very notion.

Harper, a seemingly naive law student, obsesses over the idea that his shifty stepfather is somehow involved in the devastating car crash that leaves his mother lying comatose in the hospital. He drowns his suspicions in whiskey and, with little forethought, finds himself suddenly entwined in conversation with a volatile grifter, Johnny, and his stripper companion, Cherry. As daylight breaks and the haziness of promises made becomes clearer, how will Harper handle the repercussions—and the violent duo—on his doorstep?

From director Christopher Smith (Creep, Black Death, Triangle), Detour is a stylized noir throwback with a trio of lead performances by of-the-moment actors: Tye Sheridan (Mud, The Tree of Life), Emory Cohen (Brooklyn) and Bel Powley (Diary of a Teenage Girl). Utilizing a unique split-narrative structure to tell his tale of deception and murder, Smith takes his audience on a twisty, thrilling ride, where it’s never quite clear what or whom can be trusted.

Detour-bel

The cast, comprised of Hollywood’s young up and comers Tye Sheridan, Emory Cohen, and Bel Powley, make this noir throwback as successful as it is. With suspicion and grief fueled motives and a $20,000 agreement, murder and mayhem are the goal. Powley, coming off her extraordinary breakout performance in Diary Of A Teenage Girl, is a stunning presence on screen. Caught somewhere between girl next door and Middle American white-trash, her quiet strength and sympathetic nature make the character of Cherry more intriguing than one might think. Emory Cohen, who was completely unrecognizable from his appearance in Brooklyn, takes on the role of Johnny with vigor. With a badass exterior, and hair trigger temper, Cohen’s  best moments are built in fear and protection. Tye Sheriden‘s Harper is whip smart and more cunning than at first glance. This young man is so incredibly comfortable in his own skin, he probably could have played Johnny had he and Cohen’s wardrobe’s been reversed. Detour-tye

Writer/Director Christopher Smith‘s script is sharp. While I knew about the multi-narrative plot going in, I wasn’t expecting to have to remain on my toes as much as I did. In fact, when I initially left the theater, I waxed poetic with a colleague for a good 25 minutes. The more I thought about it, the more I liked it. I would be remiss if I didn’t mention the glorious look of the film. Shot on wide-angle lenses in South Africa (which is skillfully made to look like a road trip from America to just across the border into Mexico), Smith’s choices of color and set dressing are key to the ever so slight differentiation in the two narratives. I completely agree with producer Julie Baines, who I was fortunate enough to run into during interviews, who backed up the notion that once you’ve seen the film for the first time, you’ll want to go back and follow the breadcrumbs knowing what you now know. That is exactly how I felt the morning after. I needed to see it again. Baines also reinforced the infectious chemistry between the three leads, both on and off the screen. Think a more complex version of Sliding Doors with a noir aspect. Detour is aptly named.

I was able to sit down with Tye, Emory and Chris over the weekend. You can listen to a spirited and totally down-to-earth interview below. Ladies and Gentleman, Tye Sheridan, Emory Cohen, and Christopher Smith on their new film DETOUR… (and other musings). Enjoy!

 

Remaining screenings at the fest are Rush only, but definitely worth trying to check out now!

4:00 PM – THU 4/21 BOW TIE CINEMAS CHELSEA 9Icon-fg-map RUSH
9:30 PM – FRI 4/22 REGAL CINEMAS BATTERY PARK 11-1Icon-fg-map RUSH

Tribeca Interview/Review: Razor sharp ‘Women Who Kill’ from NYC director Ingrid Jungermann

women who kilIn Women Who Kill, Morgan and Jean are an ex-couple who live together and host a podcast together on women serial killers in Park Slope, Brooklyn. When Morgan starts dating someone new, Jean suspects the mysterious, Simone, to be a serial killer herself. Original and hilarious, you never quite know what to believe.

The banter between Morgan and Jean is silly and witty. I really enjoyed seeing an ex-couple portrayed as people who are much better as friends than as lovers. It’s odd how often you don’t see that.

The term “first time director” is used to describe Ingrid Jungermann, who writes, directs and stars as Morgan, but she’s not a novice. She may be a first time feature director, but Jungermann has produced two different web series, The Slope and F to 7th with several A-list actors. She’s been writing and acting for over 20 years and you would never guess this is her first feature.

Episode 1: “Miserable Animals” from The Slope on Vimeo.

I got a chance to have a lovely conversation with Jungermann where we talked about everything from video stores to virtual reality. I felt an immediate connection with her after reading about her growing up in a small town and working in a video store. Both of us have a love for the escapism of the movies but unlike me, she pursued acting and directing to create her own movies.

Necessity is the mother of invention. Jungermann started acting in high school and when she realized that there weren’t many parts for her and her friends, she decided to create them herself.

I asked her what made her decide to go from short form to feature, she explains, “it was all part of the plan.” She also says, “the web series was a way for me to make my own rules and taught me about feature filmmaking.” During the second season of F to 7th, she was working on her feature and developing the three act structure.

I had never considered the difference between, but it’s all about structure. In her web series, F to 7th, each episode is about 5 minutes long and each play out as scenes as part of the entire series. They aren’t directly related, but are connected through the characters. Jungermann uses several of the stories and characters from the series in her feature, and it comes together brilliantly.

“I don’t think I really understood feature filmmaking until this film. But what I didn’t realize is how much I love web series.” She describes that she really couldn’t get a grasp on short films and when she discovered a web series option, she jumped at it.

Jungermann would also love to write a virtual reality comedy. She won me over she defended it saying that it won’t ruin movies, “it’s another dimension.”

Jungermann is working on a new sci-fi feminist thriller with Stewart Thorndike who directed Lyle (below) with Gaby Hoffman.


Also recommended was Krishna, which is playing in theaters in New York right now.

Review: ‘THEY’RE WATCHING’ and so are we.

THEY’RE WATCHING

A New Horror Comedy from Micah Wright and Jay Lender 

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Every Saturday, my husband and I sleep in as long as we can enjoying the bed and the mattress we got with one of those coupons for Nolah Mattress, wander out of bed after an hour of silent phone checking, and finally, migrating to the couch we turn on what we call “real estate porn”; international house hunting stories, flipping crappy property series, and how to buy a damn island in the middle of nowhere weirdness. We always make fun of the couples. One of them is usually a royal pain in the ass and the other is overly excited about a total piece a shit. Now that we’re getting into the Manhattan real estate game, we know the harsh reality of trying to purchase property in an impossible market. We’ve seen some real horror shows. But, nothing like in the new horror comedy THEY’RE WATCHING. If you own a real estate property like a parcel of land that you want to sell, you should get in touch with the right experts. We buy Kentucky land, providing property owners with a stress-free way to turn their real estate into cash without any delays.theyrewatchingstill2

When an American home improvement TV show visits a remote Eastern European village, the young crew thinks the lack of mocha lattés and free wifi will be the worst of their problems because they were going to teach these fixes you can do yourself. But after their filming interrupts the superstitious villagers’ private religious ritual, the situation takes a turn for the homicidal… and when the blood starts flowing, that’s when things get really weird. With THEY’RE WATCHING, noted graphic novelists and animators Micah Wright and Jay Lender turn a classic horror premise upside down to create a fresh, funny, eye-popping twist on the genre.

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The script is funny and absolutely tongue-in-cheek with both the premise and the FX. The performances from the ensemble cast are pretty tight all around. Think Blair Witch meets any of those programs on HGTV. The story kicks off during the mock series episode and picks up when the crew returns 6 months later to film the owner’s flip results. All hell breaks loose when the locals don’t take kindly to American attitude and accidental cultural disrespect. While I pretty much knew what was coming as the story rolled along, that didn’t take away from the unapologetic schlock/ blood filled ending that seemed to go on and on. If you’re an Evil Dead fan, They’re Watching will speak to your sense of comedy and visual carnage. Wright and Lender‘s backgrounds as graphic novelists and animators make this film what it is. By the time the film comes full tilt, I sort of felt like I was playing a first person video game with it’s cinematography style and true B-Horror classic slaughter-fest.  You can check out THEY’RE WATCHING today in theater and on VOD. Feast your eyes on the trailer below:

In Theaters and On Demand March 25, 2016

THEY’RE WATCHING from filmmakers Micah Wright and Jay Lender.  Starring David Alpay (“The Tudors”), Brigid Brannagh (“Army Wives”), Kris Lemche (Haven”), Carrie Genzel (“All My Children”) and Mia Faith (“Dracano”)

Runtime:95mins

Not Rated

Social Media:
Twitter: @theybewatching
Facebook: They’re Watching

Review: ‘BARNEY THOMSOM’ makes murder relatively complicated.

Gravitas Ventures Logobarney thomson posterDirected by and starring Robert Carlyle (The Full Monty, Trainspotting, 28 Weeks Later) in his directorial debut the film features Emma Thompson (Sense & Sensibility, Saving Mr. Banks), Ray Winstone (The Departed) and Tom Courtenay (Quartet).

Barney Thomson, awkward, diffident, Glasgow barber, lives a life of desperate mediocrity and his uninteresting life is about to go from 0 to 60 in five seconds, as he enters the grotesque and comically absurd world of the serial killer.

barney thomson robert carlyleRobert Carlyle is a real winner in his directorial debut. His portrayal of Barney is a wonderful mixture of neurotic, depressed, and pathetic Mama’s boy. A far cry from his Once Upon A Time role as Mr Gold. His skill as a director is plain to see. Barney Thomson has an upbeat and fun vibe. If you combined Baz Lurhmann‘s Strictly Ballroom, Richard Shepard’s Dom Hemingway, with a twist of Tarantino, you’ve got the eclectic style of Barney Thomson. Casting Emma Thompson as his mother, Cemolina, was pure genius. Their chemistry is unmatched. Wait until you see the prosthetics on Emma. The slightly overdone (and orange) nature of the makeup, creates the perfect backdrop for this larger than life character.

robert and emma thompson barney thomsonThe dialogue from Richard Cowan and Colin McLaren is quippy and hilarious. Utilizing the a beautifully absurd storyline combined with rapid fire Scottish rhetoric makes for the perfect combination in style and comedy. The soundtrack is incredible and Fabian Wagner‘s cinematography is stunning. It’s clear that Carlyle knows his stuff and I, for one,  look forward to any future endeavors. Barney Thomson is a hit.

BARNEY THOMSON On Demand February 2nd, 2016  and in theaters March 11th, 2016.

 

Directed By:                   Robert Carlyle (directorial debut)

Written By:                     Richard Cowan and Colin McLaren based on the novel by Douglas Lindsay

Produced By:                 John G. Lenic, Kaleena Kiff, Holly Brydson, Brian Coffey, Holly Brydson and Richard Cowan

Starring:                           Emma Thompson (Sense & Sensibility, Saving Mr. Banks), Robert Carlyle (The Full Monty, Trainspotting, 28 Weeks Later), Ray Winstone (The Departed), Tom Courtenay (Quartet)

Distributed by:             Gravitas Ventures

Running Time:              96 Minutes

Rating:                               NR

Review: EMELIE is a parent’s worst nightmare.

Dark Sky Films Logopresents

EMELIE

Directed by: Michael Thelin

Starring: Sarah Bolger (ABC’s “Once Upon a Time,” AMC’s “Into the Badlands” )

EMELIE poster

 In Theaters and On Demand March 4, 2016 

As a parent, all you want is for your family babysitter to care for your kids like you would.. When you do find a reliable sitter, you hold onto then for dear life. But what happens when, once in a  while, your beloved child care provider is unavailable? You might panic and start calling other parents for recommendations, but if you’re really lucky, your babysitter has an alternative option already in the pipe line. Evening saved, right? What if the kids don’t like them? They’re probably just overreacting. What if it’s for a good reason? EMELIE is a parent’s worst nightmare.

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As their parents head out for a date in the city, the three young Thompson children immediately take to their new babysitter, Anna (Sarah Bolger, Into the Badlands, Once Upon a Time), who seems like a dream come true: she’s sweet, fun, and lets them do things that break all of their parents’ rules. But as Anna’s interactions with them take on a more sinister tone, the kids realize that their caretaker may not be who she claims to be. Soon it’s up to big brother Jacob to protect his siblings from the increasingly nefarious intentions of a very disturbed woman whose weapon is trust, and whose target is innocence.

Featuring tour-de-force performances from Bolger and its three young leads, EMELIE is a multidimensional, nail-biting thriller that asks the question: how can you put an end to horror after you’ve already let it in?

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Sarah Bolger stuns as the babysitter from Hell. Soft and cool one minute and downright sociopathic the next. Her backstory makes her motives all the more incredible. Never is there a moment when you don’t feel beyond uncomfortable. You never know what she’ll do with the constant passive aggressive look in her eyes. It is completely terrifying. Scene stealer award goes to Bolger’s foil, Joshua Rush, as Jacob. He is perfect from beat to beat. It’s a complex role for any actor, let alone someone so young. Think a slightly older Jacob Tremblay from ROOM. That’s the quality Rush gives in Emelie. He deserves much more attention and I look forward to SEEING more of him in the future, as the majority of his current body of work has been voice. Director Michael Thelin has created a quite a roller coaster of  fear. I was off my game from the first frame to the very last. EMELIE will make any parent think twice about who’s really watching their children.

 In Theaters and On Demand March 4, 2016 

#EmelieMovie
@DarkSkyFilms

Interview: ‘Ava’s Possessions’ Director/Writer Jordan Galland & Actress Louisa Krause

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I’ve always been a fan of turning the tables on a familiar story or topic. A story from a different perspective is nothing new, but as with everything, it’s how you tell that story. Director and writer Jordan Galland‘s third film, Ava’s Possessions, focuses on what happens to a young woman immediately after being possessed. She has to answer for the crimes she committed, reconcile with people she wronged and figure out how to get her life back to “normal.” To aid her in her journey, she joins SPA, Spirit Possessions Anonymous, where she meets others in similar circumstances. With surrealistic imagery and a delightfully enchanting soundtrack, this film flows in between horror and comedy in a playful way.

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I got a chance to sit down with Ava herself, Louisa Krause, and Jordan Galland to talk about this unique film. It was clear that the energy on set was very collaborative and relaxed, and yet completely thought out. Jordan takes the role of leader seriously, but doesn’t get hung up on it. Louisa is so full of passion and talent, you feel like it could rub off on you.

Speaking with the two of them, I did my best to not ask the typical questions and really dig into the process of making a film. So often audiences have no idea what motivates the talented people who entertain them. Here are some of the highlights:

Jordan Galland

  • Took him 2 years to arrive at the right concept
  • Had an idea of Men In Black with demons, but was too big of an concept
  • Had an idea for using colors because of how constrained he was on his last film, Alter Egos
  • So many current horror films are desaturated and “there’s a bleakness to it.” Jordan wanted a totally different feel and the use of color was a perfect way to achieve that
  • When I asked about accounting for the audience watching on smaller screens, not in a movie theater, Jordan responds, “You have to fight it, not to. The fact of the matter is, sometimes it’s really hard to get a lot of wide shots. Shooting an indie film is hard. At night, it’s hard to light the whole background…it takes hours and permits and sometimes you don’t have those resources. Sometimes you do, so you choose your battles. That’s why close-ups are thought of as a very indie film trait. When you have a close up, it’s easier way to film the frame. For a movie like, It Follows, I feel like they put all their budget into lighting these beautiful backgrounds and filming so much in wide shots and I actually think that you have to not think for the iPhone or TV.”
  • “I think that’s the fun part, is educating yourself with the history of movies and how people achieved, moving, great, disturbing and unsettling images and not worry too much about the media. It’s still photography. Not “still photography” it is still photography ultimately. Until there’s 3D holograms telling stories. That would be a different approach.”
  • Original score by Sean Lennon, who has composed his other films as well.

Louisa Krause

  • “Had a blast doing the possession stuff.”
  • Jordan had her watch My Own Private Idaho with River Phoenix
  • When filming movies, rarely are they shot in sequence. Louisa likes to look at all the scenes in order to get a better idea of the character and how she is developing. “It’s faster than looking at a full script.”
  • When talking about the crew, “Everybody wants to be there, because of Jordan, Because of his energy and brain.”

Ava’s Possessions is available today on demand – on iTunes it’s $9.99, and in select theaters below

‘CABIN FEVER’ reboot leaves a familiar taste in your mouth.

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Presents

CABIN FEVER

A Film By Travis Zariwny

Executive Produced By Eli Roth

IN THEATERS FEBRUARY 12TH NEW YORK & LOS ANGELEScabin fever poster

In 2002, Writer/Director/Producer, Eli Roth, brought us the original Cabin Fever. I happened to be in college at the time and just finishing college. Already questioning the cleanliness of city dwelling, this film did not help. I  just kept hearing  Dave Matthews Band, “Don’t Drink The Water” over and over. Now, I know better. I tell out-of-towners that we have the best tap water in the country. In the wake of the Flint, Michigan disaster currently playing out in the national media, the release of Travis Zarwiny‘s reboot (With Roth as Exec. Prod) is both terrifying and timely. CABINFEVER2016REVFEAT

The set up is exactly the same. Five friends head to a remote cabin, man with flesh-eating disease contaminates the drinking water, people start to die. With a cast including Gage  Golightly (Teen Wolf) and Dustin Ingram (Paranormal Activity 3), the acting is strong. Shot over the course of 20 days in Oregon, this incarnation is pretty much the exact same script, save a few minor details; updated technology, weaponry, social media shout references, and some gender bending in a role. I was impressed with the practical effects in the original. Seeing how closely the reboot stayed true, oftentimes with shot for shot symmetry, there is one big uptake; gore factor. I thought you couldn’t possibly get any grosser than the first, and boy was I wrong. As a horror vet, even I had to look away for one moment in particular that I had been anticipating having to do with the character of Karen. I might just prefer the 2002 ending as I admit this version had me scratching my head a bit after the credits begin to roll. Anyhow, the reboot is a pretty good splatter-fest for those who weren’t treated to the original.

Executive producer Eli Roth presents this reboot of his instant classic gorefest, which features all new characters and all new kills. This story is familiar: fresh out of college, a group of five friends retreat to a remote cabin in the woods for one last week of partying- only to become snacks for a gruesome, flesh-eating virus. What’s surprising are the ingenious new deaths, which offer a fresh spin on a horror-comedy milestone. With Gage Golightly (Teen Wolf) and Dustin Ingram (Paranormal Activity 3).

Directed by: Travis Zariwny

Executive Produced by: Eli Roth

Starring: Gage Golightly, Dustin Ingram, Nadine Crocker, Matthew Daddario & Samuel Davis

IN THEATERS FEBRUARY 12TH NEW YORK & LOS ANGELES

Love never dies as ‘NINA FOREVER’ comes to theaters and VOD today.

Epic Pictures Presents

NINA FOREVER

Written & directed by Ben and Chris Blaine

nina forever poster

Just in for Valentine’s Day weekend, there is a new trailer and bonus clip from indie horror film Nina Forever.

HOLLY wants to save ROB, has fallen in love with him. She is training to be a paramedic and works a dead end job in a supermarket where Rob is the only remarkable thing; lost and angry since the death of his girlfriend NINA. Drawn into a relationship, the first time they’re in bed together so is Nina. A tangled and bloody mess of broken limbs, she is very much dead but still here, still talking, still angry…

However Holly doesn’t freak out and run – she is determined to be the one who heals Rob’s wounds. She can deal with the dead girl sharing their bed, their lives, their minds. If it’s what Rob needs, it’s what Holly will do, whatever the consequences…

It’s sounding like a potentially more successful film than the 2014 release of Burying The Ex, starring Anton Yelchin and Ashley Greene. Seemingly similar premise, but hopefully a bit more promising. Nina Forever has been a hit on the festival circuit following its premiere at the 2015 SXSW Film Festival. On their website, http://ninaforever.com/, they have created a Spotify playlist you can access featuring the film’s soundtrack. Great marketing ploy and a bit of extra fun for fans. Just released is a clip from the film. If this is any indication of how weird and wonderful the rest of the story will play out, count me in. Stay tuned to ReelNewsDaily later on today for our full review!

Nina Forever comes the theaters and on  iTunes/VOD and other digital platforms beginning today, Friday, the 12th. Happy Bloody Valentine’s Day, Everyone!

Two newly restored gems from AGNÈS VARDA and starring JANE BIRKIN now available on Amazon and on iTunes and Blu-Ray March 8th.

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CINELICIOUS PICS & CINE-TAMARIS PRESENT:

JANE B. PAR AGNÈS V.

and

KUNG-FU MASTER! 
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JANE B. PAR AGNÈS V.

“I’ll look at you, but not at the camera. It could be a trap,” whispers Jane Birkin shyly into Agnès Varda‘s ear at the start of JANE B. PAR AGNÈS V. The director of CLEO FROM 5 TO 7 and VAGABOND once again paints a portrait of a woman, this time in a marvelously Expressionistic way. “It’s like an imaginary bio-pic,” says Varda. Jane, of course, is the famed singer (“Je t’aime … Moi non plus”), actress (BLOW UP), fashion icon (the Hermes Birkin bag) and longtime muse to Serge Gainsbourg. As Varda implies, JANE B. PAR AGNÈS V. abandons the traditional bio-pic format, favoring instead a freewheeling mix of gorgeous and unexpected fantasy sequences.

Jane Birkin and Serge Gainsbourg in Jane B. par Agnès V. © Cinelicious Pics

Jane Birkin and Serge Gainsbourg in Jane B. par Agnès V.
© Cinelicious Pics

Newly-restored from the original 35mm camera negative, overseen by director Varda herself. The film has a quirky appeal. With a blend of personal narrative juxtaposed with fine art and Greek history, Birkin speaks of her life, fears, future plans. Varda leads her through a wondering maze of musing. It’s an unusual and unique peak into the mind of  both women.

Kung-Fu Master

KUNG-FU MASTER!

A lovely, bittersweet companion piece to JANE B. PAR AGNÈS V., KUNG-FU MASTER! has nothing to do with martial arts – the film’s title comes from an arcade video game played obsessively in the film by a teenaged boy, Julien (played by Varda’s real-life son with husband Jaques Demy). Jane Birkin delivers one of her finest performances as a lonely 40-year old woman who finds herself falling in love with the 14-year old Julien – but is it romance, or a desperate attempt to turn back time in the face of middle age? A real family affair, Birkin’s daughters, Charlotte Gainsbourg and Lou Doillon, her child with well-known filmmaker Jacques Doillon, also appear in the film.

Jane Birkin and Charlotte Gainsbourg in Kung-Fu Master! © Cinelicious Pics

Jane Birkin and Charlotte Gainsbourg in Kung-Fu Master!
© Cinelicious Pics

Long unavailable in the US, the film has been newly-restored from the original 35mm camera negative. The film is a perfect time capsule from 80’s French cinema. Addressing the AIDS crisis through nonchalance and jokes, capturing the effortless sensuality of Birkin, and highlighting the differences in the use of sexuality on screen in Europe Vs America. The performances are, as expected, top notch. The use of Birkin’s children is brilliant. The natural banter, even when the scenario might seem unnatural given the relation, is captivating. As a first time viewer of these pieces, I was glad to have watched KUNG-FU MASTER! first. The two should most definitely been seen back to back. Both titles are currently streaming on Amazon and will be available on Blu-Ray and iTunes March 8  (additional VOD platforms to be announced)

Jane Birkin and Mathieu Demy in Kung-Fu Master! © Cinelicious Pics

Jane Birkin and Mathieu Demy in Kung-Fu Master!
© Cinelicious Pics

 

BLU-RAY SPECIAL FEATURES INCLUDE:

 Video interview with Agnès Varda by Miranda July
 
Essay by Sandy Fitterman-Lewis

[FLASHBACK] Tribeca Film Festival review & podcast: TUMBLEDOWN will win hearts and fans. Including the audio from our roundtable interview with Jason Sudeikis, Dianna Agron, Director Sean Mewshaw, and Writer Desiree Van Til.

Tumbledown

Music is part of our souls. It can heal, it can hurt, it’s like a sense memory. We’ve lost great artists in their prime like, Leonard Cohen, Kurt Cobain, and Elliot Smith. The impact of their death is felt each time we hear one of their songs. Imagine, for a moment, that your very favorite artist suddenly dies. Now imagine you were married to them. This is the very premise of TUMBLEDOWN. Hannah is the widow of indie folk singer Hunter Miles. She is hounded by gossip seekers on a daily basis. When Hofstra professor and true fan Andrew tries to get in touch with her, she brushes him off… and brushes him off again… and again. Only until realizing that her dream of writing Hunter’s story is one she cannot accomplish on her own, does she let her highly guarded heart open just a crack. Andrew and Hannah strike a deal; Andrew writes a biography on her terms for $50k. With the encouragement of his music industry girlfriend Finley, Andrew drives from NYC to Maine and moves into Hannah’s guest bedroom. He is then exposed to a world a true fan can only dream of, with one massive catch. Hannah will not stop mourning her late husband. Can fan and family see eye to eye. Can trust break down the walls of Hannah’s suffering? Will intellect stifle healing. In a film where it’s head vs heart, who wins?

Tumbledown_Press_1 TribecaRebecca Hall is flawless as Hannah. Witty, independent, strong headed, Hall plays a woman unwilling to move on with her life. Jason Sudeikis as Andrew is unstoppable. Smart, and quippy as ever, this role is something new for Sudeikis. I love this side of him and hope that the industry, and more writers, take note of his innate ability to be funny in a non-slapstick kind of way. These two are an absolute powerhouse as they match wits with one another in each scene. Rounding out an incredible cast is Dianna Agron as Finley. Life after GLEE fame should treat her well if she keeps up such a strong, believable presence on the big screen. Blythe Danner and Richard Masur play Hannah’s parents. Deeply supportive and yet totally realistic, these two are the perfect counter balance to Andrew’s inability to let go of presumption. Finally, Griffin Dunne plays Hannah’s editor and owner of the town beloved book shop. He brings warmth and charm only a small town holds.tumbledownjasonsudeikisrebeccahall

The film was 8 years in the making. Writer Desi Van Til thoughtfully crafted this story partly as a personal healing piece for a lost friend. She skillfully captures the heart of New England, the desperation of grief, and the hold that music has on everyone’s heart. For Director Sean Mewshaw, his first feature length film is a total success. It’s shot in such a way that truly shows the quaintness of the area. Finding “Hunter Miles” or singer Damien Jurado was one of his triumphs. He perfectly encapsulates the feel of the character that was created by Desi, Rebecca, Jason, and Sean. Coming in after the film was already in the can, with his music and lyrics, he “created” a musician we’re all discovering for the first time, but feel like we’ve now lost as well. It might also help that Sean and Desi are husband and wife! This team is a real tour de force and without any solid knowledge (only mere mentions) I predict many captivating projects coming down the pipeline from these two.

Grief is something so personal. No matter how big the hit we feel, it still leaves a hole in our hearts and souls. Sometimes music helps. Sometimes it’s a trigger. Either way, the songs live on long after we’re gone. So sing, I say. TUMBLEDOWN is easily in my top three narrative selections to come out the this year’s festival. It is a must see and definitely a must hear.jasonsudeikistumbledownrebeccahall


I was fortunate enough to attend a roundtable interview with Dianna Agron, Jason Sudeikis, Desi Van Til and Sean Mewshaw. We talk issues from the film, insight into the project’s journey, as well as Jason and Dianna’s other releases at the fest. Take a listen to the absolute joy around the table: *You can hear me ask a question about journalistic responsibility and one about Dianna’s similarities to the character of Hannah.* Enjoy the voices of TUMBLEDOWN!

Originally posted April 20, 2015

Review/Interview: OITNB star Nick Sandow talks ‘THE WANNABE’

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Presents

THE WANNABE

Respect isn’t earned. It’s stolen.

Written & Directed & Co-Starring Nick Sandow (Captuto on Orange is the New Black) Executive Produced by Academy Award Winner Martin Scorsese (Goodfellas) & Dean Devlin (Independence Day)

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No matter who we are, during our lives we have idolized a person. Perhaps in some cases, to a point that may border on the unhealthy. Orange Is The New Black star, Nick Sandow, has written and directed a new film where that idol is the infamous mobster John Gotti. Meet one man’s story of obsession and desperation to be somebody, in The Wannabe.
The wannabe still Patricia Arquette,Vincent Piazza

Based on true events and Executive Produced by Martin Scorsese and Dean Devlin, comes  a story about Thomas ( Vincent Piazza), a man obsessed with Mafia culture during the 1990s in New York City. When Thomas’s failed attempts to fix the trial of infamous mobster John Gotti gets him rejected by the people he idolizes most, he sets off on a drug infused crime spree with his girlfriend and long time mob groupie, Rose (Patricia Arquette), by brazenly robbing the local Mafia hangouts.

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The film is perfectly paced by Sandow‘s writing. Coming up with the story after a friend sent him an article about the real life couple, The Wannabe is a “what might have happened” tale. Perfectly cast as Thomas, Vincent Piazza gives a fully fleshed out performance as a man who craves acceptance. When he doesn’t receive it, drugs lead to power hungry and dangerous life choices. Piazza’s time on Boardwalk Empire served him well in outlining his gangster look and the way he carried himself physically. We’re on the emotional roller coaster alongside him throughout. Patricia Arquette as Rose, is nothing less than brilliant. I am convinced that no matter what character you throw at her, she would own it. Her ease and presence on screen is unmatched, ever the scene stealer. Also, a Boardwalk alum, along with Sandow, it is clear that their chemistry as a trio makes the film as successful as it is.wannabe- Patrcia Arquette

I was privileged to interview Nick Sandow this week. Take a look at what he had to say about The Wannabe.


Liz: Firstly, Nick, thanks for taking the time to chat with me. The Wannabe is an incredibly successful story of audacious choices and personal delusion. Love the structure and style. So, congratulations on the film!

 Where is the line between truth and fiction with Thomas and Rose’s story?
Nick: The line is blurry. There were a handful of facts about a real couple that in the early nineties went around robbing mob social clubs. I was fascinated with how they got from A to Z. I just ran with the story and started to blend in real events that were going on at that time.
Liz: You write and direct this project. What was the biggest challenge in wearing both hats?
Nick: Writing and directing hats go very well together. I’ve directed things that I didn’t write and I have to work very hard to find my way into it. When you write it….. it’s yours…. you are already inside it. It has your DNA all over it so when it comes time to direct it I am attempting to take it further and trying to find another level of understanding with all the tools available.
Liz: Getting the script to Scorsese, wow. What was that moment like when he decided to come on board?
Nick: I couldn’t believe it. I still don’t. It’s hard to fathom. But what a gentle guiding spirit he is.
Liz: When writing, did you already have Vincent and Patricia in mind?
Nick:  I didn’t have them in mind at first but when they did come on board they were both very influential contributors to the rewriting process.
Liz: Was mob history an interest of yours prior to discovering this story?
Nick: Mob history wasn’t an interest. I grew up in a very similar neighborhood in the Bronx. So it was less an interest than a way of life.
Liz: How easy/difficult was it to shoot in the city for it being a period piece?
Nick: It was extremely difficult shooting a period piece in NYC on our budget in 20 days. It was all about finding the right locations. We had 35 location in 20 days. We were trying to find the 90s in the city and you really have to hunt for it. It’s there, you just have to get out into the boroughs. We shot in every one of them except Staten Island.
Liz: Have you ever been obsessed, for lack of a better word, with an individual in the way Thomas was?
Nick:  I’m not sure I was ever as obsessed as Thomas with one single person but I do very much identify with the desperation of wanting to be someone you are not. I’ve made a living out of doing that as an actor for 25 years. I understand where that obsession comes from… I had an outlet for it with acting.
Liz: You, as an actor, have a knack to for being cast as an authority figure, shall we say? Why do you think that is?
Nick: I’ve never really thought of this before. An authority figure….hmmmm. To be honest the first thing that pops into my head is that as a kid I always felt I needed to know the answers to survive. In many ways that served me and in many ways as a young person I feel it shut me down to learning as much as I could of. Maybe this is why? It’s only a guess. I really don’t know.
Liz: We are definitely excited for more Caputo action in Season 4 this June. We’re really rooting for something good to happen to this character! Outside of OITNB, what’s next for you?
Nick: Yes, there will be more Caputo in Season 4. It’s going to be a great season. I’m also excited about it.
Besides Orange, I am looking to shoot another film this spring. It’s a great script written by Frank Pugliese of House of Cards. It is the weekend in the life of a middle aged retired pro football player coming to grips with having Dimentia. I’m also working on a documentary about Kalief Browder who was wrongfully imprisoned for 3 years on Rikers Island from the age of 16 to 19.
Liz: That all sounds incredibly exciting! Thanks again for your time, Nick. ReelNewsDaily is looking forward to seeing more of you any way we can!

Starring:

Academy Award Winner Patricia Arquette (Boyhood),  Vincent Piazza (Boardwalk Empire), Michael Imperioli (The Sopranos),Domenick Lombardozzi (The Wire), David Zayas (Dexter) & Nick Sandow (Orange Is The New Black)

The Wannabe is now playing in select theaters nationwide and is available on all VOD platforms.

Review: ‘THE LADY IN THE VAN’ is Alan Bennett’s mostly true story brought to life by Dame Maggie Smith and Alex Jennings

The Lady in the Van poster

The Lady in the Van, Alan Bennett’s adaptation of his commercial and critical West End hit, based on his own bestselling memoir will open in New York & Los Angeles for a Limited Engagement on December 4, 2015Dame Maggie Smith reprises one of her most-loved stage roles for the big screen, under the direction of Nicholas Hytner, who also directed the stage version.  Damian Jones and Kevin Loader produced, along with Hytner.

Alex and Maggie The Lady in the Van

The film tells the true story of Alan Bennett’s strained friendship with Miss Mary Shepherd, an eccentric woman of uncertain origins, who “temporarily” parked her broken down van in Bennett’s London driveway… and proceeded to live there for the next fifteen years. Their unique story is funny, poignant and life-affirming.

Maggie Smith the lady in the vanMiss Smith, who plays the singular Miss Shepherd, is joined by Alex Jennings (The Queen), who plays Bennett.  Smith incarnation of Shepard is nothing but her usual brilliance. She is quirky and earnest. We are treated to a true character study in her subtle facial expressions and physicality. Each beat is masterful in comic timing. Jennings, as Bennett, is equally as charming in his quiet insolence. As Miss Shepard’s inevitable enabler, their relationship is actually a foil for Bennett’s real life lack of a relationship with his own mother. Bennett as narrator of his own tale, has the opportunity to play two very distinct sides of his personality. The performance should not go unnoticed come awards season. Others in the cast include Frances de la Tour, Roger Allam, Dominic Cooper, Jim Broadbent & James Corden.alex jennings still the lady in the vanThe script has a lovely Odd Couple feel to it. Filed with heart, emotional pull, mystery and levity, The Lady in the Van, (however much based on true events) will capture your soul. With a cast such as this, under the delightful direction of Nicholas Hytner, one cannot go wrong.
Maggie Smith and co the lady in the van

Sony Pictures Classics Will Release The Lady in the Van In The U.S. on January 15, 2016 Following A Limited Engagement In New York & Los Angeles Starting on December 4, 2015

THE LADY IN THE VAN runs 103 Minutes.

Behind the scenes Alex still the lady in the vanThe film is Hytner’s first directorial outing after ending his massively successful decade at the head of the British National Theatre. He and Bennett previously collaborated on The Madness of King George and The History Boys. Damian Jones (The Iron Lady, Belle) and Kevin Loader (Venus, In the Loop) produced, along with Hytner. Hytner is among the preeminent theatrical creators of his generation, having directed such standouts as Miss Saigon, Stuff Happens, and One Man, Two Guvnors. At the National, he commissioned the breakout hits Warhorse, The Curious Case of the Dog in the Night, Jerry Springer, The Opera and Danny Boyle’s Frankenstein. In addition to Madness and History Boys, his filmography also includes Wendy Wasserstein’s The Object of My Affection and Arthur Miller’s The Crucible, starring Daniel Day-Lewis. He has won multiple Olivier and Tony Awards, and a BAFTA.

Dame Maggie Smith has led a distinguished, varied career on stage, in film and in television over the past six decades. She is a two-time Academy Award® winner (The Prime of Miss Jean Brodie, California Suite) and has been nominated an additional four times.  Among many other accolades and honors, she has won multiple BAFTA Awards, Emmy Awards and a Tony.  Her achievements range from performing Shakespeare opposite Laurence Olivier, to capturing the attention of a new generation when she played the strict witchcraft teacher Minerva McGonagall in the Harry Potter films, and recently as the Dowager Countess of Grantham, in the acclaimed television drama Downton Abbey.

Alex Jennings is one of the most successful British actors of his generation. He has played Alan Bennett multiple times and is currently shooting the Netflix series “The Crown” where he portrays the Duke of Windsor.

Bennett, a celebrated playwright, screenwriter, actor and author, is considered a national literary treasure in England. Over the course of his more than 50-year career, he has won, or been nominated for, every major writing award that exists in film, television and theatre, including an Academy Award®, multiple BAFTAs, Tonys, and Oliviers.