Review: ‘The Man from U.N.C.L.E’

The Man From UNCLE poster1

Hollywood’s fascination with remaking old television shows into film continues with our subject for today, The Man from U.N.C.L.E., a slick action spy caper from director Guy Ritchie (Sherlock Holmes). The film serves as an origin story to the original premise of the television show as we witness the birth of the relationship between the characters and their graduation to becoming the  United Network Command for Law and Enforcement. Step inside the world of espionage and intrigue as we venture back to a time where the world was on the brink of crisis and the men responsible with protecting their countries didn’t wear capes.

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Set against the backdrop of the early 1960s, at the height of the Cold War, The Man from U.N.C.L.E. centers on CIA agent Napoleon Solo (Henry Cavill) and KGB agent Illya Kuryakin (Armie Hammer), two foes forced to put aside their differences, to team up on a joint mission to stop a mysterious international criminal organization, bent on creating nuclear weapons with the goal of world domination. How will they find this mystery organization? Through the daughter of a vanished German scientist, Gaby Teller (Alicia Vikanderwhom the two believe might be the key to unlocking the mystery, but they must contend with Victoria Vinciguerra (Elizabeth Debicki), a widowed industrialist who is working with the mystery organization to develop the nuclear technology and stop them from foiling their plan. Can the trio put their differences aside long enough to stop the destruction of the world?

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Director Guy Ritchie has incorporated his wonderfully clever, stylish film making with this intriguing cast of characters to create an intelligent spy caper that doesn’t take itself too serious and allows it’s campy nature to weave its way into the tone of the film to create one heck of a fun time. Henry Cavill is outstanding as the debonair thief turned super spy. Cavill’s charm and delivery are perfect for the setting and his presence on screen is reminiscent of an early Bond. Armie Hammer has his ups and down in the this film, but overall he does a fine job creating his character. Alicia Vikander is absolutely stunning in this film. Vikander, who stole the show in this year’s Ex Machina, again steals the show with her beauty and grace. Elizabeth Debicki is devilishly mesmerizing as the villainess of the film. Debicki brings a sense of calm beauty that you are intrigued to find out more about her. For a film driven by male performances, it’s the women who steal the show of this film.

Overall, The Man from U.N.C.L.E. is a truly enjoyable film and one that will keep you entertained all the way thru.

Stars:

3 1/2 out of 5

After Credit Scene?

None

Trailer:

Retro Review: Martha Coolidge’s ‘Real Genius’ Was Released 30 Years Ago Today and Remains one of the Great 80s Comedic Cinematic Treasures

real genius poster

When most people think of Val Kilmer‘s greatest performance, they usually default to his portrayal of of Doc Holliday in the uneven Tombstone. Don’t get me wrong, his performance as the gunslinger is impressive, but to me he has never been and never will be finer than he was as Chris Knight in Martha Coolidge‘s incredibly humorous and wonderful Real Genius.

real genius - ice is niceReal Genius is centered at Pacific Tech (loosely based on CalTech) where under the direction of Dr. Jerry Hathaway (the always bastard-y William Atherton), geniuses hone their skills, bringing fortune on both them and Dr. Hathaway. The narrative focuses mostly on two characters: Knight, resident brainiac who is about to graduate, and his new protégé, Mitch Taylor (Gabriel Jarret), who happens to be a 15-year old and the first student ever admitted to Pacific Tech for the mid-Winter term.

real genius - mitchWhy was Mitch admitted to the university early, you ask? Well, it seems Dr. Hathaway is working in league with the military on a top secret project, one which employs a high-powered laser to vaporize single targets/people from outer space. Of course, the students aren’t privy to what Hathaway has been up to. When the military decides they need the project complete in 4 months, not 18, Hathaway brings in Mitch, his ace in the hole.

real genius - gangKnight doesn’t act like what most would expect from a genius. He is insubordinate, he is wild and all-together unpredictable. He and Mitch couldn’t be more opposite. A perfect example:

So it takes a while for them finally find a good footing, but they do and for the most part prosper. Like any good 80s movie, one villain isn’t enough. Not only do they have to deal with Hathaway, but also his toadie, Kent (Robert Prescott), who is jealous that Knight and Mitch get all of Hathaway’s attention despite the fact the he has done everything Hathaway has ever asked him to do. He’s the typical brown-nosing asshole that we all hated when we were in school.

real genius - kentIn keeping with a certain weirdness that crept over 80s teen comedies (a la Better Off Dead), this film wouldn’t be complete without the crazy genius recluse who lives in a closet, right? And that would be Lazlo Hollyfeld (the incredible Jon Gries), the gentle-souled former BMOC from Pacific Tech, who went underground after finding out that a product he invented was killing people. He also lives in Mitch and Chris’ closet. But never fear, he’s not some nut – he ends up being the last cog in the wheel that helps set everything straight in the end.

real genius - lazloWhen Kent sabotages the project finally tipping Knight over the edge, he has an epiphany and is able to solve the problem with the laser:

When Hollyfeld finds Knight, Mitch and their merry band of misfit geniuses including Jordan (Michelle Meyrink) and Ick (Mark Kamiyama) celebrating, and tells them what they’ve done, they band together to stop the military from testing the weapon all while exacting revenge on Kent and Hathaway.

Despite being every bit an 80s film, Real Genius was strangely prophetic. When you look at the Crossbow Project, which is the weapon that the guys build, it is basically a different version of the now famous and widely reviled drone program employed by our government and military. The Crossbow was undoubtedly born out of of Ronald Reagan‘s delusional Strategic Defense Initiative (SDI) unveiled in 1983. So go figure, right?

This is one movie that I truly believe still stands tall given its age. The humor is as fresh and biting as when this film was released nearly 30 years ago (for the most part). Val Kilmer had just come off of a strong comedic performance in the Zucker Bros.’ Top Secret! and really shines in this film. From his delivery:

to his reactions:

to the offbeat:

…it’s just a a top notch performance. It’s a real shame he abandoned the more comedic roles and instead went for fare like Top Gun. Literally broke my heart when he was in that one.

And how can we ever forget probably the best line in the entire film delivered by Dr. Hathaway?:

PRICELESS and applicable on so many occasions in real life.

And like all 80s movies, the soundtrack is very important contributing immensely to the film. The usage of Tears for Fears’ “Everybody Wants to Rule the World” over the ending and credits is an absolutely perfect complement to the premise and the actions of Dr. Hathaway and the US government. Add to that the two incredible montages set to “I’m Falling” by The Comsat Angels and “Number One” by Chaz Jenkel and you have yet another example of the effective use of music to convey the feelings of the characters and add to the story. I just think that 80s movies had a better grasp of this concept. There was no equivalent of Rick Ross playing over a western like in Django Unchained and for the better.

While there are mediocre performances (Mitch?), the whole of the film is strong. Getting a rare glimpse inside the world of the young genius is quite fun and this film is positioned differently than other films like it from the same time, i.e. War Games and The Manhattan Project. While the pall of the Cold War is cast over the three of them, only Real Genius is able to make light of the situation and really empower the kids in the film. I tribute that to a great script from Neal Israel and Pat Proft (who co-wrote Tom Hanks’ Bachelor Party and Police Academy) and Peter Torokvei with really adept direction by Martha Coolidge. A winner on really every level. If you haven’t caught this one, do so at your leisure. It’s one that is not to be missed.

It’s a shame that this one has been relatively forgotten amidst so many of great 80s films. This one still resides at the top of my list.

Here’s the trailer:

 

Liz’s Review: Kevin Bacon brings the unexpected in ‘COP CAR’.

Cop Car posterAs a kid, curiosity probably should have gotten me killed a slew of times. Running away wasn’t really my thing, but playing with the boys in the woods, rough housing and climbing things I probably shouldn’t have went hand in hand with ballet lessons and dressing up as Princess Leia. In the new film COP CAR, two young boys come upon what appears to be an abandoned sheriff’s vehicle in the middle of nowhere. Coming to the naive conclusion that no one is coming back for the car, they take it upon themselves to claim the vehicle as their own and go on one hell of a joyride. Unbeknownst to them, it’s shady owner has secrets hiding within the vehicle. An innocent coming of age tale spins wildly out of control as the boys decide between right and wrong and the threats of grownups with their own agenda.Cop Car-00005Kevin Bacon gives an outstanding performance as the infamous Sheriff Kretzer. This man is a master as manipulation. Watching his character get in and out of dangerous scenarios is fascinating and frightening. Bacon never disappoints me with his uncanny ability to be both charming and smarmy all in one. (He was totally booked for sit down interviews this time. I was disappointed as I dream of being able to say that “I am 0 degrees from Kevin Bacon.” Next time, sir. Next time.) Cop Car-00008The young boys that we want so desperately to get away are played heroically by James Freedson-Jackson and Hays Wellford. Both performances should be lauded as total success stories. These two young boys have careers ahead of them, for sure. Freedson-Jackson plays the more dominant of the pair  with gusto and complete ownership. Wellford, as the meeker young man, is heartfelt and thoughtful. It makes me wonder the amount of time these kids spent  together prior to and during filming. Their chemistry is organic and beyond solid. Camryn Manheim plays a concerned local woman, putting the boys on blast to the authorities. I love Manheim in everything from Ghost Whisperer to her innumerable guest appearances on what feels like every television series since the mid-90’s. Shea Whigman, one of my favorite actors from Boardwalk Empire, makes a phenomenal appearance in this film. Setting the bar high is the name of his game and he blows us away.Cop Car-00007The film’s pace starts out free and easy, throwing you into a false sense of stability. Ramping up and never stopping until the final frame, Cop Car really took me by surprise. It was a purely intriguing script and I was never bored. Fare warning: it is quite violent but totally worth it. Great performances, fantastic story, completely unexpected, I really dug this film. It is crystal clear why director Jon Watts was brought on to helm the UNTITLED SPIDER-MAN REBOOT for 2017. This gives me so much hope for the franchise. Beyond looking forward to more from this talented man.Cop Car-00009COP CAR opens in theaters today, August 7th.

Kevin Bacon (THE FOLLOWING, HBO’s TAKING CHANCE, MYSTIC RIVER) stars in director Jon Watts’ delightful throwback thriller COP CAR.   When two good-natured but rebellious young boys (Hays Wellford of INDEPENDENCE DAY: RESURGENCE and James Freedson-Jackson) stumble across an abandoned cop car hidden in a secluded glade they decide to take it for a quick joyride.  Their bad decision unleashes the ire of the county sheriff (Kevin Bacon) and leads to brutal consequences.  COP CAR  firmly establishes Jon Watts as a master of minimalist suspense and a directing force that will soon extend well beyond the independent landscape—Watts has just signed on to helm the UNTITLED SPIDER-MAN REBOOT for 2017.

Liz’s Review: ‘HOMME LESS’ is worth far more than 1000 words.

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From his dapper appearance and his suave sensibilities, you’d never guess that Mark Reay is homeless in NYC. Using a YMCA locker room as his bathroom and personal storage system, Mark is able to blend seamlessly into the upper echelon of New York’s fashion and film business. As a former model, he hustles the streets of Manhattan as a photographer and smooth talker. Genuinely talented and extremely good looking, Mark’s adaptability to his circumstances is astounding and certainly commendable. He lives in secret on a friend’s rooftop, enduring the changing weather and fearing, each night, that he may be found out and forced to find somewhere else to survive the nights. He lives off his extraordinary photography skills, acting residuals, and his uncanny ability to cold approach beautiful women, for both personal and professional rewards.

Mark Reay BY GREG SCAFFIDI

Mark Reay BY GREG SCAFFIDI

HOMME LESS follows Mark’s ventures as he narrowly eludes the total collapse of the very existence he has built for himself. His emotional highs and lows drive the heart of this doc. As New Yorkers, we most definitely have a built up image of what it  means to look homeless. It’s the man in the subway station that wreaks of urine, is dirty, and oftentimes muttering to himself, or yelling incoherently on a street corner. Mark is the penultimate opposite of these images. Clean cut, eloquent, genuine, resourceful. You route for him at each turn as we tag along on his day to day routine, using every networking trick known to man. I would hang out with Mark in a heartbeat. He is optimistic, as much as any one man can be facing his current situation. I admire the hell out of him.

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Director, Thomas Wirthensohn, has been friends with Mark for 20 years, since their modeling days back in Europe. When the two reconnected over drinks, Thomas had no idea that Mark was homeless. The two decided to take a new journey together in making this fascinating documentary. Wirthensohn is very careful to stay at arm’s length, which must have been extra difficult already being so emotionally invested in his subject. One of the toughest things you hear from documentary filmmakers is the challenge they face in trying to stay objective. There are quite a few moments in the film that directly address this issue and I commend Wirthensohn for his efforts.

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HOMME LESS is a beautifully shot portrait of one man’s journey to not only survive, but thrive, in this big city. As someone who has lived here on and off since college, I can only imagine having to do what Mark does on the daily. Living paycheck to paycheck takes on a whole new meaning in this film. I highly recommend you catch this documentary this weekend. It will rattle around in your brain and, if you happen to live in NYC, make you wonder if you’ll run into Mark any day soon. It would be my pleasure to buy him dinner and a drink… and then book him for new headshots.

HOMME LESS Trailer from Thomas Wirthensohn on Vimeo.

Synopsis: HOMME LESS is about the underbelly of the American Dream, the hidden backyard of our society. Mark’s life stands as a metaphor for the struggle of the vanishing middle class in America. But it’s also a film about the relationship between New York City and one of its residents. New York is not simply a beautiful backdrop for this story. She’s the antagonist that dictates the direction Mark’s life is going in. The joy and pain, the love and hate, the success and denial New York is teasing him with, the hardship he is going through in order to stay in her grace and the inventiveness he comes up with to be with her are all unique.

HOMME LESS captures a raw and unfiltered moment in time, our time, and raises the question of how far are we from losing everything, even our homes? How often do we have to pretend that everything is fine in order to keep up the facade of being a well-off member of society? And how far do we go to take the financial pressure off our shoulders to live a more carefree life, a life we aspire to live?

What went wrong in Mark’s life? How is he able to keep up his facade of success and fool everyone?  What keeps him from going under? What motivates him to put up with this rather unthinkable situation?  What were and are his hopes and desires in life?

Mark stands lost and alone in the midst of eight million dreams, balanced between the glamorous surfaces of this vibrant and inspiring city and its far from glamorous hidden backyard. He is the HOMME LESS

Opening at the IFC Center on August 7th

Weight Loss

One of the most common questions that exercisers ask is: “how long should I work out?” The answer to this question depends on your goals and current health status. While following minimum guidelines for physical activity can help to maintain health and combat the negative impacts of a sedentary lifestyle, it takes more effort to lose weight and get fit. In addition, an individual’s current level of fitness will also determine how much they should exercise each day. Read more about prostadine.

When people wonder how long they should be exercising they may hope the answer is less versus more. In fact, the recent health and fitness trend is to do shorter workouts for weight loss.1 But this fad might not always be effective for everyone—whether you’re trying to lose weight or improve your level of fitness.

The best method to determine how long you should work out shouldn’t be based on fitness trends. Of course, you can (and should) still include short workouts on rotation in your schedule. But you will also have to do some cardiovascular workouts that are a little bit longer if you want to lose weight and stay healthy.

 

Weight Loss

According to the American College of Sports Medicine (ACSM), you should exercise for 150–250 minutes per week to lose weight. The organization also suggests that more exercise provides better results.2

If you want to keep the weight off for good, the ACSM prescribes a minimum of 250 minutes of moderate to high-intensity exercise per week. Check these Alpilean reviews.

To meet the ACSM guideline, you could simply exercise for 40 minutes every day. But that workout schedule could get boring, which may cause you to quit your program. In addition, to lose weight effectively you need to exercise at different intensity levels. This requires that you adjust your workout duration to accommodate the various workloads. It’s also helpful to keep track of your daily calorie needs for weight loss. This calculator can provide you with an estimate.

Set Your Calorie Goal and Get a Free Meal Plan

 

Build Strength

Muscle mass decreases with age, which stresses the importance of regular resistance training. Strength training builds stronger muscles and bones to support the joints and prevent fractures and can even be beneficial for managing arthritis.3

In addition to cultivating a regular strength training regimen, it’s important to make sure that you’re still incorporating enough cardiovascular activity to maintain or improve your current level of aerobic fitness. These are the best legal steroids.

Switching up your workout routines and workout lengths can help stave off boredom and help you stay motivated. But be sure to carve out time for rest and recovery days to avoid injury or burnout.4

A 2016 review and meta-analysis published in Sports Medicine suggests that strength training at least two days a week can effectively build and strengthen muscle.5 Some experts recommend three days or more, however.

 

Stay Healthy

The American Heart Association (AHA) has physical activity recommendations for basic health maintenance for adults and children in the United States. Here’s a close look at some of the AHA’s advice.6

  • Adults: Americans aged 18 and older should get at least 150 minutes of heart-pumping moderate-intensity aerobic activity or 75 minutes of higher-intensity cardiovascular activity (or some combination of both) each week. The AHA also recommends incorporating strength and resistance training at least two days per week.
  • Children: For kids aged 3–5, the AHA states that this group should be very active throughout the day. Children aged 6-17 are advised to get at least 60 minutes of moderate- to vigorous-intensity cardiovascular exercise per day, with vigorous intensity at least three days per week. Strength-training activities for this age group should be at least three days a week, gradually increasing with frequency and intensity over time.

The Centers for Disease Control and Prevention (CDC) reports that only around 22.9% of U.S. adults aged 18–64 meet the minimum guidelines for physical activity each week.

To reap the health benefits of regular exercise, the AHA suggests that adults gradually increase the amount and intensity of exercise to reach a goal of 300 minutes (5 hours) of physical activity per week.

To incorporate more heart-pumping physical activity into your daily life, the AHA recommends first and foremost being less sedentary whenever possible. Even light activity such as getting up and going for a short walk or performing gentle stretching can help offset the risks associated with too much sitting, according to the AHA. In addition, the AHA suggests the following activities:6

Moderate-Intensity Exercise

  • Ballroom or social dancing
  • Brisk walking (at least 2.5 miles per hour)
  • Biking slower than 10 mph
  • Doubles tennis
  • Gardening
  • Water aerobics

Vigorous-Intensity Exercise

  • Aerobic dancing
  • Cycling 10 mph or faster
  • Jumping rope
  • Hiking (uphill or with a heavy backpack)
  • Singles tennis
  • Swimming laps
  • Rigorous yardwork
  • Running

While getting enough exercise is crucial for maintaining and improving health, staying hydrated and getting proper nutrition is just as important. For advice on following a healthy, balanced diet, refer to the U.S. Department of Agriculture’s 2020–2025 Dietary Guidelines for Americans.

 

How Long Should You Work Out Each Day

How long you should exercise every day depends on the specific workouts you choose and your personal health and fitness goals. If you are healthy enough for vigorous exercise, your workout program should include hard, high-intensity days (20 to 30 minutes), easy days to recover (30 to 45 minutes), and moderate days when you build endurance, improve heart health, and burn fat (45 to 90 minutes). Each of these workout goals requires a different exercise duration. In general, you’ll want to incorporate a mix of the following each week.

Retro Review: Weird Science Joins the 30-Year Old Club and It’s Still as Funny as Ever

weird science - poster 1

Fewer films have ever made me laugh as hard as John HughesWeird Science. This film is a sign post of my childhood, one that carries tremendous meaning and nostalgia. While this one may not register on many folks’ radar as a top notch Hughes example, I happily rated it my favorite of his oeuvre back in 2013. That it came out in what might be considered the most 80s month of films in the entire decade (along with the original Fright Night, Real Genius, Teen Wolf, Better Off Dead and American Ninja) makes it all the better. So, it is with great pleasure that pleasure that I fête Weird Science as it turns 30 this year (released August 2, 1985), a fantastic example of 80s film hijinks replete with Hughes‘ ability to take something that is on the surface a typical male teen horn-dog film and give it some substance at the end. I am unashamed in my love for this film and I can happily report that even to this very day, Weird Science towers above the poor excuses for teen comedies of today.

weird science - openingThe story of the film, for you unfortunate louts who have yet to see it, is a somewhat standard territory for Hughes – two loveable losers, Gary (Anthony Michael Hall in his finest role) and Wyatt (Ilan Mitchell-Smith), cast outs at their school long for nothing but to be cool. However, those dreams are consistently dashed again and again by the masses, especially Max (Robert Rusler) and Ian (a very young Robert Downey Jr.). That Gary and Wyatt are smitten with Deb (Suzanne Snyder) and Hilly (Judie Aronson, one of my all-time crushes), Max and Ian’s girlfriends certainly doesn’t help. So when Wyatt’s parents leave for the weekend, they decide to make a girl…actually make a girl, using Wyatt’s then high-tech computer set-up and know how, a sort of new wave Dr. Frankenstein. When it actually works and Lisa (the stunning Kelly LeBrock) materializes in Wyatt’s bedroom, the boys’ futures start to change for the better.

weird science - kellyBut as always, there are roadblocks. Wyatt’s older brother Chet, in what is arguably the best shithead older brother performance in film history graciously given to us by the incomparable Bill Paxton, is home from college to “watch over” the boys. He harasses and harangues them all while they and Lisa set about changing their fortunes over the course of one weekend. The key to this is not only was Lisa created to be incredibly beautiful (and trust me, in 1985 LeBrock was the pinnacle of beauty) but she also had special, witchcraft-like powers that allowed her certain license to create ideal situations in which Gary and Wyatt could prove themselves to their otherwise unsuspecting classmates. They do so in memorable fashion thus ingratiating themselves to said classmates and more importantly the apples of their eyes, Deb and Hilly.

weird science - chetThis is a month that will likely be a one-way Nostalgia Express for me. It’s fitting that it is starting out with Weird Science. I hold this film in the highest regard. While it may not be Hughes‘s “best” film, it certainly is my favorite of his. It may not have quite the same touching ending that both Sixteen Candles or The Breakfast Club have,but Weird Science earns its ending. It’s honest despite the preposterous nature of the events leading up to it and there is something that we can all likely identify with in Gary and Wyatt. And to me, any film that gives moviegoers a scene like the one where they go to a bar on the Southside of Chicago is complete and total magic. Check it out:

There are very few scenes that are as quotable as this one. That it’s just one among many in the film is a testament to the quality of Weird Science. And despite falling into the shadows of the acting world for a long while, Anthony Michael Hall gives one of the all-time great comedic performances in this film. I wish I could understand why he faded away like he did even though he has resurfaced in the past few years. The same could be said of Ilan Mitchell-Smith who was solid in The Wild Life and really encapsulated the character of Wyatt. This film is a true treasure and deserves mention alongside any comedy of the 80s and beyond.

This film has significant personal meaning to me as I got to see it with my brother and sister at the Rivoli Theatre in downtown Muncie, Indiana, when my parents were in court hammering each other over visitation rights post-divorce. This film was the perfect antidote to the trepidation my siblings and I felt that day. So to John Hughes, the cast of the film and anyone else who had anything to do with the making of this film, I thank you. It’s rare the one can point to one person and call them the voice of a generation, but I don’t doubt that anyone who came of age in the early to mid-80s couldn’t at least tip John Hughes as the most likely candidate.

Enjoy the tasty original trailer and if you have yet to watch this puppy, get there people:

Michael’s Review: ‘Mission Impossible: Rogue Nation’

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Say what you will about Tom Cruise, but the guy can deliver one hell of a performance. Mission Impossible: Rogue Nation proves this fact with its fast pace action and its intriguing storyline which grabs you from second one and never lets go. Director Christopher McQuarrie (Jack Reacher) and Cruise have created a nice rapport over the years as the two seem very comfortable working together and it shows with the finished films. The Mission Impossible franchise was rejuvenated with 2011’s Ghost Protocol, and Rogue Nation continues to show that with great storytelling and exciting set pieces, this franchise has a lot left in the tank.

mission1

The Impossible Mission Force is on assignment saving the world once again. We find the team in Belarus where Ethan Hunt (Tom Cruise) is attempting to stop delivery of chemical weapons to hostile forces. Accompanied on the mission by Benji (Simon Pegg), Ethan finds himself on the outside of a plane rushing down the runway to take off. An expected thrilling start to a franchise which has hung its hat on exciting action set pieces. The thrill rides are just beginning as the team find themselves in the sight lines of a new villainous foe in the form of the mysterious syndicate. Ethan comes face to face with the head of the group, Solomon Lane (Sean Harris) when he is captured and sent for interrogation. Ethan’s capture is Ilsa Faust (Rebecca Ferguson), a rogue MI:6 agent who now works for the syndicate, but her alliances are, as we say, complicated, as she helps free Ethan.

mission2

But this isn’t the only threat to the IMF. The group is denounced by the CIA chief Alan Hunley (Alec Baldwin) who wants to disband the force for its reckless behavior, blaming the IMF for the attack on the Kremlin one year earlier. Despite William Brandt’s (Jeremy Renner) protests, all IMF operations are shut down, leaving Ethan Hunt the CIA’s most wanted. Ethan must rely on Luther Stickell (Ving Rhames), Brandt and Benji to help him prove that the syndicate is real and reinstate the IMF. Stuck between two powerful foes, Ethan travels the globe and fights side by side with friend and foe. His mission, to stop the syndicate before time runs out. This message will self destruct in 5,4,3,2,1.

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In a summer filled with so many hits and misses, it’s nice to see a film like Mission Impossible: Rogue Nation come out and prove that character driven action films can entertain while not being dumbed down for the sake of the summer movie going audience. Christopher McQuarrie does a wonderful job directing this veteran cast who have, for the most part, been working together on this franchise for close to a decade. McQuarrie, who also is responsible for writing the film, balances the need for dialogue driven scenes with action set pieces nicely, allowing for development of each character nicely. Tom Cruise has coveted this franchise for 20 years and it truly is his baby. Cruise is fearless in his passion for this role and it shows with his delivery and how committed he is to making each scene as believable as possible. Simon Pegg benefits from an increase in screen time this time around and makes the most of it. Pegg’s wonderful blend of quirky and dramatic make his performance one to watch. 

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Jeremy Renner isn’t given much to do action wise in this film, and sadly, his character suffers for it, but it is his dry comedic exchanges with Alec Baldwin that make for some entertaining scenes. Sean Harris’ villainous role is menacing as much in his silence as he is in his characters execution. A cold, callous demeanor make his Solomon Lane the best villain of the franchise so far. Rebecca Ferguson’s heroine is the real scene stealer of the film. Ferguson’s beauty and grace make her presence on screen so must see.

Overall,  Mission Impossible: Rogue Nation is the best sequel this summer not named Mad Max: Fury Road. Your mission, if you chose to accept it, run to the theater and see this one in the biggest format you can.

Stars:

4 out of 5

After Credit Scene?

None

Trailer:

Liz’s Review: The big screen breathes new life into musical farce ‘Lucky Stiff’

Lucky Stiff poster
LUCKY STIFF is a musical comedy with a romantic heart. A young down and out British shoe salesman named Harry Witherspoon (Dominic Marsh) takes his dead American uncle (Don Amendolia) (a murdered casino manager) to Monte Carlo for the best time of his life a week of fun, dancing, making money with the awesome casino games at the ยูฟ่าเบท website gambling and sun. If the young man fulfills his uncle’s request to the letter, he will inherit the $6 million left to him. If he doesn’t, the money will go to the Universal Dog Home of Brooklyn. As Harry races from casino to nightclub to beach to bedroom with his dead uncle, he is chased by a desperate put upon optometrist (Jason Alexander), his controlling, myopic, trigger happy sister (Pamela Shaw), an avaricious French chanteuse (Kate Shindle), a mysterious Italian playboy (Dennis Farina), as well as a young woman from Brooklyn (Nikki M. James) dead set on getting that money for the dogs. Well you can also enjoy many of casino games online at https://clubvip777.com/web/dafabet/. Guns go off, disguises go on, champagne corks pop, nightmares come to life, romance blossoms, dogs bark, and everyone sings! lucky-stiff nikki dom dennis
Dominic Marsh is a genuine star with an innocence you most certainly route for. Tony Award winner, Nikki James‘, wide eyed optimism and pure-hearted determination is a refreshing take on what could be an easily overshadowed character in a film filled to the brim with colorful performances. Jason Alexander is hilarious as always and it was nice to hear his very distinct singing voiced matched with his comic timing. Pamela Shaw‘s Rita is a beautifully cartoon version of a hustler and boy, can she still shake it with the best of them. This film happened also to be Dennis Farina‘s last. His boisterous, man about town is the perfect marriage of quirky and theatrical. This is truly an ode to an ensemble cast done right. No one outshines the next. There is something to be said about using true theatre people. Theatre people experience true camaraderie; they naturally become family to each other, which only lends to an enhanced end result. (But, that may just be the musical theatre nerd in me speaking.) Jason Lucky Stiff still
The sets are great and the costumes, a late 60’s-70’s vibe are fabulous. Lucky Stiff is what you might get if you mashed up A Mad, Mad, Mad, Mad World and Weekend At Bernie’s and set it to a musical score. There a fantastic dream sequence in the film that features some of the lesser utilized yet fully recognizable faces in the film. This particular scene is actually the most theatrical in the entire movie, being set on an actual stage. One of the most darling aspects of Lucky Stiff is the frequent use of short animated clips that move the films pace and highlight some of the musical numbers. It’s a great substitute for a full scale broadway esque number. Lucky Stiff is a fun entry into the musical theatre world via film.

LUCKY STIFF opens in theaters and is available on VOD today, Friday, July 24th.

Review: ‘Southpaw’

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Southpaw, definition, noun, a left-handed person, especially a boxer who leads with the right hand or a baseball pitcher.

Why did this review begin with a definition of the title?  Two reasons, first, because not everyone knows what the term means.  The second reason is the more important one; I wanted to remind the screenwriter Kurt Sutter (“Sons of Anarchy”) what the term means as well.  You see a southpaw is a boxer who leads with their right hand and is usually, but not always, left handed.  This is a very important point to keep in mind while viewing this movie, because you will not see a single southpaw boxer in the entire film.  Not Jake Gyllenhaals’s Billy Hope, not Forest Whitaker’s Titus Wills, not Miguel Gomez’s Miguel Ecobar, not even any of the opponents or training partners.  Nope, you will not see a single southpaw in this entire film!

So why name this movie Southpaw?  Apparently Kurt Sutter wrote the part specifically for Eminem as a metaphor for Eminem’s custody struggles, and since Eminem is a white rapper that struggled to be accepted and a southpaw has a hard time being accepted as well.  Eminem is a lefty so it would make sense even in the context of the film.  Now they are going with the idea that the title refers to the fact that a southpaw struggles to become a good boxer and so does Billy hope, the film’s protagonist.

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The Basics: Jake Gyllenhaal plays Bill “The Great” Hope, the undisputed light heavyweight boxing champion who has never been defeated in the ring, well except for once, but that didn’t count.  He is the prototypical white boxer, a lovable dumb guy who can’t manage to survive without the help of others but is really good at taking a massive beating in the ring and pulling victory from the jaws of defeat at the hands of obviously superior boxers (sound familiar?).  Rachel McAdams plays his wife Maureen “Mo” Hope who came up through the foster system with Billy and has been by his side since they were 12 years old.  Mo is the decision making intelligent street wise brains of the family.  They have a daughter named Leila Hope played by Oona Laurence (Penny Dreadful).

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The first act is typical to a fault.  Billy wins a hard fought title defense, his wife wants to him stop boxing, his agent Jordan Mains, played by 50 Cent, wants him to sign an HBO deal, and his daughter just wants her Dad around more.  A smooth talking ranked boxer Miguel Escobar, played by Miguel Gomez, wants his shot and talks trash at a press conference.  Yadda yadda yadda, they have a show down outside of a charity fundraiser and Mo ends up getting shot and killed in scuffle.

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Billy loses his mind, puts up a pathetic performance in the ring, spirals into despair and drinking, and winds up losing his daughter to the state protective custody.  Down on his luck he goes to the gym run by the only trainer that ever helped a boxer beat him, Forest Whitaker’s Titus “Tick” Wills.  They have a hard time trusting each other, a random kids dies, they bond, the movie goes on.  If all of this sounds cliché, congratulations, you have seen a boxing movie before.  I won’t spoil the rest for you, but it plays out exactly how you expect it to.

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Conclusion:  Here’s the deal, Southpaw isn’t a bad movie (besides the lack of a southpaw which I find reprehensible).  It is just an average boxing movie.  If you have seen a few of them, then you have seen every cliché that gets checked off of the list in this movie.  It felt very Rocky III the whole time to me.  This is all the more shameful because of the solid performances given by the cast.  Gyllenhaal plays the punchy stupid white boxer (hello again Rocky) in an actually nuanced and method way.  Oona Laurence is absolutely brilliant as she bounces between love and hate of her father.  Forest Whitaker is Forest Whitaker.  Even 50 Cent turns in a great performance.

These great performances are over shadowed by a badly titled, poorly written, and ultimately color by number boxing film.  There are so many missed opportunities, plot holes, and dangling ends that it boggles the mind as to why they didn’t pursue any of those paths that might have made this movie unique in some way.

Boxing Genre Score:  2.75/5 – hits all the right notes, but is playing from a tired piece of music.

Mainstream Audience Score: 3.5/5 – if you haven’t seen the Rocky series or many other boxing movies it’s a good character drama with great performances

After Credit Scene?

None

Trailer:

Michael’s Review: ‘Ant-Man’- Sometimes Tiny Superheroes Have the Biggest Heart

Ant-Man posterA film once destined for greatness was dealt a blown after the departure of director and fan favorite Edgar Wright from the project, but despite the negative reaction to the news, Marvel carried on and hired Peyton Reed (Yes Man) to fulfill the companies vision of their long standing character. Ant-Man, the story of a man who can shrink to the size of an ant and fight crime, a gamble at best for the studio, but one, done right, that could introduce another iconic Avenger into the Marvel Cinematic Universe.

Marvel's Ant-Man..Scott Lang/Ant-Man (Paul Rudd)..Photo Credit: Zade Rosenthal..? Marvel 2014

Marvel’s Ant-Man..Scott Lang/Ant-Man (Paul Rudd)..Photo Credit: Zade Rosenthal..? Marvel 2014

The year is 1989 and Hank Pym (Michael Douglas) is a scientist who, at present, works for S.H.I.E.L.D. Pym has created a technology which allows a person to shrink to the size of an ant, a technology many want to get their hands on. Finding out that S.H.I.E.L.D has tried to replicate this tech, Pym, believing the tech is too dangerous even for those who want to use it for good, vows to hide it and protect it as long as he lives.

Present day finds Pym protégé, Darren Cross (Corey Stoll), alongside Hank’s daughter Hope (Evangeline Lilly), have forced Hank out of his own company. The two have continued the research that Hank had vowed to protect and Cross is close to perfecting a shrinking suit of his own. Knowing he must stop this from happening, Pym decides to take action. This is where Scott Lang (Paul Rudd) comes in. Lang, a convicted criminal and expert burglar, is looking for a second chance in life, a chance that would help him reclaim a place in his daughters life, but prospects aren’t that easy for someone with a record. Ex cellmate  Luis (Michael Peña) offers to help get Lang back on his feet with an opportunity to get back into the life he most desperately wants to leave behind.

Marvel's Ant-Man..L to R: Scott Lang/Ant-Man (Paul Rudd) and Hank Pym/Ant-Man (Michael Douglas)..Photo Credit: Zade Rosenthal..? Marvel 2014

Marvel’s Ant-Man..L to R: Scott Lang/Ant-Man (Paul Rudd) and Hank Pym/Ant-Man (Michael Douglas)..Photo Credit: Zade Rosenthal..? Marvel 2014

Lang breaks into a house and cracks its safe, but only finds what he believes to be an old motorcycle suit, which he takes home. After trying the suit on, Lang accidentally shrinks himself to the size of an insect. Terrified by the experience, he returns the suit to the house, but is arrested on the way out. Pym, the homeowner, visits Lang in jail and offers him a proposition, a chance to become a hero, a chance to save the Earth, a chance to be the Ant-Man! Just one catch, he has to revert back to his old life and steal Cross’ tech and help destroy it.

Marvel's Ant-Man..Scott Lang/Ant-Man (Paul Rudd)..Photo Credit: Zade Rosenthal..? Marvel 2014

Marvel’s Ant-Man..Scott Lang/Ant-Man (Paul Rudd)..Photo Credit: Zade Rosenthal..? Marvel 2014

Director Peyton Reed, working with the script written by original director Edgar Wright along with Joe Cornish, Adam McKay and Paul Rudd, plays it safe and sticks with the script as it was meant to be portrayed and never “dumbs down” the dialogue to make it easier to follow. Everything about Ant-Man that works comes from its heart and simplicity. The film never takes itself too seriously and that’s what ultimately helps make Ant-Man’s first venture to the big screen so much fun. Same to say this is the best origin story Marvel has produced since the original Iron Man, unless we’re counting Guardians of the Galaxy as an origin story and then, well…

Marvel's Ant-Man..L to R: Darren Cross/Yellowjacket (Corey Stoll) & Scott Lang/Ant-Man (Paul Rudd)..Photo Credit: Film Frame..© Marvel 2015

Marvel’s Ant-Man..L to R: Darren Cross/Yellowjacket (Corey Stoll) & Scott Lang/Ant-Man (Paul Rudd)..Photo Credit: Film Frame..© Marvel 2015

Paul Rudd is outstanding as the titular hero. Rudd brings so much heart and compassion to this role, which brings a heightened level of believability to the character. Michael Douglas is equally as phenomenal as the elder statesman of the Ant-Man universe. Douglas looks very at home in his first go at a superhero movie and you can tell that the seasoned actor was having a blast bringing this iconic character to life. Evangeline Lilly works equally as well with both Rudd and Douglas, but it is her relationship with the latter that helps add to the heart of the film. My only real issue with the film is the villain, played by Corey Stoll. One of the major complaints with Marvel films is that their villains have been hit or miss, and with this film, the villain is a miss, but not by much. Stoll seems to have the ability to provide a menacing character, so it leads me to believe the studio elected for a more family friendly villains. Sadly the villains doesn’t work as well as it should for my taste. The show stealer however is Michael Pena! That guy is incredible witty and his delivery is spot on.

Overall, Ant-Man is probably not the exact film we would’ve gotten if Edgar Wright had directed it, but it sure is one heck of a film. Take the whole family to see this film, a good time for all! Ant-Man will return!

Stars:

3 1/2 out of 5

After Credit Scene?

2 ( One during the credits and a stinger at the end)

Trailer:

http://www.youtube.com/watch?v=ad4zeQTymMU

Opposing Reviews: Melissa & Liz review Woody Allen’s ‘Irrational Man’ with Joaquin Phoenix, Emma Stone & Parker Posey

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Liz and I often agree on movies, but there are occasions where we do not, and Irrational Man is one of them. As it rolls out to theaters across the country, starting with this weekend, we thought you might like to read two different opinions. Enjoy!

Melissa

Looking through the stills of Irrational Man, I almost remember it fondly. Seeing these characters without the context of the movie, they are attractive and happy. Within the movie, Joaquin is a bitter, drunk college professor with some sort of social disorder and a Emma is a student who falls in love with her teacher.

So what’s it about? Abe (Joaquin Phoenix) is the new philosophy professor whose cynical yet brilliant ideas attract a student, Jill (Emma Stone) as well as a colleague, Rita (Parker Posey). Ok, another example of a young woman attracted to an older man. But wait, is it?

I’m typically a Woody Allen fan, but I didn’t care for the last movie with Emma Stone, Magic in the Moonlight, either. In this, Emma is way too eager and without a likeable personality. She knows she’s a silly girl, yet she doesn’t shy away from it. Parker Posey is even more manic than expected and it actually works pretty well. She’s a bright spot.

Joaquin seems totally miscast and never really gets into the role. His words don’t seem natural at all and come off as though he’s adding words on his own. It kills me, as I’ve loved everything he’s been in.

The story is pretty original however, with unexpected turns, especially the ending. As per usual with a Woody Allen movie, it’s beautifully shot and edited. The soundtrack is unbelievably repetitive, with the same piano version of “Judy In Disguise” playing over and over again in pretty much every scene. I had never noticed this in Allen’s movies before, but I certainly noticed it this time around.

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Liz

On the flip side of the coin, I found this film to be pretty delightful. There is no mistaking this is pure Woody Allen fare. Punctuated by loose jazz standards, quippy, fast-paced dialogue, including dairy-esque monologues moving the film’s plot along nicely. It’s not too far fetched that one overheard conversation can change the course of your life forever, but certainly for amusing and dramatic purposes, this one is pretty over the top. The plot also revolves heavily around the concentration of philosophy, which is the subject Joaquin’s character teaches. One of the best tongue in cheek lines is a direct quote from his portrayal of Abe, ” Philosophy is verbal masturbation.” This is kind of the perfect way to describe Allen’s writing style in general and I think you either gravitate towards it, or you don’t.

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I was certainly pleased with all the performances in the film. Emma Stone‘s Jill is eager, bright, yet her flippant idolatry for her professor is not so far fetched. It’s a strong performance she owns with ease. Phoenix, for me, was perfectly cast as Abe. His jaded, depression filled, existential crisis excuses are anything but boring. It was refreshing to see him in something with a biting sense of humor as far as the script is concerned. And then we have my girl, Parker Posey as Rita. I’ve been a huge fan since her Waiting For Guffman and House of Yes days. She has an uncanny ability to slip into whatever role is thrown at her. Her genuine nonchalance as a bored fellow professor is just the best. Being of the same age and stage as Abe gives the two a breezy interaction that allows Posey to shine as a real person. Not a caricature of a woman, but a really well written woman, with hopes, dreams, opinions, unafraid and yet still completely vulnerable. I would have watched a full film about Rita.

So, there you go movie fans. Two Woody Allen fans with two very different opinions of the same film. I guess you’ll just have to buy a ticket and find out for yourself. Irrational  Man opens in theaters this weekend opening in more theaters throughout the coming weeks.

Jeremy’s Review: Kim Seong-Hun’s ‘A Hard Day’ Is an Adrenaline-Fueled Thrill Ride Worthy of Your Attention

hard dayLet’s just say this – Korean film is on a roll. From the works of Chan Wook Park to Bong Joon Ho, South Korean is churning out some of the most inventive and interesting films since the turn of the millennium. Kim Seong-Hun‘s A Hard Day is definitely welcome in this same group. A white-knuckler for sure, A Hard Day doesn’t waste any time getting into the action, raising the pulse of the action steadily from the opening scene to the perfect last shot.  That it is able to sustain a level of high intensity for almost two hours is commendable, if not exhausting for the viewer. But it is highly rewarding. This is a film that many thrillers aspire to but rarely achieve.

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The story is simple – Detective Ko (Sun-kyun Lee) is in mourning for his mother, who has just passed. As he sits with his family as he receives a call that something has happened at the police station where he works that requires his attention. As he is driving to the station, he accidentally hits and kills a man in the road. This leaves him in a dilemma – does he turn himself in or does he cover it up? Take a guess which one he chooses. This decision continues to haunt him for the remainder of the film. When he gets to the office, he finds out that they have been raided by Internal Affairs for taking bribes and now his job is at risk…and he has a dead body in his trunk. He disposes of the body in a perfect way, which leads us to think that we haven’t seen or heard the last of it. When Ko gets a phone call from a man purporting to know that he has killed the pedestrian, a whole host of new problems open up for Ko pushing him (and his family) to the brink.

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This movie is so kinetic, so heart-pounding that you rarely get a chance to come up and breathe before Ko falls into one more twist that draws him (and us) back into some deeper shit.  Jin-woong Jo, who plays Ko’s formidable opponent Park, looks every bit of a villain. Park’s cunning and planning push Ko to stay on his toes and adapt quickly. So often villains telegraph their moves making it easy for the protagonist to succeed. Not in this film, though. Park is one step ahead of Ko at seemingly all times and just keeps coming back for more.

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While the ending sequence between Park and Ko dragged on for a bit too long, it had such a satisfying end and one that the film earned. The final shot of the film is just perfection. Credit goes to Seong-Hun‘s script throughout for really giving the viewer the proxy ride, via Ko, on this adventure. It’s one that you won’t easily shake for a while after it’s done. I could easily see this film getting an American remake (although I hope it doesn’t as it’s perfect as is) a la Scorsese‘s remake of Lau & Mak‘s Infernal Affairs. This is a film that American audiences crave as is evident that there have been three (THREE!!!!) films made in the Taken series and all three combined don’t give anywhere near the amount of thrills and suspense that A Hard Day gives.

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With respect to the great number of blockbuster films that have come out this summer, none that I’ve seen engaged me or thrilled me as much as A Hard Day. That said, you should RUN, not walk, to see this film if you get the chance. It has all you could want in an action film and more.

A Hard Day opens today at Village East Cinemas in New York with a national release to follow and is brought to you by the good people over at Kino Lorber.

Liz’s Review: The mystery that is ‘Mr. Holmes’ is newly enchanting.

Mr Holmes PosterBooks and films and a very successful television series, the enigma of the world’s greatest detective once again leaps off the pages and onto the big screen in a new and refreshing take on the master of mystery. Mr. Holmes gives us the story of Sherlock, post Watson, decades after his retirement, residing in the  beautiful Welsh countryside. Frustrated with the public’s misconception of him, Holmes gathers his own pen and ink to illustrate his final case and the moments that lead him to his present.mr holmesNot a hair out of place, Bill Condon‘s directorial adaptation of the novel, “A Slight Trick of the Mind” is pure brilliance. The script is witty, openly poking fun at assumed literary cannon. Mr. Holmes is magically bright and haunting all at once. With a surrounding of everyone’s dreams in London and Wales, how can one go wrong alone visually. The music is a lovely addition and the costumes are exquisite. Mr Holmes Ian and LauraSir Ian McKellan is elegant as Sherlock. Unafraid and sharp, his iconic intonation continues to be a gift each time we are presented with him. His screen presence is something to be studied and emulated. A mere glance from this legend invokes 1000 words unspoken. Wonderfully paired with Laura Linney, as his dedicated housekeeper Mrs. Munro, these two are quite a team. Linney’s performance is laden with a desperate sadness that is truly palpable. Quietly frustrated with her stage in life, while attempting to raise a bright, young son, and take care of an aging and brash Sherlock, she is oftentimes unappreciated and incapable to expressing her melancholy to it’s healthy extent. It’s a beautiful performance. New on the scene is Milo Parker as Linney’s son, and McKellan eager young sidekick, Roger. This gorgeous young boy is a bit of a phenom. Parker will be appearing in the upcoming remake of Ghostbusters and Tim Burton‘s highly anticipated adaptation of Ransom Riggs‘ YA novel “Miss Peregrine’s Home For Peculiar Children” (Which, if you have not yet read, get thee to a book store, immediately). His performance as Roger is far beyond cute. It is thoughtful and honest and you cannot help but fall madly in love with this child. This is simply the beginning for him, I have no doubt.  If you’re a fan of Holmes, you’ll love this film. If you’re a fan of great acting, you’ll love this film. If you’re a fan of beautifully done period pieces, you’ll love this film. If you’re a fan of splendid movies, you must see Mr. Holmes.

Mr. Holmes comes to theaters today, Friday, July 17th.

Interview: Producer Kevin McCann of the Upcoming Film ‘The Rising’ about Ireland’s Easter Rebellion of 1916

As I’ve just come back from a two-week trip to Ireland, it only seems fitting that I was able to have a conversation with Kevin McCann, producer of the upcoming film The Rising about the 1916 Easter Rising. Fed up with British rule and 800+ years of oppression, a valiant group of patriots started a rebellion which lasted 6 days before it came to a close. Fifteen of the leaders of the rebellion were tried, convicted and put to death shortly after the rising. One of those leaders was Seán MacDiarmada and he is the focus of The RisingWhile the Easter Rising is a subject that has been referenced in other films (Michael Collins and The Wind That Shakes the Barley are two that come to  mind), MacDiarmada is a person who has not made an appearance and doesn’t have the recognition that someone like Collins or Eamon de Valera do. However, that doesn’t mean that he is any less important in a historical context.

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So this is what drove my conversation with McCann. As we trundle towards to the 100th anniversary of the Easter Rising, McCann is trying to capitalize on the attention on this milestone anniversary to produce the first film about arguably Ireland’s most important rebellion. He is currently on a tour of six cities (New York, Boston, Chicago, San Francisco, Los Angeles and Washington DC) in order to find fund the $6 million production budget to get this film made and ready for its expected premiere date of March 17, 2016.

In one hour, McCann passionately described his efforts and motives for making this film. This was one of the most enjoyable conversations I’ve had in quite some time. Being able to talk about some of my own heroes and why their struggle is still worthy of discussion today meant a great deal to me. Here’s what we talked about:

Kevin, Colin Broderick, Ms. Barbara Jones, Consul General of Ireland

How has your tour of America been treating you? What cities have you been to besides NYC and Boston?

I’ve been three times to Chicago and will be going to San Francisco, LA and Washington DC. I’m saying look – I’ve been working on this since 2012 and it won’t be made unless Irish Americans help. There isn’t money or really a sense of urgency in Ireland. Families of the signatories [of the Proclamation of the Irish Republic] are worried there will be no celebration, that a tumbleweed will be rolling through Dublin on April 24, 2016.

I’ve been coming to the US in regards to the film since October 2013. The response in the US has largely been very positive. Financing in Ireland is tough these days. I’m here to promote the movie and have one-to-one meetings. To inform people.

We did a Kickstarter late last year that netted 50,000 euros in 35 different countries. This is proof it’s not just an Irish story. We have a $6 million budget that needs to be raised almost exclusively privately. We got some production funding from the Irish Film Board. I was recently in Cannes, but distribution funding is scarce.

Why do you think it took so long for a film about the Easter Rising to come out? I know it was touched on briefly in [Neil] Jordan’s Michael Collins film.

I started to write a document about this. There seems to many reasons to ignore ’16. Next year is an election year and in Ireland a film this can be seen as advantageous to Sinn Fein only. All parties have the right to this, Fine Gael. Fianna Fáil. Why has it not been?…I don’t know. It will take an hour to explain. Political capital, not wanting to rattle  [England and Northern Ireland]. We aren’t quite a  fully formed nation yet. It’s almost a philosophical question – if we recognize someone as an Irish hero that responds to their conscience, it’s up to us to recognize us as an Irish people. If this happened in another country, they would have certainly looked into it.

I was interviewed by the Irish Times – first question they asked me, you’re making a film about ’16…are you a supporter of violence? What they’re saying is you’re an IRA man.

It’s very difficult to have a discussion about it. Irish politics have tainted it. Survivors guilt.

I genuinely feel that I MUST make a film about 1916. I started from a point of complete ignorance. I didn’t know 1916, the proclamation, who Sean MacDiarmada was. I see other men & women crying because we haven’t celebrated ’16 enough.

Kevin, Consul General, Josh Lucas, Colin(1)

MacDiarmada is a relatively unknown player in the historical context of the Easter Rising. What was the motivation to use him as the lead in this film as opposed to [Patrick] Pearse or [James] Connolly?

To be honest, I called to the library in County Leitrim, to ask if there a grant available to look into MacDiarmada as a subject of the film. There were films being shopped, but the scripts weren’t very good and they’ve all fallen by the wayside. This is a film that can compete. The people are going to be talking about 1916.

I didn’t know anything about MacDiarmada until I did a documentary called Leitrim During the Troubles. I wanted to research more about and the library gave me a grant of 1,000 Euros and it started there and snowballed. I moved to Belfast to learn more about him and work with Dr. Gerard MacAtasney [writer of The Mind of the Revolution]. He was a farmer’s son who cracked the world’s largest empire. You can’t get any better of a story than that of Sean MacDiarmada. Led his country from slavery to freedom. The hero gives up his life for the greater cause.

His mother was dead by age 9, his neighbors were being evicted from the land, so you have all of these perfect mythological things that are TRUE. Make the GOD DAMNED FILM. I have a particular interest in how the Irish treated those who participated in the Rebellion. The nation changed forever when the 16 were killed.

Seamus Heaney helped motivate me from that poem ‘From the Canton of Expectations – “what looks the strongest has outlived its term.”  Keep their faith and keep on the road and they would succeed. We will not go off this path, we will see it through. It was Goethe that said “Our duty is the demands of our day.” MacDiarmada followed this.

I think of Robert Emmet’s speech From the Dock from the  1803 Rebellion. MacDiarmada was motivated by this speech. It was part of his conscience.

Rebellion and violence isn’t an answer for every disagreement, but at the time, it was necessary.

They were looking for a democratic republic just like what happened in the US.

Has there been any pushback about making this film? Any threats against the production?

Every day. More pushback from folks in the South than the North. There is a lot of reluctance there. The whole question of the North hasn’t really been reconciled in the South. It hasn’t been properly discussed. There is fear that the film will make some moderate revisionist apology. Some people are content with their Irishness and are concerned that we are going to make a pro-violent and pro-IRA film, which is blather from both sides. So I carry on regardless. My responsibility is to the men and women of 1916 and to the people who want to know the history of Ireland.   It’s happening on our watch. It’s your responsibility as well [as an Irish-American]. What will you tell me in five years that you did to help remember this event?

The Easter Rising was funded through Irish America therefore 100 years later, we are following in the footsteps of MacDiarmada and [Patrick] Pearse as we are trying to get funding for this film.

I’ve seen that Liam Neeson likes the script. What role would he play if he joins the project?

That was two weeks ago. We want to see him help us make the movie through his contacts, not have a role. We are enthused with the fact that he’s read it and loves it. I think we’ll be able to make an announcement about this in two weeks. I hope.

[UPDATE: an announcement was made July 1 that Michael Neeson, Liam’s son, will be playing the young Michael Collins in The Rising, reprising the role Liam played in Neil Jordan‘s 1996 film.

I LOVE that Shane MacGowan is doing the theme song. Perfect. How did you come by that decision?

I know the former manager of The Pogues and he asked him for me. Connections. He’s just doing the theme song to feature at the end.

Kevin1

I just got back from a trip to Ireland where I met with President Higgins. I know he’s a big film guy (we spoke about Julia Roberts’ accent in Michael Collins and had a laugh). As a former Culture Minister, I would expect that this is something he would love to see made. Have you had any conversations with him or his staff about this?

You have to remember that filmmaking is perceived as profit-making venture so political leaders’ hands are tied when the project has commercial value. I’ve discussed it with his staff and asked for a meeting with him and hope to get one. There’s hesitancy in the Irish political establishment to discuss ’16. Next year is going to be our time.

Locations?

Dublin, studio, Leitrim, Irish countryside. MacDiarmada’s estate is still there and in perfect condition. That’s where he was born, raised, learned about nature, his place on the earth. You need only stand on the front doorstep and you’re looking into County Fermanagh, Northern Ireland. And you see an example of the division. It’s not just divided North & South, but all axioms.

So that’s that. I want to give a huge thanks to Kevin for taking time out of his busy schedule to speak with me about this film. I contributed to the Kickstarter for this film and wish Kevin and his team nothing but luck. I think that this film is a terribly important step to recognize a series of leaders who put country before self and is incredibly important with respect to us as Irish-Americans. That we are only days after celebrating the 239th anniversary of the declaration of our own independence from the same colonialist country, the parallels between the rebellions are closely tied.

Should you wish to stay up to date with what’s going on with this film, check out their website. And more importantly, if you wish to contribute to the cause, you can also do that there. Here is their Facebook page as well as their Twitter. I will do my best to keep posting about the film especially as it careens towards production this November.

 

Retro Review: ‘Back to the Future’- We Celebrate the 30th Anniversary of the Films Release!

back-to-the-future-posterDirector Robert Zemeckis probably hoped that his film about a time traveling boy would be a remembered, but I’m reasonably sure he had no idea the impact it would have on the legions of fans for years to come. To say this movie was a success would be an understatement. Since 1985, Back to the Future has gone on to gross more than $381 million dollars worldwide and was the #1 movie of 1985. Back to the Future was voted the 23rd greatest film ever made by readers of Empire Magazine, it has been included in AFI’s Top 10 Science Fiction Films of All Time, it was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”, and most importantly, it is my #1 movie of all time. Let’s look back 30 years into the past and travel Back to the Future.

Back-to-the-Future-MartyMarty (Michael J. Fox) is your average rebellious teen destined for rock stardom and all the spoils that come with it; there’s just one problem…he’s a McFly and in Hill Valley, that name stands for mediocrity; but things are about to change. Marty lives with his parents George (Crispin Glover) and Lorraine (Lea Thompson) along with his siblings Dave (Marc McClure) and Linda (Wendi Jo Sperber). George is the pushover type never looking for trouble but seemingly finding it. He works for a supervisor named Biff Tannen (Thomas F. Wilson) who is always looking to bully George and seems to have a past with the family. Lorraine, Marty’s mom, is an alcoholic who’s life just hasn’t turned out quite the way she imagined. Marty’s siblings still live at home after graduating high school and just can’t seem to catch a break in life. During an exchange at the dinner table, Lorraine recants the tale of the night her and her husband met, a story which involving George being hit by Lorraine’s fathers car. It was the moment she knew they fell in love and would be together forever.

Back-to-the-Future-back-to-the-future-8227843-640-480Marty’s best friend scientist Dr. Emmett Brown (Christopher Lloyd) has created a time machine….out of a DeLorean! How can it time travel you may ask? Well you preset a travel date into the console, a date like, oooooh say November 5th, 1955. Yes! November 5th 1955, the day Doc Brown hit his head on the porcelain sink while hanging a clock in the bathroom, when he came to he had a vision of the Flux Capacitor. The vehicles time displacement is powered by plutonium, but don’t worry, this suckers electrical, it uses the plutonium to create a nuclear reaction to generate the 1.21 gigawatts of electricity to power the Flux Capacitor. But watch out, once this baby hits 88 mph we’re gonna see some serious shit.

Back to the future 3So where would a scientist from California get his hands on plutonium? Well from a Libyan terrorist group of course, and they are sure pissed that he stole from them. They show up to collect what is owed to them and they are out for revenge. Marty witnesses the assassination of his old friend which leaves him little choice, jump in the DeLorean and haul ass. But as Marty is speeding away, he hits the magical 88 mph and Marty is shot back in time to Hill Valley 1955.

michael-j-fox-marty-mcfly-and-crispin-gloverOf course Marty’s immediate reaction is to explore Hill Valley and search for Doc Brown to help him return to the future but in the process some unexpected events occur. Marty encounters his father George who is again being bullied by Biff. As George fleas the scene, Marty decides to follow him only to find him spying in a tree at an unsuspecting female. George loses his balance and falls out of the tree, but Marty comes to the rescue, pushes George away from the car and inadvertently is hit with the car instead. Marty wakes in his mothers room where she has become smitten with Marty. He realizes that he has mistakenly taken the place of his father in the tale of their impeding love story and subsequently altered the future.

michael-j.-fox-and-lea-thompson-in-inapoi-in-viitorMarty finds Doc and Doc explains that the only available power source capable of generating 1.21 gigawatts of energy is bolt of lightning. Marty knows that lightning stuck the towns clock tower and 10:04 pm on November 14th, 1955. All that Doc and Marty have to do is figure out a way to harness its power. Oh, and convince George to ask Lorraine to the Enchantment Under the Sea dance and re-change the past so Marty can save his future! But of course Biff has something to say about that.

thomas-f-wilson-as-biff-tannen-in-back-toMy love for this movie knows no bounds. It was the first movie I latched onto in my younger years and I’ve watched it at least once every month since…yes I’ve seen this movie over 350 times. The film’s story was so original and fresh that it immediately found an audience with young viewers. Michael J. Fox was a star at the time with the popularity of the hit show “Family Ties”, but interestingly enough Fox was the producers second choice for Marty (Eric Stoltz was originally cast); but there was no better choice than Fox as he ultimately proved. Marty McFly has become an iconic character who’s appeal is as beloved today as it was 29 years ago…maybe ever more so. Christopher Lloyd’s portrayal as Doc Brown is equally as iconic as Fox’s performance. The mannerisms, the delivery of the dialogue, the chemistry he created with Fox brought an immediate emotional connection to the movie which resonated thru the following two sequels. The friendship between Marty and Doc is one very few can top. These characters will live on in film history as two of the greatest ever created.

back-to-the-futureThe supporting cast was amazing. Lea Thompson was fantastic in her duel roles as Lorraine Baines and the future Lorraine McFly. Her beauty was unsurpassed and her presence omitted a touch of youthful mischief that added a level of playfulness that was key to the execution of her relationship with Marty. Crispin Glover was equally as phenomenal as George McFly. His mannerisms as a youthful outcast whose dream of becoming a sci-fi writer and sweeping the woman of his dreams off her feet are quirky and awkward but extremely lovable. Glover brings a level of tension to each scene that allows the audience the feeling of concern yet allows for a playful exuberance to shine thru. And who could forget Tom Wilson. The antagonist of the film, Biff Tannen, arguably one of the top villainous performances of the 1980’s and beyond. Wilson is THE perfect bully. From his interactions with George to his confrontations with Marty, Wilson stands with each actor toe to toe and creates memorable scene after memorable scene. From his bruting mannerisms to his off beat comical delivery, Wilson is a gem in every scene.

Back to the Future is a film that changed the way I watched movies at an early age and solidified my love for film. It is a movie that deserves every one of its accolades and will stand the test of time as one of the all time films. This movie takes me to a place emotionally that allows me to relive a small piece of my childhood with each viewing. I owe so much to this film and I have no way to pay it back. I can simply say thank you Marty and Doc for taking me on your journey.

Stars:

5 out of 5 stars

Trailer:

Michael’s Review: ‘Terminator Genisys’- Arnold is Back, but is That a Good Thing?

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30 years after the iconic role that put Arnold Schwarzenegger on the map, the actor returns to the franchise with Terminator Genisys, the first in a brand new trilogy about an apocalyptic future where machines rules the Earth and humanity fights for survival. Alan Taylor (Thor: The Dark World) takes the helm on what Paramount Pictures hopes will be a resurgence of interest in a stale and uneventful franchise as of late. Can Ah-nold and his new cast members “reset the future”?
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The year is 2029,  John Connor (Jason Clarke), leader of the human Resistance, continues to wage war against the machines alongside his right hand man Kyle Reese (Jai Courtney), but the battle is coming to an end. Connor commands his forces to attack Skynet at multiple locations, one to strike at the main defense grid in Colorado, and a second, led by Kyle and himself, to destroy Skynet’s last hope weapon, a time machine hidden at a remote storage facility. Connor and Reese arrive, but just after Skynet sends back a T-800 to the year 1984 to kill John’s mother, Sarah Connor (Emilia Clarke).

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Foreseeing this outcome, Connor sends Kyle Reese back in time to protect Sara, a young waitress who, at the time of her attack, would be vulnerable and unaware of the coming doom that would alter her life forever. Moments before Kyle disappears, he witnesses one of the Resistance fighters, Alex (Matt Smith), attacking John. Without knowledge of the outcome, and knowing his mission, Reese arrives in the year 1984 to find young Sara, but as he arrives, the machines were waiting for him. After being ambushed by a T-1000 (Byung-Hun Lee), Reese is rescued by Sara, who is not the Sara that he was told of, and her Guardian (Arnold Schwarzenegger), a reprogrammed T-800 who was sent back from the future by an unknown source, to protect Sara when she was young. Reese quickly realizes that the original timeline has been altered, and the mission has become more clear, destroy Skynet before Judgement Day.

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The trio has one chance to get this right. The Guardian has built a time machine similar to Skynet’s and Sarah plans to 1997 to prevent Judgment Day, the temporal point for which she believes to be where the final battle is waged, however, Reese, who has been seeing glimpses of memories from a time he does not know, persuades Sarah and the Guardian that they should travel to 2017 instead. But what awaits them when they arrive is nothing like they could ever imagine. As the fate of world rests in their hands, can they arrive in time to stop Skynet from going online?

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Alan Taylor does a fine job keeping this confusing story on track. From start to finish, this film does a very good job of walking a fine line between honoring the original film as well as creating its own new identity within this already established world. The script by Laeta Kalogridis and Patrick Lussier works well in explaining the appearance of Arnold Schwarzenegger’s aging T-800 and developing a fresh take on the Sara Conner back story which doesn’t appear forced or convoluted within the context of the universe. Speaking of Sara Conner, Emilia Clarke is fantastic in her first go as the iconic female freedom fighter, originally played by Linda Hamilton. The “Game of Thrones” star is no stranger to taking on high profile roles and she plays Sara with careful precision and intensity that will help her being accepted by long time fans of the original film. 

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Jason Clarke takes on the role of John Connor, now on the characters fifth actor in 30 years. Clarke, a rugged, strong actor, fits well within the role of the leader of the Resistance and plays the character much how I envisioned him in the brief glimpse we see of him at the beginning of T2: Judgement Day. Seeing Arnold Schwarzenegger as the T-800 again, to me, will never get old. I love the character and the way that the aging actor plays him with such wonderfully subtle detail. Schwarzenegger delivers yet again. Jai Courtney does an admirable job as Kyle Reese, a character originally played by Michael BiehnCourtney has a tendency to play the character a tad too wooden at times, but he recovers and delivers a sufficient performance.

Overall, Terminator Genisys is a fun walk down memory lane with a lot of new twists. With a variety if options for this franchise now, it will be interesting to see how they continue this story. Terminator Genisys is a far better film than the last two installments in the series, but just missed being included within the greatness of the original film and T2.

Stars:

3 out of 5

After Credit Scene?

Extra scene in the middle of the credits, no stinger after the credits

Trailer:

Liz’s Review: ‘The Little Death’ delivers some sexy education.

The Little Death posterSex comedies are all the rage these days. Films like The Overnight and Sleeping With Other People, two of this year’s Tribeca Film Festival favorites will be coming your way in July and September respectively. Until then, The Little Death will fill the void, pun potentially intended. There are also lots of MILFs on the adult dating sites so you can easily find a MILF near you for casual sex and have all of the kinky fun you ever wanted.Paul and Maeve The Little Death stillFive couples living in suburban Sydney have very different but fascinating sexual desires, that included yolo sex toys to improve pleasure. Ans, yes, while the film seemingly centers around the topic of sex, The Little Death is actually about intimacy. The couples are as follows: Paul and Maeve- One with a suggested fear of commitment and the other with a rape fantasy while doing livecam sex chat. Phil and Maureen- Phil is a submissive man who is only aroused when his cold hearted wife is asleep. Dan and Evie- marriage therapist suggests role play might help, until Dan’s priorities take a turn. Richard and Rowena- Trying to conceive, sex becomes more about purpose and less about pleasure. Finally, Monica and Sam- She is a deaf video play interpreter and Sam is her customer. Each of these characters wants something from their  partner. Getting it comes with some truly hilarious and oftentimes heartbreaking consequences. Get the best dildos from bboutique, here you get the best variety of sex toys for women.Evie still The Little DeathThe script is brilliantly written and directed by Josh Lawson, who also beautifully portrays Paul. The structure is presented in form of a sexual manual and is entirely funny and informative. It allows the audience to open their own dialogue about deep seeded personal issues, both sexual and emotional, tackling such things as self loathing, fetishes, relationship shifts, and manipulation. Even if the particular kinks aren’t something you’ve experienced, the film is relatable in some way on every level. It’s a perfect balance of heartwarming and laugh out loud hysterical. With a superb ensemble cast, a fun soundtrack, and excellent writing, The Little Death should most definitely be on your list this weekend. The winner of the Audience Award at this year’s SXSW, you can count on a little something for everyone. Monica still The Little DeathI must take a moment to acknowledge what I think is the most beautiful and revelatory story in the entire film. The unique final scene between Monica and Sam, is some of the best dialogue I’ve seen in some time. 50% of which is in sign language, it allows us to  completely break down the barriers of communication in a very literal sense. Every moment between actors Erin James and T.J.Powers is perfection. It’s the perfect ending to an already out of this world indie gem. Even if the rest of the film weren’t as fantastic as it is, this scene alone brings laughter and happiness to your head and your heart. Most definitely seek this film out. You cannot go wrong.

The Little Death comes to theaters and VOD Friday, June 26th.

SYNOPSIS: The secret lives of five suburban couples living in Sydney reveal both the fetishes and the repercussions that come with sharing them.

Country: Australia

Language: English

Release Date: 26 June 2015 (USA)

Filming Locations: Sydney, Australia

LIz’s Review: ‘Bound To Vengeance’ holds us captive.

Bound to Vengeance posterIFC Midnight has given us a slew of great genre features in the past such as ATM, Exam, Dead Snow, and The Snowtown Murders (all available to stream on Netflix). Their newest release, Bound To Vengeance challenges the female protagonist role that we’re used to seeing in horror: Girl equals helpless victim, let’s leave the policing to the manly cops. No cops in sight, our lead takes action into her own hands.Bound to Vengeance still Eve and PhilThe film’s opening credit sequence is immediately reminiscent of Texas Chainsaw with a lone beat up van swiftly cruising down a deserted highway, though in this story the inhabitant of the car is our villain. Bound To Vengeance pulls no punches as the mental ride follows directly after those very opening credits. Our mystery man carries a tray with homemade soup down an eerie hall and into a locked basement room. There we find Eve, a young, slender woman chained to the floor. She manages to escape and in her attempt to get away, she realizes that she is not the only girl being held captive. She needs her captor. Fashioning a noose out of items inside the rundown house, Eve strikes a deal. He tells her where the others are and she drops him off at a hospital… But, even the best laid plans easily go awry.Bound to Vengeance Eve stillThe script is truly unexpected. Just when you think you’ve figured out what is going on, plot twist. You have to respect the ever changing scenery and manipulation. While it may not be a 5 star film, I will say, I had to know what the truth was and wanted to see Eve kick some major ass. Speaking of which, Tina Ivlev plays our heroine with an honest determination. She’s not a super ninja or hyper intelligent prodigy, she is a normal, albeit, incredibly resourceful and strong woman. That is what I appreciated most about the script. She was a girl who just wanted to save the others and in turn come to terms with her own captivity. Richard Tyson gives us our villain, Phil. It’s a complex performance filled with masterfully sick, power-struggle laden dialogue. How much do we trust Phil? Should we trust Phil at all? Once you get to the end of the movie, you realize that all the clues were there to begin with. Bound to Vengeance could have easily been a mini series. There is much more to this story and I for one would look forward to a sequel.

In Theaters and on VOD Friday, June 26th.

Film Synopsis
BOUND TO VENGEANCE is a gritty revenge thriller about a young woman, EVE (Tina Ivlev), who fights back and manages to escape a malicious abductor. However, after discovering she may not be the only victim, Eve unravels a darker truth and decides to turn the tables on her captor. The film is directed by J.M. Cravioto and stars breakout actress Tina Ivlev and Richard Tyson. The screenplay was written by Rock Shaink, Jr., and Keith Kjornes.
BOUND TO VENGEANCE 
Directed by: José Manuel Cravioto
Produced by: Alex Garcia, Rodolfo Marquez, Daniel Posada
Cast: Tina Ivlev (The Devil’s in the Details), Richard Tyson (Moonlighting), 
Bianca Malinowski (Midnight Bayou)  
TRT: 80 minutes
Language: English
Genre: Thriller / Horror

Jeremy’s Review: Oeke Hoogendijk’s “The New Rijskmuseum” Is a Unique Documentary Capturing the Spirit of Rebirth of Holland’s Premiere Cultural Institution

new rijksmuseum posterJust when I thought films about the inner workings of an art museum couldn’t get much better than Frederick Wiseman‘s National Gallery, along comes Oeke Hoogendijk‘s The New Rijskmuseum. Capturing the tumultuous journey of renovating the Rijskmuseum starting in 2003, I doubt the filmmakers, much less the administration of the venue knew that it would take 10 full years to complete the project. Think about that – one of the finest cultural institutions in the world, the home to many Rembrandts (including the famous The Night Watch) and four of only thirty-four of Johannes Vermeer‘s paintings in the world, was CLOSED, not open to the public, for 10 years.

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Director Hoogendijk has unfettered access to the process which is carefully laid out at the outset of the film in a voiceover by Queen Beatrix from 2001:

The accessibility of our cultural heritage for a wide audience calls for changes in the museological establishment. Government funds have been made available for the large-scale renovation of the Rijskmuseum of Amsterdam

Under General Director Ronald De Leeuw, the Rijksmuseum begins its transformation, which was to to take initially 3 years and happen with a budget of 134 million euros. But as I always say, construction is the biggest racket out there and no project ever comes in on time or on budget. So what unfolds is not so much a comedy of errors, but a comedy of bureaucracy. The architects, Cruz y Ortiz from Spain, won the bidding/contest with their design for the new grand entrance, but their design comes under fire when the local cyclist union fights back against the plan because it limits the space and access to the cyclists of Amsterdam who have come to appreciate and rely on the access to the passage under the Rijskmuseum. At all angles, the city council equivalent shoot down the Rijjskmuseum’s plans and force the architects to change their design which is no small task.

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As the film trundles along, interweaving shots of the renovation with musings by museum staff or footage of missed opportunities at auction in an effort to secure new works for the opening, Hoogendijk easily builds the suspense that this project may never finish and it is that premise that keeps us wholly engrossed. De Leeuw ends up quitting, tired of fighting with the Cyclist Union and Wim Pijbes takes his place bringing with him his own ideas of how the space should look despite what the designers and curators think unlocking another level of bureaucratic interference. But the the folks who don’t get to go behind the curtain of an institution like this to see how it ticks, what unfolds is incredibly fascinating. That the placement of 6 or 7 cannons to be displayed can cause such a contentious argument between the principles at the museum is exasperating, even for us viewers. That this undertaking was so incredibly massive to begin with that it isn’t hard to believe the time it took to complete.

The New Rijjksmuseum-renovation2Hoogendijk’s camera penetrates this process in a way that really captures so much of the essence of the human spirit and its thirst for artistic inspiration. The film itself is reflective of this very notion. Over the course of ten years, I can’t even begin to imagine the amount of footage that was shot. To cull it down to a 2-hour film must have been a gargantuan task (although rumor has it there was a 4+ hour cut at one point…which I would watch without hesitation). That she was able to make this film as engrossing as it is is really a testament to how dialed in Hoogendijk was throughout this process.

While you might not think that a film about the renovation of an art museum in Holland would be interesting, I’m here to assure you that assumption would be incorrect. I would happily slate this documentary in my top five faves in that arena for the year so far.

So, to the fortunate few who have access to this film, get there. The film opened in New York and Los Angeles this past weekend and is still playing there. Here is the list of upcoming screenings.

Melissa’s Review: ‘Ted 2’ gives its audience (young & old) exactly what they want

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Like any sequel, Ted 2 reintroduces characters from the first movie minus John’s girlfriend/wife who he broke up with six months prior to Ted’s wedding to Tammy Lynn. Now the main plot is to “legalize Ted” so Ted and Tammy Lynn can have a baby. Again written, directed and starring Seth MacFarlane, it again co-stars his thunderbuddy, Mark Wahlberg.

The story is nothing special and serves more as a platform for jokes and semi-obscure movie references, but it excels at it. There are a few jokes that go on a bit long, but for the most part, it hits the mark. There is a notable cameo that’s immensely brilliant and completely unnecessary much like most of the scenes, actually.

Amanda Seyfried is a refreshing addition to the duo, as she’s young, immature and, of course, smokes pot. She’s also not versed in pop culture so it becomes a wealth of opportunity for the two to make fun of her. It’s quite brilliant, actually. You get the 20 year-old audience that wants pot and dick jokes and the 30-40 year-old audience that loves getting the old school movie references.

Yes, I enjoyed Ted the first go-around. It has just enough of a story surrounded by silly jokes about a teddy bear being real. It was amusing and fun, just like Ted 2. However, this time the story is more of an outline and there’s many more jokes to fill almost 2 hours.