Shudder Original review: ‘The Banishing’ is overwhelming.

THE BANISHING

From acclaimed director Chris Smith comes THE BANISHING, which tells the true story of the most haunted house in England. A young reverend and his wife and daughter move into a manor with a horrifying secret. When a vengeful spirit haunts the little girl and threatens to tear the family apart, the reverend and his wife are forced to confront their beliefs. They must turn to black magic by seeking the help of a famous Occultist…or risk losing their daughter.

Portal mirror, dimensions, time loops of residual energy, religious mob, eccentric occultist, spirits with unfinished business… and Nazis? A doomed location and a church’s secret creates a perfect storm for a young family with skeletons of its own. Creepy dolls and things that go bump in the night fracture a fragile family dynamic. While British horror is a strong genre, The Banishing takes a familiar premise and cranks it beyond viability. You’ll be scratching your head as imagery rolls out… and rolls out, again.

The performances are brilliant. John Heffernan as Linus gives a fascinating and nuanced performance. Sexually repressed by choice and the church he is in denial of what is right in front of his eyes. Jealousy leads to rage and Heffernan is downright startling when it rears its ugly head. Sean Harris is a magical creature. Strawberry-dyed hair and a familiar eccentricity make Harris the only guiding light in making sense of this screenplay. I’d watch an entire series of his character’s adventures. That’s the franchise. Jessica Brown Findlay as Marianne is powerful. A palpable fear that only a mother knows seeps from her pores. Her feminist declarations will make you want to stand up and cheer.

The film’s final scene is so abrupt it’s actually irritating. This is clearly a massive plot point that is given but a moment, and that moment is the end of the film? That’s a ballsy way to, perhaps, set up a sequel. You must already have the audience on your side for that to succeed. The film is like taking every season of Ryan Murphy‘s American Horror Story and mashing them together with zero explanation. There is no consistency in the screenplay other than Marianne’s “take no shit”, anti-slut-shaming, mom-boss attitude, and Linus’ vile weakness. When you finally get to the supposed outcome with daughter Adelaide, it screams The Haunting of Bly Manor. The overall look of the film is undeniably gorgeous. Some scenes contain viscerally jarring imagery. Ultimately, Shudder subscribers can decide for themselves whether it’s overstuffed or if we’re more in a 13 Ghosts territory. You could give it a pass being that it’s based on the true story of the most haunted house in England. In my opinion, The Banishing deserves to be fleshed out as a series. Show up for the performances, the set, and the cinematography, and let me know what you think once the screen goes black for good.

THE BANISHING will stream exclusively to Shudder on April 15th in the US, Canada, UK, Ireland, Australia, and New Zealand, as well as via the Shudder offering within the AMC+ bundle where available.

THE BANISHING

Genre: Horror

Country: United Kingdom

Runtime: 97 min

Year: 2021

Rated: NA

Starring Jessica Brown Findlay (Downton Abbey), Sean Harris (Mission: Impossible franchise), John Lynch (The Secret Garden, Black Death), and John Heffernan (Eye in the Sky) and directed by Christopher Smith (Creep, Severance, Triangle).

THE BANISHING is a WestEnd Films production.

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Michael’s Review: ‘Mission Impossible: Rogue Nation’

Mission-Impossible-Rogue-Nation-IMAX-Poster

Say what you will about Tom Cruise, but the guy can deliver one hell of a performance. Mission Impossible: Rogue Nation proves this fact with its fast pace action and its intriguing storyline which grabs you from second one and never lets go. Director Christopher McQuarrie (Jack Reacher) and Cruise have created a nice rapport over the years as the two seem very comfortable working together and it shows with the finished films. The Mission Impossible franchise was rejuvenated with 2011’s Ghost Protocol, and Rogue Nation continues to show that with great storytelling and exciting set pieces, this franchise has a lot left in the tank.

mission1

The Impossible Mission Force is on assignment saving the world once again. We find the team in Belarus where Ethan Hunt (Tom Cruise) is attempting to stop delivery of chemical weapons to hostile forces. Accompanied on the mission by Benji (Simon Pegg), Ethan finds himself on the outside of a plane rushing down the runway to take off. An expected thrilling start to a franchise which has hung its hat on exciting action set pieces. The thrill rides are just beginning as the team find themselves in the sight lines of a new villainous foe in the form of the mysterious syndicate. Ethan comes face to face with the head of the group, Solomon Lane (Sean Harris) when he is captured and sent for interrogation. Ethan’s capture is Ilsa Faust (Rebecca Ferguson), a rogue MI:6 agent who now works for the syndicate, but her alliances are, as we say, complicated, as she helps free Ethan.

mission2

But this isn’t the only threat to the IMF. The group is denounced by the CIA chief Alan Hunley (Alec Baldwin) who wants to disband the force for its reckless behavior, blaming the IMF for the attack on the Kremlin one year earlier. Despite William Brandt’s (Jeremy Renner) protests, all IMF operations are shut down, leaving Ethan Hunt the CIA’s most wanted. Ethan must rely on Luther Stickell (Ving Rhames), Brandt and Benji to help him prove that the syndicate is real and reinstate the IMF. Stuck between two powerful foes, Ethan travels the globe and fights side by side with friend and foe. His mission, to stop the syndicate before time runs out. This message will self destruct in 5,4,3,2,1.

mission3

In a summer filled with so many hits and misses, it’s nice to see a film like Mission Impossible: Rogue Nation come out and prove that character driven action films can entertain while not being dumbed down for the sake of the summer movie going audience. Christopher McQuarrie does a wonderful job directing this veteran cast who have, for the most part, been working together on this franchise for close to a decade. McQuarrie, who also is responsible for writing the film, balances the need for dialogue driven scenes with action set pieces nicely, allowing for development of each character nicely. Tom Cruise has coveted this franchise for 20 years and it truly is his baby. Cruise is fearless in his passion for this role and it shows with his delivery and how committed he is to making each scene as believable as possible. Simon Pegg benefits from an increase in screen time this time around and makes the most of it. Pegg’s wonderful blend of quirky and dramatic make his performance one to watch. 

mission4

Jeremy Renner isn’t given much to do action wise in this film, and sadly, his character suffers for it, but it is his dry comedic exchanges with Alec Baldwin that make for some entertaining scenes. Sean Harris’ villainous role is menacing as much in his silence as he is in his characters execution. A cold, callous demeanor make his Solomon Lane the best villain of the franchise so far. Rebecca Ferguson’s heroine is the real scene stealer of the film. Ferguson’s beauty and grace make her presence on screen so must see.

Overall,  Mission Impossible: Rogue Nation is the best sequel this summer not named Mad Max: Fury Road. Your mission, if you chose to accept it, run to the theater and see this one in the biggest format you can.

Stars:

4 out of 5

After Credit Scene?

None

Trailer: