‘HOW I ROLL’ (DWF:LA 2024 short) Resilience at its finest

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HOW I ROLL
https://danceswithfilms.com/HOW-I-ROLL-2/

How I roll posterOne of the most harrowing stories I’ve seen featured in a short film comes from BriGuel‘s HOW I ROLL. This 13-minute emotional rollercoaster is an eye-opening tale of resilience. Robin Cohen lives with MS, navigating Miami, Manhattan, and a family history of shocking violence, loss, and great love. 

HOW-I-ROLLBriGuel beautifully edits Cohen’s innermost thoughts, one on top of the other in the most organic way, mimicking the chaos of our mind’s intrusive thoughts. With an abundance of home videos and footage of Robin’s daily life and love story, HOW I ROLL introduces the world to a woman who inspires us to love, laugh, and live life to its fullest despite what might feel like insurmountable odds. Eternal positivity and perseverance are the beauty of life.

Get Tickets Here!

How I Roll (Official Trailer) from BriGuel on Vimeo.

DIRS: Brianne Berkson & Miguel Gluckstern, BriGuel
PRODS: Robin Cohen, Brianne Berkson, Miguel Gluckstern, Stefany Dobken

Facing unthinkable hardships – murder, loss, battling MS for 25 years, Robin Cohen impressively defies the odds, finding light despite the darkness.

For more DWF coverage, click here!

‘MISSING FROM FIRE TRAIL ROAD’ (Tribeca 2024) Shouting from the rooftops for their loved ones

tribeca 2024 logoMISSING FROM FIRE TRAIL ROAD 

World Premiere: Spotlight Documentary Section

Sabrina Van Tassel‘s TRIBECA 2024 documentary MISSING FROM FIRE TRAIL ROAD speaks for those without a voice. Indigenous women are in crisis. Why aren’t we talking about the statistics of missing native women? The number is vastly higher than any other group in the United States.

The film focuses on the story of Mary Ellen Johnson Davis, missing since 2020, as her family tries to piece together all the information they can, while also showing up for those in their community with similar circumstances. There are far too many unexplained disappearances and deaths for one community not to call it an epidemic.

MISSING_FROM_FIRE_TRAIL_ROAD 2The reservation has its own justice system, under which not a single white man has been prosecuted in connection to a disappearance. Families must rely on the Feds to intervene. They never do. It is endless, lawless mayhem.

Story after story, family after family, one thread connects them all. That is abuse from white outsiders. You can’t tell this story without delving into the trauma of native children stolen from their families and physically and emotionally tormented in boarding schools. MISSING FROM FIRE TRAIL ROAD delivers the horrific truth through the words of survivors.

MISSING_FROM_FIRE_TRAIL_ROAD 1A quote from a manual given to households when children the government was ripping from their homes reads, “The goal is not to make scientists, or doctors or lawyers out of these citizens. The goal is to make domestic housewives and farmers and laborers.” Keeping the population suppressed remains the goal. It’s cyclical genocide. It is the continuation of colonization, plain and simple.

The question remains. How many of these documentaries need to be made to get the message across? Tribeca 2024 audiences can share the native plight and, perhaps, move the dial toward justice. Do something.

Remaining Screenings of MISSING FROM FIRE TRAIL ROAD:

Saturday, June 15 – 11:00 AM:  AMC 19th St. East 6


Mary Ellen Johnson Davis has been missing since the eve of Thanksgiving 2020 from the Tulalip Reservation. She is only one of hundreds of Native American women who continue to go missing in the U.S. As director Sabrina Van Tassel (“The State of Texas vs Melissa”) investigates Mary Ellen’s case, dozens of Native women speak up about the violence suffered and observed by them. 

 

Executive Produced and featuring Deborah Parker, activist and indigenous leader, Deb Haaland, US Secretary of the Interior, to many of Mary Ellen’s friends and family, the film threads a haunting but important report about these underlooked cases and the urgency for attention and action in these investigations. 

MISSING FROM FIRE TRAIL ROAD 

For more Tribeca 2024 coverage, click here!

‘1-800-ON-HER-OWN’ (Tribeca 2024) Ani DiFranco’s vulnerability still rocks

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1-800-ON-HER-OWN

Spotlight+

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Ani DiFranco was a force of nature in my high school and college years. Her songs informed my passion, my power, and my voice. 32 Flavors remains my theme song as a woman. Dana Flor‘s 1-800-ON-HER-OWN gives Tribeca 2024 audiences a sneak peek behind the righteous audacity of Ani DiFranco

An editing wonder, the doc opens with performances of her song Shameless throughout the years and mashes them into one great montage. As a fan, it is electric. Ani talks about the extreme highs and lows of fame. She has always been entirely honest about the traps of the industry, but her fans clammer for her fearless writing. 

1-800-ON-HER-OWN-Clean-16x9The revelations in the film are astounding. In a collab session, Ani confides in Justin Vernon (Bon Iver) that she’s never written a song with anyone else. Her warmth and honesty are not simply for show. Witnessing this creative potion-making is chill-inducing. At 18, Ani and Scot Fisher created Righteous Babe Records. Their partnership proved to be an emotional rollercoaster, for better or worse. The remnants of that time echo in her present-day reclamation of her power. 

The doc chronicles Ani during lockdown, leading her to discuss her childhood in Buffalo, NY. Her mother’s feminist anger and the household’s minimal parenting drove her into survival and creativity mode from early on. 1-800-ON-HER-OWN boasts a brilliant amount of archival footage with voiceover stories from all the artists in her life. Lockdown also brings uncertainty and the relatable chaos of forced homeschooling our kids, Zoom glitches and attempting to maintain an identity and sanity under the circumstances. Her vulnerability spills off the screen beyond the songs. Ani’s unfiltered confessions hit you square in the chest.

1-800-ON-HER-OWN-21-800-ON-HER-OWN is a celebration of an artist in a league of her own. Ani DiFranco‘s relentless magic hangs in the air in my house. This film reintroduces her to the world. 

Feature | United States | 77 MINUTES | English

1-800-ON-HER-OWN follows groundbreaking indie musician/feminist Ani DiFranco, founder of the first “woman-run non-corporate queer-happy” label, Righteous Babe Records, on wild road trip from her punk-folk past to her life today as an activist, mother and rock star. Throughout, Ani remains resolutely true to herself, no matter the cost

Directed by Dana Flor
Produced by Amy Hobby
Producers Dana Flor, Emily Wachtel
Executive Produced by Alex Appel
Music by Ani DiFranco

 

Remaining Tribeca Screenings of 1-800-ON-HER-OWN:

Thu June 13 – 2:15 PM

 Village East by Angelika

Upcoming Film Festivals
DC/DOX Film Festival- June 16th, 2024
Provincetown Film Festival – June 15th & 16th, 2024
Montclaire Summer Film Showcase – June 28th, 2024

For more Tribeca 2024 coverage, click here!

‘HOST’ (202) remains one of the scariest and most inventive films, period.

HOST

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Six friends get together during lockdown for their weekly zoom call. It’s Haley’s turn to organise an activity and instead of a quiz, she’s arranged for a Medium to conduct a séance. Bored and feeling mischievous, Jemma decides to have some fun and invents a story about a boy in her school who hanged himself. However, her prank gives license for a demonic presence to cross over, taking on the guise of the boy in Jemma’s made-up story. The friends begin noticing strange occurrences in their homes as the evil presence begins to make itself known, and they soon realise that they might not survive the night. A SHUDDER ORIGINAL.

Cast: Haley Bishop, Radina Drandova, Jemma Moore, Caroline Ward, Emma Webb, Edward Linard

Playing out in real-time (56 minutes to be exact), 6 friends jump on a Zoom call after they hire a medium to entertain them. The visual setup is key. What appears to be totally casual laptop setups is actually comprised of very specific angles that will put any genre fan instantly on alert. A well-placed open door in any frame is a constant cause for anxiety. Since we’ve all been doing these damn calls for months now, Host stylishly lulls you into a false sense of familiarity before pulling the rug out from underneath you. It’s quite genius in its simplicity.

25 minutes in, and I was genuinely frightened. I’m talking chills, jump scares, heart-pounding, all in. The cast is us, but we get to experience it through them. I’m not sure if I would even watch this on a big screen. I suggest you watch it on a laptop for the ultimate immersive experience. It’s as if you’re on the call but muted. What a fantastic setup for this moment in time. Remember that feeling when you first saw The Blair Witch Project? For those like myself who saw it opening night at a sold-out screening, before the internet ruined everything, we felt real terror. As soon as the screen went black, there was screaming and a stampede for the exit. This has that special kind of fear attached to it. HOST is found footage reinvigorated.

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The acting from every single person is phenomenal. It makes me wonder how much of the script they had knowledge of because they are superb. Director Rob Savage never even entered the same room as his cast members, directing them through Zoom to maintain social distancing. This feat is impressive. Not only did they shoot the film themselves, but set up the lighting and executed the practical FX. When you see the final product, wow. This may be the scariest film I’ve seen all year. I watch A LOT of horror, and this film’s second half was almost all watched through my fingers. Bravo to everyone involved. I, for one, will not be sleeping tonight, and what better compliment for a horror film?

HOST is now available on SHUDDER

For more SHUDDER films, click here!

HOST