Sundance 2024 review: AI advancements walk a fine line between healing and harmful in shocking doc ‘ETERNAL YOU’

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ETERNAL YOU

Sundance 2024 Eternal You

Sundance 2024 documentary ETERNAL YOU is deeply disturbing and endlessly intriguing. It is something straight out of a horror sci-fi film. Filmmakers Hans Block and Moritz Riesewieck guide audiences through the latest technological advances in AI, where versions of your lost loved ones can interact with you in real-time. The moral and emotional gray area this tech exists in becomes the overarching ghost of this film (no pun intended).

First, we meet Joshua Barbeau, a man who lost his girlfriend, Jessica, and one of the early users of Project December. Founder Jason Rohrer works with the very little information Joshua provided from his viral experience, leading to thousands of requests. User Christi Angel speaks with her ex-boyfriend, Cameroun. Their chat gets darker and darker, and now she’s torn between continuing and walking away from the project altogether. Her journey is the perfect test case for and against afterlife AI.

Jason Rohrer is an open book. He’s transparent with negative reviews, going so far as to read a transcript that went completely off the rails. Interwoven into the narrative are clips from Senate hearings with Sam Altman, the creator of Open AI (ChatGTP), discussing safety. Rohrer admits his disconnection to the emotional impact of his clients while also confessing his intrigue in the eerie side effects. They don’t tackle the danger the VR jump presents. Justin Harrison, creator of YOV, believes in this technology so much that he chose it over his wife. His passion is evident. Harrison’s view on its expansion is, “Fuck death.”

There is no guarantee that a loved one’s data is safe forever. Could it be used to create porn? Ask the filmmakers of Another Body, where a college student found her face deepfaked on multiple sexually graphic videos created by one rejected classmate. Don’t even get me started on the political implications. Wait until you witness the production and results of a 2020 television series titled “Meeting You.” It will wreck you.

Gregor Keienburg and Raffael Seyfried‘s ethereal score makes your heart race and gives you goosebumps. A mix of disembodied voices and ominous strings fill you with dread. Bravo to editors Lisa Zoe Geretschläger and Anne Jünemann for hitting every emotional beat possible. Sundance audiences will undoubtedly feel the gravity of this doc. Is this concept a way to grieve and heal, or are we simply further monetizing the dead?


Check out this exclusive clip:

Remaining Screenings

January 25 – 1:45 PM MST – Holiday Village Cinemas – Park City

Online 
January 25, 7 AM PST – January 28, 10:55 PM PST


Panelist Name

Hans Block

Hans Block

Hans Block and Moritz Riesewieck are German directors. Their debut film, The Cleaners, about the shadow industry of digital censorship, celebrated its world premiere at the 2018 Sundance Film Festival and has since been screened at more than 70 international festivals, in cinemas, and on TV worldwide. In their work, Block and Riesewieck question the impact of digital technologies on society.

Panelist Name

Moritz Riesewieck

Moritz Riesewieck

Hans Block and Moritz Riesewieck are German directors. Their debut film, The Cleaners, about the shadow industry of digital censorship, celebrated its world premiere at the 2018 Sundance Film Festival and has since been screened at more than 70 international festivals, in cinemas, and on TV worldwide. In their work, Block and Riesewieck question the impact of digital technologies on society.

Credits

  • DIRECTOR(S)

    HANS BLOCK

    MORITZ RIESEWIECK

  • PRODUCERS

    CHRISTIAN BEETZ

    GEORG TSCHURTSCHENTHALER

  • EXECUTIVE PRODUCERS

    KATHRIN ISBERNER

    ANNA GODAS

    OLI HARBOTTLE

    CHRISTOPHER CLEMENTS

    JULIE GOLDMAN

    JENNY RASKIN

    KELSEY KOENIG

    LIZZIE FOX

    DAVIS GUGGENHEIM

  • CO-EXECUTIVE PRODUCER

    MERYL METNI

  • CO-PRODUCER

    PATRICK M. MÜLLER

  • EDITING

    ANNE JÜNEMANN

    LISA ZOE GERETSCHLÄGER

  • DIRECTORS OF PHOTOGRAPHY

    TOM BERGMANN

    KONRAD WALDMANN

  • MUSIC

    GREGOR KEIENBURG

    RAFFAEL SEYFRIED

  • YEAR

    2023

  • CATEGORY

    FEATURE

  • COUNTRY

    GERMANY/UNITED STATES

  • LANGUAGE

    ENGLISH, KOREAN

  • RUN TIME

    87 MIN

  • COMPANY

    GEBRUEDER BEETZ FILMPRODUKTION

  • CONTACT

    L.RAITH@GEBRUEDER-BEETZ.DE


Sundance Film Festival 2024 runs Thu, Jan 18, 2024, 2:45 PM – Sun, Jan 28, 2024

Eastern Time

Sundance 2024 review: ‘SUJO’ explores childhood trauma and cyclical violence

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SUJO

Juan Jesús Varela in SUJO

Juan Jesús Varela in SUJO

Ominous, heartbreaking, and beautifully shot, the Sundance 2024 film SUJO, from Fernanda Valadez and Astrid Rondero (Identifying Features), examines cyclical violence and trauma through the lives of the family left behind by a murdered cartel member.

Nemesia hides her nephew Sujo with the help of Rosalia and her two young sons, Jeremy and Jai. During early childhood, the five exist in abject poverty in the middle of nowhere, entertaining themselves as best as they can, knowing someday the isolation may be too much. As the boys grow, curiosity puts them into increasingly more precarious situations, proving the danger of their familial sins lingers forever.

Young Kevin Aguilar, as four-year-old Sujo, is beguiling. The camera loves him. Juan Jesús Varela plays teenaged Sujo, left to carry the emotional burdens of his father’s past. Varela’s performance is magnificent, as are his onscreen cousins, Jairo Hernandez and Alexis Varela. Their chemistry is magic.

Yadira Pérez gives Nemesia an authentically grounded aura. Her practical and watchful approach to raising Sujo gives him an emotional stronghold. Nemesia literally translates as “Vengeance.” This small detail is as brilliant as her vital otherworldly abilities. Karla Garrido brings an entirely different level of motherly kindness playing Rosalia. She is a beautiful foil for Pérez.

The film comes from an almost entirely female creative team whose blood, sweat, and tears pour off the screen. SUJO is infused with empathy, fear, and care. The screenplay is a skillfully crafted tale that pulls you into Sujo’s center of gravity. As a Mother, witnessing the integration of protective instincts speaks volumes. The score is haunting. At times, the dialogue mirrors Sujo’s journey. It is undeniably impactful. Throughout the film, women look out for Sujo’s best interests. In a way, the film is an ode to invisible labor.


For more information on SUJO screenings fn Sundance 2024, click here!

Credits

  • DIRECTOR(S)

    ASTRID RONDERO

    FERNANDA VALADEZ

  • SCREENWRITERS

    ASTRID RONDERO

    FERNANDA VALADEZ

  • PRODUCERS

    FERNANDA VALADEZ

    ASTRID RONDERO

    DIANA ARCEGA

    JEWERL KEATS ROSS

    VIRGINIE DEVESA

    JEAN-BAPTISTE BAILLY-MAITRE

  • CINEMATOGRAPHER

    XIMENA AMANN

  • PRODUCTION DESIGNER

    BELÉN ESTRADA

  • EDITORS

    ASTRID RONDERO

    FERNANDA VALADEZ

    SUSAN KORDA

  • PRINCIPAL CAST

    JUAN JESÚS VARELA

    YADIRA PÉREZ

    ALEXIS VARELA

    SANDRA LORENZANO

    JAIRO HERNÁNDEZ

    KEVIN AGUILAR

  • YEAR

    2024

  • CATEGORY

    FEATURE

  • COUNTRY

    MEXICO/UNITED STATES/FRANCE

  • LANGUAGE

    SPANISH

  • RUN TIME

    126 MIN


     

Sundance 2024 review: ‘A NEW KIND OF WILDERNESS’ wades through grief with grace

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A NEW KIND OF WILDERNESS

A life chronicled most intimately and authentically, the Payne family experiences physical and emotional upheaval after a family tragedy. Choosing to raise their family on a secluded farm in the woods of Norway, Maria and Nik wanted nothing more than to instill a love of nature into their children. Potentially forced to sell the beloved farm that holds all their memories, Nik, Freja, Falk, Ulv, and eldest daughter Ronja navigate unfathomable loss and fight to remain connected.

Through Maria’s striking photography, home videos, and extraordinary voiceover narration, throughout several years, filmmaker Silje Evensmo Jacobsen evokes visceral hope and sadness in A NEW KIND OF WILDERNESS. Exploring one family’s respect for the land, unique homeschooling, and off-grid lifestyle, Nik battles societal norms that Maria vowed to circumnavigate and financial limitations. The children are undeniably self-aware. Their openness with their emotions is breathtaking. When school thrusts technology upon them for the first time, they take to it like fish to water, much to the chagrin of Nik, but their wild essence never wanes as they long to hold onto their way of life. The film speaks to the resiliency of youth.

Witnessing the pure innocence and wonder of the Payne children hits you in the heart. It is easy to dismiss the genuine curiosity of your kids with the swirl of everyday chaos. Sundance 2024 audiences have the honor of joining together on an elegant meditation of grief and loneliness. A NEW KIND OF WILDERNESS reminds us to cherish each moment, the Earth, and one another.


Click here for more information on screenings and online availability for A NEW IND OF WILDERNESS


 

Silje Evensmo Jacobsen

Silje Evensmo Jacobsen, director of A New Kind of Wilderness

Silje Evensmo Jacobsen has directed award-winning documentary films and series for the past 15 years. Among others: Team Ingebrigtsen (2016, 2018) about an unconventional Norwegian family raising their children to be top runners, Faith Can Move Mountains (2021) about nuns breaking boundaries in rural Norway, and KRAFT/SPARK (2022) about young street dancers. A New Kind of Wilderness is her second feature.

 

Credits

  • DIRECTOR(S)

    SILJE EVENSMO JACOBSEN

  • PRODUCER

    MARI BAKKE RIISE

  • EXECUTIVE PRODUCER

    KIM CHRISTIANSEN

  • CINEMATOGRAPHY

    SILJE EVENSMO JACOBSEN

    KARINE FOSSER

    LINE K. LYNGSTADAAS

  • EDITORS

    KRISTIAN TVEIT

    CHRISTOFFER HEIE

  • COMPOSER

    OLAV ØYEHAUG

  • SOUND DESIGNER

    YNGVE LEIDULV SÆTRE

  • COLORIST

    TOM CHR. LILLETVEDT

  • FEATURING

    ULV VATNE PAYNE

    FALK VATNE PAYNE

    FREJA VATNE PAYNE

    RONJA BREDA VATNE

    MARIA GROS VATNE

    NIKOLAUS ITHELL PAYNE

  • PRODUCTION COMPANY

    A5 FILM

  • YEAR

    2024

  • CATEGORY

    FEATURE

  • COUNTRY

    NORWAY

  • LANGUAGE

    ENGLISH, NORWEGIAN

  • RUN TIME

    84 MIN


Review: Lucy Hale and Nat Wolff star in the authentic rom-com, ‘WHICH BRINGS ME TO YOU.’ In Theaters January 19th, 2024

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Which Brings Me To You theatrical poster

Which Brings Me To You theatrical poster

After almost hooking up at a wedding, strangers Jane and Will decide to share their eclectic dating history. This authentic rom-com possesses an unexpected nuance that locks you in from the opening scene. Writers Steve Almond, Julianna Baggott, and Keith Bunin nail the complexity of relationships, highlighting the vastly awkward experiences that come with sex and people’s past. Cleverly immersive flashbacks offer us insight into Jane and Will’s current state of affairs, literally and figuratively.

John Gallagher, Jr. and Lucy Hale in Which Brings Me To You

John Gallagher, Jr. and Lucy Hale in Which Brings Me To You

Lucy Hale lives in her sardonic wit stemming from Catholic guilt and all that comes with that upbringing (speaking from personal experience). Nat Wolff is charming and funny. The two have fierce chemistry. Their effortless banter immediately draws you in. A momentary musical duet is simply delicious. In truth, the cumulative trauma from past relationships creates fully fleshed-out, relatable characters. No one will walk away without some personal connection to Jane and Will.

which brings me to you Nat Wolff and Lucy Hale

Nat Wolff and Lucy Hale in Which Brings Me To You


The score from Spencer David Hutchings has the quirky quaintness of rom-com classics like When Harry Met Sally. Additional soundtrack songs are iconic. Britne Oldford‘s cover of “It Had To Be You” is breathtaking. The breezy camerawork from Karina Silva adds to the accessibility of the story. WHICH BRINGS ME TO YOU leans into hope, and we can all use a bit of that these days. Director Peter Hutchings has a gem on his hands.

Only In Theaters on January 19th, 2024

 

Based on the novel WHICH BRINGS ME TO YOU: A NOVEL OF CONFESSIONS by Steve Almond and Julianna Baggott, the film was written by Keith Bunin (Onward) and was directed by Peter Hutchings (The Hating Game).

It stars Lucy Hale (Truth or Dare), Nat Wolff (The Fault in Our Stars), Britne Oldford (Free Guy), Genevieve Angelson (The Upside), Alexander Hodge (“Insecure”) and John Gallagher, Jr. (10 Cloverfield Lane).

In WHICH BRINGS ME TO YOU, two romantic burnouts, Jane and Will, are immediately drawn to each other at a mutual friend’s wedding. After a disastrous hookup in the coatroom, the two spend the next 24 hours together, trading candid confessions of messy histories and heartbreak, on the off chance that this fling might be the real thing. Lucy Hale and Nat Wolff star in this hilarious tale from the team behind The Hating Game.

Run Time: 99 minutes | Rating: Not Rated

Review: The Bloomquist Brothers satirical, political slasher ‘FOUNDERS DAY’ earns your gory adoration.

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FOUNDERS DAY

Founders Day - Theatrical Poster

Synopsis: In this bold political slasher from the Bloomquist Brothers, a small town is shaken by a series of ominous killings in the days leading up to a heated mayoral election. As accusations fly and the threat of a masked killer darkens every street corner, the residents must race to uncover the truth before fear consumes the town.

Founders Day Still 1 - Credit David Apuzzo Mainframe PicturesPolitical spin can make or break a campaign. Those few who possess the skill have the power to command entire nations. In the Bloomquist Brothers’ latest film, FOUNDERS DAY, a small-town mayoral race brings chaos in the form of a serial killer dressed as, you guessed it, a twisted Founding Father straight out of a cliche painting of the signing of the Declaration of Independence. As members of the town of Fairwood get knocked off, one by one, the race is one to find the killer and their ultimate motive. Tackling every political hot-button issue and tactic with a bucket of gore, FOUNDERS DAY is here to mix things up.

Naomi Grace

Naomi Grace in Founders Day

The cast is chockful of familiar and talented faces. Naomi Grace is Alison. Her character endures relentless trauma, and Grace handles it like a pro. Andrew Stewart-Jones plays Alison’s father, Thomas. He is someone that should be on Jordan Peele‘s radar. This guy is a star. Devin Druid is Adam, the son of Mayoral candidate Harold Faulkner. Druid eats this complicated character for breakfast. He is magnificent.

William Russ in Founders Day

William Russ in Founders Day

Jayce Bartok plays Faulkner with an over-the-top air straight out of Mad TV. Amy Hargreaves is the current mayor, Blair Gladwell. Her sass and seriousness are a perfect fit for the satire. Director Erik Bloomquist plays Oliver, Gladwell’s right-hand man. He is amazing. William Russ plays the beloved local teacher, Mr. Jackson. Like me, you might know him as Corey’s dad from Boy Meets World. In FOUNDERS DAY, Russ offers the audience the same emotional, moral anchor we loved so much. Catherine Curtin plays Police Commissioner Peterson. Her overly dramatic comedic timing is a thing of the gods. Give her an entire franchise solving small-town murders, I beg of you.

Founders Day

Founders Day

Bloomquist uses key political phrases that anyone living through the ridiculousness of the country since 2015 knows all too well. From the faux outrage, sugary glad-handing, and infighting, what’s a little murder between neighbors. The idea of political tribalism hits you square in the face. You’re simultaneously intrigued and giggling. The kills are brutal as hell. Bloomquist gives us the customary obnoxious ancillary characters but anchors the film with fleshed-out, small-town folks we all relate to. No one is safe, and you have to respect that. The screenplay delivers twist after twist. Don’t for one second think you know what’s going on. The inspirations from SCREAM are unmissable. AK Roy’s end credits kick ass. FOUNDERS DAY has all the makings of a cult classic, with an ending so nuanced it garnered my vote.

 

Releasing in theaters nationwide on January 19

 

The newest film from the Bloomquist Brothers (Ten Minutes to Midnight) marks the reunion of 13 Reasons Why duo Devin Druid and Amy Hargreaves, who join an ensemble cast including William Russ (Boy Meets World), Catherine Curtin (Stranger Things), Naomi Grace (NCIS), Emilia McCarthy (SkyMed), Jayce Bartok (SubUrbia), Olivia Nikkanen (The Society), and Andrew Stewart-Jones (Gotham). 


Founders-Day-Character-Lineup

Founders-Day-Character-Lineup

Distribution Company: Dark Sky Films
Production Company: Mainframe Pictures
Release Date: January 19, 2024
Director: Erik Bloomquist
Screenwriters: Erik Bloomquist, Carson Bloomquist
Producers: Erik Bloomquist, Carson Bloomquist, Adam Weppler
Cast: Devin Druid, Emilia McCarthy, Amy Hargreaves, Catherine Curtin, William Russ, Naomi Grace, Olivia Nikkanen, Jayce Bartok, Andrew Stewart Jones, Tyler James White, Erik Bloomquist, Adam Weppler, Kate Edmonds, Dylan Slade, Arun Cameron Storrs
Social Media (Instagram, TikTok & Facebook): @FoundersDayMovie


 

Sundance 2024 preview: A film for everyone at the festival’s 40th Edition.

Sundance Film Festival 2024 Color Logo
The Sundance Film Festival has launched the careers of indie film directors, writers, and actors now for 40 years. Back with in-person and online screening opportunities, this year’s iteration boasts new and bold storytelling from every genre. Here are a handful of films we’ll track in 2024.

 

For more information and tickets to Sundance 2024, click here! Be on the lookout for shared coverage with our good friend, Steve Kopian, at Unseen Films. To see all of his reviews and what he’s looking forward to this year, head over to his home base.

(World Cinema Dramatic Competition)
SUJO

S till from the Sundance film SUJO
When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

A movie about time and trauma, this beautifully acted and hauntingly written film from the directors of Identifying Features will be sure to captivate audiences. 

This film contains strobe effects.
Available in person. Also available online for the public (January 25–28)


40th Edition Celebration Screenings And Events

DIG! XX

DIG! XX tracks the tumultuous rise of two talented musicians, Anton Newcombe, leader of the Brian Jonestown Massacre, and Courtney Taylor, leader of the Dandy Warhols, and dissects their star-crossed friendship and bitter rivalry. Through their loves and obsessions, gigs and recordings, arrests and death threats, uppers and downers, and ultimately to their chance at a piece of the profit-driven music business, they stage a self-proclaimed revolution in the music industry.

DIG! premiered at the 2004 Sundance Film Festival in the U.S. Documentary Competition, where it ultimately won the Grand Jury Prize in the documentary category. DIG! XX, which will premiere at the upcoming Festival, is not only a digitally enhanced, remixed, and remastered version of DIG!, but also a special 20th anniversary new edit of the film culled from footage shot over seven years, and brought to you by the original sibling team, Ondi and David Timoner.

*Digitally enhanced and featuring new footage


(Premieres)

And So It Begins

Amidst the traditional pomp and circumstance of Filipino elections, a quirky people’s movement rises to defend the nation against deepening threats to truth and democracy. In a collective act of joy as a form of resistance, hope flickers against the backdrop of increasing autocracy.

Available in person. Also available online for the public (January 25–28)


(World Cinema Documentary Competition)

Eternal You

Startups are using AI to create avatars that allow relatives to talk with their loved ones after they have died. An exploration of a profound human desire and the consequences of turning the dream of immortality into a product.

“I wanted to see if he was okay,” explains Christi, one of the users of Project December. With this innovative software, users can communicate with a virtual version of the deceased through a chatbot that simulates the dead person’s conversation patterns. Hers was an attempt to check on her first love. Others may simply miss someone, seek permission to move on, or want to rid themselves of guilt.

At this point, I think we’ve all seen the app that turns photos into moving images. The idea feels equally sentimental and disturbing. Eternal You takes this tech further, begging the question, “How far are we willing to go to feel connected to those we’ve lost, and how might that affect our brains?” 

Available in person. Also available online for the public (January 25–28)


World Cinema Documentary Competition

A New Kind of Wilderness

In a forest in Norway, a family lives an isolated lifestyle in an attempt to be wild and free, but a tragic event changes everything, and they are forced to adjust to modern society.

Silje Evensmo Jacobsen mixes home movies and a carefully intimate approach to the Payne family, whose isolated existence gets shaken up quite suddenly. This beautiful portrait of connection and resilience in the face of grief will touch your heart.

Available in person. Also available online for the public (January 25–28)


(NEXT)

REALM OF SATAN

An experiential portrait depicting Satanists in both the every day and in the extraordinary as they fight to preserve their lifestyle: magic, mystery, and misanthropy.

Filmmaker Scott Cummings is no stranger to Sundance, having edited many highly acclaimed festival premieres over the past decade, including Never Rarely Sometimes Always, Monsters and Men, and Wendy.

When I tell you that you aren’t ready for this doc, I mean it in the best way possible. Created to ruffle feathers and dispel right-wing hypocrisy, Scott Cummings titillates with gorgeous framing and a touch of tongue-in-cheek magical realism. 

This film contains graphic sexual content. Audiences must be 18 or older.

Available in person. Also available online for the public (January 25–28)


(Premieres)

My Old Ass

Maisy Stella and Aubrey Plaza in Sundance film MY OLD ASS

Maisy Stella and Aubrey Plaza in the Sundance film MY OLD ASS

The summer before college, bright-yet-irreverent Elliott comes face-to-face with her older self during a mushroom trip. The encounter spurs a funny and heartfelt journey of self-discovery and first love as Elliott prepares to leave her childhood home.

The concept alone should get your butt into a seat, but filmmaker Megan Park casting Aubrey Plaza is chef’s kiss in indie cinema.


(Midnight)

I Saw the TV Glow

Justice Smith and Brigette Lundy-Paine  in I SAW THE TV GLOW

Justice Smith and Brigette Lundy-Paine in I SAW THE TV GLOW

Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.

Writer-director Jane Schoenbrun’s We’re All Going to the World’s Fair (2021 Sundance Film Festival) gave us one of the coolest genre-bending films with a breakout performance from star Anna Cobb. I cannot wait to see how this one twists my sanity and senses. 

This film contains violence and gore.

This film contains strobe effects.


Sundace Film Festival 2024 Black and White logoTo find out more information on all things Sundance 2024, head to https://festival.sundance.org/

 

Review: ‘FREUD’S LAST SESSION’ is a perfect storm for intellectuals, cinephiles, and theatre lovers alike

FREUD’S LAST SESSION

In his final days, Sigmund Freud, a recent escapee with his daughter from Nazi regime receives a visit from the formidable Oxford Don C S Lewis (Chronicles of Narnia). On this day, two of the greatest minds of the twentieth century intimately engage in a monumental session over the belief in the future of mankind and the existence of God.

Liv Lisa Fries delivers a stunning performance as Anna Freud, Sigmund’s intellectually accomplished daughter. The complexities of the role will undoubtedly touch a nerve with many viewers. Fries navigates the character splendidly. Matthew Goode plays C.S. Lewis. Coming to Freud for an impromptu therapy session, the audience learns about his childhood and the inspiration for his creative spark of genius. Goode effortlessly matches Hopkins’s energy. He once again establishes himself as a go-to casting choice. His raw vulnerability is captivating. Sir Anthony Hopkins remains at the top of his game. As Freud, he brings curiosity, wit, and curmudgeonly stubbornness all at once. It is yet another notch in Hopkins’s impressive career belt. This ongoing tennis match of masterful acting is perfection for historical drama lovers.

The cinematography and production design are luscious. The editing is lovely. Freud moves about his home, passing through doorways only to be transported through time and memories. Meaningful flashbacks fill the screen as each man shares their intimate history beginning in childhood and explores how it informed their development. The script, alongside the editing, has a dazzling theatricality. This makes more sense once you learn the screenplay was based on Mark St. Germain‘s play, adapted for the screen by Germain and director Matthew Brown. A West End production of FREUD’S LAST SESSION would be delicious. The references to literary figures and quotations are smirk-inducing for the well-read audience, while the overarching existential volley proves delightful.

FREUD’S LAST SESSION delves into moral and philosophical questions while simultaneously captivating with a whimsical and eclectic structure. The lines between doctor and patient constantly blur and shift. Wading through universal queries about religion, sexuality, war, co-dependency, trauma, and death, it is a fascinating must-see.


IN THEATERS DECEMBER 22, 2023

 

IN NEW YORK & LOS ANGELES

(National Roll Out to Follow)




Starring

Anthony Hopkins

Matthew Goode

Liv Lisa Fries

Jodi Balfour



Directed by Matthew Brown



Written by Mark St. Germain and Matthew Brown

Based on Mark St. Germain’s play Freud’s Last Session



Cinematography by Ben Smithard, BSC



Costume Design by Eimer Ni Mhaoldomhnaigh



Editing by Paul Tothill



Music by Coby Brown



Production Design by Luciana Arrighi



London, September 3rd, 1939. The world is on the brink of war.



In his final days, Sigmund Freud, a recent escapee with his daughter from Nazi regime receives a visit from the formidable Oxford Don C S Lewis (Chronicles of Narnia). On this day, two of the greatest minds of the twentieth century intimately engage in a monumental session over the belief in the future of mankind and the existence of God.



Runtime: 109 minutes

Review: No one gets a silent night in Damien LeVeck’s ‘A CREATURE WAS STIRRING’

A CREATURE WAS STIRRING

Damien LeVeck gives audiences a clever and nasty addition to the holiday horror subgenre with A CREATURE WAS STIRRING. It’s the Christmas season and a typical evening at home until a home invasion interrupts the care of Faith’s daughter. The undo stress causes her past to rear its ugly head. Those complicated secrets are killer.

Scout Taylor-Compton is Liz, a religious fanatic drifter. Alongside Connor Paolo playing her brother Kory, they seek shelter by breaking into Faith and Charm’s house. These two deliver solid chemistry and provide a weighty anchor that completely counters the energy of Metz and Basso. You will love to hate them for vastly different reasons, but it’s much deeper than you can imagine.

Annalise Basso is Charm. An isolated and soulful take on the role, Basso takes late teen angst and manifests it into a physical performance that wows. Chrissy Metz confidently tackles the role of Faith, a nurse, and mother of a daughter who has a deadly condition. A former addict, her nuanced navigation of an impossible scenario is astonishing. Riddled with guilt and endless determination, Metz brings a fearlessly badass Mama to life.

The lighting and camera work are fantastic. The film’s opening shot pacts an emotional punch. The dialogue is slick and dripping with innuendo. The volley between religion and science intertwined with comic book and horror canon. Don’t even attempt to guess where Shannon Wells‘ script is going because it is increasingly batshit by the minute. The practical FX made me audibly yelp over and over. When you see it, you won’t be able to remain silent. With quick homages to IT and POLTERGEIST, this creature feature meets addiction metaphor boasts a twisted ending darker than you are ready for.

IN SELECT THEATERS DECEMBER 8, 2023

RELEASING ON VOD DECEMBER 12, 2023

 



SYNOPSIS:

Faith (Chrissy Metz) keeps her troubled teenage daughter (Annalise Basso) on a tightly controlled regimen of experimental drugs, their only means of fending off a mysterious, terrifying affliction. But after two burglars (Scout Taylor-Compton, Connor Paolo) attempt to rob the home on Christmas, they stumble upon a long-kept family secret—with monstrous consequences.



DIRECTOR:

Damien LeVeck



WRITER:

Shannon Wells


PRODUCERS:

Natalie Leveck & Aaron B. Koontz



CAST:

Chrissy Metz

Annalise Basso

Scout Taylor-Compton

Connor Paolo



RUNNING TIME:

100 Minutes


 

Review: ‘DON’T SUCK’ – *sigh* If only.

PRESENTS THE NEW VAMPIRE COMEDY

DON’T SUCK

SYNOPSIS

Pete (Jamie Kennedy) believes that he has seen it all in his years as a road comic, that is until he meets his new killer opening act, a struggling comic qua vampire named Ethan (Matt Rife). During their time on the road, Pete fulfills his dream of becoming a comic’s comic.


DON’T SUCK follows a washed-up headliner and the newbie he agrees to mentor, who just so happens to be a vampire.

The film takes a solid 25 minutes for a genuine laugh, then weaves in and out of funny. Elyssa Mai is the perky and badass radio producer Carrie. She is a refreshing addition, as her delicious dialogue contrasts most of the script. Honestly, other than the following scene in the booth itself, the moments between Kennedy and Rife are the only watchable parts of the film. The numerous stand-up bits, some by well-known comics, are downright awful. Most of the jokes feel dated, misogynistic, and unfunny.

Jamie Kennedy plays Pete Brennan with a burnt-out, has-been energy, but there is an underlying reason for that. Listen closely for a perfect SCREAM reference. It’s probably the best joke in the script. Matt Rife is undeniably the best part of the film. Setting aside the controversy surrounding him as of late, DON’T SUCK would have been more enjoyable had they leaned more into Ethan’s history. Rife genuinely kills it in this role, even putting on a wonky affected accent. Somehow, it perfectly captures the oddly dour tone of the plot. You cannot take your eyes off him. His level of commitment deserves applause. The script needed vampire buddy comedy shenanigans in earnest. The possibilities were endless. As is, you might as well drive a stake through the heart of this film.


In Theaters & On Demand/Digital December 1, 2023

 

Distributor
VMI Worldwide

Starring
Jamie Kennedy, Matt Rife, Ellen Hollman, Russell Peters, Lauren Compton, Jimmie Walker, Jimmy Shubert, Scott ‘Carrot Top’ Thompson

Directed by
RJ Collins

Written by
Rick D’Elia

Run Time: 100 min  | Genre: Comedy, Horror


 

Review: ‘THIN SKIN’ is an original look at stress and family dynamics.

presents

Synopsis: Ahamefule Joe Oluo’s days are spent at a soul-deadening corporate job and his nights come alive behind a trumpet at Seattle jazz clubs. As he struggles to climb out of the ruins of his broken marriage, Aham has to deal with endless bureaucracy, a boss trying to lead him to the Lord, and his mother who won’t cut ties with his ex. Aham is living with his entire family once again in his sister’s cramped one-bedroom apartment. The one person missing from this living situation is Aham’s estranged Nigerian father. His brief reappearance sends the family into a tailspin and a search for meaning. Pressed together in this vise of a home, the family struggles with adult life and the meaning of family.


Stress can do things to you. In THIN SKIN, Aham’s life is falling apart around him. Circumstances, some of his own doing and others out of left field, throw his days, health, and sanity into chaos.

Aham is a recently divorced musician forced to live with his sister and flighty mother. When his estranged Nigerian father calls them out of the blue, childhood trauma bubbles to the surface, and Aham must confront his life in all its messy glory.

The family dynamics are fascinating. Navigating guilt, disappointment, financial realities, parenthood, and passion feels palpable. Audiences will relate to this film in more than one way. It’s stunningly shot, and the screenplay is hilarious.

This cast, in general, is wonderfully put together. Some of the most memorable moments revolve around the ancillary characters. The chemistry is remarkable. Annette Toutonghi plays the disillusioned mother, eccentric, caring, and complete flake Susan. She is darling to watch. I want to put her in my pocket.

There is a whole lot of dialogue that happens at Ahamefule J. Oluo (who stars, co-writes, executive produces, and scores the film.) The way he responds is delightful to watch. He has a naturally grounded tone, especially up against the weighty issues of abandonment and getting your shit together. And, boy, can he wail on the trumpet. Oluo manages to conquer the progressively bizarre plot, as his stress physically manifests in graphic ways.

The film is genuinely funny and captivating. It’s an unexpected story with universal themes, pushing the boundaries of genre storytelling.


IN SELECT THEATERS

Bayview Entertainment NY Theatrical Release 11.30 and Wide VOD Release 11.28

Directed by

Charles Mudede
 

Written by

Charles Mudede

Lindy West

Ahamefule J. Oluo
 

Produced by

Jennessa West

Michael Seiwerath

Jonathan Caso


Starring

Ahamefule J. Olou

Annette Toutonghi

Dwayne Kennedy

Hari Kondabolu

Ijeoma Olou

Jennifer Lanier



Social Media

Facebook: https://www.facebook.com/thinskinmovie

Twitterhttps://twitter.com/thinskinmovie

Film Website: www.thinskinmovie.com

Year Two is a Go! Dances With Films NYC 2023 announces lineup with 64 world premieres

2nd Annual Dances With Films – NYC 

announces films and events

(November 30-December 3)

 

The celebrated true indie-focused film festival returns to New York City
with three times as many films as last year’s debut. 
 
64 World Premiere Screenings Featured
  
Dylan K. Narang’s TAPAWINGO is the Opening Night 
selection, and Nicholas Gyeney’s THE ACTIVATED MAN 
will make its World Premiere as the Closing Night selection.

   

TAPAWINGO

 

New York, NY (November 9, 2023) – Dances With Films announced the film lineup for the return of what has become LA’s largest purely indie film-focused film festival over the past 26 years to New York City (November 30-December 3) for the second time featuring a film lineup nearly three times the size of last year’s NYC debut. DWF alum Dylan K. Narang’s Tapawingo is the Opening Night selection, and Nicholas Gyeney’s psychological thriller The Activated Man will make its world premiere in the Closing Night slot.

 

Among DWF NYC’s lineup of 136 films, including 20 narrative features, 9 documentary features, 19 television and streaming pilots, and 88 short films (73 narrative and 15 documentaries), are an impressive number of world premieres. All screenings will take place at Regal Union Square (850 Broadway).

THE ACTIVATED MAN

 

Among the 64 world premieres are Gyeney’s The Activated ManEtana Jacobson’s Advanced Chemistry, Kevin Interdonato’s The Bastard SonsMichael Groom’s Between The Lights, Isaac Hirotsu Woofter’s Bound, Sara Katarina Burke and Aaron Andrew Keene’s Can’t Seem to Make You Mine, Ryan Moore’s Influence, Michelle Bossy’s Nobody’s Home, Brendan Boogie’s Tallywacker, Micah Khan’s The Zombie Wedding, Justin Best’s Sheryl, and Wynette Yao’s District Of Second Chances. Hanna Vastinsalo’s Palimpsest will make its North American Premiere at Dances With Films NYC.

 After becoming the leading beacon for true indie films and filmmakers in Los Angeles over the past 26 years, this will mark Dances With Films’ return to New York City for the second year. Dances With Films’ Founders and Directors Leslee Scallon and Michael Trent, said, “This year’s theme is “the color of imagination” and that imagination, by its various definitions, exemplifies what Dances With Films will be highlighting this December. We could not be more excited to return to NYC and debut so many wonderful films and help provide a platform for all our indie filmmakers and their projects under the spotlight of this great city.”

 Thursday, November 30 will feature the Opening Night presentation of DWF alumni Dylan K. Narang’s Tapawingo. Previously at DWF with his feature All I Need (2016), Narang’s Tapawingo is a lighthearted coming-of-age comedy stars Jon Heder as an eccentric young man who lives with his mother and works in a mailroom. However, when he must pick up his boss’ son from school, he discovers the kid is the subject of relentless bullying. at school, Naturally, he assembles a team of misfits to ensure the boy’s safety, but the good deed takes an unexpected turn when they discover that the network of bullies they are guarding against wields more power and influence than they initially thought. The film also stars Gina Gershon, Billy Zane, John Ratzenberger, and Amanda Bearse.

 As part of DWF NYC’s dedicated programming of horror, thrillers, and genre films, the Closing Night selection also comes from the film festival’s Midnight section. Sunday, December 3, Nicholas Gyeney’s The Activated Man will make its world premiere as it officially closes the film festival. In the film, a man, struggling with the grief from losing his best friend and beloved dog to cancer, begins to have strange visions only he can see. While he questions whether his mind has fractured or if it’s real, a mysterious rise in murder-suicides takes hold of the city, and he becomes haunted by images of a shadowy figure known as ‘The Fedora Man’. To survive, he must face his fears and confront ‘The Fedora Man’ as he uncovers dark secrets from his past, while finally embracing who he really is, and what he is meant to do.

ADVANCED CHEMISTRY

Additional feature films making their world premieres are Etana Jacobson’s Advanced Chemistry about a scientist whose attempt in the lab to help his lesbian best friend stop cheating on her wife backfires when the wife falls for him. Kevin Interdonato’s The Bastard Sons is a story of revenge by a group of men, when the man who raised them – the family boss – is murdered. Michael Groom’s British romantic drama Between The Lights follows askeptical scientist who falls for a reluctant medium, leading them on an odyssey of love, loss and discovery that turns her world upside down. Isaac Hirotsu Woofter’s Bound focuses on a young introvert who flees with her pet pocket squirrel to New York in order to escape her drug-dealing controlling stepfather. Making its North American Premiere is Vardan Tozija’s M. A multi-national production including            

Macedonia, Croatia, Kosovo, France, and Luxembourg, the film centers on a young boy who lives in the forest under the watchful eye of his overprotective and mysterious father. Their sheltered existence is all he knows until an encounter with a kind-hearted, helpless boy may open up a whole new world to him.

 Also making their world premieres at DWF NYC are Sara Katarina Burke and Aaron Andrew Keene’s Can’t Seem to Make You Mine about a recent parolee who tries to make amends with his ex and become a father to his little boy while staying with a stripper he met on a pen-pal website. Ryan Moore’s Influence focuses on a struggling female filmmaker who kidnaps a famous social media influencer to convince them to play the lead role in her latest project. Michelle Bossy’s Nobody’s Home follows the mind-bending journey of a young man after he is released from the psychiatric hospital with his girlfriend who may or may not be telling him the truth about what he is experiencing. Brendan Boogie’s buddy comedy Tallywacker takes us on a trip with 2 bandmates whose relationship gets tested when one of them gets a gig touring with a major rock star. Micah Khan’s outlandish comedy The Zombie Wedding illustrates the challenges one can have at a New Jersey wedding when the groom is a zombie, and the bride is not. Another film in the Midnight Features section making its world premiere is Justin Best’s Sheryl about a woman who goes on a bloody quest to create the perfect face after she’s dumped by her serial killer boyfriend for not being “hot enough”.

Highlights among the documentary section include one feature-length film making its world premiere, and a second making its U.S. Premiere. Making its world premiere is Wynette Yao’s District Of Second Chances, which follows the journeys of three men – all sentenced to life in prison during the 1990s – who have the possibility of being released and starting a new life thanks to sentencing reform. Making its U.S. premiere will be Emilio Di Stefano’s Denim Hunter. The road movie documentary follows a man whose obsession with really old jeans leads him through the deserts of California, Arizona, and Nevada as well as up the snowclad Rocky Mountains of Colorado. Marc Saltarelli’s Studio One Forever is the untold story of America’s iconic gay disco, a kaleidoscopic excursion into LGBTQ+ history through the lens of Studio One and its adjoining live music venue, The Backlot during the 70s and 80s. Hoag Kepner’s Torched – The Story of Austin Torch tells the story of the Austin Torch, a wild and fiery group of women/non-binary athletes in Austin who are trying to legitimize and professionalize their fringe sport of Ultimate Frisbee.

 The television, web series pilots, and episodics also have a healthy number of world premieres. Those include Federica Marchese and Vinusha Sundaresan’s Chinese series pilot The Blind Zone about a faceoff between two teenage sociopaths after they set their eyes on the same target, David Antonio Martin’s absurd comedy The Selectman where two men are trapped in a picturesque world where the forces of learned behavior, arrested adolescence, and the quest for power forever collide, and Henk Pretorius’ British animated series pilot Travel Foxwhich follows the inquisitive Travel Fox and Bogie the Tortoise as they race across the world, chasing rainbows in search of a legendary pot of gold.

 Additional world premieres include Jon Da’s Ülom: The Primary Experiment is centered on a desperate scientist who undertakes a labyrinthian experiment he believes will locate his missing daughter. Jonathan Chao’s Xander teams a lonely high school student with a Genie. However, the student might lose his new best friend if he makes his one wish. Making its North American premiere will be Aaron Lewis’ Moments, a gripping 9-episode digital series, offering intimate glimpses into characters on the brink. Clarissa De Los Reyes’ Hot Angry Mom about a people-pleasing mom who must face her rage, as a video of her epic meltdown goes viral, and Dana Marisa Schoenfeld’s East about a New York City Corporate attorney who suddenly loses her job and catches her boyfriend cheating, forcing her to reevaluate everything and pursue her childhood dream of being an actress.

Highlights among the short films showcased at DWF NYC include the world premiere of Luke Black’s I Keep Bumping Into Candy Maldonado in which a man keeps bumping into the famous baseball player who is his childhood ideal each day until he’s inspired to make some life changes.

Rj Collins’ thrilling Dropping follows a young woman going through the rigorous “dropping” training which may just turn into a fight for survival. Actor Cynthia Gibb takes a turn behind the camera, directing Lux Freer, about a non-binary teen whose humiliating job of delivering a pizza to bully and aspiring prom queen Arabella Astor’s mansion sets in motion a plot to upend the social stratosphere at her high school. Nazrin Choudhury’s Red, White And Bluestars Brittany Snow as a single parent forced to cross state lines in search of an urgent and necessary abortion. Eleanor Morrison’s You Need To Process This stars Mary Holland and Matt Peters as a married couple who must discuss a sexual assault.

 DWF NYC will also present a series of filmmaker panels focused on current real world issues faced by today’s indie filmmakers at The Stand (116 E. 16th Street) Panels will include “Distribution: Navigating the Marketplace as Well as Forecasting the Future”, which will be moderated by Scott Macauley (Filmmaker Magazine), and is slated to include executives from Magnolia Pictures, IFC, and STX Entertainment, “Making the Sale: The Producer/Sales Agent Dynamic” moderated by Kate Erbland (Indiewire), and includes Carylanna Taylor (Head of Sales Film Sales Corp), Josh Braun (Founder & President, Submarine), and Jason Ishikawa (Sr. Exec. & Co-head of Sales, Cinetic Media), and “The Casting Director/Producer Dynamic” moderated by Michael Sladik (SAGindie New York), and includes casting directors Shayna Markowitz, Bernie Telsey, and Paul Schnee.

 

For more information about the Dances With Films NYC film lineup, events, passes, and tickets, go to: https://danceswithfilms.com/.

 

The 2023 Dances With Films NYC official selections:

 

OPENING NIGHT SELECTION

Tapawingo

Director: Dylan K. Narang

Country: USA; Running Time: 109 min

An oddball becomes the bodyguard for a misfit teenager and finds himself in the crosshairs of the town’s family of bullies.

 

CLOSING NIGHT SELECTION

The Activated Man World Premiere

Director: Nicholas Gyeney

Country: USA; Running Time: 115 min

As Ors Gabriel struggles with the grief from losing his best friend and beloved dog to cancer, the trauma brings on strange visions only Ors can see. While he questions whether his mind has fractured or if it’s real, a mysterious rise in murder-suicides takes hold of the city, and Ors becomes haunted by images of a shadowy figure known as ‘The Fedora Man’. Through torments and terror, Ors must face his fears and confront ‘The Fedora Man’ as he uncovers dark secrets from his past, while finally embracing who he really is, and what he is meant to do.

 

 ADDITIONAL NARRATIVE FEATURES

 

Advanced Chemistry                                                            World Premiere

Director: Etana Jacobson

Country: USA; Running Time: 96 min

A scientist injects his lesbian best friend with a compound he’s created to make her stop cheating on her wife (who is bi), but when the wife finds her new monogamous fixation suffocating, he injects the wife too, which backfires when she falls for him.

 

BASTARD SONS

The Bastard Sons World Premiere

Director: Kevin Interdonato

Country: USA; Running Time: 90 min

Life for a crew of organized criminals is disrupted when Vincent Damiano’s father, the family’s boss, is murdered. Vincent’s ‘bastard’ brothers (UFC legend Frank Edgar, Chicago Med star Malik Whitfield), a group of orphaned souls he raised together, have an idea of who killed their father…his partner Rome (TV/Film veteran Al Sapienza). In a valiant and calculated attempt to regain the business and enact vengeance on Rome over the course of one day, the Bastards wage an all-out war to get their pound of flesh.

 

Between The Lights                                                             World Premiere

Director: Michael Groom

Country: UK; Running Time: 104 min

When skeptical scientist Alice falls for reluctant medium Jay, she’s taken on an odyssey of love, loss and discovery that will turn her world upside down. Between the Lights is a romantic drama with a liberal dose of the supernatural, in which we visit our characters over three consecutive Christmases. It is set within the ancient walls of York and the stunning natural beauty of the Lake District.

 

Bound                                                                                    World Premiere

Director: Isaac Hirotsu Woofter

Country: USA; Running Time: 101 min

To escape her drug-dealing controlling stepfather, a young introvert flees to NYC with only her pet pocket squirrel. After successfully reinventing herself, she realizes she must confront her dark past, to truly be free.

 

Can’t Seem to Make You Mine                                            World Premiere

Directors: Sara Katarina Burke, Aaron Andrew Keene

Country: USA; Running Time: 102 min

A man who was just released from prison tries to make amends with his ex and become a father to his 6-year-old son while staying with a stripper he met on a pen-pal website.

 

Daruma

Director: Alexander Yellen

Country: USA; Running Time: 104 min

Patrick (bitter wheelchair user) must enlist the help of his cantankerous neighbor (double amputee veteran) to transport the daughter he never knew he had to live with her maternal grandparents on the other side of the country. 

 

Grounded

Director: Justin Chan

Country: USA; Running Time: 84 min

William Lee, a 30-something Chinese-Filipino American, introduces his Caucasian girlfriend to his overbearing, immigrant parents when a mysterious cosmic force takes hold of their day.

 

Home Free

Director: Aaron Brown

Country: USA; Running Time: 98 min

In 1997, a group of college misfits invite an unhoused professor to crash on their porch.

Home Free is a Trojan horse, a bold coming-of-age comedy aimed at reaching a mass audience, but also intended to be a catalyst for serious social change sharply focused on one of the most pervasive problems across America—the homelessness epidemic. Humor is our spoonful of sugar. 

 

Influence World Premiere

Director: Ryan Moore

Country: USA; Running Time: 83 min

A female filmmaker struggling with her career and her mental health reaches a breaking point and decides to kidnap a famous social media influencer in an attempt to coerce them into playing the lead role in her latest project.

 

Katie’s Mom

Director: Tyrrell Shaffner

Country: USA; Running Time: 111 min

A heartfelt comedy influenced by The Graduate but told from the perspective of a protagonist inspired by Mrs. Robinson. Set in modern-day Pasadena, California. Nancy Rosenfeld (Dina Meyer), a nurturing mom and recent divorcée, whose beloved Jewish/Christmas mashup holiday celebration with her adult children is derailed when she falls for Alex Rojas (Aaron Dominguez (Only Murders in the Building), her daughter’s charming new boyfriend. Their electrifying affair upends her status quo and sets her on a path to becoming who she was meant to be.

 

M                                                                                             North American Premiere

Director: Vardan Tozija

Countries: Macedonia/Croatia/Kosovo/France/Luxembourg, Running Time: 99 min

In a secluded forest, young Marko lives under the watchful eye of his overprotective and mysterious father. Their sheltered existence is all he knows. Marko seeks solace in his cherished picture book, finding comfort and answers within its pages. One day, an encounter with a kind-hearted, helpless boy named Miko, brings a glimmer of warmth and connection into Marko’s isolated world. As his curiosity grows, Marko yearns to uncover the secrets that lie beyond the confines of the wilderness. But, a cruel turn of events grants him his wish sooner than he expects…

 

Nobody’s Home World Premiere

Director: Michelle Bossy

Country: USA; Running Time: 83 min

When Luca is released from the psychiatric hospital where he and his girlfriend Theodora live, she escapes with him. To remain in control, she takes him to his childhood home, the root of his trauma. Time lapses. Consciousness is distorted. A dead body is discovered. Theodora insists Luca committed the murder in his sleep. Is she telling the truth? A knock on the door suddenly diverts them. Angelica and Jeremy show up, high on acid. Theodora invites them in to test Luca’s loyalty. Her jealousy increases to the point of danger. In the end, nothing is what it seems. Everyone has darkness inside.

 

Palimpsest North American Premiere

Director: Hanna Vastinsalo

Country: Finland; Running Time: 109 min

Two elderly roommates are selected for a medical trial that makes them younger. Given a second chance at life, with the memories of their past life intact, they realize that growing young is not just fun.

 

Space Baby

Director: Rex Dean

Country: USA; Running Time: 99 min

Three friends fight fascist Nurse Nancy to rebuild the holy grail and get a new soul for the earth. Each friend is different. 8-year-old Sam (“Mental Man”) is a mad scientist and inventor; 6-year-old Sophia (“Nature Girl”) is a caretaker of the earth; 300-year-old Blue (a great ballplayer like Satchel Paige) was the keeper of the holy grail in Africa before he and his siblings were captured as slaves. With help from a squadron of ladybugs, they fight the “greed, intolerance, and just plain cruelty” that Nurse Nancy and her demonic crow inhabit. A story of courage, friendship, and love.

 

Tallywacker World Premiere

Director: Brendan Boogie

Country: USA; Running Time: 90 min

A rock and roll buddy comedy about 2 bandmates whose relationship gets tested when one of them gets a gig touring with a major rock star.

 

The Zombie Wedding World Premiere

Director: Micah Khan

Country: USA; Running Time: 99 min

A young Cumberland County, NJ couple decides to go through with their wedding – during the Zombie Apocalypse. Unfortunately, he’s a zombie and she’s not. Both families are fearful, but the humans’ behavior is brutish. When the Zombies begin feeling brain-deprived, the ceremony takes a turn for the weird. Weekly World News reporters are there to cover this wild wedding – while trying to get out alive!

 

 DOCUMENTARY FEATURES

 

44 Lights: Music from Ground Zero                                   

Director: Barbara Blackburn Tuttle

Country: USA; Running Time: 68 min

A musical journey to healing in the aftermath of 9/11. A story of pain, loss, and ultimately rebirth through music.

 

American Pot Story: Oaksterdam

Directors: Dan Katzir and Ravit Markus

Country: USA; Running Time: 97 min

This award-winning documentary is a decade-long follow-up of the underdogs who put their blood, sweat, and tears to overturn a 100-year-old policy, proving in the process that “a small group of thoughtful committed citizens can change the world,” to quote Margaret Mead).

 

Brothers Broken

Directors: Geoff Levin, Lily Richards

Country: USA; Running Time: 86 min

This is the story of brothers Geoff and Robbie Levin, who grew up in the San Francisco Bay Area as part of the 60’s music scene including Jerry Garcia, the Jefferson Airplane, Janis Joplin. The brother’s band PEOPLE! had the hit record “I Love You” in 1968 and toured with The Who; then Scientology entered their lives destroyed their band and split up the brothers. After 46 years Geoff despite losing his children and friends to the cult, left the church and reunited with his brother and band. It’s a tale of breaking free from a modern-day prison of belief.

 

Denim Hunter                                                                        U.S. Premiere

Director: Emilio Di Stefano

Country: Sweden; Running Time: 87 min

In the road movie documentary Denim Hunter, we meet Viktor – a regular guy from Sweden but with a burning passion for really old jeans. The film follows Viktor on his wild journey through the deserts of California, Arizona, and Nevada as well as up the snowclad Rocky Mountains of Colorado, where he hunts for denim treasures in hazardous run-down gold mines from the 1880s. On his journey, Viktor comes across an array of unlikely desert characters, like Indiana Jeans, Dynamite Dan, and Redneck-Mike. In various ways, they all lead Viktor from one failure to the next.

 

The Depths of My Despair

Director: Elizabeth Lawrence

Country: USA; Running Time: 68 min

The Depths of My Despair is a visceral rabbit hole toward the authentic self. Filmmaker Elizabeth Lawrence takes an emotional, first-person detour inward. Oscillating through saneness and psychosis; debris and lucidity, the film stares at depression dead-on.

 

District Of Second Chances                                                World Premiere

Director: Wynette Yao

Country: USA; Running Time: 76 min

District of Second Chances follows the journeys of three men from Washington, D.C., all sentenced to life in prison during the 1990s. Now, because of sentencing reform, they have a rare chance at release and new lives.

 

Meet Me Where I Am

Director: Grant Garry

Country: USA; Running Time: 86 min

Meet Me Where I Am explores the topic of grief through individual stories of loss, love, and hope. The film aims to normalize grief in our culture and explores how we can actively participate in helping others through grief. By accepting grief and its impact, we hope to help individuals find new meaning as they move forward with their grief.

 

Studio One Forever

Director: Marc Saltarelli

Country: USA; Running Time: 86 min

The untold story of America’s iconic gay disco, a kaleidoscopic excursion into LGBTQ+ history through the lens of this groundbreaking club. From 1974-1994, Studio One and its adjoining live music venue, The Backlot, became symbols of hope and community for gay men during tumultuous times. Amidst the rise of gay rights, disco’s heyday, and the devastating AIDS crisis, the club offered sanctuary from rampant homophobia and police oppression.

 

Torched – The Story of Austin Torch

Director: Hoag Kepner

Country: USA; Running Time: 66 min

Torched tells the story of the Austin Torch, a wild and fiery group of women/non-binary athletes in Austin who are trying to legitimize and professionalize their fringe sport of Ultimate Frisbee in a historically male-dominated sports industry. As we follow the Torch on the road and at home during their 2022 season, we realize that though the Torch might not always win, they never really lose, because it’s more than a team: it’s a movement.

 

 MIDNIGHT FEATURES

 

Sheryl                                                                                     World Premiere

Director: Justin Best

Country: USA; Running Time: 72 min

After she’s dumped by her serial killer boyfriend for not being “hot enough”, a beauty-obsessed woman goes on a bloody quest to create the perfect face, all while navigating her new relationship with the cop investigating the murders.

 

Wild Eyed and Wicked

Director: G.S. Foxwood

Country: USA; Running Time: 99 min

Lily Pierce is sick of being haunted. She decides to reconnect with her estranged father, a disgraced history professor, and learn how to draw upon a time of steel and blade when armor-clad knights rode out and dueled their monsters to the death.

 

 TELEVISION AND WEB SERIES PILOTS

A Killer Service

Director: Gio Randazzo

Country: USA; Running Time: 25 min

The hapless daughter of an incarcerated con-artist finds she has inherited a substantial debt to a dangerous crime boss. Forced into a corner, Elliott discovers how to take control of her life while helping empower other women. 

Awesome

Director: Paul Munger

Country: USA; Running Time: 16 min

Every night, 20-year-old Joy gets a glimpse of the future. But with a dad on parole, a pill-popping boyfriend, and a recent lay-off, that doesn’t mean she can stop it from being shitty. That is until she foresees an event that will ruin the lives of her loved ones forever. She’ll have to figure out how to change her future–or live with the consequences.

The Blind Zone                                     World Premiere 

Directors: Federica Marchese, Vinushu Sundaresan

Country: China; Running Time: 32 min

Battle of wits and violence ensues when the separate worlds of two teenage sociopaths collide after they set their eyes on the same target.

 

East

Director: Dana Marisa Schoenfeld

Country: USA; Running Time: 32 min

When Ella Goldman, a New York City Corporate attorney, gets engaged to her longtime boyfriend, Josh, she is ecstatic to embark on the next stage of her life. With a wedding to plan and a blossoming career, Ella thinks she has it all. But when she suddenly loses her job and catches her boyfriend cheating, her world comes crashing down. This devastating turn of events forces her to confront the truth about her life – and what it is she really wants. Convinced that this is a “wake-up call,” Ella pursues her childhood dream of being an actress. 

Events At Hemlock Manor

Director: Katie North

Country: USA; Running Time: 15 min

At its core, this is a series about underdogs: a ragtag group of spooky weirdos with nowhere else to go. Hemlock Manor is not only a year-round haunted house with a terrible business model; it’s also a home. But what do you do when the thing you love is in trouble? You fight for it. Even when that means throwing a baby shower for a group of rich ladies who thought “the historic Hemlock Manor” was a charming country villa, not a haunted house open in July.

 

For Years to Come

Director: Micah Stuart

Country: USA; Running Time: 27 min

An irreverent and heartfelt romantic dramedy about a gay man who falls in love with his dead mother’s hospice nurse, while struggling to reconnect with his elderly father…who’s secretly a porn director.

Hit Man: Secrets Of Lies

Director: Elias Plagianos

Country: UK; Running Time: 19 min

A reflective hitman from New York City travels to small towns around the country trying to find meaning in his seemingly inconsequential life as he fulfills his contracts and eliminates his targets. 

Hot Angry Mom                                   

Director: Clarissa De Los Reyes

Country: USA; Running Time: 34 min

A people-pleasing mom must face her rage, as a video of her epic meltdown goes viral.

I Could Eat

Director: Rick Bedrosian

Country: USA; Running Time: 28 min

A new TV/Web Series showcasing the cuisine & music that unites diverse cultures. Host, Rick Bedrosian (“George” in a Beatlemania stage show for 7 years, leader of Celtic music powerhouse, Hair Of The Dog, since 1993 and an international tour guide) spans the globe seeking out the finest food and the most interesting music makers.

L.I.F.E.: It’s Wonderful

Director: Dathan Smith

Country: USA; Running Time: 22 min

L.I.F.E. is an anthology series set in the near future where citizens receive a hand-delivered card notifying them the day they will die. Rose feels trapped in her new “home”. Emilia feels trapped by her daughter’s recent news. Bob is forced to deliver a card he has been dreading since joining L.I.F.E. Corp. as Diane adjusts to her new job.

Moments                                         North American Premiere 

Director: Aaron Lewis

Country: USA; Running Time: 23 min

Moments is a gripping 9-episode digital series, each under 13 minutes, offering intimate glimpses into characters on the brink. Driven by black trauma and mysticism, it unravels mind-reading and hidden truths through therapist Dr. Winston. An enigmatic narrator, Rutina Wesley, introduces time travel, adding layers of self-discovery. Momentshints at an expanded episodic journey, diving deeper into characters’ histories and relationships, while authentically addressing themes of healing and transformation within the mystical. Boasting a stellar ensemble cast and profound storytelling.

 

Morse Code

Director: Travis Nicholson

Country: USA; Running Time: 37 min

In the eccentric community of modern-day East Nashville, Simon, a talented but flawed thirty-something indie folk singer finds himself at a crossroads as he struggles to strike a balance between family and career.

Off The Menu

Director: Daniele Sestito

Country: USA; Running Time: 37 min

“Chef” is a perfectionist, Italian cook who works for an unordinary institution. Typically stern and grandiose, a new side of Chef is revealed when he is forced to make a meal that’s beyond his grasp. 

Q Train

Directors: Dionne Van Den Berg, Samantha Tran

Country: USA; Running Time: 10 min

A Brooklyn based DJ explores the queer dating scene.

Roboto

Directors: Mari Madrid, Keone Madrid

Country: USA; Running Time: 18 min

Ky loses his entire career as a highly successful choreographer when AI takes over the dance industry and the world by storm. This throws Ky into suicidal ideations until Mikah, a bright and optimistic 12-year-old boy, decides to disregard the latest craze of dancing with Roboto and instead asks Ky to choreograph for his school performance. While at first Ky reluctantly decides to help the kid, he begins to find a bit of light in his life again. And when it’s revealed that Mikah had a battle with cancer Ky’s perspective is completely shifted.

The Selectman                                       World Premiere 

Director: David Antonio Martin

Country: USA; Running Time: 26 min

In the wake of Selectman Joseph Allenby’s untimely death, this absurd comedy begins amid a memorial service in the small town of Picasquiddy, Maine. Subverting the idyllic nature of small-town New England, our protagonists are trapped in a picturesque world where the forces of learned behavior, arrested adolescence, and the quest for power forever collide. As two unlikely successors emerge as candidates for the Board of Selectmen, the town’s fate hangs in the balance. Does anybody have what it takes?

Travel Fox                                         World Premiere 

Director: Henk Pretorius

Country: UK; Running Time: 5 min

Get ready for a wild adventure in Travel Fox, the pilot episode of an animated series tailor-made for curious kids. Follow the inquisitive Travel Fox and Bogie the Tortoise as they race across the world, chasing rainbows in search of a legendary pot of gold. But here’s the twist – instead of gold, our friends discover something even more precious: a treasure trove of unique characters and unforgettable experiences.

 

Ülom: The Primary Experiment                        World Premiere 

Director: Jon Da

Country: USA; Running Time: 25 min

In Ülom, one can find anything, even meaning. A desperate scientist undertakes a labyrinthian experiment he believes will locate his missing daughter. Journeying ever deeper into the labyrinth, he must confront an invasive, fictional reality. Remember: what feels real, is real. Ülom is here.

Xander                                           World Premiere 

Director: Jonathan Chao

Country: USA; Running Time: 11 min

When lonely high school student Luke befriends Xander the Genie, he’s forced to consider if making his one wish is worth losing his new genie best friend.

 

 NARRATIVE SHORTS

 

(In)Convenience

Director: Alexandra Greenspan

Country: USA; Running Time: 12 min

 

#Pizzagate World Premiere

Director: Danny Piñeros

Country: USA; Running Time: 8 min

 

The 1971 Kitchen Grand Brie

Director: Ian Beckman

Country: USA; Running Time: 11 min

 

Bisected                                                                                 World Premiere

Director: Danny Piñeros

Country: USA; Running Time: 8 min

 

Black Silk                                                                               World Premiere

Director: Patrick Michael

Country: USA; Running Time: 16 min

 

Blight                                                                                      World Premiere

Director: Markus Hoeckner

Country: USA; Running Time: 15 min

 

Bloodworm                                                                            World Premiere

Director: Kai Wen

Country: USA; Running Time: 13 min

 

Bounce House

Directors: Callie Bloem, Christopher Ewing

Country: USA; Running Time: 16 min

 

Burraco                                                                                  World Premiere

Director: Isabella Tagliati

Country: Italy; Running Time: 14 min

 

Candice

Director: Tyler Martin

Country: USA; Running Time: 15 min

 

Career Day

Directors: Jason Robinson, Chris Hooper

Country: USA; Running Time: 10 min

 

Chauncey                                                                               World Premiere

Director: Reilly Anspaugh & Daniel Rashid

Country: USA; Running Time: 11 min

 

Cheol                                                                                      World Premiere

Director: Yeajoon Cho

Country: USA; Running Time: 19 min

 

Church Camp

Director: Andrew Bourne

Country: USA; Running Time: 14 min

 

The Chat                                                                                World Premiere

Writer/Dir/Prod: Artie Brennan

Country: USA; Running Time: 6 min

 

Clownfish

Director: Clayton Henderson

Country: USA; Running Time: 11 min

 

Dear Owner

Director: Jing Ai Ng

Country: USA; Running Time: 17 min

 

Delta World Premiere

Director: Jonathan Coleman

Country: USA; Running Time: 9 min

 

Detox

Director: Alex Hanno

Country: USA; Running Time: 19 min

 

Dropping

Director: Rj Collins

Country: USA; Running Time: 10 min

 

Echoes Of My Father                                                            World Premiere

Directors: Junko Kajino, Ed M Koziarski

Country: USA, Japan; Running Time: 18 min

 

The Electro-Rocker

Director: Chris Edgar

Country: USA; Running Time: 17 min

 

Entrainment

Director: Bill Prokopow

Country: USA; Running Time: 12 min

 

Esperance To Fremantle                                                     World Premiere

Director: William Sebastian Turner

Country: Australia; Running Time: 18 min

 

Everything Goes Dark                                                          International Premiere

Director: Alex Casimir

Country: USA; Running Time: 15 min

 

Fate Vs. Elena                                                                       World Premiere

Director: Laura Sedlak

Country: USA; Running Time: 23 min

 

From The Dark                                                                      North American Premiere

Director: Erika Sanz

Country: USA; Running Time: 7 min

 

Hot Soda

Director: Nello Digiandomenico

Country: USA; Running Time: 15 min

 

How To Disappear                                                                World Premiere

Director: Milton Woods

Country: USA; Running Time: 20 min

 

I Keep Bumping into Candy Maldonado                            World Premiere

Director: Luke Black

Country: USA; Running Time: 11 min

 

In The Quiet                                                                           World Premiere

Director: Merle Dandridge

Country: USA; Running Time: 5 min

 

Interracial Couple In A Cheerios Ad

Director: Christine Lakin

Country: USA; Running Time: 4 min

 

The Invaders

Director: Erin Doyle Cooper

Country: USA; Running Time: 4 min

 

Itch                                                                                         World Premiere

Director: Mohammad Anwerzada

Countries: Pakistan/Canada; Running Time: 9 min

 

Letters To the Wind                                                              World Premiere

Director: Terrence Shu

Country: USA; Running Time: 13 min

 

Lux Freer

Director: Cynthia Gibb

Country: USA; Running Time: 21 min

 

Man Baby                                                                               World Premiere

Director: Aaron Murtagh

Country: USA; Running Time: 10 min

 

Music For A While                                                                World Premiere

Director: Kelvin Z. Phillips

Country: USA; Running Time: 6 min

 

Nearly Never                                                                          North American Premiere

Director: Peter Franklyn Banks

Country: UK; Running Time: 15 min

 

Newbie

Director: James Skinner

Country: UK; Running Time: 8 min

 

Portrait Of a Cowboy

Director: Devon Wycoff

Country: USA; Running Time: 17 min

 

Pretty As a Picture                                                               World Premiere

Director: Ryan Nielsen

Country: USA; Running Time: 8 min

 

The Pros And Cons Of Killing Yourself                             World Premiere

Director: Ravi Steve Khajuria

Country: Canada; Running Time: 21 min

 

Piano Man                                                                              

Director: Jay Zaretsky

Country: USA; Running Time: 20 min

 

Purgy’s

Director: Robbie Bryan

Country: USA; Running Time: 16 min

 

Rattled                                                                                    World Premiere

Director: Adam Linkenhelt

Country: USA; Running Time: 14 min

 

Red, White And Blue

Director: Nazrin Choudhury

Country: USA; Running Time: 23 min

 

Revelation                                                                             World Premiere

Director: Libe Barer

Country: USA; Running Time: 16 min

 

Room 107                                                                              World Premiere

Directors: Steve Anderson, Leandro Imaz

Country: USA; Running Time: 17 min

 

Sane Men

Director: Jess Fritz

Country: USA; Running Time: 15 min

 

Skateboard                                                                            World Premiere

Director: Peyton Michelle Edwards

Country: USA; Running Time: 7 min

 

Sonshine                                                                                International Premiere

Director: Corey Podell

Country: USA; Running Time: 15 min

 

Speak Up Brotha!

Director: Wes Andre Goodrich

Country: USA; Running Time: 15 min

 

Sugar                                                                                      World Premiere

Director: Alyssa Brayboy

Country: USA; Running Time: 6 min

 

Three Ways Out                                                                    World Premiere

Director: Lizzie Morgan

Country: USA; Running Time: 13 min

 

Tips Up!                                                                                 World Premiere

Director: Leah Claire Borrie

Country: USA; Running Time: 7 min

 

Tossou                                                                                   World Premiere

Directors: Melisande Mclaughlin, Sika Stanton

Country: USA; Running Time: 3 min

 

Used Chairs For Sale                                                           World Premiere

Director: Dylan Paffe

Countries: USA/Canada; Running Time: 14 min

 

We Love You Ray                                                                 World Premiere

Director: John Hays

Country: USA; Running Time: 14 min

 

You Need To Process This

Director: Eleanor Morrison

Country: USA; Running Time: 14 min

 

 DOCUMENTARY SHORTS

 

13 Driver’s Licenses

Director: Ryoya Terao

Countries: USA/Germany; Running Time: 27 min

 

Brothers For Life World Premiere

Director: Alon Juwal

Country: Israel; Running Time: 17 min

 

The Dancer: The Beautiful and Tragic Life Of Gerard Alexander

Directors: Ryon Horne, Tyson Horne

Country: USA; Running Time: 35 min

 

Family Trip                                                                            World Premiere

Director: Sean Dunne

Country: USA; Running Time: 26 min

 

Finding Fate

Director: Beth Toni Kruvant

Country: USA; Running Time: 28 min

 

How I Roll                                                                              World Premiere

Directors: Brianne Berkson, Miguel Gluckstern, BriGuel

Country: USA; Running Time: 13 min

 

I Can’t Give You Anything But Love World Premiere

Director: Susan Morgan Cooper

Country: USA; Running Time: 34 min

 

Kristin Dan Kuching Kuchingnya

Director: Michael Kam

Country: Singapore; Running Time: 6 min

 

Living Loud                                                                           World Premiere

Directors: Carin van der Donk, Isabella Vega, Sarah Teale

Country: USA; Running Time: 40 min

 

Paper Boats

Director: Jessica Pons

Country: USA; Running Time: 5 min

 

Rebirth                                                                                   World Premiere

Director: Olivia Burgess

Country: USA; Running Time: 11 min

 

Revealing The Impossible World Premiere

Directors: Tony Chong and Marlene Millar

Country: Canada; Running Time: 29 min

 

 

This Is Why We Train: The Sea Girt Beach Patrol            World Premiere

Director: Kevin Nulty

Country: USA; Running Time: 20 min

 

Tracing Imperfection World Premiere

Director: Chehade Boulos

Country: USA; Running Time: 8 min

 

Where Is America the Beautiful?

Director: Fr3der1ck

Country: USA; Running Time: 30 min

 

 MIDNIGHT SHORTS

 

Bastard                                                                                  World Premiere

Directors: Haley Elise Pehrson, Gretta Wilson

Country: USA; Running Time: 14 min

 

The Custodian

Director: Colin J. Mason

Country: USA; Running Time: 9 min

 

D.O.D.

Director: Paul Davis

Country: USA; Running Time: 18 min

 

Dedly Wagons                                                                       World Premiere

Director: Martin Balaguer

Country: USA; Running Time: 4 min

 

Good Girls Get Fed

Director: Kelly Lou Dennis

Country: USA; Running Time: 21 min

 

Hevel                                                                                      World Premiere

Director: David Grace

Country: USA; Running Time: 14 min

 

Inner Demons                                                                        World Premiere

Director: Jasmine J, Johnson

Country: USA; Running Time: 11 min

 

The Mantis

Director: Wylie Rush

Country: USA; Running Time: 10 min

 

Mattress Express

Director: Noah Morse

Country: USA; Running Time: 18 min

 

Night Shift

Director: Karlee Boon

Country: USA; Running Time: 28 min

 

Pee Pee Platter

Director: Jon Conklin

Country: USA; Running Time: 11 min

 

The Spirit Became Flesh                                                     World Premiere

Writer/Director: Jesse Aultman

Country: USA; Running Time: 18 min

 

The Worm                                                                              World Premiere

Director: Cameron A. Tubbs

Country: USA; Running Time: 14 min

 

 

 ABOUT DANCES WITH FILMS

Now in its 26th year, Dances With Films champions the unflinching spirit at the very core of the independent film scene. With most film festivals relying heavily on celebrity, we have relied on innovation, talent, creativity, and sweat equity that revolutionized the entertainment industry. And that reliance continues to prove successful with alumni moving on to write, direct, and produce celebrity-studded vehicles, star in blockbuster movies, and television series, produce multi-million-dollar film and create hot TV shows. 

Big Apple Film Festival 2023 review: ‘STORIES FOR MY CHILDREN’S CHILDREN: LESSONS FROM THE HOLOCAUST’ is tangible and timely

STORIES FOR MY CHILDREN’S CHILDREN: LESSONS FROM THE HOLOCAUST

Poignant and timely, Christopher Wells‘ documentary feature at BAFF 2023 delivers audiences an eye-opening deep dive into the history of one family’s journey through the Holocaust.

STORIES FOR MY CHILDREN’S CHILDREN: LESSONS FROM THE HOLOCAUST is an intimate and accessible retelling of the lives of Sarah Putter Rolnick’s parents during and after the Nazi invasion of Poland. A collection of photographs, rare documents, and letters, alongside Rolnick’s often raw emotions, propel this film forward. For most of the runtime, her measured demeanor invites us to sit back and listen, though the years of shared generational trauma are palpable.

The score possesses a moving, almost visceral effect on the viewer. The information Rolnick discovers through her years of research will shock you. Their stories remain ever-evolving living entities. The film reinforces the tried and true Churchill adage, “Those that fail to learn from history are doomed to repeat it.” STORIES FOR MY CHILDREN’S CHILDREN: LESSONS FROM THE HOLOCAUST is a tangible lesson. For younger generations, perhaps akin to The Diary of Anne Frank. This is the story of The Putters. BAFF 2023 has a built-in audience for this doc. 

STORIES FOR MY CHILDREN’S CHILDREN: LESSONS FROM THE HOLOCAUST

Story told by Sarah Putter Rolnick

“I have chosen to tell these stories for my children and future generations so we can take the past horrors that happened to our ancestors, learn from it, and prevent it from happening again.” -Sarah Rolnick

Feature Documentary (62 Minutes)

Directed and Produced by:  Christopher Wells

Executive Producer: Daniel Rolnick

For more information about THE BIG APPLE FF Click Here!


 

Review: Ira Rosensweig’s ‘SHARE?’ is one of the smartest genre films of the year

SHARE?

Disturbing, funny, and undeniably thrilling, SHARE? is an intriguing human experiment. The premise is slick, a mix of social commentary, the dystopian role of influencer culture, and the disease of instant gratification. The film opens with a man (Melvin Gregg), dubbed #14, in an empty room wearing nothing but a pair of underwear. Once he hears the ping of a rudimentary computer interface, SHARE? unfolds like gangbusters. 

Bradley Whitford is a veteran “participant” craving interaction. Each man gains knowledge from the other’s vastly different strategies for survival. Gregg discovers rewards flow when he either embarrasses or hurts himself. As one coaches the other, a mutually beneficial relationship develops. Alice Braga enters the scene as a woman on a mission, determined to find a way out. Her fiery passion counters Whitford’s stubbornness and Gregg’s growing popularity. When best intentions backfire, and another very influential participant butt heads with her, the consequences prove unthinkable. 

The performances are magnificent. Whitford’s energy is manic. It is like hypnotic live theatre. Alice Braga brings her usual fierceness, rattling the day-to-day flow of events. Melvin Gregg is a one-man show that gets better and better by the minute. His flawed vulnerability pulls you into this mesmerizing plot. He is magnificent. 

The first feature film to be shot entirely from one fixed camera angle, SHARE? is a wonder. The structure demands your undivided attention, as each captive, like Pavlov’s Dog, learns and responds to obtain food, water, clothing, nonessentials, and social interaction. Desperation, cancel culture, isolation, and voyeurism drive SHARE? headlong like a freight train and with a finale so fitting it’s breathtaking. You’ll scream at the screen.


ARRIVING IN SELECT THEATERS & ON DIGITAL AND VOD

NOVEMBER 10, 2023

 

SHARE?

Directed by: Ira Rosensweig

Screenplay by: Benjamin Sutor

Story by: Ira Rosensweig & Benjamin Sutor

Producers: Carissa Buffel, Kevin Matusow, Ira Rosensweig

Country of Origin: USA

Language: English

Genre: Sci-fi Mystery

Distributor: XYZ Films

Cast: Melvin Gregg (The Way Back, The Blackening), Bradley Whitford (Get Out, The Handmaid’s Tale), Alice Braga (The Suicide Squad, Hypnotic), 

Danielle Campbell (Tell Me a Story)

 

OPENING IN SELECT THEATERS ON NOVEMBER 10th

AND NATIONWIDE ON DIGITAL / VOD

NYC: Alamo Drafthouse, Lower Manhattan, November 6th (one night only)

Philadelphia: PFS Bourse Theater – November 7th (one night only)

Chicago: Alamo Drafthouse, November 8th (one night only)

Austin: Alamo Drafthouse, November 9th (one night only)

San Francisco: Alamo Drafthouse, November 10th

Los Angeles: Arena Cinelounge November 10th (full week run)

Los Angeles: Alamo Drafthouse DTLA, November 11th

Richmond, VA: BTM Movieland at Boulevard Sq, Richmond, VA, November 10th

Columbia, SC: BTM Dutch Square Cinema 14, Columbia, SC, November 10th

Oaks, PA: Oaks Center Cinema, November 10th


 

Review: Murder mystery romp ‘HELEN’S DEAD’ opens to Theaters and On Demand today!

HELEN’S DEAD

Helen’s Dead follows the story of Addie (Dylan Gelula). After a terrible breakup with her boyfriend, Addie goes to confront her best friend about cheating allegations and accidentally steps into a murder scene.


HELEN’S DEAD is an ensemble comedy filled with familiar faces. Several uninvited guests throw Leila’s curated entertainment plans out the window. HELEN’S DEAD turns a whirlwind of lies and a spoiled dinner party into a chaotic murder mystery. 

Tyrese Gibson plays Helen’s vengeful boyfriend on the hunt for his lady and some loot. Gibson is equal parts scary and charming. Beth Dover, whom I feel is simultaneously everywhere and not enough places, plays Girl Boss journalist and Leila’s supposed ticket back into the mainstream. Dover is as great as ever. Annabelle Dexter-Jones is our ambitious Leila, looking for the perfect dinner party to weave a small-town comeback tale for the masses. Her nightmarish perfection-driven micromanaging is everything you’d hope for. Brian Huskey plays Leila’s partner, but more importantly, her therapist. His turtleneck-wearing, effected speech character work is fantastic. 

Emile Hirsh is a manic misogynist and one catalyst in the chaos. Matilda Lutz plays the titular Helen. She is a star. Her presence is magnetic, and you cannot take your eyes off of her. Dylan Gelula, whom I adored in Cooper Raiff‘s Shithouse, gives us high millennial manicness for the gods. Gelula embodies Addie to a tea. Oliver Cooper steals the show with his portrayal of Cameron, a local theatre actor smitten with Helen and roped into an elaborate charade by Leila. Cooper is a joy to watch. If you aren’t smirking at his every syllable, check your pulse. 

While the film goes slightly off the rails an hour in, what remains of HELEN’S DEAD is a revenge plot gone awry and a twisted tale of reconciliation. 



In Theaters & On Demand November 3, 2023

Directed by K. Asher Levin
Written by Amy Brown Carver
Story by K. Asher Levin and Amy Brown Carver

Produced by Levin, Daniel Cummings, Robert Dean, Roy Scott MacFarland & Todd Lundbohm



Review: Switzerland’s official Oscar submission ‘THUNDER (FOUDRE),’ from director Carmen Jaquier, opens in NYC today.

THUNDER

After the sudden and mysterious death of her sister, a 17-year-old novitiate explores her God-given right to experience life to the fullest, during the summer of 1900 in Switzerland.

Akin to the musical Spring Awakening, THUNDER tells the tale of a young woman whose older sister’s mysterious death brings her back to her childhood home and in touch with three old friends. Religious zealousness, body autonomy, and freethinking take center stage in THUNDER. As Elisabeth heads the advice in Innocente’s hidden diary, her world, senses, and spirituality are open to new ideas and happiness. 

The look of the film is dreamy. Moody indoor shots juxtaposed with lush Swiss landscapes create a visually sumptuous experience. Lilith Grasmug‘s portrayal of Elisabeth is mesmerizing. It contains a palpable yearning. Her immediate defiance of the patriarchal social structure made me want to stand up and cheer. Formerly Catholic, or what my mother might call a heathen, the righteous overshadowing of Elisabeth’s awakening is maddening. Her triumphant exploration of sensation and life makes THUNDER a celebration.



Dekanalog is so very proud to be releasing Carmen Jacquier’s stunning period drama THUNDER (FOUDRE), which Switzerland has chosen as their official 2023 submission to The Academy Awards! This unbelievable piece of world cinema opens in New York City next Wednesday, October 25th, followed by a nationwide rollout.

Review: Susanna Fogel’s ‘CAT PERSON’ is obscenely relatable… on every level.

CAT PERSON

Emilia Jones plays Margot, a college student and movie theatre concession girl who goes on a date with an older patron who may or may not be a murderer. Based on Kristen Roupenian‘s 2017 viral short story in The New Yorker, director Susanna Fogel skillfully weaves a dark tale that every woman has lived.

Nicholas Braun plays Robert. Taking the world by storm as Greg on Succession, Braun leans into his height and natural awkwardness, simultaneously charming and scaring the shit out of audiences. His dialogue overflows with double entendres and demeaning terms of endearment. Braun is spectacular, settling into the role without a moment’s hesitation.

Emilia Jones (CODA) plays Margot with a delicious mix of caution, optimism, anxiety, and delightful sardonic wit. She commands your attention with equal parts “every girl” and an entirely captivating performer. Watching her feels effortless.

The script perfectly balances black humor and visceral tension. Writers Michelle Ashford and Kristen Roupenian cleverly utilize fantasy and nightmare sequences to keep the viewers constantly on edge. Countering the fear is a feminist message of empowerment, predominantly in the form of Margot’s best friend Taylor (Geraldine Viswanathan), and her professor Dr Enid Zabala (Isabella Rossellini). The movie references that initially attract Robert and Margot to one another continue throughout the film. Cinephiles rejoice. Text message conversations keep Robert ever-present.

The script also comedically highlights how far women go to remain appealing, how we placate for acceptance, the self-deprecating behavior, and the blatant shunning of red flags. There is a sex scene that is truly something to behold. It is the most cringeworthy, amusing, icky, relatable thing any woman can watch. It accurately captures the constant fear of existing as a woman. The relentless anxiety, the people pleasing, and the patriarchal pressure from every direction, CAT PERSON nails each aspect with humor and truth in fiction.


CAT PERSON
Starring Emilia Jones & Nicholas Braun
Directed by Award-Winning Filmmaker Susanna Fogel

Opens New York City & Los Angeles October 6th
In Theaters Nationally October 13th

**Official Selection – 2023 Sundance Film Festival**

Genre-Bending Thriller Based Off Kristen Roupenian’s
Viral New Yorker Short Story


Directed by Award-Winning Filmmaker
Susanna Fogel (“The Flight Attendant”, writer Booksmart)

Starring:
Emilia Jones (CODA)
Nicholas Braun (“Succession”)
Geraldine Viswanathan (Blockers)
Isabella Rossellini (Blue Velvet)
Fred Melamed (A Serious Man)
Liza Koshy (Transformers: Rise of the Beasts)
Michael Gandolfini (The Many Saints of Newark)

Written by Michelle Ashford (“Masters of Sex”), the story expands upon Kristen Roupenians’ 2017 short story of the same name published in The New Yorker. Striking a nerve with readers, “Cat Person” was the first work of short fiction to ever go viral, spurring conversations about the modern dating scene, seduction and consent around the world.

When Margot, a college sophomore (Emilia Jones) goes on a date with the older Robert (Nicholas Braun), she finds that IRL Robert doesn’t live up to the Robert she has been flirting with over texts. Cat Person is a razor-sharp exploration of the gender divide, the quagmire of navigating modern dating and the dangerous projections we make in our minds about the person at the other end of our phones.


 

LA’s Screamfest 2023 review: Banned in Russia, ‘EMPIRE V’ is an original and juicy re-vamping of lore.

EMPIRE V

Based on his novel, author Viktor Pelevin and director Victor Ginzburg deliver EMPIRE V, a twisted tale of succession, seduction, and social satire. Arriving at SCREAMFEST 2023, it sucks you in from the very first frame. Rama awakens to find a masked man holding him captive, briefly explaining that he is the new heir of something sinister. Our protagonist soon learns he is now a child of the night, a revered member of the vampire elite. But the rules of their society are not so simple, and life after death comes with certain sacrifices.

In EMPIRE V, the two primary notions of Vampirism are Glamour and Discourse. They essentially break down to look and influence. Blood holds all the memories of the human it comes from and arrives differently than we’ve become accustomed to.

The CGI transition pieces serve as history lessons and sexy vampire propaganda. I’ve never seen anything like it outside of high-tech, immersive video games. Even the closing credits have an elegance and visual splendor akin only to Netflix’s The Crown.

EMPIRE VThe fight choreography is Matrixlike. The entire film echoes Neo’s training. It holds equal complexities, no doubt captivating a similar audience. If I didn’t know any better, EMPIRE V would fit perfectly into the list of films featured in the new doc SO UNREAL. Had it not been for the pesky detail that it’s 22 years after the latest film in their lineup. With a delicious camp of The Fifth Element and all the hallmarks of an epic sci-fi franchise meets social satire, Ginzburg could seamlessly develop the film into a series or become the latest cult trilogy. Entirely original vampire canon melded with science fiction, EMPIRE V has a built-in audience filled with hungry genre fans waiting to sink their teeth into this story.


Russian-set sci-fi horror film EMPIRE V is set to hold its North American premiere at LA’s Screamfest. The controversial film is directed and written by Victor Ginzburg. 

EMPIRE V is a social parody of modern Russian society being controlled by vampires. The film was set to be released by Sony on several thousand screens across Russia in 2022, making it one of the most hotly anticipated Russian releases of the year. After the start of the Ukrainian war and one week prior to the film’s release, it was pulled from theaters by the Kremlin, effectively making it a film without a country. The film stars popular Russian rapper Oxxymiron, whose anti-war stance has recently led to him being declared a “foreign agent” by the Kremlin, a designation used to attack the government’s critics and journalists. 

Based on the satirical and incisive novel by Victor Pelevin, EMPIRE V was produced by Heartland Films/USA and Kvadrat/Russia, and Andrey Trubitsyn, Maria Kapralova, Alexei Tylevich and James Steele. The film also stars Pavel Tabakov, Taya Radchenko, Miron Fedorov and Vera Alentova. EMPIRE V recently held its world premiere at the Fantasia Film Festival in July and will debut to Los Angeles audiences at Screamfest this October.  
 
In the film, a 19-year-old Moscow nobody is turned into a vampire, and thereby becomes part of an elite and powerful echelon of society who have controlled humanity since time immemorial. EMPIRE V is an astounding visual feast, featuring innovative and propulsive visual effects sequences that enhance and elevate its timely social commentary. 

Brooklyn Horror Film Festival 2023: Filmmaking phenom Alice Maio Mackay’s ‘T-BLOCKERS’ is an invasion allegory with a queer cast and crew that is sickening in the best way possible.

T-BLOCKERS

Award-winning trans filmmaker Alice Maio Mackay brings her buzzy genre mashup T-BLOCKERS to the Brooklyn Horror Film Festival 2023. Part queer coming-of-age and part splatterfest, Lauren Last plays Sophie, a filmmaker whose horrible blind date leads her to vigilante killings to prevent hate crimes. Oh, and there are aliens involved. Sophie realizes she is the only one who can sense a body-snatching entity that targets alt-right creeps. So obviously, she and her group of friends must hunt them down and destroy them in the name of their queer community and for the love of cinema. Duh.

Lewi Dawson plays Spencer, Sophie’s best friend and colleague. They are undeniably fantastic in this role. Stanley Browning is Adam, blind date and lead carrier of the infected alien hate worm. Etcetera Etcetera is our hostess with the mostess and hypnotizes with her spooky charm. Lauren Last gives us everything we need to feel grounded, permitting us to laugh at the premise. I would love to see her in more stories. I would welcome a sequel about Spencer and Sophie’s forthcoming shenanigans.

2023 has been a step in the right direction for trans, queer, and nonbinary representation with films like The People’s Joker, Something You Said Last Night, Monica, Theater Camp, My Animal, Barbie, and the upcoming The Hunger Games: The Ballad of Songbirds and Snakes. T-BLOCKERS joins the ranks of engaging storytelling that crosses genres and excites. The neon lighting and campy gore have all the markings of Midnight cult classic indies. The J. K. Rowling joke was perfection. T-BLOCKERS is an allegory for the homophobic antitrans movement and their evil online cultlike behavior. It’s a creative call to activism and self-acceptance told through a B-horror-inspired lens. Be prepared to rock out to one hell of a battle cry song and to stand up and cheer for the final scene.


BROOKLYN HORROR FILM FESTIVAL 2023

Chelsea Film Festival 2023 review: ‘THE MAD WRITER’ soothes the soul and the senses.

THE MAD WRITER

How does a musician make music when they are slowly and mysteriously losing their hearing? Director Zach Kashkett makes a documentary about his oldest friend, Austin Hart. A shockingly curmudgeonly and darkly sardonic subject, Kashkett slowly pulls out a profound story about an artist on the brink of greatness or tragedy.

The editing is masterful. The narrative flow is deliciously punctuated with L’Orange’s (Austin’s artist name) uniquely produced and created beats. His music is hypnotic, sampling blues and standards to assemble something fresh, almost binaural in its rhythms. While THE MAD WRITER follows Austin’s musical and surgical journey, it speaks universally to those suffering from depression and unsure of their place in the world. Austin says it best in the film. Everyone wants to feel “satisfied, clever, and useful.” He’s not wrong.

The Mad Writer is an emitonally powerful film and a must-see at Chelsea Film Festival.

The Mad Writer – Festival Trailer from Zach Kashkett on Vimeo.

SATURDAY, October 14, 2023—6 pm- Regal 14th Street, Auditorium 15
Ticket Link: The Mad Writer Ticket Link

 

SYNOPSIS: This music documentary by Director Zach Kashkett takes us on the both the mental and physical health journey of hip-hop beat writer L’Orange as he faces a medical condition that could affect his career in music. The Mad Writer premiered at Slamdance Film Festival in Park City in January, and this is their New York Premiere.  Zach’s most notable projects include: Shawn Mendes: In Wonder (documentary), Always Jane (TV Series), Sins of The Mother (TV Mini Series).


 

Review: ‘THE ELDERLY’ is clever social commentary wrapped in a terrifying horror film.

THE ELDERLY

Following the sudden suicide of his wife, Manuel begins acting violently strange. Soon a series of paranormal events has all of the local elderly behaving oddly. They all seem to know something the young do not – paired with a lust for blood.

From the directing duo of the gooeytastic Spanish horror film The Passenger, Raúl Cerezo and Fernando González Gómez serve audiences their latest original story, THE ELDERLY.

Family tension grows after the unexpected suicide of the family matriarch. Manuel begrudgingly moves in with his son, granddaughter, and bitter daughter-in-law. As the temperatures outside rise, so does the mind-boggling behavior of Manuel and the rest of the octogenarian population.

Ignacio Aguilar‘s cinematography is breathtaking. Closeups, panning, overhead shots, each take meticulously planned for maximum impact. The visual trickery is out of this world. The score is unsettling, with its string-heavy intensity mixed with hauntingly written love standards.

A shockingly violent moment halfway through jolts an audience now accustomed to the eerie din of quietly disturbing imagery. The Elderly shines in the power of visual suggestion, shadow play, reflections, and long lingering takes.

The slow-burn film boasts a brutal and traumatizing, no-holds-bar climax. Otherworldly communication connects to climbing temperatures. The hotter the temp, the more intense the violence. The Elderly taps into the idea of the older generation feeling unheard and dismissed. It also utilizes classic supernatural tropes, adding one shocking last frame.


Distribution Company: Dark Star Pictures 
Theatrical Release Date: October 13, 2023
VOD & Blu-Ray Release Date: October 31, 2023
Directors: Raúl Cerezo, Fernando González Gómez
Writers: Raúl Cerezo, Javier Trigales, Rubén Sánchez Trigos

Runtime: 95 Minutes
Starring: Zorion Eguileor, Gustavo Salmerón, Paula Gallego, Irene Anula, Juan Acedo, Ángela Gamonal