AUDREY

Former soap star Ronnie is a delusional narcissist living precariously through her eldest ungrateful daughter. When one of Audrey’s tantrums goes wrong, Ronnie assumes her identity in an exclusive acting class to prove her talent to her family. With Audrey no longer the erratic center of attention, the family realizes the profound effect she has
Josephine Blazier nails the role of Audrey. She is entirely loathsome and vicious. The apple does not fall far from the tree.
Ronnie’s youngest daughter is an afterthought, but actress Hannah Diviney is anything but. When Audrey is in a coma, Norah begins living her best life. Diviney possesses brilliant comic timing, and her chemistry with her castmates is magic.
Ronnie’s emotionally stunted and sexually repressed husband, played by Jeremy Lindsay Taylor, finds inspiration from the oddest place. He rekindles his passion for his wife through the absence of his cruel eldest daughter. Taylor moves from a shell of a man to a stallion. He is a delight.
Jackie van Beek gives Ronnie shameless confidence, owning every second of screen time. Hers is the kind of borderline slapstick comedy that you cannot teach. Jackie van Beek is irresistible, often stealing a scene with little more than a glance. She is perfection. I demand an entire franchise based on AUDREY.
In three distinct acts, the lunacy and lies lead to genuine laugh-out-loud scenes. Lou Sanz‘s script goes in directions impossible to predict. It’s much darker but equally as funny. SXSW 2024 audiences are in for one wacky ride.
Film Screenings
Credits
Director: |
Natalie Bailey |
|---|---|
Producer: |
Michael Wrenn, Dan Lake, Shannon Wilson-McClinton, Diya Eid |
Screenwriter: |
Lou Sanz |
Cinematographer: |
Simon Ozolins ACS |
Editor: |
Katrina Barker |
Production Designer: |
Helen O’Loan APDG |
Music: |
Alex Cameron |
Principal Cast: |
Jackie Van Beek, Josephine Blazier, Hannah Diviney, Jeremy Lindsay Taylor |


Annick Blanc gives SXSW 2024 audiences something to chew on with HUNTING DAZE, a genre-defying tale of isolation, pack mentality, and self-preservation. Exotic dancer Nina finds herself stuck and calls upon a former client for roadside assistance. Without transport, he brings her back to an isolated cabin in the wilderness. Upon discovering it is a bachelor party, the eclectic group of men agrees to let her stay the weekend if, and only if, she can abide by an “all for one’ mentality.
Director Shannon Walsh shares the extraordinary love story between an artist and his larger-than-life wife. SXSW 2024 audiences discover the legacy of Adrianne and Alan St. George. This documentary is a tale of adoration, art, and Adrianne.
Herein lies the challenge for Alan and Shannon. How do you do justice to such a love story? Experimental musical interludes, Adrianne’s Doll Room, quirky home movies, and the ever-expanding house that grows like a whimsical version of The Winchester House. The mansion is an explosion of color, lavish draping fabrics, sculptures, and murals, all featuring Adrianne and Alan’s likenesses. It is Versailles meets Grimm’s Fairytales, each room mirroring a slice of her exuberant persona. She was and remains Alan’s muse for all things.
SXSW 2024 audiences are in for a real WTF documentary in Jonathan Ignatius Green‘s DICKWEED. In 2012, a wild kidnapping in the middle of the night led to torture, mystery, and one man’s loss of his, let’s say, manhood. The ensuing wild goose chase and brazen criminal actions challenge all involved. Police had no idea what kind of mastermind they were dealing with.






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Shudder original
Writer-director
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