Review: In ‘MY NAME IS EMILY’ Evanna Lynch leaves Hogwarts behind.

Monument Releasing

Presents

 MY NAME IS EMILY

 A Film By

Simon Fitzmaurice

Opening Theatrically In US Cities On February 17

VOD To Release On February 24

MY NAME IS EMILY, the debut-feature written and directed by the amazing Simon Fitzmaurice, is a life-enhancing story starring Evanna Lynch (Harry Potter), Michael Smiley (The Lobster, Kill List) and newcomer George Webster (City of Dreamers, Blood Moon).

After her mother dies and her visionary writer father is institutionalized, Emily is placed in a foster home and a new school where she is ostracized. On her 16th birthday, when her father’s annual card fails to arrive, Emily knows something’s wrong. Enlisting Arden, her only friend at school, she sets off on a road trip adventure across Ireland to find her missing Dad and break him out of the psych ward. They are an odd couple, this pale girl and the boy in the velvet suit, and along the way, they both come to realize important truths about the nature of relationships, both to their parents and to each other. MY NAME IS EMILY is a story of madness, sadness and love.

In  2008, director Simon Fitzmaurice was diagnosed with Motor Neuron Disease (ALS). Now completely paralyzed, Fitzmaurice typed the script for the film, through the movement of his eyes and iris recognition software, Eye Gaze. This is also how he communicated with cast and crew during the film’s six-week shoot. Given four years to live, Simon credits writing and filmmaking with having saved his life.My Name is Emily is a stunning coming of age film. Evanna Lynch shines in this complex role of a sad and brilliant young lady. The layers of this character come from the outstanding script from writer/director Fitzmaurice. Infusing philosophy, literature, poetry, loss and teenaged angst all intertwined into a story of finding oneself through letting go and letting people in. Michael Smiley is as wonderful as he’s ever been, touching the cornerstone of every possible emotion. George Webster, in particular, is one hell of a find. His natural ability to draw you in is reminiscent of the late Anton Yelchin. He will seduce you with his awkwardness and charm the pants off you all in the same scene. The honest chemistry between Lynch and Webster makes this film what it is. Another high note (pun not intended) is the glorious soundtrack. Each song evokes a familiarity that seems to fit perfectly into the moment. With a cool mix of voiceover moments and flashbacks, My Name is Emily is a true delight.

 

Review: ‘I AM MICHAEL’ places James Franco on emotional seesaw in this true-life story.

A film by Justin Kelly

Starring: James Franco, Zachary Quinto, Emma Roberts
WRITTEN AND DIRECTED BY:
Justin Kelly (King Cobra)
Based on The New York Times article “My Ex-Gay Friend” by Benoit Denizet-Lewis

EXECUTIVE PRODUCED BY:
Gus Van Sant (Milk, Good Will Hunting, To Die For)

PRODUCED BY:
Rabbit MandiniJames Franco and Vince Jolivette (Palo Alto, Spring Breakers, Lovelace), Michael Mendelsohn (I Am Wrath, Lord of War, Air Force One) of Patriot Pictures, Scott Reed and Ron Singer of That’s Hollywood.

I AM MICHAEL is the incredible true-life story of Michael Glatze (Franco), a high-profile queer youth activist who created a national controversy when he claimed to no longer be gay and became a straight Christian pastor. The film follows Michael from his life in San Francisco with his boyfriend Bennett (Quinto), where he pursues political activism, a journalist career at XY Magazine, social awareness, and sexual exploration, to his days of personal self-discovery. After a traumatic scare, Michael is plagued by doubt and paranoia, and begins a religious reawakening. Michael renounces his gay lifestyle, rejects his friends, and endeavors to find his “true self.” He explores Buddhism and Mormonism, yet ultimately lands at a Christian Bible school in rural Wyoming where he meets his girlfriend, Rebekah (Roberts), and becomes the pastor of his own church. This powerful new film captures one man’s haunting journey through modern concepts of love, denial and redemption.

Crisis of conscience, fear, confusion, exploration, self-loathing, and everywhere in between. I Am Michael follows the unusual journey of Michael Glatze, a man whose inner turmoil pulls him every which way. Emotional tethers bring Glatze back and forth between his intellectual desire to live in God’s light and path, or whatever that means to him at any moment in time, and the natural desires that come with being a human being. Not wanting to be labeled as a gay man, his oftentimes outwardly offensive exploration comes at the cost of personal relationships. The story rolls along at a rapid pace, which never takes away from the tumultuous up and down in Michael’s life. Franco, is brilliant, as per usual. If you haven’t delved into the huge range of his work, you are genuinely missing out. The man is a PR genius and I still wonder when he has time to sleep. Quinto, as boyfriend Bennett, also bring a beautifully grounded performance and is the perfect foil for Franco’s energy. Emma Roberts plays what some might call a tragic role, as Glatze’s eventual fiance’. A young Christian girl willing to look beyond the past and love Michael for who he claims to presently be and believe. The film features the song “Crucify” by Tori Amos (Which I’ve conveniently shared underneath the trailer!). Its placement is both poignant and perfect in tone and lyrics. Overall, I am Michael gives us a glimpse into a place where religion and sexuality collide and perhaps illustrates the intolerance from both angles. The film comes to theaters and on VOD today, January, 27th.

 

Opening in Theaters and VOD on January 27th

Official Selection at the Sundance Film Festival, Berlin International Film Festival, Seattle International Film Festival, Frameline Film Festival, Provincetown International Film Festival, Chicago International Film Festival.
RT: 101min

Review: ‘Trespass Against Us’ makes Michael Fassbender and Brendan Gleeson family.

 

TRESPASS AGAINST US is set across three generations of the Cutler family who live as outlaws in their own anarchic corner of Britain’s richest countryside. Chad Cutler (Michael Fassbender) is heir apparent to his bruising criminal father, Colby (Brendan Gleeson) and has been groomed to spend his life hunting, thieving and tormenting the police. But with his own son, Tyson (Georgie Smith) coming of age, Chad soon finds himself locked in a battle with his father for the future of his young family. When Colby learns of Chad’s dreams for another life he sets out to tie his son and grandson into the archaic order that has bound the Cutler family for generations. He engineers a spectacular piece of criminal business involving a heist, a high-speed car chase and a manhunt, which leaves Chad bruised and bloodied and with his very freedom at stake. With the law cracking down and his father tightening his grip, Chad is forced into increasingly desperate measures. Featuring incredible performances – and an astonishing score by The Chemical Brothers – TRESPASS AGAINST US is at once an exhilarating crime thriller and a profoundly moving story about love and family.

There is no doubting the abilities of both Michael Fassbender and Brendan Gleeson in this family crime drama. The two could very easily be related based on their spectacular on-screen chemistry. The action (predominantly in car chase form) is plenty and should be seen on the biggest screen possible for maximum clarity and impact. Gleeson does a brilliant job in making you squirm. Think about the most awful, offensive relative that shows up on holidays and multiply that feeling by 10. You are quickly sympathetic to Fassbender’s rock and a hard place persona. The little bit of mischievous joy he gets by rattling the cops is nothing in comparison to his brooding desire to be a better man for his wife and two kids. The last thing he wants is for history to repeat itself. He desperately tries to break the cycle, much to the chagrin of his father hence moving the plot along. Though even with the talent, there is a slowness and lack of back story that would have been nice to hear or see. The choice to make The Cutler’s a traveler family is cool in concept but I wish there had been a better explanation as to how our patriarch became so anti-establishment. One is left to assume. Ultimately, Trespass Against Us is a film about the line between family loyalty and self-preservation. The film is available on Direct TV and in theaters beginning today.

Check out a clip and the trailer below.

Directed by:                                          Adam Smith

Written by:                                             Alastair Siddons

Produced by:                                       Andrea Calderwood, Gail Egan, Alastair Siddons

Executive Produced by:                     Joshua Astrachan, Rose Garnett, Frederick W. Green, Peter Hampden, Phil Hunt, Norman Merry, Compton Ross

Starring:                                                  Michael Fassbender, Brendan Gleeson, Lyndsey Marshal, Killian Scott   

In Theaters January 20th, 2017

Running Time:                                       1hr 39min

Rating:                                                   R

Review: ‘The Founder’- Witness the creation of the McDonald’s empire

The fastest way to get to the top is by standing on the backs of others, Ray Kroc discovered this and used it to become one of the most successful businessmen this country has ever known. John Lee Hancock (Saving Mrs. Banks) directs Oscar nominated actor Michael Keaton as the man who brought McDonald’s to every hometown in America.

Ray Kroc (Michael Keaton) is a traveling salesman who currently specializes in selling Prince Castle brand milkshake makers. Life on the road has been a struggle for Ray, each day he visits restaurants and drive-ins across the Midwest finding more resistance to his sales pitch than enthusiastic buyers. He has a comfortable life back home in Illinois with his wife Ethel (Laura Dern) and a simple but comfortable living, but success to do something great keeps driving Ray back to the road to find his legacy. A chance order from the McDonald’s brothers in San Bernadino, CA will change his life forever.

Ray meets with the two brothers who own and operate the establishment, Maurice “Mac” McDonald (John Carroll Lynch) and  Richard “Dick” McDonald (Nick Offerman), who have created an innovative way of supplying hamburgers to the public. Awestruck by their creation, Ray convinces the brothers to let him take their McDonald’s idea nationally, and this is where the real story begins. Through all the struggle, the persistence of Ray Kroc leads to success and his control of the franchise’s present and future. The evolution into one of the most powerful men in business was paved with betrayal, cunning and ingenuity, which makes the story dramatically unfold.

Michael Keaton’s enthusiasm and delivery bring Kroc’s persona to life in a near perfect way. Throughout the film, we witness the transformation of a person starved to prove himself to a person drunk on success and whether you love him or hate him, he got there his way.  John Carroll Lynch and Nick Offerman are wonderful as the McDonald’s brothers. Each step of their rise and fall is felt in their portrayal of the characters and you can’t help but cringe as their decimation unfolds. The story centers around the tense relationship between the brothers and Kroc and these actors bring a wonderful mix of humor and drama to help make this story as mesmerizing as it is.

Overall, The Founder is an interesting tale of the rise of McDonald’s and men who brought the “Golden Arches” to the country. It’s a sad look at the glutton of success and repulsive effects it has on those in the way. The performances make this film worth the journey.

Stars:

3 out of 5

Trailer:

https://www.youtube.com/watch?v=ksLZEepQ0nA

Review: ‘SPLIT’- M. Night Shyamalan’s Best Movie in Over a Decade

The last thirteen years have not been kind to M. Night Shyamalan’s career. After several failed films, it looks like the once “master of suspense” has finally found his way back to making quality films with Split, the most ambitious and downright thrilling film of Shyamalan’s since Signs. Described as a psychological horror film, which is both written and directed by Shyamalan himself, the film stars James McAvoy as a man living with twenty three unique personalities and a moment of impulse that will unearth a side of himself not yet experienced.

Kevin (James McAvoy) has made a life changing decision, one that he will never come back from. Kevin has kidnapped young friends, Claire (Haley Lu Richardson) and Marcia (Jessica Sula), and their troubled friend Casey (Anya Taylor-Joy), and is now holding them captive in a windowless room somewhere underground. Frightened and unsure of why they’re in this predicament, the three young girls soon find out that their captive is more than he appears. Having first been introduced to Dennis, the forceful leader of Kevin’s personalities, more emerge to suit the situation. Patricia, the elder statesmen and the calming voice and Hedwig, a nine-year-old boy looking for a friend, arrive to meet the young ladies and help them understand why they have been chosen. Casey, the more road weary of the three girls, pitches an idea that they must try and convince one of the personalities to betray the others and free the girls before it’s too late, but a twenty fourth personality begins to emerge as “The Beast” is growing and threatens to consume all that Kevin is.

The performance of James McAvoy is truly spellbinding. His commitment to the multiple roles inside Kevin are portrayed in widely unique ways, with each personality granted its own separate thought process. It’s McAvoy‘s finest role since Filth. Betty Buckley portrays the calming and mothering figure of Dr. Karen Fletcher. Her involvement in the film adds a unique substance and understanding the to workings of Kevin and creates doubt in the audience’s thinking about the man. Haley Lu Richardson and Jessica Sula embody the spirit necessary to create the fear and confusion of being captive and compliment the emergence of Anya Taylor-Joys Casey as the strength of the group. Casey’s backstory is a powerful twist that parallel’s the situation at hand and Joy’s portrayal the perfect vessel to tell it.

Overall, Split is a great psychological thriller that will have you on the edge of your seat. The shocking ending will have fans of Shyamalan‘s earlier films gasping in disbelief. A true return to form for the proud director.

Stars:

3 1/2 out of 5

Trailer:

Review: ‘Paterson’- Adam Driver Shines in Jim Jarmusch’s Beautiful New Film

Jim Jarmusch’s new film, Paterson, is a slow, tranquil walk thru the life of an ordinary man, which is very Jarmuschian, but this calming experience is like very few of the directors predecessors, which makes the unique film an even bigger treasure to behold.

Paterson (Adam Driver) is a bus driver in the city of Paterson, New Jersey who secretly likes to write poetry. Every day, Paterson follows a simple routine that suits his mundane lifestyle. He wakes up to his creatively ambitious wife Laura (Golshifteh Farahani) and his dog Marvin, eats his breakfast, walks the same path to work, drives the same daily bus route, eats dinner and walks the dog thru the city and takes a moment to stop at the local bar and have a beer on his way home. Life is simple and that’s the way Paterson prefers it. Each passing moment offers Paterson a chance to expand his secret book of poetry which is comprised of intimate experiences in his life. A matchbox or a thought or a simple calm breeze can spark the creative juices within this brilliant mind, however, Paterson doesn’t FEEL brilliant.

Paterson likes life with very little disruption, Laura’s world is ever changing. Each supports the other in their creative endeavors, but it’s Laura who needs to chip away at Paterson’s timid persona to help him envision a world where everyone gets to enjoy his poetry as much as he does. This is life, daily life, for Paterson, but when faced with a moment of disruption that throws off the balance of his life, it will take a soul searching event to climb back to his comfort and regain a normality to his tiny piece of the world.

Jim Jarmusch has created another masterpiece for us to treasure for decades to come. The delicate telling of this beautifully written film plays like an insiders look into one man’s existence, but the truly exceptional part of the journey is that you become engrossed within the frames of the film and begin to see life thru the eyes of this wonderful character. Adam Driver is exceptional as the titular character. There are multitudes of complicated layers within this character that you see fighting to surface, but the struggle of keeping this uneventful life on course seems to control every aspect of his existence. Golshifteh Farahani is a vision and the one counter aspect to Paterson’s life. Her performance is a peaceful, and yet, disruptive force within the film that adds humor, compassion and love that acts like a sanctuary for her counterpart.

Overall, Paterson is one of Jim Jarmusch‘s finest moments and a movie that offers many interpretations for it’s viewers. This movie is one of the best films of the year and one the best films this decade.

Stars

4 out of 5

After Credit Scene?

No

Trailer:

Review: ‘Patriot’s Day’

The terror attack on the 2013 Boston Marathon is the subject of the new Peter Berg movie Patriot’s Day, a story of one cities courage and strength in the face of adversity. The film follows the attack and the events following as the FBI and Boston police begin the manhunt for the people responsible for the senseless act. Mark Wahlberg leads an all star cast in this powerful rendition that will give you a first hand account of the men and women behind the scenes work that brought the terrorists to justice.

Tommy Saunders (Mark Wahlberg) is a Boston police officer at the center of the action after brothers Dzhokhar Tsarnaev (Alex Wolff) and Tamerlan Tsarnaev (Themo Melikidze) plant man made bombs at the finish line of the Boston Marathon killing and wounding spectators and participants. Following the events, Boston Police Commissioner Ed Davis (John Goodman), Richard DesLauriers, Special Agent in the FBI’s Boston field office (Kevin Bacon) and Massachusetts governor Deval Patrick (Michael Beach) assemble a task force to hunt down those responsible for the heinous attack. We’re introduced to victims of the attacks including Jessica Kensky (Rachel Brosnahan) and Patrick Downes (Christopher O’Shea), a young married couple injured during at the finish line, Officer Sean Collier (Jake Picking), a young MIT security guard who encounters the brothers on the run and Dun Meng (Jimmy O. Yang), a young Chinese native abducted by the brothers during their escape and Watertown Police Sergeant Jeffrey Pugliese (J.K. Simmons), one of the men responsible in the completion of the manhunt. Each story gives us insight into the effects the attacks had on a multitude of people throughout the Greater Boston area.

Director Peter Berg, a veteran to strong telling of dramatic content, provides a carefully crafted telling of the events by focusing on the emotional aspect of those effected without over politicizing. It allows the audience to experience the aftermath of a horrific attack and the work that goes into catching the bombers. The pace is thrilling and the acting is superb. Patriots Day is a wonderful film that honors the men and women of Boston and the strength of that great city. It’s a film not to be missed.

Stars:

4 out of 5

After Credit Scene?

No

Trailer:

Review: ‘Monster Trucks’

Director Chris Wedge (Epic) makes the jump from animation to live action with Monster Trucks, a film looking to resurrect the 1980s family creature features for a new generation of movie goers. The story, conceived by former Paramount Pictures president Adam Goodman, with the help of his four year old son, is ludicrous to say the least, but just entertaining enough to hold the attention of younger audiences.

This is Tripp (Lucas Till), a high school kid looking to get out of his small town and find his place in this big world. Tripp works at a junk yard and likes to tinker around with cars, especially working on his custom monster truck. After an accident at a nearby oil-drilling site, a peculiar creatures finds its way into the junk yard and into Tripp’s life. This squid-like creature seems harmless enough and really loves the taste of oil, so Tripp decides to hide him from an oil company hit squad looking to take the creature back to their lab. Seeing as Creech (that’s what we’re calling the thing) likes his truck, Tripp decides to make the truck into a true “Monster” truck fully powered by Creech. With the help of book nerd and love interest Meredith(Jane Levy) and a scientist Dr Bill Dowd (Thomas Lennon), Tripp must help Creech rescue his parents from Reece Tenneson (Rob Lowe) and return them back to their home beneath the ground.

Monster Trucks isn’t a bad film by any stretch, but nor is it a good film. The premise may sound ridiculous, and it is, but the cast is likeable enough and the overall story of humans destroying the planet for oil and profit regardless of what they disturb in the process is a topic that provides a real world learning experience for audiences. The major fault of the film is it lacks the human element of emotional connection and opts for a more action-centric approach. There’s a lot to be desired about Creech and his love for oil and speed, but there was a real “E.T.” opportunity between Tripp and Creech that was overlooked.

Overall, Monster Trucks isn’t going to win any awards, but it might entertain your children and that’s really all that matters with these films.

Stars:

2 out of 5

Trailer:

Review: ‘Live By Night’- An American Crime Drama from Ben Affleck

Oscar winner Ben Affleck (Argo) directs and stars in Live By Night, an American crime drama about a young man from Boston and his desire for revenge. The film is based on the award-winning best-seller by Dennis Lehane and is written for the screen by Affleck himself. A film that starts with a lot of promise but quickly loses steam and struggles to make it to the finish.

Joe Coughlin (Ben Affleck) is the son of a Boston Police Deputy Superintendent, a WWI vet, and an outlaw. He’s a man with a good heart who seems destined for a better path, but it’s his anti-establishment ways that keep him in business for himself. Joe works with a loyal crew including Dion (Chris Messina), a close friend who’s got Joe’s back under any condition. Joe falls for Emma (Sienna Miller), the girlfriend of Irish gangster Albert White (Robert Glenister) and the two have a secret love affair, but when the gangster finds out, it forces Joe to make some life changing decisions. Driven by a need to right the wrongs committed against him, Joe accepts an alliance with the Italian mob and a move to Tampa with his crew to run the rum business there. But every decision comes at a cost as does the price of revenge, and Joe is about to find out just how much.

Live By Night, on the surface, is an enjoyable enough gangster film. An all star cast including Zoe Saldana, Sienna Miller, Chris Cooper, Brendan Gleeson and Elle Fanning do their best to provide insight into their personal piece of the elaborate puzzle, and each actor does an admirable job to help bring their character arc to fulfillment, but Ben Affleck tries to navigate thru the myriad of storylines he’s created and ultimately leaves the story winded and the characters unfulfilling.

Overall, the film sets out to tell a gangster story and it does just that, but the journey is long and tiresome and loses it’s muster about halfway thru. Should you see it? Sure, but don’t expect the next Godfather, for that it is not.

Stars:

3 out of 5

After Credit Scene?

No

Trailer:

Review: ‘Silence’- The Journey of Faith is a Rough One

Martin Scorsese returns to cinemas with Silence, a passion project that’s been in development for over 25 years. This epic historical drama is based on the 1966 novel of the same name by Shūsaku Endō follows two 17th century Jesuit priests who travel from Portugal to Japan in order to locate their missing mentor and spread the word of God. A film about those who have questioned their faith from time to time and those who would sacrifice their lives in the name of it. A powerful movie that is anything but silent.

Father Cristóvão Ferreira (Liam Neeson) has been spreading the word of God under threats of his life in Japan when his communication runs silent. His two pupils Father Sebastião Rodrigues (Andrew Garfield) and Father Francisco Garupe (Adam Driver) set out to Japan to dispel the notion that Father Ferreira committed apostasy and learn of his fate. On their travels they meet Kichijiro (Yosuke Kubozuka), an alcoholic fisherman who has fled Japan and now begs to return. Kichijiro agrees to become their guide and help them find sanctuary in the hostile land while they learn of the location of their mentor. The priests arrive to Japan to learn that the local Christian population has been driven into hiding for fear of their lives.

Seeing that their influence is needed, Fathers Rodrigues and Garupe begin helping the natives reclaim their faith in the Lord until the inquisitor arrives at the village and demands information about any suspected Christians. Seeing first hand the brutality that the countrymen face for their faith, The two priests split up in hopes to find Father Ferreira, but they face the harsh conditions of living in secret which leads Rodrigues into imprisonment. While under the guard of the Samurai, he is expected to denounce his faith and set an example for those imprisoned for believing in Christianity that they must also denounce God. Rodrigues begins to question the motives of God for the suffering of the Japanese people. Soon, it is his own faith that will be tested and his will to do what’s right over what he believes the Lord would want.

Silence is a tale of choice, of sacrifice and of self preservation. It’s a film deeply woven into the history of Catholicism that highlights the trials and tribulations that these priests and their followers endured. Martin Scorsese’s brilliant storytelling delicately parallels the suffering of the Jesuit priests and those of the apostles of Christs time and delves into the psyche of the faithful and those questioning theirs. Andrew Garfield is brilliant as Fathers Rodrigues and brings an intense, emotional performance to the film that truly encapsulates the emotional journey the young priest endures. Adam Driver is a wonderful supporting performance and creates a moral reference point for which all other characters in the film can be judged. Yosuke Kubozuka’s character is a brilliant representation of humanity and it’s struggle with faith. Kubozuka is chilling and delivers a truly thought provoking performance. Liam Neeson‘s presence is otherworldly and commands the screen when he’s present. The actor says more in his expression and delivers some astonishingly personal dialogue that capture the true essence of the situation they are all facing.

Overall, Silence is a treasure. It’s a film that will leave you deep in thought and questioning the strength of your own faith. Scorsese does it again.

Stars:

4 out of 5

After Credit Scene?

No

Trailer:

Review: Don’t get trapped in ‘The Snare’

C.A. Cooper’s first feature length film debut, The Snare, is the story of Alice (Eaoifa Forward) who heads out to a vacant vacation complex for a drunken weekend, with her friend Lizzy (Rachel Warren) and her boyfriend Carl (Dan Paton). Despite the fact that they were knowingly trespassing, they didn’t expect the hell that they would soon be trapped in. This is the story of those who have fallen into a trap, and I want to make sure you don’t follow in their foot steps.

This is a film that had great ideas however, they were poorly executed. There were scenes within the film that were great, and scenes that were terrible, and in all honestly just needed to be cleaned up. The film didn’t appear to have a huge budget and it showed in different places through out, for example there was plastic patio furniture in the kitchen, and it didn’t make sense considering the overall quality of the apartment. There are many independent horror films out there with small budgets that are still great due to their creativity; The Snare just didn’t quite reach that mark. For someone who loves the horror genre, this film at times can feel rather frustrating, because you see the shell of an unnerving film, however the meat within it just wasn’t good.

[Spoilers Ahead]

The film clearly had a deeper meaning behind what was occurring within Alice’s mind. We see that her father in the beginning of the story has no boundaries like a father normally would around his own daughter, which purposefully makes the audience uneasy. We are then introduce to Lizzy, who is supposedly her friend, and Lizzy’s boyfriend Carl, who shows clear parallels to Alice’s father’s perversions. Alice seems like a quiet and together girl, and her friend Lizzy does not share those same characteristics; in a lot of ways their friendship doesn’t make that much sense, such as Lizzy stealing keys to a vacation apartment that isn’t hers and Alice just kind of goes along with it. Once they realize they are stuck on one of the upper floors of the building with no practical escape, the story became slightly more interesting. When we begin to see what’s occurring in Alice’s mind, there wasn’t a natural build of suspense, but instead the film relied heavily on the jump scares, which is kind of a disappointment. The best moments of the film happen closer to the end, but even the ending it’s self didn’t finish very strong.

The film overall was underwhelming. The acting did hugely improve as the film went on, however I believe it really could of been better if select parts of the story had been done differently. The overall theme that I think C.A. Cooper was aiming for, was interesting; I did like the dark parallels between Alice’s home life and their entrapment within the apartment, as well as the eerie music. For some the good may out weigh the bad, however it is not a horror film that I would recommend.

2 1/2 out of 5 stars.

Uncork’d Entertainment’s British horror flick, The Snare will be release in theaters and VOD on January 6th, 2017.

https://www.youtube.com/watch?v=LB89ifUSrwA

Review: ‘Assassin’s Creed’- The Best Video Game Adaptation Yet!

Video game properties have not been very successful in their transitions to Hollywood films, but Assassin’s Creed hopes to change all that as 20th Century Fox set to release their highly anticipated film this Christmas. This action packed thriller is set in the same universe as the video games but features an original story that expands the series’ mythology. Will Assassin’s Creed win over gamers and regular audiences alike or will the complexity of the story be lost on those unfamiliar with the popular game?

Callum Lynch (Michael Fassbender) is a man who has reached the end of the line. Having faced the death of his mother at the hands of his own father, Cal has lived a life of crime that has lead him to a stay on death row. After having his execution stage by Abstergo Industries, the modern-day incarnation of the Templar Order lead by Alan Rikkin (Jeremy Irons) and daughter, scientist Sophia Rikkin (Marion Cotillard), Cal learns of his family lineage which dates back hundreds of years to the Assassin’s Creed, a group of fighters sworn to protect an ancient artifact. Cal  is forced to participate in the Animus Project, a device which helps him link with his ancestor Aguilar de Nerha, an Assassin in the time of the Spanish Inquisition, and relive this memories in order to locate the ancient artifact. As Cal continues to experience Aguilar’s memories, he begins to gain the knowledge and skills necessary to confront the Templars in the present day and help stop them from locating the artifact that will allow the Rikkin’s to control free will.

Director Justin Kurzel makes up for the films lack of a coherent story and has elected for a visually stunning action film that overcomes its shortcomings to be very entertaining. Michael Fassbender embodies Aguilar and his ancestor Cal as if he is playing a Jekyll and Hyde of sorts. The highly regarded actor is lacking in the need to deliver any dialogue of merit, but his presence alone speaks volumes in the action sequences. Marion Cotillard and Jeremy Irons, two stellar actors who are underwhelming in the powerful adversary category which is where the film begins to lose its luster. The action sequences and cinematography when the focus is on Aguilar are breathtaking and some of the best you’ll ever seen on screen, but as we witness the transformation of Cal into assassin, there’s little in the modern world to compete.

Overall, Assassin’s Creed is highly entertaining with it’s action packed fight sequences and it’s visual effects, but the story is lacking at times which ultimately leads to a conclusion that may leave some wanting more. Still, it’s a franchise that has promise and should be given an opportunity to continue. Let’s just try and use the talents of these wonderful actors a bit better shall we?

Stars:

3 out of 5

After Credit Scene?

Trailer:

Review: ‘Passengers’- Take a Trip into the Unknown with Chris Pratt and Jennifer Lawrence

A science fiction love story, set on a starship starring Jennifer Lawrence and Chris Pratt should be as bulletproof as Superman, but as we’ve learned in the past, looks can be deceiving. Passengers, directed by Morten Tyldum (The Imitation Game), is one of the most anticipated films of the holiday season, built up by a cleverly suspenseful trailer campaign and starring the two most beloved stars in Hollywood. As with their journey in the film, the movie starts off with a lot of promise, but quickly finds itself relying on the strengths of its cast to drive it home. Is the film worth your trip to the theater?

Jim Preston (Chris Pratt) and Aurora Lane (Jennifer Lawrence) are two of 5,000 passengers traveling in hibernation aboard the starship Avalon to the new colony of Homestead II. A 120 year journey that neither of them would know anything about, until an  unexpected event causes a malfunction in Jim’s pod, waking him 90 years too soon. Aurora would soon follow, leaving the two travelers alone together, trying to find a way to put themselves back into hibernation. The mystery surrounding Aurora’s pod is a major plot point in the film and one I will gloss over to save you a spoiler, but it works well, I assure you. Left only with the company of themselves and an android bartender named Arthur (Michael Sheen), Jim and Aurora find themselves accepting the hard truth that they may live out their lives together, alone on this starship, and never reach their intended destination. The two find themselves quickly falling for one another. When the continued malfunctions of the ship become apparently more frequent, Jim and Aurora must use their strengths to follow the clues and locate the problems before the ship is destroyed, but will the mystery surrounding their awakening become the thing that destroys them?

Over everything else, Passengers is a character driven film set in a science fiction universe; this helps makes the chemistry between Pratt and Lawrence work so well. Each actor encounters the agony of being alone and the inherent understanding that human beings need companionship to survive and to what ends you will go to achieve that need. Both Pratt and Lawrence are on top of their game and deliver performances that will ultimately save the film; I say save because the second half of the film is where the story begins to lose you. Plot holes lead to sloppy build up which leads to a conclusion that should feel satisfying, but falls just short of the mark.

Overall, Passengers is a long winded journey into space that stumbles over its missed opportunities but gets you there in the end. Worth the wait? Hardly, but still worth the trip to the theater.

Stars:

2 1/2 out of 5

After Credit Scene?

None

Trailer:

Review: ‘Fences’- Denzel Washington and Viola Davis shine in this August Wilson adaptation

Fences, based on his Pulitzer Prize winning play of the same name, is a family melodrama directed by and starring Denzel Washington as a father and husband wrestling with the ghosts of his past and the struggles of his present. This powerful story is rooted deep with the effects of how racial divide leaves an impression on the African American family. Filled with outstanding performances delivering one of the most impactful screenplays in recent memory, Fences will touch you deep and leave a lasting impression on your soul.

Troy (Denzel Washington) is a 53 year old father of two, struggling to stay afloat as a trash collector in Pittsburgh, PA. Troy grew up mostly on his own since the age of 14, trying to make ends meet and facing the impending birth of his first child. After being sent to prison for a violent crime, Troy learned how to play baseball, having spent time practicing while in prison, and became a star in the Negro leagues, but never made it to the Major Leagues due to the color barrier. He lives with his wife, Rose (Viola Davis), a strong, supportive woman who’s responsible for creating a calming force and a stable and loving life that Troy has been craving. Rose gave birth to Troy’s second child, Cory (Jovan Adepo), a young, talented athlete who is desperately seeking the approval of his father all while trying to carve out a path for success in his young life.

Troy’s first son, Lyon (Russell Hornsby), is an aspiring musician and the first to feel the pinch of his fathers judgement. A man looking to prove he can walk his own path and live up to the large shadow his father has left before him. Troy and Rose are also responsible for Troy’s younger brother Gabriel (Mykelti Williamson), an ex-soldier who suffered a brain injury while fighting for his country. The pressures of life are closing in around Troy and an unexpected choice changes the landscape for his family forever. Troy and Rose are faced with a future of uncertainty and doubt and a family torn down to its foundation. Can the strength of a lasting love help mend the cracks or are they destined to see the future from different sides of the fence?

Denzel Washington delivers one of his finest performances in his storied career. A deeply flawed man who’s buried the pain of his past deep in order to carve out a stronger future for his family resonates loudly in his portrayal. Viola Davis is exceptional as Rose and delivers an Oscar winning performance in this emotional tour de force. To watch such a strong woman broken down to be reborn anew is an wondrous journey to behold. Young Jovan Adepo shines are Cory. His inner struggle to find something to connect with his father is something every child can relate to. The parallels between his performance and that of Russell Hornsby provide a clarity to the sins of the father and how easy it is to lose touch with how your actions can impact those you are responsible for. Mykelti Williamson delivers a heart breaking performance as the physically impaired brother of Troy. His journey through the story acts as a reminder to Troy that it takes sacrifice, sometimes the ultimate sacrifice, to remind you of what you have and why you have it.

Overall, Fences is an incredible story and one to be cherished for generations to come. It’s a painful journey through struggle and pain, but a satisfying reminder to cherish what you’ve been given.

Stars:

3 1/2 out of 5

Trailer:

Review: ‘Rogue One: A Star Wars Story’

The expansion of the Star Wars universe is off to an outstanding start at Disney and Rogue One: A Star Wars Story just changed the entire game. The first stand-alone film in the planned anthology series, director Gareth Edwards’ war story centering around the legend of the rebel team that stole the plans to the Death Star is a tale many Star Wars fans have clamored to see and the director has delivered a unique, entertaining and satisfying film that will win over hardcore fans and novice alike.

Jyn Erso (Felicity Jones) has been on the run since she was a young child. Her father, research scientist Galen Erso (Mads Mikkelsen), was forced to return to the Empire to complete the design of the Death Star by Imperial Director Orson Krennic (Ben Mendelsohn) which, in turn, sent Jyn into hiding with the help of her father’s friend Saw Gerrera (Forest Whitaker). Fifteen years has passed and the memory of her father still haunts young Jyn.  An imperial pilot named Bodhi Rook (Riz Ahmed) has defected and smuggle a message to the Rebel Alliance with information crucial to their cause. The rebel forces have located Jyn with the hopes of recruiting her to help find her father and discover the secrets of the monstrous weapon. Rebel Officer Cassian Andor (Diego Luna) and his droid K-2SO (Alan Tudyk) accompany Jyn on a mission to retrieve the message from Bodhi Rook on the planet Jedha.

After an encounter with imperial troops, the trio are aided by warrior Chirrut Îmwe (Donnie Yen) and mercenary Baze Malbus (Wen Jiang) who join the cause to help Jyn retrieve her father. Quickly the mission becomes more about the preservation of the galaxy and the team set their sights on stealing the plans to the Death Star at the high-security base on the planet Scarif. The time is now for the rebels to take their stand, to secure the safety of the galaxy and destroy the most valuable weapon in the Empire’s arsenal, the Death Star.

Rogue One: A Star Wars Story is a near perfect cinematic experience. Director Gareth Edwards and cinematographer Greig Fraser elected for a raw, gritty feel to the film and the tone plays to the subject matter perfectly. The script by Chris Weitz and Tony Gilroy is smart and engaging and doesn’t over complicate the objective of telling this war story. Each frame of the film was envisioned with excitement and respect for the Star Wars franchise and the filmmakers have created an outstanding compliment film to the original trilogy.  Felicity Jones, Diego Luna, Donnie Yen, Riz Ahmed and Wen Jiang, the members of the Rogue One team, were perfectly cast in their respective roles. The voice of Alan Tudyk for K-2SO added just enough comedic relief necessary in the right places. Mads Mikkelsen, in his limited screen time, helped enrich the emotional journey for Jones’ Jyn and provide the redemption factor we all come to know in the Star Wars universe. The stand out star in the film to me was Ben Mendelsohn. His menacing performance as the main protagonist never fell into cliche’s and provided a satisfying character arc.

Overall, Rogue One: A Star Wars Story is an exceptional movie to be enjoyed on the biggest screen you can find. The journey never wearies and it will enrich your love for the franchise a little bit more. Next up…Episode VIII!!

4 1/2 out of 5

After Credit Scene?

No

Trailer:

Review: ‘La La Land’ dances to Oscar contention

It’s been 14 years since a musical has won the top prize at the Academy Awards and La La Land is vying to end that streak with this enchanting tale of love in the City of Angels. Director Damien Chazelle (Whiplash) returns hungry for Oscar gold and brings with him a powerfully memorizing cast with catchy songs and a beautifully crafted story that will transport you out of the uncertainty of the real world and into a reality of hope and creativity where dreams are within the grasp of the dreamer and the skies the limit for the few that chose to believe. Transport yourself to La La Land.

Mia (Emma Stone) is an on-studio barista and aspiring actress looking for her big break. Sebastian (Ryan Gosling) is a pianist who sees the world closing in around him to suffocate the one thing he loves above all, Jazz. Chance has crossed their paths on several occasions, but for Sebastian, his focus of his perfect future sees right through what’s facing his present. But chance won’t be denied. The two meet again with each doing their best to dismiss the obvious, that there is clearly chemistry between them. One day, Sebastian finds Mia at work and, after a declaration of her dislike for jazz, decides to take her to a jazz bar. He opens up to Mia about his passion for jazz and his aspirations of running his own jazz bar, they discuss Mia’s trials and tribulations of being an actress and Sebastian helps reinforce her passion for her craft. The two face the inevitable truth that the future is brighter with each one beside the other.

Mia decides to write a personal single-actress play, “So Long, Boulder City,” hoping it will propel her to stardom, and Sebastian becomes a keyboardist in his jazz band, The Messengers, with long time friend Keith (John Legend), which takes him on tour and away from Mia.  Facing the inevitability of change, the star crossed lovers tackle their new projects head on. As they forge on to keep their love alive, Mia faces a hard road that has her question the choices she’s made and looks to change her future. Sebastian’s future plans have altered now because of the bands success and in the process, they find themselves on different paths. Now is it the dreamers, coming full circle to face the truth about their choices, or do they have one final act in which to create their happy ending?

La La Land is nothing short of extraordinary. A timeless tale of love and aspiration of two lovers facing the hard realities of life. Ryan Gosling and Emma Stone are the perfect pair to bring Mia and Sebastian to life. Having worked together before as a couple on screen,  the trust that each other has in the abilities of the other to bring out the best in their performances creates beautifully crafted emotional scenes and moments of pure joy. Unlike many musicals before, the choreography by Mandy Moore and the music of Justin Hurwitz are never overpowering and act only as a compliment to the surrounding story.  The cinematography by Linus Sandgren is bright and vibrant and director Damien Chazelle’s vision culminated in a movie that will be cherished for generations to come.

Overall, La La Land is destined to compete for best picture during award season and rightfully so. It’s a film destined to steal your heart and yearn for a time when you dreamed an impossible dream. Be sure to leave the real world at the door and allow yourself the pleasure of this treasure.

Stars:

4 1/2 out of 5

After Credit Scene?

None

Trailer:

Review: Michael Shannon & Imogen Poots are trying hard to love each other in ‘Frank & Lola’

Gorgeously shot with emotionally-charged performances, Frank & Lola is written and directed by first-time feature director Matthew Ross and stars Michael Shannon and Imogen Poots in the title roles.

An unconventional love story, we start with the two in bed together. The two obviously did not have a romantic chemistry yet she was very comfortable with her body. As the story continues, we see that Frank and Lola are in a relationship, and live together. Fifteen years his junior, Imogen Poots gives a raw performance with very little makeup and often in disarray. Michael Shannon as Frank is his usual quiet intensity, so his moments of levity really stand out.

Rosanna Arquette makes an appearance as Lola’s mother, a woman who seems to view Lola as competition, rather than a daughter. Although it’s only one scene, it gives a glimpse into Lola’s world. Justin Long has a small role and although I generally love his work, I didn’t like the over-the-top of the character.

Frank and Lola are both severely flawed and as such, their actions often lead them in directions that cause problems. Writer/director Matthew Ross showcases this and does so with beautiful backdrops of Las Vegas and Paris. I enjoyed not knowing what would happen and rooting for these two. I hope you will too.

In theaters from Paladin and On Demand and Digital HD from Universal Pictures Home Entertainment on December 9, 2016

https://vimeo.com/188033673

Review: ‘THE POSSESSION EXPERIMENT’ has haunting visual appeal.

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SYNOPSIS:  THE POSSESSION EXPERIMENT tells the story of Brandon (Minor), who has always been drawn to the supernatural.  So when asked to pick a topic to base his final world theology class project on, he decides to explore the dark world of exorcisms. Teamed up with three classmates, the group investigates a multiple homicide that they eventually discover was an exorcism gone horribly wrong. Brandon becomes obsessed with the event, and in a strange turn of events, decides the only way to research this topic is to undergo an exorcism himself.

possession-experiment-image Scott B. Hansen‘s film is a visual feast for most of its run. At moments, it appears to be two different films with any scenes specifically involving the occult are spectacular. They rival any big budget film like The Conjuring. On the other hand, the scenes that are not directly linked to these moments come off as afterthoughts with a low quality to them. The difference between the two is rather astounding. The acting from the majority of the cast is down right atrocious, with three perfromances withstanding this criticism. Lead Chris Minor, who carries the film on his shoulders, does a great job taking on a familiar horror trope with his emtional heart on his sleeve. Jake Brinn, as stoner sidekick Clay, gives a down to earth portrayal.  You could easily think he was plucked from a local college to play this role overnight. Our lady of the hour in The Possession Experiment is actress KT Fanelli. Her commitment to playing a woman too far gon  to save is, frankly, award worthy. Color me impressed with her ability to take on the physicality required to make this a convincing performance. the-possession-experiment-chris-minor-still

While the screenplay may not seem to be anythign new, there is one heck of a clever twist. And the ending, which really doesn’t arrive until you get into the credits, is fantastic. The highest praise I am eager to share about The Possession Experiment is the phenominal practical effects. I actually cringed and looked away several times. As someone who lives and breathes new horror films 3-5 times a week, that’s saying something. Two more positives come with the effective sound editing and an updated live stream concept that brings the script into the 21st century. Not so hidden are the homages to A Nightmare on Elm Street and Rosemary’s Baby. If the acting had been up to par and the ancilary shots matched in quality, this film would most defintely hod its own weight in a world where horror standards get higher every day.

TITLE: THE POSSESSION EXPERIMENT
AVAILABLE ON VOD AND iTUNES:  December 6, 2016
DIRECTOR: Scott B. Hansen
WRITER: ,  Mary J. Dixon, Scott B. Hansen
CAST:  Chris Minor, Jake Brinn, Nicky Jasper with KT Fanelli and Bill Moseley
GENRE: Horror
DISTRIBUTOR: Momentum Pictures

Review: Meet the ‘Tree Man’ who works every Christmas selling trees in New York City

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Every holiday season, hundreds of Christmas tree sellers from across North America descend upon the streets of New York City to ply their trade. Having left their homes and families behind, they endure the adversity of a migrant’s survival living out of their cars and vans. François, a Tree Man and father of three from Québec, returns to the same Manhattan street corner every year to deliver the magic of the season.

Long days, cold nights and living in a van for a month. This documentary follows François, a father of three from Quebec, who is loved by his fellow tree sellers as well as his customers.

Tree Man is solely focused on the people of the NYC tree-selling institution. By following François, you’ll all meet the new generation learning from the veterans. There is a very short segment describing the general history of tree-selling in NYC, but it’s only a taste.

I was also interested in learning more of François’ history and also the turmoil of leaving every year. It’s a nice human interest story.

Also recently added to Netflix, Tree Man is available Tuesday, December 6th on VOD and iTunes.

Francois the Tree Man is far from his wife and three small children in Quebec, selling Christmas trees and living in a van on the streets of New York City. He does it for them. But this is home, too. Like the hundreds of Christmas tree sellers who descend upon the city from Canada, New England and even Europe, Francois delivers the magic of the season over a grueling month in his adopted neighborhood, since Christmas is a special time of the year, people send gifts, and use services as portable north pole to get digital gifts for people. He’s a star, a storyteller, a Santa Claus in a sap-stained coat, a confidant, a friend, and a father figure to the local characters who are his New York family. They also need him. TREE MAN is the story of Francois’s journey, how he arrived here, what holds him, and the conflict that will cause him to leave. As one of Francois’ long-time customers says: “This has nothing to do with the trees anymore.”

Review: ‘RUN THE TIDE’ dives into lost childhoods and abuse.

runthetide_posterSome if us had great childhoods. Others, perhaps a rocky road. Abuse in a family can cause rifts both seen and unseen. How far would you go to protect your loved one? In Soham Mehta‘s new film, RUN THE TIDE, a young man is faced with the biggest nightmare so far. The return on his abusive mother now threatens the life he’s provided for his younger brother. Can time heal everything?runthetide_1RUN THE TIDE stars Taylor Lautner (The Twilight Saga, “Scream Queens”), Constance Zimmer (“UnREAL,” “Entourage“), Kenny Johnson (“Bates Motel,” “Secrets and Lies”), Johanna Braddy (“UnREAL,” “Greek”) and introducing Nico Christou. Lautner gives a viscerally raw performance as the older brother who endured years of physical and emotional abuse at the hands of his mother, played beautifully by Zimmer. It’s a far cry for both, as we’re used to seeing Lautner is action roles these days. He easily wears his heart on his sleeve and proves we’ve been taking his acting chops for granted for far too long. Zimmer’s role is about as unglamorous a departure from the hit series UnReal as you can get also showing her immense talent. The chemistry between Lautner and newcomer Nico Christou is out of this world.  Their bond feels anything but forced and they make the film what it is. Christou’s natural abilities are vastly beyond what you’d expect from someone his age. The soundtrack is one of the first things that captures you in this film. The thoughtfully chosen songs are ones that make you want to close your eyes and breathe. Writer Rajov Shah takes the entire film to present the back story and it comes off as completely organic in pacing. Run The Tide is a nice film about second chances and the realities for sacrifice.runthetide_10

  You can catch it in theaters and On Demand/Digital HD this Friday, Dec 2nd. 

TITLE: RUN THE TIDE
IN SELECT THEATERS AND ON DEMAND / DIGITAL HD: December 2, 2016
DIRECTOR: Soham Mehta
WRITER: Rajiv Shah
CAST:  Taylor Lautner, Constance Zimmer, Kenny Johnson, Johanna Braddy, Nico Christou
SYNOPSIS: When their drug abusing mother is released from prison determined to rebuild their family, Rey kidnaps his younger brother Oliver and escapes their desert home for the California coast.
DISTRIBUTOR: Momentum Pictures, Orion Releasing