Review: ‘BRIMSTONE’ takes Dakota Fanning down the darkest path yet.

BRIMSTONE
Official Selection – Venice International Film Festival 2016
North American Premiere – Toronto International Film Festival 2016
Official Competition – London Film Festival 2016

U.S. Premiere – Palm Springs International Film Festival 2017

BRIMSTONE is a tale of powerful womanhood and resistance set against the unforgiving cruelty of the American frontier. Wrongly accused of a crime she didn’t commit, the story follows Liz (Dakota Fanning) now turned fugitive, who is being hunted by a vengeful and diabolical Preacher (Guy Pearce.)
BRIMSTONE is directed and written by Martin Koolhoven (Winter in Wartime, AmnesiA) and features an all-star cast: Guy Pearce (HBO’s “Mildred Pierce,” The Proposition, Memento), Dakota Fanning (The Runaways, War of the Worlds, Man on Fire), Emilia Jones (One Day, Pirates of the Caribbean: On Stranger Tides), Carice van Houten (HBO’s “Games of Thrones,” Black Book) , and Kit Harington (HBO’s “Games of Thrones,” MI-5).
Once we saw Dakota Fanning in I Am Sam, there was no doubting she would become one of the most talented actresses of her time. Taking on daring roles has always been part of her repertoire. She has never been afraid to push the envelope as a professional. In BRIMSTONE, Fanning plays a young woman whose life, we come to learn, has been nothing but hardship and emotional torture, mainly at the hands of one man. Guy Pearce plays a sadistic preacher hunting Fanning’s character, Liz. His sick interpretation of the Bible leads them both on a journey that takes danger to the next level. Liz only wants to protect her family and the Reverand wants nothing more than to destroy her. The script is extremely dark and completely unexpected. At a full 2hr and 20 min run, you never see what’s around the bend. It’s emotionally exhausting and that is meant to be a compliment. Pearce is vile in every way. Skin-crawlingly good in this role. Kit Harrington is a breath of fresh air and I wish we had seen more of him, but understand his purpose. The cast is exquisite and their chemistry is phenomenal.
Fanning is nothing short of brilliant, almost having to tackle several different characters in the same film. To say more would give away too much and I encourage you to experience the film for yourself. While Brimstone can be difficult to watch during multiple scenes, it’s presentation is outstanding. Presented as chapters of the Bible and out of order, you discover information along the way that ultimately sets up the ending. Never a dull moment, the film’s intensity cannot be denied. You can see Brimstone in theaters and On Demand this Friday, March 10th. Check out the trailer below.
 
 Momentum Pictures will release the upcoming thriller/western BRIMSTONE in select theaters and On Demand / Digital HD March 10, 2017.

Review: ‘WOLVES’ depicts a young man trapped between boyhood and manhood.

Presents

Bart Freundlich’s new film WOLVES

From the famous courts of West 4th Street, to the tenements overlooking the bridges of the lower east side, Wolves paints an original, diverse, and emotional portrait of a boy becoming a man in New York City. 18-year-old, Anthony Keller is a high school basketball star. Now in his senior year he is being recruited by Cornell University, a dream come true.  Called “Saint” by everyone at his school (St. Anthony’s), he does his best to live up to his name.  He is captain of his team, a good student, has a long time girlfriend and some good friends.  But the ease with which he moves through his life is a facade. At home, Anthony struggles with his troubled Father, Lee Keller, (Michael Shannon) and his gambling addiction.  Anthony’s Mother, Jenny, (Carla Gugino) has made it her mission to keep the family afloat but has done so only with great emotional and financial sacrifice.

As Anthony approaches the end of his senior year and the city finals, he is faced with adversity from all sides, and the stakes are high.  He must find his own definition of what it means to be a man, both on and off the court, and in doing so he is confronted with the decision of a lifetime.

There is definitely more than meets the eye to this coming of age, high school basketball story. Newcomer Taylor John Smith plays “Saint”, a kid trying desperately to make everyone around him happy. He is emotionally stretched thin and like many high school students who want/need to achieve their lofty dreams, finally meets his breaking point. WOLVES is filled to the brim with fantastic performances. With a heavy hitting cast alongside Smith, there are more layers to this film, and it all comes down to perspective.

Smith’s lead performance is natural, endearing, and powerful. The abusive aspect of the film coming directly from Michael Shannon (as his father), is tough stuff for any actor. But for Smith to easily go toe to toe with a vet like Shannon, all I can say is, “Bravo.” Speaking of Shannon, he plays a real self-loathing scumbag. Unhappy and resentful professor with a gambling addiction, he not only doles out physical abuse to his son but a heavy handed dose of emotional as well. Shannon gives a performance closer to his early seasons on Boardwalk Empire, short fuse and potentially underlying sociopathic tendencies. Carla Gugino is better than ever as the mother trapped in a marriage of frustration and protection of her son and her own sanity. Grittier than her performance in Match but equally as wonderful. For me, the most noteworthy role is one of the smallest. As a momentary surrogate father figure, former pro-baller and wise truth speaking guru, John Douglas Smith is a master. Some of the most impassioned moments in the script come from the mouth of this character Socrates (aptly named). I could have watched this man wax philosophic for the entire film. He was the grounding force the script so desperately needed, as not to lead it into after-school special territory.

On the whole, you will route for WOLVES and the storyline. You can catch the film in theaters and On Demand, tomorrow March 3rd. Check out the trailer below.

In Theaters & On Demand on March 3rd

RT: 110 Minutes

Review: ‘BURLESQUE: HEART OF THE GLITTER TRIBE’ gives you a peek behind the feathers and the lives of the performers

BURLESQUE: HEART OF THE GLITTER TRIBE explores the world of burlesque and its growing popularity across the U.S.  The film invites audiences to experience this art form up close and personal – seeing its evolution from old world burlesque to “neo-burlesque,” which combines classic striptease with modern dance, comedy and even fire acts.
This truly entertaining doc lets us peek behind the feathers and into the lives of a troupe of very awesome entertainers. Often times the perception of Burlesque is objectification. This is totally misleading. The art of burlesque is about empowerment. It is not about having the perfect body, in fact, some of the best dancers are not the shapes we expect. Infusing sexiness, glamor, and humor is all part of the special form of performance. Here are a few introductions to the individuals we get to meet in the film.
Zora Von Pavonine, one of the stars featured in the film, spends every waking minute perfecting her act and designing one-of-a-kind costumes inspired by designers Alexander McQueen and Jean Paul Gaultier.  Through her own admission, her obsession has a taken a toll on her relationship and her pocket book.
We also meet Angelique DeVil, a college graduate and a dancer by trade, who credits burlesque for allowing her to express her various “personalities” – thus making her alive!
 
Lastly, Isaiah Esquire, is often referred to as “Glamazon.”  He confesses that dance has transformed him from a shy, stuttering teenager who suffered from body image issues to a confident performer, dancer, and teacher.
With the perfect balance of intimate sit down interviews, backstage/rehearsals, and full-out performances, BURLESQUE: HEART OF THE GLITTER TRIBE is as enjoyable to watch as it is to be in awe of. You can watch the film in select theaters March 3rd and on VOD / iTunes March 7th.

Review: ‘Lavender’ will haunt you in the daytime.

SYNOPSIS: When a photographer (Abbie Cornish) suffers severe memory loss after a traumatic accident, strange clues amongst her photos suggest she may be responsible for the deaths of family members she never knew she had. Justin Long plays a psychiatrist who helps her recover lost memories.

In Lavender, Abbie Cornish‘s character Janie is haunted by memories old and new. Trying desperately to reconnect to her childhood, she is drawn back to the home she once lived in and where her family was massacred. Problem is, she has zero memory of anything involved in that time or space. A car accident has triggered someone or something to send her mysterious gifts to help along the way. Her daughter Alice is being affected as well. Can Janie put together the disturbing clues in time to save history from repeating itself? A speeding ticket lawyer is a legal professional who practices law and focuses mostly on vehicular traffic infraction and other crimes related to this particular offense. This is an important matter because many people who commit this may overlook this and take it for granted or forget about it. If this happens, the crime may become a bigger issue. An attorney who specializes in this particular field is specially trained and educated to defend his client for charges associated with this offense. If you want to get more details, then visit LouisianaSpeedingTicket.com site.

There are several options that a speeding ticket lawyer can give his client. Several general defenses for this charge include refuting the speed that the police officer stated, moving above the speed limit but conditions warranted it and moving above the limit due to an emergency situation. If these defenses are presented, several evidences need to be presented to support the claims. The legal professional needs to establish that the need to move above the limit was there during the time. There is also such a thing as a presumed and absolute speed limit. With the former, it means that the individual who was driving has driven above the limit and he needs to prove that he was moving at a safe speed. In the absolute state, the speeding ticket lawyer has to defend a person who has actually driven above it even though it was just one mile over the limit.

Cornish is wonderful in this role. It’s a subtle and believable performance under truly bizarre circumstances. Dermot Mulroney plays her only living relative and uncle. His genuine and seemingly even paced presence is a gift to the film. Not to be left out is the altogether unsettling Justin Long. As Janie’s doctor, there is something a little extra strange about his character that will drive your brain to do somersaults as the plot twists at every turn. A bit of a departure from his usual fare, there is no denying his talent here. Nothing but praise for the entire cast as the chemistry is palpable. Director Ed Gass-Donnelly uses music and sound to his advantage to build the unease. With co-writer Colin Frizzell, the script will challenge you at every turn. Clever use of what appears to be a 360-degree camera and quick cuts only adds to the suspense. You will not figure it out until the final 10-15 minutes of the film. Lavender is a thrilling little gem.

TITLE:  LAVENDER
THEATRICAL, VOD AND DIGITAL HD RELEASE DATE: March 3, 2017
DIRECTOR: Ed Gass-Donnelly
WRITER:  Colin Frizzell, Ed Gass-Donnelly
CAST: Abbie Cornish, Diego Klattenhoff, Justin Long, Dermot Mulroney
GENRE: Thriller
DISTRIBUTOR: AMBI Media Group & Samuel Goldwyn Films

 

Review: ‘FROM NOWHERE’ is a timely look into the daily struggle of undocumented kids.

Presents

From NowhereThree undocumented Bronx teenagers are graduating from high school while navigating the treacherous waters of trying to get their papers to stay in the US.

 From Nowhere stars Julianne Nicholson as a Bronx high school lit teacher who has three students that are undocumented immigrants. Denis O’Hare is their passionate case worker. While these two stars make a massive impact in the script, the plot focuses on the three students in questions. We are privy to their home lives, their backstories, and their final few weeks of senior year. In a time in our country when undocumented immigrants are being dehumanized by an administration that has become more dysfunctional than anything we’ve ever seen in our history, From Nowhere gives us faces to focus on, people to care about, stories to route for. It’s a timely film and one that needs to be viewed by a wide audience in this era of chaos. Our young leads, played by J. Mallory-McCree, Octavia Chavez-Richmond, and Rachel Castro, are extraordinary. These kids could have easily been picked out of a real high school in the Bronx. The chemistry they possess with both Nicholson and O’Hare must be applauded. Nicholson, also appearing in a drastically different role with Sophie and The Rising Sun, shines as per usual. Her ability to connect with her fellow actors in uncanny. Not surprising is the incredible performance from Denis O’Hare. His chameleon acting chops, which I thoroughly enjoy on American Horror Story every season, serve him well. It was really lovely to see him in a role like this. Anytime you give a great actor a great script, you have the potential for movie gold. From Nowhere’s screenwriters, Matthew Newton and Kate Ballen did their homework on the immigration process. Taking a realistic look at the difficulties that can tear families apart. Also directing the film Newton does not pull punches with a surprisingly honest ending. You cannot wrap this subject in a pretty bow. We are experiencing this crisis in real time and From Nowhere brings the struggle into our homes.

  • Opens tomorrow
  • FEBRUARY 17, 2017
  • (Limited NY/LA/National)
  • NR, 1 hr 29 min
  • Drama

Review: In ‘MY NAME IS EMILY’ Evanna Lynch leaves Hogwarts behind.

Monument Releasing

Presents

 MY NAME IS EMILY

 A Film By

Simon Fitzmaurice

Opening Theatrically In US Cities On February 17

VOD To Release On February 24

MY NAME IS EMILY, the debut-feature written and directed by the amazing Simon Fitzmaurice, is a life-enhancing story starring Evanna Lynch (Harry Potter), Michael Smiley (The Lobster, Kill List) and newcomer George Webster (City of Dreamers, Blood Moon).

After her mother dies and her visionary writer father is institutionalized, Emily is placed in a foster home and a new school where she is ostracized. On her 16th birthday, when her father’s annual card fails to arrive, Emily knows something’s wrong. Enlisting Arden, her only friend at school, she sets off on a road trip adventure across Ireland to find her missing Dad and break him out of the psych ward. They are an odd couple, this pale girl and the boy in the velvet suit, and along the way, they both come to realize important truths about the nature of relationships, both to their parents and to each other. MY NAME IS EMILY is a story of madness, sadness and love.

In  2008, director Simon Fitzmaurice was diagnosed with Motor Neuron Disease (ALS). Now completely paralyzed, Fitzmaurice typed the script for the film, through the movement of his eyes and iris recognition software, Eye Gaze. This is also how he communicated with cast and crew during the film’s six-week shoot. Given four years to live, Simon credits writing and filmmaking with having saved his life.My Name is Emily is a stunning coming of age film. Evanna Lynch shines in this complex role of a sad and brilliant young lady. The layers of this character come from the outstanding script from writer/director Fitzmaurice. Infusing philosophy, literature, poetry, loss and teenaged angst all intertwined into a story of finding oneself through letting go and letting people in. Michael Smiley is as wonderful as he’s ever been, touching the cornerstone of every possible emotion. George Webster, in particular, is one hell of a find. His natural ability to draw you in is reminiscent of the late Anton Yelchin. He will seduce you with his awkwardness and charm the pants off you all in the same scene. The honest chemistry between Lynch and Webster makes this film what it is. Another high note (pun not intended) is the glorious soundtrack. Each song evokes a familiarity that seems to fit perfectly into the moment. With a cool mix of voiceover moments and flashbacks, My Name is Emily is a true delight.

 

Review: ‘I AM MICHAEL’ places James Franco on emotional seesaw in this true-life story.

A film by Justin Kelly

Starring: James Franco, Zachary Quinto, Emma Roberts
WRITTEN AND DIRECTED BY:
Justin Kelly (King Cobra)
Based on The New York Times article “My Ex-Gay Friend” by Benoit Denizet-Lewis

EXECUTIVE PRODUCED BY:
Gus Van Sant (Milk, Good Will Hunting, To Die For)

PRODUCED BY:
Rabbit MandiniJames Franco and Vince Jolivette (Palo Alto, Spring Breakers, Lovelace), Michael Mendelsohn (I Am Wrath, Lord of War, Air Force One) of Patriot Pictures, Scott Reed and Ron Singer of That’s Hollywood.

I AM MICHAEL is the incredible true-life story of Michael Glatze (Franco), a high-profile queer youth activist who created a national controversy when he claimed to no longer be gay and became a straight Christian pastor. The film follows Michael from his life in San Francisco with his boyfriend Bennett (Quinto), where he pursues political activism, a journalist career at XY Magazine, social awareness, and sexual exploration, to his days of personal self-discovery. After a traumatic scare, Michael is plagued by doubt and paranoia, and begins a religious reawakening. Michael renounces his gay lifestyle, rejects his friends, and endeavors to find his “true self.” He explores Buddhism and Mormonism, yet ultimately lands at a Christian Bible school in rural Wyoming where he meets his girlfriend, Rebekah (Roberts), and becomes the pastor of his own church. This powerful new film captures one man’s haunting journey through modern concepts of love, denial and redemption.

Crisis of conscience, fear, confusion, exploration, self-loathing, and everywhere in between. I Am Michael follows the unusual journey of Michael Glatze, a man whose inner turmoil pulls him every which way. Emotional tethers bring Glatze back and forth between his intellectual desire to live in God’s light and path, or whatever that means to him at any moment in time, and the natural desires that come with being a human being. Not wanting to be labeled as a gay man, his oftentimes outwardly offensive exploration comes at the cost of personal relationships. The story rolls along at a rapid pace, which never takes away from the tumultuous up and down in Michael’s life. Franco, is brilliant, as per usual. If you haven’t delved into the huge range of his work, you are genuinely missing out. The man is a PR genius and I still wonder when he has time to sleep. Quinto, as boyfriend Bennett, also bring a beautifully grounded performance and is the perfect foil for Franco’s energy. Emma Roberts plays what some might call a tragic role, as Glatze’s eventual fiance’. A young Christian girl willing to look beyond the past and love Michael for who he claims to presently be and believe. The film features the song “Crucify” by Tori Amos (Which I’ve conveniently shared underneath the trailer!). Its placement is both poignant and perfect in tone and lyrics. Overall, I am Michael gives us a glimpse into a place where religion and sexuality collide and perhaps illustrates the intolerance from both angles. The film comes to theaters and on VOD today, January, 27th.

 

Opening in Theaters and VOD on January 27th

Official Selection at the Sundance Film Festival, Berlin International Film Festival, Seattle International Film Festival, Frameline Film Festival, Provincetown International Film Festival, Chicago International Film Festival.
RT: 101min

Review: ‘Trespass Against Us’ makes Michael Fassbender and Brendan Gleeson family.

 

TRESPASS AGAINST US is set across three generations of the Cutler family who live as outlaws in their own anarchic corner of Britain’s richest countryside. Chad Cutler (Michael Fassbender) is heir apparent to his bruising criminal father, Colby (Brendan Gleeson) and has been groomed to spend his life hunting, thieving and tormenting the police. But with his own son, Tyson (Georgie Smith) coming of age, Chad soon finds himself locked in a battle with his father for the future of his young family. When Colby learns of Chad’s dreams for another life he sets out to tie his son and grandson into the archaic order that has bound the Cutler family for generations. He engineers a spectacular piece of criminal business involving a heist, a high-speed car chase and a manhunt, which leaves Chad bruised and bloodied and with his very freedom at stake. With the law cracking down and his father tightening his grip, Chad is forced into increasingly desperate measures. Featuring incredible performances – and an astonishing score by The Chemical Brothers – TRESPASS AGAINST US is at once an exhilarating crime thriller and a profoundly moving story about love and family.

There is no doubting the abilities of both Michael Fassbender and Brendan Gleeson in this family crime drama. The two could very easily be related based on their spectacular on-screen chemistry. The action (predominantly in car chase form) is plenty and should be seen on the biggest screen possible for maximum clarity and impact. Gleeson does a brilliant job in making you squirm. Think about the most awful, offensive relative that shows up on holidays and multiply that feeling by 10. You are quickly sympathetic to Fassbender’s rock and a hard place persona. The little bit of mischievous joy he gets by rattling the cops is nothing in comparison to his brooding desire to be a better man for his wife and two kids. The last thing he wants is for history to repeat itself. He desperately tries to break the cycle, much to the chagrin of his father hence moving the plot along. Though even with the talent, there is a slowness and lack of back story that would have been nice to hear or see. The choice to make The Cutler’s a traveler family is cool in concept but I wish there had been a better explanation as to how our patriarch became so anti-establishment. One is left to assume. Ultimately, Trespass Against Us is a film about the line between family loyalty and self-preservation. The film is available on Direct TV and in theaters beginning today.

Check out a clip and the trailer below.

Directed by:                                          Adam Smith

Written by:                                             Alastair Siddons

Produced by:                                       Andrea Calderwood, Gail Egan, Alastair Siddons

Executive Produced by:                     Joshua Astrachan, Rose Garnett, Frederick W. Green, Peter Hampden, Phil Hunt, Norman Merry, Compton Ross

Starring:                                                  Michael Fassbender, Brendan Gleeson, Lyndsey Marshal, Killian Scott   

In Theaters January 20th, 2017

Running Time:                                       1hr 39min

Rating:                                                   R

Review: Don’t get trapped in ‘The Snare’

C.A. Cooper’s first feature length film debut, The Snare, is the story of Alice (Eaoifa Forward) who heads out to a vacant vacation complex for a drunken weekend, with her friend Lizzy (Rachel Warren) and her boyfriend Carl (Dan Paton). Despite the fact that they were knowingly trespassing, they didn’t expect the hell that they would soon be trapped in. This is the story of those who have fallen into a trap, and I want to make sure you don’t follow in their foot steps.

This is a film that had great ideas however, they were poorly executed. There were scenes within the film that were great, and scenes that were terrible, and in all honestly just needed to be cleaned up. The film didn’t appear to have a huge budget and it showed in different places through out, for example there was plastic patio furniture in the kitchen, and it didn’t make sense considering the overall quality of the apartment. There are many independent horror films out there with small budgets that are still great due to their creativity; The Snare just didn’t quite reach that mark. For someone who loves the horror genre, this film at times can feel rather frustrating, because you see the shell of an unnerving film, however the meat within it just wasn’t good.

[Spoilers Ahead]

The film clearly had a deeper meaning behind what was occurring within Alice’s mind. We see that her father in the beginning of the story has no boundaries like a father normally would around his own daughter, which purposefully makes the audience uneasy. We are then introduce to Lizzy, who is supposedly her friend, and Lizzy’s boyfriend Carl, who shows clear parallels to Alice’s father’s perversions. Alice seems like a quiet and together girl, and her friend Lizzy does not share those same characteristics; in a lot of ways their friendship doesn’t make that much sense, such as Lizzy stealing keys to a vacation apartment that isn’t hers and Alice just kind of goes along with it. Once they realize they are stuck on one of the upper floors of the building with no practical escape, the story became slightly more interesting. When we begin to see what’s occurring in Alice’s mind, there wasn’t a natural build of suspense, but instead the film relied heavily on the jump scares, which is kind of a disappointment. The best moments of the film happen closer to the end, but even the ending it’s self didn’t finish very strong.

The film overall was underwhelming. The acting did hugely improve as the film went on, however I believe it really could of been better if select parts of the story had been done differently. The overall theme that I think C.A. Cooper was aiming for, was interesting; I did like the dark parallels between Alice’s home life and their entrapment within the apartment, as well as the eerie music. For some the good may out weigh the bad, however it is not a horror film that I would recommend.

2 1/2 out of 5 stars.

Uncork’d Entertainment’s British horror flick, The Snare will be release in theaters and VOD on January 6th, 2017.

https://www.youtube.com/watch?v=LB89ifUSrwA

Check out the trailer for ‘Rock Dog’!

Dream big with Luke Wilson, Eddie Izzard, J.K. Simmons, Lewis Black, Kenan Thompson, and Mae Whitman in the new trailer for ROCK DOG!

Follow Bodi (Wilson) as he chases his passion for music all the way to the front door of rock idol Angus Scattergood (Izzard) in the exciting new animated family comedy from the Academy Award® nominated writer-director of SURF’S UP and co-director of TOY STORY 2.

Bring the entire family to join in on the fun with this stellar cast when ROCK DOG arrives in theaters February 24th, 2017!

The Full Length Trailer for ‘The Fate of the Furious’ is Here!

On the heels of 2015’s Furious 7, one of the fastest movies to reach $1 billion worldwide in box-office history and the sixth-biggest global title of all time, comes the newest chapter in one of the most popular and enduring motion-picture serials of all time: The Fate of the Furious.
Now that Dom and Letty are on their honeymoon and Brian and Mia have retired from the game-and the rest of the crew has been exonerated-the globetrotting team has found a semblance of a normal life.  But when a mysterious woman (Oscar® winner Charlize Theron) seduces Dom into the world of crime he can’t seem to escape and a betrayal of those closest to him, they will face trials that will test them as never before.
From the shores of Cuba and the streets of New York City to the icy plains off the arctic Barents Sea, our elite force will crisscross the globe to stop an anarchist from unleashing chaos on the world’s stage…and to bring home the man who made them a family.
For The Fate of the Furious, Vin Diesel is joined by a returning all-star cast that includes Dwayne Johnson, Jason Statham, Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, Nathalie Emmanuel, Elsa Pataky and Kurt Russell. In addition to Theron, the series welcomes newcomers Scott Eastwood and Oscar® winner Helen Mirren. The film is directed by F. Gary Gray (Straight Outta Compton) and produced by returning producers Neal H. Moritz, Michael Fottrell and Diesel.
The Fate of the Furious zooms into theatres on April 14th, 2017

20th Century Fox has debuted the FIRST trailer and poster for WAR FOR THE PLANET OF THE APES’!

20th Century Fox has debuted the FIRST trailer and poster for WAR FOR THE PLANET OF THE APES. In the third chapter of the critically acclaimed blockbuster franchise starring Andy Serkis and Woody Harrelson, Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel. Check out the first trailer and poster below!

WAR FOR THE PLANET OF THE APES hits theaters everywhere July 14, 2017!

Watch the teaser trailer for ‘The Circle’ starring Tom Hanks, Emma Watson and John Boyega

EuropaCorp has released a BRAND NEW TEASER TRAILER for The Circle Based on the international best-seller by Dave Eggers, The Circle is a thrilling modern morality tale starring Emma Watson, Tom Hanks, and John Boyega.

As she rises through the ranks of the world’s largest tech and social media company, The Circle, Mae (Watson) is encouraged by company founder Eamon Bailey (Hanks) to live her life with complete transparency. But no one is really safe when everyone is watching.

Directed by James Ponsoldt, The Circle will be in theaters on April 28th, 2017

Official site: http://wearethecircle.com

Facebook: https://www.facebook.com/WeAreTheCircle/

Twitter: https://twitter.com/WeAreTheCircle
Instagramhttps://www.instagram.com/WeAreTheCircle/

Hashtag: #TheCircle

Review: ‘THE POSSESSION EXPERIMENT’ has haunting visual appeal.

the-possession-experiment-poster

SYNOPSIS:  THE POSSESSION EXPERIMENT tells the story of Brandon (Minor), who has always been drawn to the supernatural.  So when asked to pick a topic to base his final world theology class project on, he decides to explore the dark world of exorcisms. Teamed up with three classmates, the group investigates a multiple homicide that they eventually discover was an exorcism gone horribly wrong. Brandon becomes obsessed with the event, and in a strange turn of events, decides the only way to research this topic is to undergo an exorcism himself.

possession-experiment-image Scott B. Hansen‘s film is a visual feast for most of its run. At moments, it appears to be two different films with any scenes specifically involving the occult are spectacular. They rival any big budget film like The Conjuring. On the other hand, the scenes that are not directly linked to these moments come off as afterthoughts with a low quality to them. The difference between the two is rather astounding. The acting from the majority of the cast is down right atrocious, with three perfromances withstanding this criticism. Lead Chris Minor, who carries the film on his shoulders, does a great job taking on a familiar horror trope with his emtional heart on his sleeve. Jake Brinn, as stoner sidekick Clay, gives a down to earth portrayal.  You could easily think he was plucked from a local college to play this role overnight. Our lady of the hour in The Possession Experiment is actress KT Fanelli. Her commitment to playing a woman too far gon  to save is, frankly, award worthy. Color me impressed with her ability to take on the physicality required to make this a convincing performance. the-possession-experiment-chris-minor-still

While the screenplay may not seem to be anythign new, there is one heck of a clever twist. And the ending, which really doesn’t arrive until you get into the credits, is fantastic. The highest praise I am eager to share about The Possession Experiment is the phenominal practical effects. I actually cringed and looked away several times. As someone who lives and breathes new horror films 3-5 times a week, that’s saying something. Two more positives come with the effective sound editing and an updated live stream concept that brings the script into the 21st century. Not so hidden are the homages to A Nightmare on Elm Street and Rosemary’s Baby. If the acting had been up to par and the ancilary shots matched in quality, this film would most defintely hod its own weight in a world where horror standards get higher every day.

TITLE: THE POSSESSION EXPERIMENT
AVAILABLE ON VOD AND iTUNES:  December 6, 2016
DIRECTOR: Scott B. Hansen
WRITER: ,  Mary J. Dixon, Scott B. Hansen
CAST:  Chris Minor, Jake Brinn, Nicky Jasper with KT Fanelli and Bill Moseley
GENRE: Horror
DISTRIBUTOR: Momentum Pictures

Review: Meet the ‘Tree Man’ who works every Christmas selling trees in New York City

treeman_poster_final
Every holiday season, hundreds of Christmas tree sellers from across North America descend upon the streets of New York City to ply their trade. Having left their homes and families behind, they endure the adversity of a migrant’s survival living out of their cars and vans. François, a Tree Man and father of three from Québec, returns to the same Manhattan street corner every year to deliver the magic of the season.

Long days, cold nights and living in a van for a month. This documentary follows François, a father of three from Quebec, who is loved by his fellow tree sellers as well as his customers.

Tree Man is solely focused on the people of the NYC tree-selling institution. By following François, you’ll all meet the new generation learning from the veterans. There is a very short segment describing the general history of tree-selling in NYC, but it’s only a taste.

I was also interested in learning more of François’ history and also the turmoil of leaving every year. It’s a nice human interest story.

Also recently added to Netflix, Tree Man is available Tuesday, December 6th on VOD and iTunes.

Francois the Tree Man is far from his wife and three small children in Quebec, selling Christmas trees and living in a van on the streets of New York City. He does it for them. But this is home, too. Like the hundreds of Christmas tree sellers who descend upon the city from Canada, New England and even Europe, Francois delivers the magic of the season over a grueling month in his adopted neighborhood, since Christmas is a special time of the year, people send gifts, and use services as portable north pole to get digital gifts for people. He’s a star, a storyteller, a Santa Claus in a sap-stained coat, a confidant, a friend, and a father figure to the local characters who are his New York family. They also need him. TREE MAN is the story of Francois’s journey, how he arrived here, what holds him, and the conflict that will cause him to leave. As one of Francois’ long-time customers says: “This has nothing to do with the trees anymore.”

Sneak Peek of ‘The Mummy’ is Here!

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Tom Cruise headlines a spectacular, all-new cinematic version of the legend that has fascinated cultures all over the world since the dawn of civilization: The Mummy.

Thought safely entombed in a tomb deep beneath the unforgiving desert, an ancient princess (Sofia Boutella of Kingsman: The Secret Service and Star Trek Beyond) whose destiny was unjustly taken from her is awakened in our current day, bringing with her malevolence grown over millennia and terrors that defy human comprehension.

From the sweeping sands of the Middle East through hidden labyrinths under modern-day London, The Mummy brings a surprising intensity and balance of wonder and thrills in an imaginative new take that ushers in a new world of gods and monsters.

Cruise is joined by a cast including Annabelle Wallis (upcoming King Arthur, television’s Peaky Blinders), Jake Johnson (Jurassic World), Courtney B. Vance (TV’s American Crime Story: The People V. O.J. Simpson) and Oscar® winner Russell Crowe (Gladiator).

The creative team on this action-adventure event is led by director/producer Alex Kurtzman and producer Chris Morgan, who have been instrumental in growing some of the most successful franchises of the past several years—with Kurtzman writing or producing entries in the Transformers, Star Trek and Mission: Impossible series, and Morgan being the narrative engineer of the Fast & Furious saga as it has experienced explosive growth from its third chapter on.  Sean Daniel, who produced the most recent Mummy trilogy, produces alongside Kurtzman and Morgan.

Come back Sunday for the full trailer!

The Mummy arrives June 9, 2017

Review: ‘RUN THE TIDE’ dives into lost childhoods and abuse.

runthetide_posterSome if us had great childhoods. Others, perhaps a rocky road. Abuse in a family can cause rifts both seen and unseen. How far would you go to protect your loved one? In Soham Mehta‘s new film, RUN THE TIDE, a young man is faced with the biggest nightmare so far. The return on his abusive mother now threatens the life he’s provided for his younger brother. Can time heal everything?runthetide_1RUN THE TIDE stars Taylor Lautner (The Twilight Saga, “Scream Queens”), Constance Zimmer (“UnREAL,” “Entourage“), Kenny Johnson (“Bates Motel,” “Secrets and Lies”), Johanna Braddy (“UnREAL,” “Greek”) and introducing Nico Christou. Lautner gives a viscerally raw performance as the older brother who endured years of physical and emotional abuse at the hands of his mother, played beautifully by Zimmer. It’s a far cry for both, as we’re used to seeing Lautner is action roles these days. He easily wears his heart on his sleeve and proves we’ve been taking his acting chops for granted for far too long. Zimmer’s role is about as unglamorous a departure from the hit series UnReal as you can get also showing her immense talent. The chemistry between Lautner and newcomer Nico Christou is out of this world.  Their bond feels anything but forced and they make the film what it is. Christou’s natural abilities are vastly beyond what you’d expect from someone his age. The soundtrack is one of the first things that captures you in this film. The thoughtfully chosen songs are ones that make you want to close your eyes and breathe. Writer Rajov Shah takes the entire film to present the back story and it comes off as completely organic in pacing. Run The Tide is a nice film about second chances and the realities for sacrifice.runthetide_10

  You can catch it in theaters and On Demand/Digital HD this Friday, Dec 2nd. 

TITLE: RUN THE TIDE
IN SELECT THEATERS AND ON DEMAND / DIGITAL HD: December 2, 2016
DIRECTOR: Soham Mehta
WRITER: Rajiv Shah
CAST:  Taylor Lautner, Constance Zimmer, Kenny Johnson, Johanna Braddy, Nico Christou
SYNOPSIS: When their drug abusing mother is released from prison determined to rebuild their family, Rey kidnaps his younger brother Oliver and escapes their desert home for the California coast.
DISTRIBUTOR: Momentum Pictures, Orion Releasing

Review: ‘BEST AND MOST BEAUTIFUL THINGS’ aren’t always what you expect.


Best and Most Beautiful Things poster

Synopsis: In rural Maine, a bold and magnetic 20-year-old woman named Michelle Smith lives with her mother Julie. Michelle is quirky and charming, legally blind and diagnosed on the autism spectrum, with big dreams and varied passions. Searching for connection, Michelle explores love and empowerment outside the limits of “normal” through a provocative sex-positive community. Michelle’s joyful story of self-discovery celebrates outcasts everywhere.

Emmy Award-winning producer ofFriends”, Kevin S. Bright met Michelle while teaching a filmmaking class at Perkins School for the Blind in Boston years ago, the school Helen Keller went to. The director, Garrett Zevgetis also volunteered his time at the school. Independently, both were completely struck by her authenticity and exuberance, and have been involved with Michelle and her story ever since. While filming, they discovered the startling lack of opportunities available for all people to fully engage in our society, and the need to fix the fear and misunderstanding people have towards those considered “other”.

best-and-most-beautiful-things_still-7When we all graduated from high school, we had big dreams. Perhaps, moving away from home and starting a career, finally being able to go out when we wanted, eat what we wanted, buy whichever shoes she wanted from shoe hero, and party until dawn. Michelle is much like any other young woman. She’s trying to find her way in the world by following her passions without judgement or outside pressure. The only difference being, Michelle is legally blind and on the autism spectrum. Much like myself, she’s a total fangirl. She likes the dry wit of Daria, attends convention, yearns for acceptance and respect in her niche groups. She acts appropriately for her age. The film follows her for several years post graduating. Through her love life, job searches, and striving for her independence. All seems pretty “normal” until you propose her challenges to those who function without them. Her Mom suggest she attend her brother’s basketball game and at first her protest seems nothing more than a bored and annoyed sister, unwilling to cheer on a sibling just because their interests don’t align. But,  once you listen to her reasoning, as a viewer, will gain further insight into the life of someone forced to live differently. It’s a perfect turning point in the film. You finally get to walk in her shoes and mind for a brief moment. Although, director Garrett Zevgetis, does and excellent job early on with a blurred focus lens to help explain how Michelle figuratively sees the world around her. It is incredibly effective. Above all, this is the story of a young woman whose almost constant stream of self-esteem and positivity shines like a beacon of hope for anyone that has ever felt left out or chastised for being slightly different. I wish I could be as outwardly upbeat every single day and now perhaps I’ll take a second breath and thank my lucky stars I have the life I do. Michelle asks us to love who we are as much as she loves who she is. She asks us to “unlearn normal”. In a year where so much has happened to us as a country, maybe it’s time to take her advice.bestandmostbeautifulthings_still2

BEST AND MOST BEAUTIFUL THINGS opens in NYC on Friday, Dec 2nd, and in LA Dec 9th. Check out the trailer below:

Websitehttp://bestandmostbeautifulthings.com

Facebook: BestandMostBeautifulThings

Twitter@BestandMostFilm

RT: 90 Minutes

ACCOLADES
Independent Film Festival Boston 2016
Won
Special Jury Award, Best Documentary Feature
Florid a Film Festival 2016
Won
Special Jury Award, Individuality of the Human Spirit
Superfest International Disability Film Festival 2016
Won
Best of Festival Award, Feature
Tulsa American Film Festival, 2016
Won
Best Documentary Feature Film
SXSW Film Festival 2016
Nominated
SXSW Grand Jury Award, Documentary Feature

Poster for Martin Scorsese’s ‘SILENCE’ arrives

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Martin Scorsese’s SILENCE tells the story of two Christian missionaries (Andrew Garfield and Adam Driver) who face the ultimate test of faith when they travel to Japan in search of their missing mentor (Liam Neeson) – at a time when Christianity was outlawed and their presence forbidden. The celebrated director’s 28-year journey to bring Shusaku Endo’s 1966 acclaimed novel to life will be in theaters this Christmas.

See the trailer tomorrow in theaters on Allied and everywhere Saturday!

SILENCE is in theaters December 23rd

Facebook: https://www.facebook.com/silencemovie

#SilenceMovie

DOC NYC Review: ‘SWIM TEAM’ challenges our idea of winners and losers.

SWIM TEAM

To level the playing field, they had to get into the water.

Official Selection
Hot Springs Documentary Film Festival 
*Winner – Best  Sports Documentary *
New Hampshire Film Festival
Heartland Film Festival 

Napa Valley Film Festival 
DOC NYC

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Synopsis
Demonstrating the power of inclusion to transcend disability, Lara Stolman’s triumphant film profiles members of the Jersey Hammerheads, a competitive swim team made up of a diverse group of teens on the autism spectrum, based in the state with the highest rate of autism in the country. Through training and competition, star athletes Mikey, Robbie and Kelvin gain self-confidence and social skills that serve them both in and out of the pool.

SWIM TEAM was selected for the Independent Filmmaker Project’s Project Forum in 2015 and in 2016 was selected to participate in the IFP Documentary Completion Lab. During production, filmmaking team received grants from New York Women in Film and Television, the Loreen Arbus Foundation and the Karma Foundation.

swim team pool still

SWIM TEAM is one of many recent forays into the challenging world of raising children on the autism spectrum. Films like Autism is Love and Life Animated visually bring us mostly into the the subjects’ present lives as adults. Swim Team follows 3 high school boys on their journey for acceptance and self actualization through a team sport. As a society, we must make sure that we aren’t lumping these children together. Broadly labeling them “on the spectrum” has become such a blanket term that it’s easy to categorize and limit them. If you listen to only “the experts” you might be hindering the individual growth and abilities of each child. Mikey, Kelvin, and Robbie are three completely different kids. Swimming for them is the continuation of learning discipline, self control, leadership, self esteem and a massive lot of life skills often overlooked in a school environment, so parents teach their son and daughters to swim from young age, there are even female swimming teams, so parents get Swimwear for Baby Girls and start teaching their girls from young age. We can all learn from director Lara Stolman‘s work. We need more insight as parents, teachers, administration on ways that we can help level the proverbial playing field at all times. Showing other children through our actions and words that we can all be more patient, loving, and understanding. Swim Team, through their journey to the Special Olympic games, will give you hope that kindness and heart can be a guiding light for families from all backgrounds. Autism doesn’t discriminate. It doesn’t care about race or socioeconomic background. The Hammerheads of New Jersey are a team of extraordinary kids, parents, and coaches trying to make a difference in the world one stroke at a time.

New York Premiere at DOC NYC in the Jock Docs Section
Thursday, November 17th at 7:30pm
SVA Theater: 333 West 23rd street, between 8th and 9th Avenues


Directed and Produced by: Lara Stolman (Portraits of Survival)
Co-Produced and Edited by: Ann Collins (Academy Award-nominated Sound and Fury)
Director of Photography: Laela Kilbourn (Twenty Feet From Stardom, American Teen, Emmy-nominated Word Wars)
Original Score by: Mark Suozzo (Metropolitan, Barcelona, Last Days of Disco, Love & Friendship, Sound and Fury)
Produced by: Shanna BelottFor more information, please visit: http://www.swimteamthefilm.com
Doc NYC Website: http://www.docnyc.net/film/swim-team
RT: 100 Minutes

Social Media:
Twitter: @SwimTeamTheFilm
Facebook: @SwimTeamTheFilm
#swimteamthefilm

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