‘Disclosure’ (2020) is an emotional nail biter that warrants discussion.

DISCLOSURE

From writer/director Michael Bentham, a film that hammers home the notion that “there are two sides to every story, and then there is the truth.” DISCLOSURE follows two couples who go to war over an allegation of child-on-child abuse. Australian documentary maker Emily, and her journalist husband, Danny, are reeling from an allegation of abuse their 4-year-old daughter Natasha has made against a local politician’s 9-year-old son, Ethan. Ethan’s parents, Joel and Bek, arrive unannounced at Emily and Danny’s house intent on convincing the couple that Natasha’s allegation is a fabrication. Accusations, arguments, and the ultimate search for leverage turn their civil conversation into a vicious confrontation.

Couple Vs couple tangling over abuse allegations between their children is one of the most visceral watches of the year, especially as a parent and former teacher myself. Disclosure boasts glorious performances and incredibly effective editing. Geraldine Hakewill, Mark Leonard Winter, Tom Wren, and Matilda Ridgway are simply outstanding, and the use of a stationary camera allows the focus to remain on the nuanced beats within each scene. Long takes add to the tension and push a voyeuristic, “How long have you been standing there?” type of position for the audience. The dialogue is so weighty that you cannot separate your feelings from the characters. That’s great storytelling. We also explore the dynamics of gender roles, political fallout, past trauma, and marriage. One of the most intriguing is the way men communicate and the way women do. The avoidance, passive-aggressiveness, versus directness is fascinating. At one point, all bets are off, and these couples will do anything to protect both their children and their own self-interest. Whose side will you be on? The fact that this is based upon a true story makes the entire thing all the more horrific. This is a lose-lose scenario no one wants to be a part of, but it does beg a larger discussion in the #MeeToo era: believing victims, victim shaming, trauma treatment, and all that comes with it. Writer-Director Michael Bentham gives us a bold film that deserves your attention. The film makes its North American debut tomorrow. Take a look at the trailer for a peek at what the audience is in store for.

Disclosure Trailer:

DISCLOSURE arrives on VOD on 6/30 and DVD  7/7

For more drama coverage, click here!

Review: “BECKY” is a scary little girl.

SYNOPSIS: Spunky and rebellious, Becky (Lulu Wilson) is brought to a weekend getaway at a lake house by her father Jeff (Joel McHale) in an effort to try to reconnect after her mother’s death. The trip immediately takes a turn for the worse when a group of convicts on the run, led by the merciless Dominick (Kevin James), suddenly invade the lake house.

A grieving and angst-ridden preteen must save her family from a group of escaped, white supremacist prisoners in search of a hidden artifact. This film is about loss but also pure, unadulterated rage. Kevin James is unrecognizable as pure evil. His tattooed physique and manipulative dialogue are so upsetting. I can honestly say, “Bravo” to the casting directors for taking a chance on him. I’m hoping it will open new avenues in his career.  Lulu Wilson as Becky is next level. The pent up anger and fear have to go somewhere. Why not into a murderous revenge self-defense act? She is a perfect balance of age-appropriate and goddamn sociopath. Put her in all the things. She could be our next genre darling. 

The script allows her an outlet with help from what she finds around her. Think Home Alone clever but add actual permanent injury and/or death. The kills are straight-up savage and I am here for it. The climactic practical effect is gruesome and great. While the script still feels like something is missing ( I don’t know if there’s a sequel planned) Becky is incredibly strong in pacing and phenomenal on the action.

**World Premiere and Official Selection – Tribeca Film Festival 2020**

Quiver Distribution will release the thriller BECKY On Demand and Digital on June 5, 2020.

 

BECKY WILL SCREEN AT THE BELOW THEATERS & DRIVE-INS ON JUNE 5TH:
IOWA: Superior 71 Drive-In, Blue Grass Drive-In
INDIANA: Garrett Drive-In, Tri Way 4 Drive-In
KENTUCKY: Regency 8
MASSACHUSETTS: Mendon Twin Drive-In
MINNESOTA: Long Drive-In
NORTH CAROLINA: Hounds Drive-In, Raleigh Road Drive-In, Badin Road Drive-In, Eden Drive-In
NEW HAMPSHIRE: Milford Drive-In 2
NEW JERSEY: Delsea Drive-In
NEW YORK: Transit Drive-In, Silver Lakes Drive-In, Sunset 3 Drive-In, Vintage Drive-In, Delevan Twin Drive-In
OHIO: Mayfield Road Drive-In, Skyway Drive-In, South Drive-In Twin, Tiffin Drive-In, Starview Drive-In, Springmill Drive-In, Magic City Twin Drive-In, Van-Del Drive-In, Dixie Drive-In, Aut-O-Rama Twin Drive-In, Elm Road Triple Drive-In, Field of Dreams Drive-In
OKLAHOMA: Tower Drive-In
PENNSYLVANIA: Garden Drive-In, Circle Drive-In, Comet Twin Drive-In, Kane Family Drive-In, Riverside Drive-In, Silver Drive-In, Skyview Twin Drive-In
SOUTH CAROLINA: Hi-Way 21 Drive-In
TENNESSEE: Stardust Drive-In
WISCONSIN: Stardust Drive-In

 

Review: ‘You Don’t Nomi’ documentary takes a good, hard look at the phenomenon that is Showgirls.

Paul Verhoeven‘s Showgirls (1995) was met by critics and audiences with near universal derision. You Don’t Nomi traces the film’s redemptive journey from notorious flop to cult classic, and maybe even masterpiece.

Peaches Christ plays Cristal Connors in the stage production of “Showgirls! The Musical!” as featured in the documentary YOU DON’T NOMI, an RLJE Films release. Photo courtesy of RLJE Films.

Paul Verhoeven directed RoboCop, Total Recall, and Basic Instinct, three incredibly influential films of the late ’80s and early ’90s. Then he directed Showgirls. Oftentimes known as the rise and fall of Elizabeth Berkley‘s career, it is a film that gets s visceral reaction no matter what. You Don’t Nomi is a documentary about the ins and outs of the film’s effect on critics and audiences alike.

The film is edited to show his other films “reacting” to whatever scene we’re discussing. Which eventually becomes massively cathartic in juxtaposing sexual violence in Verhoeven’s films. Author Adam Nayman uses his book’s structure; Piece of Shit, Masterpiece, and Masterpiece of Shit. You can see how many of his films are wrapped into Showgirls. There is fascinating filmmaking happening once it’s broken down for you. You also meet April Kidwell, the star of I, Nomi, the Off-Broadway tribute to Showgirls. She discusses her parallel past and how performing a musical comedy based on the film has been her therapeutic outlet. Peaches Christ uses drag to, in a sense, improv shadow cast the film for sold-out crowds. The audience still loves this movie, no matter where that love comes from is a total phenomenon.

Audience at Showgirls at Midnight Mass in San Francisco in the documentary YOU DON’T NOMI, an RLJE Films release. Photo courtesy of RLJE Films.

The opposing opinions all make weird sense. I walked away feeling like I had just had a cinematic lobotomy. I still don’t know how I feel about Showgirls, but I know I want to gather friends and colleagues when this pandemic is all over and watch the hell out of it again. Same thing with this doc. You Don’t Nomi is brilliant in all the ways it challenges viewers and fellow critics to rethink Showgirls so many years later. It may just upend your brain, too.

YOU DON’T NOMI On Demand and Digital June 9, 2020

Review: ‘Sometimes Always Never’ is as charming as its leading man, Bill Nighy.


Alan (Bill Nighy) is a stylish tailor with moves as sharp as his suits. He has spent years searching tirelessly for his missing son Michael who stormed out over a game of Scrabble. With a body to identify and his family torn apart, Alan must repair the relationship with his youngest son Peter (Sam Riley) and solve the mystery of an online player who he thinks could be Michael, so he can finally move on and reunite his family.

Bill Nighy is his nonchalant, charming self as an eccentric, and brilliant Scrabble obsessed tailor. This gem of a film shows how family rubs off on you even when you don’t want them to. Sometimes Always Never is a film about communication. The cast’s chemistry is ideal. That perfect push and pull you need in a complex and loaded family dynamic. The beautiful and deliberate visual moments add to the quirky nature and balance out the underlying sadness. The cinematography is simply breathtaking. The final act will feel like an emotional homecoming. The writing is spectacular.

Sometimes Always Never is not a flashy film. It’s about multigenerational relationships. It’s about living in the present. You can watch the film in virtual cinemas Friday June 12th and on On Demand  July 10th.

Full list of virtual cinemas HERE!

Directed by: Carl Hunter
Written by: Frank Cottrell Boyce
Cast: Bill Nighy, Sam Riley, Alice Lowe, Jenny Agutter, Tim McInnerny

Review: We Are One – A Global Film Festival short film ‘CIRCUS PERSON’ is an emotional high wire act.

Synopsis:
Left by her fianceì for another woman, a grieving painter (Britt Lower) abandons the life she knew to join the seemingly chaotic, yet invigorating world of a one-ring circus. Intermingling live-action circus arts and animated body paint, CIRCUS PERSON follows an introspective artist through the often humorous landscape of heartbreak to reclaim her forgotten wildness.

 

 

 

 

This mixed media, sometimes stop animation, twist on a “Dear John” letter is simply amazing. Vibrantly colored, engrossingly shot, Circus Person is a little bit of every visual storytelling treat you didn’t know you needed. It’s poetic and cathartic and funny. Watching it literally makes me want to join a circus for my own set of personal reasons. The script is easily about grieving, changing, and accepting the fact that we cannot control a damn thing. I first met Britt Lower at the premiere of Beside Still Waters (which if you haven’t seen, do yourself a favor and experience some more great storytelling). This feat of acting, directing, and writing is ripe for further development. (Hint, hint) I want to know what happens next. It is smart and touching from every angle. I highly recommend you catch it while you can! You can watch Circus Person on YouTube now as part of Tribeca’s contribution to the We Are One – A Global Film Festival.

TRT:                                      17 min
Country:                               USA
Curated by:                          Tribeca Film Festival

Screening information:
CIRCUS PERSON will be available to view for 10 days at
https://www.youtube.com/watch?v=ioS4X7O2sZA&feature=youtu.be

Creative Team:
DIRECTOR/WRITER:                          Britt Lower
CREATIVE PRODUCER/EDITOR:      Alex Knell
PRODUCERS:                                     Sam Fox, Desiree Staples
CO-PRODUCERS:                              Alexandre Naufel, Jasmine Dickens
ASSOCIATE PRODUCERS:               Elsa Gay, Tricia Lee
CINEMATOGRAPHER:                       Alexandre Naufel
COMPOSER:                                       Jason Lesser
BODY-PAINTING:                                Christopher Agostino
CAST:                                                   Britt Lower, Philip Smithey, Jess Marks, Ramona Young

Review: ‘Dear…’ Apple Tv+ new series is coming this Friday!

Dear…

One person’s story can change the world. From Emmy-winning filmmaker R.J. Cutler, this ten-part docuseries profiles game-changing icons and the people whose lives they’ve inspired.

 

Dear… is a brand new docuseries featuring letters to some of the most influential people of our time. These fan letters affect the reader as profoundly as the author. ‘DEAR…’ explores the histories of our subjects, what inspired them to be artistic, brave, and to step into the unknown. Like each letter illustrated, the series is one of a kind, and having a good TV to watch it is important, as you can also get a standing tv mount for purposes like this.

Episode 2:

Lin-Manuel Miranda understood that if you don’t tell your story, someone will do it for you in a way that might not be as authentic. He talks about creating In The Heights and literally changing the face and sound of musical theatre. He learned how to say, “No”, and how to wait for the right opportunity. Finally, Latinos were able to see themselves onstage. His fans’ letters speak to the ability to celebrate their heritage. Wait until you see how and where he shares the first 16 bars from Hamilton. Through this show and his subsequent speech at the Tony Awards, he gave renew voice to the LGBTQA+ community. Love is love is love is love is love.

Episode 6:

Jane Goodall is a huge figure for someone so small in real life. What she has done for research and extinction awareness is a gift to the Earth. In her Dear… episode, her letters tell the stories of other people and their journey to protect the planet and its creatures. Jane’s love of animals and Tarzan inspired her to study Africa. Footage of Goodall in 1960 in Tanzania in search of chimpanzees is gorgeous. Thus began her life’s work. Her fans span generations, creating foundations, becoming conservation activists and journalists, mentors, and environmentally progressive teens. Her message through Roots and Shoots is about encouraging each child to be part of the solution and have the courage to raise awareness to those who don’t understand the effect humans have on climate.

Episode 7:

Big Bird, yes our giant 8-foot tall Sesame Street herald, has his very own episode of Dear… Big Bird is technically only 6 years old, but he’s been around since the incarnation of Jim Henson and PBS’ children’s series in 1969. Children follow the social-emotional growth of someone just like them. In 1982, the actor who played Mr. Hooper passed away, and Sesame Street used it as an opportunity to teach young kids about death. Whenever major events happen in the world, Sesame Street deals with them head-on using Big Bird as their universal child. He shows the same vulnerability that a viewer would. His letters are from the adults that grew up with him. With 2 toddlers of my own, we watch Big Bird learn new lessons every day. He teaches them how to be a good friend, how it’s ok to make mistakes, and how to be accepting of those who are different from us. Now that Sesame Street has Julia, a character with autism, my connection with Big Bird is stronger than ever. I am a Mom with a child on the spectrum. He has taught us that being yourself is the best way to be, that would celebrate how special and unique each of us truly is. In a way, this review is my very own letter saying Thank You for continuing to teach us all.

DEAR… also showcases the lives and letters of Spike Lee, Aly Raisman, Misty Copeland, Oprah Winfrey, Yara Shahidi, Jane Goodall, Stevie Wonder, and Gloria Steinem. The beautiful juxtaposition of the authors’ letters dramatized while reading them is stunning. You’ll have chills. The show is hopeful and real. It’s incredibly well done. It’s a series we need right now, in this moment of history. DEAR… can be seen beginning June 5th in its entirety on Apple TV+.

Free Virtual screenings of ‘Linda Ronstadt: The Sound of My Voice’ June 4th-10th from BrightFocus Foundation!

The life and career of singer Linda Ronstadt is traced from her childhood in Tucson through her decades-long career and to her retirement in 2011 due to Parkinson’s disease.

If I’m being honest, when asked to review this film, I wasn’t able to name a single Linda Ronstadt song. Growing up, The Beach Boys and Carole King were on constant rotation in Mom’s station wagon tapedeck.  How then, 40 years later, was I recognizing so many hits from a woman whom I assumed was a country singer when I heard her name? Clearly I was mistaken. This film was a reeducation, and boy am I glad for it. In watching Linda Ronstadt: The Sound of My Voice I came to realize I have always been a fan.

Linda Ronstadt’s extraordinary rise to fame is almost like a fairytale. Her incomparable voice quickly rose her from the LA club scene to a record deal. She broke genres and records along the way. Her intellect and wit were evident in the way she promoted herself and other female artists. She was fearless in calling out the toxic masculinity that was rock up until that point. Her vocal range was unmatched by almost any other artist. When a producer told her not to make a certain album, she went ahead and did it anyway… and usually won awards for it. Linda Ronstadt is someone to be respected and amazed by. You can tell, simply by the number of industry stars that participated in sit down interviews (Cameron Crowe, Bonnie Raitt, Dolly Parton, Don Henley, to name a few) what an impact she made in her long and successful career. Without even knowing it, I’ve been a Linda Ronstadt fan through Blue Bayou, Don’t Know Much, A Different Drum, Rescue Me, Desperado, When Will I Be Loved, You’re No Good, It’s So Easy To Fall In Love, and many many more. She is someone I can look up to as a performer and as a woman. Linda Ronstadt: The Sound Of My Voice is a stunning lesson in music history. You will find yourself singing along and living in the music just as Linda does.

Lucky for audiences, LINDA RONSTADT: THE SOUND OF MY VOICE At-Home Movie Night with BrightFocus can
be watched for free at brightfocus.org/movie, or via Facebook Live and viewed on any computer, tablet, or phone from June 4-10. BrightFocus Foundation, a nonprofit organization funding
scientific research and promoting public awareness to end diseases of mind and sight. The at-home movie night will feature an introduction from producer James Keach, and interviews with key scientists discussing their current research.

“I believe in the power and promise of science to end disease and save lives, and this is why I am glad to showcase both the transcendent beauty of Linda’s voice in this film as well as
the bold, groundbreaking research of BrightFocus,” Keach said, noting that Ronstadt’s iconic career was cut short by a neurodegenerative disease.

Stacy Haller, BrightFocus Foundation President and CEO, added, “The scientists supported by BrightFocus are relentless in their drive to slow and end diseases that rob us of our memory and
our sight. We could not have found a better film to both bring back so many great memories and remind us how now, more than ever, the need for innovative science is abundantly clear.”
In addition to James Keach’s introduction prior to the presentation of the film, four BrightFocus- funded scientists will briefly introduce their work. They include: Sarah Doyle, PhD, Assistant
Professor in Immunology, Clinical Medicine, Trinity College Dublin; Makoto Ishii, MD, PhD, Assistant Professor of Neuroscience and Neurology, Weill Medical College of Cornell University;
Amir H. Kashani, MD, PhD, Associate Professor of Ophthalmology, the University of Southern California and Roski Eye Institute; and Yvonne Ou, MD, Associate Professor, Ophthalmology,
University of California, San Francisco. They are among over 200 scientists around the world whose ongoing research is supported by BrightFocus.

https://youtu.be/uvo0Fhn6dSI

FREE VIRTUAL SCREENINGS beginning Thursday, June 4 at 7:00 PM EST to benefit the BrightFocus Foundation. More information at brightfocus.org/movie

Review: ‘Blood Machines’ a cyberpunk fantasy, now available on AMC’s Shudder.

Synopsis:
Two space hunters are tracking down a machine trying to free itself. After taking it down, they witness a mystical phenomenon: the ghost of a young woman pulls itself out of the machine as if the spaceship had a soul. Trying to understand the nature of this entity, they start chasing the woman through space.

Inspired by the spirit of the 80’s films and music, BLOOD MACHINES is a 50-minute, sci-fi horror mind-melter told in three chapters, scored by acclaimed and reclusive French synth-wave artist Carpenter Brut, and expanded from their music video of their track Turbo Killer. Starring Elisa Lasowski, Anders Heinrichsen and Noémie Stevens, written and directed by Seth Ickerman.

 

Chapter One:
Mima

This episode is so visually spectacular from the get-go, I exclaimed, “Whaaaaatttt” as soon as I spotted the first spacecraft. The sets are something akin to Star Wars, a video game, and a graphic novel. Great costumes and props add to this lived-in world. It has a solid 80’s vibe and yet it’s still completely timeless. If you don’t want to keep watching as the screen goes black, I will be flabbergasted.

Chapter Two:
Corey

This episode picks up exactly where Mima left off. The attention to detail in the cinematography is hypnotizing. The color choices are rad as hell. But it’s the plot that sneaks up on you in earnest here. The definition of a soul is prominently questioned, as is the psychosexual dynamic between the characters.

Chapter Three:
Tracy

This episode plays upon the many dimensions of the female psyche. The power of sensuality, protective nature, and empathy, and exploration. The visual juxtaposition between scenes is glorious. Wait until you see the climactic choreography. It will blow your mind.

Blood Machines is something entirely unique. While it is meant to invoke a conversation about “man” meeting machine and all the complexities that come with that ever-expanding A.I. issue, out of context it’s a very feminist film. As a woman viewing this magical creation, it made me feel vindicated and more kickass than usual.  It will rock you and entertain to no end. Writer-director Seth Ickerman has given the audience an intelligent and thoughtful piece of sci-fi. Carpenter Brut’s score is intoxicating. I would play that on a loop if given the chance. Genre fans will beg for more. I’m asking, nay imploring, that this story get expanded (AGAIN) in any form. It’s brilliant.

About SETH ICKERMAN:
Raphaël Hernandez and Savitri Joly-Gonfard are two French directors, working for 10 years under the pseudonym of Seth Ickerman. Known for their production design and art direction skillset, Raphaël and Savitri collaborated on various commercials for companies such as LG, Ubisoft, and Samsung. In 2016, they directed the hit music video Turbo Killer in 2016 for Carpenter Brut. 
About CARPENTER BRUT:
Carpenter Brut draws its influences from 80s TV shows and B-movies loaded with synthesizers. The mysterious and discreet man behind the pentagon – or the Brutagram as his fans would call it – evokes an encounter between Justice beats and the universe of John Carpenter. Listening to his home-made EPs, however, one would rather bet on a metalhead background, a crush for Dario Argento, and a force-fed religious education. This would explain his penchant for the occult, his passion for kitsch sounds, and his adoration for all kinds of enjoyment.
Carpenter Brut pays tribute to the post-hippie/pre-AIDS culture that then set the basis of electro and metal to give us a unique, violent, and crazy 80s revival sound.

 

Review: ‘Blood Quantum’ now available on AMC’s Shudder

The dead are coming back to life outside the isolated Mi’gmaq reserve of Red Crow, except for its Indigenous inhabitants who are immune to the zombie plague. Traylor (Greyeyes), the tribal sheriff, must protect his son’s pregnant girlfriend, apocalyptic refugees, and reserve riffraff from the hordes of walking white corpses. 

Mesmerizing opening cinematography, unsettling imagery, and a stunning bit of animation are all in the first few minutes of Blood Quantum. It’s a hell of a way to begin. All the bloody practical FX, the creative kills, the extraordinary make-up, combined with an awesome plot are just a few reasons why Blood Quantum is an outstanding zombie film. You’re getting 3 distinct acts with the shift in time and a shocking third act you may not see coming. In truth, it is a study of historic irony. While the native American population was decimated by European viruses, in this film they are immune. Even with that advantage, rage from the youngest generation is their ultimate downfall. Writer-director Jeff Barnaby has given us a truly poignant and thoroughly badass film.

The fact that we’re experiencing it now during a world-wide pandemic only makes it more relevant. The exploration of social, economic, and family dynamics are all the more impactful. All of that is a bonus because it’s truly a bloody disgusting zombie flick. Genre fans will live in this film. Extra special mention for the use of Fawn Wood‘s song “Mommy’s Little Guy” at the end. You can watch Blood Quantum now on Shudder.

From writer & director Jeff Barnaby (RHYMES FOR YOUNG GHOULS)

Starring:

Michael Greyeyes (True Detective, Fear the Walking Dead)

Forrest Goodluck (THE REVENANT, THE MISEDUCATION OF CAMERON POST)

Kiowa Gordon (The Twilight Saga)

Elle-Máijá Tailfeathers (THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN)

Olivia Scriven (Degrassi: Next Class & The Next Generation)

Revered MMA trainer Stonehorse Lone Goeman

Brandon Oakes (RHYMES FOR YOUNG GHOULS)

William Belleau (Frontier, SCALPED)

Devery Jacobs (American Gods, The Order, RHYMES FOR YOUNG GHOULS)

Gary Farmer (DEAD MAN, JIMMY P)

Review: ‘TIME WARP: THE GREATEST CULT FILMS OF ALL-TIME VOLUME 2: HORROR AND SCI-FI’ available today on digital and VOD

TIME WARP: THE GREATEST CULT FILMS OF ALL-TIME VOLUME 2: HORROR AND SCI-FI 

The greatest cult horror and science fiction films of all-time are studied in vivid detail in the second volume of Time Warp. Includes groundbreaking classics like “Night of the Living Dead,” and “The Texas Chainsaw Massacre,” and sci-fi gems such as “Blade Runner,” and “A Clockwork Orange.” 

Volume 2 is significantly shorter in runtime than Volume 1, coming in at 83 minutes. That being said, the amount of backstory and insider info is aplenty. I am a huge horror and sci-fi buff and I found myself hearing a plethora of great new stories from the cast members of some of my favorite films. Cast, crew, and critics discuss the highs and lows of their original releases and how they influenced what was yet to come in cinema history. They get into the political subtext and how some of the most iconic dialogue and choreography were improvised. The first half tackles horror while the latter half talks about sci-fi classics. Tom Savini gives us some fantastic insight into the set, makeup, and stunts from Romero‘s Dawn Of The Dead. Bruce Campbell‘s perspective on what made Army Of Darkness a later hit is cool. Wait until you find out what has happened to the house in The Texas Chainsaw Massacre! Malcolm McDowell talking about A Clockwork Orange will damn near make your year. Despite the length and the mouthful of its title, Time Warp: The Greatest Cult Films Of All-Time Volume 2: Horror and Sci-fi is just as fun as its predecessor. I cannot wait to dive into Volume 3: Comedy and Camp coming in June. Check out the trailer below. Volume 1 and 2 are now available on Digital and VOD. Genre fans of all ages and predilections will adore this series.

TITLE: TIME WARP: THE GREATEST CULT FILMS OF ALL-TIME VOLUME 2 HORROR AND SCIFI
ON DEMAND AND DIGITAL: May 19, 2020
HOSTS: Joe Dante, John Waters, Ileana Douglas and Kevin Pollak
CAST: Jeff Goldblum, Sean Young, Joe Morton, Malcolm McDowell, Bruce Campbell, Roger Corman, John Sayles, Mary Woronov, Ed Neal and Rob Zombie
RUN TIME: 83 minutes

 

Review: ‘FAIRYTALE’ is nothing short of magic.

Synopsis: United States, the 50s. Amongst stuffed poodles, whiskey-infused teas, sinful mambo lessons, and threats of alien invasion, Mrs. Fairytale spends her days locked in her dream home and without a moment to breathe. A surreal world where anyone can finally be who they want to be, but behind which hides another upsetting reality.

Sebastiano Mauri‘s directorial debut, based on Filippo Timi‘s play, Fairytale is a deliciously eccentric cinematic experience. The glorious opening shots where Mrs. Fairytale’s face is hidden are simply genius. The over-the-top 1950’s sets, with their saturated color schemes and patterns, not to mention the glaringly flat and ever-changing window visuals, make for the highly stylized wonder that is Fairytale. And that is the literal first minute of this film. The sheer absurdity of every single aspect of this film is magic. The physical theatricality of the blocking, performances, and lighting is such a deliberate choice it must mirror Timi’s original staged version. I could not imagine this film being presented in any other way.

Mrs. Fairytale is what happens when you combine Miss Yvonne and Pee-Wee Herman and make them take the Playhouse scenario seriously. I genuinely mean this as a compliment. Fairytale has all the markings of a cult classic. The visual transitions between scenes are colorful dreams. The underlying message is what’s most important. Fairytale is about living your truth and loving who you want to love. It’s wrapped in a farce, making it all the more entertaining. The very final act takes a sharp left turn, but it more of a “why not?” moment. It is equally as enchanting and impactful.

Filippo Timi as our lead is perfection. If someone doesn’t give him an award I will be angry. I said it, angry. You cannot overlook the specificity of his individual beats. They are so funny because they are so genuine. Think Lucille Ball level of hilarity. If you aren’t belly laughing, someone needs to check your pulse. Supporting cast members are all spectacular. The costumes are a beautiful mix of garish and period-accurate. They add another element to the performances you’ll have to see to understand.  Trust me when I say they have weight to them.

You can watch Fairytale today on DVD and VOD. There is nothing like it. I see 100’s of films a year. I have no doubt Fairytale will land in my top ten list in 2020.

Tribeca Film Festival 2020 review: Angela Bettis clocks in for ’12 Hour Shift’

It’s 1998 and over the course of one 12 Hour Shift at an Arkansas Hospital, A Junkie Nurse (Angela Bettis), Her Scheming Cousin (Chloe Farnworth) and a group of black market Organ-Trading criminals (Mick Foley, David Arquette, Dusty Warren) start a heist that could lead to all of their demises.

Angela Bettis is horror royalty in my book. Watching her interpret Brea Grant’s script is heaven. During this uncertain, weird, and exhausting time in our history, watching an overworked nurse with vices for days adds an extra element of terrifying WTF. Bettis is a revelation. The weight of desperation and the constant barrage of emotional abuse is palpable. It is written on her face. There is so much backstory bubbling under the surface. I would watch an entire series developed from 12 Hour Shift. (Hint, Hint)

The opening scene is divine in establishing the attitude of Bettis’ character. It’s a symphonic white trash word vomit. The attention detail of Y2K paranoia and the late ’90’s in general land perfectly between over-the-top and completely legit. If you lived through it, you’ll laugh and nod. But it’s the delicious moral dilemma that Grant has given us that keeps your eyes glued to the screen. We’re definitely rooting for bad over worse and it is fun as hell. The climax is so batshit crazy it’s like watching a ping-pong tournament; super fast and just as fantastically absurd. Performances all around are stellar. Practical FX are gagworthy and wonderful. The final scene is actually the most frightening. Brea Grant, I’ll be looking forward to a sequel to 12 Hour Shift, ASAP.

https://www.youtube.com/watch?v=UPgxgwDbNqY

Review: ‘A Good Woman Is Hard To Find’ puts power back in the most deserving hands.

Forced into an emotionally and physically abusive relationship under unusual circumstances, Sarah must navigate her family’s safety and survive financially. Essentially being held hostage by the ripple effect of a drug dealer’s irrational behavior, she strives to regain control of the situation all while attempting to solve the murder of her husband. The intrusive nature of the plot will stifle the viewer. You will not even realize how long you’ve been holding your breath.

Sarah Bolger, who terrified me in Emelie, now plays the complete opposite. She’s a woman on a mission for good. You will root for her. You will be nervous for her. You will cheer her on as she finds her voice. What she must do in self-defense is gruesome. Each beat is so genuinely played, you will not soon forget this performance.

There is a beautiful dichotomy in the fact that she is being terrorized and is financially empowered by her captor. But the abuse is not limited to him. She is verbally assaulted and disrespected where she goes. The assumptions made by everyone in her path are insulting and cruel. As a woman, this film is excruciating to watch. This is a complete complement to the authenticity of the judgment and misogyny (not just from men) that we deal with on a daily basis.

The practical FX are gruesome but completely necessary to feel connected with Bolger’s crisis. The augmented sound editing combined with slow-motion dynamics in a particular scene is visceral. A Good Woman Is Hard To Find proves to be an amazingly insightful commentary on power dynamics and a pretty satisfying story of revenge.

Review: ‘How To Build A Girl’ is a a coming-of-age film that rocks.

How To Build A Girl illustrates the rise and fall of cool in search of self-actualization. Authenticity is the name of the game. The social climb from nobody to somebody inevitably comes with a lot of bad decisions. Why be yourself when you can be someone completely different? Beanie Feldstein is a damn treat, as usual, in this film based on Caitlin Moran’s semi-autobiographical novel of the same name. Set in the early ’90s during the blossoming of an awkward, literature obsessed 16-year-old, we are treated to a glow-up of her own making. In an attempt to be seen, feel relevant, and pay the bills for her financially struggling family, she takes her first real criticism and rackets up the mean. But fame and risky behavior come with a price. What is the real price for selling your soul?

Beanie Feldstein‘s physical commitment to this role is sheer perfection. The unabashed, emotionally driven weirdness we all possessed at 16 is right there on the screen. You will fall in love with the beautiful mess she portrays. It’s the romanticism she believes in that will capture and keep your heart. If you didn’t already realize it, Beanie Feldstein is a star, ladies and gentleman. Thankfully, for fans of the original novel, the screenplay is adapted by Moran and with direction from Cory Giedroyc, the film will not only serve to a YA audience but pretty much everyone. The cameos in the film are beyond impressive. The laughs are plenty but the true undertones of the film are universal. That first taste of freedom and feigned adulthood oftentimes backfire. Who can’t relate to those themes? Some of us (most of us) are still trying to figure that all out.

Available today ON DEMAND!

 

Tribeca Film Festival 2020 interview: Filmmaker Justin Fair on his highly stylised short, ‘Sloan Heart Neckface’

Synopsis: Sloan (Clara Mamet) has a not-so-low-key crush on Neckface, an anonymous graffiti artist. Neckface (Raúl Castillo) has less-than-resolved intimacy issues and a no relationship policy. Which he makes abundantly clear to his obsessive fan girl. That is, until Neckface realizes he and Sloan may be the same kind of crazy; and embarks on a mission to win her back. Which may or may not involve exploiting his roommate (Isiah Whitlock Jr.), stealing a much-coveted pair of sneakers, and incurring the wrath of a ferocious lunch lady.
Appearing in the New York Shorts Program at this year’s Tribeca Film Festival 2020, Sloan Hearts Neckface is something special. It’s an incredibly engaging 15 minutes. It was like watching a tennis match of NYC characters. As a New Yorker, it really felt like home. It’s visually vibrant and quite emotionally turbulent. I was lucky enough to speak with filmmaker Justin Fair on what makes Sloan Hearts Neckface as unique as it is. Check out our interview and the teaser trailer below.
Did the initial script look and feel like the now finished film?
Yes! I hope so anyway. I hope we captured what was great about the script. Some things we captured quite literally from what was written, a lot we cut, and a lot we elaborated on, but I hope the essence remained intact.
I adore that each character has a signature color. Whose decision was that?
It’s great to hear that translates! We had an extremely talented Art Director, Lydia White, who lives in a Shell House. She created these beautiful mood boards consisting of a lot of Blues and Reds and we decided to run with that. I wanted not only for the characters to have a certain color, but also to have those colors impose themselves on the other characters at certain times of the story.
Have you ever had someone who was, shall we say, “a little more than enthusiastic”, pursue you?
Haha. I can’t say that I’ve ever been pursued in the way Sloan pursues Neckface in the film. I’ve never had that pleasure.
Who does the art on the letters?
We had a whole team of artists work on the art. I thought it important that each character’s artwork came from a different artist. The Neckface character actually had several artists: Jeff Weinberg did the sketches on the Priority Mail stickers, Landon Webb designed all but one of the tags. The big practical tag that Neckface rips off the fence was done by John Gagliano. Jenny Herbert created all of Sloan’s artwork. Henry White did Lester’s portraits of Sloan, and Ruth Sylvestre did the other Lester drawings. Really proud of all their work, thank you for asking.
Are Neckface’s tags real? 
Absolutely not haha! There’s actually only one practical tag in the film and that was one made on our own materials. The rest of the tags that appear on subway beams, buildings, and monuments were created using Superdurables.com materials and then added afterward by a great VFX guy, Matt Brant. He did all the compositing, tracking and rotoscoping.
I love that this is essentially a string of monologues. Did Ian Grody sit in on casting? 
It is a string of monologues! Initially, it was just two monologues that Ian wrote for a magazine, if I’m not mistaken. Later he expanded it to several more monologues for an evening of staged readings at NYU- which is where we met. He eventually adapted it into the short film script. Ninety percent of the actors in the film are friends of Ian and mine. We never held auditions.
Do you have a favorite short film?
No, I can’t say I do. I don’t get to see enough of them. There are a lot of places online to see them now, but I prefer to see them in a theater. The earliest short films I remember seeing are Charlie Chaplin’s. I still have a big love for them.
What directors inspire you?
So many greats. I love both the classics and contemporary stuff. For inspiration, I look to Scorsese, Cassavetes, Kubrick, Ozu, Billy Wilder, Hitchcock, Fincher, Sofia Coppola, Oliver Stone, Michael Mann, Denis Villeneuve, Wes Anderson
What is the most rewarding part of directing for you, and also what is the most challenging? 
The most rewarding part of directing is for me is being surprised by my collaborators. If your collaborators feel like they can take risks and be heard and their contributions will be honored (as opposed to having their job/performance dictated to them), then they will give to the film in beautiful and surprising ways. In other words, if I’ve created the space for everyone involved to feel like they own a piece of the film, then we all got to do what we came to do and that love will show up on the screen. That’s when I feel most successful as a director. The most challenging part of directing is the discipline of rolling with the punches because things will always go wrong. When they do, the challenge is to embrace it as a chance for creative problem-solving. I try and trust that it’s just the film finding its own way. It pretty much always leads to something better than what was planned.

Tribeca Film Festival 2020 Shorts Program review: ‘Update Required’

Tribeca Film Festival 2020 Shorts Program- UPDATE REQUIRED

Out of this world Sci-Fi shorts.

Playing in this program:

Toto

Rosa Forlano, a 90-year-old Nonna, falls in love with a Robot while teaching it how to make spaghetti. Unfortunately, her recipe is forgotten after a software update.

A charming look at companionship through the eyes of a 90-year-old woman and her robot. Marco Baldonado, writes, directs, produces, and voices our titular character. It’s a lovely look at generational relationships in more ways then you’d expect.

Abducted

A tongue-in-cheek Southern thriller about a rookie cop’s (Jenna Kanell) first date gone horribly wrong.

This film immediately sent me into panic mode as a woman. Never leave your drink unattended. Don’t worry, the universe works in mysterious ways.

Jack and Jo Don’t Want to Die

Jack (Justin Kirk) works at a suspension facility where people choose to halt their lives. On the night of his suspension, Jack’s life takes a turn when he meets Jo.

Justin Kirk plays a heartbroken man who is confronted with his own mortality. This film beautifully explores the small moments that make living so wonderful.

A Better You

Living in a dystopian, neo-steampunk world, a shy young man named Douglas (Seán T. Ó’Meallaigh) invests in a customizable carbon clone to help him win the girl of his dreams.

This shirt is a gorgeously stylized look at being confident in your own skin. It’s one of the most endearing performances of the festival this far.

Carmentis

An injured and grief-stricken miner (Ben Mortley) on the desolate planet Carmentis must overcome his personal demons in order to survive, but can he get there before the planet freezes?

Human instinct Vs the AI created to protect it. This short is completely unpredictable. It’s a beautiful commentary on the fragile human spirit.

The Light Side

An aging Sith Lord (Joseph Ragno) must come to grips with his past and discover why humility may be the greatest force in the galaxy.

Utilizing a booming voice over from Tim Plewman combined with lead actor Joseph Ragno’s physical performance, this film shines with true humor. It is pure fandom fun with a side order of redemption.

System Error

George works at a convenience store, desperately hoping for a friend. But George is a robotic service unit, and robotic service units do not have friends. Not yet, anyway.

This short challenges how emotion and information alter a being’s perception of others. It will leave the imagination running wild. I can safely say I would watch an entire series or full-length feature based on the storytelling laid out in this 13-minute cut. It sounds like I’ll be getting my wish, as the filmmakers have a development deal at Screen Australia for a dystopian rom-com TV show based on the characters in System Error. I could not be more excited. There is so much more to explore and laugh at here.

Free Film Festivals For Everyone! SXSW on amazon & Global Film Festival coming soon

Even non-prime members can watch the SXSW films available on amazon. You just need an amazon account, no credit card needed! You’ve got through May 6th to watch. Each film has an introduction by the director, so you really get a festival feel. It’s a great way to see a perspective without leaving the house! https://www.amazon.com/adlp/sxsw

Although it doesn’t include festivals from South America or Africa, this “global” film festival is bringing programming from 20 festivals right to you also for free! I’m looking forward to seeing what programming they will have for us! May 29th to June 7th

https://www.youtube.com/weareone

  • Annecy International Animation Film Festival – Annecy, France
  • Berlin International Film Festival – Berlin, Germany
  • BFI London Film Festival – London, UK
  • Cannes Film Festival – Paris, France
  • Guadalajara International Film Festival – Mexico
  • International Film Festival & Awards Macao (IFFAM) – Macao (China)
  • Jerusalem Film Festival – Jerusalem
  • Mumbai Film Festival (MAMI) – Mumbai
  • Karlovy Vary International Film Festival – Czechia
  • Locarno Film Festival – Switzerland
  • Marrakech International Film Festival – Marrakech, Morocco
  • New York Film Festival – New York, NY
  • San Sebastian International Film Festival – Spain
  • Sarajevo Film Festival – Sarajevo, Bosnia and Herzegovina
  • Sundance Film Festival – Park City, UT
  • Sydney Film Festival – Sydney, Australia
  • Tokyo International Film Festival – Toyko, Japan
  • Toronto International Film Festival – Toronto, Ontario, Canada
  • Tribeca Film Festival – New York, NY
  • Venice Film Festival

Review: ‘TIME WARP: THE GREATEST CULT FILMS OF ALL-TIME VOLUME 1 MIDNIGHT MADNESS’ available now!

SYNOPSIS: From “The Rocky Horror Picture Show” to “The Big Lebowski” and everything in between, this fascinating deep-dive documentary begins its celebration of the greatest cult movies of all-time discussing the birth of the midnight movie.
I was 13 the first time I saw The Rocky Horror Picture Show. My life was forever changed in every way. I was a Catholic school kid who knew that a lot of what I was being taught felt wrong. I had danced since the age of two and had seen how music and showmanship affected an audience. This film was singlehandedly responsible for my college choices and the path I’ve taken ever since. There is something about a cult film that makes you feel at home. You’re in a room filled with people who get “it”, free-spirited, open-minded individuals with a sense of humor. What’s better than that? TIME WARP: THE GREATEST CULT FILMS OF ALL-TIME VOLUME 1 MIDNIGHT MADNESS is now available for everyone to experience themselves. With sitdown interviews with some of the greatest stars and directors of the most famous midnight madness films like Pink Flamingo, Reefer Madness, Freaks, The Warriors, just to name a few. This doc is a genre, cult, cinephile’s dream. It discusses the cultural shifts that occurred because of these films. How they influenced not only the audience but films that came after. There will be two more volumes; VOLUME 2 HORROR AND SCI-FI & VOLUME 3 COMEDY AND CAMP. I cannot wait to see who and what come up in the last two docs. They are undeniably fun and incredibly informative. What until you find out who was originally supposed to star in Point Break! You’ll feel like you’re in good company watching these films and maybe even add some films to your watch list (at least you should). So, set a virtual watch party with friends and catch Volume 1 now! Check out the trailer below!
TIME WARP: THE GREATEST CULT FILMS OF ALL-TIME VOLUME 1 MIDNIGHT MADNESS – April 21
RUN TIME: 105 minutes
CAST: Jeff Bridges, Pam Grier, Rob Reiner, Barry Bostwick, Michael McKean, John Turturro, Gary Busey, Jeff Goldblum, Fran Drescher, Penelope Spheeris and Peter Bogdanovich

COMING SOON:

TIME WARP: THE GREATEST CULT FILMS OF ALL-TIME VOLUME 2 HORROR AND SCI-FI – May 19
TIME WARP: THE GREATEST CULT FILMS OF ALL-TIME VOLUME 3 COMEDY AND CAMP – June 23

Review: Murder and mayhem prevail in ‘Why Don’t You Just Die’, now available on Digital HD and Blu-ray.

Synopsis:   Matvey has just one objective: to gain entry to his girlfriend’s parents’ apartment and kill her father Andrey with a hammer to restore her honor. But all is not as it initially seems, and Matvey’s attempts to bludgeon the family patriarch to death don’t quite go to plan as Andrey proves a more formidable – not to mention ruthless – opponent than he anticipated… and Matvey, for his part, proves stubbornly unwilling to die.

Hypersaturated colors and super creative camera work makes this film incredibly stunning in its own right. Add in some awesome sound editing and superb fight choreography, Why Don’t You Just Die! is a hell of a good time. Did I neglect to say it’s also hilarious? Yeah, it’s hilarious. What essentially starts as a battle royale between a father and his daughter’s boyfriend becomes one of the coolest films of the year so far. It has a very Pulp Fiction vibe in its nonlinear storytelling. It’s truly brilliant. You will not be able to predict what’s coming next. The amount of fake blood they must have purchased for this film, I cannot even imagine. Performances are wonderful all around. Writer, director, editor Kirill Sokolov kills (no pun intended) every aspect of this film. Each facet of this film is slightly augmented bringing it to another level of greatness. I cannot wait for people to see this. It is a beautifully twisted version of justice. Take a look at the trailer for a taste of the blood-soaked dark comedy that is Why Don’t You Just Die!

Arrow Video is releasing the film on Digital HD on April 20th and April 21st on Blu-ray.

Why Don’t You Just Die!: Russian w/ English subs / 95 min

Why Don’t You Just Die! has received critical acclaim from festivals around the globe, taking home the New Flesh Award for Best First Feature and Silver Audience Award at Fantasia, Best European Feature Film at MOTELx, Best Director at Fantaspoa, Best Feature, Best Director and Best VFX Awards at Grimmfest.

 

Review: ‘The Quarry’, SXSW 2020 selection is available today!

SYNOPSIS: From the novel by Damon Galgut comes this searing thriller, a tale of sin and redemption set in the wilds of Texas. After murdering a traveling preacher, a fugitive drifter (Shea Whigham, Joker) travels to a small town and poses as the man he killed. Though the congregation loves the drifter’s sermons of forgiveness, the local police chief (Academy Award® nominee Michael Shannon, The Shape of Water) is suspicious of the man. Soon a gruesome discovery at a local quarry forces the killer to fight for his freedom.

 

A fugitive, a local sheriff, and the resident town criminal all cross paths for a simmering thriller based on mistaken identity. You will recognize that the script is based on a novel in its slow-burn feel of storytelling. In reality, you’re getting a lot of information constantly, but the quiet, abandoned, small-town feel immediately affects the tone of the film. I found myself unable to decide who I should be rooting for even though it is morally very clear cut. That is 100 percent due to the nuanced performance from this relatively small cast. While the novel takes place during South African apartheid, the universal theme of racism is very much prevalent in this film. It will launch the plot towards its inevitable tragedy.

We have a mini Boardwalk Empire reunion with Shea Whigham and Michael Shannon. Pitted against one another, their chemistry is magic. You will find yourself pulled into their dynamic. These fully fleshed out and flawed people are a perfect character study, especially with Whigham and Shannon in the roles. Both gentlemen are given the opportunity to play off of Catalina Sandino Moreno. It’s a masterclass in subtly from every angle. This film is about the script and people. The sparsity of sets and costumes adds to your focus. The ending is something you will never see coming. Overall, The Quarry is a solid thriller that brilliantly highlights superior acting and great direction.

Lionsgate and Grindstone, a Lionsgate Company will release the thriller film THE QUARRY on demand on April 17, 2020.

THE QUARRY stars Shea Whigham (Joker, “Boardwalk Empire”), Michael Shannon (The Shape of Water, Nocturnal Animals), Catalina Sandino Moreno (Showtime’s “The Affair,” Maria Full of Grace), Bobby Soto (“Narcos: Mexico,” A Better Life) and Bruno Bichir (Sicario: Day of the Soldado, Che: Part One). The film was directed by Scott Teems (That Evening Sun) who co-wrote the film with Andrew Brotzman (Nor’easter). The film is based on Damon Galgut’s acclaimed novel of the same name.