TIFF 22 review: Bill Nighy’s glorious performance in ‘LIVING’ sends a universal message of love and kindness.

LIVING

Director Oliver Hermanus brings TIFF22 audiences LIVING, a remake of Akira Kurosawa’s 1952 film Ikiru. This beautifully life-affirming script from Nobel- and Booker Prize-winning author Kazuo Ishiguro captures the heart. The legendary Bill Nighy helms this film as Mr. Williams. A typical mid-level government bureaucrat in 1952, Williams never ruffles any feathers and maintains a routine to the point of soulless monotony. After he receives a terminal diagnosis, he must reassess his years of playing by the rules and learn how to begin living.

Alex Sharp is Peter Wakeling, the newest member of Mr. Williams’ team. He is the audience’s lens through which to observe Nighy’s reputation. His ability to understand the bigger picture showcases Sharp’s talents. He is simply lovely here. Aimee Lou Woods plays Nighy’s spirited office mate, Margaret Harris. Her young enthusiasm and gentle nature present an intriguing foil for Nighy. Woods displays a wide-eyed honesty that gives way to genuine companionship. She becomes a shoulder to cry on and a replacement for his estranged son. Their chemistry is a delight. 

Bill Nighy gives a quietly profound performance as Mr. Williams. Each beat overflows with complexity, regrets, and thoughtfulness. Nighy breathes life into this role with passing moments. His heartfelt rendition of the Scottish folk song Rowan Tree moved me to tears. It is an award-worthy turn.

A community playground becomes the symbol of a life worth living. An apology for the inconvenience, an offer of assistance, and a kind word; the impact of these seemingly small gestures have a ripple effect. The structure of the script is surprising and relentlessly engaging. I found myself lost in the quiet dignity of it all. 

The sumptuous score from Emelie Levienaise – Farrouch is enveloping. Beautifully framed and lit cinematography from Jamie Ramsey suits this story perfectly. I felt the final shot in my gut.

LIVING is not a boisterous film. It is a story that makes you want to be a better person. It is a lesson in human connection, mutual respect, and taking a breath to enjoy each moment. LIVING speaks volumes about leaving a legacy of kindness.


United Kingdom, 2022
English
CANADIAN PREMIERE
102 minutes
Director
Oliver Hermanus
Cast
Bill Nighy, Aimee Lou Wood, Alex Sharp, Tom Burke
Cinematography
Jamie D. Ramsay
Editing
Chris Wyatt
Producers
Stephen Woolley, Elizabeth Karlsen
Production Company
Number 9 Films
Production Designer
Helen Scott
Screenplay
Kazuo Ishiguro


Review: ‘The Sunlit Night’ glows from every angle.

Synopsis: The Sunlit Night follows an aspiring painter (Slate) from New York City to the farthest reaches of Arctic Norway for an assignment she hopes will invigorate her work and expand her horizons. In a remote village, among the locals, she meets a fellow New Yorker (Sharp), who has come in search of a proper Viking funeral only to find that the Chief (Galifianakis) is but a re-enactor from Cincinnati. The eclectic crew ranges from “home” to “lost,” within the extreme and dazzling landscape of the Far North. Under a sun that never quite sets, and the high standards of an unforgiving mentor, Frances must navigate between ambition, desire, obligation, and risk in order to find a way forward.

If you grew up with an art teacher mother as I did, this film will resonate with you immediately. I was given my own portfolio at the age of six. To be fair, I was drawing scale recreations from the 3 foot Georgia O’Keefe book that came with it. The birthday prior my parents got divorced. The Sunlit Night is a film made or me.

Through art references and voiceover we are privy to Frances’ inner thoughts. These moments are like diary entries. Color is like its own character. Frances is always wearing red. The barn is entirely different shades of yellow. The landscape is lush green. Viking reenactments are jewel and earth-toned while Yasha is in black. Specific paintings mirror each character, according to Frances. The film is a cinephile and art lover’s dream. Everyone that arrives is there to find something or perhaps, truly, to find themselves. The relationship between all the eccentric inhabitants of this small Norwegian town is what makes this film extra charming. Every shot in the film seems to glow. It’s simply breathtaking.

Jenny Slate is extraordinary. She always shines through her humor but here she has the opportunity to explore an even more nuanced vulnerability. Alex Sharp is tender and open. More and more of him everywhere, please. Fridtjov Såheim as Nils is a perfect balance of obstinate and passionate. He’s a great foil for Slate. While Zach Galifianakis is his adorably funny self in this, I wish we had more of him. As for Gillian Anderson, her appearance is brief but I’ll never turn down a chance to watch her effortlessness. The Sunlit Night has a glorious grace to it. It’s not a loud film, by any means, but what it does it does extremely well. Take a peek at the trailer below and watch the film on VOD starting tomorrow.

THE SUNLIT NIGHT will be released on VOD on July 17th from Quiver Distribution.