Review: ‘Disclosure’ is an emotional nail biter that warrants discussion.

From writer/director Michael Bentham, a film that hammers home the notion that “there are two sides to every story, and then there is the truth.” DISCLOSURE follows two couples who go to war over an allegation of child-on-child abuse. Australian documentary maker Emily, and her journalist husband, Danny, are reeling from an allegation of abuse their 4-year-old daughter Natasha has made against a local politician’s 9-year-old son, Ethan. Ethan’s parents, Joel and Bek, arrive unannounced at Emily and Danny’s house intent on convincing the couple that Natasha’s allegation is a fabrication. Accusations, arguments, and the ultimate search for leverage turn their civil conversation into a vicious confrontation.

Couple Vs couple tangling over abuse allegations between their children is one of the most visceral watches of the year, especially as a parent and former teacher myself. Disclosure boasts glorious performances and incredibly effective editing. Geraldine Hakewill, Mark Leonard Winter, Tom Wren, and Matilda Ridgway are simply outstanding and the use of a stationary camera allows the focus to remain on the nuanced beats within each scene. Long takes add to the tension and push a voyeuristic, “How long have you been standing there?” type of position for the audience. The dialogue is so weighty that you cannot separate your feelings from the characters. That’s great storytelling. We also explore the dynamics of gender roles, political fallout, past trauma, and marriage. One of the most intriguing is the way men communicate and the way women do. The avoidance, passive-aggressiveness, versus directness, is fascinating. At one point all bets are off and these couples will do anything to protect both their children and their own self-interest. Whose side will you be on? The fact that this is based upon a true story makes the entire thing all the more horrific. This is a lose-lose scenario no one wants to be a part of, but it does beg a larger discussion in the #MeeToo era: believing victims, victim shaming, trauma treatment, and all that comes with it. Writer-Director Michael Bentham gives us a bold film that deserves your attention. The film makes its North American debut tomorrow. Take a look at the trailer for a peek at what the audience is in store for.

DISCLOSURE arrives on VOD on 6/30 and DVD  7/7

Review: ‘Escape From Pretoria’ is a story of courage and engineering at its best.

Based on the real-life prison break of two political captives, ESCAPE FROM PRETORIA is a race-against-time thriller set in the tumultuous apartheid days of South Africa.

The film is based on Tim Jenkin’s autobiography Inside Out: Escape from Pretoria Prison. With the engineering of escape solutions being created and tested in what feels like real-time, the anticipation pulls you in. Your heart races at the idea of them getting caught. The failures and close calls will leave you just as shattered as our protagonists. This story is absolutely thrilling.

Performances from Daniel Radcliffe, Daniel Webber, and Mark Leonard Winter are riveting. Each a fully fleshed out portrayal of three men who did the impossible. From the accents to the sets, to the period costumes, Escape From Pretoria is triumphant storytelling. This film’s release is aptly timed for those who are part of the resistance and for being on the right side of history.

Momentum Pictures will release the thriller ESCAPE FROM PRETORIA in select TheatersODemand and Digital on March 6, 2020.

ESCAPE FROM PRETORIA is directed by Francis Annan (End of a Gun, House of the Rising Sun) from a script by Annan and LH AdamsThe film features an all-star cast which includesDaniel Radcliffe (Harry Potter franchise, Swiss Army Man),Daniel Webber (The Dirt, “The Punisher”), Ian Hart (Backbeat, The Last Kingdom)Mark Leonard Winter (The Dressmaker, “Cop Hard”) and Nathan Page (“Miss Fisher’s Murder Mysteries”).