‘The Serpent’s Skin’ (2026) The sixth spooky and spellbinding film from Alice Maio Mackay.

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The Serpent’s Skin

The Serpent's Skin poster

Alice Maio Mackay has established herself as a powerhouse in indie filmmaking, cranking out stylized horror films that capture your attention from the very first frame. In her 6th feature film, the 21-year-old trans director tackles queer horror romance. The Serpent’s Skin follows Anna, a young trans woman who finally left her judgmental parents and moved in with her sister in the city. But Anna’s meek exterior hides secret supernatural abilities she shares with her new lover and tattoo artist, Gen. Their passion accidentally summons a demon, making relationship building way more complicated.

Jordan Dulieu (Danny) gives us an emo rocker heartthrob and villainous mayhem with equal fire. He is genuinely mesmerizing. Avalon Fast (Gen) is great. Her delivery is so natural, you might think she’s in a documentary. Alexandra McVicker (Anna) brings innocent ingénue energy. The three have stellar chemistry. I not-so-secretly wanted a threesome scene between them. Shout out to Intimacy Coordinator, Zoe Taylor, for the overall hotness.

The Serpent's Skin 2MacKay has a neon-saturated visual calling card and always provides a kick-ass soundtrack. Another genius collab with The Adams Family in H6LLB6ND6ER. Iris Mcerlean‘s costumes are all effortless cool girl. Mackay tackles self-harm, identity, sex, and magic; it’s a lot to balance. If I’m being nitpicky, the film’s pacing slows slightly in the second act, making it feel a bit long before the momentum picks up again in the final Act, which cooks. High five to my girl, Vera Drew, for her editing. Can we discuss the connection between power and orgasm? Yes. The final two lines of The Serpent’s Skin are smirkworthy perfection.


The Serpent’s Skin Trailer:

Opening in: 
New York, March 27 | Los Angeles, April 3

** With filmmaker and special guests in attendance **
More dates below & to be announced

85 mins / Australia / 2025
Directed by: Alice Maio Mackay
Written by: Alice Maio Mackay, Benjamin Pahl Robinson
Produced by: Alice Maio Mackay, Louise Weard
Starring: Alexandra McVicker, Avalon Fast, Jordan Dulieu, Scott Major, Charlotte Chimes
Edited by: Vera Drew
Cinematography by: Aaron Schuppan
Composers: Alexander Taylor, Eduardo Daniel Victoria
Music by: H6LLB6ND6ER

Festivals: Beyond Fest, BFI Flare: London LGBTIQ+ Film Festival, Brooklyn Horror Film Festival, Fantasia Film Festival, Frameline: San Francisco International LGBTQ Film Festival, Frightfest, Melbourne Queer Film Festival, NewFest – The New York LGBTQ+ Film Festival, SXSW Sydney, and more

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Dark Star Pictures has released the new theatrical trailer for Alice Maio Mackay’s The Serpent’s Skin ahead of its upcoming North American theatrical release, which kicks off on March 27 in New York City and on April 3 in Los Angeles

At only 21-years-old, the trans Australian filmmaker has announced herself as a talent to watch, and her latest film had a celebrated world premiere at San Francisco’s LGBTQ+ film festival Frameline and enjoyed a buzzy run with stops at Beyond FestFantasia Film Festival, London’s FrightfestNewFest, and more.

The Serpent’s Skin is Maio Mackay’s most ambitious film to date, combining her distinct filmmaking voice—known for channeling genre tropes through a trans lens, her innovative approach to aesthetics, and a unique wit—with a larger scope that leans into a darker storyline and a loving influence of 90s cult television like Buffy the Vampire Slayer and Charmed

The film will open in New York at the Alamo Drafthouse Downtown Brooklyn on March 27 and in Los Angeles at the Alamo Drafthouse DTLA on April 3—as part of a special Fantastic Fest Presents showcase—with Mackay and special guests in attendance for opening nights.

Additional screenings with director Q&As include the Roxie Theater in San Francisco on April 2 and Vidiots in Los Angeles on 4/4, with further cities and dates to be announced.

For more Alice Maio Mackay films, click here!

‘Never After Dark’ (SXSW 2026) One of the year’s best genre films.

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Dave Boyle brings SXSW 2026 audiences one of the most surprising films of the entire year with Never After Dark. The film follows Airi, a medium whose latest job assisting a spirit to cross the veil feels darker than usual. Airi arrives at an inn awaiting renovation. The new owner has seen an apparition and heard that Airi was the best of the best. What should be a routine case for our protagonist begins to confound her, as circumstances from years past haunt her and her new clients.
 
The film’s opening shot is startling, setting the tone for the madness to come. Boyle uses a classic trope of what the audience assumes will be the film’s ending and works backward. But, Never After Dark uses time as a clever bait and switch in a script that boggles the mind and absolutely terrifies.
Airi’s ghostly sister playfully accompanies her, calmly popping in and out of reflective surfaces to have a chat and act as a sidekick of sorts. It’s such an intriguing device. Think of her presence as a friendlier version of The Sixth Sense. The editing is spectacular. The unnatural speed dynamics between Airi and her entity are immensely jarring.
 
Audio creates a lingering tension, but it is the anticipation of seeing that horrific face in focus that makes your jaw clench. Airi’s nonchalant demeanor perfectly counters that discomforting hum in her first encounter with the spirit. But as she gets deeper into her usual flow, something is heavier about this particular case. Moeka Hoshi gives a tour de force performance, bringing unresolved baggage, quietly destructive behavior, unhealthy coping mechanisms, and a lived-in complexity that is nothing less than award-worthy.
 
There’s something about horror in broad daylight that subverts your expectations of the genre. Never After Dark dives headfirst with its title and continuously, and quite successfully, delivers simmering discomfort. You may have to remind yourself to breathe. The tropes are so smartly utilized. Boyle ups the ante by the minute. The writing is simply excellent. Never After Dark would give The Shining a run for its money. Inarguably one of the best films of the year.
 

Never After Dark Trailer


Never After Dark
Director:Dave Boyle
Executive Producer:Todd Brown, Aram Tertzakian, Nate Bolotin, Maxime Cottray, Toshiyuki Suzuki
Producer:Dave Boyle, Kento Kaku, Kosuke Tsutsumi
Screenwriter:Dave Boyle
Cinematographer:Patrick Ouziel
Editor:Chieko Suzaki
Production Designer:Yuji Hayashida
Sound:Natsuko Inoue
Music:Jonathan Snipes
Cast:Moeka Hoshi, Kento Kaku, Kurumi Inagaki, Mutsuo Yoshioka, Bokuzo Masana, Tae Kimura
Crew:Lighting Director: Hidenori Nagata, Costume Designer: Arata Kobayashi, Supervising Sound Editor/Re-Recording Mixer: Carlos Sanches, C.A.S.
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‘And Her Body Was Never Found’ (SXSW 2026) Two people. Real danger?

sxsw 2026 cartoon vectorAnd Her Body Was Never Found

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Real-life couple Polaris Banks and Mor Cohen create one of the most cringeworthy hybrid movies ever. When I use that term to describe their SXSW 2026 film And Her Body Was Never Found, it is a genuine compliment.

The audience follows Mor and Polaris, also the only two crew members, on an isolated camping trip, recreating their actual volatile discussions. Not since watching The Human Centipede have I felt this uncomfortable witnessing something so intensely personal on film. It’s the only film that similarly made my insides churn in a way I did not ask for.

The string-heavy score is reminiscent of Hitchcock. Although that’s not the only thing that leaves you with a spine-tingling sensation. Our leads pull the rug out from under the audience by suddenly breaking the fourth wall, plunging us into this meta horror aspect of their filmmaking. Blurring the lines is creepy as hell.

The film’s premiere comes at a particularly auspicious time as cases of “Alpine Divorce” are suddenly in the news. If you are unfamiliar with this phenomenon, I will explain. Men lead their significant others deep into the wilderness, then abandon them. The term comes from the 1893 short story “An Alpine Divorce” by Robert Barr, which follows a man plotting to murder his wife by leaving her on a Swiss Alp. More women are expressing on social media that this is happening to them. It is somehow insane, and yet entirely believable.

From a technical standpoint, it is incredibly impressive that each point of coverage maintains energy from cut to cut. As we pivot from movie-making mode to relationship mode, cell phone footage, framing, and jarring blackouts play mind games.

This is a shockingly visceral watch. Every beat is a glaring example of the vast differences in communication styles between genders. Semantics, blaming, gaslighting, lies, unresolved trauma, it all plays a part in the toxic cycles of arguing. It is impossible not to feel heated as you witness inevitably familiar turns of phrase and emotional escalation. And Her Body Was Never Found does its job, acting as a terrifyingly aggressive form of immersion therapy. By the end, I wanted to crawl out of my skin.


Director: Polaris Banks
Executive Producer: Tristan Barr, Josh Doke
Producer: Polaris Banks, Mor Cohen, Hilarion Banks
Screenwriter: Polaris Banks, Mor Cohen
Cinematographer: Polaris Banks, Mor Cohen
Editor: Polaris Banks
Production Designer: Polaris Banks
Sound: Zach Goheen
Music: Nathan Schram
Cast: Mor Cohen, Polaris Banks, Grae Drake
Crew: Camera Operator: Hilarion Banks, 1st Camera Assistant: Michael Schnick, Sound Recordist: Cruz Thomas, Hair and Make-Up: Kari Koerper, Re-Recording Mixer: Juan Campos, Score Mixer: Chris Botta
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‘The Ascent’ (SXSW 2026) An extreme upward journey.

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The Ascent

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Directors Edward Drake, Scott Veltri, and Francis Cronin document the unbelievable story of a double amputee’s climb to the summit of Mount Kilimanjaro. As if that’s not impressive enough, SXSW 2026 film The Ascent also delves into a mystery sure to infuriate and inspire audiences.

During a night out in 2014, Mandy Horvath died three times. Suspicious circumstances placed her unconscious body in the middle of train tracks. Then she was run over by a 20-car locomotive that severed her legs but not her ungovernable spirit.

Horvath was on her way to greatness in life, although slightly tethered by functioning addiction. Considering her childhood trauma, her resilience is astounding. She should have been dead long before. Sitting down with her parents is viscerally uncomfortable, but it speaks volumes to Mandy’s FU attitude. The film tackles trust and loyalty with authentic complexity.

Her accident was initially written off as a suicide attempt and not a crime. Filmmakers recreate the train conductor and engineer’s witness testimony to explain their perspective of the incident. It is shocking, but almost nothing compares to the dismissal of law enforcement and the missing pieces of evidence from the very people Mandy was with that night. Your jaw will drop.

Animation illustrates Mandy’s most painful memories. The score perfectly matches her indelible spirit. Filmmakers give us visual altitude and mile markers along her journey, but that’s not all we track. Jasleen Kaur‘s editing elevates this entire documentary. To seamlessly weave in what is essentially a true-crime story alongside Mandy’s climbing journey is award-worthy.

The Ascent is an extraordinary tale of survival and perseverance against all odds. Mandy Horvath is simply unstoppable. She is the female spirit personified. Tell a woman she can’t and see what happens.


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Director: Edward Drake, Scott Veltri, Francis Cronin
Executive Producer: TIME Studios, Loren Hammonds, Kyle Hentschel, Francis Cronin, Yvette Zhuang, Jasleen Kaur, Ali Samadi
Producer: Edward Drake, Scott Veltri
Cinematographer: Laffrey Witbrod
Editor: Jasleen Kaur, September Club / Matt Prekop
Music: Adam Peters
Cast: Mandy Horvath, Julius John White aka ‘Whitey’, Carel Verhoef, Sally Grierson
Crew:Animator: Mike Lloyd, Co-Producer: Jon Schafer, Additional Editing: Kevin Barth, Executive Finishing Producers: Gloria F. Coronado, Ashely Reese, Re-Recording Mixer: Cameron Tracy, Colorist/Online Editor: Christian Navas, CSI, Graphics: COED Studios
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‘Amazing Live Sea Monkeys’ (SXSW 2026) Reclaimed legacy

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Amazing Live Sea Monkeys

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Mark Becker and Aaron Schock‘s SXSW 2026 documentary, Amazing Live Sea Monkeys, tells an unusual David Vs Goliath story with a sordid pat. A wild mix of capitalistic betrayal, hidden White Nationalism, and the woman fights to reclaim the business she helped grow, quite literally.
 
Yolanda Signorelli von Braunhut, the wife and protector of the iconic comic book novelty creation, is now destitute, living in the home they built together without water or electricity. Big Toy, the company that partnered with Harold to distribute Sea Monkeys, chose profits over quality, thus destroying the integrity of Yolanda’s earned legacy. She has been answering thousands of customers’ letters, sending them original packets of Sea Monkeys as replacements, all out of pocket. Yolanda tries to come to the Big Toy with historical promises, but dirty business is dirty business, and they stopped paying her residuals years ago. Yolanda chooses trial by jury after years of attempting to regain what is rightly hers.

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‘Same Same But Different’ (SXSW 2026) Fiercely funny coming-of-age

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same-same-but-different-352382In Lauren Noll’s SXSW 2026 dramedy, Same Same But Different, we follow three Persian childhood friends: a personal trainer, a lawyer, and an aspiring writer, grappling with identity and their ever-evolving relationships.

Rana has had her visa application denied three times. Working as a home care nurse in order to stay in the country. When her wealthy client’s son, and part-time hookup, agrees to marry her for her green card, Rana invites her best friends to Cape Cod to support her sham wedding. This beach house weekend brings drama and all the feelings as each woman deals with unresolved feelings.

This ensemble cast hits every beat. You will love each one of them. Screenwriter Dalia Rooni delivers equal parts authenticity and genuine wit. The entire Bachelorette party is hilarious perfection. It is genuinely a lovely balance of chaos and laughs.

Three different women. Three varying personalities. Three best friends. All the insecurities, baggage, and unfiltered honesty mix to create a beautiful portrait of identity and growth.

There’s a shared catharsis and joy that only shows itself in the purest of female relationships. Same Same But Different is about letting go of the good, the bad, and the ugly. Stick around for some hilarious bloopers during the credits. Brilliant.

When Rana’s visa application is denied, she faces the reality of returning home to Iran. That is, until Adam – her wealthy boss’s son and her summer fling – proposes a green card wedding. Wrestling with the implications of his offer, Rana enlists help from a questionable shaman, Adam’s pure-hearted mom, and most importantly her two Iranian best friends Nadia and Setareh, who arrive on Cape Cod for a wedding weekend full of opinions, chaos, and drama with their own American boyfriends. Just as total disaster approaches, the three women come together in a transformative moment of acceptance, growth, and coming of age – evolving this weekend into one that will change them all forever.

Same Same But Different Credits

Director:

Lauren Noll

Executive Producer:

Emily Reach White, Chris White

Producer:

Dalia Rooni, Lauren Noll, Zein Khleif, Medalion Rahimi, Emily Reach White

Screenwriter:

Dalia Rooni

Cinematographer:

Nathaniel Krause

Editor:

Stephanie Williams

Production Designer:

Sadra Tehrani

Sound:

Sam Costello

Music:

Neuman Jody Mannas

Cast:

Medalion Rahimi, Logan Miller, Layla Mohammadi, Dalia Rooni, Richie Moriarty, Michael Baszler, Danielle Pinnock, Lauren Noll, Nicholas Coombe, Kevin Nealon, Joey Lauren Adams


sxsw 2026 banner black whiteFor all things SXSW 2026, click here 

‘One Another’ (SXSW 2026) Exploring the evolution of friendships in universally relatable doc.

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Losing a relationship comes with aspects of anguish, emotional destabilizing moments, unresolved trauma, and, if we’re lucky, reconciliation. Amber Love’s SXSW 2026 documentary One Another follows the evolution of three friendships over the course of three years.
 
Joe, Giorgia, and Lorri confront the state of personal connections with longing, healing, and change. Featuring different generations deepens the viewers’ understanding that we are all so much more alike on the inside. You may find yourself nodding your head, reliving moments from your past (or present). One Another grabs you with its archival footage. We reminisce alongside our trio, gazing at photo albums and hand-written letters. It is beautifully nostalgic.

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SXSW 2026, a sneak peek at the films and TV you want to see

SXSW-2026-ArtworkSXSW 2026 Watchlist

Every year, I look forward to the incredible lineup at SXSW. This year feels particularly curated to my personal, off-the-wall taste, and I am here for it, Baby. Here are just 13 of the films and TV pilots I am stoked to get my eyeballs on starting this week!!

SXSW 2026 runs from March 12-18th. Do. Not. Miss. It.


THE SNAKE

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When Jamie, ungovernable 40-something wild child collides with her venomous mother, Anne, her life blows up spectacularly leaving her evicted and single. This sends Jamie on a pig in a hurricane journey for “home”; breaking into her Nana’s house to prove it should be hers, a rejected bid to move in with her van-dwelling punk rock ex, and a stint in her best friends pied a terre, which ends with Jamie hooking up with her husband.

I like to think I am ungovernable, I whisper to myself as I go grocery shopping and run the PTO. I can surely live vicariously through Anne’s shenanigans. 


EDIE ARNOLD IS A LOSER

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Timid Catholic school dork Edie Arnold is dragged to a punk show where a mishap lands her on stage behind the drums. She’s mortified… but a natural. Convinced by her best friend, she secretly forms a band called The NunDead. Her newfound confidence leads to a date with the altar boy but also a fight that gets her suspended. Thinking she bailed on their first gig, her bandmates bust her out of the house just in time to win a Battle of the Bands. But when she faces expulsion and her mother’s wrath at a disciplinary hearing, footage of her kick-ass performance has an unexpected effect on her mom.

Hi! Former Catholic school kid here. Hi, former punk band member. Battle of the Bads? Almost. I hosted. In spirit, another film that makes beautiful misfits like me feel seen. Do not miss it.


NEVER AFTER DARK

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A wandering medium, Airi spends her life guiding restless spirits out of the world of the living. Summoned to an isolated country house, she comes face to face with a grotesque apparition with powers that defy Airi’s experience. As she digs deeper into the house’s past, a secret comes to light — and Airi finds herself hunted by a far more unpredictable force. For the first time, her greatest adversary is not the supernatural, but the living.

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‘Dreams’ (2026) Defies expectations.

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Filmmaker Michel Franco’s Dreams follows a wealthy socialite who has a scandalous affair with a young undocumented ballet dancer. Their dangerous relationship has ripple effects that will appall.
 
Dreams opens with a horrific scene of abandoned Mexican migrants locked in the back of a truck. Fernando, once let out, makes his way to his lover’s home in San Francisco. Jennifer is a divorced trust fund baby who uses her position at her ballet company to string Fernando along with promises of a greencard, all while keeping their torrid affair behind closed doors. A determined Fernando runs back to her arms over and over in hopes that he can one day be a principal dancer in the company in the US.
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Some of the most beautiful and compelling scenes are the rehearsals. Gorgeously lit, effortlessly shot, and emotionally grounding, you cannot take your eyes off Fernando, in particular. Halfway through the film, a dance mirrors the highs of their relationship dynamic in a poetic way. Bravo to the intimacy coordinator (which the film does not credit), the sex scenes have the most electric chemistry and choreography.
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Isaác Hernández is extraordinary in his body. The camera loves him. Jessica Chastain is intentionally cold. Dreams is a film about power. Jennifer’s loneliness is only equal to her need to possess Fernando on her terms. She pushes boundaries both physical and emotional, playing on Fernando’s financial desperation and naivety. Her love is circumstantial, even if she believes otherwise. She’s a villain. The audience will undoubtedly loathe her, and Chastain and Franco understand that.
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The tone is uneven. The first half feels like strangers communicating with each other. The second half is better, but remains at arm’s length. The final act gives Fernando the opportunity for much-deserved vengeance. It is, admittedly, a clever attempt at turning the tables. In the end, Dreams is more horror than a love story. It will break your heart.
 

Dreams Trailer:


Releasing Theatrically on February 27

SYNOPSIS:

A powerful socialite (Academy Award® winner Jessica Chastain) and a promising ballet dancer (Isaac Hernández) begin a dangerous affair. When he secretly crosses the US-Mexico border, she takes desperate measures to protect their future together. A tense, erotic drama from acclaimed director Michel Franco (Memory, New Order). 

DIRECTED BY Michel Franco

WRITTEN BY Michel Franco

PRODUCED BY Michel Franco, Eréndira Núñez Larios, Alexander Rodnyansky

CAST Jessica Chastain, Isaác Hernández, Rupert Friend, Marshall Bell, Eligio Meléndez, Mercedes Hernández

Run Time: 121 minutes

 

For more drama coverage, click here!

‘In Cold Light’ (2026) Maika Monroe & Troy Kotsur captivate in gritty crime thriller.

saban films logoIn Cold Light

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In Director Maxime Giroux’s In Cold Light, Maika Monroe plays a woman recently released from prison, who’s looking to reclaim the drug empire she left behind. Holding family secrets from her estranged father and challenging the new power dynamic make it more difficult to get her life back on track. When she is framed for murder, she goes on the run, only to discover that loyalty comes at an ultimate cost.
 
In Cold Light MaikaHellbent on backsliding into her old ways, Ava’s tough exterior hides a chasm of wounds. As her brother softens to her requests for drug connections, all hell breaks loose when she becomes a target and scapegoat for murder. Now, with the innocent lives of her family members in harm’s way, Ava must decide who she can trust and how far she will go to bargain for their safety.
 
In Cold Light - Troy & MaikaOscar winner Troy Kotsur (CODA) plays Ava’s father with deep hurt and contempt for Ava’s very existence. His all-encompassing presence is utterly mesmerizing. Maika Monroe consistently proves she is a brilliant chameleon. From her breakout role in It Follows (2014) to the underrated Villains (2019), Watcher (20220 to 100 Nights of Hero (2025), she bares her soul in every frame. Monroe’s martyrdom arc is equal parts infuriating and resigned. She is so watchable. Despite her lithe stature, she commands your attention. Kotsur is the only one strong enough to match her energy. The two share a scene halfway through the film that is not only spectacularly written but also becomes the emotional backbone of the entire film. It is perfection.
 
in Cold lightWhile the “why” takes longer to get to than I would have liked, and feels somewhat disjointed, In Cold Light is a definitive, gritty crime thriller. Helen Hunt briefly appears, and introducing her sooner would change everything. Both the editing and handheld camerawork are hypnotic. But it’s the visceral father-daughter dynamic that gets under your skin and stays there. Screenwriter Patrick Whistler delivers unresolved trauma on an astonishing level. Monroe and Kotsur make an undeniably compelling duo. I would love to see them back together, doing anything literally.

 

In Cold Light Trailer:

IN COLD LIGHT hits Digital and On-Demand platforms on Tuesday, February 24th, 2026

 
For more thrillers, click here!

‘SAUNA SICKNESS’ (Sundance 2026 short) Hot and bothered.

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If you told me that Malin Barr had studied the DSM-5-TR before writing her short film Sauna Sickness, I would not bat an eye. Revealing it is based on a past relationship would carry equal weight in terms of its emotional impact. Barr is a master storyteller, regardless of inspiration. The film follows a woman staying at her mother’s country home on New Year’s Eve. After visiting the outdoor sauna with her boyfriend, they discover they are now locked out of the house with only their flimsy robes and clogs.
 
Immediately, Tobias blames Cleo. His visible annoyance quickly gives way to whining, shaming, and accusing. Cleo’s attempts to find a spare key are unsuccessful, but Tobias only offers cruelty. Sauna Sickness is a snapshot of narcissistic gaslighting bullshit. Tobias relies on her problem-solving skills to induce guilt. Cue the screaming, then crying. Once consoled, his tone softens, but not before a jab gets slipped into the conversation, just to subconsciously remind her she is not better than him.

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‘THE STRANGE DARK’ (2026) Comes to Digital on January 16

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THE STRANGE DARK

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Filmmaker Chris Messineo’s award-winning sci-fi thriller, THE STRANGE DARK, comes to digital platforms this Friday. After hitting the festival circuit with 27 festival selections, 34 award nominations, and 13 wins, including Best Feature, Best Thriller, Best Screenplay, and multiple Audience Award honors, at home audiences can experience a tale about trust, family, and outer space. The film follows Susan, a mother, English teacher, and stage actress, who finds herself caught between her estranged husband and the mysterious strangers at her front door.
 
TheStrangeDark-still6While grading papers, Susan’s quiet night gets weird when her husband shows up in a panic. He explains that through his secretive research at Double Star Accounting, he can now predict the future. Edgar shares that his co-workers are after his knowledge and that Susan and their daughter, Taylor, are in danger. This sounds preposterous to her until two aggressive individuals knock on her front door demanding to know where Edgar is. As they threaten her family, Susan must decide who to believe.

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‘ONCE MORE LIKE RAIN MAN’ (2025) Neurodiverse authenticity and laughs. Bravo.

ONCE MORE LIKE RAIN MAN

Once More, Like Rain Man (2024) - [www.imdb.com]

Director Sue Ann Pien‘s short film ONCE MORE LIKE RAIN MAN tells the story of an autistic teen pounding the pavement for an acting gig, all while navigating stereotypes from those behind the camera and life in general. In 14 minutes, Bella Zoe Martinez gives Zoe the vibrant, hilarious, raw, and unfiltered qualities that I have come to experience in the wide world of neurodiversity. Her comic timing is chef’s kiss. The script, penned by Martinez and her parents, Melissa Martinez-Areffi and Andrew J. Areffi, does an exquisite job at tackling the culmination of everyday existence as an individual on the spectrum.
 
Martinez gives audiences a tangible example of overstimulation in public places. Sometimes it’s scary, other times it’s not. It’s often separating yourself from the space to take a breath. As a neurodivergent Mom of two neurospicy children, Zoe is every aspect of my kids and me. Her need to follow rules, literal thinking, and penchant for justice are all things that simply exist for us. Oh, and her counting of curse words? Yeah, that too.
 
once more like rain manPerformance was my safe place from a young age. I got to disappear into someone else. I got to escape the anxiety of being myself. Hell, even speaking other people’s words made me feel more confident. I was better at being someone else. And yeah, I know now that was my way of studying to mask. I became extremely confident because I was good at everything, but what people didn’t see was the endless fear that I felt. It was all to cover my Rejection Sensitivity Dysphoria. Weeee. This entire short is a metaphor for my childhood.
 
Ryan Shelstad‘s editing is fun and fast-paced. Zoe’s costume is colorful and quirky in a way that makes complete sense. Martinez effortlessly owns each beat and frame. It was awesome to see familiar industry faces throughout the film. Make sure you stay through the credits for one final earned guffaw.
 
ONCE MORE LIKE RAIN MAN manages to tap into the extraordinary nuance of autism with authentic humor while showing the frustrating ignorance of the neurotypical population. The short is both a teaching tool AND a genuinely fantastic piece of storytelling about a determined girl chasing her passion. Bravo.

 

ONCE MORE LIKE RAIN MAN Trailer:

ONCE MORE LIKE RAIN MAN

For more short films, click here!

‘Dawn of the Dogman’ (2025)

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dawn of the Dogman posterSeth Breedlove explores the lore behind a Michigan cryptid in Dawn of the Dogman. The film plays out in chapters. Editing from Santino Vitale and Seth Breedlove is fast-paced and endlessly intriguing. History buffs will instantly connect with the style, as eyewitnesses and journalists expound while the viewer is treated to maps, archival footage, and so much more.

dawn of the Dogman Linda GodfreyOne witness suggests these creatures are government assets, detailing his unsettling encounter and the aftermath. Linda Godfrey‘s extensive career in cryptozoology speaks for itself. But her work solidified for her the moment she came face to face with a mysterious creature alongside the insight of a Native American game warden.

dawn of the Dogman opening creditsThe opening credits give Spielberg‘s Amazing Stories meets Ripley’s Believe It or Not! vibes (a huge compliment). Cinematographers Zac Palmisano, Courtney Breedlove, and Tyler Hall beautifully captured the variety of Michigan landscapes. Brandon Dalo provides an original score that balances mystery and lightness.

dawn of the Dogman cryptidOverall, Dawn of the Dogman is a solid entry into the cryptid genre. There is most certainly a built-in audience for the film. Don’t believe me? Just look at the number of Kickstarter backers in the closing credits. Cryptid lore is big business and great entertainment for all ages. 


Dawn of the Dogman Trailer:

DAWN OF THE DOGMAN Rises on Digital Platforms December 9

Massillon, OH – For decades the story of the Michigan Dogman has been retold through song, urban legend and internet sensation, while the truth lay behind a smokescreen of speculation and what-ifs. Now, documentarian Seth Breedlove and Small Town Monsters goes beyond the rumors to meet the researchers and journalists who first chronicled the legend, and the witnesses who continue to cross paths with the impossible creature. Since the late 1980s, the sightings have continued, leading many to ask if the Michigan Dogman is more than just a story. 

Dawn of the Dogman premieres in conjunction with Small Town Monsters’ tenth anniversary of explorations into cryptid lore. Filmed amongst the shadowed forests of Michigan, Dawn of The Dogman gets closer to the heart of the story than any attempt before it.

The documentary centers on the personal account of author and researcher Linda Godfrey, who first brought the legend into the public eye, and serves as a successor to the 2018 film The Bray Road Beast. Dawn of the Dogman is directed by Seth Breedlove, whose previous work includes The Mothman of Point Pleasant, On the Trail of Bigfoot, American Werewolves and over two dozen other full length productions.

Dawn of The Dogman was made possible by the backers of the 2025 Small Town Monsters Kickstarter campaign. The next Small Town Monsters Kickstarter launches in February 2026, and will offer a whole new slate of films, books, episodic series and rewards available only to backers.

dawn of the Dogman cryptid 4For more documentary coverage, click here!

‘100 NIGHTS OF HERO’ (2025) A tantalizing feminist fable

IFC Updated logo100 NIGHTS OF HERO

100 nights of hero poster

Filmmaker Julia Jackson delivers one of the year’s best with her luscious tale of female power in 100 NIGHTS OF HERO. A wager between two scheming friends becomes a wicked love triangle. Cherry is a lonely wife whose husband has yet to bed her. Her husband intentionally abandons her with his tawdry friend, and the ruse is afoot. Cherry feels lost and overwhelmed. Her wise maid, Hero, steps in with storytelling to save her mistress from straying.

100 NIGHTS OF HERO - Still 1Religious and political parallels are undeniable magic. The dialogue is a modern version of a bawdy Shakespeare comedy, cleverly tongue-in-cheek and playing right into toxic masculinity. Even our three main characters’ names are pure, double-entendre delight. 100 NIGHTS OF HERO weaves fable, witchcraft, and feminism seamlessly.

100 NIGHTS OF HERO - Still 9Xenia Patricia‘s cinematography is exceptional. Gorgeously framed tableaus pull you into this world. Sofia Sacomani‘s sumptuous, eye-catching production design features jewel-toned walls and exquisite (and intentionally cartoonish and morbid) stained glass. Susie Coulthard‘s costuming mesmerizes with an almost sci-fi twist on medieval garb. Every visual aspect is delicious.

This cast is extraordinary. Felicity Jones plays both Narrator and Moon, her voice the consummate guide. Charli xcx is unrecognizable as the elegant and vital Rosa. Nicholas Galitzine is philanderer Manfred. His audacity perfectly walks the line between funny and obnoxious. Each oversexualized beat is chef’s kiss.

100 NIGHTS OF HERO - Still 5Maika Monroe is a genre icon. The role of Cherry finds Monroe as a naive, virginal wife attempting to ward off her new guest’s forward wooing. This sexual awakening suits her chameleon talents beautifully. Emma Corrin plays the titular Hero. Her take-no-shit persona is a hilarious set against the shenanigans. Corrin captivates with her quick wit, oftentimes with little more than a glance.

100 NIGHTS OF HERO is the epitome of indie storytelling. It makes a statement about the patriarchal fear of a woman’s power. You will lose yourself in this film.

Ps Stay through the credits for one final treat.


100 NIGHTS OF HERO Trailer:

100 NIGHTS OF HERO – In Theaters THIS FRIDAY

Written and Directed by Julia Jackman

Based on Isabel Greenberg’s graphic novel The One Hundred Nights of Hero

The New York Times Bestseller Is Available Now Wherever Books Are Sold

Starring

Emma Corrin (NOSFERATU, “The Crown”)

Nicholas Galitzine (RED, WHITE & ROYAL BLUE, THE IDEA OF YOU)

Maika Monroe (LONGLEGS, IT FOLLOWS)

Amir El-Masry (LIMBO)

Charli xcx (THE MOMENT, ERUPCJA)

Richard E. Grant (CAN YOU EVER FORGIVE ME?, SALTBURN)

Felicity Jones (THE BRUTALIST, THE THEORY OF EVERYTHING)

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‘MERCHANTS OF JOY’ (DOCNYC 2025) The holiday hustle.

Docnyc logoMERCHANTS OF JOY

The Merchants of Joy - Prime Video - [press.amazonmgmstudios.com] Celia Aniskovich‘s DOCNYC film, MERCHANTS OF JOY, brings audiences behind the scenes of an annual venture most of us take for granted. For the five families that dominate the Christmas Tree market in NYC, the Holiday Season is a business of mayhem and memories. Dive into the underworld of a tradition where vendors battle it out for prime positions and quality product in hopes of making each year better than the last.

merchants of joy interviewsThe film is a collection of personalities all jockeying to outdo each other. Greg looks like Santa and is happy to dress as such for the local kids. His son, Little Greg, is poised to take over the family business as his father battles cancer. Brooklynite George (who used to work for Greg) hopes to find love this season and brings bravado to the group. Heather is nine years sober. You will find her supporting those struggling on a similar path. Ciree takes the reins from her parents after 30 years. All of them find themselves under the thumb of the mysterious Kevin Hammer. Think of him as the Christmas Tree Mafia Boss.

merchants of joyThe film is a countdown to Christmas, tracking the complicated and expensive logistics of purchasing trees, trucking them sometimes across the country, bidding on street corner permits, setting up shop, all while navigating weather, workforce, and the economy. It’s a risky business that can be rewarding in the end. The job is physically taxing and emotionally exhausting, but its impact on building family traditions is worth its weight in gold.

merchantsofjoy mainb598Aniskovich intersperses sit-down interviews with action on the ground. The pièce de résistance are the scenes mimicking the stop-motion animation in Christmas classics like Rudolph the Red-Nosed Reindeer (1964), Santa Claus Is Comin’ to Town (1970), and The Year Without a Santa Claus (1974). In fact, Kevin Hammer only appears as an incognito character with phone interview audio. It is a perfect touch, wrapping MERCHANTS OF JOY with a nostalgia bow.

It is a film that will touch your heart. It is a delightful, warm hug, a movie about human connection, and a perfect segway for the holiday spirit.

MERCHANTS OF JOY – Coming to Prime Video Dec 1st!

 

WORLD PREMIERE- MERCHANTS OF JOY

Directed by Celia Aniskovich (Burn It Down!Call Me Miss Cleo), the film captures the cast of characters behind the city’s Christmas tree stands– small business owners who bring holiday cheer to the streets each season, along with a healthy dose of friendly (and sometimes not-so-friendly) competition with each other.

A lifelong Christmas lover, Aniskovich first discovered the story after reading Epic Magazine and NY Mag’s article “Secrets of the Christmas Tree Trade” and immediately knew this was a story she wanted to tell. Drawn to the community, pride, and hidden labor, she started filming within days of meeting “Big Greg,” – one of the film’s central figures – and eventually Amazon MGM Studios and Artists Equity came aboard the project as well. What began as a portrait of holiday hustle evolved into a story about faith, family, and resilience as she continued following the families. Merchants of Joy

https://www.dialtonefilms.com/merchantsofjoy

Director: Celia Aniskovich
Producer: Celia Aniskovich, Zoe Vock, Arthur Spector, Joshua Davis, Joshuah Bearman
Executive Producer: Todd Lubin, Ivan Schneeberg, David Fortier, Douglas Banker, Gillian Brown, Ben Affleck, Dani Bernfeld
Cinematographer: Carrie Cheek
Editor: Brett Banks, Samuel Kun
Composer: Jackson Greenberg
Language: English
Year: 2025
Accessibility: Sound-Amplification Headphones upon request
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For all thing DOCNYC, lcikMERCHANTS
FOF JOY

 

‘ARREST THE MIDWIFE ‘ (DOCNYC 2025) A powerful look at another reproductive right being mandated by ignorance.

Docnyc logo

ARREST THE MIDWIFE

arrest-the-midwife

Filmmaker Elaine Epstein follows the case of Elizabeth Catlin, a midwife charged with 95 felony counts after the death of one baby. However, Liz is not the first or last midwife to find themselves in court.

The Mennonite community uses midwives as per tradition. Liz is part of a tight group of women that serve these mothers and their families. Suddenly, Yates County begins targeting one midwife after another, putting further stress on the health and safety of women.

The state of NY has increased the requirements of education to maintain accreditation. Liz and her fellow care providers are CPMs (Certified Professional Midwives), each assisting in 100s of births, but according to NY State, that isn’t enough to exist legally.

We don’t get the details of Liz’s specific case until halfway through. When you hear them, your jaw will drop. No one in their right legal mind would ever bring charges against Liz. Going against their tradition of staying within their community, the Mennonite women come to court, write letters, and travel down state in drives to support advancing legislative change. Women supporting other women move the needle.

As a mother who had two births in Manhattan, I envy the homebirth experience 9 years after my first birth. At 35, the term geriatric pregnancy was insulting enough. After numerous ultrasounds and tests, when my son was in crisis during my 16 labor, all that science went out the window, leading to an emergency c-section. Birth trauma is real.

The film is a beautifully structured freight train of activism. Our rights are under attack. This is another example that most of us weren’t even aware of. ARREST THE MIDWIFE is a prime example of how a state’s rights governance hurts its population. Whether it’s midwifery or abortion, this causes care deserts, leading to a high likelihood of deaths. You cannot watch this film and tell me this isn’t a story about body autonomy. ARREST THE MIDWIFE is a fierce feminist film about choice in the face of another oppressive patriarchal and capitalist structure. Let women choose.

Director: Elaine Epstein

Producers: Elaine Epstein & Robin Hessman

Running Time: 82 minutes

 

Caught between the law and the well-being of the Amish and Mennonite families they serve, midwives in upstate New York operate in a healthcare desert—risking jail time simply for providing critical care. As their midwives are arrested, the women from these insular communities break from their traditions to become unexpected activists, fighting for systemic change.

With exceptionally rare and intimate access, director Elaine Epstein crafts a powerful David-and-Goliath story of resilience and resistance. Set against the backdrop of America’s maternal health crisis and the erosion of reproductive rights, ARREST THE MIDWIFE is both a poignant portrait of a community in crisis and an urgent call to protect every woman’s right to choose how she brings the next generation into the world.

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ARREST THE MIDWIFE

‘BEFORE YOU’ (2025) Emotional short leaves a lasting impact

BEFORE YOUBefore You

Filmmaker Lauren Melinda‘s extraordinary short film BEFORE YOU is an emotional rollercoaster you must ride. The film follows a young couple’s journey in early pregnancy, including their undesired outcome.

I am intentionally being vague because BEFORE YOU should be vital viewing. In just under 13 minutes, Melinda taps into the visceral trauma connected to pregnancy. There exists a collective fear, anxiety, and guilt the moment you discover they are growing a life, and that is something that never fades with time.

From a filmmaking and technical perspective, the augmented sound pulses in your core. The editing is magnificent; a whirlwind of motion and time that feels outerbody and assaulting all at once. It is a subconscious deep dive into the psyche of a pregnant person’s brain and societal expectations. Actress Tala Ashe captures every emotion, often with little to no dialogue.

A physical manifestation of emotional trauma and a simultaneous catharsis, BEFORE YOU flips the narrative of abortion on its head, revealing the truth behind necessary health care access without ever mentioning politics. Women’s lives are at stake. Autonomy and family planning are at stake. This short film speaks volumes.


Inspired by writer-director Lauren Melinda’s own experience, Before You follows a couple in the aftermath of a decision they never imagined making: ending a planned pregnancy. Told with restraint and emotional clarity, the film explores the quiet, often invisible grief that can accompany reproductive loss.

Created in collaboration with Planned Parenthood Federation of America, Before You moves away from polarizing narratives and toward a more personal lens. It invites audiences to sit with the nuance, silence, and complexity of a choice that is so often politicized, yet deeply human.

Starring Tony nominee Tala Ashe (English on Broadway), the film gives voice to an experience many carry privately. Across from her, Adam Rodriguez (Criminal Minds) brings depth and warmth to a role that balances strength and uncertainty. Together, their performances anchor the film in something intimate and real.

Before You has been selected by several notable festivals, including the Oscar-qualifying St. Louis International Film Festival, Cleveland International Film Festival, deadCenter, and Film Independent’s Artist Development Showcase. During its run, Melinda received the Chaz Ebert Phenomenal Person in Film Award, and the film was recognized for Best Cinematography and Excellence in Editing.

In addition to screenings, Melinda and her team have partnered with Planned Parenthood chapters in Missouri, Idaho and Birmingham to host post-film conversations and panels. More are planned this fall, including upcoming screenings in Los Angeles, Catalina, Breckenridge and New York. Simbelle Productions, Melinda’s nonprofit production company, continues to support female-led narrative films with bold emotional stakes and meaningful social reach.

Simbelle’s recent projects include Sarah Friedland’s Familiar Touch, winner of the Orizzonti Best Director and Best Actress at the 2024 Venice Film Festival; Sophy Romvari’s Blue Heron, recipient of Locarno’s Swatch First Feature Award; and Alex Burunova’s Satisfaction, which premiered at SXSW. Before You marks Simbelle’s first in-house production.

Melinda is also developing a photography project alongside Before You, inviting individuals to visually express their experiences with abortion or reproductive loss, whether through portraiture or more abstract means. The goal is to create space for healing, connection, and storytelling.

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‘IN OUR BLOOD’ (2025) A twisty thriller about more than family.

IN OUR BLOOD

In Our Blood poster

Pedro Kos‘ festival hit IN OUR BLOOD hits theaters this Friday. The story follows a young filmmaker named Emily, who hires a cinematographer to record her reunion with her estranged mother, Sam. When Sam suddenly disappears and her friends find themselves targeted, Emily and Danny go on a wild goose chase to find out why.

Still 4_IN OUR BLOODAlanna Ubach plays Emily’s mother, Sam. A former addict seeking redemption, Ubach is a pro, settling into a weighty role. For me, Ubach created some of the most memorable sidekick roles of the ’90s and early 2000s, carrying a Lili Taylor vibe with her comedic timing. It is a dramatic departure that is phenomenal.

Krisha Fairchild plays Ana with grounded confidence. This compelling performance is one you will not see coming. E.J. Bonilla brings a humble and powerful presence to Danny. Kos provides the character with an intriguing background that Bonilla uses to counter Emily’s guarded aura. He is the heart of the film.

in our bloodBrittany O’Grady owns this role. Emily is in almost every shot, and O’Grady powers through unresolved trauma with ferocity. This fearless portrayal of a daughter dying for answers will pull you in. There is an undeniable gravity to this performance.

Still 2_IN OUR BLOODThe mostly handheld camerawork subconsciously forces the audience to participate in the mystery and the emotional turmoil. Beyond the genre fare, IN OUR BLOOD also acts as a viewfinder for the vibrant yet desolate aspects of Las Cruces, New Mexico. Screenwriter Mallory Westfall provides clues, if you pay attention, so I suggest you do. Even with that said, the twists are absolutely clutch. Currently boasting a rare 100% Rotten Tomatoes score, IN OUR BLOOD is a gripping mix of horror and thriller. True crime fans will eat this up for dinner. I’m demanding a franchise from Kos and Westfall, ASAP.

IN OUR BLOOD WILL BE IN THEATERS NATIONWIDE OCTOBER 24, 2025

IMDb: Here

Synopsis: Nothing is as it seems when filmmaker Emily Wyland (Brittany O’Grady) teams up with cinematographer Danny (E. J. Bonilla) to shoot an intimate documentary about reuniting with Emily’s estranged mother after a decade apart. When her mother suddenly goes missing, possibly succumbing to the addictions that first tore her family apart, Emily and Danny must piece together increasingly sinister clues to find her before it’s too late.

Directed by Oscar-nominated documentary filmmaker Pedro Kos (Rebel Hearts, Lead Me Home) in his first narrative feature, IN OUR BLOOD masterfully blends psychological mystery with chilling horror. The film weaves a twisted tale of reconciling with the ghosts of our past and confronting the complicity we share in creating a world that preys on the most vulnerable

Still 7_IN OUR BLOODGenre: Thriller/Horror

Runtime: 88 minutes

Language: English

Country of Origin: United States

Year: 2025

Production Company: Firefly Theater and Films, Liberty Films, Aaron Kogan Management, Revelations

Director: Pedro Kos

Writer: Mallory Westfall

Producers: Aaron Kogan, Stuart Fenegan, Gary Lucchesi, Michael McKay, Steven Klein

Distributor: Utopia

Cast: Brittany O’Grady (Star, It’s What’s Inside), E. J. Bonilla (Gemini Man), Alanna Ubach (Euphoria), Krisha Fairchild (Penelope), Leo Marks, Bianca Comparato (3%), Steven Klein

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‘DEAD GIVEAWAY’ (Philadelphia Film Festival 2025) Female buddy comedy meets whodunit.

philadelphia film fest logoDEAD GIVEAWAY

Dead GiveawayIan Kimble brings a laugh-out-loud murder mystery, DEAD GIVEAWAY, to the Philadelphia Film Festival. After waking up hungry, with a hangover and a murdered stranger in her bed, Jill’s (Ruby Modine) day spirals into chaos as she navigates a tied-up man in her closet, an unconscious roommate, and a knife to her best friend’s neck. The goal? To get to brunch by 3:00 pm.

What does one do upon the discovery of a dead body? Call your best friend, obviously. Jill ropes in Lia, making her a potential accessory after the fact. But Jill is convinced she had nothing to do with the mystery man in her bed. Avoiding her uptight roommate and the string of men that keep coming to the door, these besties must try to remember how their night went down, and that they are still friends jonesing for brunch.

Still 3- Mikaela Hoover and Ruby Modine DEAD GIVEAWAY (Credit_ VP Independent)Mikaela Hoover is Lia. Her disgust with both her current predicament and the rather gross crime scene is only outdone by her aserbic wit. She has a familiar energy, something we have seen in classic comedy duos of the most successful sitcoms. Hoover’s distinct look matches that tangibility. Ruby Modine is hilarious. Jill, like Lia, is generally messy and self-assured. Modine harnesses a manic energy that nails the genre. The two share unhinged chemistry. It is a delightful pairing. 

Kimble and DP Anthony Berenato Jr.‘s editing is everything in this script. The audience gets bits of information in the real-time chaos of piecing things together. Combined with the camerawork, we get a perfect mix of quirky and engaging. 

The premise is an entirely absurd whodunit. You think you know what is going on, but do not get comfortable. If you are a true crime baddie, and who is not these days, DEAD GIVEAWAY will make you laugh and yell at the screen, because frankly, Jill and Lia should know better. The laughs are bottomless. Cheers to Ian Kimble and the entire team for delivering something delicious.


DEAD GIVEAWAY Clip:

Friday, October 17 at 9:45 PM (World Premiere)
Location: Film Society Center
1412 Chestnut Street, Philadelphia, PA 19102

Sunday, October 26 at 8:00 PM
Location: Film Society East
125 S. 2nd St., Philadelphia, PA 19106

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