‘HOARD’ (2024) An extraordinary trauma bond from a dazzling new voice.

HOARD

Hoard Pictures - Rotten Tomatoes - www.rottentomatoes.com

Starring Saura Lightfoot-Leon, Lily-Beau Leach and Deba Hekmat alongside Joseph Quinn, Hayley Squires and Samantha Spiro, ‘Hoard’ film follows a young girl (Leach) living in London in 1984 as she navigates her mother’s obsessive hoarding. Flashing forward to the girl’s teenage years, she (Lightfoot-Leon) must confront the madness and trauma of her late mother when a stranger (Quinn) arrives on her doorstep.

hoardIn Luna Carmoon‘s debut, HOARD, it is 1984, and Cynthia and Maria live a trying existence. Mom is a hoarder with chaotic mood shifts. Maria exists in freefall, never knowing when she’ll be bullied or exposed to inappropriate scenarios. An accident leads to foster care. In 1994, teenage Maria latches onto a visitor and former foster as he attempts to tap into her unresolved grief and trauma.

Hoard Pictures Cynthia and Maria- Rotten Tomatoes - www.rottentomatoes.comHayley Squires delivers authentic emotional distress. Hoarding is a trauma response and, often, a mental illness. Squires slides into that skin with astonishing ease. Her highs and lows are captivating.

Joseph Quinn, Stranger Things’ most beloved and misunderstood Eddie, plays Michael, a former foster from years past. Quinn is effortlessly charming and healing Michael’s wounds in the process. The more I see him, the more star power he exudes. Saura Lightfoot-Leon gives us a tremendous performance as teenage Maria. Her stunted, childlike eccentricity is award-worthy. Lightfoot-Leon leaves it all on the screen.

HOARD Joseph QuinnHer and Quinn’s chemistry is glorious. Their unfiltered bond fascinates from start to finish. Together, their animalistic instincts create a healing trauma bond like no other.

HOARD has a similar narrative spark as THE FLORIDA PROJECT. Storytelling from a child’s perspective entangles magic and fear. The production design is a feast for the eyes and anxiety-producing. Carmoon uses visual and audio triggers to harken back to the first 30 minutes of the film. HOARD is an exquisite character study. Luna Carmoon proves to be a dazzling new voice, and I cannot wait to see what comes next.

Trailer: https://youtu.be/FhtttrRHaJA

Sunrise Films is pleased to announce the upcoming North American theatrical release of Luna Carmoon’s Venice Winner ‘Hoard’ on September 6, 2024.

The film debuted at Venice in 2023, where it won three prizes. It went on to an extended festival run including at the BFI London Film Festival, Athens, Mumbai and Goteborg.

TIFF 2024: 9 Films we’re excited for at this year’s fest

tiff 2024bannerTIFF 2024

Kicking off festival season proper with the Toronto International Film Festival. 2024’s lineup is not only star-studded but overflowing with new talent that is here to blow you away. Here is a list of 8 films we’ll be getting in line for. 

TIFF 2024 will be held from September 05, 2024 to September 15, 2024 in Toronto, Canada.
Location: Toronto

 

For ticket information, click here!

PAYING FOR IT

Paying For it TIFF 24Sook-Yin Lee
WORLD PREMIERE
Canada | 2024 | 85m | English


In the late 90s, Chester and Sonny are a long-term, committed, romantic couple. When Sonny wants to redefine their relationship, Chester, a shy and introverted cartoonist, starts sleeping with sex workers and discovers a new kind of intimacy in the process.

https://tiff.net/events/paying-for-it


THE MOTHER AND THE BEAR

The Mother and the bearJohnny Ma
WORLD PREMIERE
Canada, Chile | 2024 | 100m | English, Korean
 
 

https://tiff.net/events/the-mother-and-the-bear


ICK

ICK_Still_01_hero_v2Joseph Kahn
WORLD PREMIERE
United States of America | 2024 | 92m | English
 
In Joseph Kahn’s breakneck sci-fi/horror satire, a high school science teacher (Brandon Routh) does battle with a parasitic alien entity, as well as the apathy of the small town it has been gradually absorbing.
 
 

SHOOK
Shook (2024)
Amar Wala
WORLD PREMIERE
Canada | 2024 | 113m | English, Hindi
 
Struggling writer Ashish is thrown for several loops when he falls for barista Claire and learns his estranged father has just been diagnosed with Parkinson’s, in Amar Wala’s first dramatic feature. Read More : If you are looking for news regarding replica watches visit londondaily.news
 
 

SUPERBOYS OF MALEGAON
Superboys-of-Malegaon_01
Reema Kagti
WORLD PREMIERE
India | 2024 | 127m | Hindi
 
Helmed by Reema Kagti (Talaash: The Answer Lies Within) in her latest collaboration with producer Zoya Akhtar (Gully Boy), this uplifting story chronicles the life of Nasir Shaikh, whose no-budget, community-sourced movies turned his hometown into an unlikely dream factory.
 
 

VIKTOR
viktor
Olivier Sarbil
WORLD PREMIERE
Ukraine, United States of America | 2024 | 89m | Ukrainian, Russian
 
Fusing rigorous reportage with innovative cinematic subjectivity, this bold documentary from veteran war photographer Olivier Sarbil is a uniquely intimate portrait of a Deaf person’s experience of the Russian invasion of Ukraine.
 
 

THE SWEDISH TORPEDO
Swedish-Torpedo_Still_01
Frida Kempff
WORLD PREMIERE
Sweden | 2024 | 120m | Swedish, Danish, English
 
This beautifully textured period drama from director Frida Kempff tells the story of Sally Bauer, a Swedish mother who pursues her dream of swimming the English Channel before the Second World War envelops Europe.
 
 

THE LAST REPUBLICAN
the last republican
Steve Pink
WORLD PREMIERE
United States of America | 2024 | 90m | English
 
A fan of Hot Tub Time Machine, Republican Congressman Adam Kinzinger invites the left-wing Hollywood director Steve Pink to follow his efforts to hold Donald Trump accountable for the January 6 insurrection.
 
 

HERETIC
 
 
Scott Beck, Bryan Woods
WORLD PREMIERE
United States of America | 2024 | 110m | English
 

 

tiff24-banner-rogersFor more information on TIFF 2024, click here!

 

You can find out previous TIFF coverage here 🙂


 

‘BACKCOUNTRY’ (2015) will scare the shit out of you. Don’t plan on camping ever again. Liz chats with writer-director Adam MacDonald.

BACKCOUNTRYBackcountry poster

In Connecticut, where I grew up, we bungee cord our trash cans closed. In truth, it does not do a damn thing when Black Bears come into the yard and rip those suckers open like they’re peeling back foil on a yogurt cup. I once had a very close encounter when I almost hit a baby bear while pulling into the driveway. And we all know what baby bears mean, right? Mama is not far behind. Although I now live in Manhattan, I have not fully left behind the days of hiking and camping in a tent. None of this fancy RV business for my family. We had a tent, built legit fires, and funded the new wing of the L.L. Bean flagship store as any respectable New Englander should. By no means do I consider myself any sort of expert on the outdoors, but damnit, I was a campfire girl. I earned badges. Watching Adam MacDonald‘s new film BACKCOUNTRY kinda ruined all those blissful memories for me. To be clear, I mean that in the best way possible. Backcountry Missy StillJenn and Alex take a few days off from their city life to go hiking in a state park where Alex had spent time as a youngster. Insistent that he knows where they are heading sans map, Jenn musters up the confidence to trust her boyfriend’s experience, although she’s no dummy. Jenn is armed with bear spray and a flare, just for comfort. Along the way, they encounter an odd fellow named Brad. Brad is a backcountry tour guide who instantly challenges Alex’s manhood. It’s not long before the audience senses the dread on Alex’s face. We know as soon as he does, they are lost. In the middle of the woods, no map, no other people anywhere is screaming distance, can these two survive long enough to make it back to civilization? Certain doom.

unnamedMissy Peregrym is a force as Jenn. Her vulnerability is only matched by her wit and strength, as she claws her way through this nightmare. Jeff Roop plays Alex.  He’s a well-meaning guy, if not a tad emasculated via circumstance. You completely buy that these two are a couple. Their chemistry is palpable and wholeheartedly relatable. You feel for them as you fear for them. Eric Balfour plays creepy man, Brad. He is great in every role. There is something just off enough about his demeanor to keep you on your toes. Balfour is that guy you never want to meet in this scenario. The uncomfortable factor hits a high note once he steps onto the screen. Massive high five to Adam MacDonald for injecting elements of truth into the script. Even if you aren’t an avid outdoors person, this film will still freak you out. Nature is not something to be trifled with. You need to respect it. you’re in its house out there. BackcountryJeffStillThe film has a fantastic sense of peril from the get-go. A cute couple, venturing off in the wilderness, unaccompanied, already equals “bad shit is most definitely going down”, all attributed to MacDonald‘s brilliant sense of realism. The sound editing is exquisite and the handheld camera work makes you feel like you’re right with Jenn and Alex, even if you wish you weren’t. With a 15-day shooting schedule, the quality of practical effects in Backcountry is huge. These guys should teach a masterclass based solely on one scene in the film. Combined with the genius use of soft focus probably saves the audience from actually vomiting while watching. (Again, a total compliment.) BackcountryBradStill

I got to have an awesome conversation with Adam. I’m pretty sure we’re friends now in some weird, fellow camper, bear scare induced, land. The following is our chat. We delve into some pretty spoilery questions about the film, talk about the subway, women in film, and pretty much everything in between. And, don’t worry, that moment of silence in there is when Adam was pulling up a picture that Missy sent him on his phone, so hang in there. It continues to be pretty great.

BackcountryBlackBear

BACKCOUNTRY will be available in theaters and on VOD on Friday, March 20th.

For more horror films, click here!

‘CLOSE TO YOU’ (2024) Dominic Savage and Elliot Page tell a vital and raw story about living and loving authentically.

greenwich ent logoCLOSE TO YOU



Close To You poster

Dominic Savage‘s CLOSE TO YOU finds Sam as he returns home for the first time in four years. Intense feelings come from every angle as he lives an authentic life for the first time.

Each character experiences a unique form of grief that only those with trans loved ones can speak to. It is a dichotomy of emotions, loss, and celebration. Page and Savage do not sugarcoat it. One particular character provokes with his hypermasculinity, rage, and ignorance. It is an essential part of the narrative. It is raw, tender, tense, and cathartic.

Close to you SamCLOSE TO YOU feels like a documentary from the acting and handheld camera work. The script, co-penned by Page and Savage, is exquisitely crafted. The cast’s chemistry is so organic. The film feels like a genuine ensemble piece, delving into mental health, parenting, fear, and truth.

Hillary Baack delivers a beautiful performance. She gives Katherine a different kind of wound. Elliot Page goes to magic places. We should thank him for allowing us into such an intimate space. Witnessing Page take in the dialogue feels like a privilege. Baack and Page connect on a pure level that pours off the screen.

Close to You_stillCLOSE TO YOU delivers a gut punch of complex feelings, like a walk down memory lane for anyone with family drama or deep, unrequited love. As a parent, you will be unable to hold in your emotions. It will hit on a different level. It is undeniably a remarkable and vital film.


Check Out The Trailer Here!

In Theaters Nationwide on August 16!

**World Premiere – 2023 Toronto International Film Festival**
**Official Selection – 2024 BFI Flare**
**Official Selection – 2024 NewFest

Directed By: Dominic Savage

Screenplay By: Dominic Savage

Starring: Elliot Page & Hillary Baack

Produced By: Krishnendu Majumdar, Richard Yee, Daniel Bekerman, Chris Yurkovich, Dominic Savage, Elliot Page

Executive Produced By: Anita Gou, Sam Intili, Nia Vazirani, Francine Maisler, Matt Jordan Smith, Andrew Frank

CLOSE TO YOU tells the story of Sam (Elliot Page) who hasn’t been home since his transition.  After four years in Toronto, he takes a long-dreaded trip back to his hometown for his father’s birthday. Once there, he confronts unresolved wounds and reconnects with an old flame.                                        

Close To You had its World Premiere at TIFF last year. Dominic Savage is a British BAFTA award-winning director, writer and actor. He’s known for I Am Ruth (2022), I Am… (2019)Love + Hate (2005) and Barry Lyndon (1975). Dominic and Elliot worked very closely together on the story. Dominic has a unique style in that he writes an outlined script but fully expects it to be a jumping off point for the actors to improvise from. Giving them the time to fully feel the truth of their character and use their own words. Elliot is a producer and also has a story credit and completely trusted Dominic to tell this story.

For more LBGTQAI+ films, click here!

‘FISHTANK’ (HollyShorts 2024) A wildly effective metaphor.

HollyShorts 2024 logoFISHTANK

Wendi Tang’s stunning new short FISHTANK follows Jules (Tiffany Chu), a Chinese American woman, who has been sober for a year, but can’t stop vomiting goldfish. Things take an unexpected turn when she suddenly meets a fish enthusiast.

fishtank

In Wendi Tang‘s HollyShorts film, FISHTANK, Jules is sober, but now, instead of vomiting from alcohol, she throws up goldfish. When she meets a new partner who seems to love the fish, her path to recovery gets slippery.

Jay Swuen‘s cinematography is elegant and immersive. Startling angles and stunning close-ups keep you both entranced and off-kilter. The soothing score from Caroline Ho lulls us as this little emotional rollercoaster twists and turns.

Tiffany Chu navigates the complexities of this role with grace. Her physical performance is award-worthy, weaving in and out of sick fits and clouded happiness.

This incredible metaphor for self-worth and addiction, gaslighting, and abusive relationships mesmerizes with its creative magical realism. FISHTANK is unlike anything I’ve seen all year. It is an unexpected reclamation of power.

Trailer: https://vimeo.com/912507205

Fishtank | Trailer from Wendi Tang on Vimeo.

  • Year:
    2024
  • Runtime:
    0:17:04
  • Language:
    English
  • Country:
    USA/China
  • Premiere:
    West Coast
  • Rating:
    G
  • Director:
    Wendi Tang
  • Screenwriter:
    Wendi Tang
  • Producer:
    Philip Yuzhong Ge
  • Cast:
    Tiffany Chu; Isaac W. Jay
  • Cinematographer:
    Jay Swuen
  • Editor:
    Yijuan “Reggie” Zhao; Christine Ho
  • Production Design:
    Cyrum A. Ramírez
  • Sound Design:
    One Thousand Birds

FISHTANK is the Tribeca Women Filmmaker’s Program Winner, the Film Pipeline Short Script Competition Winner in 2022. The film played at the deadCenter Film Festival and SXSW Sydney and will screen at the upcoming Oscar-qualifying Flicker’s Rhode Island International Film Festival and HollyShorts Film Festival.

Wendi Tang is a Los Angeles-based writer/director. She graduated from the NYU Tisch/Stern dual degree program. Wendi’s work focuses on character-driven stories that explore various corners of female narratives. Her short films have been selected by numerous Oscar-qualifying film festivals worldwide, including Flicker’s Rhode Island IFF, the Norwegian Short Film Festival, deadCenter Film Festival, Hollyshorts, and more.  She is a 2022 NYC Women’s Fund winner and a BAFTA Connect Member. She’s currently developing her first feature film.

Philip Yuzhong Ge is a Chinese producer based in LA.  A graduate of the AFI Producing program, Philip produced 30+ short films, music videos, and commercials. These works have been featured by platforms such as 88rising and Nowness China. His narrative and documentary works were selected by and won awards at multiple Oscar-qualified festivals including Palm Springs, Santa Barbara, Charlotte, Shorts Shorts, and deadCenter. Philip’s most recent producing credits include Worthy (LALIFF/Netflix Inclusion Fellowship), and Gungnir (Sundance TAAF AAPI Collab). Philip is also a 2024 Film Independent Project Involve Producing Fellow and a 2022 Telluride TeamLAB fellow.

HollyShorts 20th banner

For more short film reviews, click here!

‘SHOUTING AT THE SEA’ (HollyShorts 2024) A lovely and raw revelation.

HollyShorts 2024 logoSHOUTING AT THE SEA

Two friends reconnect in the seaside town where they grew up. They confront the past, share who they’ve become and conclude the conversation that tore them apart. The ever-present sea narrates a tale of memory, belonging and vulnerability.

shouting at the sea

In director Benjamin Verrall‘s short film, SHOUTING AT THE SEA, old friends meet up and reminisce.

The ever-changing light in SHOUTING AT THE SEA is delicious, and DP Tom Hooker uses every bit of it. The dialogue is funny and raw, becoming more honest as the moments tick by. Joe and Katherine exchange untold childhood trauma, philosophical ideas, and unspoken confessions.

Daisy Haggard voices the sea, offering a poetic narrative of our protagonists’ innermost wishes. It is a dreamy addition to Richie Johnsen‘s wistful score.

Harry Michell gives Joe a down-to-earth quality. He’s an every man existing in a quietly mundane existence. Michell’s gentleness is refreshing. Maddie Rice is Katherine. She is so watchable, possessing a quality similar to Olivia Colman. Rice has a tangible likeability. Michell and Rice share undeniably organic chemistry. It’s a bit mesmerizing.

SHOUTING AT THE SEA reminds us how revitalizing and healing face-to-face interaction can be – no phones, just human connection. It’s a beautiful short, more moving than most features. What a lovely addition to HollyShorts 2024.

SHOUTING AT THE SEA – SHORT FILM – TOFFEE HAMMER – OFFICIAL TRAILER from Toffee Hammer on Vimeo.

Benjamin Verrall’s SHOUTING AT THE SEA takes the audience on a journey of emotions as two friends rekindle their friendship in the town they grew up in. This incredible short film is set to premiere at the Oscar-qualifying HollyShorts Film Festival. SHOUTING AT THE SEA stars Harry Michell (Hijack, Life After Life) and Maddie Rice (Fleabag, The Other One), the sea is voiced by Daisy Haggard (Breeders, Boat Story).

Director and co/writer Benjamin Verrall has always been drawn to the power and mystery of the sea – a theme that resonates in SHOUTING AT THE SEA. Since graduating from film school, Benjamin has carved out a successful career in the media industry. His journey led him to establish Toffee Hammer, a creative agency and production company that has gained recognition for its innovative storytelling and collaborative ethos.

Co-writer/producer Kate Auster has over 10 years of experience and a diverse portfolio. Her design background brings a unique blend of artistic insight and technical expertise to film production.

Co-writer/producer Ruth Marshall excels in commissioned digital content for learning communication and narrative filmmaking.

Co-writer/producer Amelia Rowcroft has previously worked as a sculptor on films including Harry Potter and the Half-Blood Prince, Hugo, Atonement, and Batman Begins. Her recent work includes HollyShorts selected SHOUTING AT THE SEA.

The incredibly cinematic cinematography was carefully created by Tom Hooker.

HollyShorts 20th banner

For more short film reviews, click here!

‘THE DOG’ (HollyShorts 2024) Danielle Baynes’ powerful short pierces your heart.

HollyShorts 2024 logoTHE DOG

the Dog poster

In filmmaker Danielle Baynes‘ short, THE DOG, a particularly trying shift at a small 24-hour veterinary clinic takes a turn as a struggling veterinarian has increasingly dark thoughts. 

Sam Hayward‘s sound mixing is a triumph. The repeating audio of a wolf’s growl raises the hairs on your arms. If you have sensory issues, and even if you don’t, THE DOG will make you cringe. The music from One Above is beautiful. 

The Dog stillKate Walsh (Grey’s Anatomy) is outstanding as a woman on the brink. Her physical performance is seeped in anguish. Walsh is such a pro in tackling characters in the emotional trenches. 13 Reasons Why introduced her to a younger, perhaps even broader audience than Grey’s, and she continues to select roles that showcase her dazzling abilities. 

THE DOG is a stunning metaphor for depression and suicidal ideation. HollyShorts 2024 audiences are privileged to witness this slice of cinematic magic.

  • Year:
    2024
  • Runtime:
    0:12:00
  • Language:
    English
  • Country:
    Australia
  • Premiere:
    West Coast
  • Rating:
    M
  • Director:
    Danielle Baynes
  • Screenwriter:
    Danielle Baynes
  • Producer:
    Danielle Baynes, Lottie Aspinall, Morgan Hind
  • Cast:
    Kate Walsh, Justin Amankwah, Jeremy Waters, Emalia, Hunter Sabe
  • Cinematographer:
    Stefan Duscio
  • Editor:
    Shannon Michaelas
  • Production Design:
    Ella Deane
  • Sound Design:
    Sam Hayward
HollyShorts 20th bannerFor more short film reviews, click here!

‘THE MISSING (Fantasia 2024) Beautiful digital rotoscope animation unfolds a genre-defying film.

Fantasia 2024 logoTHE MISSING

The Missing poster

Eric has a well-paying job as an animator, a crush on a co-worker, and harbors a secret. Filmmaker director Carl Joseph Papa brings Fantasia 2024 audiences his third feature-length animated film, THE MISSING. Hindering Eric’s new romance are the memories triggered after discovering his estranged uncle dead. Can Eric finally find his voice? 

The_Missing_02The longer Eric waits to tell his loved ones, the stranger his life gets. An alien threatens to take him back to outer space. He is losing time, and his body parts are falling off. This aspect is particularly upsetting because he is literally missing his mouth. This creative metaphor becomes the backbone of THE MISSING. 

Digital Rotoscope adult animation often has a heavy feel. In the last 20 years, films like A Scanner Darkly (which blew my mind in 2006), The Spine of Night, and The Peasants give audiences a similar vibe. It is undoubtedly a cinematic wonder, drawing your eye to places you might not otherwise look had filmmakers shot on digital or even traditional film. There is a beauty that harkens back somewhere between Henri Matisse and Disney. 

The_Missing_04I wasn’t aware that I grew up on Rotoscope films before doing a quick Google search. Some of my most beloved childhood films fall into the genre- The Lord of the Rings (1978), The Secret of NIMH (1982), and Anastasia (1997). First introduced in 1918, I had no idea the process was so old. THE MISSING stylistically mirrors The Spine of the Night rather than Alice In Wonderland. 2D animation illustrates Eric’s childhood memories in a stunning visual contrast that serves a dual purpose. The choice to childishly scribble over Uncle’s face speaks volumes. It is a visually captivating film. 

Carlo Aquino is esquisite as Eric. The vulnerability that flows from Aquino without dialogue is astonishing. What a star. Backed up by the extraordinary duo of Dolly De Leon and Gio Gahol, THE MISSING is a uniquely crafted metaphor for unresolved trauma. It’s a poignant exploration of abuse, grief, and healing, and a creative catharsis.

Remaining Screenings of THE MISSING:

Sun August 04, 2024
5:15 PM
 

OFFICIAL SELECTION

Annecy International Animation Festival 2024
Palm Springs International Film Festival 2024
International Film Festival Rotterdam 2024
Osaka Asian Film Festival 2024
Queer East Festival 2024

HONORS

Best Supporting Actress for Dolly de Leon – Cinemalaya Independent Film Festival 2023

Philippines’ submission to the 96th Academy Awards

Best Film – Cinemalaya Philippine Independent Film Festival 2023

NETPAC Award – Cinemalaya Philippine Independent Film Festival 2023

For all things Fantasia 2024, click here!

‘CUCKOO’ (Fantasia 2024) Forget eloquence and let’s call it what it is. Tilman Singer’s latest is a mindfuck.

Fantasia 2024 logoCUCKOO



cuckoo_poster_engAbandonment and unresolved trauma collide with a monster movie and mad scientist in Tilman Singer‘s (LUZ) latest film, CUCKOO. Fantasia 2024 audiences, you are not ready for the authentic dread and mind-blowing chaos coming for you.

Gretchen is shipped off to live on a mountain resort in the Alps with her estranged father, his new wife, and her nonverbal stepsister. Something is very wrong as the guests lose their faculties at the stalking presence of a mysterious woman in white.

Singer never hides the fact that some characters know more than Gretchen. CUCKOO has a subtle Rosemary’s Baby vibe. The mystery rolls out slowly. Each new scene is more eerie than the last. We never know who to trust.

Repetition of selective moments featuring augmented audio places the viewer in an off-kilter state of mind. Sound is vital to CUCKOO’s narrative, assisted by a perfect soundtrack and score.
Cuckoo_01

Singer has Gretchen utterly trapped, held captive emotionally, physically, and metaphorically. Subconsciously, the audience is already visually groomed by the location. The resort lies in the valley surrounded by The Alps. The special FX makeup team earns every bit of kudos for their work, particularly as Gretchen’s injuries increase throughout the film.

Dan Stevens‘ character has an eccentricity that immediately makes you uneasy. Singer creates a man so unusual that the audience questions the motive of every sentence until halfway through the film. Stevens is a chameleon. This role is another wild notch on his resume.

Hunter Schafer is magnificent. She captures teen angst, naive fearlessness, and everything in between. This performance is a home run. Schafer solidifies herself as an undeniable star.

Boasting a finale that has to be one of the most epically shocking WTFs of all time, Singer has given genre audiences something entirely unpredictable, twisty, and unhinged—hell yes, and holy shit.

Fantasia 2024 posterFor all things Fantasia 2024, click here!

‘DIRTY BAD WRONG’ (Fantasia 2024 short) Erica Orofino’s short finds a mother between a promise and a boundary.

Fantasia 2024 logo

DIRTY BAD WRONG

Dirty Bad Wrong PosterDesperate to keep her promise to host the best superhero party for her 6-year-old, young mother Sid, a sex worker, takes extreme measures and books a last-minute client with a dark fetish. Dirty Bad Wrong is a drama/body horror that explores the darkest sides of capitalism, and just how far we’ll go for the ones we love.

STILL1 - Dirty, Bad, Wrong - Image by SAMANTHA FALCOSTILL1 - Dirty, Bad, Wrong - Image by SAMANTHA FALCOLife changes when you become a mother. It is impossible to describe to someone who has never protected another human with every ounce of their soul. In Erica Orofino‘s Fantasia 2024 short film DIRTY BAD WRONG, audiences are plunged into the world of a mother who would do anything for her child. 

Dirty Bad Wrong 3 - Photo by Samantha Falco50Jack Greig has a presence that is hard to teach. He gives Jesse a palpable innocence and curiosity. Michaela Kurimsky plays Sid with earnest desperation and unconditional love for her son. The chemistry between her and Grieg is enchanting. Kurimsky is nothing short of captivating in fourteen minutes. I would watch her in anything.

Outside of the authentic choices for survival, the horror aspect is subtle in the most powerful way. The messaging behind the images screams off the screen. The necessary evils one will endure for a loved one knows no bounds. DIRTY BAD WRONG begs for a feature. There is enough meat on the bone, no unintended, for delicious worldbuilding. 

Dirty Bad Wrong stars Michaela Kurimsky (Alouette, Firecrackers, The Boathouse), Jack Greig (Dark Side of the Ring), and Cody Thompson (The Shape of Water, May the Best Wedding Win, Mrs. America) and is produced by Fonna Seidu (virgins!, Fresh Meat, Being Black in Toronto). It was shot in Toronto, Canada.

Fantasia 2024 posterFor all things Fantasia 2024, click here!

‘THE BEAST WITHIN’ (Fantasia 2024) A stunning allegory

Fantasia 2024 logoTHE BEAST WITHIN

Filmmaker Alexander J. Farrell surprises Fantasia 2024 audiences with a monster movie from a child’s perspective. THE BEAST WITHIN sinks its teeth into audiences in ways you won’t see coming.

The Beast Within Fantasia 2024The attention to detail in world-building is delicious. The jewel-toned costumes and set dressings draw you in. Natural light, candles, and soft-bulbed corner lamps create an atmosphere that makes your heart race from the very beginning.

Willow and Noah’s clothing color choices are no accident. Costumers John K. Lemons and Frances Harrison Hays place Caoilinn Springall between worlds, one foot in Little Red territory and the other the Woodsman. Harington lands solidly between Woodsman and Wolf. It is unmistakably brilliant.

TheBeastWithin_04_WellGoUSA_AshleighCummingsAshleigh Cummings and James Cosmo ground the narrative with emotionally wrought performances. Kit Harington proves yet again his ability to fill a frame with little more than a facial expression. Harington keeps the audience on their toes with fierce volatility. His chemistry with fellow cast members is alarming.

Caoilinn Springall delivers an astonishing turn as young Willow. Her performance in Stop Motion turned heads. Her vulnerability and fierce curiosity keep you entranced every second. She is a star.

The Beast Within is a story of unresolved generational trauma and abuse wrapped in a Gothic fairy tale. It’s beautiful to behold in every sense.

For all things Fantasia 2024, click here!

‘MIDNIGHT TAXI’ (2024) A well-crafted thriller

MIDNIGHT TAXI

Midnight Taxi poster


In Midnight Taxi, night shift cab driver Eddie Carter goes down the homespun detective rabbit hole when he discovers a murdered sex worker on his route home. Because he suffers from sleepwalking, Eddie is afraid he might know more than he immediately recalls. Enlisting the help of an investigative journalist, his journey through the dark streets of London drives him to the brink of madness.

Midnight Taxi 1Ladi Emeruwa is a star. He exudes effortless charm, diving headfirst into Eddie’s unresolved trauma and the ensuing panic attacks. Emeruwa’s ability to grab the audience is a filmmaker’s dream. He has that ” It” factor in spades. 

Midnight Taxi 3The score is proper neo-noir, but the volume is often distracting. Filmmakers Bertie Speirs and Samantha Speirs deliver a well-crafted thriller. Eddie has dreams with flashes of memories or fantasies. We aren’t exactly sure. His lost time ups the ante. They skillfully tease a mysterious backstory so the audience constantly questions Eddie’s possible culpability. MIDNIGHT TAXI takes you along for a complex psychological ride.

Midnight Taxi 2

Trailer:

AVAILABLE ON VOD + DIGITAL

Tuesday, July 23, 2024

Written and Directed by: Bertie Speirs and Samantha Speirs

Starring: Ladi Emeruwa, Charlotte Price, and Eddie Eyre

Genre: Mystery, Drama

RT: 97 min | Not Yet Rated

Language: English | U.S.

For more mystery film coverage, click here!

Fantasia 2024: It’s Heeerrreee (almost). Genre’s best of the best is about to begin.

Fantasia 2024 posterFANTASIA 2024

It’s no secret that Fantasia is the festival I gush about the most. If you want to call yourself a genre film fan you have to know about the buzziest films coming out of the fest each year. Once again, Quebec will host a plethora of premieres, a gaggle of talks with the industry’s best, and scare the pants off of you. Would you expect any less? Fantasia 2024 is the 28th edition of this wonderfully wacky cinephile playground.


IN OUR BLOOD Fantasia 2024

IN OUR BLOOD

Nothing is as it seems when filmmaker Emily Wyland (Brittany O’Grady) teams up with cinematographer Danny (E. J. Bonilla) to shoot an intimate documentary about reuniting with Emily’s estranged mother after a decade apart. When her mother suddenly goes missing, possibly succumbing to the addictions that first tore her family apart, Emily and Danny must piece together increasingly sinister clues to find her before it’s too late.

Directed by Oscar-nominated documentary filmmaker Pedro Kos (Rebel Hearts, Lead Me Home) in his first narrative feature, IN OUR BLOOD masterfully blends psychological mystery with chilling horror. The film weaves a twisted tale of reconciling with the ghosts of our past and confronting the complicity we share in creating a world that preys on the most vulnerable.


HELL HOLE Fantasia 2024

Hell HoleA road trip through Canadian oil fields conjured up fantasies of secrets deep in the dirt for the Adams family, and inspired them to create HELL HOLE, an indie rock-n-roll monster movie set at a far-away fracking site. Known for their DIY ethos, John and Lulu Adams and Toby Poser, partnering with Shudder, have joined the team behind The Last Drive-In with Joe Bob Briggs and FX legend Todd Masters to shoot their latest in Serbia with a local cast and crew. Absurd, mutinous, and transgressively comical, Hell Hole is old-school sci-fi horror, yet in typical family fashion, they subvert the genre with textures of biological and environmental horror in tandem with questions of gender and bodily autonomy. This will be the fourth time Fantasia World Premieres work from the gifted filmmaking family, following launches of THE DEEPER YOU DIGHELLBENDER, and WHERE THE DEVIL ROAMSWorld Premiere.


THE BEAST WITHIN

The Beast Within Fantasia 2024

The haze of childhood is a magic lantern that throws light on the wall through a veil of dark both frightening and exciting, and nowhere is this better articulated than in THE BEAST WITHIN (previously titled WHAT REMAINS OF US). Kit Harington (GAME OF THRONESETERNALS) is a father with a secret that he is desperately trying to keep under control. His mysterious excursions at night leave his ailing daughter (Caoilinn Springall, THE MIDNIGHT SKYSTOPMOTION) plagued with questions. The old, timeless house in the woods that she lives in with her caring mother (Ashleigh Cummings, NOS4A2) and absent father feels more like a haunted castle than a loving home. As she investigates her father’s bizarre and dark behaviour, a monstrous figure emerges from the shadows, terrorizing those who encounter it. Supported by her grandfather (James Cosmo, HIGHLANDERBRAVEHEART), she attempts to unravel the mysteries of the creature, and the revelations that she discovers will rock her family and leave her forever changed.


FRANKIE FREAKO Fantasia 2024

Frankie FreakoAfter the success of PSYCHO GOREMAN, FX artist and director Steven Kostanski hits back with the zany, over-the-top FRANKIE FREAKO! Starring Conor Sweeney and Adam Brooks of Astron-6 fame, the film follows a nerdy man who just isn’t cool. In an attempt to impress his wife and boss, he’s lured by a 1-900 TV ad to party with a strange little creature called Frankie Freako. All hell breaks loose when Conor calls and Frankie and his two friends wreak interdimensional havoc in Conor’s life. Kostanski fans will flock to his latest imaginative adventure, saturated with throwback cartoonish fun à la GHOULIES, wildly creative puppets, big laughs, and a helluva good time! Septentrion Shadows section. World Premiere.


THE CODE Fantasia 2024

The CodePeter Vack (ASSHOLES) and Dasha Nekrasova (THE SCARY OF SIXTY-FIRST) star as couple on the rocks during the early part of the Covid-19 pandemic in American filmmaker Eugene Kotlyarenko (SPREE)’s latest, THE CODE – a generation-defining, wickedly dark comedy that blends post-New Wave French sensibilities of aesthetic disillusionment with a singularly alien view of contemporary American life. A transgressive and singular experience, nothing is off limits in this surveillance-heavy narrative, which uses multiple formats, points of view, and cameras to create a visionary collage-like experience of modern life. An epic poem for our post-pandemic world. Underground Section. World Premiere.


BLACK EYED SUSAN Fantasia 2024

Black Eyed SusanIt’s been 21 long years since Scooter McCrae (SHATTER DEAD) released a new feature, and he’s lost none of his smart, transgressive bite. Desperate for work, Derek (Damian Maffei, THE STRANGERS: PREY AT NIGHT) accepts a job at a shady tech start-up, working intimately with Susan (Yvonne Emilie Thälker in a powerful debut role), a bleeding-edge BDSM sex doll meant to receive and appreciate sexual punishment as an integral part of her evolving AI. Shot on Super 16, BLACK EYED SUSAN counterbalances its dark, vulgar core with a surprisingly tender vulnerability, creating a lo-fi science-fiction landscape infused with surprising fragility, as legendary Italian composer Fabio Frizzi (THE BEYOND, ZOMBIE) lends the picture a lush, atmospheric backdrop. Not for the faint of heart, BLACK EYED SUSAN delves into themes and questions that will only become more pertinent with the continued evolution of artificial intelligence. World Premiere.


CHAINSAWS WERE SINGING Fantasia 2024

Chainsaws Were SingingA true DIY passion project from Estonian filmmaker Sander Maran, CHAINSAWS WERE SINGING is a zany, blood-soaked musical about lovers split up by a chainsaw-wielding killer. Over a decade in the making, Saran not only directed but wrote, scored, shot, and edited this colorful murder-fest that’s part gory horror movie and part ridiculous musical. The camerawork is inventive, the editing slapstick, and the tone truly absurdist. Most importantly, though, the songs are incredibly catchy, with Sander clearly deeply indebted to Trey Parker and Matt Stone’s CANNIBAL! THE MUSICAL and Frank Oz’s LITTLE SHOP OF HORRORS. Underground Section. International Premiere.


THE CHAPEL Fantasia 2024

The Chapel Fantasia 2024The stunning sophomore feature from award-winning director Carlota Pereda (PIGGY), THE CHAPEL marks the fantastic return of atmospheric, character-driven supernatural Spanish horror. Emma (Maia Zaitegi) wants to learn how to communicate with the spirit of a little girl who has spent centuries trapped inside a chapel. She tries to convince Carol (THE ORPHANAGE’s Belen Rueda), a cynical and fake medium, to help her in the hopes that contacting the spirit may help her to remain close to her dying mother after she passes. What Carol doesn’t suspect is that Emma really does have “the gift” and, if she keeps on trying to use it without her guidance, she will be putting her young life at terrifying risk. Winner: Best Actress, Belen Rueda, Cinefantasy 2023. Official Selection: Sitges 2023. North American Premiere.


BORN OF WOMAN 2024 Fantasia 2024

https://fantasiafestival.com/en/program/born-of-woman-2024

Fantasia 2024 - Born of Woman 2024 - fantasiafestival.comMy favorite shorts collection of the year, this wildly eclectic and insanely talented group of female filmmakers aims to please, shock, and gag audiences. You never know what you’ll get with each passing year and I get giddy in anticipation. Fantasia 2024’s Born Of Woman lineup includes the following films:

IZZY

Nahema Ricci stars in this sharply staged build piece expressionistically conveying a person’s realization that they’d rather not fit in, if it means continuingly giving in.

 


the_bleacher_poster_THE BLEACHER

An outright bonkers stop-motion freakazoid about a woman, a laundromat, and a missing sock. From the makers of SEXY FURBY.

 


wildflower posterWILDFLOWER

A reclusive woman gives everything she can to a blood-sucking flower that she’s devoted every waking minute towards caring for.


Mosquito Lady poster Fantasia 2024

MOSQUITO LADY (see our previous coverage)

A sharp intersection between Filipino folklore and the ever-devolving issue of bodily autonomy in the U.S.

 


Dead Tooth posterDEAD TOOTH

A stylishly inventive and considerably bloody take on the one-terrible-day film.


LES YEUX D’OLGA

A senior vampire who moves herself into an elder care facility so as to feed solely on those already at the edge of death.


I'm Not A Robot posterI’M NOT A ROBOT

We’ve all had the annoyance when forced to solve wonky online captchas to convince a website that we’re real-deal human. What if we were to repeatedly fail it?


BERTA

Following the extraordinary DANA, Spanish filmmaker Lucía Forner Segarra returns to Fantasia with BERTA, a tensely compelling new work that continues her explorations of accountability and empowerment following gendered violence.

(You can find past Born of Woman coverage here) Fantasia 2024


You can find more info on Fantasia 2024’s lineup and tickets by tapping HERE


Fantasia 2024 Dates:
Thursday, July 18 – Sunday, August 4th

For previous years’ FANTASIA coverage, click here!

(Tribeca 2024 shorts) ‘A ROSE FOR KATRINA, ‘ ‘LICE,’ ‘MY BEST FRIEND,’ & ‘WHEN EVERYTHING BURNS’ – Exemplary work from across the globe

tribeca 2024 logoTribeca 2024 Shorts


A ROSE FOR KATRINA Tribeca 2024 Shorts

https://tribecafilm.com/films/rose-for-katrina-2024

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Short | Australia | 9 MINUTES | English

Harry Quinlan‘s short film A ROSE FOR KATRINA is technically dizzying. Augmented and overlapping sound editing combined with its one continuous take filmed from outside the busy household immediately throws you into a subconscious panic.

An unknowing Michael shows up for a first date, rose in hand for a girl named Katrina. Accosted at the front door by her twin and surrounded by the chaos inside, his frustrations get the better of him. When Katrina tracks him down outside, the questions don’t end there.

The dialogue barrels ahead like a freight train, weaving in and out of innocuous and aggressive. A ROSE FOR KATRINA leaves you buzzing. It would be impossible to move on without debating what you witnessed.


LICE Tribeca 2024 Shorts

https://tribecafilm.com/films/lice-2024

LICE-Clean-16x9-02 Tribeca 2024 shorts

Short | India, United States | 14 MINUTES | English, Hindi | English subtitles

Filmmaker Vindhya Gupta‘s Tribeca 2024 short LICE tackles the challenges of childhood cruelty and power dynamics. The subject had me itching and cringing as a former teacher and mother of two elementary-aged children. In the film, we find two girls, one a popular bully and the other a quiet loner. When Roshni tries to blame her lice infestation on Chakor, an unusual friendship begins, but are her intentions pure?

Guilt and redemption flow through the lines. DP Maria Belen Poncio captures eye-catching natural light in India’s architecture. The final scene puts you through the emotional wringer. Each viewer may take away a different ending. Either way, the film serves attention for its tangible dialogue, compelling performances, and universal messaging.


MY BEST FRIEND Tribeca 2024 Shorts

https://tribecafilm.com/films/my-best-friend-2024

MY_BEST_FRIEND-Clean-16x9-0Short | United States, France | 18 MINUTES | English, French | English subtitles

A post-breakup Clara (Marie Zabukovec) meets up with her best friend Léa (Lana Boy) for a staycation in NYC. Léa divulges she has convinced her boyfriend to have an open relationship. Will a night alone bring friends closer together or push them apart?

The natural lighting in each scene is a visual gift. Watching the credits shows you the predominantly female crew, making a difference in storytelling and environment as this dynamic spills into the project in all the right ways.

My Best Friend encompasses female friendship to a tea. It expresses the beauty and purity of everything and nothing all at once. Marie Zabukovec and Lana Boy are spectacular. Their chemistry feels palpably authentic. It’s movie magic. Filmmaker Elina Street has a dazzling gem in MY BEST FRIEND.


WHEN EVERYTHING BURNS Tribeca 2024 Shorts

https://tribecafilm.com/films/mazda-presents-moving-the-spotlight-2024

cuando_todo_arde-- when everything burns poster

Maria Belen Poncio‘s Tribeca 2024 short begins with a bang and an ominous visual. Isabel is a fire brigade volunteer with no official authority besides her moral compass. As the flames swiftly approach a neighborhood, she shares a stubborn fortitude with a local man, each standing their ground to survive.

Juan Pablo Toch‘s poignant score says it all. Lead actors Annabella Bacigalupo and Ruben Gattino speak volumes in their silence and circumstances, with each generation silently resigned to the world’s fate by the time the screen goes black. In 12 minutes, WHEN EVERYTHING BURNS is powerful.

Tribeca 2024 Shorts

For more Tribeca 2024 coverage, click here!

‘BLACK EYED SUSAN’ first-look trailer drops prior to its Fantasia 2024 World Premiere

FantasiaLogo

TRAILER PREMIERE

BLACK EYED SUSAN


Black_Eyed_Susan_POSTERLegendary underground filmmaker Scooter McCrae (SHATTER DEAD, SIXTEEN TONGUES) returns after a 21-year absence from feature filmmaking with the bold, vulgar, and deeply thought-provoking BLACK EYED SUSAN. Simultaneously brutally challenging and deeply vulnerable, the latest from the New York-based provocateur appropriates bleeding-edge science fiction concepts to address the seemingly-endless lengths that men will go to satisfy their darkest impulses without questioning the consequences of their actions.
 
In the film, down-on-his-luck Derek (Damien Maffei, THE STRANGERS: PREY AT NIGHT) is hired by a shady tech industrialist to “test” Susan (Yvonne Emilie Thälker, in a striking feature debut), a lifelike robot built for the purpose of receiving and “enjoying” sexual abuse. Initially hesitant to take part, Derek accepts, but quickly finds himself drawn to Susan’s developing personality and inquisitive nature. As the robot’s expanding humanity chips away at him and he learns more about his own secret desires, he questions if what he’s been tasked to do – even to a robot – should ever be condoned.
 
Black Eyed SusanHere is the first-look trailer for Scooter McCrae’s dark sci-fi drama BLACK EYED SUSAN, which World Premieres at Fantasia on Friday, August 2nd.
 

A Vinegar Syndrome Production in association with Not the Funeral Home and Moose + Squirrel, the feature was filmed on Super 16mm film and features a luscious musical score from legendary Italian composer Fabio Frizzi (THE BEYOND, ZOMBIE). 
 
The film’s cast includes Damian Maffei (THE STRANGERS: PREY AT NIGHT, 2023’s The Texas Chain Saw Massacre Game), model Yvonne Emilie Thälker, Marc Romeo, and ex-WWE Superstar Scott Fowler.


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For all things Fantasia 2024 stay tuned to Reel News Daily and be sure to check out our bestie, Steve Kopian, at Unseen Films

Fantasia 2024 poster

Follow along with our festival coverage as it rolls out by searching Fantasia 2024

‘COTTONTAIL’ (2024) A beautiful portrait of grief and redemption

COTTONTAIL


Cottontail_KeyArt_10_2x3Filmmaker Patrick Dickinson brings audiences a nuanced tale of loss and love in COTTONTAIL. Following the death of his wife, Kenzaburo travels with his son and his young family to fulfill his late wife’s last wish, to scatter her ashes at Lake Windemere in England. The film flashes back in time, giving us intimate details of the love story between Kenzaburo and Akiko.

COTTONTAIN Final Platform Stills - Dropbox - www.dropbox.comTae Kimura gives an award-worthy performance as Akiko. The depth is mesmerizing. You will remember it. Lily Franky delivers a stunning complexity in Kenzaburo. Dickinson skillfully draws out the rift between him and his son Toshi (a fantastic Ryo Nishikido). The built-up guilt and regret flow off the screen as Franky moves from scene to scene. So, too, does the fierce adoration for his wife. COTTONTAIL

Cottontail_Still06_1920x1080.jpg - www.dropbox.comDickinson places the audience in a precarious emotional state once we witness the hardships of Akiko’s progressing condition and Kenzaburo’s increasing frustrations with losing the wife he vowed to love through thick and thin. The discussion of the impact of acting as a primary caregiver hangs above the film like a dark cloud, allowing the redemption narrative to hold your heart. COTTONTAIL is about the individuality of grief, keeping secrets, and human connection. It is an undeniably beautiful and affecting film.

TRAILER

COTTONTAIL will be released exclusively IN THEATERS on June 7th and On Demand July 9th thereafter

 

Cottontail_Still11_1920x1080.jpg - www.dropbox.comStarring Academy Award® Nominee CIARÁN HINDS (Belfast, First Man, “Game of Thrones”), LILY FRANKY (Analog, “The Naked Director”), AOIFE HINDS (Belfast, The Commuter), RYÔ NISHIKIDO (A Boy and His Samurai, Eight Rangers), TAE KIMURA ( “House of Ninjas,” “The Unbroken,”  “24 Japan”), RIN TAKANASHI (Love for Beginners, Samurai Sentai Shinkenger Movies), YURI TSUNEMATSU ( “Tokyo Vice,” The Pink Panther 2, Letters from Iwo Jima).

Cottontail_Still03_1920x1080.jpg - www.dropbox.com

For more Drama reviews, click here!

‘MURDER COMPANY ‘ (2024) Based on an untold true story

MURDER COMPANY

Murder Company Poster -

During the D-Day invasion, a group of U.S. soldiers must smuggle a member of the French resistance behind enemy lines to assassinate a high-value Nazi target.


Murder Company 2 (2024) - www.imdb.comShane Dax Taylor‘s WWII drama imagines the never-before-told story of a secret mission. While all the elements of greatness are there, MURDER COMPANY delivers a rather average film. I never found myself emotionally invested in the characters, which is unfortunate because performances from the entire ensemble deliver solid work. I found myself drifting. The battle scenes felt noticeably repetitive as if a few days had been spent in the same wooded location and shot from only a few different angles. The dialogue suffered the same fate. I couldn’t repeat a single line after watching. The FX were similarly subpar. Bullet holes were glaringly CG, and it was frankly distracting. War films are immense undertakings. Tackling an untold story adds extra scrutiny. Filmmakers should have taken more advantage of Kelsey Grammer‘s abilities. Ultimately, Murder Company waves the white flag.

Murder Company (2024) - www.imdb.com

Here’s the trailer: 

MURDER COMPANY comes to theaters, on Demand and Digital, today.

Buy Tickets here: https://www.fandango.com/murder-company-2024-236335/movie-overview?cmp=Indie_YouTube_Desc


Murder Company 3 (2024) - www.imdb.comIt stars William Moseley (The Chronicles of Narnia trilogy, “The Royals”), Pooch Hall (“Ray Donovan,” “The Game”), Gilles Marini (Sex and the City, “Switched at Birth”), Joe Anderson (Across the Universe, The Crazies), and Kelsey Grammer (“Cheers,” “Frasier”).

For more Drama films, click here!

‘FAMILY PORTRAIT’ (2024) Authentic and unsettling award-winning film comes to Metrograph at Home this Friday

Factory 25 logoFAMILY PORTRAIT

Family Portrait poster

Filmmaker Lucy Kerr follows a well-off family as they gather to take a photo for their annual Christmas card. When the matriarch goes missing, one daughter makes it her mission to find her. In the dawn of Covid, FAMILY PORTRAIT is a haunting film whose title is a stunning double entendre.

Family Portrait groupThe heightened sound editing by Andrew Siedenburg and Nikolay Antonov is a character in the film. There is no better way to articulate its effect. The camera work from Lidia Nikonova swings from following closeups to static long takes, and it is nothing short of magnificent.

family portrait 1There is a theatrical delivery of much of the dialogue. Deragh Campbell is marvelous playing Katy. She delivers a compelling performance, reminding us how much we rely on the family matriarch to set our boundaries. Campbell’s pervasive anxiety flows on the screen.

Family_Portrait_new_screenshots_02The film brilliantly captures the poetic chaos of family gatherings. A myriad of intimate vignettes are all swirling together in an authentic picture where time loses all meaning. FAMILY PORTRAIT is haunting in so many ways. It will leave you breathless and wanting more.

Opens at Metrograph Theater in NYC Friday, June 28, Expands to Chicago and Los Angeles in July & Makes US Streaming Premiere Exclusively on Metrograph at Home Friday, July 5

Synopsis: Family Portrait follows a sprawling family on a morning when they have planned a group picture. After the mother disappears and one of the daughters becomes increasingly anxious to find her and take the picture, the rest of the family appears to resist any attempt to gather. Initially presenting itself as a realistic portrayal of a family on an idle but hectic summer day, the film progressively descends into a realm where time and space lose their grip, transforming the family portrait into a solemn and enigmatic ritual of transition.



FAMILY PORTRAIT stars a captivating Deragh Campbell (Kazik Radwanski’s ANNE AT 13,000 FT., Nathan Silver’s STINKING HEAVEN) and world premiered at the 2023 Locarno Film Festival in the Concorso Cineasti del presente section, the festival’s slate dedicated to discovering the cinema of tomorrow, where it took the Boccalino d’Oro for Best Director for Kerr. In addition to the US theatrical rollout, FAMILY PORTRAIT will make its US streaming premiere exclusively on Metrograph at Home on Friday, July 5, where it will be available for a two-month online engagement alongside a collection of Kerr’s short films.

In addition to the film’s winning reception at Locarno, FAMILY PORTRAIT has received accolades from the Black Canvas Film Festival (Best Director), the Hainan Island International Film Festival (Best Picture, Best Actress, and the Best Artistic Contribution), the Austin Film Society (Feature Film Grant), FIDLab (AirFrance Prize), and the New Horizon Award from the U.S. In Progress event in Wroclaw, Poland.

Kerr, Houston-born and New York-based, was one of Filmmaker magazine’s 25 New Faces of Film of 2022 and a graduate of CalArts film and video program. Inspired by familial pain and the feeling of loss that reflects what was felt by many during the pandemic, in the world of her film —which was shot in Hunt, TX, along the Guadalupe River— when grief is denied, mourning transforms into a melancholia that begins to undermine the sense of “reality,” ultimately leading to a divergence beyond the territory of the living.

Chris Galust (GIVE ME LIBERTY), Katie Folger (DAY 5), Rachel Alig (FIRST BLUSH), Robert Salas (CASSANDRO), and Silvana Jakich (WHAT HAPPENED AT 625 RIVER ROAD?) round out the cast alongside Campbell. The film is produced by Megan Pickrell and Frederic Winkler, co-produced by Rob Rice, and executive produced by Kerr for Conjuring Productions, her production banner, and Brittany Reeber. Lidia Nikonova lensed, Karlis Bergs edited, the sound department was comprised of Andrew Siedenburg and Nikolay Antonov, and production design was done by Tim Nicholas.

For more Drama coverage, click here!

‘JUNE ZERO’ (2024) A beautiful and relevant dive into history

JUNE ZERO

JuneZero_OneSheet_Clean

Jake Paltrow brings audiences to a fascinating thread of history that might not be common knowledge. Israel 1961, days after the trial of Adolf Eichmann, a young boy discovers the quiet plot involved in disposing of the body of one of the most notorious organizers of the Holocaust. 

JUNE ZERO_Still 6_Credit_ Courtesy of Cohen Media GroupPerformances from the entire cast are magnificent. Yoav Levi is Captain Hayim Amzalag, the prisonguard tasked with orchestrating the clandestine plans for the most valuable prisoner of war. Hayim’s anxiety manifests in a toothache, a burst blood vessel, and digestive issues as he dodges the press. Levi brings a dazzling physicality to the role. You will not soon forget him.

JUNE ZERO_Still 2_Credit_ Courtesy of Cohen Media GroupNoam Ovadia is David, a precocious, tenacious, Lybyan-Israeli who identifies as an Arab and Sephardic Jew learning perspective on the Nazis. Procuring an after-school job, David uses his quick-witted brain to solve problems. Ovadia is a star. It is an award-worthy turn. He outshines every other cast member.

JUNE ZERO_Still 7_Credit_ Courtesy of Cohen Media GroupTom Shoval and Paltrow wrote the screenplay. In the third storyline, we explore Micah (Tom Hagi), a Polish Holocaust survivor, now a tour guide of the former ghettos. This narrative kicks off a profound discussion of mixing grief and capitalism. It is a history lesson and fearless think piece amongst the ongoing fight in Gaza and global Jewish trauma.

One of the most poignant decisions is that Paltrow never shows Eichmann’s face. This subtle gesture speaks volumes. JUNE ZERO allows audiences to weigh varying perspectives without ramming anything down their throat. It is emotionally wrought and undeniably powerful.

OPENING IN NYC JUNE 28TH AND LA JULY 5th
ADDITIONAL SCREENINGS CAN BE FOUND HERE.
 

Entirely shot on 16mm film, JUNE ZERO follows events set in motion from the 1961 trial of Adolf Eichmann, a principal architect of the Holocaust. June Zero is told from the unique perspectives of three distinct figures: Eichmann’s Jewish Moroccan prison guard, an Israeli police investigator who also happens to be a Holocaust survivor and a precocious and clever 13-year-old Libyan immigrant. As the film delves into the complexities of the human experience during this pivotal trial, it serves as a poignant reminder that history’s impact can be both diverse and unifying.

 

For more Drama coverage, click here!

‘WHAT REMAINS’ (2024) Based on a true story and unresolved trauma

WHAT REMAINS

What Remains PosterUpon his upcoming release from a specialized mental hospital in Scandinavia, a man suddenly reveals his connection to a string of murders. His therapist and the police officer on the case go down the rabbit hole, putting all three of them in a precarious relationship.

Stellan Skarsgård plays Officer Soren Rank. He is always a solid actor. This role is another notch on his vast resume. Andrea Riseborough gives Dr. Anna Rudebeck a staunch determination. Yet again, she climbs into the skin of a self-sabotaging and flawed woman who would rather help others than confront her childhood trauma.

What Remains still 1Gustaf Skarsgård is Mads a deep sadness. His gentle nature is at odds with his confessions, although his true motivations feel evident from the beginning. Nevertheless, Skarsgård delivers an emotionally wrought performance.

The script comes from director Ran Huang and Megan Everett-Skarsgard, wife of Stellan and stepmother of Gustaf. WHAT REMAINS is Huang’s feature debut. The characters are so lush that I might suggest expanding this into a miniseries.

What-RemainsHaunting takes in the gloomy natural light of a rainstorm or afternoon in an unlit room, capturing the dark essence of the narrative. The true story behind the film is one of the most unusual in criminal history. In the 1990s, Sture Ragnar Bergwall (later known as Thomas Quicke ) confessed to 20 unsolved murders (convicted of 5). Years later, he rescinded his statements.

It is an intriguing commentary about mental health systems worldwide. The film takes place in Scandinavia, and Mads undergoes rehabilitation treatment. The stark difference between the US industrial prison complex is shocking. The human desire to heal inmates versus for-profit prisons is eye-opening. WHAT REMAINS speaks to the unrelenting consequences of unresolved trauma.

In Theaters & On Demand June 21st
 
** Locarno Film Festival **
** Warsaw International Film Festival **
** Beijing International Film Festival **
** Fantasy FilmFest **

Starring:
Gustaf Skarsgård (“Vikings”),
Andrea Riseborough (To Leslie)
and Stellan Skarsgård (Dune: Part Two)
 
Directed by: Ran Huang
 
Written by: Ran Huang and Megan Everett-Skarsgard 


LOGLINE
In a psychiatric hospital, an alleged serial killer, his therapist, and a police detective seek to solve a brutal cold case before their obsessive quest for the truth consumes them all.

For more films Based On A True Story, click here!

 

Interesting Read – The Craftsmanship of 1:1 Super Clone Watches  gives you the feel and look of the original watch