‘HUNTING DAZE’ (SXSW 2024) and its slow simmering rage

SXSW 2024 color logo

HUNTING DAZE

Hunting Daze SXSW 2024Annick Blanc gives SXSW 2024 audiences something to chew on with HUNTING DAZE, a genre-defying tale of isolation, pack mentality, and self-preservation. Exotic dancer Nina finds herself stuck and calls upon a former client for roadside assistance. Without transport, he brings her back to an isolated cabin in the wilderness. Upon discovering it is a bachelor party, the eclectic group of men agrees to let her stay the weekend if, and only if, she can abide by an “all for one’ mentality.

Beautiful drone shots and an enveloping score draw you in immediately. Slow-motion dynamics and natural lighting have an immersive effect on the audience. The dialogue brilliantly hovers between misogynist and welcoming. Scenarios range from the absurd to fraught with danger. Blanc understands the constant din of fear a woman feels surrounded by exclusively male energy. It’s a volatility forced upon us and a visceral buzzing from head to toe.

Nina experiences ominous visions during the film, allowing Blanc to introduce magical realism into the script. These moments are some of the most extraordinary cinematically, taking us inside Nina’s subconscious.

Nahéma Ricci is a badass as Nina. She is magnetic, holding the audience in the palm of her hand. Blanc gives her one hell of an arc, and Ricci delivers. She is a star.

Each character is fully fleshed out, with their distinct quirks and personalities making for an unpredictable momentum. Blanc leans into the pack mentality quite literally with appearances by wolves. HUNTING DAZE is a spectacular metaphor for patriarchal power. My way or the highway structure assumes a male authority, especially if a woman attempts to rock the boat. This overarching sense of superiority we face from microaggressions to murder, HUNTING DAZE is a film of simmering feminist rage.


Film Screenings

Mar 9, 2024
10:00pm11:19pm
 
Mar 11, 2024
7:00pm8:19pm
 
Mar 14, 2024
9:00pm10:19pm
 
Mar 14, 2024
9:30pm10:49pm

 

Credits

Director:

Annick Blanc

Producer:

Maria Gracia Turgeon, Annick Blanc

Screenwriter:

Annick Blanc

Cinematographer:

Vincent Gonneville

Editor:

Amélie Labrèche

Music:

Peter Venne

Principal Cast:

Nahéma Ricci, Bruno Marcil, Frédéric Millaire-Zouvi, Marc Beaupré, Alexandre Landry, Maxime Genois, Noubi Ndiaye

SXSW logo

For all things SXSW 2024, click here!


 

‘ADRIANNE & THE CASTLE’ (SXSW 2024) The purest love of all

SXSW 2024 color logo

ADRIANNE & THE CASTLE

Adrianne & the castle SXSW 2024Director Shannon Walsh shares the extraordinary love story between an artist and his larger-than-life wife. SXSW 2024 audiences discover the legacy of Adrianne and Alan St. George. This documentary is a tale of adoration, art, and Adrianne.

Adrianne is a mesmerizing figure. Her vibrant handcrafted wardrobe and elaborate wigs were more than an act. Adrianne embodied creativity and dreams. She was a living, breathing ball of light.

Adrianne & The Castle SXSW 2024 waltzHerein lies the challenge for Alan and Shannon. How do you do justice to such a love story? Experimental musical interludes, Adrianne’s Doll Room, quirky home movies, and the ever-expanding house that grows like a whimsical version of The Winchester House. The mansion is an explosion of color, lavish draping fabrics, sculptures, and murals, all featuring Adrianne and Alan’s likenesses. It is Versailles meets Grimm’s Fairytales, each room mirroring a slice of her exuberant persona. She was and remains Alan’s muse for all things.

Alan owns a mascot company, providing characters from Smokey The Bear, Disney, and The White House to local high schools. It is how he finances the endless construction. After Adrianne passes, Alan is lost. The film is a creative catharsis. Half tribute and half coping mechanism, ADRIANNE & THE CASTLE is a fascinating meditation on grief and a portrait of exemplary soul mates.

Film Screenings

Mar 9, 2024
9:15pm10:41pm
 
Mar 13, 2024
11:15am12:41pm
 
Mar 13, 2024
11:45am1:11pm
 
Director:

Shannon Walsh

Producer:

Ina Fichman

Screenwriter:

Shannon Walsh, Laurel Sprengelmeyer

Cinematographer:

Pablo Alvarez-Mesa

Editor:

Sophie Farkas Bolla

Production Designer:

Nalo Soyini Bruce

Sound Designer:

Luc Bouchard

Music:

Richard Reed Parry

Principal Cast:

Alan St George, Nathan McDonald, Shannon Walsh, SLee

Additional Credits:

Re-recording Mixer: Gavin Fernandes, Additional Vocal Arrangements and Music by: Raquel Acevedo Klein

SXSW logo

For all things SXSW 2024, click here!


 

‘7 KEYS’ (SXSW 2024) Flirt, fight, & flight.

SXSW 2024 color logo

7 KEYS

7 Keys SXSW 2024

A chance meeting plunges Lena and Daniel into a whirlwind tour of his previous dwellings since he still has their keys. Writer-director Joy Wilkinson brings SXSW 2024 audiences on a journey through London and the haunting past of two souls seeking connection. Getting caught is the least of their problems.

Lena is sexually bold and fearless. After a housing-insecure childhood, her fascination with Daniel’s homes sparks a game of fantasy and danger. Emma McDonald does a brilliant job of pushing boundaries and listening to her instincts.

Daniel comes off as gentlemanly, if not a touch awkward. On edge during their clandestine tour, the audience knows more than Lena. Billy Postlethwaite gives Daniel a shocking arc. You will be fascinated and appalled in decyphering his true persona. It’s one hell of a turn.

Wilkinson keeps us on our toes as we feel more nervous about the pair getting caught at any moment. Clues dropped along the way make you question the truth. Lena and Daniel both have deep abandonment issues and unresolved trauma that skew our opinions with each story they choose to reveal.

Halfway through, we get a better sense. The plot goes from uncomfortable to unsettling in a flash. The big twist will chill you to the bone and lead to an unexpected final act. 7 KEYS is about power and obsession. It’s tense, creative, and completely unhinged. 7 KEYS is SXSW 2024 gold.


Film Screenings

Mar 9, 2024
6:30pm8:03pm
Mar 9, 2024
7:00pm8:33pm
Mar 13, 2024
9:15pm10:48pm
Mar 13, 2024
9:45pm11:18pm
Mar 15, 2024
9:15pm10:48pm
Director:

Joy Wilkinson

Producer:

Cassandra Sigsgaard, Dylan Rees

Screenwriter:

Joy Wilkinson

Cinematographer:

Mary Farbrother

Editor:

Roberta Bononi

Production Designer:

Natasha Jenkins

Sound Designer:

Emma Butt

Music:

Max Perryment

Principal Cast:

Emma McDonald, Billy Postlethwaite, Kaylen Luke, Joey Akubeze, Amit Shah, Jane Goddard

SXSW logo

For all things SXSW 2024, click here!

‘DICKWEED’ (SXSW 2024)- a shocking WTF doc

SXSW 2024 color logo

DICKWEED

Dickweed SXSW 2024SXSW 2024 audiences are in for a real WTF documentary in Jonathan Ignatius Green‘s DICKWEED. In 2012, a wild kidnapping in the middle of the night led to torture, mystery, and one man’s loss of his, let’s say, manhood. The ensuing wild goose chase and brazen criminal actions challenge all involved. Police had no idea what kind of mastermind they were dealing with.

The film pulls no punches, with Michael launching headfirst into his story. An average day after working at his cannabis shop turns deadly when masked men grab him and a new roommate, drive them out into the desert, and demand to know where he buried a million dollars.

DICKWEED utilizes crime scene photos, dashcam footage, and sit-down interviews with the victims, detectives, and lawyers involved in the case. It sounds like a mockumentary. I had to look up the synopsis twice to confirm I wouldn’t make a fool of myself.

From Newport Beach, the search for suspects becomes a global affair. Revealing more details takes the fun out of this off-the-wall viewing experience. DICKWEED is an episode of 20/20 on steroids. True crime fans will devour this film. Get ready, SXSW 2024, for a shocking global manhunt, seemingly triggered by an innocuous passing comment. Your jaw will drop.


Film Screenings

Mar 9, 2024
2:30pm4:00pm
 
Mar 12, 2024
6:45pm8:15pm
 
Mar 12, 2024
7:15pm8:45pm
 
Mar 14, 2024
5:45pm7:15pm
 
Mar 14, 2024
6:15pm7:45pm

 

Credits

Director:

Jonathan Ignatius Green

Executive Producer:

Amy Bandlien Storkel, Bryan Storkel

Producer:

David Ricksecker, Jefferis Gray

Cinematographer:

Skyler Bocciolatt, Ben Joyner

Editor:

Peter Garriott, Connor Davis

Music:

John Jennings Boyd

Principal Cast:

Emily Pokora, Ronald Douglass, Greg Kriek, Rizzy Fuentes, Jerry Gregorio, Mikey Shayan, Kristen Vaganos, Brand Birtwistle, Jamison Sandbloom, John Fantasia

Two people got kidnapped. One man lost his dick. No-one got any money. This heist-gone-horribly-wrong led one Newport Beach detective on an international manhunt for the most twisted criminal he’d ever hunted. In 2012, Michael, a local weed dispensary owner, got home from work and plopped down on the sofa like any other weeknight. Three hours later he was zip-tied and eating dirt as three men tried to beat him into admitting where he’d buried the million dollars. And he would have gladly told them rather than endure what happened next. The only problem was, he hadn’t buried a million dollars, and after they tortured him and left him to die, he still had no idea who these men were.

For all things SXSW 2024, click here!

SXSW logo

‘We Can Be Heroes’ (SXSW 2024) where fantasy is reality

SXSW 2024 color logo

WE CAN BE HEROESWe Can Be Heroes SXSW 2024

Filmmakers Carina Mia Wong and Alex Simmons bring SXSW 2024 audiences a joyous doc about a special camp in the Hudson Valley. WE CAN BE HEROES will conquer your heart.

These kids possess an infectious passion that spills off the screen. They have profound thoughts and feelings. They openly identify their fears, anxieties, heartaches, and powers. Their honesty is inspiring. For as much as they might feel like they do not fit into the popular crowd at home, Wayfinder allows them a chance to blossom and shine. Campers are free to express themselves and feel safe in their gender identity and neurodivergence.

The counselors are brilliant. Anything could happen within a game that encourages explosive imagination. They understand the volatility of swirling emotions and use improvisation and patience to create a fully immersive experience. The campers might not initially realize the individualized care and stealth emotional therapy they get in their final moments at Wayfinder.

The film includes footage from the previous summer, smartly delineated by a change in color. Including glorious overhead shots of battles, we experience the culmination of the week, The Adventure Game. It consists of Three distinct parts. In this summer’s story, six factions of faeries battle to save all the creatures left in their world. It is titled The Last Green. Camper Dexter epically narrates throughout the film. What starts as fun and games ends in collective catharsis.

Everyone is accepting. The film is another reminder that hate is taught and not inherent. WE CAN BE HEROES is pure magic. It is a study of humanity and one of the most relatable films, whether or not you are a part of the LARPing community. WE CAN BE HEROES reassures us that the younger generation will continue to fight. Hope is not lost.


Film Screenings

 
Mar 9, 2024
11:45am1:11pm
 
Mar 10, 2024
2:45pm4:11pm
 
Mar 10, 2024
3:15pm4:41pm
 
Mar 13, 2024
3:15pm4:41pm
 
Mar 13, 2024
3:45pm5:11pm
 
Directors:

Carina Mia Wong, Alex Simmons

Executive Producer:

Laurene Powell Jobs, Davis Guggenheim, Lizzie Fox, Casey Meurer, Nicole Stott, Jonathan Silberberg, Cristina Costantini, Darren Foster

Producer:

Jennifer Wood, Krista Manis, Carina Mia Wong, Alex Simmons

Cinematographer:

Peter Alton, Michael Lockridge, Madeleine Peters

Editor:

Alex Simmons, Rebecca Adorno Dávila

Sound Designer:

Catherine Hood, Tim Haber, Annie Medlin, Carl Welden

Music:

Dan Deacon

Principal Cast:

Dexter, Cloud, Abby, Miranda, Kate, Max, Luisa (formerly Alex), Eli, Adelaide, Judson

Additional Credits:

Field Producer: Katy Dierks, Production Coordinator: Tommy McCarthy, Production Assistant: Jesse Mico, Assistant Camera: Tim Haber, Garrett Hanson, Adam Marquez, Alexandra Roberts, Additional Photography: Cassandra Giraldo, Carina Mia Wong, Alex Simmons, Lead Assistant Editor: Lucas Bugbee, Co-Editor: Dan Crow, Music Editor: Chester Gwazda, Finishing Producer (Final Frame): Julia Sub, Finishing Assistant Editor: Claudia Ramirez

SXSW logo

For all things SXSW 2024, click here!

Punk AF ‘Secret Mall Apartment’ (SXSW 2024) Living in art. In theatres now!

SXSW 2024 color logoSECRET MALL APARTMENT

Secret Mall Apartment SXSW 2024

In 2003, eight Rhode Island artists created a secret apartment inside the busy Providence Place Mall and lived there for four years, filming everything along the way. They snuck in furniture, tapped into the mall’s electricity, and even constructed a wall, smuggling in more than two tons of cinderblock. Far more than just a wild prank, the secret apartment became a deeply meaningful place for its inhabitants.


In SECRET MALL APARTMENT, Jeremy Workman brings SXSW 2024 audiences a fun doc filled with hush-hush happenings and punk rock actions. Inside Providence Place Mall, between the years 2003 – 2007, magic happened.

It all started when four artists lost their creative space. Adriana Valdez Young, Andrew Oesch, Jay Zehngebot, and Michael Townsend decided to do something no one had ever thought of. After noticing the odd construction of Providence Place Mall, they took their artistic exploration to an entirely new level, quite literally. Upon discovering unused space in the building, they defied authority and moved into the mall.

The clandestine operation led by Michael, whose footage from an early digital camera comprises most of the film, is nothing short of badass. The never-before-seen footage gives us all the goods, from planning to creation, including the earnest acrobatics of moving furniture purchased at The Salvation Army. With handheld cement blocks, triggered alarms, and pure gumption they created a piece of art and dwelling. The group acknowledges their white privilege in their ability to get away with this stunt.

The film is not simply a story of their mall apartment but the impactful works they created throughout the North East, like making a tape art outline of those lost in NYC on 9/11. This feat took a total of five years. These artists’ cloak-and-dagger work (often fleeting in their existence) taps into humanity at its finest. The irony of The Providence Place Mall’s current state will not be lost on the audience. Most likely, it will give SXSW 2024 a simultaneous headshake and chuckle. SECRET MALL APARTMENT fully embraces the artistic essence of “Damn the Man.”


Director:

Jeremy Workman

Film Screenings

Mar 8, 2024
9:45pm11:16pm
 
Mar 8, 2024
10:15pm11:46pm
 
Mar 10, 2024
10:45pm12:16am
 
Mar 16, 2024
11:00am12:31pm

For all things SXSW 2024, click here!

 

SXSW logo

Kickass ‘BACKSPOT’ (SXSW 2024) goes hard

SXSW 2024 color logo

BACKSPOT

backspot SXSW 2024

Competitive cheer is no joke. The athleticism and dedication involved are higher than most people understand. In my day, alongside the big bows and toothy smiles were broken arms, knocked-out teeth, and concussions. They go hand in hand. D. W. Waterson‘s SXSW 2024 film BACKSPOT dives head first into the world of tumbling, trophies, and tenacity through a mental health lens.

Riley works her ass off for a spot on a professional cheer squad. In her efforts to be the best, she pushes personal relationships and her sanity to their limits.

The script beautifully balances the hyper-competitiveness with moments of teenage joy but leans heavily into the reality of the sport. The intense rehearsals, the backbiting, and the called-out misogyny all present equally. BACKSPOT unapologetically exposes the importance of mental health in sports. It’s a thin line between winning and breaking, passion and obsession.

Evan Rachel Wood plays coach to the more elite team. Playing Eileen McNamara, she is no-nonsense, hardass. You are 100% buying what she’s selling. Devery Jacobs gives audiences a whip-smart, compassionate, and nuanced performance as Riley. She’s a self-aware young woman battling the complexities of her inherited anxiety and perfectionism. Riley goes to the extremes, whether in practice or escapism. Jacobs captures the internal tug-of-war of emotions.

Waterson’s editing is fantastic. It undeniably enhances the film. BACKSPOT is a great companion watch for the Isabelle Fuhrman headliner, THE NOVICE, and while that film focuses on college rowing, the ruthless principals are the same. Waterson’s directorial debut delivers a strong new voice and clear vision in storytelling.


D.W. Waterson

D.W. Waterson (Filmmaker)
D.W. Waterson (they/them) is a Toronto-based, award-winning, non-binary/queer filmmaker and world-touring electronic music artist. D.W. is the creative force behind the 6 million-viewed, 40+ time award-winning digital series THAT’S MY DJ (Seasons 1-3). They have been DJing and throwing parties in the Toronto underground for ten years, and have opened for artists such as Peaches and Idris Elba.
 
Waterson’s work has garnered a Canadian Screen Award Nomination, five Best Director awards as well as Noteable’s 2017 Director of the Year award. Named a Resident at the 2022 TIFF Filmmaker Lab, D.W.’s debut feature film BACKSPOT had its world premiere at TIFF 2023. Alongside directing and producing, D.W. also created original electronic tracks to accompany the film.

Kick-Ass, Hard-Hitting, Queer Cheerleading Drama In Theaters Nationwide May 2024
 
Executive Produced by Elliot Page
Starring Devery Jacobs and Evan Rachel Wood

For all things SXSW 2024, click here!

SXSW logo

‘CREEP BOX’ (2024) is massively disturbing

CREEP BOX

CREEP BOX Poster

If you’re a paranormal enthusiast, you’ve heard of the average ghost tour. If you’re a little more intense, you download the Ghost Radar app and casually track color-coded spirits wandering in your vicinity. But, if you’re serious about the other side, book a psychic guided tour on the Queen Mary for your first wedding anniversary, paying extra for the EVP Spirit Box seance, like I did. 5 stars. Highly recommend. Patrick Biesemans’ CREEP BOX pits science and grief against each other in a disturbing and psychologically unsettling manner.

CREEP BOXDr. Franklin Caul has created a simulated consciousness with the dead. The DOJ wants it, but Caul has ulterior motives. The tech uses data from the deceased to have conversations or seek answers. In the mix is a swirl of overlapping thoughts and confusion that get under your skin. You cannot help but listen to them, and they are chilling. Caul observes that when suicide is the cause of death, the deterioration of self slows.

Adam David Thompson (Here Alone) plays the voice of Adam. His interpretation of an unseen character gets under your skin. He is nothing short of magnificent. Geoffrey Cantor carries CREEP BOX will ease. As Caul delves into the mind of a particular simulation, closing in on a personal agenda, Cantor’s humanity seeps through the academic shell. Geoffrey Cantor’s stoic nature perfectly matches Caul’s turmoil. He settles into unresolved trauma. It’s a fantastic performance.

CREEP BOX stillWhat might sound crazy is that this tech already exists. Customers can pay several different companies worldwide to build an AI version of their past loved ones. A recent Sundance documentary, ETERNAL YOU, is entirely about these services and their potential effects, good and bad. CREEP BOX takes these concepts down the rabbit hole, gladly stepping into the darkness and staying there.

In CREEP BOX and ETERNAL YOU, things change once the entity you communicate with appears sentient. Questions of ethics and the potential emotional damage of these interactions hang like a black cloud above the viewer. It’s a film that will undoubtedly mesmerize anyone who has suffered from grief. It instills wonder, curiosity, and pure terror. CREEP BOX will haunt you whether you like it or not.


https://youtu.be/C-zQHxlmJ-8?si=6RTS-eHopcrkmw-j

Creep Box next screens at April’s Philip K. Dick Film Festival, which takes place at The Museum of the Moving Image in New York City.

SXSW 2024 packs a punch. Here are 18 films we’re excited to see!

SXSW 2024 color logo

SXSW 2024 promises to kick up the coolness factor with more content than ever. This year films from every genre and corner of the world assemble to provide festival audiences thrills and chills, laughter and loss, mysteries and mayhem. Cinephiles look to SXSW for cool, creative, and wow films they can discuss all year. The 2024 edition will not disappoint. Here is a list of films we’re keeping our eyes on.

DICKWEED

Dickweed SXSW 2024

Two people got kidnapped. One man lost his dick. No-one got any money. This heist-gone-horribly-wrong led one Newport Beach detective on an international manhunt for the most twisted criminal he’d ever hunted. In 2012, Michael, a local weed dispensary owner, got home from work and plopped down on the sofa like any other weeknight. Three hours later he was zip-tied and eating dirt as three men tried to beat him into admitting where he’d buried the million dollars. And he would have gladly told them rather than endure what happened next. The only problem was, he hadn’t buried a million dollars, and after they tortured him and left him to die, he still had no idea who these men were.

I know. This sounds more like a mockumentary than a real-life occurrence. I had to go back and check twice to make sure I was reading the category correctly. SXSW 2024 documentary Dickweed delivers one of the most insane true-crime stories you will ever witness. Twists and turns and utterly unbelievable, this mysterious case will bewilder and entertain. Jonathan Ignatius Green does not disappoint. Get ready to tell everyone about this film, and be prepared for them to think you’re making it all up.

Director/Writer: Jonathan Ignatius Green (The Pez Outlaw, Social Animals

Producers: David Ricksecker, Jefferis Gray

Executive Producers: Amy Bandlien Storkel, Bryan Storkel

Running Time: 90 minutes

Film Screenings

Mar 9, 2024
2:30pm4:00pm
 
Mar 12, 2024
6:45pm8:15pm
 
Mar 12, 2024
7:15pm8:45pm
 
Mar 14, 2024
5:45pm7:15pm
 
Mar 14, 2024
 
6:15pm7:45pm

ADRIANNE AND THE CASTLE

Adrianne and the castle SXSW 2024

Inventive and whimsical, Adrianne & The Castle is a true story of great love and loss. Alan St-George is a mascot-maker and artist in rural Illinois who hand-made an ornate and elaborate castle with his late wife Adrianne. Since her death in 2006 he continues to put the finishing touches on Havencrest Castle, which stands as a “temple” dedicated to their transcendent love.

In one of the most stunning love stories ever told, director Shannon Walsh introduces us to a couple like no other, whose fairytale relationship lives on in an extraordinary mansion. 

Director: Shannon Walsh (The Gig Is UpIllusions Of Control) 

Producer: Ina Fichman (Fire of Love, The Oslo Diaries)

Running Time: 86 mins

Film Screenings

Mar 9, 2024
9:15pm10:41pm
 
Mar 11, 2024
5:45pm7:11pm
 
Mar 11, 2024
6:15pm7:41pm
 
Mar 13, 2024
11:15am12:41pm
 
Mar 13, 2024
11:45am1:11pm

TIMESTALKER

Timestalker SXSW 2024

“Timestalker” follows hapless heroine Agnes through time as she repeatedly falls for the wrong guy, dies a grim death, gets reincarnated a century later, before meeting him again and starting the cycle anew. It is one story told over many periods, all with the messy thrills and spills that come with daring to follow your heart. Or maybe your loins…
Agnes’ only hope in avoiding this violent fate is by finally reaching spiritual enlightenment; but how can she ever wise up when she’s destined to be a fool for love? Some lessons are just too hard to learn in one lifetime.

As a self-proclaimed Whovian, you had me at time-hopping. But a unique twist on angsty love is one of the many reasons why audiences come to SXSW 2024. This genre obliterating narratives promises to be one of the year’s best. And if you aren’t already familiar with Alice Lowe, boy are you in for a treat.

Directed by: Alice Lowe
Written by: Alice Lowe
Staring: Alice Lowe, Jacob Anderson, Aneurin Barnard, Tanya Reynolds, Nick Frost

Film Screenings

SXSW 2024
 
Mar 11, 2024

9:45pm11:21pm


AUDREY

Audrey SXSW 2024

Ronnie Lipsick (Jackie Van Beek), a former soap star and self-proclaimed Mother of the Year, gave up her acting career 18 years ago due to an unplanned pregnancy. Now she runs a suburban performing arts school, with a husband who has lost his zest for life, a youngest daughter(Hannah Diviney) who appears indifferent, and an ungrateful eldest daughter whom Ronnie (Josephine Blazier) tried to mold into the success she always wanted. When Audrey falls into a coma after an accident, Ronnie takes on her daughter’s identity, getting a second chance at the life she always desired.

Darkly funny and in three distinct acts of wackiness, AUDREY is everything you want it to be and way more.

Director:

Natalie Bailey

Screenwriter:

Lou Sanz

Principal Cast:

Jackie Van Beek, Josephine Blazier, Hannah Diviney, Jeremy Lindsay Taylor

Film Screenings

Mar 10, 2024
2:30pm4:07pm
 
Mar 11, 2024
5:15pm6:52pm
 
Mar 11, 2024
5:45pm7:22pm
 
Mar 15, 2024
2:15pm3:52pm

RESYNATOR

resynator


In unearthing the Resynator, the revolutionary synthesizer her late father invented in the 1970s, filmmaker Alison Tavel not only revives his mission to share it with the world, she unexpectedly forges a deep bond with the father she never got the chance to know. What starts as a curious resurrection of her dad’s invention soon becomes an insatiable, globe-trotting quest to unearth an authentic portrait of a man she never met. Featuring Peter Gabriel, Fred Armisen, Gotye, Grace Potter and more.

Director:

Alison Tavel

Principal Cast:

Alison Tavel, Grace Potter, Peter Gabriel, Jon Anderson, Fred Armisen, Money Mark, Gotye, Mike Gordon, Brian Kehew, Christian Castagno

Film Screenings

Resynator at Alamo Lamar 4

Mar 10, 2024

6:00pm—7:36pm

Resynator at Rollins Theatre at The Long Center

Mar 13, 2024

6:00pm—7:36pm

Resynator at Satellite Venue: AFS Cinema

Mar 16, 2024

12:00pm—1:36pm


MALTA

Malta

Set in Bogotá, this captivating female character study narrates the story of a young Colombian woman who dreams of escaping her suffocating urban reality and traveling the world. However, an unexpected relationship with an unlikely man will make her question her true motives for leaving. 

A quiet purpose-seeking film with relatable themes is all you need to know about Malta. It will hit you no matter your personal background.

Director:

Natalia Santa

Principal Cast:

Estefanía Piñeres, Patricia Tamayo, Emmanuel Restrepo, Diego Cremonesi, Ángela Rodríguez, Edwin Riveros, Tonatiuh Ramírez , Raúl Cuellar

 

Film Screenings

Mar 9, 2024

2:15pm—3:52pm

Malta at Violet Crown Cinema 3

Mar 9, 2024

2:45pm—4:22pm

Malta at Violet Crown Cinema 2

Mar 11, 2024

3:15pm—4:52pm

Malta at Violet Crown Cinema 4

Mar 11, 2024

3:45pm—5:22pm

Malta at Alamo Lamar 8

Mar 14, 2024

9:45pm—11:22pm

Read More →

‘VESELKA’ (2024) doc follows a restaurant entering the global stage

VESELKA:
THE RAINBOW ON THE CORNER
AT THE CENTER OF THE WORLD

VESELKA: THE RAINBOW ON THE CORNER AT THE CENTER OF THE WORLD

New York City’s beloved Ukrainian restaurant Veselka is best known for its borscht and varenyky, but it has become a beacon of hope for Ukraine. As the second-generation owner Tom Birchard reluctantly retires after 54 years, his son Jason faces the pressures of stepping into his father’s shoes as the war in Ukraine impacts his family and staff.


The first time I ate at Veselka, I’d only lived in New York for six months. A friend of mine, a lifelong New Yorker, walked us in at 1 am. We were sober but sleepy. The palpable energy of the packed wood-paneled room woke us up before a dish was served. I remember being a little awed by the fragile ecosystem – here, Wall Street players were sitting shoulder to shoulder with grinning grandmothers. Warm chatter and the smell of fried onions filled the space. That environment, that first bowl of borscht at Veselka, was one of the many little moments that helped me feel at home in a busy, sometimes uncaring city.

Michael Fiore’s documentary, Veselka: The Rainbow on the corner at the center of the world, takes the viewer into both the history and heart of the beloved Ukrainian restaurant. With the February 2022 Russian invasion of Ukraine, the restaurant finds itself catapulted onto a transformational crossroads. Already tested by the global pandemic, its owner, Tom Birchard, hands the reins to his son, Jason. Jason finds himself at the helm of a world-famous family business, trying to put his own stamp on the restaurant while understanding its rapidly evolving role in both the local and global Ukrainian community.

VESELKA_Press ShotThe documentary is by turns uplifting and shattering. Most powerfully, it is a stark reminder of the human costs of ongoing Russo-Ukrainian war. Unbelievably, this week will mark 2 years since Russia’s invasion and escalation of the conflict. While the war may not be at the forefront of the public conscious in 2024 to the same degree as it once was, it remains a constant for the staff and families at Veselka. This is not an overseas battle for them – these are their loved ones and families fighting and dying while the world moves on to the next crisis.

As a leader, Jason Birchard is equal parts toughness and warmth. His determination for his staff and community is inspiring.  Early in the Russian invasion, Veselka hosts Mayor Adams and his delegation to advocate for additional support for Ukraine. Watching this scene gives the viewer the rare experience of seeing an elected official being written off by a constituent in real-time. This superficial political moment stands in stark contrast to Veselka’s kitchen, which is humming with empathy and support.

Veselka: The Rainbow on the corner at the center of the world is many things. A  reminder of a brutal ongoing conflict. A challenge to the audience to remember how far the support of individuals can go in the face of global needs. A testament to the grit and determination behind a family business….And a reminder that you’ve really been craving borscht lately.


In Theaters This Friday 
February 23rd, 2024

Written, Produced, and Directed by Michael Fiore

Narrated by Golden Globe Award-winner David Duchovny (“The X Files”)
Score by Ryan Shore, featuring Grammy Award-winning saxophonist David Sanborn (“Lethal Weapon”)

Poster designed by Neil Jamieson (TIME “Person of the Year” cover artist – feat. President Zelensky)

Featuring interviews with father-son owners of Veselka Tom and Jason Birchard, additional Veselka staff as well as footage of New York Mayor Eric Adams and Governor Kathy Hochul


For more of Sam’s reviews, click here!

Review: ‘LAST PARTY’ (2024) shines in its camera work.

LAST PARTY

In Nicolas Dozol‘s LAST PARTY, one final hoorah to celebrate high school graduation takes a weird turn when four of its attendees experience subtle hallucinations.

Last Party (2024)Cleverly choreographed camera work by Aurel Ganz makes us think the film is one long take. Just as impressive is the actual shot list. 28, to be exact. It is one hell of a visual feat. The flip side of these takes is the narrative feels draggy even at 110 minutes. The sci-fi element does not seem necessary to the plot. Ultimately, it goes nowhere.

Last Party (2024) final scenePerformance is solid from our four main leads, each one bombarded by misogyny, judgment, and outright hateful behavior. LAST PARTY might be more successful as a series. There is much needed in character development, although the breadcrumbs are there. It feels more like a treatment for a larger project than a stand-alone piece.


“Last Party” the feature film debut of Swiss and French filmmaker Nicolas Dozol will make its US debut at Laemmle Monica Film Center from February 9 -16th in Santa Monica.  The film is being distributed by LA-based Synergetic and is the first feature film produced by the young Swiss company Lights Rush.

 

A mystery coming-of-age story, part horror, part fantasy, part thriller, the film takes place during a high school graduation party where four teenagers in the midst of an existential crisis are confronted with their angst. When they suddenly find themselves locked up, they wonder if it might be their last night ever. The film is choreographed by 28 long takes, giving the illusion of a single real shot and was shot in just five days.

“Last Party”, a New Breed Entertainment production, is directed by Nicolas Dozol, written by Leah Ladoux, Paul Tomasini, Chloe Vittenet and Dozol, and produced by Mathilde Errand and Dozol.  The film stars breakout newcomers Lucie Cecchi, Remi Gerard, Uma Condolo and Teddy Hardy.  Cinematography is by Aurel Ganz.


For more French film reviews on RND, click here!

Slamdance 2024: Peter Oh’s ‘LOVE AND WORK’ – a parallel what-if of haunting hilarity

slamdance 2024

LOVE AND WORK

Love And Work Slamdance 2024

Writer-director-editor-producer-cinematographer and obvious showoff Pete Ohs brings his latest genre buster, LOVE AND WORK, to Slamdance 2024. Reteaming with Will Madden and Stephanie Hunt from festival darling Jethica, this new film leans further into the absurd. Once again, gifting us with striking black-and-white cinematography, a voiceover hands us the immensely intriguing, near-future plot where AI has taken all the jobs and those seeking employment are outlaws.

Diane and Fox seek advice from a trusted local elder as he regales them with tales from his grandfather and the elusive concept of a weekend. Those who dare go against the grain find hobbies forced upon them as punishment. The backward nature of the plot sneaks up on you. It may not be so backward after all.

Stephanie Hunt plays Diane with an earned “cool girl” attitude that is infectious. Will Madden as Fox is a beautiful mix of awkward and charming. Their chemistry is electric.

Charles Watson‘s original songs are folksy bangers. There is a dry whimsy that I can only equate to British humor. A tongue-in-cheek look at societal norms and how humanity fumbles through the search for purpose and personal connection, LOVE AND WORK is a hilarious what-if and one terrifying step from reality.

  • Director: Pete Ohs
  • Screenwriter: Stephanie Hunt, Will Madden, Pete Ohs
  • Producer: Pete Ohs
  • Cast: Stephanie Hunt, Will Madden, Frank Mosley, Alexi Pappas, John S. Davies
  • Year: 2024
  • Runtime: 74 minutes
  • Language: English
  • Country: USA
  • Premiere: World Premiere
  • Genre: Comedy
  • Subtitle Language: English
Click for all our past Slamdance coverage
 
For all things Slamdance 2024 head here

slamdance logo


 

‘THE PRIVATE EYE’ (2024)- A neo- noir Matt Rife

THE PRIVATE EYE

THE PRIVATE EYE

A convoluted plot finds a down-on-his-luck detective becoming infatuated with his desperate new client. Jack Cook‘s THE PRIVATE EYE takes us on a twisty, often head-scratching ride through neo-noir weirdness.

(L-R) Denzel Whittaker and Matt Rife in Illusion Islands' THE PRIVATE EYE photo courtesy - Illusion IslandsMort and Michelle’s dynamic feels incredibly forced. The dialogue is a bizarre mix of awkward bad jokes and deeply personal romantic words. It is a baffling mix. The story is a mess, and there are innumerable superfluous scenes. The pace is glacial. At an hour and fifty-six minutes, this could have been eighty minutes at the most. 

Michelle’s character has no consistency, and by the end of the film, the casting choice feels entirely out of place That is not Clare Grant’s fault by any means. Matt Rife (Don’t Suck) does his best, actually giving audiences a taste of his surprising flair for the dramatic. If the right people see this film, it could open the door for more serious roles.
Matt Rife and Clare Grant in Illusion Islands' THE PRIVATE EYE photo courtesy - Illusion IslandsThe most successful aspect of the film is Eric Roberts‘ soothing narration, but there are too many inconsistencies for the final twist to go down smoothly. This is one of those times where a flashback montage of all the clues would greatly benefit the film.


THE PRIVATE EYE will be In Theaters Nationwide on Friday, February 9, 2024

Starring MATT RIFE, CLARE GRANT, ELLIOT, DENZEL WHITAKER, ERIK GRIFFIN, LEXY PANTERRA, JAY REEVES, ELIJAH BOOTHE, EUGENIA KUZMINA, ALEX KAGIANARIS, PETRI HAWKINS BYRD, ERIC ROBERTS, JOSIAH JACK KALIAN, JT PALMER, and CORY KIRK 

 

Directed by JACK COOK

Written by JACK COOK, PATRICK ROE, HOPE AYIYI, and ROSALINDA BOOKS

Produced by HOPE AYIYI, STREAM GARDNER, and ALEX KAGIANARIS

Co-Produced by RAAJ RAHHI and ELIJAH BOOTHE

Associate Produced by JAMES FRIEDHOFF

Executive Produced by JOE HEBELER, JOHN HEBELER, MARK DOC BERRY, STAN PARIS, JEFF SCHOENLING, TIM DOUGHERTY, CHIP TURNER, and BILL MCCLOY

Edited by WAYAN PALMIERI

 

Mystery/Romance/Comedy | 114 Minutes

 Rated R for language, sexual content, and brief violence.

 

InstagramFacebook | TikTok

@theprivateeyemovie

#ThePrivateEyeMovie

 

Film Website: https://www.illusionislands.com/

Sundance 2024: Rock & roll down memory lane with ‘DIG! XX’

Sundance 2024 logo

DIG! XX

DIG! XX Sundance 2024

Ondi Timoner‘s Sundance hit returns to the festival for its 20th anniversary with more footage than before. If, like me, you missed its original festival run, you’ll eat up DIG! XX and its quintessential 90s music deep dive into the tumultuous relationship between The Dandy Warhols and The Brian Jonestown Massacre.

DIG! XX Sundance 2024 Anton NewcombeTimoner gets a completely unfiltered look inside the magic and mayhem in 7 years of behind-the-scenes footage. It’s a competition between the vibrant, often cocky, argumentative, drug-fueled, genuinely talented musician behavior of BJM versus the chill, business-minded, trustworthy, equally gifted Dandys. Each band pushes the other to greatness with contrasting tactics. Ondi’s handheld freestyle way of shooting is immersive and tangible. With the rapid-fire editing and narration from Joel Gion and Courtney Taylor, you’re entirely entertained. Huge personalities clash, eccentricities push people’s buttons, and childhood trauma rears its ugly head.

Timoner (Last Flight Home) tells the story of frenemies on two vastly different paths to fame. Go ahead and make DIG!XX for personality for the next month. I know Sundance 2024 audiences will.


Sundance Color logo 2024

Ondi Timoner

Ondi Timoner

Ondi Timoner is an internationally acclaimed filmmaker whose work focuses on “impossible visionaries” for which she was awarded the Grand Jury Prize at Sundance twice, for DIG! and We Live in Public.

Her most personal film, Last Flight Home (2022), about the extraordinary life & intentional death of her father, Eli Timoner, is Emmy-nominated, Oscar-shortlisted, and received the Humanitas for Best Documentary.


Credits

  • DIRECTOR(S)

    ONDI TIMONER

  • PRODUCED BY

    DAVID TIMONER

    ONDI TIMONER

  • EDITOR OF DIG! XX

    DAVID TIMONER

  • EDITOR OF DIG!

    ONDI TIMONER

  • CINEMATOGRAPHER

    ONDI TIMONER

    DAVID TIMONER

    VASCO LUCAS NUNES

  • NARRATED BY

    JOEL GION

    COURTNEY TAYLOR

For all of our Sundance coverage click here!


 

Sundance 2024: ‘SAY HI AFTER YOU DIE’ is perfect

Sundance 2024 logo

SAY HI AFTER YOU DIE

Say Hi After You Die Sundance 2024

Sundance 2024 short film SAY HI AFTER YOU DIE is a laugh-out-loud look at grief, mental health, and forever friendship. Following the unexpected passing of her best friend, Gloria finds herself talking to a porta-potty. It’s easy to see why the film won the Short Film Jury Award for U.S. Fiction. It is that wonderful. 

Writers Ruby Caster (who hilariously portrays Ruby in the film, and Kate Jean Hollowell, who also stars and directs the film, nail the Gen Z/ Millennial cusp banter and fashion. They are a fierce team of creatives.
Say_Hi_After_You_Die-Kate Jean HollowellGeorge Basil plays Dave, the construction foreman, with a life-affirming kindness. One of his lines perfectly sums up the film’s heart, hitting you square in the chest, “We’re just friends walking each other home.” Hollowell is outstanding as Gloria. Her comic timing is the stuff of the gods, but she also delivers authentic depth. She is a star.

SAY HI AFTER YOU DIE has a smirk-inducing musical sequence. The choreography from Kat Burns is inarguably spectacular. For a 17-minute film, Sundance audiences will laugh, dance, and tear up. This is one of the year’s best.

Sundance Screening Times
Screening as part of Short Film Program 4

World Premiere – January 21st, 12:15PM MST (Prospector Square Theatre)
Public Screening #2 – January 22nd, 5:30PM MST (Megaplex Theatres at The Gateway SLC)
Public Screening #3 – January 25th, 12:00PM MST (Redstone Cinemas)
Public Screening #4 – January 27th, 4:00PM MST (Megaplex Theatres at The Gateway SLC)
Public Screening #5 – January 28th, 1:30PM MST (Holiday Village Cinemas)

Kate Jean HollowellKate Jean Hollowell is a multi-hyphenate director, comedian and musician, who honed her humor, storytelling and visual style by making her own music videos, showcased at SXSW in 2022 and 2023, as well as her short film Are They Smiling?, which premiered at the 2020 Portland Film Festival and won several awards. Taking on narrative, Kate has managed to find a unique voice that balances humor and heart through all her work. Finding ways to insert unexpected musical numbers in everything she does is a trademark all her own.


Director: Kate Jean Hollowell
Screenwriters: Kate Jean Hollowell, Ruby Caster
Cast: Kate Jean Hollowell, Ruby Caster, George Basil
Producer: Miranda Kahn
Executive Producers: Mindy Goldberg, Jacki Calliero, Melissa Culligan
Production Designer: Jenna Tooley
Choreography: Kathryn Burns
Cinematography: Jordan Black
Costume Design: Jordy Scheinberg
Edited by: Talia Pasqua
VFX Artist: Alex Thomas

Year: 2023
Category: Short
Country: US
Language: English
TRT: 17 min

Sundance 2024’s full lineup can be found here!

 

Don’t forget to check out all our Sundance coverage throughout the years

Sundance Color logo 2023

Slamdance 2024 review: Intimate and personal ‘ONE BULLET’ pierces the heart

slamdance 2024

ONE BULLET

ONE BULLET Poster

This story of female friendship forged amidst America’s longest war is told by a filmmaker who spent 18 years in-and-out of Afghanistan. In this war movie, the battlefield lies behind the curtains of an Afghan home as Bibi Hajji struggles to survive the loss of her youngest child, and the impact of a brother’s death on her remaining sons. A haunting image of that boy surviving a bullet wound prompted director Carol Dysinger to investigate, what happened to him, who fired the shot? “One Bullet” evolves from procedural to an excavation of the human experience, of loss and redemption. It asks: how might we make peace across vast social, cultural and religious divisions? Two women drinking one cup of tea at a time.

one bullet - Bibi Bibi Hajji

One Bullet- Bibi Hajji

Who shot Fahim? Filmmaker Carol Dysinger shares how one Afghan family’s loss in 2006 forged a surprising friendship. ONE BULLET utilizes footage from 2005 to 2020 to tell a tale of tragedy, war, and interconnectedness.

Following the incident, Colonel Elliot has the impossible task of finding out who shot Fahim. Although, at times, it appears that his job is more to prove that it wasn’t an American bullet that went astray. The deliberate mistakes by the original interpreter are haunting, promising Fahim he would walk again when we’ve just heard the doctors tell him he will most likely remain paralyzed. The US government promised he would receive fully paid care in Turkey. That is not exactly what went down. In 2011, Dysinger tracked down the family only to discover Fajim had died two years after the incident.

Carol and Fawad

Carol and Fawad

Dysinger does her best to respect Afghan culture, treading lightly, all while trying to make amends on behalf of the US. The evolution of Carol’s relationship with Bibi’s sons is fascinating, moving through anger, curiosity, and respect as the years pass. The passing conversation that goes untranslated ranges from innocuous to well-intended, intrusive to insulting. Bibi’s grace and hospitality are endless. You see, hear, and feel the protective nature of Carol. It is a tumultuous task, one that Bibi covers with food.

The particular ripple effect on one brother concerns Carol. Fawad’s mental and emotional decline intertwined with an eventual religious zealotry. The details from the night Fahim was shot slowly come to light over the years, despite the report essentially not existing in an official capacity today.

ONE BULLET is Fahim’s story. It is Bibi’s, Carol’s, and America’s story. Slamdance 2024 audiences should always keep this film in the not-too-far reaches of their minds.

(Unavailable for streaming in Afghanistan)

  • Director:
    Carol Dysinger
  • Screenwriter:
    Carol Dysinger, Steen Johannessen
  • Producer:
    Ashim Bhalla, Su Kim, Carol Dysinger
  • Year:
    2023
  • Runtime:
    93 minutes
  • Language:
    Dari/English
  • Country:
    Afghanistan
  • Genre:
    Documentary
  • Subtitle Language:
    English
This year’s festival runs Fri, Jan 19, 2024, 12:00 PM – Sun, Jan 28, 2024

 

For all of our previous Slamdance coverage, click here!

slamdance 2024

Sundance 2024 review: ‘And So It Begins’

Sundance 2024 logo

AND SO IT BEGINS

AND SO IT BEGINS

AND SO IT BEGINS at Sundance 2024

Amid Filipino elections, a grassroots movement emerges to protect truth and democracy from growing threats. People unite in joyful acts of resistance, kindling hope while autocracy expands.

Returning to Sundance four years after the premiere of A THOUSAND CUTS, director Ramona S. Diaz gives audiences a companion piece about the fragility of democracy. In the Philippines in 2016, the country elected a President and Vice President from opposite political spectrums. VP Leni Robredo is a compassionate, former NGO human rights attorney. She is articulate, funny, and fearless. If you took President Biden and combined him with Hillary Clinton, you might begin to understand Leni Robredo.

The passion of the people is evident in their cries for equality. Her supporters wear pink and come from every socioeconomic background and age group. She has a special bond with the LGBTQ community. Her extraordinary grassroots campaign still fights an uphill battle against the children and candidates of the former dictatorship.

Holy misogyny, Batman! The overt corruption of President Duterte looks familiar. The US had a tyrant appear in 2016. In 2021, Leni must contend with the attacks from the outgoing president and campaign against the son of former President Fernando Marcos, one of the country’s most notorious dictators. Under his reign, martial law pervaded the Philippines, and Marcos fled with billions of dollars. BongBong Marcos Jr wants to bring back the policies that destroyed democracy. To remind you, he is also Imelda Marcos’ son. A quote that hangs on the wall of Marcos’ former vacation home, now a museum, reads, “We must make this nation great again.” Hmmm. Where have we heard that before?

AND SO IT BEGINS is simultaneously a story about journalist Maria A. Ressa, the co-founder of the news outlet Rappler. Duterte falsely convicted her of breaking laws that never existed before her arrests. Ressa dared to challenge dictators and has since paid the price for years. Their relentless pursuit of quieting Rappler will make your blood boil. A wondrous moment happens in the film as Ressa receives a phone during a Zoom panel, informing her she’s just received the 2021 Nobel Peace Prize. In her acceptable speech, she tells the world about the extensive online misinformation machine built by Marcos, Jr, once again reminding viewers how fragile any democracy is.

We cannot ignore the parallels in tactics. We would be foolish to think the playbook hasn’t gotten thicker as technology replaces knocking on doors. What can we learn from AND SO IT BEGINS? History revisionism threatens everything we hold dear, so pay attention, and don’t look away.

And So It Begins (2024) poster

And So It Begins (2024) poster

Available in person. Also available online for the public (January 25–28)

 

Meet the Artist

Ramona S. Diaz

Ramona S. Diaz

Ramona S. Diaz’s award-winning films — Imelda (2004), The Learning (2011), DSB: Everyman’s Journey (2012), Motherland (2017), and A Thousand Cuts (2020) — have screened at top-tier film festivals and been seen globally. Diaz is both a Guggenheim Fellow and a USA Fellow. In 2021, she was named the inaugural McGurn Family Trust Resident in Film by the American Academy in Rome.

Credits

  • DIRECTOR(S)

    RAMONA S. DIAZ

  • SCREENWRITER

    RAMONA S. DIAZ

  • PRODUCER

    RAMONA S. DIAZ

  • YEAR

    2024

  • CATEGORY

    FEATURE

  • COUNTRY

    UNITED STATES/PHILIPPINES

  • LANGUAGE

    ENGLISH, FILIPINO AND OTHER DIALECTS

  • RUN TIME

    113 MIN

For more information about Sundance 2024, click here!

 

You can read all of our Sundance coverage throughout the years here.

Sundance Color logo 2023

Slamdance 2024 shorts: ‘LEGEND OF EL CUCUY’ & ‘DOSH’

slamdance 2024

Legend of El Cucuy legend of el cucuy short film

SYNOPSIS: Legend of El Cucuy is a cautionary tale. Laura and her
husband Carlos are permissive parents, and their choice to raise their
daughter Isabel without discipline has resulted in a very rude,
disobedient child. Carlos is having doubts about their behavioral
strategy, but Laura is determined to make different choices from their
parents. Against his better judgment, Carlos tells Laura about El
Cucuy’s origins, and that same night, El Cucuy pays the family a visit.

Filmmaker Cynthia Garcia Williams brings her short horror film Legend of El Cucuy to Slamdance 2024. This boogie-man-style folklore film boasts fantastic Special FX makeup. As a former teacher, Isabel’s mother and her permissive parenting style made me seethe, and our little leading lady is a terror. I recall El Cucuy referenced in films before, but I’ve never heard the history behind it. Essentially, it is an allegory for shitty parenting. While I wasn’t completely sold on the performances, I think the film is a solid pitch for a feature.

14 minutes) English/Spanish


DOSH

dosh - slamdance 2024

When her son’s life is put at risk at a family pre-wedding ritual, a hard-of-hearing mother must decide how to seek help for her husband in order to keep her family safe.

Filmmaker Radha Mehta, who shares screenplay credit with Noorah Al-Eidi, brings us the story of Karishma, a hard-of-hearing mother trapped in a traditional Indian marriage with a man who refuses to admit he has a mental illness. Cinematographer Isue Shin captures the balance between the lush colors of an Indian wedding ritual and the darkness of Karishma’s emotional state. Renu Razdan captivates as our leading lady. The camera loves her. Razdan owns every frame, moving from sadness, protection, grief, and joy like a star. This little drama about attaining peace is a cathartic sigh of relief.

Director: Radha Mehta
Story: Radha Mehta
Screenplay: Noorah Al-Eidi & Radha Mehta
Producer: Gabriel Gutierrez
Cinematographer: Isue Shin
Production Designer: Sandra Rodriguez
Editor: Joe Murphy



Slamdance 2024 will take place in person from January 19-25 and virtually from January 22-28.
 
For more Slamdance coverage, click here!

 

Sundance 2024 review: Cheeky documentary ‘REALM OF SATAN’ gives the middle finger to haters.

Sundance 2024 logo

REALM OF SATAN

Realm Of SatanFilmmaker Scott Cummings brings Sundance 2024 audiences into the everyday lives of Satanists. The Church of Satan boasts innumerable followers around the world. REALM OF SATAN introduces us to members from all backgrounds in this part experimental, part cinema verité documentary that both challenges and pokes fun at any preconceived notions we may have had in the past.

As a forced Catholic from birth to age sixteen, my parents exposed me to some of the wackiest ideological notions simply because their parents had done the same to them. Anyone who knows me well has heard the story of my 8th-grade religion class epiphany. My teacher, in trying to explain that sin has levels of severity, touched upon homosexuality. I could not believe what I was hearing. I could not possibly be correct. In a class of 18 students, I stood upon my chair and asked, “So you’re telling me that if I told my mother that I was gay, it would be the equivalent of me telling her I had murdered someone?! That’s it. I’m out.” A quote from the Satanist text says all you need to know; “I favor the just and curse the rotten.” With a focus on individualism, it all sounds good to me.

REALM OF SATAN features strategically placed, in-your-face scenes but also mundane ones. It does not give a shit what you think. The tongue-in-cheek approach to some of the moments feels like curated bait for Christofascist audiences, which, as a liberal who embraces witchcraft, these choices are simply delicious fodder. You have to laugh.

Aside from some stereotypical wardrobe choices and a pentagram here and there, the subjects in the film could believe in anything or nothing at all. Their text is no more shocking than that of every other sect of religion. Have you read The Bible? The glorious theatricality of some rituals and eclectic decor create beautifully gothic tableaus that mesmerize, particularly for a self-proclaimed “Spooky Girl” like me. The visual trickery is fun as hell. The final camera sweep will look familiar to fans of Tales From The Crypt, right down to the gate squeak. It’s a clever touch. In all, REALM OF SATAN isn’t trying to convert anyone. It’s simply giving audiences a peek behind the curtain to dispel misinformation but with dramatic flair.


Credits

  • DIRECTOR(S)

    SCOTT CUMMINGS

  • SCREENWRITER

    SCOTT CUMMINGS

  • PRODUCERS

    CAITLIN MAE BURKE

    PACHO VELEZ

    MOLLY GANDOUR

  • EXECUTIVE PRODUCERS

    JOE POLETTO

    SAM ROSEME

    CATHY TANKOSIC

  • CINEMATOGRAPHER

    GERALD KERKLETZ

  • PRINCIPAL CAST

    PETER GILMORE

    PEGGY NADRAMIA

    BLANCHE BARTON

  • CO-PRODUCERS

    ELIZA HITTMAN

    GERALD KERKLETZ

    ASHER LEVINTHAL

    JACK A. LIECHTUNG

    GABRIEL MERKIN

  • YEAR

    2024

  • CATEGORY

    FEATURE

  • COUNTRY

    UNITED STATES

  • LANGUAGE

    ENGLISH, SPANISH, GERMAN, SWEDISH

  • RUN TIME

    80 MIN

  • COMPANY

    VITAL EXISTENCE LLC


    For more info on Sundance 2024 click here!

     

    Festival Dates: Thu, Jan 18, 2024, 2:45 PM – Sun, Jan 28, 2024

     

    Stay tuned for more Sundance 2024 coverage, and don’t forget to head to Unseen Films for even more! For past Sundance reviews click here.

     

Slamdance 2024 review: ‘INHERTITANCE’ is a heartbreaking portrait of cyclical poverty and addiction.

slamdance 2024

INHERITANCE

INHERITANCE_Poster

Slamdance 2024 doc INHERITANCE is an unfiltered look at one Appalachian family’s struggle with generational addiction. The rippling effects of drugs directly connect to cyclical poverty. They are a part of the culture. We see children who look as young as ten years old smoke cigarettes with the nonchalance of chewing gum. Young girls get pregnant at a rate that becoming a great-grandmother is normal if you survive the world of opioids. Filmmakers Matt Moyer and Amy Toensing hang their hats on 12-year-old Curtis, a hopeful, bright, and spunky in hopes of making a better life through all the inevitable chaos.

Inheritance familyWe witness the tragic evolution of Curtis’ extended family through intimate sit-downs with family members, sharing their darkest secrets without a moment of hesitation. Their goal is equal parts redemption and cathartic confession. Some family members try harder than others, though the dark thoughts never leave. Religion lands somewhere between true belief and crutch. Mostly, the latter.

Seeing his parents’ toxic relationship play out as they chase their next score is brutal. Curtis knows nothing good comes from their behavior. What makes it worse is Curtis is a joyous and pure soul. He grins and bares the trauma that swirls around him. You want to reach through the screen and rescue him as he recounts his numerous stays in foster care. As the years roll on, you see the cynicism creeping into his personality.

INHERITANCE_CurtisThoughtful closeups and the hauntingly beautiful score create heartwrenching transitions. Moyer and Toensing try to offer moments of childhood levity featuring Curtis and his siblings playing with poppers, water guns, and video games, but lurking in the background is the reality of parents severely impaired by drugs. Inheritance breaks your heart. A six-year journey down a rabbit hole of repeated histories. Is Curtis the best bet to break the cycle? One can only hope.

Inheritance participants


INHERITANCE Trailer:

 
INHERITANCE explores the underlying causes of the opioid epidemic in America through the life of one boy and five generations of his extended family over 11 years. Curtis, a bright and hopeful boy, grows up from age 12 to 18 surrounded by love and struggle while every adult in his family – parents, grandparents, aunts, uncles, and cousins — battles addiction. Curtis’ America is an America where people and communities are struggling with an epidemic of substance abuse, joblessness, and a deteriorating sense of belonging.

 

Official Film Website: https://www.inheritancethefilm.com/ (the website trailer contains explicit language)

IG: @inheritance_thefilm

Facebook: https://www.facebook.com/profile.php?id=61554404316999 


 

CREDITS

 

PRODUCED AND DIRECTED BY

MATT MOYER and AMY TOENSING

 

EDITED BY

CURTIS WHITEAR

 

WRITTEN BY

CURTIS WHITEAR and MATT MOYER and AMY TOENSING

 

CINEMATOGRAPHY BY 

MATT MOYER

 

MUSIC by

KYLE SCOTT WILSON

 

EXECUTIVE PRODUCERS

MORGAN PEHME and DANIEL DiMAURO

 

EXECUTIVE PRODUCER

SAM CULLMAN

 

EXECUTIVE PRODUCERS

ERIK and LESLIE HEYER

 

EXECUTIVE PRODUCER

DAVE A. LIU

 

CO–EXECUTIVE PRODUCER

FREDRIK STANTON

 

ASSOCIATE PRODUCER

KAYLA BREEN

 

AUDIO POST PRODUCTION

HEART PUNCH STUDIOS

 

SOUND DESIGN / RE-RECORDING MIX BY

GREG McCLEARY

 

COLOR BY

CHRISTOPHER YOUNG

 

POST PRODUCTION FINISHING BY

SEE WHY COLOR

 

PRODUCTION COMPANIES

MILLROCK PRODUCTIONS        

CALLIOPE PICTURES

In association with 

LIUCRATIVE MEDIA

 
  • Year:
    2024
  • Runtime:
    85 minutes
  • Language:
    English
  • Country:
    United States
  • Premiere:
    World Premiere
  • Genre:
    Documentary
  • Subtitle Language:
    English

Slamdance 2024 will take place in-person from January 19-25 and virtually from January 22-28.

You can read our previous Slamdance coverage here! Stay tuned to Reel News Daily for more reviews this week, and don’t forget to check out our coverage over at Unseen Films for more!