WHITCH

Filmmaker Hoku Uchiyama delivers the magic with SXSW 2025 short horror comedy WHITCH. A mother named Aura reads her young daughter a bedtime story, then finally takes a breath from her long day. Suddenly, a mysterious woman appears in her house, encouraging her to make haste. With five minutes until midnight, the woman begins a ritual in the living room, challenging Aura to join in.
Alicia Blasingame is a superb foil for her onscreen rival. There is a comfort level that makes you buy into Aura from the moment you see her. Rosemary Hochschild is magnificent in her final film role as Gladys. Her fearless performance sends chills down your spine, then giggling with delight. What a pleasure to witness this level of talent.
Kenneth F. Wales‘ camera work is fantastic. Immersive POV shots pull you in immediately. The original music by Anton Patzner is playfully sinister. The closing title is perfection.
WHITCH subconsciously makes fun of women who call themselves witches, but in reality, they love the ideas and decor, not the literary canon. Would I adore a feature-length version? The answer is a resounding YES. Do I also believe it is delicious in its current form? It has undoubtedly cast a spell on me.
DIRECTOR BIO:

Hoku is a lover of fantasy films, horror, and animation. Over the past decade he’s worked as a director (sometimes with Adam Bolt) and editor on music videos, documentaries, and advertising. Clients and collaborators include, Katy Perry, They Might Be Giants, National Geographic, and YouTube.
Director: |
Hoku Uchiyama |
|---|---|
Producer: |
Kelly King |
Screenwriter: |
Hoku Uchiyama |
Cinematographer: |
Kenneth F. Wales |
Editor: |
Hoku Uchiyama |
Production Designer: |
Adam Henderson |
Music: |
Anton Patzner |
Principal Cast: |
Rosemary Hochschild, Alicia Blasingame, Nora Harriet, Carol Merrill-Mirsky, Joy Mamey, Geffen Aviva, Kindred Gottlieb |
Additional Credits: |
Costume Designer: Caroline Allander, Production Sound Mixer: Dan McCoy, Key Makeup and Hair: Stacey Hummell, Unit Production Manager: Courtenay Sherwood, 1st Assistant Director: Kate Lord Schnepf, Post Production Sound Mixer: Vicki Lemar, Color Grader: Marco Mauti, Costumer: Azucena Dominguez, Intimacy Coordinator: Jazlyn Lewis, Casting Associate: Jillian Seither |

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Riley Rose Critchlow gives a particularly entrancing performance. Their living vs. dead personalities are vastly different but equally grin-inducing. Critchlow captures a relatable sadness, leaving a lasting impression.
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Writer-director-producer-DP-and editor Evan Marlowe brings Panic Fest 2023 audiences, hands down one of the most twisted films in recent history with ABRUPTIO. A maniacally bizarre and wholly disturbing film, this story of coping mechanisms, humanity’s darkness, and unrelenting guilt will knock you off your feet.
Robert Englund plays Mr. Salk, an OCD accountant dressed entirely in white. A genius move on Marlowe’s part to include his vocal stylings. Darren Darnborough gives Clive a perfectly sinister intonation. I would happily watch a spinoff following his character’s shenanigans. BUFFY loves of my life James Marsters voices Les. He is outstanding. His subdued nature makes you all the more uncomfortable. 


The cast’s chemistry is spectacular. Michael Urie is Jamie, Larry’s fiance. He’s the most down-to-earth of the bunch, with the better part of his screen time in sequences over the phone. Urie can do no wrong in my book. Veanne Cox is Sylvia. Her performance is frightening and downright brilliant. I would watch a stand-alone film on her character.
Nicholas Logan plays Harrison. His overtly masculine energy, physical discomfort, and aggressive nature are a perfect foil for our four friends. His aura forces the audience to take stock of microaggressions and outright bigotry. Logan handles the distasteful behavior like a champ, and Harrison’s arch is a nuanced breath of fresh air.
SUMMONING SYLVIA is one of the funniest queer films of the year. As a theatre girl, I was in my element. I knew these characters. The film’s climax has a dual purpose that beautifully mirrors life and the afterlife. The finale is celebratory. Do not miss this hell of a good time.

Check out the newest trailer for the film and our 


Practical FX are gnarly. I actually exclaimed, “Oh F*ck!” as I caught my first glimpse of gore. Studio 666 is based on a story by Dave Grohl. Self-professed genre lover, the screenplay from Jeff Buhler and Rebecca Hughes is laced with profanity that you cannot help but smirk. It’s so over the top, ya gotta laugh. Beyond that, Studio 666 is pure horror-comedy gold.
Every member of the band brings their personality to the forefront. Grohl is hilarious. His unadulterated manic energy makes Studio 666 a goddamn freight train. That and the fact that it rocks. Grohl wrote an entire metal album for the film and we get to receive it with open ears. I have to say, if casting directors don’t use Dave in a plethora of upcoming acting projects, they are seriously missing out.
The tropes are abundant but always fun. The kills are gruesome and creative. Hands down, Studio 666 has a Top 10 of all-time chainsaw kill. Side note, Doritos must have a huge stake in the financing because the amount of chips featured and consumed is anything but inconspicuous. Studio 666 brings the giggles and the gore. Genre fans will go nuts for this film.







Are you
Genre fans, let me introduce

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