MAKE ME A PIZZA

Order up on filmmaker Talia Shea Levin‘s bold Midnight short MAKE ME A PIZZA. Made to look like a cliché 80s porno, this short had me bursting with laughter a minute in. The brilliant, over-the-top performances, side-splitting dialogue, and familiar-sounding score deliver. This short is part comedy, part fetish video, and all jaw-dropping weirdness. SXSW 2024 audiences will pun quite intended, eat it up. Talk about food porn. You’re welcome.

Credits
Director: |
Talia Shea Levin |
|---|---|
Producer: |
Kara Grace Miller, Talia Shea Levin |
Screenwriter: |
Talia Shea Levin, Woody Coyote |
Cinematographer: |
Vittoria Campaner |
Editor: |
Lynn Hong |
Production Designer: |
Amelia Steely |
Sound Designer: |
Ethan Gustavson and Drummond L Dominguez-Kincannon at Somepoint Sound |
Music: |
Matthew Bernstein |
Principal Cast: |
Woody Coyote, Sophie Neff |
Additional Credits: |
Associate Producer, 1st AD: Sofie Somoroff, Intimacy Coordinator: Felicia Armstrong, SFX Hair & Make-Up: Asia Cataldo, Art Director: Rose Michels, Special Props Fabricator: Tay Kaltman, Gaffer: Ingrid Sanchez, Sound Mixer: Alejandro Villaseñor, Visual Effects: Zach Moore, Colorist: Kaitlyn Battistelli at Ethos Studio, Poster Designer: Wyatt Welles |




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For 26 seasons, Reading Rainbow met young viewers in their living rooms, whisking them away on far-off adventures into the boundless world of books. Inspiring and nostalgic, Butterfly in the Sky takes audiences behind the scenes of this beloved PBS children’s series and tells the story of its iconic host LeVar Burton, giving an inside look at the challenges he and the show’s creators faced in cultivating a love of reading through television. Reliving the show’s legacy is a refreshing return to the written page. But you don’t have to take our word for it.
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Fast fashion and exploitation. The popular teen brand Brandy Melville comes under the microscope in a new documentary feature premiering at SXSW 2024 Brandy Hellville & the Cult of Fast Fashion. In the film, former employees discuss how they got hired, the company’s everyday practices, and the fallout of their exposure.
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Dr. Franklin Caul has created a simulated consciousness with the dead. The DOJ wants it, but Caul has ulterior motives. The tech uses data from the deceased to have conversations or seek answers. In the mix is a swirl of overlapping thoughts and confusion that get under your skin. You cannot help but listen to them, and they are chilling. Caul observes that when suicide is the cause of death, the deterioration of self slows.
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ORDINARY ANGELS have genuine
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