Review: ‘Dating My Mother’ is a codependency coming-of-age story.

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DATING MY MOTHER

STARRING KATHRYN ERBE, KATHY NAJIMY,

JAMES LeGROS AND INTRODUCING PATRICK REILLY

Unemployed and living in his New Jersey hometown, brash screenwriter Danny (Patrick Reilly) spends his days practicing yoga, sipping red wine, and power-walking with his mother Joan (Kathryn Erbe). But when she reveals she’s seeing another man, their version of domestic bliss comes crashing down.

DATING MY MOTHER follows the intimate and tumultuous relationship between a single mother and her gay son as they navigate the dizzying world of online dating. While they search for their versions of Mr. Right, mother and son discover that sometimes you need to be apart in order to grow together.

Dating My Mother has a story that not’s new but is being presented in a fresh way. Mother and son have a codependent relationship that appears more like a marriage than parent-child. When both thrust themselves into online dating (one more reluctantly than the other) we are treated to a fun cinematic visual of tinder, rather than the old putting text messages up on the screen bit that has been so popular as of late. The moments are raunchy and funny, make no mistake. It was like you are watching visually some of the written guides at girlfriendactivationsystemreview.net. Kathryn Erbe is incredibly convincing as a Mom, Joan, who has enabled her son’s attitude toward life. Patrick Reilly as Danny is a great representation of some of an overwhelmed and perhaps ill-equipped kids just out of college. His vapid and annoyed response to life is amusing and relatable. The gem of this film has to be Kathy Najimy‘s role of Lisa, an overly encouraging friend with sass and brass. She is the key to laughs and to the plot actually moving forward as it needs to with her words of wisdom. The film does a nice job examining the dynamic of mothers and gay sons. There is a protective nature that’s really lovely to witness but it’s the line between friend and parent that’s the most important to track.

DATING MY MOTHER was written and directed by Mike Roma and produced by Ashley Hillis.  It stars Patrick Reilly, Kathryn Erbe, Kathy Najimy, James LeGros, Michael Rosen, and Paul Iacono. The film has a running time of 84 minutes. Gravitas Ventures released DATING MY MOTHER on VOD and across all other digital platforms on May 8, 2018.

Review: ‘The Honor List’ highlights female high school relationships; the good, the bad, and the embarrassing.

High school relationships, especially among girls, can turn on a dime. Emotions are in high gear which means even small miscommunications can take down friendships. In the new film The Honor List, we discover that what tears us apart can bring us back together.

The summer before high school, Piper, Sophie, Isabella, and Honor are inseparable; by senior year, they barely speak. When tragedy strikes before graduation, the former best friends reluctantly put their differences aside and reunite to complete a forgotten bucket list. THE HONOR LIST explores the complexities of friendships, family, love, loss, and high school.

High school, in general, is no cake walk, but this film delves into the cliche pitfalls of popularity in creative ways. The characters are flawed, as they should be. Each of the four main characters with their own personality and ideas. But it’s in those differences that allow the script to shine. Some of the most enduring relationships I still have from high school are with people with whom I share interests but we could not be more different from one another in most aspects almost 20 years later. True friendship happens over small moments that shape who we become. The Honor List will do well with a Freeform demographic. It’s a bit bold and very honest if not slightly saccharin at times. It would be something I would recommend Moms watch with their kids. While the entire cast has wonderful talent and chemistry, the biggest treat has to be Sasha Pieterse. In her first role since the finale of Pretty Little Liars, Pieterse gives a riveting performance as a young woman surrounded by home turmoil. She has a sharp wit, an edgy artist’s mindset, who is struggling with incidents of body shaming. The role is a complete departure from her previous work. I, for one, am seriously looking forward to more from her.

The Honor List is available digitally and On Demand now. Check out the trailer below:

The Honor List stars lifestyle, beauty vlogger and social media influencer Meghan Rienks (“Freakish”), Karrueche Tran(“Claws”), Arden Cho (“Teen Wolf”) and Sasha Pieterse, who is starring in her first lead role since the hit teen drama “Pretty Little Liars” ended. Directed by Elissa Down, written by Marilyn Fu from a story by Fu and Meghan Rienks, Lionsgate’s Studio L released the film digitally on May 11th. It was produced by Liz Destro, Zoe, Cisely and Mariel Saldana’s Cinestar Pictures, along with PopSugar Films. Over 60% of the crew were women; it is truly a film made by women for women.

 

Tribeca Film Festival Reviews: ‘Cargo’ & ‘The Night Eats The World’ breathe new life into the zombie genre.

Cargo

Director: Ben Howling, Yolanda Ramke

Writer: Yolanda Ramke

Producers: Samantha Jennings, Kristina Ceyton, Russell Ackerman, John Schoenfelder, Mark Patterson

Cast: Martin Freeman, Anthony Hayes, Susie Porter

Stranded in rural Australia in the aftermath of a violent pandemic, an infected father desperately seeks a new home for his infant child, and a means to protect her from his own changing nature.

 

Cargo, starring Martin Freeman will undoubtedly rip your heart out if you are a parent. It’s a race against time form the very first scene. It contains an intriguing bit of cannon with respect to this particular zombie outbreak. I’m always curious how this will be addressed in the genre and in Cargo, it’s very different from what we’re used to seeing. This film has a wonderful pace. It is dark with a constant feeling of dread looming. Freeman plays a believably loving and caring father of his infant daughter. The action and terror are unrelenting. In the genre what more can you really ask for? The film will be coming to Netflix next Friday, May 18th!


The Night Eats The World

Directed by

Dominique Rocher

Writing Credits (in alphabetical order)

Pit Agarmen (novel)
Jérémie Guez (screenplay) (adaptation) (dialogue)
Guillaume Lemans (screenplay) (adaptation) (dialogue)
Dominique Rocher (screenplay) (adaptation) (dialogue)

The morning after a party, a young man wakes up to find Paris invaded by zombies.

The Night Eats The World is all about isolation. Sam is alone in his ex’s apartment, walls splattered with blood, and the other floors are not much better. Realizing the outside is even less safe, he begins to use his wits by gathering what he can find, little by little, staying organized but perhaps not sane. Actor Anders Danielsen Lie is in every single scene of the film. His performance is so engrossing that I almost missed his complete physical transformation along the way. He must remain as calm as possible, which is pretty difficult considering the circumstances. An interesting element to his character is that he is a musician. This becomes both an advantage and a misstep in the plot. We’ve all watched The Walking Dead for years now but off the top of my head, I’m not sure I would be as methodic in my solitary survival as Sam. While we don’t get any information about the outbreak specifically, it never stopped me from enjoying the film, rooting for Sam to stay alive. Sometimes you don’t need it all spelled out for you, sometimes great storytelling is more than enough. 

Tribeca Film Festival Review: ‘Here and Now’ is sensational.

On the eve of a major performance at the iconic Birdland Jazz Club, Vivienne Carala (Sarah Jessica Parker) receives shocking news during a doctor’s visit that turns her world upside down. She struggles to deal with the devastation during rehearsals with her band and her manager (Common) and attempts to avoid her overbearing mother (Jacqueline Bisset). Finally, as she contemplates sharing the news with her ex and her teen daughter, Vivienne finds solace in the streets of New York City, where she reflects on her past and her future.

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Here and Now is the reason we still sit in a dark theater to experience a film. Sarah Jessica Parker is breathtaking and raw. The sound editing is stuff dreams are made of. It is noticeably heightened and for good reason. People’s cell conversations accost her while music fills the gaps in between. We track her in real time because time and sound and regret are the keys to this elegant film. Along with some stunning handheld camera work, there is simply not a hair out of place in this film’s storytelling. Here and Now explores the human connection between beauty and loss and life choices. You will be moved in ways you will never see coming. Check out the clip below for a slice of heaven that is Here and Now. *Formally titled Blue Night*

TRAILER:

 

Tribeca Film Festival Review: ‘Tully’ is the perfect movie to see this weekend.

Diablo Cody, Jason Reitman, and Charlize Theron have managed to capture the very essence of what Motherhood feels like on a primal level. Wrapped in wit and honesty, Tully encapsulates the sheer exhaustion, frustration, elation, confusion, anger, pride, adoration and everything in between. It’s in the film’s specificity that creates a sense of, “Oh, my God, yes. Finally, someone gets it!” Spilled breastmilk, changing diapers, juggling schedules, sleep deprivation, the feeling of complete isolation. As a mother of a 1 and 2-year-old, while portions of the premiere audience laughed, I teared up and nodded because while it was indeed hilarious, it was also so true. I have experienced every single moment Theron’s character does in some form or fashion. We are living the same truth. Cody has a knack for turning the ordinary into extraordinary with her scripts. Theron is as real and charismatic as ever. The film is an opportunity for Mothers to feel seen and heard. It is an opportunity for their partners to peer behind the ever-cracking facades of messy buns, leggings, and maybe a little mascara and chapstick if you’re lucky. Mother’s Day is this weekend. Go see this film and call your Mom, Wife, or Sister, and say, “Thank you, now how can I help?”

 

 

Tribeca Film Festival: ‘The Miseducation of Cameron Post’ is still happening

The Miseducation of Cameron Post
Feature Narrative
Country: USA
Director: Desiree Akhavan
Writer: Cecilia Frugiuele, Desiree Akhavan
Starring: Jennifer Ehle, John Gallagher Jr., Forrest Goodluck, Sasha lane, Chloë Grace Moretz
After Cameron is caught making out with another girl on prom night, her conservative guardians send her to gay conversion therapy. There, she forges an unlikely community with her fellow teens in this Sundance-winning coming of age story.
Official Selection of the 2018 Sundance Film Festival

Releasing August 10, 2018 from FilmRise

Melissa:

You might expect a combustible teenage tale of rebelling against a terrible situation, but instead, the story is nuanced and quietly chilling. Set not so long ago, the most disturbing thing is that it could be set today. This is not a bubbly teenage coming-of-age story.

Liz:

Melissa is right, the scenarios depicted in this film are absolutely still occurring in 2018. Being touted as  “gender confusion” in the film, I have no doubt this is damaging stuff to young people. It’s an important narrative to study in an everchanging inclusive environment. Chloë Grace Moretz as Cameron gives the audience a brave and honest performance. The writing and directing are fantastic. The film will both comfort and disturb audiences and the best ways possible. Through Cameron’s Miseducation, the world will learn.

Review: ‘Battalion’ – Save Your Time & Money

Battalion

Release Date: January 9, 2018

Run Time: 1 hour 34 minutes

Reviewed By: Reel Reviews Over Brews

After a war against an enemy from another world breaks out in the South Pacific, a group of freshly recruited U.S. Marines are sent to the front lines.

Save your money and wait until Battalion ends up on the SYFY channel at 3AM one week night and even then, save your time. The acting, the graphics, the sound, and the story line were all terrible. With Unlimited Graphic Design Service available, they could have created the best graphics. The story line was hard to follow. It had potential, in the beginning, but didn’t follow through. I sure wish I could get that hour and a half back… if I could, I’d spend it on another Infinity War session! Actually, you’re even wasting your time reading this. I wish I could find one minute aspect that was worth talking about, but unfortunately there isn’t. Maybe they were going for the Sharknado plan, where it was so bad that it turns out to be good… well, they missed there too. Battalion reminded me a bit of Starship Troopers, but much, much worse. Like a high school AV class version. Hopefully you’ll take my advise and skip this one and let’s keep our fingers crossed they don’t try to make a sequel.

Reel ROB Rating: 1.5 out of 10 stars

Post Credits Scene: No

We want to thank our friends at Reel News Daily for allowing us to do this guest review!

Tribeca Film Festival: ‘Back Roads’ is rural noir

Back Roads
Feature Narrative
Country: USA
Director: Alex Pettyfer
Writer: Adrian Lyne, Tawni O’Dell
Starring: Juliette Lewis, June Carryl, Nicola Peltz, Jennifer Morrison, Alex Pettyfer
A young man cares for his sisters after their mother is imprisoned for murdering their abusive father. When he strikes up an affair with a married woman, long-dormant family secrets bubble to the surface in this noir thriller.

No distribution as of posting.

Melissa:

Alex Pettyfer directs himself in the main role of a man who has a lot on his mind. Just when you think his life can’t get worse, something else emerges. While some saw his performance as flat, I found it incredibly nuanced and full of pain.

Liz:

This film is the epitome of dysfunctional family life. The plot twists are endless and it is truly emotionally taxing to watch. While the storytelling is dark, it delves deep into issues ranging from depression, guilt, and gender stereotyping. I couldn’t find a loose thread in the acting department and Pettyfer‘s particular performance is gripping.

TFF Review: ‘Dead Women Walking’

Dead Women Walking
Feature Narrative
Country: USA
Director: Hagar Ben-Asher
Writer: Hagar Ben-Asher
Starring: Ashton Sanders, June Carryl, Colleen Camp, Lynn Collins, Dot Marie Jones, Dale Dickey

Nine vignettes depict the stages leading to execution for women on death row in this emotional account of the human toll of the death penalty—on both the inmates and those they encounter in their final hours.

Dead Women Walking is an all our emotional gut-punch. It forces you to confront the reality of humanity rather than the crime. From 14 days to mere minutes prior execution time, the vignettes capture moments of healing, despair, acceptance, and the regrets of these very different women. There is no doubt that this film is one hell of an ensemble piece. Each breathtaking and nuanced performance will touch your soul in an extraordinary way. Adding to the brilliant writing is the specific choice of song for each character. Dead Women Walking‘s structure walks the perfect line between pragmatic and poetic. You will be moved, no matter what your political views are,  no matter if you are the victim of a crime, or you think you have no interest in the subject matter. Dead Women Walking will take your preconceived notions of female death row inmates and destroy them.

Review: ‘Avengers: Infinity War’ *SPOILER-FREE*

Ten years and eighteen movies have lead to this. Marvel Studios has been wildly successful in their films leading up to this moment, but this is quite possibly the biggest and most ambitious film of its kind. Avengers: Infinity War brings together the heroes of the MCU to take on Thanos, the mad titan, who is looks to fulfill his destiny of bringing together the infinity stones and reshaping the Universe. It’s all lead to this. Each past film was a piece in a larger puzzle and now it’s complete and the result exceeds expectations. Simply put, Avengers: Infinity War is epic.

Still broken following the events of Age of Ultron and Civil War, the Avengers are scattered across the galaxy. Thanos and his children have begun their quest in search of the infinity stones when they come across the Asgardian ship of Thor and his people, whom Thanos believes to be carrying the space stone. Seeing the sheer power of the mad titan, Hulk must reach Earth to warn the Avengers of the coming threat, but what he finds is a team shattered by squabble and a new group of heroes ready to take the fight to Thanos. The film is choked full of spoiler fodder at every corner so I will leave my summary there.

Directors Anthony and Joe Russo continue their onslaught into the MCU with yet another film worthy of calling the best and most ambitious, but this one certainly stands out above them all. Based on a storyline from the Marvel comics, the film is a re-imagining of the original story with obvious liberties, but nonetheless, works magnificently with the previous MCU films tying them all together nicely. The worry for some was the massive undertaking of the cast and how they would all fit into a 2 1/2 hour film, but the Russo’s and their writing team gave each subplot equal amounts of care and screen time without over saturation. And you would be hard pressed to find a weak link in the casting chain. Each actor shines in their corner of Infinity War with Robert Downey Jr, Chris Hemsworth and Zoe Saldana winning stand out stars.

Overall, Avengers: Infinity War is a overwhelmingly satisfying first act and will leave you speechless at the close. It’s a film that needs to be digested multiple times to catch everything you missed while you were trying to pick your jaw off the theatre floor as you look on in awe of the visual spectacle before you. I can’t wait for the next 10 years of the MCU. If Infinity War is any indication, the best is yet to come.

Stars:

4 1/2 out of 5

After Credit Scene?

Yes. One after the credits

Trailer:

Tribeca Film Festival 2018 Review: ‘Slut in a Good Way’

Slut in a Good Way
Feature Narrative
Country: Canada
Director: Tribeca Film Festival 2018 Review: ‘Slut in a Good Way’
Writer: Catherine Léger
Starring: Vassili Schneider, Anthony Therrien, Alex Godbout, Romane Denis, Rose Adam, Marguerite Bouchard
Three 17-year-old girlfriends get a job at the Toy Depot for the holiday season and become smitten with the guys who work alongside them in this charming teen sex comedy.

Slut in a Good way has a throwback John Hughes feel to it from the humor to the themes, tot the use of specific music choices. It examines the tumultuous nature of female relationships and how they can turn on a dime. The film features three archetypes, The Virgin, The Rebel Activist, and The Newly Sexually Independent Girl. Double standards and slut-shaming are rampant, but that’s what makes the script whip-smart and funny.

Review: ‘And Then I Go’ will haunt every parent in America.

AND THEN I GO

In the cruel world of junior high, Edwin suffers in a state of anxiety and alienation alongside his only friend, Flake. Misunderstood by their families and demoralized at school daily, their fury simmers quietly until an idea for vengeance offers them a terrifying release. Based on the acclaimed novel “Project X” by Jim Shepard, this unflinching look at adolescence explores how the powerful bonds of childhood friendship and search for belonging can become a matter of life or death.

With two small children, I now have a whole new set of anxiety as I research schools. I remember how bullying affected me when I was middle-school age. But with social media and the lack of consequences I have seen surrounding some children’s behavior, I am increasingly nervous about what my kids are getting themselves into through no fault of their own. My sister is newly a fulltime school counselor. The lack of coping skills and the increase of online harassment makes these kids more vulnerable than ever before. She job has quickly transformed from a few state-mandated cases into the disciplinary dumping ground for her particular administration. The uphill battle keeps getting higher.

The new film And Then I Go looks deep inside the isolation of two young boys as they are tormented by issues at home and school, some of their own doing and some by association. Performances from Melanie Lynskey and Justin Long are equal parts exhausted parents and concerned, loving individuals. They are caught in a cycle of changing behavior typical of their older son’s environment and a second child whose innocence is still intact due to age and personality. You feel for all parties involved and if you’re a parent yourself, can understand the look of desperation and quick jump to judgment.
The anchors of the film are undoubtedly our pair of lost boys, Arman Darbo and Sawyer Barth. These two give performances that will leave you breathless. The emotional depths to which these two have to go are heartbreaking and raw. Some moments are so natural you will wonder if there is a script at all. We will be seeing much more from these two in the future. Tony Hale and Carrie Preston offer us an insight into the minds of school staff and the attention they try to give to all their students. They are in the same mindset as parents emotionally and mentally. Exhaustive attempts to serve each child as an individual either stick or they don’t. All we can do is our best and remember why we do the jobs in the first place.
From the opening voiceover, there is an air of anxiety and melancholy. A deep seeded feeling of dread looms over the film as the plot rolls along. The cinematography and lighting are key to setting the film’s mood and tone. It’s a beautiful thing to behold, truly. While I was able to figure out where the film was headed, I was so invested in the characters that I was rooting for a different outcome throughout. You cannot help but hope that something or someone will intervene. But as a former teacher, I have seen the overcrowding and felt the burnout in taking work home, yet trying desperately to keep track of not only the kids in my own class but others. Resources being slashed left and right doesn’t help administration, teachers, and parents to do their very best. We are only human. I for one will be seeking out Jim Shepard‘s novel, “Project X”, immediately. And Then I Go should be required viewing for every adult in America today.

The Orchard will release AND THEN I GO On Digital and On Demand April 17, 2018.

The film features a stellar cast led by Justin Long (Yoga Hosers, Tusk, Accepted), Melanie Lynskey (“Castle Rock,” “Togetherness,” Heavenly Creatures), Tony Hale (“Arrested Development,” “Veep”), Melonie Diaz (Fruitvale Station, The Belko Experiment), Carrie Preston (“Claws,” “True Blood”), and powerful performances from teenage actors Arman Darbo (Defenders of Life) and Sawyer Barth (Super Dark Times).

 

Review: ‘Wildling’ is dark, coming of age tale.

WILDLING

 **WORLD PREMIERE – 2018 SXSW FILM FESTIVAL**

The feature debut from Fritz Böhm, WILDLING is a spellbinding take on the werewolf legend starring Independent Spirit Award Nominee Bel Powley (The Diary of a Teenage Girl), SAG Award® Winner Liv Tyler (Lord of the Rings, Armageddon) and Academy Award® Nominee Brad Dourif (One Flew Over Cuckoo’s Nest, Child’s Play).

 WILDLING is a unique dark fantasy tale centered on young Anna (Powley) who has been raised in isolation by a man she knows only as Daddy (Dourif) who has done everything possible to conceal the truth about the girl’s origins from her. But when the teenage Anna is suddenly thrust into the real world under the protection of no-nonsense police officer Ellen Cooper (Tyler), it soon becomes clear that the young woman is far from ordinary. Unable to adjust to a normal life, Anna finds herself drawn instead to the wild freedom of the forest while struggling to resist the growing bloodlust that has awakened inside her. This moodily atmospheric thriller combines supernatural scares with a myth-like tale of self-discovery.

There are many elements of Wildling that excited me. The cast is beyond excellent. Bel Powley is undeniably a star. As she never seems to age, she can continue to portray exceedingly young characters. Her onscreen presence is captivating. And while she actually speaks relatively few lines in the film, she owns each scene she appears in. Liv Tyler is as elegant as ever. Never doubt her ability to completely inhabit any role. Brad Dourif is scary as hell. He makes your skin crawl in the best way possible. The lighting is truly something to behold. Extra attention to the sound mixing plays perfectly on the audience’s sense of dread or wonder, depending on the moment to moment needs of the plot.

After all of the positives, I would be remiss if I didn’t mention the rushed feel of the story. Much of the plot seems to be missing as if there is an entire section of canon that was left out for runtime. I have so many questions pertaining to missing elements (I won’t be too specific because of spoilers) and I was a genuinely baffled by their absence. Some serious plot holes. The emotional transition of all the major players was swifter than feel natural under the circumstances. Finally, if I hadn’t seen Netflix’s original series Big Mouth, perhaps I wouldn’t be so bothered by the final creature FX.

Wilding has a graphic novel turned feature film feeling to it. It’s most definitely entertaining and worth the watch. You can watch the trailer below.

IFC Midnight will release the upcoming thriller WILDLING in theaters in NYC and LA as well as on VOD and Digital HD on April 13.

Review: ‘ The Endless’ is an unsettling trip.

THE ENDLESS

Directed by Justin Benson & Aaron Moorhead

Written by Justin Benson

Starrs Justin Benson, Aaron Moorhead, Callie Hernandez, Emily Montague, Lew Temple, Tate Ellington, James Jordan

Synopsis: Following their Lovecraftian modern cult classic SPRING, acclaimed filmmakers Moorhead and Benson return with this mind-bending thriller that follows two brothers who receive a cryptic video message inspiring them to revisit the UFO death cult they escaped a decade earlier. Hoping to find the closure that they couldn’t as young men, they’re forced to reconsider the cult’s beliefs when confronted with unexplainable phenomena surrounding the camp. As the members prepare for the coming of a mysterious event, the brothers race to unravel the seemingly impossible truth before their lives become permanently entangled with the cult.

The Endless is a truly mindbending cinematic experience. The story alone is strange enough but when combined with breathtaking cinematography and some serious FX, you’ve got one of the coolest films so far this year. It addresses the question of cult mentality and what we consider to be familial relationships. The Endless begs for multiple viewings and not just because you think you might be able to figure out exactly what’s happening, though that’s definitely a reason. You’ll come back for cool visuals, solid performances from the entire cast, and really snappy dialogue. There is so much going on in this film that your brain may not be able to keep up with all the awesome being thrown its way. More than once, I literally said aloud, “How’d the hell did they do that?!” Benson and Moorhead have undoubtedly given us a cult classic. To think this was all done on a limited indie budget is downright mind-blowing. The Endless will surprise you and keep you on your toes until the very final frame.
Check out the trailer below:

Opening in New York April 6th and Los Angeles April 13th with a national rollout to follow

TRT: 112 minutes

Country: USA

Language: English

Directors: Justin Benson and Aaron Moorhead

Writer: Justin Benson

Cast: Justin Benson, Aaron Moorhead, Callie Hernandez, Emily Montague, Lew Temple, Tate Ellington, James Jordan

 

Review: ‘VIRGINIA MINNESOTA’ is a quirky and heartfelt road movie.

 Daniel Stine’s feature film debut, Virginia Minnesota, received its world premiere on March 2nd at the Cinequest Film Festival and stars a primarily female cast led by Aurora Perrineau and Rachel Hendrix.

Two young women, torn apart by a childhood tragedy, unexpectedly reunite and embark on an illuminating 24-hour journey, where they unlock memories of long forgotten innocence and what it means to truly believe.

This unexpected indie takes your heart by surprise within minutes. It’s part folklore, part road movie, and all charm. When four girls are called together to hear the reading of the will of their former headmistress, sparks fly and memories burn with truth and misunderstanding. I was not expecting this story to turn into a road movie at all, although with a character that is a suitcase with a personality (you’ll just have to watch to understand what I mean) I guess I should have predicted it in hindsight. While a small piece of the plot does revolve around a fiancé, the dialogue definitely passes The Bechdel Test with flying colors. Aurora Perrineau and Rachel Hendrix have a chemistry that is fun and comfortable.They challenge one another at every turn making Virginia Minnesota just as delightful as it is insightful. Guilt, repressed feelings and some seriously quirky encounters create a truly lovely and endlessly engrossing film.

VIRGINIA MINNESOTA – Trailer from Daniel Stine on Vimeo.

Virginia Minnesota premiered at the 2018 Cinequest Film Festival on March 2nd at 9:30 PM.

Virginia Minnesota was recently awarded the Global Grand Jury award for Best Hollywood Film at the Hollywood Film Festival (HFF), with Aurora Perrineau and Rachel Hendrix receiving special mention as Exceptional Emerging Artists. The film is produced by Rushaway Pictures, with cinematography by Pedro Ciampolini and a score by Gary Dworetsky.

Review: ‘Keep The Change’ is a laugh out loud funny and charming as hell.

Set in New York, the story centers on the struggles of David as he comes to terms with his own high-functioning autism, when he unexpectedly falls for a quirky and outgoing woman whose lust for life both irks and fascinates him. Keep the Change is based on an award-winning short film developed by Rachel Israel and Brandon Polansky that was inspired by Polansky’s experiences at Adaptations, a community for adults on the autism spectrum.

Keep The Change premiered last year at The Tribeca Film Festival to rave reviews and won awards for best U.S. narrative feature and best new narrative director along with a special mention for the Nora Ephron Prize.

This film is a sidesplitting winner. Outside of the documentary genre, we’re not often let into the world of adults on the autism spectrum. Keep The Change follows the beginnings of a relationship between two very different individuals who are ultimately seeking to be accepted and cherished for who they are. The issues of self-love, sexuality, class, are addressed in endearing and tongue-in-cheek ways. Newcomers and leads Brandon Polansky and Samantha Elisofon have an insane chemistry. The two appear to be polar opposites making their banter all the more entertaining. Any time you pit a glum and cynical individual against an outgoing and seemingly innocent one, interesting things are bound to happen. The dialogue is biting, witty, and oftentimes offensive, keeping the viewer on their toes and thoroughly amused. Writer/director Rachel Israel has given us a true gem. This unique romcom will undoubtedly charm the pants off of you and teach you some much-needed tolerance.

Kino Lorber will open the film in New York on March 16th at the Quad Cinema, in Los Angeles on April 20th at Laemmle Town Center and Laemmle Royal Theatre followed by a national rollout.

Keep The Change stars newcomers Brandon Polansky and Samantha Elisofon. Written and directed by Rachel Israelthe film also stars veteran actress Jessica Walter (“Arrested Development”), Tibor Feldman and non-professional actors with Autism, Nicky Gottlieb and Will Deaver. 

Review: ‘The Leisure Seeker’ is ultimately relationship goals.

In Select Theaters March 9th

THE LEISURE SEEKER stars Academy Award-winner® Helen Mirren and two-time Golden Globe-winner® Donald Sutherland as a runaway couple on an unforgettable journey in the faithful old RV they call the Leisure Seeker. The couple travels from Boston to The Ernest Hemingway Home in Key West, recapturing their passion for life and their love for each other on a road trip that provides revelation and surprise right up to the very end.

While there are admittedly a few bumps in the road during The Leisure Seeker, as a whole the film is a beautiful journey through one couple’s history. Slight pacing issues and superfluous scenes aside, the heart of this film is the love between two people who adore one another to the core. As a granddaughter that has been witness to dementia, the disease can be an exhausting trip minute to minute. Donald Sutherland undoubtedly gives an award-winning performance, navigating memory loss through ever-changing beats. I counted no less than four distinctive version of the same man portrayed on screen by Sutherland. For Helen Mirren, this role feels like a bit of a departure. It is one that requires both a facade and unadulterated softness. The chemistry between these our stars is movie magic. If you have ever experienced two people who are so lovingly interdependent, then this film will resonate with you in between the dialogue. The care with which Mirren’s character takes in protecting her husband countered by the real moment to moment human frustration of this burden are palpable. The film may not be everyone’s cup of teas, as you will certainly be more affected if you have lived through these circumstances. The Leisure Seeker is not a glamorous film. It is raw and poignant in its quiet.

 

Review: ‘The Lullaby’ Definitely WILL NOT Put You To Sleep

The Lullaby

Theatrical Release & VOD: March 2, 2018

Run Time: 1 hour 26 minutes

Reviewed By: Reel Reviews Over Brews

Chloe is overwhelmed by the birth of her first child. The incessant crying of her baby, the growing sense of guilt and paranoia sends her into depression. With a heightened urge to protect her son, Chloe sees danger in every situation. She starts to hear voices, the humming of a childhood lullaby and sees flashes of a strange entity around her child. Convinced that the entity is real, Chloe will do everything in her power to protect her son. Is she haunted by evil or is it just the baby blues?

Writing this review a few days after watching The Lullaby and we still can’t get some of the disturbing images out of our minds. This movie has a slight resemblance to Eraserhead (one of Scott’s favorite horror movies), as the plot of having a baby will have its repercussions. We found the acting to be really good, except for a couple characters (Chloe’s mom and the therapist). What we wish they had done differently is give a better back story on Chloe in the beginning because they gave us no real reason to root for her throughout the movie. Eventually they fill in the blanks on her story, but some more info in the beginning, we feel, would have been better.

We all agreed, The Lullaby could certainly be a straight to Netflix movie. Not a movie we would pay to see, but worth the one time watch for sure! With it being a struggle to find a good horror movie these days, The Lullaby is slightly above average.

Reel ROB Rating: 6.25 out of 10 stars

Post Credits Scene: No

We want to thank our friends at Reel News Daily for allowing us to do this guest review!

 

Review: ‘The Vanishing of Sidney Hall’ weighs heavy.

The idea of personal responsibility can be a double-edged sword. It can be our life’s motivating factor or our downfall. In the new film The Vanishing of Sidney Hall, one young man’s past has an effect on the entire world around him.

After publishing a bestselling novel based on the death of one of his high school classmates, the controversial writer Sidney Hall (Logan Lerman) finds himself catapulted to unexpected fame and renown. His relationship with his girlfriend (Elle Fanning) begins to fall apart as the dark consequences of the book intrude on their life together, and he disappears without a trace. Nearly a decade later, an enigmatic detective searches for the missing author, whose books are connected to a string of mysterious arsons.

There was something about this film that really affected me throughout its nonlinear two-hour run. The script tackles issues from resentment to guilt, human connection to the feeling of powerlessness. With the award-winning performances from no less than four cast members, including Logan Lerman, Elle Fanning, Michelle Monohan, and Blake Jenner, The Vanishing of Sidney Hall has a twisted plot that pulls your emotions in various directions throughout. The one overall theme here is undoubtedly sadness. The film has a heaviness that is unshakeable. It’s a strangely perfect companion piece to Netflix‘s 13 Reason’s Why, and without going into too much detail (because I want you to see it) the film’s themes are universally relevant. The film’s score acts as an emotional and nostalgic catalyst to the time jumps. Despite the terrible beard on Logan Lerman throughout a third of the film, he gives the audience a multilayered and tragic performance that makes Sidney Hall what it is. Speaking of tragic, Blake Jenner plays a seemingly typical jock with a hard-on for bullying but it’s his character’s home life that haunts many others in the film. A massive departure from his role in GLEE, I hope Jenner gets some much-deserved attention from this one. Elle Fanning is ever surprising as a bold, unique, and confident girl next door (or across the street to be exact) saddled with both the romantic and strained man Lerner becomes. Michelle Monaghan plays against type as Sidney’s mother. A woman’s whose vitriol and resentment make her loathsome. The cast boasts other heavy hitters like Kyle Chandler and Nathan Lane. There is not a weak link in the entire ensemble.  I can tell you, you won’t be able to guess how this one wraps up. The Vanishing of Sidney Hall is fraught with love but mostly the loss of it. Be prepared prior to viewing.

THE VANISHING OF SIDNEY HALL  

Exclusively on Direct TV on January 25th & In Theaters on March 2nd

Director by:  Shawn Christensen (Academy Award Winner – Curfew, Abduction,)

Written by: Shawn Christensen & Jason Dolan

THE VANISHING OF SIDNEY HALL stars Logan Lerman (Perks of Being a Wallflower, Indignation), Elle Fanning (Super 8, Maleficent, The Neon Demon)Michelle Monaghan (“True Detective,” Gone Baby Gone, Source Code)Kyle Chandler (“Friday Night Lights”, “Bloodline”, and Manchester By The Sea) and Nathan Lane (“Modern Family,” The “People v. O. J. Simpson: American Crime Story”).

Review: ‘Surge Of Power: Revenge Of The Sequel’

Surge of Power: Revenge of the Sequel

Theatrical Release (Select Theaters): February 23, 2018

Run Time: 1 hour 30 minutes

Reviewed By: Adam

Guest review from Reel Reviews Over Brews

Time has passed since Surge’s first big screen adventure. Surge has settled in as Big City’s superhero. His nemesis, the Metal Master, is out of jail again, trying to reconcile with his estranged parents (played by Linda Blair and Gil Gerard). Are they more concerned about their son being gay than being a supervillain? Metal Master is tempted to continue a life of crime by Augur (Eric Roberts), old arch enemy of Omen, the sage superhero from the first movie (played by Robert Picardo and Nichelle Nichols). Augur sends Metal Master on a mission to Las Vegas for a strange crystal with unique properties key to Augur’s diabolical scheme. Surge tracks Metal Master to Las Vegas and is out of his element in a strange town. Surge is soon aided by local college students, Wendy, Marvin and Todd, deploying their own talents to help Surge uncover Metal Master’s activities, which also puts Surge in awkward situations. Cut off from his support in Big City and in need of more help, Surge activates the artificial intelligence in his high-tech car, the Surgemobile (portrayed first by Bruce Vilanch, six-time Emmy Award winner, comedian and writer, and later another artificial intelligence personality played by Shannon Farnon, Wonder Woman from the Super Friends!). Their search leads them to famous Las Vegas headliner, Frank Marino, whose penchant for fine jewelry like this custom mens wedding ring allows Frank to recognize the crystals – precious Celinedioium! Frank guides Surge and his new friends. Surge faces off with Metal Master on the Hoover Dam, imperiling California, Nevada and Arizona. Metal Master escapes, leaving Surge with catastrophe to avert.

A short repast allows Surge some downtime while Todd shows him around Las Vegas. Their quiet time is interrupted by further news on the Metal Master. Augur and Metal Master realize Surge and his friends frustrated their plan. An infuriated Augur confronts Surge, causing Omen to step into the fray, sending Surge and the Surgemobile elsewhere while he/she grapples with his/her nemesis. Meanwhile, Metal Master faces an even greater challenge – his disapproving parents.

Unbeknownst to Surge, Augur is part of a supervillain community, The Council, each member of which is as powerful as Omen, and stirred to emerge from the shadows after many years of peace with Omen and her cronies. Find out what happens next with cinema’s first out gay superhero when an array of legendary superheroes and villains clash, with more zany antics in this all-ages, light-hearted, star-studded sequel!

I was having this discussion with Scott recently about how movies now a days are trying way too hard to be really artsy and there isn’t as many mindless action/comedy movies anymore. Well, Surge brings that back! Don’t get me wrong, that isn’t a burn on Surge at all. It made it more enjoyable. Not going to lie… after I watched the trailer for Surge, I was a little worried it was going to be really lame and corny. It did have it’s corny moments, but that didn’t stop this one from being a fun watch. You could tell director, Vince Roth was going for the Adam West Batman vibe to this movie. In my eyes, it was a terrific idea! Loved the throwback look. My hands down favorite part of this movie were all of the cameos! So many former actors that played super heroes “came out” for Surge. It was fantastic. This is what the made the movie so fun to watch. Who will show up next!? If you’re a fan of super hero movies, Surge is certainly worth the watch. Be careful though because you may just “get the urge, to surge!”

After watching Surge of Power: Revenge of the Sequel, we were able to have a little Q&A with Director and lead actor, Vince Roth. *WARNING – SPOILERS!*

Q: What gave you the idea of Surge?

A: I grew up watching the “Super Friends” cartoon, which is where I developed my penchant for the superhero genre. In my adult years, I made a lot of costumes of other people’s characters, which has now become its own thing called “cosplay.” Then in my professional life, as a corporate attorney for a high-tech company, the marketing department created a superhero character for one of its marketing campaigns called “Commander X.” I made, at that time, what was my piece de resistance of costumes and the company liked it so much, that when trade shows came around, they would transfer me out of the legal department and into the marketing department and send me off to be the living embodiment of Commander X. It was at a trade show that I decided I should do something with a character of my own. Surge had been in my head for many years, and the movie was a vehicle for me to bring Surge to life.

Q: Will Surge be making any Comic Con appearances?

A: Surge typically shows up at San Diego Comic Con and Salt Lake Comic Convention. In fact, many of the celebrity interviews and many of the celebrities who came on board from the sequel are as a result of Salt Lake Comic Convention. We’re just now finishing the theatrical run, and I’m still pretty busy with distribution for the sequel at the moment, but when time permits, I’ll see what cons we can have Surge show up.

Q: Were you able to get any superhero tips from the one and only Stan Lee?

A: I barely met Stan Lee only once, but was not able to discuss Surge of Power or anything for that matter, he was so busy. But, if he is not prevented by MARVEL from doing cameos in other movies, we’ll invite him to join us.

Q: How did you get so many big names to make cameo appearances?

A: We had 20 cameos in the first movie, and our 3 featured celebrities from the first movie all came back for the sequel – Nichelle Nichols (Star Trek’s Uhura), Lou Ferrigno (The Incredible Hulk) and the late Noel Neill (Lois Lane from Adventures of Superman). This gave a lot of credibility to the sequel. We’ve developed a shtick with having celebrities show up, kind of like the also campy Batman TV show from the 60s. So, it’s a staple in our world of Big City to have celebrities. In the sequel, we take it even farther, by having celebrities cast in dramatic roles, not just cameos, throughout the movie.

Q: Were you going for an Adam West Batman type look with the quality?

A: Yes, I knew that if I was going to introduce a new superhero, especially an indie movie, I would need to differentiate our world. There hadn’t yet been an openly gay superhero on the big screen, so that became my mission and decided to use comedy as a platform, because humor has been an effective vehicle for gay characters to be accepted by mainstream audiences. Look at the success of “Will and Grace” for example, which,
incidentally, was brought back after 10 years, so why can’t Surge return after a lengthy
hiatus. Camp is a common trope in gay entertainment, and a natural superhero parallel is the campy Adam West Batman TV show. Both Surge of Power movies have a similar campy flavor as the 60s Batman. We’re not shy about it. There’s even a line Bruce Vilanch
delivers that homages Batman when he tells Surge, “that cape is a throwback to the 60s.”
The inspiration from Batman is noticeable, and I think we added our own flare in our
contributions to the superhero genre.

Q: Why did it take so many years for a Surge sequel?

A: Homophobia is why it took so long. There were some people who really did not want this movie to be made, which made it all that much more important for me to get it done. Pixar’s “The Incredibles” was released in 2004 and its sequel is due out later this year, 2018, which is 14 years, so I think we’re still within range for superhero movies, haha. The first movie, “Surge of Power: The Stuff of Heroes,” started screening in 2004 and was released in 2006. I was busy promoting the first movie at cons for a few years before I was talked into embarking on the sequel, but homophobia and life interruptions caused us to put the sequel on hold for several years. This actually turned out to be a blessing, because it allowed us to improve on scenes not yet shot, expand the script to add new scenes, and, of course, we went gangbusters on celebrities, putting them in roles throughout the movie from start to finish, and we enlisted a lot more focus group feedback to give the audience what it wanted. So, the delays allowed us to arrive at a better end result and audiences are enjoying it.

Q: We saw the post credit teaser scene… is there another Surge in the works?

A: We actually have already shot scenes with Nichelle Nichols as Omen for the third movie, “Surge of Power: Call of the Champions,” and for our web series, “Big City Chronicles.” There is a little sneak peek of Nichelle on set for “Call of the Champions” that is on the Blu-Ray and DVD as a Special Feature that runs for almost 5 minutes. So, Nichelle will appear as Omen throughout all Surge of Power projects. We also have already shot a handful of cameos for “Call of the Champions.” Now, how many years it takes me to actually make the whole movie, remains to be seen, but, folks can keep an eye on our activities and our progress by watching “Big City Chronicles” episodes, which is a variety show consisting of celebrity interviews, behind-the-scenes looks at all the movies, sneak peeks and new mini adventures of Surge. Keep an eye out at www.surgeofpower.org

Reel ROB Rating: 5.25 out of 10 stars

Post Credits Scene: Yes

We want to thank our friends at Reel News Daily for allowing us to do this guest review!