‘SCARED SHITLESS’ (2025) Gooey, goofy greatness.

Blue fox LogoSCARED SHITLESS

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Vivieno Caldinelli delivers a beautifully absurd, delightfully disgusting treat with SCARED SHITLESS. The film follows widowed plumber Don and his germaphobic son Sonny as they attempt to save an apartment building from a disastrous lab experiment.
 
scared shitless 1Chelsea Clark (Pins and Needles) gives Patricia, the building owner’s daughter, an incredibly grounding energy. She’s the straight character of this bunch. Patricia also solidifies the plot by guilting Sonny into continuing his work and providing a safe space for Sonny’s phobias. Clark also serves as the third hero with her scientific knowledge.
 
scared shitless 2Daniel Doheny plays Sonny with perfect manic energy. He is one panic attack away from implosion. Doheny handily glides through Sonny’s arch as the gross factor increases. He nails this genre. Steven Ogg (Dark Match) is such a magnetic presence in everything, and as Don is no exception. His relentless confidence makes him easy to root for. Clark, Doheny, and Ogg share phenomenal chemistry. I would love to see this trio tackle more weird shit together.
 
scared shitless creatureSteven Kostanski serves as both Executive Producer and FX goo god. The amount of physical ick in the film should come as no surprise to fans of Kostanski’s work. PG: Psycho Goreman is a damn joy. Writer Brandon J. Cohen seamlessly marries creature feature gore, family trauma, and laugh-out-loud funny dialogue. The kills are actually insane. I definitely yelled, “OH, SHIT,” at the scream. I gagged more than once. Troma would be proud.
PS- stay for the credits.

HERE is the Scared Shitless TRAILER.

SCARED SHITLESS, opening in US theaters and on digital October 3, 2025.



The buzzy festival creature feature stars Steven Ogg (“Grand Theft Auto,” AMC’s The Walking Dead, HBO’s Westworld), Daniel Doheny (Alex Strangelove, The Package, Syfy’s Day of the Dead), Chelsea Clark (Degrassi: Next Class, Tokens, Ginny & Georgia, The Protector, Life with Luca), and Mark McKinney (The Kids in the Hall). The film picked up several festival awards during its festival run which included over 25 official selections internationally. (full list below)

In Scared Shitless, a plumber (Ogg) and his germaphobic son (Doheny) are forced to get their hands dirty to save the residents of an apartment building when a genetically engineered, blood-thirsty, creature escapes into the plumbing system.

Genre: Horror Comedy
Distributor: Blue Fox Entertainment
Production Company: Happy Cat Productions
Directed by: Vivieno Caldinelli
Written by: Brandon Cohen
Produced by: Lewis Spring
Cast: Steven Ogg, Daniel Doheny, Chelsea Clark, Mark McKinney, Marcia Bennet
Tagline: Don’t forget to flush!
Logline: Two plumbers are forced to save the residents of a building when they discover a killer creature in the pipes.
Synopsis: Don, a blue-collar plumber, and Sonny, his germaphobic son, are forced to take care of one another after the death of Sonny’s mom. To help Sonny overcome his germaphobia, Don drags him out on a routine house call where they encounter a plumber’s worst nightmare… a vicious killer creature that’s swimming through the pipes, killing the building’s tenants in an increasingly grisly fashion.
Country: Canada
Language:  English
Not Yet Rated
Year: 2025
 
 
Film Festivals Info
Scared Shitless Wins:
Fantasia Film Festival (Montreal) – Bronze Audience Award for Best Canadian Feature 
Blood In The Snow (Toronto) – Best Picture, Best Special Makeup F/X
Fantaspoa (Brazil) – Best All-Nighter Film
FogFest (Newfoundland) – Best Special Effects
FilmQuest (Utah) – Best Supporting Actor
Dead Of The Night (UK) – Best Feature
NorthWest FearFest (Edmonton) – Best Canadian Feature
Vancouver Horror Show (Vancouver) – Best Lead Actor
Be Afraid Horror Fest (Italy) – Best Feature
 
Nominations:
Vancouver Horror Show – Best Feature, Best Director, Best Writer, Best Cinematography
Fantasy Film Fest – Fresh Blood Award
FilmQuest – Best Makeup F/X, Best Production Design/Art Direction, Best Actor
Blood In The Snow – Best Supporting Actor
FogFest (Newfoundland) – Golden Guts Award
 
Official Selection:
Fantasia (Montreal)
FrightFest UK (London)
Screamfest (LA)
Calgary International Film Festival (Calgary)
Fantasy Film Fest (Germany)
Slash Film Festival (Austria)
ASNIFF (France)
Dead of The Night (UK) 
Ramaskrik (Norway)
Vancouver Horror Show (Vancouver)
Horrorthon (Dublin) 
Razor Reel (Belgium)
NorthWest FearFest (Edmonton) 
Lund (Sweden)
FilmQuest (Utah)
Morbido (Mexico)
Blood In The Snow (Toronto)
It’s Alive (Bulgaria)
Blodig (Denmark)
Molins (Spain)
Tallins (Estonia)
Night Visions (Finland)
Be Afraid Horror Fest (Italy) 
BIFFF (Belgium)
Fantaspoa (Brazil)
Brugggore (Switzerland)
FogFest (Newfoundland)
 
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‘SHE LOVED BLOSSOMS MORE’ (2025) A trippy rumination on grief and time.

Dark Sky Films LogoSHE LOVED BLOSSOMS MORE

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Yannis Veslemes‘ psychedelic rumination on death and time, SHE LOVED BLOSSOMS MORE, finally arrives beyond its wildly successful festival run. Three brothers, longing to bring their dead mother back to life, build a time machine. Hedgehog, Dummy, and Japan reside in their family estate, experimenting with household items and unresolved grief.

she loved blossoms more 2The boys flitter between trials, doing whatever drugs they can procure, speaking with utter nonchalance about their intentions. Hedgehog, clearly consumed by sadness, eagerly claws his way towards his ultimate goal. Obsession takes hold.

she loved blossoms more 3Cinematographer Christos Karamanis brings the viewer inside their drug trips, of which there are many, blurring the lines of reality. Fair warning: if you are sensitive to light or sound, the film can be overwhelming, but inarguably hypnotic. Performances, particularly Panos Papadopoulos, are fantastic.

Production designer Elena Vardava delivers a sumptuous and enveloping atmosphere of jewel-toned furnishings and eclectic wares. The FX team brings wide-eyed gazes with the brothers’ trials, which include a skinless pig and a headless chicken, to start. But the pièce de résistance is the transformation of Dummy’s girlfriend, Samantha.

SHE_LOVED_BLOSSOMS_MORESci-fi extravagance aside, Veslemes takes audiences on a visceral and emotional ride into darkness. There is no denying SHE LOVED BLOSSOMS MORE is a WTF, jaw-dropping watch.


SHE LOVED BLOSSOMS MORE Trailer:

Director: Yannis Veslemes | 2025 | 88 mins | Thriller | Greek, French

SHE LOVED BLOSSOMS MORE IS NOW IN SELECT THEATERS AND ON DIGITAL

 

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‘COYOTES’ (2025) A campy creature-feature to feed our genre need.

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Campy survival horror COYOTES is honestly exactly what we need in this grossly exhausting political climate we currently find ourselves in. The film finds a family trapped in their Hollywood Hills home by a vicious pack of coyotes that will kill anything in their path. Liv, Scott, and daughter Chloe battle these ravenous creatures amidst unraveling familial bonds and uninvited guests.

COYOTES would be a perfect doubt feature with Werewolves Within. Both films have quirky characters. Keir O’Donnell gives exterminator Devon a greasy, cringey confidence. Norbert Leo Butz encapsulates the coked-up, sex-addicted next-door neighbor, Trip.

coyotes Mila harrisBrittany Allen plays sex worker Julie. Her ability to steal scenes is magic. Mila Harris is Liv and Scott’s animal-loving daughter, Chloe. She beautifully holds her own alongside Bosworth and Long. Their family chemistry is delicious.

Kate Bosworth is Liv. She is an absolute badass, loving mother. She is the grounding force of the film. Scream king Justin Long gives us delightfully approachable Dad vibes as Scott. The addition of his inability to look at blood is actual perfection. Long’s jokes counter the utter madness and mayhem surrounding the little family unit.

COYOTES - Justin Long - CourtesyThis is essentially an ensemble survival horror. The CGI coyotes are a bit Twilight-y, but the practical FX are legit. The kills are super creative, and one is particularly gnarly and incredibly satisfying for genre fans. Scott’s occupation is a graphic novel artist. Director Colin Minihan uses his drawings as character intro cards as well as panel swipe transitions. The script is a clever worst-case scenario tornado, social satire, while simultaneously tying in a neglected relationship element.

COYOTES fills a disassociation void with a fun time. We get to see the authentic chemistry between the recently engaged Long and Bosworth, and enjoy Long’s characteristic slapstick comic timing. Grab some popcorn and have a solid night in.


COYOTES Trailer:

IN THEATERS NATIONWIDE OCTOBER 3, 2025



Synopsis: After a Santa Ana windstorm knocks out power in the Hollywood Hills and crushes the family SUV, the Stewarts — Scott, Liv, and their precocious daughter, Chloe — are stranded in their hillside home with no cell service, no escape route, and just enough Spam to start a riot.

But the real problem? Coyotes. Not the scrappy, skittish kind that dig through your garbage and steal your cat — but smart, organized, murder-flavored coyotes. Led by a scar-faced alpha with serious beef, the coyote pack starts picking off neighbors like it’s happy hour at an all-you-can-eat casino buffet.

As wildfires rage on one side and a bloodthirsty canine death cult circles the other, the Stewarts — armed with nothing but a flashlight, an old iPad, and some questionable decision-making skills — must band together and transform from cozy suburbanites into blood-smeared survivalists.

COYOTES is a savage, satirical survival thriller where nature bites back — and this time, it brought friends. Welcome to the apex of the food chain. It’s going badly.


Genre: Thriller/Horror

Runtime: 91 minutes

Language: English

Country of Origin: United States

Year: 2025

Production Companies: Capstone Studios, Gramercy Park Media, Jaguar Bite

Director: Colin Minihan

Writers: Tad Daggerhart, Daniel Meers, and Nick Simon

Producers: Nathan Klingher, p.g.a., Ford Corbett, Josh Harris, Jib Polhemus, p.g.a.

Executive Producers: Simon Beltran Echeverri, Kate Bosworth, Jason Carpenter, Tad Daggerhart

Distributor: AURA Entertainment

Cast: Justin Long, Kate Bosworth, Mila Harris, Brittany Allen, and Katherine McNamara

For more horror, click here!

‘SCURRY’ (2025) Super satisfying creature-feature available this Friday

SCURRY

Scurry poster

Luke Sparke‘s apocalyptic sci-fi creature feature SCURRY opens in theaters and on VOD this Friday. The film follows two strangers trapped in a series of pitch black tunnels. They search for an escape route while being stalked by the lifeforms wreaking havoc above ground.

scurry main stillFew films have been able to pull off the one-shot feat. SCURRY owns it. Here is a team that has total trust, impeccable timing, and chemistry between the cast and crew, leading to cinematic magic. The element of enveloping darkness, a small, unpredictable light source, and the blurry infrared of a camcorder create relentless dread.

scurry stillJamie Costa and Emalia (The Dog) are spectacular, balancing caution, fear, desperation, audacity, and unrelenting determination. Screenwriter Tom Evans has Mark and Kate simultaneously butting heads while also needing to collaborate. Emalia’s physical performance encapsulates real-life panic attacks. Costa’s emotionally fraught turn has you rooting for him. If you’re like me, you may find yourself yelling at the screen.

Scurry has elements of CLOVERFIELD, THE DESCENT, and Stephen King‘s THE MIST. It is a tense and entertaining watch from beginning to end.


Scurry Trailer:

Luke Sparke’s One-Shot Horror Sci-Fi Scurry
Starring Jamie Costa & Emalia
Streaming on Digital HD October 3


When an unthinkable attack devastates their city, two strangers find themselves trapped beneath the chaos, wounded and disoriented. As they fight to survive in a narrowing underground tunnel, their injuries worsen, and their chances of escape dwindle. But the collapsing passageways aren’t their only threat—something else is lurking in the darkness, something relentless and hungry. Shot in real-time using a single continuous take, Scurry delivers a gripping, claustrophobic horror experience that will keep audiences on edge until the very last moment.

For more horror, click here!

Fantastic Fest 2025 Announces Awards!

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FANTASTIC FEST 2025 AWARDS

Austin, TX – September 23, 2025 – Fantastic Fest 2025 is excited to unveil the winners of this year’s awards, celebrating a remarkable array of genre films from around the world. With an abundance of unique and captivating features and shorts, narrowing down the selections proved to be a tough challenge. Even so, our distinguished jury has risen to the occasion, selecting the most outstanding works of the festival.

Fantastic Fest was also thrilled to host the first edition of Fantastic Pitches this year, presented by Chroma. The winning pitch receives $100,000 in funding for their feature film, global distribution, and a world premiere at Fantastic Fest 2026.

“To celebrate our 20th anniversary, we curated a remarkable lineup of feature and short films,” said Annick Mahnert, Director of Programming for Fantastic Fest. “Each year, our jurors face the difficult task of choosing from an extraordinary pool of talent, and this year was no exception. Despite the challenge, their selections reflect the true spirit of Fantastic Fest — a celebration of global cinema and the diverse voices that bring it to life.”


“MAIN COMPETITION” FEATURES Fantastic Fest 2025

Jurors: Mercedes Bryce Morgan, Fred Durst, Patton Oswalt
The Plague

Best Picture: THE PLAGUE, directed by Charlie Polinger

Best Director: Bartosz M. Kowalski – 13 DAYS TILL SUMMER

Special Mention: DECORADO, directed by Alberto Vázquez


“NEXT WAVE” FEATURES Fantastic Fest 2025

Jurors: Aaron Schimberg, Otessa Moshfegh, Lars Knudsen
CAMP_StillBest Picture: CAMP, directed by Avalon Fast

Best Director: Paolo Strippoli – THE HOLY BOY

Special Mention: LUGER, directed by Bruno Martín


“HORROR” FEATURES Fantastic Fest 2025

Jurors: Jose Cañas, Mònica García Massagué, Brandon Hill

The Vile still 2
Best Picture: THE VILE, directed by Majid Al Ansari

Best Director: Martín Mauregui – CRAZY OLD LADY

Special Mention: Best Kill – Knife in Bed in THE CURSE, directed by Kenichi Ugan


SHORT FILMS Fantastic Fest 2025
Jurors: Lisa Ogdie, Shams Mohajerani, Matt Pifko


SHORTS “BEST OF FEST”

WATER SPORTS, directed by Whammy Alcazaren


SHORTS WITH LEGS

Best Picture: WATER SPORTS, directed by Whammy Alcazaren


SHORT FUSE

Best Picture: THE DYSPHORIA, directed by Kylie Aoibheann


FANTASTIC SHORTS

Best Picture: GIANT SKELETON, directed by Austin Birtch


DRAWN AND QUARTERED

Best Picture: A BREATH OF MINDFULNESS, directed by Milly Cohen

Honorable Mention: THE GNAWER OF ROCKS, directed by Louise Flaherty


AUDIENCE AWARD Fantastic Fest 2025

THE HOLY BOY, directed by Paolo Strippoli
HOLY_BOY_StillFANTASTIC PITCHES Fantastic Fest 2025

Jurors: Barbara Crampton, Toby Poser, Tim League, Matt Johnson

PLAY HOUSE director Nicolas Curcio, Producer Kirby Gladstein, Producer Ben Gojer



For more information on the films listed above, visit https://www.fantasticfest.com/film-guide.

For the latest developments, visit the Fantastic Fest official site www.fantasticfest.com and follow the festival on Instagram, Facebook and Twitter.


About Fantastic Fest Fantastic Fest 2025

Fantastic Fest is the largest genre film festival in the U.S., specializing in horror, fantasy, sci-fi, action and just plain fantastic movies from all around the world. In years past, the festival has been home to the world and US premieres of PARASITE, SMILE, JOJO RABBIT, THE BLACK PHONE, JOHN WICK, FRANKENWEENIE, THERE WILL BE BLOOD, APOCALYPTO, ZOMBIELAND, RED DAWN, SPLIT, HALLOWEEN, BAD TIMES AT THE EL ROYALE, MID 90s, and SUSPIRIA while the guest roster has included such talent as Tim Burton, Nicolas Winding-Refn, Lilly and Lana Wachowski, Bong Joon-Ho, Taika Waititi, Robert Rodriguez, Rian Johnson, Bill Murray, Keanu Reeves, Martin Landau, Winona Ryder, Edward Norton, Ryan Reynolds, Patrick Wilson, Matthew Fox, Karl Urban, Josh Hartnett, The RZA, Dolph Lundgren, Paul Rudd, Bill Pullman, Paul Thomas Anderson, Kevin Smith, Jon Favreau, George Romero, Darren Aronofsky, Mike Judge, Karyn Kusama, M. Night Shyamalan, James McAvoy, Vince Vaughn, Jamie Lee Curtis, Jonah Hill, Barbara Crampton and Jessica Harper. Fantastic Fest also features world, national, and regional premieres of new, up-and-coming genre films. Fantastic Fest has seen the acquisition of many titles, including BULLHEAD, KILL LIST, MONSTERS, KLOWN, THE FP, PENUMBRA, HERE COMES THE DEVIL, NO REST FOR THE WICKED, VANISHING WAVES, COMBAT GIRLS, I DECLARE WAR, THE PERFECTION, and TIGERS ARE NOT AFRAID. Fantastic Fest is held each year at the Alamo Drafthouse Cinema in Austin, Texas. Alamo Drafthouse has been named the best theater in the country by Entertainment Weekly, Wired, and TIME.


In March 2023, Fantastic Fest joined the FIAPF (International Federation of Film Producers’ Associations) as a Competitive Specialized Feature Film Festival alongside Cannes, Berlin, and Venice.


About Alamo Drafthouse

Alamo Drafthouse Cinema was founded in 1997 as a single-screen mom and pop repertory theater in Austin, TX. Twenty-eight years later, with 44 locations and counting, Alamo Drafthouse has been called “the best theater in America” by Entertainment Weekly and “the best theater in the world” by Wired. Alamo Drafthouse has built a reputation as a movie lover’s oasis not only by combining best-in-class food and drink service with the movie-going experience, but also introducing unique programming and high-profile, star-studded special events. Alamo Drafthouse created Fantastic Fest, a world-renowned genre film festival dubbed “The Geek Telluride” by Variety featuring independents, international filmmakers, and major Hollywood studios. Alamo Drafthouse continues to expand its brand in new and exciting ways, including the American Genre Film Archive, a non-profit film archive dedicated to preserving, restoring and sharing film, and with several new theaters announced for this year and beyond.

FF logo black and white 2025

For more Fantastic Fest coverage, click here!

‘THE CRAMPS: A Period Piece’ (Fantastic Fest 2025) Tangible taboo with a horror twist

fantastic Fest 2025 bannerTHE CRAMPS: A Period Piece
Photo 1-Lauren Kitchen In Brooke H. Cellars' THE CRAMPS_ A Period Piece (Credit_ Warped Witch Cinema)

Brooke H. Cellars’ campy new horror comedy THE CRAMPS: A Period Piece comes to Fantastic Fest 2025 to leave audiences in a state of giggling discomfort. The story follows Agnes, a young woman from a strict household who gets a job at the local salon. When her period cramps manifest into monsters, life gets a lot more complicated than a little menstrual conversation.

Agnes navigates her monthly tormentor as she starts a new job as a shampoo girl with big dreams. Defying her weirdly fanatical widowed mother, Agnes goes on her first date, visits a gynecologist, and helps the gals at the shop enter a hair show against their salon nemesis. All while her cramps come to life and wreak havoc on those most deserving.

The Cramps stillThe Hairbrained Salon’s owner is a bawdy broad named Laverne. Martini Bear is one hell of a force, slinging f-bombs on top of the already kitschy, 60s-inspired dialogue. John Waters and Mario Bava are all over this film; think Cry Baby or Hairspray meets Blood and Black Lace. There’s no doubt Teddy is inspired by Grease’s Beauty School Dropout herself, Frenchy, except that in The Cramps, Teddy is a satanist. She (a fabulous Wicken Taylor) and fellow forgetful stylist, Holiday, played by hilarious Michelle Malentina, have the best chemistry. I would watch an entire spinoff about Laverne, Teddy, and Holiday.

Lauren Kitchen gives Agnes an authentic awkwardness and pure heart that we need to fall in love with her. Diving headfirst into this role and trusting Cellars’ vision, Kitchen captures your heart and grosses you out, all while making a cultural point.

Photo 5-Misty Richard and Jared Bankens in Brooke H. Cellars' THE CRAMPS_ A Period Piece (Credit_ Warped Witch Cinema)The costumes, hair, and makeup are spectacular. The vivacious colors and sparkles pop on the 35mm film. The hyper-augmented sound editing will make you cringe. The script cleverly weaves in menstruation shame, medical gaslighting, and consent, while also playing into the adage that a period is a monthly curse. The ending is perfection. THE CRAMPS: A Period Piece has midnight madness cult classic written all over it.


THE CRAMPS: A Period Piece (Warped Witch Cinema) Teaser Trailer:

 

Feature Film
(World Premiere, 89 mins)

Directed by: Brooke H. Cellars
Producers: Brooke H. Cellars, Madeleine Yawn, Wicken Taylor, Michelle Malentina, Levi Porter and Vincent Stalba
Starring: Lauren Kitchen, Brooklyn Woods, Harlie Madison, Martini Bear, Wicken Taylor, Michelle Malentina

A blossoming young woman, Agnes Applewhite (Lauren Kitchen), gets a job as a shampoo girl at a lively beauty salon, which goes against the wishes of her traditional family including her sanctimonious mother and tightly wound sister. As she begins this newfound journey to find her true self, she suffers from debilitating menstrual cramps, which blur the line between reality and nightmare for her and those around her.

Part comedy, part fantastical horror and wholly unforgettable, Brooke H. Cellars’ THE CRAMPS: A Period Piece takes the audience on a mesmerizing trip where John Waters’ irreverence meets the macabre stylings of Mario Bava, all wrapped in the dreamlike allure of Federico Fellini.

Brooke H. Cellars (she/they) is a multifaceted filmmaker. She has directed 8 short films since 2018. Her adoration for all things horror started when she was a kid. Her father was a children’s book writer and starting early on has been writing stories that were always horror themed. Her first screenplay, which she turned into a short film called THE CHILLS, won Best Screenplay at Houston Horror Fest in 2020. Her most recent short film VIOLET BUTTERFIELD: MAKEUP ARTIST FOR THE DEAD has screened in over 30 film festivals worldwide and has won multiple awards including the Abby Normal Award at Portland Horror Fest, the Audience Award at Final Girls Berlin, and both the Jury and Audience awards at Overlook Film Festival.

USA, Feature Film, 35mm, 89 Minutes, Not Rated, 2025

FF logo black and white 2025

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‘SILVER SCREAMERS’ (Fantastic Fest 2025) Seniors make for a scary good time.

Fantastic Fest 2025 PosterSILVER SCREAMERS

SILVER SCREAMERS still

Sean Cisterna brings his effortlessly charming documentary SILVER SCREAMERS to Fantastic Fest 2025. Cisterna introduces a logistically lofty goal to his local community: make a low-budget horror short with a cast and crew of seniors. A group of feisty go-getters learn new tricks, proving age is just a number. It’s a scary good time.

SilverScreamers09This heartwarming doc has some amazing personalities. Audrey is Sound. Her infectious wonder is the epitome of SILVER SCREAMERS. David is Special Effects. With his puppeteering skills, the film’s villain comes alive. Diane is in charge of Makeup. Her theatre background is key to her role. Sonny is the Camera Operator. He is reactivating the dreams of his youth.

Bari-Lynne is the First AD. She discusses the nerves on the first day of shooting. Come to find out, she was on the set of Prom Night in a professional capacity, and she gives us a fantastic behind-the-scenes story about Jamie Lee Curtis. Lucia is the Art Director. The location is Ontario’s historical museum, The Hilary House. Rooms adorned with signs that read, “Please do not touch,” but Lucia couldn’t care less. She is in it for the perfect shot.

SilverScreamers36_The team takes on their jobs with a refreshing enthusiasm. Watching each one tackle their assignments is like a boot camp into the complexities of filmmaking. Editor Lee Walker delivers an incredibly engaging montage of their initial endeavors. The opening credits are integrated into the film’s storyboards. It’s a brilliant device.

Each participant gets an interview package, further reeling the audience into their emotional sphere. The storyboards return as transitional storytelling pieces, alongside personal pictures. The connections made in real-time with our seniors and their professional mentors are pure magic.

SilverScreamers32_SILVER SCREAMERS acts as an advocacy pitch for art therapy at every age. Wait until you hear the ADR session. It’s a riot. The horror homage final scene is the cherry on top. Fantastic Fest audiences are in for a real treat.


The cameras have rolled, the fake blood has flowed, and the retirement community is about to slay the big screen with Silver Screamers, a heartwarming and spine-tingling documentary following a spirited crew of retirees as they swap knitting needles for camera lenses to make their very own horror short – The Rug.

  • Year:
    2025
  • Runtime:
    94 minutes
  • Language:
    English
  • Country:
    Canada
  • Premiere:
    World Premiere

Silver Screamers will have its world premiere in Austin, Texas at Fantastic Fest.

For more on Fantastic Fest, click here!

‘LONDON CALLING’ (2025) Action and heart in this unexpected buddy comedy.

Quiver LogoLONDON CALLING

London Calling_Teaser Art

Allan Ungar brings audiences a fun genre mashup in LONDON CALLING. After fleeing the UK from a job gone wrong, nearsighted hitman Tommy ends up working for a fiery LA crime boss. Unexpectedly tasked with mentoring his boss’s LARP-loving teenage son, Tommy’s past catches up with him.

LONDON CALLING_10Rick Hoffman is a master at searing delivery. His performance as Benson is unforgettable. Jeremy Ray Taylor gives Julian a spitfire energy. He is an undeniable star. His performance from the 2017 IT remake still haunts me. In this role, Taylor has a Michael Cera innocence and comic timing. Josh Duhamel plays a Tommy with comfort that few leading men genuinely possess. His swagger is only matched by his vulnerability and sardonic wit. Taylor and Duhamel’s chemistry is something I would watch over and over.

LONDON CALLING_5Upon first glance, Julian seems like a lost cause, but his love of video games makes him a crack shot. Tommy continues to fumble as his eyesight fails him. The two oddly balance one another out in talent and emotional needs as they delve deeper into crime shenanigans and plenty of character-driven redemption. Omer Levin Menekse, Quinn Wolfe, and Ungar’s script is laugh-out-loud funny. The only true cringeworthy moment is the repeated use of the “R” word, which felt lazy and offensive in 2025. 

LONDON CALLING_2The action sequences are incredibly entertaining. The final fight scene is nothing short of celebratory. LONDON CALLING has the same energy as The Other Guys or 21 Jump Street. Taylor and Duhamel’s father-son energy is an unexpected bonus, making for an entirely unexpected buddy comedy that earns your attention and melts your heart.

LONDON CALLING OFFICIAL TRAILER

 

 

LONDON CALLING will be in theaters on September 19, 2025.

 

LONDON CALLING stars acclaimed actors Josh Duhamel(Transformers franchise, Safe Haven), Jeremy Ray Taylor (It, Goosebumps 2: Haunted Halloween), Rick Hoffman (“Suits,” Thanksgiving) and Aidan Gillen (“Game of Thrones,” Maze Runnerfranchise). The film is directed by Allan Ungar (Bandit, Sympathy for the Devil), and is co-written by UngarOmer Levin Menekse (Please Hold, The Terrorist) and Quinn Wolfe (Pillow Talk).

SYNOPSIS: After fleeing the UK from a job gone wrong, a down on his luck hitman is forced to babysit the son of his new crime boss and show him how to become a man.

Run Time: 114 minutes    Rating: R

For more Quiver Films, click here!

‘NIGHT OF THE REAPER’ (2025) Shudder Original delivers delicious tropes and twists.

shudder-logo-flatNIGHT OF THE REAPER

NIGHT OF THE REAPER Poster

A college girl returns home for a weekend and is pulled into babysitting the sheriff’s kid. Meanwhile, the sheriff receives haunting messages from old cases. In the small town of Reedy, something evil is brewing. Shudder Original NIGHT OF THE REAPER is genre throwback greatness.

Deena’s night of watching the sweetest little boy in the history of the profession turns into a living nightmare as things get more frightening by the minute. A hooded figure psychologically torments her while simultaneously sending Arnold on a wild goose chase. Every new clue leads to VHS tapes, each more torturous than the last.
NIGHT OF THE REAPER - Still 3Opening credits are fantastic. The production design team covers homes with classic ’80s Halloween decorations, and the repeated VHS static filter is chef’s kiss. Every single slasher trope we’ve come to love is utilized to build that creeping sense of dread. The synth score is fantastic. Homages to franchise favorites are endless. Everything from Poltergeist to Halloween, Max’s outfit looks like it’s straight out of Pet Sematery or a nod to Chucky, and the “Kimble, R” buzzer might just be a reference to Australian director Kimble Rendall.

NIGHT OF THE REAPER - Still 4Casting is delicious. Ben Cockell is outstanding as Chad. Summer H. Howell (Hunter Hunter) sets the scene, while genre regular, the spectacular Keegan Connor Tracy, rounds out the decades of final girl magic. Yes. Yes. Yes. Ryan Robbins gives Sheriff Arnold a down-to-earth quality, whose mournful past becomes the emotional anchor to his frustrations. Robbins is incredible, and I’m glad Christensen gave him such a meaty role. Jessica Clement delivers a nuanced performance as Deena. This is final girl realness. From petrified to powerhouse, Clement gives us her all. It is pure badassery.
NIGHT OF THE REAPER - Still 7Brandon Christensen, alongside his co-writer brother Ryan, understands how to build suspense while giving horror fans the kills they seek. As a fan of SUPERHOST, I am impressed by this narrative shift again and again. Christensen nails the element of surprise, flipping the script on their head when you least expect it. NIGHT OF THE REAPER is another solid addition to Shudder’s stacked catalog.


Night of the Reaper Trailer:

Available on Shudder September 19th
Directed by Brandon Christensen (STILL/BORN, Z, SUPERHOST)

 NIGHT OF THE REAPER Synopsis

In the heart of a quiet, 1980s suburb, college student Deena returns home and reluctantly takes on a last-minute babysitting job. That same night, the local sheriff receives a cryptic package that pulls him into a sinister scavenger hunt that sets off a game of cat and mouse with a dangerous killer. As the clues unravel, Deena finds herself ensnared in a nightmarish mystery that she may not survive.

About the Director

Brandon Christensen is a Canadian film director recognized for his distinctive contributions to the horror genre, focusing on complex familial dynamics, particularly those involving mothers and children. He began his filmmaking journey early in life, making home movies with his siblings, which ignited his passion for storytelling and cinema.

Christensen’s professional career includes notable works such as “Still/Born”, “Z”, and “The Puppetman” – films that explore psychological and supernatural themes against the backdrop of parenting fears. His unique approach often incorporates daytime horror, challenging conventional genre norms to intensify the scare factor, showcasing his knack for crafting compelling narratives from everyday situations.

Director: Brandon Christensen NIGHT OF THE REAPER

Written by: Brandon Christensen and Ryan Christensen

Cast: Jessica Clement, Ryan Robbins, Summer H. Howell, Keegan Connor Tracy, Matty Finochio, Max Christensen, Ben Cockell, David Feehan

Genre: Horror, Thriller

Language: English

Runtime: 93 min

 

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‘HAPPYEND’ (2025) A near-future warning and awakening

film movement logoHAPPYEND

Happyend poster

Two best friends’ high school prank leads to a school-wide surveillance state. With the country already on edge politically and everyone waiting for a massive impending earthquake, HAPPYEND creeps into your psyche as both a warning and a coming-of-age drama.
 
Kou and Yuta are obsessed with music. They make a habit of breaking into school to create dance tracks with their close group of friends. But, after their attempts to humble their principal, Big Brother enters the building to police their every move. The system is now rigged against them.
 
Filmmaker Neo Sora‘s dialogue is fantastic. The mixed feelings of best friends about to be torn apart by change, the comical made-up conversations from afar, and the authentic moments of growing up and growing apart. Sora opens fresh wounds at every turn. Bill Kirstein’s cinematography immediately sets the tone. He manages to capture the raucous joy of high school shenanigans and the disturbing advances in technological scrutiny.
 
Happyend main stillThis predominantly young cast is incredible. Yukito Hidaka is captivating as Kou. His brooding aura and genuine wonder are the perfect foil for Hayato Kurihara‘s intense Yuta. Each actor wears their heart on their sleeve.
 
HAPPYEND is an undeniably Orwellian, yet entirely relevant. The US is currently feeling the direct dystopian effects of hyper-surveillance as people of color are snatched off the streets at every turn, with assistance from DMV and court records. Protesters are no safer, unless in large numbers. Sora gives his young characters a platform to resist, and it is both heart-pounding and inspiring. It keenly reflects ever-evolving political landscapes everywhere.
 
He cleverly weaves together the climate crisis, young activism, and (very) near-future technology takeover. Quietly terrifying, we can pretend like HAPPYEND isn’t a glimpse into tomorrow. At its heart, the film is an effective teen drama set in the heightened and often Sisyphian world we’re leaving the next generation.

Happyend Trailer:


HAPPYEND, a near-future coming-of-age feature set in Tokyo, continues its international run with a limited U.S. theatrical release through Film Movement, starting in New York on September 12, 2025. U.S. theater locations and screening dates are available HERE.

 

For more drama coverage, click here!

‘SOMNIUM’ (2025) Where dreams coming true is a double entendre.

Yellow Veil Updated logo

SOMNIUM

SOMNIUM poster

Aspiring actress Gemma leaves behind her small town and moves to LA. Upon discovering the harsh reality of pounding the pavement in Hollywood, from failed auditions to a dwindling bank account, Gemma desperately takes a position at a dream studies lab, Somnium. After accidentally meeting a producer, things are looking up. Until her graveyard shift, severe lack of sleep, and the discovery of questionable lab practices, cause her new life to shift into a waking nightmare.  Read More →

‘GRIFFIN IN SUMMER’ (2025) Hilarious as it is heartfelt.

GRIFFIN IN SUMMER

GRIFFIN IN SUMMER - Poster

Filmmaker Nicolas Colia‘s irresistibly funny, semi-autobiographical coming-of-age GRIFFIN IN SUMMER is finally in theaters tomorrow. This massive hit from Tribeca 2025 sets the tone in its opening scene. We find our titular character at a Talent Show. While other kids sing off-key duets, the ambitious and undeniably talented 14-year-old Griffin performs a scene from his latest play, acting out both roles, of course. It is more Tennessee Williams than child’s play. Griffin is in another strosphere.

GRIFFIN IN SUMMER - 2As he prepares to self-fund his hefty two-act drama with his theatre “besties,” Griffin’s theatrical passion is further fueled by a tumultuous homelife. Colia delivers a truly tangible script. Griffin’s mom seems overwhelmed with her go-getter and rather demanding son, but under the surface, something else is simmering. She hires a neighbor’s son to help with yard cleanup. What begins as an annoyance to Griffin transforms into a sexual awakening, a test of relationships, and a piece of art that mirrors his unresolved trauma.

Kathryn Newton, once again, gives us a quirky, memorable character as Brad’s girlfriend. Abby Ryder Fortson is a gem as Griffin’s director friend, Kara. Melanie Lynskey elevates every single project she works on. Playing Helen, she has more depth than at first glance. She can do no wrong in my book.

Griffin in summer 1Owen Teague plays Brad with an initial aloofness that perfectly contrasts Griffin’s overzealous nature. As Teague taps into Brad’s motivation, *no pun intended,* the performance captivates in an entirely unexpected way. Everett Blunck is a star. His portrayal of Griffin feels like a documentary rather than a performance. It is one well beyond his years. He exudes fierce confidence that is infectious. Teague and Blunck have magnetic chemistry. Colia skillfully creates a subtle doppleganger effect between the two. It is an incredibly nuanced balance of characterization and performance.

Griffin is every tenacious theatre kid *cough, cough* who has a creative drive that is their lifesblood. When I was Griffin’s age, a teacher asked me why I liked theatre. Before I could answer, she suggested it is because it’s easier to put on a mask of a character. First, I was insulted. As a neurodivergent adult whose entire existence revolves around creation, art, and performance, she wasn’t wrong.

griffin in summer 3Colia cleverly speaks to art as catharsis, the plight of a tortured artist, and the meaning of authentic friendship. Existing between childhood and adulthood is wrought with emotional chaos, impossible questions, self-loathing, fear, and awkwardness. GRIFFIN IN SUMMER playfully touches on each of these with unfiltered heart and humor.

GRIFFIN IN SUMMER trailer:

Opening In Theaters August 29th

Written & Directed by: Nicholas Colia Griffin in summer



Starring:

Everett Blunck (marking his feature film debut)

Melanie Lynskey (“Yellowjackets”)

Owen Teague (Kingdom of the Planet of the Apes)

Abby Ryder Fortson (Are You There God? It’s Me, Margaret)

Kathryn Newton (Lisa Frankenstein)



Produced by: Juliet Berman, Bobby Hoppey, Camila Mendes, Rachel Matthews, Matthew Miller

Executive Produced by: Fred Bryant, Cullen Conly, Alex Tynion



Griffin Nafly (Everett Blunck) is the most ambitious playwright of his generation. He’s also fourteen years old and living with his parents in a humdrum suburb while dreaming of moving to New York City. When his mom (Melanie Lynskey) hires a handsome 25-year-old handyman (Owen Teague), Griffin’s life and his new play take an inspired turn. Also starring Kathryn Newton and Abby Ryder Fortson. Griffin in Summer



RT: 93 minutes

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‘JAMES CAN EAT’ (2025) An eye-opening look into this stomach-churning sport.

Amazon_Prime_Video_tips_1JAMES CAN EAT

James can eat poster

Vlad Yudin‘s documentary JAMES CAN EAT dives into the dramatic world of competitive eating through the journey of Australian champion James Webb, AKA JWebby. The story brims with controversy, sabotage, favoritism, pride, and social media mayhem as James Webb faces adversity in pursuit of the ultimate competitive eating prize and his honor.

If you’ve ever had the pleasure of witnessing the annual celebration of gluttony, otherwise known as Nathan’s Famous Hot Dog Eating Contest, you understand that there is nothing like it. I like to describe it as witnessing a car crash that people are cheering for. It is a visceral and shocking event. James’ goal is to improve every year while chasing the title.

JAMES CAN EAT_FILM MASTER_PRO RES V2.00_17_49_07.Still008The doc features sit-down interviews with the world’s most successful competitive eaters as well as James’ family members. The latter informs his motivation, from his love of soccer to bodybuilding. Yudin sets the audience up to root for James as we lead up to the 2023 Hot Dog Eating contest. 10 weeks out, and something diabolical occurs in middle America. We learn about the physical barriers, including his brutal two-year hospital stay after his Guillain-Barré diagnosis. But Webb refused to lose.

Webb’s rising star is a boost to the sport. The competitive eating veterans validate his abilities at every turn. Even the ultimate champ, Joey Chestnut, loves him. James’s success online also comes with the dark side of social media, as anonymous users question his integrity. Webb will go to any length to beat Joey, and with all due respect. The irony that runs through the film is jaw-dropping.

JAMES CAN EAT_FILM MASTER_PRO RES V2.00_08_08_02.Still003Doo Soo Kim‘s tight close-ups in the opening credits alongside the rather ominous score might make you think you’re about to watch a slasher film. If you can’t stand to witness grown men stuffing food into their mouths, then you might be right. Yudin subconsciously taps into the horror of it all.

If you think you’re not interested in competitive eating, think again. Yudin allows Webb to shine. Make no assumptions about James Webb. His personality is infectious, and his undeterred passion is inspiring. JAMES CAN EAT is an engrossing peek behind the scenes of the sport. Does James achieve his goal? You’ve gotta watch and find out. So much will have you shaking your head, and I, for one, will never look at Nathan’s contest with the same respect, but I will forever honor James Webb’s honesty.

JAMES CAN EAT_FILM MASTER_PRO RES V2.00_44_26_16.Still012

JAMES CAN EAT trailer:

Generation Iron’s compelling new documentary JAMES CAN EAT
will be available on VOD and streaming exclusively on Prime Video on Friday, August 22nd.

 

Featuring JAMES WEBB, JOEY CHESTNUT, AND GEORGE SHEA

Directed By VLAD YUDIN

Produced by EDWIN MEJIA JR., P.G.A. and VLAD YUDIN, P.G.A.

Cinematography by DOO SOO KIM

Edited by ADIO ASH

https://generationiron.com/james-webb-can-eat-movie/

Documentary | 107 minutes | Not Rated | 2025 | English | USA

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‘SHRIMP FRIED RICE’ (Fantasia 2025) This acid-tongued star is chef’s kiss.

Fantasia 2025 posterSHRIMP FRIED RICE

ShrimpFriedRice_FilmPoster

Imagine MasterChef meets the Muppets, and you might be able to grasp the supreme silliness of Fantasia 2025 short, SHRIMP FRIED RICE. Filmmaker Dylan Pun gives audiences an adult Ratatouille, which ironically, Shrimp name-drops and threatens. It is part profile of this unexpected chef and part exposé.

shrimp fried rice Fantasia Dave & The shrimpA father wishes to compliment the chef for his signature dish, only to discover that an actual shrimp is responsible for the deliciousness. In this mockumentary-style short, The Shrimp insinuates that his entire schtick was stolen by the Disney rat. The two then compete on a food competition reality show. The producers secretly chat with the man under The Shrimp, Chef Dave. Shrimp is a foul-mouthed asshole, for lack of a better word. Shenanigans ensue, confessions reveal themselves, and insults fly.

Cinematographer Marco De Acetis mixes genuine, slow-motion, food porn photography in with the absurdity. The original credits song from Seamstress, featuring Smallz, is perfection.

shrimp fried rice Fantasia The shrimpThere are multiple Shrimp puppet creations. The smaller version sits on Yung’s head, and a larger-scale handheld puppet fills the screen for the sit-down interviews. The detail is award-worthy. Puppeteers Benjamin Fieschi-Rose, Kirsten Brass, and Amelia Blaine are spectacular.

Co-writer Michael Turk makes a fun appearance. Jeff Yung, who plays The Shrimp’s human puppet, Dave, is equal parts hilarious and authentic. Marty Stelnick gives The Shrimp a sass that is magic. I would giddily watch an entire series of SHRIMP FRIED RICE. Fantasia audiences are lucky to get a taste of what I hope is merely an amuse-bouche. It is, pun very intended, chef’s kiss.


Shrimp Fried Rice Trailer:

In this zany mockumentary, a talented shrimp chef with an ego that outweighs his tiny body carries out his vendetta against a certain culinary-inclined rat which puts The Shrimp’s human puppet at risk of deportation.

Starring: Jeff Yung, Marty Stelnick, and Jenna Phoa

Director: Dylan Pun

Executive Producers: Malachi Ellis, Dave Lembke, and Danielle Kappy

Producer: Sang-thanh Nguyen

Writers: Dylan Pun and Michael Turk

Director of Photography: Marco De Acetis

Production Designer: Mica White

Wardrobe Stylist: Emma Nadurata

Editor: Dylan Pun

Original Music: Jeff Lurie

Shot on location in Toronto, Canada Format: Digital on Arri Alexa Mini and Digital on DJI Ronin 4D.

The filmmakers would like to recognize the Canada Council for the Arts and the Ontario Arts Council for their support in the creation of this film.

Fantasia 25 bw logoFor all things Fantasia, click here!

‘LUCID’ (Fantasia 2025) A short gets a long, dizzying, drug-fueled feature.

Fantasia 2025 posterLUCIDLucid Poster

Directors Deanna Milligan and Ramsey Fendall‘s 2022 short film LUCID gets the feature treatment, and Fanatsia 2025 audiences are its first test subjects. The film follows Mia, a misunderstood art student who delivers more performance art than quality visual art. She’s stressed and overly dramatic, but that’s pretty much a requirement for us artsy folk. At risk of being ousted from her program, Mia turns to a lucid dream elixer to inspire her work.

Lucid 3The consequences of going down that rabbit hole, sometimes literally, are a barrage of repressed childhood memories and the instability of her mother’s treatment. Mia’s trips reveal a trauma monster, more specifically, one made of mom’s blond locks. This hair monster torments Mia throughout her jacked-up journey.

Determining between trip and reality becomes increasingly dizzying, but filmmakers utilize 35mm and 16mm film to keep it gritty and keep you guessing. If I have one complaint, the runtime could use a trim, but the soundtrack is life.

LUCID 2Caitlin Acken Taylor is everything. Mia Sunshine Jones is no easy role, but Taylor lives it. She even creates Mia’s paintings and sculptures. Her fourth wall break, and the precise moment at which it occurs, is jarring and genius. 

If Jennifer Kent and Alice Maio Mackay had a movie baby, it might look something like LUCID. The entire film feels like a 90s music video, or a punk version of Jacob’s Ladder. LUCID is an exploration of generational trauma through art and original music. It won’t be for everyone, but there is undeniable confidence in style.

LUCID Teaser Trailer:

After coming to Fantasia as a short film selected for the Frontierés Market Shorts to Features Lab in 2022 and Sitges Fanpitch that same year, directing duo Deanna Milligan and Ramsey Fendall expand the world of Mia Sunshine Jones in their darkly trippy feature, LUCID. Mia is a rebellious art student who struggles to create the ultimate project for a demanding professor. Desperate to find her artistic voice, she takes Lucid, a candy elixir, to access her creativity, but taps into something much darker. Starring Caitlin Acken Taylor, who reprises her role from the short, and Georgia Acken (star of the 2023 Fantasia hit THE SACRIFICE GAME), Milligan and Fendall create a surreal nightmare with a vintage look that fully embraces the 90s grunge era with a punk art aesthetic. Using live on-set music, an eclectic cast, and loads of experimental and haunting visuals, the World Premiere of LUCID will be a nightmare-come-true. 

Team: The film is co-written and directed by actor turned filmmaker Deanna Milligan (21 Jump Street, The X-Files) and cinematographer turned director/writer Ramsey Fendall (Ethan Hawke’s Seymour: An Introduction).

Cast: Caitlin Acken Taylor (Pistol) and Georgia Acken (Under the Bridge, The Sacrifice Game), Vivian Vanderpuss from RuPaul’s Drag Race is in the film and also designed the Hair Monster and Ayla Tesler Mabe one of the Goth Girls a is a real life guitar god! She has been featured in Rolling Stone and formerly part of the band Calpurnia with Finn Wolfhard.

Soundtrack features: Marta Jaciubek McKeever (Fan Death), James Wollam (Tears for Fears), Ayla Tesler Mabe (Calpurnia). Recording sessions were hosted at James Wollam’s Salt Spring Island studio. Wollam also co-wrote “If You Love Me”, a recurring folk-rock theme woven through the film as a relic of the fictional 1970s band Sweetbird, tied to the protagonist’s family mythology. 

Fantasia 25 bw logoFor all things Fantasia 2025, click here!

‘TERRESTRIAL’ (Fantasia 2025) Let’s do the time warp again. Steve Pink’s latest is an out of this world thriller.

Fantasia 2025 posterTERRESTRIAL

TERRESTRIAL

Opening with a bang, Steve Pink‘s Fantasia 2025 film, TERRESTRIAL, has landed. It follows a sci-fi writer who is about to fulfill his dreams with a book and movie deal. Alan invites his college friends to his new mansion in the Hollywood Hills to celebrate his good fortune, but something feels off.

In his driveway, stands a large, striped termite-tented structure. Alan is seemingly obsessed with checking on it. There is no denying Alan’s overall behavior feels body-snatched, from moment to moment. He is hiding something big. End of Act 1, twenty-nine minutes in, and holy shit, a WTF moment.

The house contains an entire room dedicated to his favorite sci-fi series and writer, S. J. Purcell. It is all very H. P. Lovecraft coded. The classic television show becomes an ingrained part of Alan’s personality and plan. Screenwriters Connor Diedrich and Samuel Johnson feature the episodes running in the background, often informing Alan’s decision-making.

The three-act structure keeps you guessing. A flashback sets up a wild and wacky backstory, putting every assumption you have in jeopardy. Each subsequent decision Alan makes is born out of desperation and delusion. It is pure, heart-pounding, cinematic chaos.

Brendan Hunt is hilarious as Purcell. His character is undeniably shady, and Hunt nails each beat. His chemistry with Jermaine Fowler is magic. James Morosini (I LOVE MY DAD) plays absolute douch-canoe, Ryan. Harboring major jealousy and an inferiority complex, his aggressive approach pushes Alan to his breaking point.

Edy Modica, who killed it in JURY DUTY, plays Vic. She is hilarious with her self-absorbed approach to the visit. Upon discovering a mysterious note, Modica’s motivation shifts, really showcasing her immense talent.

Jermaine Fowler (STING and THE DROP) plays Alan with a passionate, fanboy enthusiasm that is infectious. You fall in love with him while simultaneously fearing his ever-evolving manic behavior. This performance is a multifaceted freight train propelled by panic and survival mode. It is award-worthy.

The synth score is perfect. At times, the camerawork is reminiscent of Psycho. The film gets darker and more twisted in its final act. TERRESTRIAL is completely unhinged and out of this world amazing.

Terrestrial Teaser Trailer:

Director

Steve Pink

Producer

Josh Jason, Molly Gilula, Molly Conners, AJ Bourscheid, Austin Lantero, Rachel Walden, Pauline Chalamet, Luca Balser

Writer

Connor Diedrich, Samuel Johnson

Cast

Jermaine Fowler, James Morosini, Pauline Chalamet, Edy Modica, Rob Yang, Brendan Hunt TERRESTRIAL

Fantasia 25 bw logoFor all things Fantasia, click here!

‘THE BEARDED GIRL’ (Fantasia 2025) An equally quirky and authentic coming-of-age tale.

Fantasia 2025 posterTHE BEARDED GIRL

THE BEARDED GIRL

Jody Wilson delivers a special film to Fantasia 2025 audiences with THE BEARDED GIRL. Cleo is the heir to a sideshow as the next Bearded Woman. Feeling conflicted about her future, Cleo rejects familial expectations to find herself.

Inheriting a legacy from an overbearing and proud mother, Cleo wants to choose her path. After discovering a secret about her past, Cleo abandons her assigned responsibilities and heads out into the world, much to the chagrin of her bitter mother.

After a bus ride on her way out of town gets cut short by a sighting of her local crush, Cleo’s infatuation becomes a way of life that maybe isn’t what she intended. Her mother, Lady Andre, comes looking for her and mistakes a passing moment for the end of her legacy.

There’s a subplot involving the sale of sideshow land to a greedy developer. If the heir apparent does not sign papers, Andrea loses the land. Cleo begins to understand cyclical trauma, and it doesn’t feel good.

THE BEARDED GIRL 7Jessica Paré delivers a vivacious performance as Lady Andre. She is eccentric and demanding, but is undoubtedly battling unresolved wounds. Skylar Radzion is Josephine, the hairless sibling in the bearded family. She is a spitfire and a slick foil for Cleo.

Anwen O’Driscoll is magnificent. She owns her sass, nails the angsty comedy, and commands your attention in every scene. It helps that she is surrounded by a fantastic ensemble of fully fleshed-out characters. O’Driscoll attacks the role with a beautiful balance between quirk, awkwardness, and authentic innocence.

THE BEARDED GIRLThe production design, from Danny Vermette, deserves all the accolades. The circus tents, trailers, and stages all boast vintage jewel-toned draperies and props. In the outside world, the repeated pops of yellow are striking.

The dialogue is hilarious, particularly set against the nostalgic sweetness of the score. It reminds me of Pee-Wee’s Big Adventure. There is a timeless feeling about the entire film. You can’t pin down a year, and that somehow makes everything more satisfying.

THE BEARDED GIRL is a one-of-a-kind coming-of-age tale. The story is a fantastic metaphor for superficiality and a fierce feminist anthem for self-love.


The Bearded Girl Teaser Trailer:

Director

Jody Wilson

Producer

Amber Ripley

Writer

Jody Wilson

Cast

Anwen O’Driscoll, Jessica Paré

Cinematographer

François Dagenais

Composer

Cayne McKenzie

Editor

Fredrik Thorsen

Production Designer

Danny Vermette


Fantasia 25 bw logoFor all things Fantasia, click here!

‘DROWNING DRY’ (2025) A delicate balancing act of style and story.

dekanolog logoDROWNING DRY

drowning dry poster

Filmmaker Laurynas Bareiša brings the Lithuanian-Latvian drama DROWNING DRY to US audiences, beginning this Friday. Winning the Leopard for Best Direction at the Locarno International Film Festival, Bareiša serves as writer, director, and cinematographer. The story revolves around two sisters who plan a weekend getaway with their husbands and children. Following a tragic accident, both women navigate the complexities of trauma.

DROWNING DRY image 2The organic meandering of unplanned vacation time reads entirely authentic. The montage of the kids’ initial shenanigans and their mothers’ choreographed childhood dance are stand-out moments. At this point in the runtime (35 minutes), the audience could easily tap out. But the request for a swim and an innocent act of horseplay trigger a tonal shift.

DROWNING DRY image 7The film’s deliberate observational pace builds discomfort, only exacerbated by non-linear storytelling. The moment you realize what’s happening, it is like a punch to the gut. This decision will either tantalize audiences or turn them off. Performances are outstanding from our cast of only six. Bareiša’s camerawork is perfect for his stylistic choices. DROWNING DRY is a meditation on loss, examining the varying emotional reactions between the sexes. It is a film that will have you talking about it long after the screen goes dark.

Drowning Dry Trailer: 

THEATRICAL SCREENINGS

New York @ IFC Center: July 18-24*
*Opening Weekend Q&As with Filmmaker Laurynas Bareiša Following Screenings
on Friday, July 18 at 7:20pm (moderated by IndieWire’s Ryan Lattanzio)
& Saturday, July 19 at 7:20pm (moderator TBA)


Los Angeles @ Laemmle Theaters: July 30 & August 2-3

Screening in Laemmle Claremont (Claremont, CA), Laemmle Glendale (Glendale, CA), Laemmle Monica (Santa Monica, CA), Laemmle Town Center (Encino, CA) & Laemmle Newhall (Santa Clarita, CA)

Cleveland, OH @ Cleveland Cinematheque: July 31 & August 3

Nantucket, MA @ Nantucket Dreamland: August 6


+ Other Cities & Theaters TBA
[More Info & Updates on Dekanalog Website]

It starts with a kick to the head. Mixed martial arts competitor Lukas has just handily defeated his opponent and celebrates with his wife, child, and friends backstage, setting the scene for a nimble combination of communal bonding and looming horrors. Writer-director Laurynas Bareiša, an ND/NF veteran for his debut feature Pilgrims, takes us on a non-linear journey through the experiences and recollections of those who survived tragedy (and those who didn’t), shot with unceasing patience and formal rigor. DROWNING DRY was the second of Bareiša’s films selected as Lithuania’s entry for the Best International Feature Academy Award. Winner of Locarno’s Best Director and, in recognition of its indispensable ensemble of four, Best Performance awards. A Dekanalog release. –New Directors/New Films 2025

 Main Cast: Gelminė Glemžaitė | Agnė Kaktaitė | Giedrius Kiela | Paulius Markevičius

Writer, Director & Cinematographer: Laurynas Bareiša

Producer: Klementina Remeikaitė

Co-producer: Matiss Kaza

Production Designer: Sigita Šimkūnaitė

Editor: Silvija Vilkaitė

Sound Designer: Julius Grigelionis

 

*WINNER* DROWNING DRY

Best Director Award – Locarno Film Festival

Best Performance Ensemble Award – Locarno FF

Jury Special Mention – Riga Int’l Film Festival

Best Film, Rampa Award – Seville European Film Festival

Best Baltic Director Award – Tallinn Black Nights Film Festival

Best Screenplay Award – Festival de Cinema Europeo Lecce

Best Actor Award (for Paulius Markevičius) – Festival de Cinema Europeo Lecce

Grand Prix – Taipei International Film Festival

 

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‘SAINT CLARE’ (2025) Good vs Evil vs Structure.

Quiver LogoSAINT CLARE

SaintClare_Key Art

Mitzi Peirone gives audiences a mashup of ideas in SAINT CLARE. The film follows a college student who has a penchant for taking out bad guys in her sphere. A story of the morally gray, good vs evil, it’s something entirely different.

Girls keep going missing in her new town, and Clare wonders why no one seems to be focusing on the clues. Dealing with heavy childhood trauma, she discovers some seedy photos featuring her friends and one of the missing girls. This Nancy Drew on mushrooms narrative will have your head spinning.

Saint Clare (2024) - [www.imdb.com]Visually and technically stunning, if not a touch confusing storytelling-wise. The script has a Freighteners and Civil Dead meets The Sixth Sense vibe. The camerawork suggests potential mental illness in Clare. The audience constantly questions what is real.

SAINT CLARE_7Ryan Phillipe makes the best of a weird situation. Rebecca De Mornay is a fantastic addition. Frank Whaley made my heart skip a beat. He deserved way more screentime!

More Dexter than Joan of Arc, Bella Thorne‘s spitfire attitude makes SAINT CLARE compelling through the confusion. I could easily see her captivating in a role similar to Jennifer Garner in ALIAS. Honesty, Thorne could easily slot into a new season of Marvel’s Jessica Jones alongside Krysten Ritter. They would kick major ass together.

SAINT CLARE_2The film doesn’t know what genre it wants to be. There is comedy akin to Idol Hands (which is some of the strongest), drama like Pretty Little Liars, and mystery that is as whirlwind as Memento. It feels like a YA graphic novel with panels missing. If anything, SAINT CLARE does make me want to read Don Roff‘s source material, “Clare At Sixteen,” if only for some potential clarification.

OFFICIAL SAINT CLARE TRAILER

SAINT CLARE will be in theaters and on demand and on digital on July 18, 2025.

 

For more thrillers, click here!

Fantasia 2025 is on its way to slay.

Fantasia 2025 posterFantasia 2025

The literal moment a certain NYC festival closes, I begin to get hyped for Fantasia. If you are a genre nerd like I am, this is the festival that I’m talking about all year. Home of upcoming filmmakers that ultimately become household names, Fantasia boasts some of the coolest, scariest, weirdest, goriest, and most shocking films of the year. At least three consistently make it into my annual Top 10. The Adams Family‘s latest bit of macabre magic, MOTHER OF FLIES, Michel Gondry‘s animated feature MAYA, GIVE ME A TITLE, and filmmaking team Deanna Milligan and Ramsey Fendall return, having expanded their 2022 short LUCID into a feature. If you want a guaranteed good time filled with new and inventive films, Fantasia 2025 has more than you can handle. Here are just a few films we’ve got our eyes on this year. Fantasia 2025


TOUCH ME Fantasia 2025

Touch Me (2025) - [www.imdb.com]Writer/director Addison Heinmann follows up his 2022 Fantasia hit HYPOCHONDRIAC with Touch Me.

The path to peace and happiness is an arduous one for Joey (Olivia Taylor Dudley of THE MAGICIANSSHE DIES TOMORROW and CRAWLSPACE), as she also needs to navigate her shitty best friend Craig (Jordan Gavaris of HACKS and ORPHAN BLACK) and her cosmically problematic ex-boyfriend Brian (Lou Taylor Pucci of the 2013 EVIL DEAD and SPRING). To make matters worse, Joey and Craig are forced back into the grasp of the openly alien-jumpsuit-wearing ex who dispenses a euphoric toxin to all those he touches. The two dysfunctional slackers descend into a strange love triangle filled with dependence, violence, intoxication, and tentacles. But once the narcissistic alien’s motives take shape, a web of lies is revealed and a nefarious, Earth-threatening plan may be on the horizon.


MOTHER OF FLIES

MOTHER OF FLIESWhen a young woman faces a deadly diagnosis, she seeks dark magic from a witch in the woods… but every cure has costs. Written and directed by John and Zelda Adams and Toby Poser (The Adams Family), who also star, shot, edited, and scored, MOTHER OF FLIES is the latest creation from the filmmaking family behind such singular landmarks as THE DEEPER YOU DIG, HELLBENDER, and WHERE THE DEVIL ROAMS, each of which has World Premiered at Fantasia. Described by the filmmakers as their fairytale manipulation of the darkly shadowed, yet love-lined pathways between a human life and death, MOTHER OF FLIES is an extraordinary work of personal genre storytelling, gestated through the family’s own experiences battling and surviving cancer. It stands with the strongest of their work, a poetic, haunting, and moving film that glows with otherworldly imagination, exploring the concept of necromancy in connection with two women who have very intimate relationships with death. 

World Premiere. Fantasia 2025


IT ENDS 


It Ends (2025)In one of 2025’s major genre breakouts, four college friends find themselves on an infinite, unending road, forcing each of them to decide how to confront their fate in an unnerving journey into the unknown. Writer/director Alex Ullom and his gifted cast work miracles and offer a compelling, constantly intriguing, and often terrifying road trip into adulthood. Official Selection: SXSW 2025, Overlook 2025. 

International Premiere. Fantasia 2025


REDUX REDUX Fantasia 2025


redux-reduxDesperate to avenge her daughter’s murder, Irene Kelly (Michaela McManus) journeys through parallel dimensions to repeatedly track down and annihilate her killer (Jeremy Holm). A tense sci-fi vengeance thriller unlike any other, REDUX REDUX is the latest creation by Kevin and Matthew McManus, the Peabody award-winning writers and producers of AMERICAN VANDAL and COBRA KAI, and writers/directors of FUNERAL KINGS (Fantasia 2012) and THE BLOCK ISLAND SOUND (Fantasia 2020). Official Selection: SXSW 2025. Neuchâtel International Fantastic Film Festival 2025. 

Canadian Premiere. Fantasia 2025


MAYA, GIVE ME A TITLE Fantasia 2025

MAYA, GIVE ME A TITLE

In high demand for his cleverness and creativity, French director Michel Gondry (THE SCIENCE OF SLEEP, BE KIND REWIND, and legendary music videos for the likes of Björk, Daft Punk, and the White Stripes) is often away from home for work. To keep connected with his beloved daughter Maya, he made nightly calls with requests for story titles, to prompt quick, rough little animations crafted with colored paper, markers, and scissors, always starring Maya herself, with MAYA, GIVE ME A TITLE assembling an assortment of these little vignettes. Whether she’s a mermaid, a ship’s captain, an earthquake investigator, or just herself shrunk by “cucumber-reducing solution”, Maya’s tales are told in true Gondry style—wry, inventive, and tactile, favoring the excitement of process over polished final product. Oh, and it’s all voiced and narrated by Pierre Niney, star of last year’s Fantasia hit THE COUNT OF MONTE-CRISTO! 

My First Fantasia and Animation Plus Sections. North American Premiere. Fantasia 2025


NESTING Fantasia 2025

NESTING

A familiar name to Fantasia audiences, Chloé Cinq-Mars returns to the festival with her debut feature, NESTING (PEAU À PEAU). Delving into the quiet horrors of early motherhood, the film opens with a scream in the night. Pénélope (Rose-Marie Perreault, FAKE TATTOOS), a new mother grappling with sleep deprivation and postpartum depression, finds herself unable to separate dream from reality. After witnessing a violent hold-up in a convenience store, her already fragile psyche begins to crack. Sensitive and haunting, NESTING offers an intimate, unsettling portrait of a mother unraveling. Perreault delivers a career-defining performance, capturing Pénélope’s disintegration and tender attempts at self-reclamation. Denied the idealized “glow” of new motherhood, she’s left to drift in darkness, slowly losing her grip on reality. What emerges is a chilling and deeply human exploration of identity, isolation, and the aching silence surrounding maternal mental health

Les Fantastiques Week-Ends du Cinéma Québécois Section. World Premiere. Fantasia 2025


ANYTHING THAT MOVES Fantasia 2025

ANYTHING THAT MOVES

80 mins | 2025 | USA | English Fantasia 2025

Synopsis: An avant-gutter psychedelic dream, ANYTHING THAT MOVES is an erotically charged, blood-soaked thriller set in the sticky corridors of Chicago. Shot on fleshy Super 16mm, director Alex Phillips’ rust belt giallo continues on his trajectory of taboo-shattering horror cinema with this tense, funny, and absolutely twisted murder mystery. The film follows nubile sex worker Liam who bikes with his girlfriend—his partner in both business and pleasure—through the city delivering snacks and divine satisfaction to his love-hungry clients. Meanwhile, a serial killer’s gory murders are piling up and all the evidence seems to point back to the lover’s bed… Produced in collaboration with cult home video outfit Vinegar Syndrome, the film features stand-out supporting performances from erotic film legends Ginger Lynn (The Devil’s Rejects) and Nina Hartley (Boogie Nights). With an original instrumental score by Chicago-based artists Cue Shop calling to mind the lush orchestrations of Bruno Nicolai and lurid visuals by acclaimed cinematographer Hunter Zimny (The Scary of Sixty-First, Funny Pages), ANYTHING THAT MOVES provides an immersive throwback to 70s exploitation flicks.

World Premiere: Fri July 25, 9:30pm, Salle J.A. De Seve 

Tue July 29, 11:45am, Salle J.A. De Seve 

Written and Directed By: Alex Phillips

Introducing: Hal Baum, Jeremy Everett, Andrea Huber, Maxton Koc, Jiana Nicole, Jade Perry and Cooper Whittlesey

Featuring: Ginger Lynn Allen, Trevor Dawkins, Jack Dunphy, Paul Gordon, Nina Hartley and Frank V. Ross


LUCID Fantasia 2025

Lucid PosterAfter coming to Fantasia as a short film selected for the Frontierés Market Shorts to Features Lab in 2022 and Sitges Fanpitch that same year, directing duo Deanna Milligan and Ramsey Fendall expand the world of Mia Sunshine Jones in their darkly trippy feature, LUCID. Mia is a rebellious art student who struggles to create the ultimate project for a demanding professor. Desperate to find her artistic voice, she takes Lucid, a candy elixir, to access her creativity, but taps into something much darker. Starring Caitlin Acken Taylor, who reprises her role from the short, and Georgia Acken (star of the 2023 Fantasia hit THE SACRIFICE GAME), Milligan and Fendall create a surreal nightmare with a vintage look that fully embraces the 90s grunge era with a punk art aesthetic. Using live on-set music, an eclectic cast, and loads of experimental and haunting visuals, the World Premiere of LUCID will be a nightmare-come-true. 

World Premiere at Fantasia, feature debut, July 31

The film is co-written and directed by actor turned filmmaker Deanna Milligan (21 Jump Street, The X-Files) and cinematographer turned director/writer Ramsey Fendall (Ethan Hawke’s Seymour: An Introduction).

Cast: Caitlin Acken Taylor (Pistol) and Georgia Acken (Under the Bridge, The Sacrifice Game), Vivian Vanderpuss from RuPaul’s Drag Race is in the film and also designed the Hair Monster and Ayla Tesler Mabe one of the Goth Girls a is a real life guitar god! She has been featured in Rolling Stone and formerly part of the band Calpurnia with Finn Wolfhard.

 


FOREIGNER Fantasia 2025

Foreigner stillFor her debut feature film, FOREIGNER, Ava Maria Safai (Zip) expertly harnesses the power of identity, social acceptance, horror, and comedy. It’s 2004, and Iranian immigrant Yasamin, or Yasi, is the new girl. Her high school experience is daunting, as she tries to improve her English by watching her favorite sitcom and befriends a trio of pastel-clad girls who feed Yasi’s need to fit in. Desperate for acceptance, she dyes her hair blonde and, in doing so, also attracts a demonic force. With a fun retro setting, great performances by Rose Dehgan as Yasi, Chloë MacLeod as the creepy high school “Queen Bee” Rachel, and a blend of our favorite teen horrors, FOREIGNER takes up space as a new entry to “bubblegum horror,” bringing a fresh narrative to the Canadian immigrant experience. The film has been referred to by some as Mean Girls meets The Exorcist and Ava is definitely a young director to watch. 

World Premiere at Fantasia, feature debut, July 21

Writer/director Ava Maria Safai is a Canadian-Iranian multidisciplinary artist from Vancouver, known for her work in acting, music, writing, and directing. She is a Dean’s List graduate from UBC’s BFA in Acting program and the artistic director of The Harlequin Theatre Society. She is also an accomplished musician and songwriter, with over 40 original songs and a Canada Council-funded musical. Her short film Zip won numerous awards on the festival circuit and her debut single “Finding Hope” was picked up on Lifetime’s Dance Moms. Ava Maria has released three albums and five singles and she co-wrote music for Unmasked (which premiered at the Cannes Film Festival). Ava Maria recently shadowed directors Zach Lipovsky and Adam Stein on Final Destination Bloodlines. 

Cast: Rose Dehgan (Musician & TikTok star), Chloë MacLeod, Ashkan Nejati (Director of Tonight’s Homework which premiered at IDFA)


HELLCAT Fantasia 2025

HELLCATA woman (Dakota Gorman) wakes in the back of a moving camper trailer. A voice (Todd Terry) from the truck towing it tells her they must reach a mysterious doctor within the hour. Thus begins HELLCAT, the feature debut of writer/editor/director Brock Bodell, who previously cut the mind-bending ULTRASOUND (Fantasia 2021), among others. Bodell doesn’t take a wrong turn, delivering a twisty thrill ride of strong characters, shredding tension, and real surprises that takes viewers deep into unexpected places. Featuring SNL’s James Austin Johnson as the voice of a late-night DJ on a supernatural call-in show, and gripping performances from supporting cast Jordan Mullins and Liz Atwater. 

World Premiere. Fantasia 2025

 


HOLD THE FORT Fantasia 2025

HOLD THE FORT

A HOA turns out to be more troublesome than usual in this wildly amusing, FX-heavy freak-out about newly minted suburbanites unexpectedly forced to take part in a struggle against monstrous forces. Narratives about motley groups of ill-equipped characters battling forces of evil are a staple of the modern horror/comedy world, but HOLD THE FORT, from writer/director William Bagley, is many yuks above the norm. With very funny dialogue, outrageous circumstances, and plenty of stylish splatstick as both the human and inhuman are dispatched in gruesome, sometimes giggle-worthy ways, with heaps of spurting, splashing gore and a nonstop parade of practically-created creatures and zombies. Starring Chris Mayers (OZARK), Haley Leary, sketch comic YouTube creator Julian Smith, and Tordy Clark (GLORIOUS), and featuring a charismatic turn from veteran stunt performer Hamid-Reza Benjamin Thompson (BLACK PANTHER, AVENGERS: ENDGAME). 

World Premiere. Fantasia 2025


The 29th edition of the Fantasia International Film Festival is presented by MELS in collaboration with Concordia University and made possible by the financial support of Telefilm Canada, the Société́ de développement des entreprises culturelles (SODEC), the Ministère du Tourisme, the Ministère des Affaires municipales et de l’Habitation, the city of Montreal, the Conseil des arts de Montréal, Tourisme Montréal, and the Directors Guild of Canada (DGC).

The festival would like to thank all its private partners, friends of the event, as well as official suppliers, venues, and all participating filmmakers, sales agents, and distributors for their invaluable support.

Fantasia 2025

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