The newest digital release from We Are Colony is from first-time director Lance Edmands (editor of Lena Dunham’s Tiny Furniture) titled BLUEBIRD. 
Starring Mad Men’s John Slattery, The Leftovers’ Emily Meade, The Good Wife’s Margo Martingale plus a cameo from Girls’ Adam Driver, Bluebird will available to rent and buy in the US from Monday 25th July with exclusive behind-the-scenes extras.
Synopsis:
In the northern reaches of Maine, a local school bus driver becomes distracted during her end-of-day inspection, and fails to notice a sleeping boy in the back of the bus. What happens next shatters the tranquility of her small Maine logging town, proving that even the slightest actions have enormous consequences.
Jeremy got the incredible oportunity to see Bluebird at the Indy Film Fest last year. In his review, he outlines the gutwrenching and effecting emotional hold the film has on it’s audience. I could not have said it better myself, so here are a few quotes from Jeremy’s review:
“…at this year’s Indy Film Fest, Lance Edmands’ Bluebird was far and away my favorite of those that I saw and certainly worthy of the Grand Jury Prize, tops of the fest, as well as the American Spectrum Prize for the best film made by an American director…”
“Bluebird is not a heartwarming story and thus not for everyone. It mirrors the bleakness and harshness of the landscape and the season in which it was shot so deftly by Jody Lee Lipes (also known for the great photography of Martha Marcy May Marlene). It echoes Atom Egoyan‘s The Sweet Hereafter, a film I would easily put in the top ten best of the 1990s, in tone and even bears some narrative resemblance, yet it stands on its own and makes us take notice.”
You can read Jeremy’s review in it’s entirety as well as his interview with director Lance Edmands. Take a look at the trailer below.
In renting or owning Bluebird through We Are Colony’s digital platform, you are treated to exclusive behind-the-scenes extras.
For more information on this unique platform: We Are Colony 
Robert and Harry are strangely pitted against one another for “father of the year” status, in an awkward competition of responsibility. Robert is not only navigating relationship normalcy but he is grasping to find happiness in general. Harry, in a sad attempt to outdo his son, uses demeaning words and actions to cut Robert down at every turn. Branciforte’s story is immensely compelling, offers moments of surprise and nothing but honesty. The performances all around are outstanding.
John Magaro‘s Robert battle self-loathing and confusion as he finds his way through career, life and love. This role for Magaro is proof that his natural talent is way more than enough. Chris McDonald‘s Harry is a self-righteous prick coming to terms with his own life long mistakes as father and husband. The performance is something I have to come expect from McDonald’s. There is a reason he has had such a long career. Dreama Walker, as Sara-beth, could have been a throwaway character. The ins and out of a quietly complex young woman were well played by Walker. As the film progresses, we become more and more invested in each role as Branciforte does a wonderful job developing everyone. To believe this story, this is absolutely necessary. With solid smaller roles filled by Britt Lower and Tom Lipinski, some of the film’s most shining moments come from Talia Balsam as Harry’s wife Miriam. The dynamic between Sara-beth and the woman betrayed is an unexpected one, but truly inspiring. Let me not forget to mention how fantastically darling Rainn Williams is as Mason, the young lady there is so much to do about. This little sweetheart is meant to be on the big screen. The chemistry between the entire cast combined with tight direction make this a winner.
DON’T WORRY BABY is ultimately about making amends. Coming to terms with what we’ve created emotionally is a huge task, and it’s one that this film dives into head first. You can catch Don’t Worry Baby in theaters and On Demand this Friday, July 22nd.
As a child, I saw my mother as a voracious reader. Danielle Steel covered our bookshelves end to end in hardcover glory. When we used to summer in Cape Cod I noticed my mother’s books were so much larger than all the other Mom’s smaller paperbacks with covers that used to make me scrunch up my nose and squeal, “Ewwwwww”, as the muscular men with open shirts swept ladies in period clothing off their feet in an overly passionate embrace. It wasn’t until I was a tad bit older that I understood the popularity that was romance novels, once boys weren’t “icky” any longer and reading became a passion of my own. Oftentimes brushed off as airport and grocery store shelf fillers, Romance is a massively successful and moreover, a moneymaking machine. Welcome to the inside scoop with a new documentary titled LOVE BETWEEN THE COVERS. With so many vibrators to choose from, how do you know which vibrator is right for you? Whether you are a beginner vibrator user or an advanced sex toy user, here is a guide to help you choose the best vibrator for you. Start with clitoral stimulation with either a bullet vibe, a finger vibe, or an external vibrator. Why? 50-70% of women need clitoral stimulation to orgasm and are unable to have orgasms through sex alone. Therefore, a design with good clitoral stimulation is an excellent place to start. Keep in mind that although most vibrators can stimulate the clitoris, certain shapes are better than others. Smaller shapes like bullets and finger vibes focus directly on the clitoris. External vibratos are designed to conform to the curves of the body and make contact directly with the clitoris and vulva. Usually, they are more powerful and offer more speeds and/or patterns than a bullet vibrator. We are not human but energy and light. We all vibrate at different levels. We chose to come to earth to grow, learn, raise our vibration and evolve. Jesus is your brother. He vibrates at a higher level. Raising our vibration is our goal. You are your own creator. You create your world and collectively we create the world too. Everyone has always looked outside of themselves for help, for health, for world change, for money, relationships etc. not realizing that you are responsible for your own life. It’s time to break free from looking on the outside for your desires and blaming others for your problems. You can 
Knowing that the film is based on true events makes it that much more intriguing and upsetting. With gloriously elaborate sets and pristine period costuming, the look of Colonia perfectly sets the tone as the story rolls along. Starting with vibrant colors on the political revolutionaries in Chile and turning dark and monochromatic once we arrive at Colonia Dignidad. The script is comprised of vast research on the part of Director Florian Gallenberger. Perhaps what is most disturbing is the fact that I’ve never heard about this happening. You’d imagine something so awful would be much more in the limelight. This is a small but brilliant window into a terrible point in human history.
Emma Watson is simply a more grown up and matured star now. Tackling a role in which a woman rescues her boyfriend is brave and important and not often something we’re treated to these days. Her grace on screen is timeless. Daniel Brühl, who I had the pleasure of meeting during the 
Colonia is successful as a love story and a political thriller. The film is now available to view via the streaming platform 
Sometimes a film divides an audience right down the middle. Something so unique and deep that it either inspires a deluge of praise or a tirade of… well, let’s say “unkind words.” Writer/Producer/Director Ryan David‘s “relationship meets art” love story, Seattle Road has a great tagline:
It’s probably safe to say that every young man’s fantasy would be to have an affair with a hot older woman. The age gap alone could cause all sorts of problems… especially if she’s married. In Elizabeth Allen‘s new film, CAREFUL WHAT YOU WISH FOR, the innocent boy next door gets more than he bargains for.
Home for the summer holiday, brainiac Doug becomes entangled with the stunningly beautiful wife of his next door neighbor. Lena is in need of a rescue from a her controlling husband Elliot. Once drawn into a circle of deceit by from both husband and wife, Doug is determined to get her out from under Elliot’s thumb, all while indulging in a hot and heavy affair. Things go wrong pretty quickly. What’s a good kid to do when bad things find him?
Nick Jonas is one hot commodity. His on screen presence is so natural it’s a wonder it has taken this long for him to land such a leading role. Nick easily carries the entire film on his shoulders. He has true star potential. After his success in Ryan Murphy‘s Scream Queens, Nick is not slowing down in establishing himself in the acting industry. Forget the days of The Jonas Brothers sugar pop image. Those days are long gone. Isabel Lucas plays the haunted Lena. Massive sex appeal and an elegant air, you know there is more lurking behind those sad eyes. Dermot Mulroney is scary as Elliot. Usually a lead in a rom-com role, it was nice to see him stretch his very capable acting chops. 
Careful What You Wish For is a surefire noir. A total departure from director Elizabeth Allen‘s previous films. It’s in the same league at another Starz Digital fave of mine, 
The cinematography from Austria’s preeminent DP Martin Gschlacht (Goodnight Mommy, Oscar-nominated Revanch
Presents
I’ve said it before and I’ll say it again, anyone who thinks climate change is a manufactured idea, to me, is way off the rails. But, if by some chance you’re unconvinced, a new doc is resolved to change your mind. It seems like, with most threatening events in our lives, it is not until they directly affect our own families that we take the time to address them head on. It is much easier to sweep them under the rug or dismiss them as someone else’s problem. TIME TO CHOOSE may be your wake up call.
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Oliver Thompson‘s duel role as writer and director suits this indie gem to a T. Stylistically vibrant and charming, WELCOME TO HAPPINESS is something akin to ETERNAL SUNSHINE OF THE SPOTLESS MIND in look and quirk factor, but most assuredly has its very own unique voice. The colorful cinematography is a brilliant reflection of each character’s momentary mood. The plot has intrinsically intertwined story lines and is full of surprisingly insightful glee all while tackling the ghost of depression. Thompson has achieved quite the feat, no doubt. 
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