Features Archives - Page 83 of 95

Premiere photos from ‘Grace and Frankie’ starring Lily Tomlin & Jane Fonda with all episodes streaming on Netflix May 8th

Posted on April 30, 2015 by Melissa Hanson — Leave a reply

Photo credit: Eric Charbonneau/Netflix

I’m so excited about this show especially after seeing Grandma with Lily Tomlin at the Tribeca Film Festival. I’ve been a fan of Jane Fonda‘s recent work, as I loved her in Monster-In-Law.

Grace and Frankie – all episodes on Netflix May 8th

Jane Fonda and Lily Tomlin co-star as two women forced to reinvent their lives in this funny, honest new Netflix Original series. Elegant, proper Grace (Fonda) and freewheeling, eccentric Frankie (Tomlin) aren’t friends, even though their husbands Robert and Sol (Martin Sheen and Sam Waterston) have been law partners for decades. But when Robert and Sol announce that they’re leaving their wives for each other, the two women start to bond in ways they never expected. Check below some of the best photos which were edited using the best photo editing software you may find online.

Photo credit: Eric Charbonneau/Netflix

Netflix and Ellen DeGeneres Announce ‘Green Eggs and Ham’ Series

Posted on April 30, 2015 by Michael Petrelli — Leave a reply

Netflix announced today that the company has ordered 13 episodes of “Green Eggs and Ham,” for the streaming service set to debut in 2018. The project will be executive produced by Ellen DeGeneres. Check out the clever press release and the video below.

We’d love to share some happy news
based on the rhymes of Dr. Seuss.
Green Eggs and Ham will become a show
and you’re among the first to know.

In this richly animated production,
a 13-episode introduction,
standoffish inventor (Guy, by name)
and Sam-I-Am of worldwide fame,
embark on a cross-country trip
that tests the limits of their friendship.
As they learn to try new things,
they find out what adventure brings.
Of course they also get to eat
that famous green and tasty treat!

Cindy Holland, VP of Original Content for Netflix
threw her quote into the mix:
“We think this will be a hit
Green Eggs and Ham is a perfect fit
for our growing slate of amazing stories
available exclusively in all Netflix territories.
You can stream it on a phone.
You can stream it on your own.
You can stream it on TV.
You can stream it globally.

‘The Ladies of the House’ serves up the smart and sexy. Liz talks flipping the script on genre protagonists.

Posted on April 29, 2015 by Liz Whittemore — Leave a reply

Typical horror gene fair has the protagonist as a weak young woman who is constantly running up the stairs only to get stabbed during sex or in the shower. While I am not making a dig at Psycho, because we all know that is will always be some brilliant and sick stuff, I am bringing up the obvious that women in horror tend to be the victims. Refreshingly, in John Stuart Wildman‘s The Ladies of the House, this couldn’t be further from the truth. The premise seems relatively simple; brothers Kai and Jacob, and friend Derek, go to a strip club for Kai’s birthday. But, when they decide to follow one of the strippers as she departs, they are in for quite the surprise. This house is home to a group of lovely cannibals.Performances by our leading ladies are strong and quirky due to the smart writing from husband and wife team of Wildman and Justina Walford. The often funny moments come from vitriolic insults they sling at the men and one another. Each character is fully fleshed out, most likely making it a blast to perform. Michelle Sinclair plays Ginger. Perhaps best known as former adult actress Belladonna, Michelle does a great job on screen as newest housemate. Farah White plays Lin (our June Cleaver mommy monster, whose patience and civility are balanced on a razor thin edge) is fully settled into this role. The “Lady of the House,” Getty, is played stupendously by Melodie Sisk. This “take no shit” gal is pretty much my favorite performance of the entire film. Brina Palencia is our sex-crazed, emotionally-stunted lovely. Keeping men for play is her game. But can this family survive these feisty gentlemen? Speaking of which, Samrat Chakrabarti, as Derek, is real douchebag. No love lost for this total asshole, which in its own right, is a compliment. Gabriel Horn, as Jacob, plays the classic, submissive peacemaker. Doomed or not, the passive manner doesn’t help his character’s cause in this film. Finally, we have Kai. Clearly a little bit (or a lot) of a simpleton, RJ Hanson‘s portrayal is sickening… which is a good word here. This gentle giant has a sexually charged trigger that gets him into some hot water. Every beat is well thought out and I couldn’t take my eyes off of him.The ladies each have their own specific color they sport throughout the film. Their pin-up style radiates from their wardrobe to the impeccable set design by Winona Yu. The majority of the house is like Pee-Wee Herman‘s Playhouse only scarier, and I do mean that as a compliment. Not a tchotchke out of place, it is filled with delicious details top to bottom. The super cool cinematography from Beau Ethridge is a funky combination of fly on wall, handheld closeups, and my favorite shots in the film, super high angles that are akin to surveillance footage. The biggest practical effect is vomit inducing, no doubt, something Eli Roth would be proud to call his own and a dinner table scene that is surely a fandom nod to The Texas Chainsaw Massacre with dialogue Taratino would pen in a heartbeat. I was truly impressed with the gore factor as it was just enough to make a point. The music is incredible. A rockabilly tune here, to classic 50’s make out sounding mix tape there, I want it all for my very own. While, yes, we’re talking about a grindhouse indie film about lady cannibals, we cannot overlook the empowerment factor so often thrown to the wind in the horror genre. When women kick some serious ass, and are cleverly written, how can we not stand up and cheer? This film’s undertone is blatantly about love and protection… with a little bit of the kooky macabre thrown in for good measure. Not since Robert Rodríguez/Tarantino‘s 2007 GRINDHOUSE with Planet Terror and Death Proof, which flung the exploitation genre back into the spotlight, has there been a film where the ladies are the winner-winner, this time human dinner. Or perhaps more fitting a comparison in this case would be 2003 release High Tension, which if you haven’t yet seen, for shame. My only gripe is that I might trim the length 15-20 minutes to tighten up the story’s flow, but that’s being nit-picky. Anytime I can watch my favorite genre hold a candle to a bygone era of kitsch, I give Wildman and Walford major props for putting it all out there and for giving us something that can easily be shown as a drive-in cult classic in the future. Now I want to know, what’s next?

The Ladies of the House comes to VOD platforms on May 1.

You can preorder the film on iTunes.

Best of the Fest: Liz & Melissa’s 22 Favorite Narratives & Documentaries from the Tribeca Film Festival!

Posted on April 28, 2015 by Melissa Hanson — Leave a reply

It was a fabulous eleven days filled with movies and interviews, and now it’s time for us to reflect on our favorites. Enjoy!

Favorite Comedies

Grandma – releasing August 21st

Reeling from a recent breakup and still mourning the loss of her longtime partner, once-famous poet Elle Reid (Lily Tomlin) is surprised to find her teenage granddaughter on her doorstep in need of $600 and a ride. The two embark on an all-day road trip that ends up rattling skeletons and digging up secrets all over town. Co-starring Julia Garner, Marcia Gay Harden, Judy Greer, Laverne Cox, and Sam Elliott.

We’ve only gotten a tease of Tomlin over the past few years, but she’s back with a comedic performance that rivals any dramatic one. So wrong, yet so perfect, her delivery gives the dialogue an extra edge that almost makes you feel guilty as you laugh out loud. I can’t wait to see her and Jane Fonda in Grace and Frankie on Netflix. – Melissa

Tomlin is an indisputable legend. Her comic timing is like watching Mozart create a symphony. This film is an absolute gem that tackles so many relevant issues without one ounce of preachiness. I have always been a huge fan and I am crossing my fingers this garners her an Oscar nod. -Liz

Man Up – releasing May 29th in the UK, no US release set

When perpetually single Nancy (Lake Bell) is mistaken for a charming stranger’s (Simon Pegg) blind-date, she just goes with it, leading to a series of escalating adventures for the two mismatched lovebirds in Ben Palmer’s hilarious romantic comedy.

This could have been another boring rom-com, but the trifecta of story, dialogue and performances make it my new favorite “meet cute.” – Melissa

Pegg and Bell are an unlikely duo but let me say this is perfect casting. Their chemistry is super believable and laugh out loud funny from start to finish. Do not pigeon hole this flick, it is a riot for everyone. -Liz

The Overnight – releasing June 19th

Alex and Emily have just moved to LA with their young son. Eager to make new friends, they accept an invitation to a party from the father of their son’s playground mate. After the kids fall asleep, the “playdate” takes a bizarre turn in this racy and hilarious romp. Featuring Judith Godrèche, Taylor Schilling, Jason Schwartzman, and Adam Scott.

Filled with many twists and turns, you won’t know where the next laugh will take you as these two couples get to know each other. Sharing their hopes, fears and extracurricular hobbies, it all happens so naturally and with the utmost hilarity. – Melissa

This crazy funny adult comedy puts to rest the notion that hyper-sexual has to be boring or slapstick. This is actually a really thoughtful script and with a cast like this, you cannot go wrong. -Liz

Sleeping With Other People – releasing August 21st

Jason Sudeikis and Alison Brie star as two romantic failures whose years of serial infidelity and self-sabotage have led them to swear that their relationship will remain strictly platonic. But can love still bloom while you’re sleeping with other people? Writer/director Leslye Headland’s (Bachelorette) sexy romantic comedy co-stars Amanda Peet, Adam Scott, and Natasha Lyonne.

The “platonic friends” comedy is so overdone, but it’s been reborn with Jason Sudekis and Alison Brie. With over-the-top intimate dialogue, honesty is the best policy when it comes to modern relationships. One of the funniest movies of the year. – Melissa

This film may appear to be formulaic at first glance, but I assure you, you have no idea what you’re in for. One of the best and most honest pieces of dialogue since This is 40, Sudeikis and Brie kill it with the funny as two people with some serious intimacy issues. -Liz

Favorite Dramas

Anesthesia

On a snowy night in New York City, a Columbia professor is brutally mugged on the doorsteps of an apartment building. Director Tim Blake Nelson’s haunting meditation of city life traces the chain of events that precipitate the attack, examining the inextricable and unforeseen forces that bring a group of disparate individuals together. Featuring a star-studded ensemble including Sam Waterston, Kristen Stewart, Glenn Close, and Cory Stoll.

Make sure you pay attention and get ready for dialogue that is a hyper-intellectual mental workout. It’s heavy but hopeful and filled with brilliant performances.- Melissa

This film’s multiple narrative style is something reminiscent of Traffic or Third Person. Beautifully based on philosophical notions, the audience is treated to a peak inside the lives of a handful of New Yorkers. With a jam packed cast of superb talent, Tim Blake Nelson brings everything to the table and succeeds, wildly. – Liz

Bare

Sarah’s (Dianna Agron) mundane life in a Nevada desert town is turned upside down with the arrival of Pepper (Paz de la Huerta), a mysterious female drifter, who leads her into a life of seedy strip clubs and illicit drugs. Their passion inspires Sarah to break free of her past and seek out a new life of her own.

It’s a story that could be told of any small town. It never attempts to explain anything, which actually gives it much more credibility. – Melissa

In Agron’s first truly adult role, she shines as a small town girl trying to find her escape. Big dreams and little self esteem lead to a complex script and a stellar performance. -Liz

The Driftless Area

Pierre Hunter (Anton Yelchin), a bartender with unyielding optimism, returns to his tiny hometown after his parents’ death. When he falls for the enigmatic Stella (Zooey Deschanel), Pierre is unknowingly pulled into a cat-and-mouse game that involves a duffel bag full of cash, a haphazard yet determined criminal (John Hawkes), and a mystery that will determine all of their fates. With Alia Shawkat, Frank Langella, Aubrey Plaza, and Ciarán Hinds.

To say that The Driftless Area is cryptic is an understatement. I’m still not quite sure what happened, but the characters are so complex and interwoven that even though you’re confused, you can’t wait to see what happens next. – Melissa (read full review here)

Meadowland

Sarah and Phil’s son goes missing, shattering their life together and forcing each to find their own way to cope. Cinematographer-turned-director Reed Morano presents a masterfully crafted contemplation on a relationship strained to the breaking point. Olivia Wilde and Luke Wilson capture the unraveling emotions with remarkable power, alongside Kevin Corrigan, John Leguizamo, Elisabeth Moss, Giovanni Ribisi, Juno Temple, and Merritt Wever.

This emotionally heavy story will kick you in the gut. How does one cope after the loss of a child? Do marriages survive? Can we be saved? These are all questions in an intense script lead by a masterful performance from Wilde. Following up her insane roller coaster role in Third Person, Wilde proves once again that she’s way more than a pretty face. Cast her in all the things, immediately! – Liz

Tumbledown

Years after the accidental death of her folk-singer husband, Hannah (Rebecca Hall) has yet to fully accept her small-town life without him. Then she is approached by a charming New York writer (Jason Sudeikis) intent on penning a biography of her late husband’s life, and Hannah finds herself opening up again. Also featuring performances by Dianna Agron, Blythe Danner, Griffin Dunne, Joe Manganiello, and Richard Masur.

This was a film near and dear to my heart, based on plot and circumstance. The filmmakers and cast hit the nail on the head when it came to recreating a small New England town in Maine and the effect a death has upon it’s entire population. Loss and grief are combined with super smart writing. Sudeikis and Hall own these roles. – Liz

(read full review & podcast of interviews here)

Virgin Mountain

Fúsi is a mammoth of a man who at 43-years-old is still living at home with his mother. Shy and awkward, he hasn’t quite learned how to socialize with others, leaving him as an untouchable inexperienced virgin. That is until his family pushes him to join a dance class, where he meets the equally innocent but playful Sjöfn.

Heartbreaking, yet hopeful, this Jury award winner for narrative and lead performance will grab ahold of you and squeeze. – Melissa

This was one of the most endearing films I’ve seen lately. The “I think I can” attitude and transformation of the lead is so compelling from the very beginning. You cannot help but root for this character. -Liz

When I Live My Life Over Again

Jude (Amber Heard) is a would-be singer-songwriter still struggling to make her mark. Cash-strapped and homeless, she begrudgingly returns to the Hamptons home of her father (Christopher Walken), an over-the-hill crooner desperately charting his musical comeback, in this spunky, soulful dramedy about the personal costs of artistic ambition and the bonds that carry us through.

Christopher Walken is charming and tragic. The dialogue is so subtle and natural, you’d think you were watching a documentary. The dining table scene alone is worth the price of admission. – Melissa

The tremendously organic dialogue in this film is top notch. It’s an honest portrait of family dynamics we can all relate to on some inherent level. Walken is a gem, as always, and I was blown away by Heard’s level of comfort behind a guitar and piano. Color me impressed.- Liz

Favorite Scary

Backtrack – acquired by Saban Films

In this spine-tingling supernatural thriller, troubled psychotherapist Peter Bowers (Adrien Brody) is suffering from nightmares and eerie visions. When he uncovers a horrifying secret that all of his patients share, he is put on a course that takes him back to the small hometown he fled years ago. There he confronts his demons and unravels a mystery 20 years in the making.

I liked this film as the credits rolled. Speaking of credits, the opening sequence is one of the most beautiful and creative I’ve seen in some time. As I hashed out all the little moments in the script, the makeup, the music, I adored this film. Very smart writing and some really nicely timed jump scares. File this film under paranormal- thriller. -Liz

Hungry Hearts – releasing June 5th

After a chance meeting and a whirlwind romance in New York City, Jude (Adam Driver) and Mina (Alba Rohrwacher) become pregnant. Convinced their child will be harmed by the pollutions in the outside world, Mina becomes consumed by protecting her baby, forcing Jude to recognize a terrible truth about why his son’s life could be in danger.

Told like a 70s horror flick, this is a Rosemary’s Baby kind of scary. Crazy camera angles and eerie music make this a very unsettling story that will leave you shivering. – Melissa

Favorite Documentaries

The Birth of Sake

Traditional and labor-intensive, the production of Saké has changed very little over the centuries. Erik Shirai’s love song to the artisans who have dedicated their lives to carrying on this increasingly rare artform follows the round-the-clock process for six straight months, offering a rare glimpse into a family-run brewery that’s been operating for over 100 years.

The gorgeous imagery is enhanced by slowmotion and a calming score. Whether you’re a lover of saké or not, you’ll appreciate the amount of work that goes into its creation. – Melissa (3 docs you must see)

Visually breathtaking with a whole lot of heart, this doc was so enjoyable for me to watch. It is akin to a work of art and could easily (and should be) shown on a constant loop in museums. -Liz

CODE: Debugging the Gender Gap

At a time, according to this Utah County recruitment agency experts, in the United States when the tech sector outpaces the overall growth of the employment market, CODE asks the important question: Where are all the women?

Instead of focusing on one aspect of the gender gap in coding, this film really shows that everyone has something to give. The field of information technology is only getting bigger and we need all hands on deck. The more diverse the people building the future technologies are, the better the world is for it. – Melissa (3 docs you must see)

Crocodile Gennadiy

Crocodile Gennadiy, real-life, self-appointed savior, who works tirelessly to rescue homeless, drug-addicted youth from the streets of Mariupol, Ukraine. At the same time, he challenges dealers and abusers. Despite criticism, Gennadiy is determined to continue his work. Sundance Award-winning director Steve Hoover’s second feature is a bold portrait of a man on a mission.

Doing what’s right is the main point of this extraordinary documentary. Saving the lives of innocent children that are being taken advantage of by a broken system mired in poverty, Gennodiy is the perfect example of what religion should look like. – Liz (read interview here)

Democrats

In the wake of Robert Mugabe’s highly criticized 2008 presidential win, a constitutional committee was created in an effort to transition Zimbabwe away from authoritarian leadership. With unprecedented access to the two political rivals overseeing the committee, this riveting, firsthand account of a country’s fraught first steps towards democracy plays at once like an intimate political thriller and unlikely buddy film.

The bravery of these people to be on film, speaking in the manners they do is enough to cheer for. Getting an honest look inside a corrupted political system outside our own is astonishing. Take note America.- Liz (read review here)

Dream/Killer

In the fall of 2005, 21-year-old Ryan Ferguson received a 40-year prison sentence for a murder that he did not commit. Over the next ten years, his father Bill engages in a tireless crusade to prove Ryan’s innocence. Interspersed with footage from the Ferguson family archive, Andrew Jenks’ film looks at the personal consequences of a wrongful conviction.

One of the most frustrating docs to watch, you learn just how lost our justice system can be. Unexpected and shocking, the combination of footage, audio, and interviews makes for one hell of a story. -Liz (read review & interview here)

Monty Python: The Meaning of Live

While perhaps best known for its eminently quotable films, Monty Python has performed its signature, surreal humor in live shows since the group’s earliest days. Dive into the history of Python’s stage work and the genesis of some of its most well-known pieces as they prepare for their last-ever live show. Monty Python: the Meaning of Life is a hilarious and illuminating survey of the process behind the Python.

I saw my first Monty Python films at the age of 13. Why it took me that long, I’ll never know. I have my theater friends to thank for introducing me into a world of absolute insanity and brilliance. This is an awesome look inside the relationships between some of your most memorable laughs and the men behind them. -Liz

Orion is his iconic eagle suit. Photo credit Sun Records

Orion: The Man Who Would Be King

Millions of Americans clung to the hope that Elvis Presley faked his death. For the executives at Sun Records that fantasy became an opportunity in the form of Orion, a mysterious masked performer with the voice of The King. But who was the man behind the mask? In this stranger-than-fiction true story, Jeanie Finlay explores a life led in service to those who couldn’t let Elvis go.

Everyone has heard of Elvis, but only a fraction have heard of Orion aka Jimmy Ellis. When Jimmy Ellis sang, he sounded like the legendary Elvis. His talent was brought to new heights when Elvis died and people didn’t want to let go. Never an impersonator, Jimmy did capitalize on this coincidence and attempt stardom on his own. – Melissa (read review here)

Artwork from “That Dragon, Cancer”.Credit: That Dragon, Cancer

Thank You For Playing

For the past two years, Ryan and Amy Green have been working on That Dragon, Cancer, a videogame about their son Joel’s fight against that disease. Following the family through the creation of the game and the day-to-day realities of Joel’s treatment, David Osit and Malika Zouhali-Worrall create a moving testament to the joy and heartbreak of raising a terminally ill child.

Fair warning: bring an entire box of tissues with you to this truly important and thoughtfully crafted film. If most of us are being honest, usually when we see commercials for St. Jude’s Children’s Hospital we change the channel, but in this instance we come to know and love the members of the Green family. Understanding “That Dragon Cancer ” is the only way to help save lives and support those on their journey. Using art as an outlet for grief is a transformative way to share an experience, good or bad. – Liz

The Wolfpack – releasing June 19th

Everything the Angulo brothers know about the outside world they learned from obsessively watching movies. Shut away from bustling New York City by their overprotective father, they cope with their isolation by diligently re-enacting their favorite films. When one of the brothers escapes, the world as they know it will be transformed.

Something about this film grabbed my heart and held it for it’s entirety. These kids are among us here in NYC, but you’d never know since they’ve been essentially held captive their entire lives. The intense detail in which these brothers re-create their favorite films is unreal. Their passion and intelligence should be on view for all the world to see and enjoy.- Liz

Tribeca Film Festival interview: Kevin Pollak talks his new doc ‘Misery Love Comedy’ with expected hilarity.

Posted on April 24, 2015 by Liz Whittemore — 1 Comment ↓

Some of my fondest memories as a kid are family game nights, Sunday breakfasts, and dancing in the kitchen. All of these things we still do. We try to outplay each other. We make fun of the everyone’s ever changing diets. We choreograph the best and worst dance moves in the universe. Being the first of 4 children ignites a fire that never quite goes away. ‘Look At Me Syndrome” is something I live and die by. Young performers are like sponges. They listen to every word as a kid. They are bright and observant, perhaps not coming alive at that age, but letting it all seep into what shapes their humor. *And yes, I did just allude to how awesome I have always been. But enough about me.* Kevin Pollak has created one hell of a documentary to share with the planet, MISERY LOVES COMEDY. Rounding up over 60 comedians, both stand up or just plain funny people in the industry, including the likes of Amy Schumer, Tom Hanks, Judd Apatow, Kevin Smith, Christopher Guest, Lisa Kudrow, Bob Saget, Chris Hardwick, and Kathleen Madigan, just to name a few. Pollak poses the question that performers know to be true; “Do you have to be miserable to be funny?” The answers comes in form of intimate sit down interviews with a cast only someone with Pollak’s clout could get to say yes so quickly. Filmed over the course of 4 weeks in L.A. and NYC, we are privy to family photos, childhood inspirations, and all the mess in between. Pollak even edited the film himself, sharing that experience was eye-opening and surprisingly enjoyable. This film is non-stop funny. I loved every moment of it. Jim Gaffigan sums up the need to entertain others perfectly, it’s a ‘Narcissists Fantasy’. Question it, accept it, then own it. I do. It’s the only way to live.

When Kevin Pollak offers to take a picture with you, you take a picture. Because Kevin Pollak.

In honor of the masterful director himself, and the over 600 hours of interviews he had conducted, in true Kevin Pollak Chat Show style, I give you the audio from our roundtable with this comic genius. Welcome to a slice of MISERY LOVES COMEDY.

Misery Loves Comedy is available on iTunes !! *Ps- it’s #1 right now* Opens today in NYC (IFC Center) with a national release to follow.

Tribeca Film Festival review: It’s easier to squirm than to understand ‘A Courtship’, but don’t be too quick to judge.

Posted on April 23, 2015 by Liz Whittemore — Leave a reply

We’ve all seen The Duggar Family on television. Courting is something that has a tendency to be labeled a bit kooky. No kissing, supervised “dates”, and approval needed from the head of the household (which is a man, of course). While this may seem like something right out of the dark ages, for a percentage of the population, this is an increasingly common practice in the conservative Christian faith. In Amy Kohn‘s film, A Courtship, we meet 33 year old Kelly. At 19, she was away at college when she found out her parents were getting a divorce. This caused Kelly much strife and ultimately she loses faith in the world. So Kelly moves to Michigan, becomes a devout Christian, and embarks on a journey of courtship, led by her “spiritual parents” Ron and Dawn Wright. Ron has a website called beforethekiss.com in which he shares his knowledge on courtship, selling books that help both children and parents, and even recommending a CD called How to Evaluate a Suitor. Even though Kelly had shared kisses as a teenager, since making the decision to find her husband via courting, she is saving her next first kiss for the alter. This is essentially the first rule of courting. Kissing is meant only for a husband and wife. Ron and Dawn believe that God has called them to find Kelly a husband, which she is 110% on board with. Kelly moves in with The Wrights and Ron meets with potential young men who he thinks might be a good match for Kelly. While on Facebook, Kelly finds a young man named Ross. He lives the courtship lifestyle and truly believes that God has a plan for everything. During the course of Amy Kohn‘s year of filming, we watch Ross, Kelly, Dawn, and the rest of the Wright family interact. Kelly is girlishly hopeful that Ross is the one sent by God. On the flip side of the coin, Kelly’s actual parents, mother Linda and stepfather Bob, think that internet dating might be a better option for their daughter. They try as hard as they can to understand where Kelly is coming from. One of the most touching moments in the film comes when Bob tears up, telling Kelly that if she were to move back to Alabama near the family, he would be her advocate. It’s a beautiful foil, each family with their own faith and views on love and marriage. Ultimately, after speaking with Kohn, I’ve decided that my gut reaction to this film was far too judgmental. I was certain that there was a hidden incident in Kelly’s young past, at college perhaps, that drove her to seek such extreme measures in love and faith. Amy doesn’t there is anything that she is holding back. She is lovely, passionate young woman, who wants nothing more than to be a good wife and mother. You easily fall in love with Kelly as you watch her journey. Who are we to say what is the right way to find who we’re meant to be with. As long as it doesn’t hurt anyone else in the process, why should courtship be labeled any crazier than “swiping to the left” or getting a quickie divorce? A Courtship is an intriguing look into a lifestyle that may not be for everyone, but definitely works for some. We wish Kelly all the best and hope that she finds true love, sooner rather than later.

Tribeca Film Festival interview: ‘CROCODILE GENNADIY’ is a modern-day superhero story.

Posted on April 23, 2015 by Liz Whittemore — 1 Comment ↓

Gennadiy Mokhnenko is a pastor in Mariupol, Ukraine. Following the collapse of the Soviet Union, hundreds, if not thousands of children have become homeless and addicted to a deadly mixture of cold medicine and alcohol that they are injecting like herion. Gennadiy has taken it upon himself to rescue these children, small groups at a time and bring them to his rehabilitation center called Pilgrim Republic. An accomplished and eloquent orator, this strong headed and passionate pastor, sometimes forcibly removes children from sewers, or other filth ridden settings, to set them on the straight and narrow. His aim is to improve their alcohol recovery timeline, get these kids healthy and make them want to be functioning members of society. Confronting abusive parents and taking on the government, Gennadiy is a saint. He has 11 children, most of them adopted from the lot that he has saved over the years. He has a wit and charm that make him one of the most approachable men, and yet he has a tenacity that is also threatening when it needs to be.

This documentary from Steve Hooper is beautifully inter-cut with a Soviet animated TV show, Crocodile Gennadiy from which our pastor gets his nickname. The parrallels between Gennadiy and the cartoon are almost unbelievable. The methods this man uses are far from what would be acceptable for any church in the United States, and as far as I am concerned, we should be taking a page from his playbook when fighting for good.

I was able to sit down with Steve Hoover and producer Danny Yourd. Find out some of the crazy story behind the making of this film.

Crocodile Gennadiy Teaser from Crocodile Gennadiy Documentary on Vimeo.

You can still catch CROCODILE GENNADIY at this year’s festival:

8:00 PM – FRI 4/24 REGAL CINEMAS BATTERY PARK 11-3 –RUSH

Tribeca Film Festival reviews: Docs that will make you face palm humanity. ‘Cartel Land’, ‘Indian Point’, and ‘Tom Swift and His Electric Rifle’

Posted on April 23, 2015 by Liz Whittemore — Leave a reply

CARTEL LANDFrom poverty comes desperation and opportunistic turn. The mentality of, “If you can’t beat ’em, join ’em,” could not be more true in a new doc from director Matthew Heinman, Cartel Land. Mexican drug cartels are running rampant, killing innocent people in their wake, wreaking havoc on what would otherwise be hard working, peaceful folk. Infuriated by the circumstances forced up them, townspeople have taken up arms of their own and formed a group named the Autodefensa. They side step the government, who deny there is a problem at all, and capture cartel members to be handed immediately to the police. We also meet a group called the Arizona Border Recon. Mostly comprised of neo-con, anti-immigration minded men, they are able to put their politics aside to police human trafficking and cartel scouting groups. The most unprecedented footage is when the filmmakers were allowed access inside the cartels themselves. The saddest past of the doc, a lot of the present cartel members are former members of the Autodefensa. Money begets power. It remains a vicious cycle. Cartel Land gives us a real time look into the everyday struggle of the Mexican people. While constantly in true physical peril, Heinman and his crew present us with outstanding production value, balanced storytelling, and an insight to what most of us turn a blind eye to.

8:30 PM – FRI 4/24 BOW TIE CINEMAS CHELSEA 8 –RUSH

5:00 PM – SUN 4/26 REGAL CINEMAS BATTERY PARK 11-3 –RUSH

INDIAN POINTAs a New Yorker, post-9/11, we want to believe that we’re safer. We want to think that the heightened presence of armed guards at Grand Central means something. But, it’s the forces we don’t see that should freak us out. Did you know that just 35 miles north of Times Square is an aging nuclear power plant called Indian Point? I sure didn’t. Not scary enough for you? Alright, the government has down graded evacuation plans since the Fukushima melt down. Still no? 6% of the country’s population lives with 50 miles of the plant. You cannot outrun radiation. The plant was built in the 1950’s and has not been sufficiently updated since. This is not a one off for the plants across the country. Old technology cannot be applied fast enough for the amount of old cores we are storing on site (encased in cement). The volatility of this waste is unbelievable. When the earthquake and tsunami hit Japan, Fukushima’s waste was jostled enough to cause multiple reactor meltdown, something that the industry claims is impossible in the US. That radiation has traveled across the ocean and is now causing birth defects in California. Indian Point shows this issue from all sides; activists, journalists, plants supervisors, residents, and the former chairman of the Nuclear Regulatory Commission. This is an eye-opening doc about money Vs power. When you get the end of the film, the information provided will downright piss you off more than you ever thought possible. Indian Point should stand as a warning for us all. Complacency is the way we power our planet is no longer an option.

6:15 PM – FRI 4/24 BOW TIE CINEMAS CHELSEA 4 – RUSH

TOM SWIFT AND HIS ELECTRIC RIFLEIn the wake of so many tragic police shootings, I posed a question to my husband, “Why don’t they just use tasers anymore?!” I recalled the infamous YouTube video “Don’t Tase Me Bro!”. Without giving much weight to the incident, when that video went viral, I, like most Americans, brushed it off as internet fodder. What I didn’t realize was just how serious this issue actually was and continues to be. In the doc Tom Swift and His Electric Rifle we learn about the origin of the one single company that created and trains law enforcement on the proper use of Tasers. These “weapons” are meant to incapacitate a subject. Unfortunately, for brother Tom and Rick Smith, tasers also kill people. The two founded Taser International in 1993 and have sold their stun gun to almost every one of the US’ 18,250 law enforcement agencies.

The updated Taser targeting guide issued by Taser International.

Between 2001 and 2012, there were 500 taser related deaths reported in the U.S. There are no regulations on the use of tasers. In the film, we are privy to dash cam footage of 23 year old Stanley Harlan. Pulled over in front of his house, the reason still unclear, he is seen complying with officers and then suddenly, off camera, he is tasered 3 times, causing him to go into cardiac arrest. As his parents look on is sheer terror, we witness Harlan’s death. In a deposition following a string of additional deaths, the Smith brothers sit smugly testifying that they have no scientific knowledge that their product contributes to anyone’s death. Ironically, in 2009, Taser International updated their training guide to reflect what they claimed they did not believe. These gentlemen and this company know they are wrong. They know the dangers of their product, but for them, their monopoly grows in spite of the deaths.

Tom Swift and His Electric Rifle is raw and shocking. You will walk out shaking your head. All of that being said, this documentary is incredibly informative and well structured. On the surface, it may appear to be a propaganda piece, so let me assure it, it is well researched and definitely worth your time.

You can still catch Tom Swift and His Electric Rifle at the fest!

8:30 PM – SUN 4/26 SVA THEATER 2 BEATRICE $21.50

For more information on all of these films, you can visit the Tribeca Film Festival Guide 2015

Tribeca Film Festival review & interview: ‘DREAM/KILLER’ is frightening for reasons you must see to believe. Liz interviews Ryan and Bill Ferguson.

Posted on April 22, 2015 by Liz Whittemore — 1 Comment ↓

Some of us have a some pretty wild dreams. Maybe monsters are chasing us, maybe we fly like superman, or just maybe, we kill someone. What if someone else’s dream affected your life? What if their dream took away your freedom. This is was happened to 19 year old Ryan Ferguson. After a friend has a nightmare about a murder case that happened two years prior, he calls 911 to “confess” and once in custody, puts Ryan at the scene. Director Andrew Jenks, brings us a fascinating new documentary called Dream/Killer. Ryan is convicted of murder and sentenced to 40 years in prison. Let’s be clear, there is zero evidence that Ryan was even in the area at the time. The entire case, if you can call it such a thing, is based upon a coerced confession of another young man with some serious issues. This is the tragic story of how the American judicial system is beyond broken. We’ve seen numerous young men convicted based on socio-economic background or the color of their skin, but it is still very unlikely that a middle-class white man would be in the same boat.We follow Ryan’s entire journey, with the help of his extraordinary parents, Bill and Leslie. Bill does everything in his power, including tours of the crime scene to anyone and everyone that will walk with him and listen to the evidence, setting up social media pages in support of Ryan, and tracking down one the most renowned lawyers in the country, Kathleen Zellner. Roadblocked at every turn, this documentary is full of twists and turns in the wake of shockingly awful work by The Ferguson’s first lawyer, witnesses fabricating stories, and the dubious practices of District Attorney-turned-Judge Kevin Crane. If there is one criminal in this entire story, it may be the one presently on a bench in Missouri.

Bill Ferguson‘s tireless efforts are rewarded after his son spends 9 1/2 years in prison. Kathleen Zellner is finally able to get Ryan released. Through years of exasperating setbacks, Bill and Leslie keep up Ryan’s spirits and lead his charge to freedom. Dream/Killer is an eye opening film. The scales of justice are definitely waited against the truth and they need to be fixed. Andrew Jenks agrees that the film is emotionally enraging. As an audience member, you walk away shaking your head and fuming. These are both compliments to the story Jenks is is trying to tell. He and The Fergusons have developed a genuine friendship. Jenks calls Ryan “A bit of a Gandhi figure” for his ability to stay so positive throughout this entire ordeal. The Fergusons love for each other is certainly unconditional. Never once did Bill or Leslie question Ryan’s innocence. Jenks says that he doesn’t think this story is over. There is still a murderer on the loose. With the popularity of the Serial podcast and HBO‘s The Jinx, there could not be a more timely introduction for Dream/Killer. Jenks also attributes the growing intrigue surrounding documentaries to Netflix. He believes it’s interface and the artistry in docs movie posters are attracting a newer, and perhaps younger audience.

I was fortunate enough to sit down with Ryan and Bill and discuss this film and their extraordinary family. Here is the audio from that interview. *At the very end, you’ll hear my private thoughts as I left the recorder on longer than intended.* I actually ran into Ryan the following day. He remembered me, asked me how I was doing, and we chatted like old friends. Welcome to The Ferguson family. Enjoy.

You can still catch two more screenings of Dream/Killer at the fest.

3:45 PM – FRI 4/24 REGAL CINEMAS BATTERY PARK 11-1 RUSH

9:45 PM – SAT 4/25 BOW TIE CINEMAS CHELSEA 5 RUSH

dream/killer Trailer from Andrew Jenks Entertainment on Vimeo.

To find out more information, you can click the Tribeca Film Festival Guide 2015.

Netflix Renews ‘Daredevil’ for Season 2

Posted on April 22, 2015 by Michael Petrelli — Leave a reply

If you’re like me, you finished the first season of Marvel’s Daredevil on Netflix in about a day and now you have no idea what to do with yourself, well, we have some good news for you! Netflix has just announced that they’ve picked up the series for a second season! Here’s the best news, you’ll have to wait for it to premiere until 2016.

Doug Petrie (American Horror Story) and Marco Ramirez (Sons of Anarchy) will serve as showrunners for season two while the duo will join Drew Goddard and Jeph Loeb as Executive Producers.

Stars Charlie Cox (Matt Murdock), Deborah Ann Woll (Karen Page), and Elden Henson (Foggy Nelson) are all set to return. No word on the rest of the supporting cast.

Can’t wait a year? Fear not, Marvel’s A.K.A. Jessica Jones is coming to Netflix later this year and Marvel’s Luke Cage premieres on the streaming service in 2016. Future series exclusively debuting on Netflix include Marvel’s Iron Fist and Marvel’s Defenders, a mini-series event that re imagines a team of self-sacrificing, heroic characters.

Tribeca Film Festival podcast: From screen to screen – Interview with ‘All Work All Play’ Director Patrick Creadon

Posted on April 21, 2015 by Melissa Hanson — Leave a reply

There’s a huge following for the online game League of Legends, as over 67 million players MONTHLY play the game. Director Patrick Creadon focuses on both behind-the-scenes of setting up the tournaments and the some of the teams that are world champions in his new documentary, All Work All Play.

Patrick gives his thoughts on everything from how he learned about League of Legends to how documentary filmmaking has changed since his Sundance hit, Wordplay.

Check out the audio interview with the Cloud 9 team here.

Tribeca Film Festival podcast: 67 million players per month can’t be wrong – Interview with the Cloud 9 team of League of Legends for the work-in-progress ‘All Work All Play’

Posted on April 21, 2015 by Melissa Hanson — Leave a reply

Whether you’re a gamer or not, you can appreciate the time and talent it takes to become a world champion. In League of Legends, the free-to-play online game from Riot Games, two teams of five compete. One of the top North American teams, Cloud 9, is profiled in the new documentary All Work All Play, screened as a work-in-progress at this year’s Tribeca Film Festival. I sat down with the team before any of us had seen the movie, and asked them about their lives, interests and what it means to be part of an emerging sport, well, e-sport, that is.

‘Fuller House’ coming to Netflix with 13 new episodes in 2016 – So who’s returning?

Posted on April 21, 2015 by Melissa Hanson — Leave a reply

Yes, I watched Full House. I didn’t watch every episode, but I can tell you all the character’s names and their basic personality. At first I thought for Netflix to resurrect this it would be terrible, but after reading the synopsis, I have to say, I’m intrigued. Will I watch it? Oh, totally. How about you?

Netflix, the world’s leading Internet TV network, has ordered a 13-episode season of a new multi-camera comedy from Warner Horizon Television, Miller-Boyett Productions and Jeff Franklin Productions. Fuller House is the long-awaited sequel to the iconic hit series Full House. Created by original Full House creator Jeff Franklin, Fuller House will premiere exclusively across all Netflix territories in 2016.

Candace Cameron-Bure, Jodie Sweetin and Andrea Barber are set to star in Fuller House, with fellow Full House star John Stamos set to produce and reprise his original role of Uncle Jesse as a guest star in the new show. Discussions with Full House stars Bob Saget, Mary-Kate and Ashley Olsen, Dave Coulier and Lori Loughlin regarding guest appearances in Fuller House are ongoing.

In Fuller House, the adventures that began in 1987 on Full House continue, with veterinarian D.J. Tanner-Fuller (Cameron-Bure) pregnant and recently widowed, living in San Francisco. D.J.’s younger sister/aspiring musician Stephanie Tanner (Sweetin) and D.J.’s lifelong best friend/fellow single mother Kimmy Gibbler (Barber), along with Kimmy’s feisty teenage daughter Ramona, all move in to help take care of D.J.’s two boys — the rebellious 12-year-old J.D. and neurotic 7-year-old Max — and her soon-to-arrive baby.

“As big fans of the original Full House, we are thrilled to be able to introduce Fuller House’s new narrative to existing fans worldwide, who grew up on the original, as well as a new generation of global viewers that have grown up with the Tanners in syndication,” said Cindy Holland, Vice President of Original Content for Netflix.

In a joint statement, executive producers Robert L. Boyett, Thomas L. Miller and Jeff Franklin said: “The continued support of Full House fans of all ages for the last 28 years has been astounding. It is an honor and a thrill to catch up with these beloved characters and explore their lives today. The love you saw on the show was real. The cast has remained a loving family off screen all these years. We are as excited as our fans to finally bring Full House back to life.”

Fuller House is from Miller-Boyett Productions and Jeff Franklin Productions in association with Warner Horizon Television for Netflix. Robert L. Boyett, Thomas L. Miller and Jeff Franklin are the executive producers of the series, which was created by Franklin. John Stamos is a producer.

Tribeca Film Festival review & podcast: TUMBLEDOWN will win hearts and fans. Including the audio from our roundtable interview with Jason Sudeikis, Dianna Agron, Director Sean Mewshaw, and Writer Desiree Van Til.

Posted on April 20, 2015 by Liz Whittemore — 4 Comments ↓

Music is part of our souls. It can heal, it can hurt, it’s like a sense memory. We’ve lost great artists in their prime like, Leonard Cohen, Kurt Cobain, and Elliot Smith. The impact of their death is felt each time we hear one of their songs. Imagine, for a moment, that your very favorite artist suddenly dies. Now imagine you were married to them. This is the very premise of TUMBLEDOWN. Hannah is the widow of indie folk singer Hunter Miles. She is hounded by gossip seekers on a daily basis. When Hofstra professor and true fan Andrew tries to get in touch with her, she brushes him off… and brushes him off again… and again. Only until realizing that her dream of writing Hunter’s story is one she cannot accomplish on her own, does she let her highly guarded heart open just a crack. Andrew and Hannah strike a deal; Andrew writes a biography on her terms for $50k. With the encouragement of his music industry girlfriend Finley, Andrew drives from NYC to Maine and moves into Hannah’s guest bedroom. He is then exposed to a world a true fan can only dream of, with one massive catch. Hannah will not stop mourning her late husband. Can fan and family see eye to eye. Can trust break down the walls of Hannah’s suffering? Will intellect stifle healing. In a film where it’s head vs heart, who wins?

Rebecca Hall is flawless as Hannah. Witty, independent, strong headed, Hall plays a woman unwilling to move on with her life. Jason Sudeikis as Andrew is unstoppable. Smart, and quippy as ever, this role is something new for Sudeikis. I love this side of him and hope that the industry, and more writers, take note of his innate ability to be funny in a non-slapstick kind of way. These two are an absolute powerhouse as they match wits with one another in each scene. Rounding out an incredible cast is Dianna Agron as Finley. Life after GLEE fame should treat her well if she keeps up such a strong, believable presence on the big screen. Blythe Danner and Richard Masur play Hannah’s parents. Deeply supportive and yet totally realistic, these two are the perfect counter balance to Andrew’s inability to let go of presumption. Finally, Griffin Dunne plays Hannah’s editor and owner of the town beloved book shop. He brings warmth and charm only a small town holds.

The film was 8 years in the making. Writer Desi Van Til thoughtfully crafted this story partly as a personal healing piece for a lost friend. She skillfully captures the heart of New England, the desperation of grief, and the hold that music has on everyone’s heart. For Director Sean Mewshaw, his first feature length film is a total success. It’s shot in such a way that truly shows the quaintness of the area. Finding “Hunter Miles” or singer Damien Jurado was one of his triumphs. He perfectly encapsulates the feel of the character that was created by Desi, Rebecca, Jason, and Sean. Coming in after the film was already in the can, with his music and lyrics, he “created” a musician we’re all discovering for the first time, but feel like we’ve now lost as well. It might also help that Sean and Desi are husband and wife! This team is a real tour de force and without any solid knowledge (only mere mentions) I predict many captivating projects coming down the pipeline from these two.

Grief is something so personal. No matter how big the hit we feel, it still leaves a hole in our hearts and souls. Sometimes music helps. Sometimes it’s a trigger. Either way, the songs live on long after we’re gone. So sing, I say. TUMBLEDOWN is easily in my top three narrative selections to come out the this year’s festival. It is a must see and definitely a must hear.

I was fortunate enough to attend a roundtable interview with Dianna Agron, Jason Sudeikis, Desi Van Til and Sean Mewshaw. We talk issues from the film, insight into the project’s journey, as well as Jason and Dianna’s other releases at the fest. Take a listen to the absolute joy around the table: *You can hear me ask a question about journalistic responsibility and one about Dianna’s similarities to the character of Hannah.* Enjoy the voices of TUMBLEDOWN!

You can still catch a screening of TUMBLEDOWN at the fest this Thursday!! I cannot imagine this film not getting distribution. We will most certainly keep you updated here at RND.

3:30 PM – THU 4/23 REGAL CINEMAS BATTERY PARK 11-11

ADD $13.50

To find out more about TUMBLEDOWN in the Tribeca Film Guide 2015

Tribeca Film Festival podcast: Liz has tea with Hannah Murray. They chat her new film BRIDGEND, Game Of Thrones fandom, and what’s up next!

Posted on April 20, 2015 by Liz Whittemore — 1 Comment ↓

Once you find out that a film is based on true events, it tends to enter a different realm. What happens when the usual teenage fair in your new town is one of depression and morbidity? Bridgend captures the imagination and haunts the mind long after you leave the theater. It’s a mysterious and ethereal film, from the locations, to the performances, until the very last scene. Hannah Murray talks about what is was like to be in an area where teens feel so hopeless and trapped that suicide is a logical solution. Passionate about a deadly pact, call it peer pressure or perhaps mob mentality, her character Sara is lured into this strange arena. Can she hold onto herself long enough? That’s the ultimate question. Hannah gives us one of most intriguing performance so far. This is not easy material to tackle, but a real success by director Jeppe Rønde and the entire cast. Take a listen to her thoughts on this unusual phenomenon, what’s it like to be part of one of the biggest shows on television, and what she’s filming right now. For you listening pleasure, we give you a special edition of Girls On Film.

SYNOPSIS: When a police investigator is tasked with investigating a recent string of unexplained tragedies, he arrives in the notorious Welsh county of Bridgend with his daughter Sara (Hannah Murray). Naïve and curious, Sara slowly works her way in with a clique of wild teenagers and discovers what bonds them together so tightly—the ritualistic celebration of their friends’ suicides. Initially frightened by the revelation, her eventual participation in this peculiar observance is cemented when she falls in love with Jamie (Josh O’Connor), another member of the menacing group. The unrelenting darkness that engulfs her peers encroaches on Sara, tainting her relationship with her father and threatening her sanity.

Director Jeppe Rønde‘s debut film is based on a real-life town, which has baffled the world by recording at least 79 suicides since 2007. Darkly lush scenes set in the Welsh countryside are juxtaposed with claustrophobic village twists and turns, creating a sophisticated and gothic depiction of the Bridgend mystery.

You can catch the last screening of BRIDGEND at the festival and read more on the film here: Tribeca Film Festival Guide 2015

Tribeca Film Festival review: ‘KING JACK’ astounds.

Posted on April 20, 2015 by Liz Whittemore — Leave a reply

Kids are cruel. No matter what socio-economic background they come from, children can be just as vindictive and creative in their torture of one another as grown adults. In Felix Thompson‘s new coming of age narrative KING JACK, we route for one boy in particular. Pushed around by school bullies and antagonized by his older brother, Jack is a typical teenager simply trying to find his place in the world like any other. When Jack’s aunt becomes ill, a cousin moves into the house, displacing any sense of privacy. Given the task of looking after his younger relative only lessens his already weak facade of coolness. Stalked by one serious older bully and his cronies, Jack must come to terms with the cycle of hereditary violence and find out what courage and manhood truly mean.

Felix Thompson‘s does double duty as writer and director. Organically shot and tenderly written, Thompson brings real truth to a script that could have easily been formulaic. Moments of real fear and embarrassment come to life on screen. These are the moments that bring us back to a time that may not have been our favorite but were essential in shaping who we became as adults.

Young lead Charlie Plummer is a phenomenon. One would almost think this was a documentary with a performance so incredibly natural. It’s a gutsy role for an actor his age to take on, and he absolutely nails it. In fact, the entire cast is top notch. Not a single beat is missed. Again, a huge nod to Thompson’s ability to direct a cast mainly comprised of teens. Cory Nichols, as cousin Ben, gives a noteworthy performance. Cute, funny, and honest, I hope we see much more of him in the future.

KING JACK is successful on so many levels. Though, admittedly, at moments it is hard to watch. The film will resonate with anyone who has come home crying, anyone who has been called names, anyone who has felt alone. What makes KING JACK difficult to watch is the very thing that makes it great. I highly recommend you take the entire family to see this feature. Parents: It’s a great insight into what your kids experience with the added complication of technology. Kids: You might just find that Mom and Dad can relate to your life in ways you never thought possible.

You can still catch two more screenings of KING JACK at the festival!!

7:30 PM – FRI 4/24 REGAL CINEMAS BATTERY PARK 11-9

RUSH

2:30 PM – SUN 4/26 BOW TIE CINEMAS CHELSEA 8

RUSH

To find out more about this film, check out the Tribeca Film Festival Guide 2015

Tribeca Film Festival interview: ‘THE ADDERALL DIARIES’ director Pamela Romanowsky talks fated moments in making the film.

Posted on April 19, 2015 by Liz Whittemore — 2 Comments ↓

Stephen Elliott (James Franco) and Neil Elliott (Ed Harris)Anna Kooris

Director Pamela Romanowsky‘s debut feature is not a meek choice. Tackling the page to screen adaptation of Stephen Elliott‘s memoir THE ADDERALL DIARIES seems like something that was written in the stars. Speaking of stars, the film is lead by an outstanding performance by James Franco as a pill popping, destructive behavior addicted, emotionally ravaged man. Under the guise of writer’s block, Stephen lets himself become distracted by a murder case that seems to resonate with his memories of the past; memories that have made him a famous author so far. When his father’s ghost returns to haunt him, life spirals into an seemingly endless line of poor life choices. One person’s truth may not be what it seems.

On the heels of TRUE STORY, Franco plays Elliott with a ferocity that is totally organic. Hitting highs and lows so sharp, I can safely say I am impressed. Ed Harris portrays his strong willed father. A constant trigger throughout the film, this role was made for Harris, literally. Amber Heard is beautiful and honest as a NYT journalist fighting childhood demons of her own. Christian Slater is charming as ever and a master of emotional disguise as the subject Stephen longs to understand. Cleverly edited and stunningly shot, THE ADDERALL DIARIES is a sensory and emotional overload of a film. You will find something that connects with you, I guarantee it.

I was fortunate enough to sit down with Pamela Romanowsky and talk about the journey that became this project.

Liz: Just saw the movie and I really liked it. How did you happen upon Stephen’s novel?

Pamela: Well, there are two parts to this story. I first happened upon it because I live near a really great independent bookstore called “Word” in Greenpoint. I saw it in the window and that is often how I buy books, ” What does Word have?” So I just read it as a casual reader and loved it, thought about it a lot, it really stayed with me. It’s the kind of story that takes a lot of processing. Then separately from that, James Franco and I went to grad school together and are good friends and we hadn’t worked together yet. Then I had the opportunity to make the short with him for The Color of Time. We had a great creative connection and a great time working together. James approached me with The Adderall Diaries. I actually just found out yesterday that it was the first book he optioned.

L: He is such a fan of page to screen, all of which so far have been really successful. It’s such a bold move because it can go so wrong.

P: He picks Difficult books.

L: He really does.

P: It was a really great moment of synchronicity. He wanted to help me make my first feature and with a book we both loved.

L: I think his performance was one of his best and so clearly has a lot to do with your relationship. You had such a great cast full of talent. Ed Harris, what a juicy role for him. I also really enjoyed the juxtaposition of memories talk to me about the editing choices.

P: I developed the visual style with my DP who was also a collaborator from grad school. I met a lot of my people there. Bruce also shot my piece for The Color of Time so we had already talked about how to approach memories cinematically. We used steady cam alot because it felt organic. This is a character who is always in motion, and practically it allowed us to shoot quickly, to be intuitive, to find shots within the scene as we went. And the use of slow motion… you know memory is such a hard thing to describe to someone else but to me, the things that you tend to recall over and over are these small moments and details so it almost like you’re seeing it in slow motion.

L: it is incredibly effective. It is so aesthetically beautiful.

Did you guys have a lot of rehearsal time? Everything feels really organic. Yet there are some truly physically demand scenes.

P: I think as is often in indie film, but I had the advantage of knowing a lot of these actors and Ed, I met at the Sundance Directors Lab.

L: Had he been cast already or did he just come in and read for you?

P: No, he was my advisor at the lab. Coincidentally he was also the person I wrote this role for! His photo was on my writing board the whole time but I never actually thought I was going to get a chance to meet him. So when we were at Sundance, low and behold Ed Harris walks in and I was like ” Oh my God, Ed Harris is here!” It just happened that he was there, it just happened that he was my advisor, and it just happened to be the week I was shooting my father/son scene. So when he was leaving I had to tell him, “You know, thank you so much for helping me and so I wrote this role for you and I don’t know if you’d ever think about doing it but I am gonna keep asking you forever.” And truthfully I didn’t have a back-up plan, I didn’t see anyone else playing this role. It took me 9 months to talk him into it. So I had a lot of time to talk it over with him. It was the same with all the other actors. Rehearsal is really important so right before we would shoot each scene I would kick everyone out and we would run the scene through.

L: As soon as I walked out of the theater I said, “I have to buy this book now. I am completely intrigued. I have to read it.” It has so many relevant issues that even if you’ve never experienced them personally, you would gravitate towards this story. We all have our own way to interpret what our memories are. And I think the older you get and the longer you live with your interpretation, that becomes your truth. It was beautiful to see that on screen. Thank you so much for talking with me.

P: Thank You! Enjoy the rest of your fest!

L: You too! I look forward to talking to you for whatever comes next.

THE ADDERALL DIARIES ticket and showtime information can be found here in the Tribeca Film Festival Guide 2015.

TFF 2015 NARRATIVE FEATURE

Release Year: 2015

Runtime: 87 minutes

Directed By: Pamela Romanowsky

Country: USA

Elliott (James Franco), a once-successful novelist inflicted with writer’s block and an Adderall addiction strives to escape his problems by delving into the world of a high-profile murder case. Amber Heard, Ed Harris, and Cynthia Nixon co-star in this adaptation of Elliott’s best-selling memoir. | Read More

Jeremy’s Review/Interview: Mary Elizabeth Winstead Is Outstanding in Chris Messina’s Lovely Directorial Debut ‘Alex of Venice’ + interview with Mary herself(!)

Posted on April 17, 2015 by Jeremy Harmon — Leave a reply

Living in Middle America, I sometimes miss seeing films until way after their release. It’s part of my lot in life and I have learned to accept this. Films that appear at festivals sometime don’t get picked up for distribution and are lost in cinematic purgatory. Lucky for me, as well as all of you out there who weren’t lucky enough to make it to Tribeca last April, Chris Messina‘s directorial debut Alex of Venice was picked up and is now about to hit theaters and VOD this weekend. Featuring an absolutely stunning performance by Mary Elizabeth Winstead along with a solid supporting cast including Don Johnson, Derek Luke, Katie Nehra and Messina as well, Alex of Venice should be on your radar.

Perhaps the best thing about this film is that the story is one we’ve seen a ton before – a young couple splits because one of them, in this case Alex (Winstead) is shirking her wifely, motherly and daughterly responsibilities because of her devotion to her job (in this case a lwayer for an environmental activism group). Why is this a good thing , you ask? Well, let me tell you…because what happens after the split occurs. The focal point is Alex (as you might guess from the title of the film) and her search for who she is, who she really is. She got pregnant and had a baby when she was 19 with her now husband George (Messina). But something is clearly missing, the fact that she was never able to have the life of a young adult since she was busy being a mother and wife.

When George, who was a stay-at-home dad, leaves, Alex has to step up with her son Dakota (Skyler Gaertner) as well as her aging father (Don Johnson) who might have a touch of Alzheimer’s. Couple all of this with the fact that she has a huge case she is working on for her job and she is in over her head. Lucky for her, her sister Lily (Katie Nehra, also one of the screenwriters of the film) happens to show up just when needed. Lily injects some adrenaline into a stagnant family giving it some life, some good and some bad. As Alex starts getting her feet under her without George around, she unexpectedly starts a fling with the man (Derek Luke) whom she is litigating against in the big case at work. So everything really teeters in the balance with Alex as she tries to figure out who she is now without deep-sixing everyone around her.

As I stated above, this crown jewel of this film is Mary Elizabeth Winstead‘s performance as Alex. Pitch perfect, she has really stepped up her game lately. This film comes on the heels of another stunning performance in Faults (see my review here), so we are getting her at what seems to be her best right now, so even keeled and relatable that it’s nearly impossible not to identify with the characters she inhabits. And as good as she is, the other actors in the film were spot-on as well, mainly Don Johnson, who really surprised me in his role as a former TV actor trying to get back in the game by being in a stage production of Chekov‘s The Cherry Orchard. The delicate way he illuminates his character’s struggles with memory loss is impressive. I never thought he had it in him. Likewise, Katie Nehra brings a much needed sense of comedy and carefree nature to a story that hits pretty hard in spots.

I think that one of the strengths of the script is that it doesn’t lollygag when it comes to getting right into the story. George leaves in nearly the opening scene of the film. As the title suggests, this is a film about Alex, so if we had to slog through messy sequences about the decline of the relationship, it would take away from her journey. I think the strongest scene in the film happens when George finally reappears at a time of especially high need for Alex and as their encounter extends into the next day, they both get closure as they officially breaks things off. While that doesn’t seem important at its base, it’s the tender way that it was handled both in the writing and the direction of the scene. It’s little things like these that can make these smaller movies so damn memorable and it seems obvious that all parties were clicking on the same cylinder here.

Alex of Venice is wonderful film and I think there’s something in it for everyone. So instead of trudging out to see films like Paul Blart Mall Cop 2 this weekend, take a chance and check this one out. It is quite delightful.

And speaking of delightful, I was incredibly fortunate to snag a few minutes with Ms. Winstead herself to talk about the film and a few other trifles. Here’s what I felt like I looked like when I was interviewing her:

And here’s what she had to say:

I really liked your chemistry with Katie Nehra as sisters. What was there, if any, as far as a rehearsal schedule? Was it an asset having her in the film with you since she was part of the writing team?

We didn’t have a lot of time together before shooting. I had one rehearsal with Chris and Don and we played some of the scenes. The dynamic [between Katie and I] came about organically. Chris created a great atmosphere on set. The whole experience was incredibly collaborative. The vibe on set was one where everyone had a voice. My ideas were very welcome because of this. I love working that way. I love having the ability to lend my voice.

The affair with Derek Luke’s character struck me as quite odd for Alex. Here she is, totally dedicated to her job enough that she (maybe) neglects her husband, father and son. Would she really take a risk like this, especially if it could cost her her job at a time when she is most vulnerable? It seemed quite impetuous to me. Or do you think that openness of her world without George there alleviated some sort of pressure that had built up in the years they were together after she got pregnant?

I think a lot of her decisions cause her to regress to the time when she was a single person. She was stunted. She got pregnant and never had the chance to become a real person, to grow emotionally. She makes brash decisions which make sense given the circumstances of what she’s gone through. She doesn’t really know who she is.

Did you have any trepidation about working with a first time director in Chris Messina? Obviously he’s an accomplished actor, and I think the film turned out great. Curious what your thoughts were going into production.

I had never met him before, but I was a fan of his as an actor and in that sense, he had a taste level in roles that was high. He comes from theater background and these were all pretty good signs. I was excited about working with an actor. One of the problems of working with directors [that aren’t actors] is that they don’t understand how to work with actors. There’s a different grammar and vocabulary. He and I like to work the same way – make every moment real and authentic so it was a good collaboration.

I was curious about the part where George comes to get Alex after she and Lily have had the fight about Dakota missing school for a week while she’s on ecstasy. At first, I thought what Alex was going through was imagined, part of the trip she was on. That clearly wasn’t the case as the scene played out. Was there ever any discussion about the scene maybe going that way?

That’s interesting. That scene took a lot of different shapes. It was improved in so many different ways. Chris was shouting out different things for me to do and to say. Several shots were made that weren’t used. At one point, Chris shouted at me to start singing something and that’s what I did. I think it turned out perfectly.

This is a perfect segway into another aside, but I really love your record, Got a Girl, that you did with Dan the Automator. You have an unreal voice. I was curious why we aren’t hearing you on the soundtracks to the films you make. I know Brie Larson sang on the Scott Pilgrim Vs. the World soundtrack. I think this is something that we need.

(laughs) Thank you! I would love to do that. We’ll see…

You seem to toe the line between small dramas like this one and more specific genre fare (Final Destination 3, the Die Hard movies, Scott Pilgrim, etc.). Do you feel like you have a home in one area or do you feel like you have to do the moneymakers so you can do the passion projects like Alex of Venice?

I just like to do films that teach me, excite me and I want to work with people that are interesting and that I walk away from each project better than I was before it. I need to inhabit characters that will challenge me. I would love to do more comedy. I’m drawn to characters that have a little bit of everything going on. Be funny one minute and tragic another.

So that’s that. I want to give a big shout out to Mary for taking time to talk to me as I was huddled in my basement during a tornado warning (no joke). I wish her nothing but the best of luck in her career, both acting and in music (please, please make more records – the world needs them).

Be sure to catch Alex of Venice in theaters this weekend. Here’s the list of theaters where it is playing. It will also be available through VOD as well.

Jeremy’s Review – Dena Seidel’s Fantastic Antarctic Edge: 70° South Is Yet Another in a Series of Wake-Up Calls About Climate Change

Posted on April 17, 2015 by Jeremy Harmon — Leave a reply

While it still absolutely amazes me that anyone can refute or deny that climate change is happening and changing the complexion of our planet, it doesn’t hurt to have as much ammunition to use to back it all up. Director Dena Seidel‘s Antarctic Edge: 70° South is in depth look at one of many projects scientists are undertaking to measure the damage being done to Antarctica and thus to the Earth.

The film follows a group of scientists on their yearly sojourn to the western peninsula of Antarctica to conduct a series of tests covering everything from the amount of ice melt to the amount of krill in the water to the Adelie penguin populations and whether they are flourishing or not. And what is stressed is that Antarctica basically sets the tone for the weather on Earth. Because of the currents that swirl around it and push water throughout the planet, its health is of ultimate importance. As the Antarctic ice/snow melt, not only does the surface area that reflects sun/heat back into the atmosphere get smaller, but the water temperature rises allowing for massive storms like Hurricane Sandy to form as well as cut the ocean’s ability to trap carbon, which is phytoplankton use for photosynthesis to grow who, in turn, serve as food for krill who are likewise eaten by whales and penguins. Whew. So needless to say, this complicated series of events taking place in Antarctica effect the entire planet.

Where Seidel really excels is presenting this complex information in a way that is comsumable for an average, non-science savvy viewer. The scientists, from the ornithologists studying the penguins to those studying the amount of carbon in krill urine, to the crew on the ship carrying these folks, are all incredibly charismatic and relatable. Without this, the material being presented might better be suited for a TedTalk than a documentary. This is a film that teaches as it unfolds, which is key. There has been several other Antarctica-focused films that have come out in the last few years, chief among them are Werner Herzog‘s Encounters at the End of the World and Anthony Powell‘s Antarctica: A Year on the Ice (read my review here), but none of them tackle this particular aspect of the Antarctic story. This film fills a unique space in the lore of the least populated continent on the planet and that brings the challenges that not only the continent faces but the Earth does to the forefront. And while there are many lasting images and warnings in the film, perhaps the most moving is by Philippines Climate Commissioner Naderev Sano, whose testimony at the very outset of the film highlighting what Super Typhoon Haiyan did to his country (as well as many other climate-related events) and the need for action. While I can’t find the specific clip in the film, this one covers some of the same pleas he makes.

At 72 minutes, this film won’t hit you over the head with the information it presents. While the message the film contains is somewhat dire, it still has tinges of hope. What needs to be done to reverse climate change rests on the shoulders of the humans inhabiting the planet. Hopefully this film will add to the voices yelling in favor of action. I really enjoyed this film and I hope many more do as well.

Antarctic Edge: 70° South opens today at Quad Cinema in New York City. Here is a list of other upcoming screenings.

Here’s the trailer:

Tribeca Film Festival reviews: ‘DEMOCRATS’ and ‘VIAJE’. Both are sweet and sour for drastically different reasons

Posted on April 17, 2015 by Liz Whittemore — 1 Comment ↓

Democrats- Documentary

In a place where the people are being silenced by the old regime, free speech is punished, in a country that has produced a landscape of mindless and terrified sheep, this absorbing documentary takes us behind the curtain of the political system in Zimbabwe. Politics is full of pretenders. They fully admit to glazing over the truth and using bullying tactics to coral followers like cattle. A broken system attempts to fix itself with the formation of a dual party constitutional committee. We are privy to embattled showdowns with one party busing on “locals” for support and the opposition party fighting for it’s people’s lives, literally. Can two men guide an entire country through peaceful transition?

This is a drastic portrait of how money and power control politics. Talking points, denial, broken promises are all things we understand in the United States, but in Zimbabwe, in the shadow of Mugabe, this is something altogether next level for these people. The lies and the violence are all on camera. Despite this, it is two steps forward and 20 steps back. Whichever side you happen to be, DEMOCRATS is a brave and brilliantly cut together piece of art. The filmmakers and all those involved must be saluted for standing for something in a place where nothing is the norm.

Directed and written by Camilla Nielsson
(Denmark)—North American Premiere

Viaje- Narrative, Comedy

Lust at first sight is relatively common. Taking a chance on a stranger, these days, is pretty uncommon. Luciana and Pedro meet at a costume party and decide to leave together on a whim. Alcohol fueled inhibition leads to the prolonged weekend together camping. This film is about two people learning about each other, trusting each other, going with the flow. Relationships are complicated, but maybe, this one doesn’t have to be.

Viaje has some of the most genuine and funny dialogue I have heard in long time. When two people click, this is how they communicate. The chemistry between lead actors Kattia Gonzalez and Fernando Bolaños is palpable and delicious. They are passionate and natural and I could have watched them play off one another for ages. The film’s score is lively and fun. The camera work has a superb energy that keeps up with our vivacious leads. Shot is beautiful black and white and at a tight 70 minutes, Viaje is an honest picture of mature feelings and elegant understandings we face as we grow together and apart.

Directed By: Paz Fábrega

Country: Costa Rica

After meeting at a party, Luciana and Pedro spark up a spontaneous rendezvous when Luciana accompanies Pedro to a national forest on a work trip. Eschewing the fraudulent nature of traditional relationships, the pair explores the beauty in the nature that surrounds them as they indulge in the passions of their encounter and navigate the various meanings of commitment.

Find out more about these two films at Tribeca Film Festival Guide 2015

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