Topic series review: ‘DECEIT’- a story of a real-life honey trap brings the drama.

DECEIT Official Synopsis:

Five months on from the brutal murder of Rachel Nickell on Wimbledon Common and the Met Police are still no closer to capturing the man they’re convinced is responsible. First identified through a television appeal, the evidence is stacked against Colin Stagg. The media feed a national obsession, covering every detail of the case and demanding justice. The police are determined to catch the man who, in their eyes, is guilty before he kills again. In desperation, the relatively young detective inspector leading the case, engages the nation’s most famous criminal profiler to devise a bold undercover operation which will see an attractive, young female officer start a relationship with Colin Stagg.


As each episode begins, the filmmakers behind the miniseries DECEIT make it abundantly clear that the show involved a plethora of research. In 1992, a woman named Rachel Nickell was brutally murdered in front of her two-year-old son. Police believed they found the guilty party based on an expert forensic profiler. After bringing top undercover officer Sadie Byrne into the mix, they devise an elaborate operation to obtain a confession. 

The series’ four episodes appear to jump in time as Sadie studies Colin’s interrogation tapes. She draws him into her web first with letters, then phone calls. DECEIT’s intrigue is relentless. It’s a fresh perspective from the typical detective plotlines involving female officers. The danger feels heightened. 

Eddie Marsan plays profiler Paul Britton with an unsettling intensity. His scenes with Algar are tense. Sion Young is Colin Stagg. He is both frightening and pathetic, creating a skin-crawling effect. 

Niamh Algar is captivating as a fictionalized version of a real-life undercover officer. It’s like meta method acting, watching her prepare for a role within a role. The deeper she gets into the character of Lizzie, the further she spirals. Her anxiety and fear are palpable. It’s a hell of a performance. 

DECEIT’s lighting has a heavyhanded neo-noir effect, especially when Algar plays “Lizzie.” The editing keeps your mind sharp. The story draws you in, and the characters hold your emotional attention. I appreciated the updates on our players during the finale. Separating truth from fiction reminded me that innumerable lives were ruined. It’s a final nail in the reality coffin for the viewer. DECEIT is a unique entry amongst the true-crime fare.


The 4-part miniseries DECEIT, streaming exclusively on Topic beginning April 14.

Based on a true story, this UK crime thriller follows Lizzie James, a female detective employed to obtain evidence against Collin Stagg, the prime suspect in the brutal murder of Rachel Nickell, which occurred in broad daylight in London’s Wimbledon Common. The case went on to become one of the most infamous entrapment cases in British law enforcement history.

Directed by Niall MacCormick and starring Niamh Algar (Raised by Wolves, Topic’s The Virtues), Eddie Marsan (Deadpool 2, Ray Donovan), and Harry Treadaway (Star Trek: Picard, The Crown), DECEIT has been hailed in the UK, with The Telegraph calling it “a gripping portrait of a real-life undercover operation,” and The Evening Standard declaring that the series “stand[s] out from the usual true crime fare.”


About TOPIC
Topic is the boundary-pushing streaming service from First Look Entertainment for thrillers, mysteries, dramas and documentaries from around the world, serving viewers who crave entertainment beyond the mainstream. Whether it’s a Nordic-noir crime thriller (The Killing), an Italian supernatural political drama (The Miracle), or a haunting true crime docu-series from the UK (The Missing Children), Topic expands your view of the world.

Featuring North American premieres, exclusive TV series and film, and programming from more than 40 countries, Topic showcases an unparalleled collection of creators, perspectives and experiences. Complemented by our Topic Originals, we prioritize bold storytelling and champion underrepresented voices. Topic Originals and exclusives include Oscar® nominee The Letter Room (starring Oscar Isaac), Lambs of God (starring Ann Dowd), BAFTA® nominee The Virtues (starring Stephen Graham), Emmy® nominee The Accidental Wolf (starring Kelli O’Hara), Dark Woods, Gotham Award winning Philly D.A., and Soul City (directed by Coodie & Chike).

Topic is available to US and Canadian audiences on topic.com, AppleTV & iOS, Roku, Amazon Fire TV, Android & Android TV, Samsung, Apple TV Channels, Roku Premium Channels, Bell Fibe, Amazon Prime Video Channels, and Comcast (Xfinity X1, Xfinity Flex and XClass TV). Topic is part of First Look Entertainment which also includes Topic Studios, the award-winning entertainment studio which develops, finances, and produces content for all platforms.


Review: ‘WYRMWOOD APOCALYPSE’ screams franchise potential.

WYRMWOOD: APOCALYPSE

Synopsis: Rhys lives in the zombie-infested wasteland. His job is to capture civilians and deliver them to what’s left of the military. When Rhys captures a half-zombie-half-human named Grace, he comes to believe she is the key to ending the apocalypse.


*Let me begin their review by stating that I have not seen the original Wyrmwood. I can only comment on Wyrmwood: Apocalypse as a stand-alone film.*

I was immediately drawn into the film hearing Nick Cave and The Bad Seeds‘ track “Red Right Hand,” alongside the quick-cut editing. Equal parts quirky and cool, I was committed. The costumes and sets are elaborate eye candy. The special effects makeup and practical FX are deliciously gruesome. The score, combined with the red lighting, makes for the perfect touch of camp. Wyrmwood: Apocalypse has legit legs for a franchise reboot. 

This cast is gold. The commitment to these characters is commendable. The fight sequences and choreography are damn entertaining. These actors go hard into the action. Bravo, to Luke McKensie, Shantae Barnes-Cowan, Jake Ryan, Bianca Brady, Tasia Zalar, Jay Gallagher, and Nick Boshier for their phenomenal chemistry.

The plot possesses a similar concept as Zydrate from one of my all-time favorite films, Repo! The Genetic Opera. There’s revenge, cognisant zombies, mind control, harvesting, and family dynamics. You name it, and it’s in Wyrmwood: Apocalypse. There’s enough meat in this storyline to justify a series development. I could easily see this doing well on the SyFy network. It has to be from writer-director Kiah Roache-Turner and co-writer Tristan Roache-Turner. Consistency is key to maintaining a fandom. The bottom line is Wyrmwood: Apocalypse is a new beginning.


Zombie Action-Horror WYRMWOOD: APOCALYPSE — OUT DIGITALLY IN THE U.S. APRIL 14!


Genre: Horror

Country: Australia

Runtime: 90 mins

Year: 2022

Language: English

Rated: NA


Cleveland International Film Festival 2022 short film review: ‘CANDIDATO 34’ chronicles the world’s most extraordinary run for public office.

CANDIDATO 34

Bryan Russell is the first person in the world with Down syndrome to ever run for public office. CANDIDATO 34 is a documentary short chronicling Bryan’s extraordinary story in the days before the 2020 congressional election in Peru, as he attempts to convince a reluctant public that he is capable of being a congressman, and an important voice for change. Candidato 34 will make its World Premiere in the FilmSlam-Spanish Language Cinema Shorts Program starting March 31st at the 2022 Cleveland International Film Festival.


As the first person in the world with Down Syndrome to run for public office, Bryan Russell represents so many marginalized groups everywhere. Bryan’s team, including his parents, pour their hearts into his campaign, supporting his dreams and ideas. Let me clarify something immediately; his parents are present as cheerleaders and coordinators. Bryan is an accomplished young man. He is charming, eloquent, raw, and relentlessly determined. These characteristics become abundantly clear in his ability to campaign like any other candidate. As someone who has worked on political campaigns in the US, Bryan does it with more honesty and savvy than many career politicians. He has an understanding and perspective of often ignored individuals. Win or lose, Bryan Russell is a passionate catalyst for change in Peru and throughout the world.

As a Mother of a neurodivergent son, Bryan is a hero. My most prevalent anxiety as a parent is the future. Bryan possesses the confidence and self-awareness I wish for my child. In 38 minutes, Candidato 34 filled me with hope and possibility. This little film speaks volumes about representation, kindness, and perseverance. Bryan Russell is an inspiration to my family. I hope this film spreads far and wide. There are a lot of people that would benefit from the experience. 

 

CANDIDATO 34 – TRAILER from Ryan Marley on Vimeo.


About the Filmmakers:

Ryan Marley (Director) is a filmmaker and television director best known for his work in documentary, factual and kids TV. He has been nominated for 3 Canadian Screen Awards and has directed over 25 series and documentaries. He most recently directed all 4 seasons of the groundbreaking documentary series “Employable Me” which tells the stories of job seekers who prove that having a physical disability or neurological condition shouldn’t make them unemployable. They might only need help in undergoing the proper training such as Reskilling. The series won the Diversify TV Excellence Award at MIPCOM 2017 & 2020, a 2018, 2019 & 2020 Rockie Award, an NYTVF Award and was nominated for four Canadian Screen Awards. His documentary “Sitting Tall: The Patrick Anderson Story” examines the background and career of Patrick Anderson, arguably the greatest wheelchair basketball player of all time, as he prepares for the Paralympic Games in Tokyo. It was featured at the 2021 Awareness Film Festival and The 2021 New York Shorts International Film Festival where it won Best Documentary. Ryan splits his time between Toronto and Los Angeles.

Katie Lafferty (Executive Producer/Producer) has been chasing character-driven stories since graduating from Carleton University with a Journalism degree in 2002. Since then, she has produced some of Canada’s biggest shows including sports documentary series “Tessa & Scott,” and the groundbreaking series “Employable Me,” which tells the stories of job seekers who prove that having a physical disability or neurological condition shouldn’t make them unemployable. The series won the Diversify TV Excellence Award at MIPCOM 2017 & 2020, a 2018, 2019 & 2020 Rockie Award, an NYTVF Award and was nominated for four Canadian Screen Awards. Her latest feature-length documentary Candidato 34 is being produced in association with Lionsgate’s unscripted division, Pilgrim Media Group.

About Hitch Films:

Hitch Films is a creative team with extensive experience telling compelling stories about people around the world. We are a passionate team of award-winning documentary filmmakers bringing to light the amazing stories and struggles of incredible people with disabilities, and from marginalized communities, who are fighting prejudice and perception to gain independence and respect.


Credits

Ryan Marley – Director

Katie Lafferty – Executive Producer/Producer

Craig Piligian – Producer

Gretchen Stockdale – Executive Producer

Paul Boynett – Executive Producer/Writer

George Wright – Executive Producer/Editor

Michelle Asgarali – Associate Producer


37 minutes, Canada, 2021

DCP Image: 1.85:1, 4K, Color, Sound: 5.1 mix


Capsule review: Inspired by actual events, ‘NITRAM’ is a gripping tale of inevitable violence.

NITRAM

SYNOPSIS: Nitram (Caleb Landry Jones) lives with his mother (Judy Davis) and father (Anthony LaPaglia) in suburban Australia in the Mid 1990s. He lives a life of isolation and frustration at never being able to fit in. That is until he unexpectedly finds a close friend in a reclusive heiress, Helen (Essie Davis). However, when that relationship meets a tragic end, and Nitram’s loneliness and anger grow, he begins a slow descent that leads to disaster.


Witness the downward spiral of an already unwell young man as he slowly travels down the rabbit hole of complete darkness. When Nitram finally connects with a reclusive heiress named Helen, his world appears brighter. Helen provides the comfort and emotional shelter his parents could not. When the sadness becomes too much, his anger and anxiety manifest in violence and unfathomable tragedy. Inspired by actual events, NITRAM tells the story of one man’s undoing, changing Australia’s history forever. 

Caleb Landry Jones embodies the mentally fragile Nitram with his entire being. It’s no wonder he won Best Actor when the film premiered at Cannes last year. Jones’ uncanny ability to live in the skin of his character is something you don’t see often. He’s on another level, whether that be his voiceover work in Finch or his haunting performance in Antiviral. Alongside stellar performances from Judy Davis and Anthony LaPaglia as Nitram’s emotionally exhausted parents and a breathtaking turn from Essie DavisNITRAM is an eerie chronicling of inevitable implosion.


IFC Films will release the thriller/drama NITRAM in Theaters, on Digital Rental and AMC+ on March 30, 2022.

Directed by Justin Kurzel (TRUE HISTORY OF THE KELLY GANG, SNOWTOWN MURDERS, MACBETH) and written by Shaun Grant (TRUE HISTORY OF THE KELLY GANG, BERLIN SYNDROME), NITRAM stars Caleb Landry Jones (THREE BILLBOARDS OUTSIDE EBBING MISSOURI, GET OUT, HEAVEN KNOWS WHAT), Essie Davis (THE BABADOOK, TRUE HISTORY OF THE KELLY GANG), Oscar Nominee Judy Davis (HUSBANDS AND WIVES, BARTON FINK, NAKED LUNCH), and Anthony LaPaglia (EMPIRE RECORDS, WITHOUT A TRACE).


 

BUFF 2022 capsule review: Creature feature ‘HATCHING’ takes growing pains in a horrifying direction.

HATCHING


Tinja exists in a world where her mother expects perfection. Subconsciously, she seeks to replace her lack of affection. When she stumbles upon a strange abandoned egg, she decides she will nurture it. When things go awry, Mother has created a monster.

There’s no denying Hatching is a metaphor for puberty. Physical and emotional changes in Tinja are tied directly to the creature. As terror, anxiety, and jealousy intensify, so does Hatching’s horror. Our leading lady, Siiri Solalinna, is nothing short of extraordinary. She’s vulnerable, grounded, and fearless. It’s an astounding performance.

The creature design is reminiscent of something that might come out of the Wētā Workshop from Jim Henson‘s team. Its evolution is fascinating. It manages to be shockingly grotesque and yet adorable. If you’re a fan of Labyrinth or The Dark Crystal, you’ll especially appreciate the aesthetic. Hatching is a unique and terrifying journey. It’s one of the most emotionally brutal scripts of the year. BUFF 2022 fans are in for one hell of a film. 


IFC Midnight releases HATCHING in theaters April 29th and on VOD everywhere you rent movies May 17th.

Starring: Siiri Solalinna, Sophia Heikkilä, Jani Volanen, Reino Nordin

Directed By: Hanna Bergholm

Synopsis: 12-year-old Tinja is desperate to please her mother, a woman obsessed with presenting the image of a perfect family. One night, Tinja finds a strange egg. What hatches is beyond belief.


To find out more about BUFF22, click here!


SXSW 2022 review: Gracie Otto and Krew Boylan take on Dolly Parton, big hair, and even bigger dreams in ‘Seriously Red’

SERIOUSLY RED

This infectious homage to tribute performers focuses on a quirky redheaded young woman whose passion in life has been the songs and personality of Miss Dolly Parton. While she’s has a patterned history of screwing up, Red is a bold, kind-hearted spirit determined to make it as a Dolly impersonator. As her star rises, so does her self-esteem, affecting her personal life, for better or worse. 

Flashy sequins and blonde wings aside, deep down, the film is about self-actualization. The things we try and disguise from others and ourselves. When I was younger, someone asked me why I performed. “Is it because you’re hiding behind those characters?” First, I was offended. Then I thought about it. It was the perfect opportunity to try on someone new. But, Seriously Red is also about having the bravery to do what you love. 

Bobby Cannavale, Rose Byrne, Celeste Barber, Daniel Webber, and Thomas Campbell give superb performances. Seriously Red lives and breathes in screenwriter and star Krew Boylan. She brings unbridled nuance to Red. Comedy timing from the gods, slapstick chops, and a voice for days, Boylan owns every scene. You can’t take your eyes off of her.

The energy never fades, with glorious musical numbers (live and choreographed fantasy sequences.) This film will resonate with an audience wider than Dolly fans. While we revel in the legend’s words throughout the script, the themes stand undoubtedly on their own. Seriously Red will make you smile from ear to ear.


To Learn More About SXSW22 click here!


SXSW 2022 short film review: ‘THE VOICE ACTRESS’ is an elegant ode to the unseen legends.

Kingyo, a veteran voice actress working in Tokyo, possesses a unique ability to see the soul in all things, living and inanimate. The voice acting world is changing and she must find a way to reconcile her way of living with the modern industry. As Kingyo prepares for an upcoming audition, she seeks inspiration from the world around her and from her pet goldfish, Asatte. In the face of professional and personal adversity, Kingyo looks decidedly inward for strength through empathy and kindness.

Urara Takano plays Kingyo, a voice actress whose passion for her work is clear to the audience from the very beginning. In 15 minutes we get an emotional journey worth every second of screen time. Competing with a new generation proficient in self-promotion, how does a dedicated veteran compete? The Voice Actress gives us a peek behind the curtain that is the boys club of entertainment, while simultaneously putting us inside the mind of an accomplished performer. Writer-director Anna J. Takayama gives Takano space to bloom. I would happily watch a feature on this character. There is a purposeful beauty to the costumes, especially the use of the color red. The undeniable quirkiness from Takano makes you fall in love with her. It’s no wonder the short garnered SXSW22’s Mailchimp Support the Shorts Award.


 

Review: Charlotte Gainsbourg’s directorial debut ‘Jane By Charlotte’ is a beautiful ode to her mother.

Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.


A love letter from a daughter to mother, actress Charlotte Gainsbourg‘s directorial debut, Jane By Charlotte, is one of the most intimate looks at the international icon, Jane Birkin. Through photographs, home movies, and quiet, casual sit-down interviews, we learn things about Jane right along with Charlotte. It is as if we are experiencing the same revelations. Seeing Jane and Charlotte perform, you’d never guess they were so soft-spoken in real life. There’s breezy energy about the film that is difficult to describe. As a mother, it touched me in a very personal way. At 41, I’m only just becoming comfortable with questions like Charlotte asks of Jane. As an American, I acknowledge the cultural differences with which we discuss intimacy. In the conversations between Jane and Charlotte, I am in awe of their relationship. Will I be more comfortable having such an open line of communication with my daughter? My daughter, also named Charlotte, is just about to turn five, but it is something I aspire to attain.

Jane and Charlotte find common ground in parenting styles and celebrity. They speak openly about Jane’s lifelong dependency on sleeping pills, inspiration for songs, and her various marriages. The loss of her daughter Kate was perhaps the most impactful event in her life. The grief she carries is palpable. Jane and Charlotte discuss maternal guilt. It’s one of the most poignant through lines in the film. Charlotte’s eye and adoration for her mother are written all over this doc. It’s a lovely ode to a beloved icon from a daughter who continues to idolize her. As a mother, Jane By Charlotte has a revelatory feeling of intimacy. Gainsbourgs documentary makes me jealous in the best way possible.


Opens Friday, March 18th at the Quad Cinema in New York and
March 25th at the Landmark Westwood in Los Angeles
Expands to additional cities in April + Available on Digital May 6th (Mother’s Day weekend)


About Jane Birkin
A native of London, Jane Birkin began her career as an actress appearing in Michelangelo Antonioni’s Blowup (1966), and Kaleidoscope (1966). In 1968, she began a years-long working and personal relationship with Serge Gainsbourg; The duo released their debut album Jane Birkin/Serge Gainsbourg in 1969, and Birkin also appeared in the film Je t’aime moi non plus (1976) under Gainsbourg’s direction. Birkin later starred in the Agatha Christie adaptations Death on the Nile (1978), and Evil Under the Sun (1982), and continued to work as both an actress and a singer, appearing in various independent films and recording numerous solo albums. In 1991, she appeared in the miniseries “Red Fox,” and in the American drama film, A Soldier’s Daughter Never Cries in 1998. Having lived primarily in France since the 1970s, Birkin is the mother of photographer Kate Barry, actress and singer Charlotte Gainsbourg, and musician Lou Doillon.

About Charlotte Gainsbourg
Charlotte Gainsbourg grew up on film sets as both of her parents, Jane Birkin and Serge Gainsbourg, were involved in the film industry. At the age of 13, she debuted in her first motion picture playing Catherine Deneuve’s daughter in the film Paroles et Musiques. In 1986, Charlotte won a César Award for Most Promising Actress for An Impudent Girl. That same year she appeared in the film Charlotte For Ever written and directed by Charlotte’s father Serge Gainsbourg. From 1988 until today, Charlotte expanded her career with various projects such as The Cement Garden, Jane Eyre, 21 Grams, Ma Femme Est Actrice, I’m Not There, The Science of Sleep, Golden Door, The Tree, Samba, Mon Chien Stupide, and Lars von Triers’ films Melancholia, Antichrist and Nymphomaniac. In 2009, she won the award for Best Actress at the Cannes Film Festival for Antichrist. While Charlotte has been working on film projects, she led another rich career in Music as a singer and a composer and released several albums: Charlotte for Ever (1986), 5:55 (2006), IRM (2009), Stage Whisper (2011), Rest (2017).


 

SXSW 2022 review: Winner of Best Cinematography ‘A VANISHING FOG’ is spellbinding journey of whimsy and warning.

A VANISHING FOG

Facing the imminent return of an unnamed social and ecological violence, F – played by the emblematic and commanding newcomer Sebastián Pii in his debut cinematic role—yearns to overcome his human limitations and plan his escape, knowing all too well that his departure will come with a heartrending goodbye to the only world he has ever known.


It should be no surprise that A Vanishing Fog won the SXSW22 film festival award for Best Cinematography. This film not only speaks to the race against the climate crisis, but The Vanishing Fog also specifically tackles the helpless human aspect. The film follows a young man named F. He appears to be the last protector of an enormous and lush hidden landscape. As capitalist outsiders seek to buy his home, F’s internal struggle between escape and loyalty is palpable. Caring for his ailing father, attempting to communicate with any possible remaining ally by yelling out into the abyss, F understands the end is nigh, whatever that form may take. 

First-time cinematographer Gio Park shot A Vanishing Fog in the mysterious and formidable Páramo of Sumapaz—the largest swath of alpine moorland in the world. It is the first feature film to be shot in this location. You won’t believe such a place exists. It is so incredible that it looks to have been created on a soundstage or green screen. It will take your breath away. 

A Vanishing Fog is a film that deserves enormous screens. Imagine sitting in a room surrounded by IMAX-sized walls. The film begs this experience. I could easily see this becoming a staple at any museum. Lead actor Sebastián Pii leaves every ounce of himself in this role. He’s charming, innocent, desperate, endearing, and determined. You are right alongside his emotional journey. Visual grandeur aside, Pii captures your heart with his wonder and physical fearlessness. A Vanishing Fog is unlike anything you’ve experienced before. It’s a must-see.

 


A VANISHING FOG (Entre la niebla). Colombia/Czech Republic/Norway, 2021, 76 min. In English and Sunapakún with English subtitles. Director / Writer: Augusto Sandino; Producer: Augusto Sandino; Executive Producer: Alejandro Santo Domingo, Munir Falah and Nubia Stella Cubillos; Cinematography: Gio Park; Editor: Augusto Sandino; Production Designer: Constanza Romero; Sound Designer: Emil Nygård Olsen; Music: Emil Nygård Olsen; Principal Cast: Sebastián Pii, Mario de Jesús Viana, Christian Ballesteros; Worldwide Sales: Pluto Film.

About the director:

Augusto Sandino is one of the outstanding names in Colombian contemporary cinema. Winner of over 30 international accolades and the National Cinema Award 2000-2005 given by the Ministry of Culture of Colombia for his short Aniversario. His feature debut Gentle Breath (Suave el aliento) won the Special Jury prize and the FIPRESCI award at Tallinn Black Nights Film Festival in 2016. Founding Director of the Auteur cinema symposium manifesto with Carlos Reygadas, Lisandro Alonso and Amat Escalante in 2014, Sandino has also been the producer of his films plus the works La forma del presente (The Shape of Now) at DOK Leipzig Next Masters 2018; La torre (The Tower) at IFFR Bright Future 2018; and Karen llora en un bus (Karen Cries on the Bus) at Berlinale Forum 2011. A Vanishing Fog (Entre la niebla) is his second feature film.


SXSW.com


SXSW 2022 review from Unseen Films: ‘The Blind Man Who Did Not Want to See The Titanic’ (2021)

The Blind Man Who Did Not Want to See The Titanic

One of the great finds at SXSW, this is the story of Jaakko a  blind movie fan who has a long-distance relationship with a disabled woman he has never met in person. Because he is also in a wheelchair Jaakko’s mobility is limited so they have been unable to work out meetings. When circumstances take a turn Jaakko decides he has to make the trek to his lady love.

Beautiful romance turns thriller as we worry how this is all going to go. Things are made tenser thanks to director Teemu Nikki shooting the film to simulate blindness. Anything outside of our focus is blurry we can’t really see around Jaakko. It’s a genuine claustrophobia that heightens everything.

What makes this film work are the people. Everyone is wonderful. Actually, Petri Poikolainen as Jaakko is magnificent. This is an Oscar-worthy performance. It’s stunning. Poikolainen is so good that I want to see him in more films,  he’s so good that he makes it clear that we need to hire more people with disabilities. (Poikolainen is blind and has MS)

Highly recommended. This is one of the great finds of the festival


To read more of Steve’s coverage of SXSW22, head to Unseen Films!


SXSW 2022 review: ‘IT IS IN US ALL’ is an explosive take down of toxic masculinity.

IT IS IN US ALL

Hamish arrives on the soil of his mother’s birth; she is felt instantly. A shocking car accident rips him apart, shattering his clenched control. A beast broken, he finds himself lost in the world of his long-deceased mother. Young teen Evan, also involved in the accident befriends Hamish. The tremors of want and love beneath the stifling soil push to the surface, as he is led by the vitality of the unbridled boy Evan. He experiences the electric eroticism of living and danger. His rage accelerates to violence, and ultimately his vibrant release.


The layers of complexity in this script are unfathomable. A small town brimming with secrets pushes Hamish past his already frazzled limits, physically and mentally. In an attempt to figure out why his late mother left her hometown years ago, Hamish finds himself wrapped up in the local drama. As he navigates through the town landscape, quite literally at times, he faces more personal uncertainty than he could have ever anticipated.

If you want to see sheer brilliance on screen Cosmo Jarvis is your man. His portrayal of Hamish is brimming with nuance and unresolved trauma. If you have yet to see Jarvis in The Shadow of Violence, you must. The themes of identity and grief drive the film, and Jarvis plays each beat with an intensity that gets under your skin. 

Fair warning for photosensitive viewers: look for intense strobe effects combined with loud music about an hour into the runtime. Impactful lighting choices, a bathroom, a club, headlights, or the naturally foggy but lush landscape create a tense atmosphere. Themes are identity and trauma take center stage. Writer-director-actor Antonia Campbell-Hughes nails this narrative. IT IS IN US ALL is in direct response to toxic masculinity. The disintegration of self in these male characters occurs because they have been prevented from expressing emotions, questioning their place, or healing their wounds. It’s a sharp, meditative piece of filmmaking and evokes a much larger conversation on patriarchal behavior. 


Director:

Antonia Campbell-Hughes

Executive Producer:

Conor Barry

Producer:

Emma Foley, Tamryn Reinecke

Screenwriter:

Antonia Campbell-Hughes

Cinematographer:

Piers McGrail

Editor:

John Walters

Production Designer:

John Leslie

Music:

Tom Furse

Principal Cast:

Cosmo Jarvis, Rhys Mannion, Claes Bang, Antonia Campbell-Hughes, Lalor Roddy


To learn more about SXSW22 click here!


SXSW 2022 review: Teen angst and aliens in the Arctic tundra, ‘SLASH/BACK’ is a culturally cool coming-of-age film from director Nyla Innuksuk.

SLASH/BACK


We can all attest to being bored as teenagers. Even the Arctic tundra might seem uncool when you’re a certain age. SXSW22 feature film Slash/Back follows a group of Inuit girls who’ve had enough of being disregarded. Something is quite wrong in their town. When the adults won’t listen, they take matters into their own hands. Gather your pride, the girls from Pang are about to kick some ass.

The original music by The Halluci Nation and vocal performances by Tanya Tagaq are electrifying. It vibrates off the screen. During the opening credits, I stood up and danced in my kitchen because it was so infectious. The special FX makeup and CGI are startling. But it is the performances from this fresh young cast that pulls you into the narrative. These kids are stars. The emotional upheaval is all too familiar as they struggle with hormones, racism, and, in this instance, aliens. While most of us don’t have the alien experience in our back pocket, we can all agree that pre-teen to teenage years was complicated. The dialogue from writers Nyla Innuksuk (who also directs) and Ryan Cavan almost feels improvised. They have nailed the jargon of youth. The cinematography is breathtaking. Even if the characters aren’t impressed with the landscape, the audience unmistakably experiences the natural grandeur of Pangnirtung.

Pay close attention to the very intentional opening and closing credits as they change from Inuktitut to English. It’s a subtle but powerful statement. Slash/Back is a quirky coming-of-age tale with horror as a catalyst. With elements of The Thing and the energy of Stranger Things, the genre audience will adore this film.



Slash/Back at Online Screening
Mar 14, 9:00am CDT – Mar 16, 9:00am CDT
9:00am10:26am
Availability: United States
Slash/Back at Violet Crown Cinema 1
Mar 14, 2022
3:45pm5:11pm
Slash/Back at Violet Crown Cinema 3
Mar 14, 2022
4:15pm5:41pm
Slash/Back at Stateside Theatre
Mar 17, 2022
6:15pm7:41pm


Director:

Nyla Innuksuk

Executive Producer:

Hussain Amarshi, Neil Mathieson

Producer:

Dan Bekerman, Christopher Yurkovich, Alex Ordanis, Nyla Innuksuk, Stacey Aglok McDonald, Alethea Arnaquq-Baril, Ethan Lazar

Screenwriter:

Nyla Innuksuk, Ryan Cavan

Cinematographer:

Guy Godfree

Editor:

Simone Smith, Todd E. Miller

Production Designer:

Zosia Mackenzie

Sound Designer:

John Loranger

Music:

The Halluci Nation and Michael Brook

Principal Cast:

Tasiana Shirley, Alexis Wolfe, Chelsea Prusky, Frankie Vincent-Wolfe, Nalajoss Ellsworth


 

SXSW 2022 review: ‘WHAT WE LEAVE BEHIND’ is filmmaker Iliana Sosa’s intimate portrait of her grandfather.

WHAT WE LEAVE BEHIND

What We Leave Behind is not only Iliana Sosa‘s documentary feature debut but also a loving ode to her grandfather. SXSW22 audiences follow an intimate portrait of the family patriarch in his final years. Tirelessly loyal to his family, Julián Moreno endured monthly 17-hour bus rides from his home in Primo de Verdad to El Paso. He did everything in his power to show his loved ones how much they meant to him. Sosa documents her grandfather’s trips into town, his morning routine, and the construction of a new family home from the ground up. She takes what might seem mundane and creates personal magic. Her sporadic voiceovers add an unexpected but soul effecting layer to the narrative. Alongside this device, she captures the life-breath of Mexico and its everyday hum. It is fair to say that I was weeping at the end. Along her journey to know her grandfather, Sosa invites us to be another member of her family.



To learn more about SXSW22 click here!


 

SXSW 2022 review: Living your best life is triggering in ‘SISSY.’

SISSY

Synopsis: Cecilia and Emma were tween-age BFFs who were going to grow old together and never let anything come between them until Alex arrived on the scene. Twelve years later, Cecilia is a successful social media influencer living the dream of an independent, modern millennial woman… until she runs into Emma for the first time in over a decade. Emma invites Cecilia away on her bachelorette weekend at a remote cabin in the mountains, where Alex proceeds to make Cecilia’s weekend a living hell. #triggered


Catty, protective, territorial; girls can be the worst. Mean girls made my life a living hell for years. Everyone I know has a story involving them. SXSW22 Midnighters world premiere SISSY addresses them head-on. 

Slow clap for the editing in SISSY. It is clever and engaging from the beginning. The tension in the script is a deliberate build, sort of like ascending a rollercoaster, knowing that that first drop is coming and will be one many. But there are moments of silliness that cut through the anticipation. Overall a slick structure that never lets up. Trust me when I say you will not see where this leads. The practical FX are so tight I exclaimed, “Oh, F*ck,” at one point. There is no better an endorsement than that. 

The chemistry between Aisha Dee and Hannah Barlow (who co-writes and directs with Kane Senes) is magic. You believe they were best friends when they were twelve. Fast forward 15 years or so, and things look very different in their relationship. But, best friends never really lose their groove. That is until someone comes between them. Aisha Dee is our true leading lady, and she friggin kills it. SISSY obliterates your moral compass. 

SISSY tackles unresolved childhood trauma most darkly. Combined with the influencer angle is pure genius. SXSW22 audiences are going to love this. You root for all the wrong things, and therein lies the brilliance.


SISSY – Midnighters (**World Premiere**)
Writers/Directors: Hannah Barlow, Kane Senes
Cast: Aisha Dee, Hannah Barlow, Emily De Margheriti, Daniel Monks, Yerin Ha, Lucy Barrett


To find out more about SXSW22 click here!


SXSW 2022 review: ‘PIRATES’ is a feelgood throwback filled with relatable shenanigans.

PIRATES

New Year’s Eve 1999. Cappo (ELLIOT EDUSAH), Two Tonne (JORDAN PETERS), and Kid (REDA ELAZOUAR) drive through London in their tiny Peugeot 205, pumping a live garage set from the stereo and arguing about their Avirex jackets and Naf Naf imports. As the eighteen-year-olds step into adulthood, they know their lives and friendships are on the brink of change. Determined to end the century on a bang they drive from place to place in a desperate search for tickets for the best millennium party EVER. In their efforts to end up somewhere, they end up closer together.


Let me begin my review of SXSW22 narrative spotlight feature PIRATES by stating that I was the same age as Kid, Cappo, and Two Tonne on the eve of Y2K. I can vividly remember that night and the pure excitement and energy exerted on that day was something I wish I could bottle now. What PIRATES gets right is just that. The feeling of invincibility and the idea that anything is possible. That and the sheer audacity of youth. 

Kid, played by Reda Elazouar, is pure unadulterated comic relief. He believes what he’s saying, lending the audience to smirk at every turn. I have a feeling we’ll be seeing a lot more of him in the future. 

Elliot Edusah is Cappo, the kid that wants more out of life than repeating high school shenanigans. He’s the down-to-earth friend with loyalty as his best quality. Edusah is an easy watch. His boy-next-door good looks and sincere attitude compel you to root for him.

Jordan Peters plays Two Tonne with underlying low self-esteem that he covers with over-the-top bravado. This intriguing dichotomy gives Peters the chance to play the entire emotional gambit as well as the comedy aspect. 

Ancillary cast members nail every beat. You remember scenes that only run for a few minutes because of the pure shenanigans the boys attempt to pull. The chemistry among the entire cast makes PIRATES a breezy and nostalgic watch. For an American audience, the film would benefit from closed captions. Heavy with slang and fast-paced quips, I know I missed a good deal of the definitively funny dialogue. A Google joke right off the bat? It got me. Kid carries around a Tamagochi, and it’s a solid running joke. From the costumes to the sets, audiences from that generation (myself included) will connect with PIRATES right away.


Section: Narrative Spotlight
Sales: Gunpowder & Sky
Run Time: 80 min
Country: United Kingdom
Language: English
Writer/Director: Reggie Yates
Cast: Elliot Edusah, Jordan Peters, Reda Elazouar, Kassius Nelson, Youssef Kerkour, Rebekkah Murrell, Shiloh Coke, Tosin Cole, Aaron Shosanya
Executive Producers: Rose Garnett, Farhana Bhula, Jim Reeve
Producers: Kate Norrish, Polly Leys
Cinematographer: Rachel Clark
Editor: Ash White


For more information on SXSW 2022 click here!


SXSW 2022 is coming. Here are some films to add to your watch list in this year’s hybrid festival.

It’s here and boy is it happening. This year’s hybrid edition of SXSW 2022 has it all. Here are a handful of films we’re excited about this year.


Linoleum

When a satellite falls from orbit and crashes into the home of a dysfunctional family in suburban Ohio, the father seizes the opportunity to fulfill his childhood dream of becoming an astronaut by re-creating the machine as his own rocket ship. While his wife and daughter believe he is experiencing a midlife crisis, surreal events begin to unfold around him, forcing him to reconsider how interconnected their lives truly are…

We’ve been living through hell these past few years and could all use a bit of whimsy. Linoleum provides us the opportunity to reconnect with our inner child while simultaneously dissecting the family dynamics. Plus, I think a lot of people forget how incredibly talented Jim Gaffigan is as an actor. Look out for this one.


The Cellar

A woman must confront an ancient and powerful entity after her daughter mysteriously vanishes in the cellar of their new home.

Shudder has already picked this title up before its SXSW22 premiere. Becoming the best streaming platform for all things genre-related, when they see potential in a film they snap it up ASAP. An old mansion, a new family, a disappearance, The Cellar has my attention.


DIAMOND HANDS: THE LEGEND OF WALLSTREETBETS

It was the perfect storm. A global pandemic. An app aspiring to democratize trading. A group of Reddit users stuck at home with stimulus dollars to burn. And a video game company on its last legs. DIAMOND HANDS is the incredible true story of how an army of retail traders rallied around GameStop to rock our financial system. This is the legend of r/WallStreetBets.

Everyone watched in awe and confusion as GameStop stock began to skyrocket. The fallout was disastrous, but the idea that a bunch of dudes on Reddit were able to completely disrupt the market is pretty much my favorite (anti)capitalist giggle from 2020.

MSNBC Films and NBC News Studios will premiere “Diamond Hands: The Legend of WallStreetBets,” on MSNBC Sunday, April 10 at 10:00 p.m. ET, following the global premiere at SXSW on March 13. “Diamond Hands” is produced by NBC News Studios and ZCDC Films. The film is set to stream later this Spring on Peacock. 


Hypochondriac

A young potter’s life devolves into chaos as he loses function of his body while being haunted by the physical manifestation of his childhood trauma.

If you’re looking for some kick-ass casting, look no further than Zach Villa in Hypochondriac. Unrecognizable from his American Horror Story seasons, Villa plays the writer-director Addison Heimann‘s words with care. The film is based on Heiman’s own experience with mental health.


The Cow

Synopsis: Upon arriving at a remote cabin in the redwoods, Kath and her boyfriend find a mysterious younger couple already there — the rental has apparently been double-booked. With nowhere else to go, they decide to share the cabin with these strangers until the next morning. When her boyfriend disappears with the young woman, Kath becomes obsessed with finding an explanation for their sudden breakup— but the truth is far stranger than she could have imagined.

If you go to IMDB the plot for the film is still under wraps, so SXSW22 fans are in for a treat. I’ve always been a Winona Ryder fan and with Stranger Things revamping her genre status, I cannot wait to see what is in store in this mysterious-sounding plot.


Mickey: The Story of a Mouse

Mickey Mouse is one of the most enduring symbols in our history. Those three simple circles take on meaning for virtually everyone on the planet. So ubiquitous in our lives that he can seem invisible, Mickey is something we all share, with unique memories and feelings. Over the course of his nearly century-long history, Mickey functions like a mirror, reflecting our personal and cultural values back at us. “Mickey: The Story of a Mouse” explores Mickey’s significance, getting to the core of what Mickey’s cultural impact says about each of us and about our world.

When I was 19 years old, I moved to California on a whim in hopes of working at Disneyland. During my amazing time performing there (those details are top secret via the stack of NDA’s you sign as a cast member), I had the extraordinary pleasure of meeting a special individual. When Walt Disney opened Disneyland he presented the world with Mickey Mouse, live and in person. I met that man backstage and had my photo taken with him. The impact Mickey Mouse has had on generations of children and adults is unfathomable. Mickey: The Story of a Mouse will undoubtedly touch a massive audience. As I share Mickey with my own small children now, I can still picture my first meeting with a character so magical I was overwhelmed with joy and excitement. He never gets old, pun most definitely intended.


The Prank

Synopsis: Ben is your typical high-school overachiever. He’s organized, careful, goal-oriented and extremely dedicated to school. His best friend, Tanner, couldn’t be more opposite. She is a lackadaisical, messy, slacker, who lives in the moment. They aren’t popular, but they don’t seem to care that much because they have each other. Ben has a stern, mean and cruel physics teacher, Mrs. Wheeler. She has been teaching at the school for decades and has a reputation for being the hardest, coldest, strictest faculty member. She fails Ben’s entire class unless a student who cheated comes forward. When no one does, Tanner and Ben hatch a plan to ruin he life and frame her for murder on social media.

Social media is such a catalyst for action, terror, and weirdness these days that anything is possible when it is involved. But, it’s this cast that caught my eye. Rita Moreno, Connor Kalopsis, Ramona Young, Keith David, Kate Flannery, and Meredith Salenger will get my butt in a seat. Also, who didn’t have a teacher in high school everyone loathed?


The Unknown Country

An unexpected invitation launches a grieving young woman on a solitary road trip through the American Midwest as she struggles to reconcile the losses of her past with the dreams of her future.

I was first introduced to Lily Gladstone in Certain Women. Her ability to captivate with but a glance is something that is rare. The Unknown Country tackles a beautiful mix of anxiety, grief, and identity, all in a unique road trip movie. It’s a film we’ll be talking about all year.


Sissy

**WORLD PREMIERE**

WRITERS/DIRECTORS: Hannah Barlow, Kane Senes
STARRING: Aisha Dee, Hannah Barlow, Emily De Margheriti, Daniel Monks, Yerin Ha, Lucy Barrett, Shaun Martindale, Amelia Lule, April Blasdall, Camille Cumpston

Synopsis: Cecilia and Emma were tween-age BFFs who were going to grow old together and never let anything come between them, until Alex arrived on the scene. Twelve years later, Cecilia is a successful social media influencer living the dream of an independent, modern millennial woman… until she runs into Emma for the first time in over a decade. Emma invites Cecilia away on her bachelorette weekend at a remote cabin in the mountains, where Alex proceeds to make Cecilia’s weekend a living hell. #triggered

Listen, girls are mean. We hold grudges and we play dirty, those are just the facts. When friendships are disrupted, those scars last a lifetime. With social media affecting the way we lead our daily lives, SISSY sounds like a perfect storm for great horror.


SOFT & QUIET

Playing out in real time, Soft and Quiet is a runaway train that follows a single afternoon in the life of a female white supremacist as she indoctrinates a group of alt-right women, and together they set out to harass two mixed-raced sisters.

Any film that has the audacity to play out in real time has my attention. I am hardwired to loathe these main characters so I am hoping that some horrible fate befalls them. The plot is socially relevant even if I wish it weren’t. I’ll be paying close attention to how writer-director Beth de Araújo brings her first feature-length film to life.


Radical Honesty

At the tail end of a great date, Jack and Rachel bond over a shared interest in deconstructing traditional relationship structures. When Jack reveals the reality of his “radical” open relationship, things take a turn for the absurd in this short film about the co-option of the language of liberation for means of manipulation and control.

At 41, I cannot imagine navigating a new relationship at this precise moment in time. I remember when Match.com first became a thing and how weird I thought it sounded. Then I recall attending four weddings in the years that followed, each couple had met through Match. RADICAL HONESTY, a 7-minute short film, tackles the complexities that Gen Z and Millenials face day-to-day. I’ll be watching with popcorn in hand knowing that it’s one hell I don’t have to keep in check these days. (*knock on wood) Check out the teaser trailer for the film’s aesthetic.

Radical Honesty Teaser from Bianca Poletti on Vimeo.


Slash/Back

Synopsis: Pangnirtung, Nunavut: A sleepy hamlet nestled in the majestic mountains of Baffin Island in the Arctic Ocean, wakes up to a typical summer day. No School, no cool boys (well… except one), and 24-hour sunlight. But for Maika and her ragtag friends, the usual summer is suddenly not in the cards when they discover an alien invasion threatening Pang. But these teenagers have been underestimated their whole lives, and using makeshift weapons and their horror movie knowledge, they show the aliens you don’t fuck with the girls from Pang.

Slash/Back is an unexpected coming-of-age film. With some Stranger Things vibes, it tackles tradition, boredom, boys, and aliens. Wait until you see this young cast kicking ass and taking names.


Pirates

New Year’s Eve 1999. Three life long friends drive through London in their tiny Peugeot 205, pumping a UK Garage set from the stereo and arguing about their Avirex jackets and Naf Naf imports. As the eighteen-year olds step into adulthood, they know their lives and friendships are on the brink of change. Determined to end the century on a bang, they drive from place to place in a desperate search for tickets for the best millennium party EVER. In their efforts to end up somewhere, they end up closer together.

I know I’m aging myself but I was 19 on New Year’s Eve 1999. I lived this chaos and hopefulness. Anything was possible during the course of one evening. I’m here for the nostalgia and some solid shenanigans.


Jethica

Hiding out in New Mexico after a freak accident, Elena runs into Jessica, an old friend from high school. When Jessica’s stalker suddenly shows up at their door, they must seek help from beyond the grave to get rid of him, for good.

Wild and collaborative filmmaker, Pete Ohs brings an exciting edge to the indie scene with Jethica. Shot during the pandemic in 2021 and edited live on Twitch, SXSW22 audiences are surely in for some unexpected twists and turns.


The Voice Actress

Kingyo, a veteran voice actress working in Tokyo, possesses a unique ability to see the soul in all things, living and inanimate. The voice acting world is changing and she must find a way to reconcile her way of living with the modern industry. As Kingyo prepares for an upcoming audition, she seeks inspiration from the world around her and from her pet goldfish, Asatte. In the face of professional and personal adversity, Kingyo looks decidedly inward for strength through empathy and kindness.

A peek inside the recording booth and inside the mind of a working voice actress. Urara Takano puts a face to the performers we don’t talk enough about. Written, directed, and edited by Anna J. Takayama, we are invited into the world of a veteran voice actress and how she copes with forces beyond her control.


For more information on this year’s SXSW Film Festival click here!

Stayed tuned for Reel News Daily coverage as well as guest posts from Steve Kopian at Unseen Films. We’re making our schedules and doing all we can to bring you everything we’ve got. Stayed tuned!


Review: ‘THE LONG WALK’ is an ever-evolving entity of grief.

THE LONG WALK

The Long Walk is Laotian director Mattie Do’s third feature, and centres around an old man, who discovers that he can travel back in time and speak with the dead. The film stars Yannawoutthi Chanthalungsy, Noutnapha Soydara, Vilouna Phetmany, Chansamone Inoudom and Por Silatsa.


Do not take your eyes off the screen for a second.m The Long Walk has an enigmatic script that obliterates genre norms. When a colleague and trusted friend Steve Kopian, at Unseen Films, told me that I had to make sure to watch without distraction, he was not exaggerating. Blink, and you might miss pertinent information. Part sci-fi and a lot of ambient horror, The Long Walk is unlike anything you’ve seen before. Spirits and time manipulation are the tips of the iceberg.

Performances are mesmerizing. As the plot evolves, each actor runs the emotional gambit. The lush Laos countryside becomes a haunting backdrop for a story you won’t see coming. The trickiest part about writing a review is not wanting to spoil the experience for the audience. There are rare occasions where going into a film blind is in your best interest. The Long Walk is one of those films. This film will take your breath away as you move from fear to heartbreak, confusion to awe. The Long Walk is one of the year’s most intriguing films. It bears repeating, do not look away. 

The Entrancing Time-Travel Ghost Story — Out Now In Select Theaters + On VOD March 1

The first Lao film to screen theatrically in the US, from Laos’ first and only women director:

ABOUT MATTIE DO:

Mattie Do is Laos’ first, and only, female filmmaker. Born in California to recent refugees of Laos’ Communist Revolution, Mattie was raised in Los Angeles, but returned to Laos a decade ago after her father retired in Vientiane.

In 2012, Mattie directed her first feature film, Chanthaly. The film was the ninth feature film produced in the country of Laos since the 1975 revolution, the first feature film to feature a female protagonist, and the first Lao feature film to be directed by a woman. Chanthaly also challenged Laos’ strict censorship which at the time mandated that Lao women only be depicted in traditional dress speaking formal Lao, and restricted any depiction of supernatural or superstitious beliefs. The film premiered at Fantastic Fest in Austin, Texas becoming the first Lao film to screen outside of SE Asia. Chanthaly’s success at festivals led to Mattie’s selection for the Cannes’ Fabrique des Cinemas du Monde, TIFF’s Directors Talent Lab, Berlinale Talents, and BIFAN’s Fantastic Film School. Afterward, Mattie worked with the Ministry of Culture to create the infrastructure necessary to introduce foreign co-production to Laos, including a framework for managing the country’s rigid censorship. In 2015, Mattie produced Laos’ first American and Japanese co-productions, which later respectively premiered at the Toronto International Film Festival and Locarno Film Festival.

Mattie Do’s second feature, Dearest Sister, premiered at Fantastic Fest before screening at BFI’s London Film Festival, Singapore International Film Festival and nearly two dozen other film festivals. The film received Special Jury Mentions at the Sitges International Fantastic Film Festival, Lund’s Fantastisk Filmfestival, and Fantasporto Film Festival. The film was later selected as Laos first official submission to the 90th Academy Awards.


TOPIC series review: Nordic Noir miniseries ‘PIECE OF MY HEART’ grabs you from the very beginning.

PIECE OF MY HEART

(Pala sydämestäni)

In Helsinki, child protection agents, Rita and Laura, work tirelessly to protect children from recurrent trauma. A case becomes personal when it forces Rita to face her own disturbing childhood while Laura struggles to find work-life balance


Episodes 1 -3

Piece Of My Heart boasts a slick story structure. Laura is the newbie in Child Welfare Services and Rita is the old pro with serious baggage. Under a new director and with cases piling up, these two women must immediately pick up each other’s emotional slack to help the children and families under their care. As the plot progresses, clues as to what went wrong in Rita’s last case slowly reveal themselves to the audience. The nuance of performances, especially by women, in this series keeps you glued to your seat. We watch gaslighting, power struggles, intimacy issues, and the navigating of home life. You fully invested in each of them. Director Hanna Maylett and writing team Anna and Aino Lappalainen, masterfully plant the seeds of complexities. You’re kept on your toes in anticipation of something going awry. Leads Lotta Lehtikari and Niina Koponen are striking foils for one another, in every sense. Piece Of My Heart is a genre-bending series of mystery and drama. You’ll be sucked into the show from the very first episode.


***Golden Nymph Jury Special Prize Winner – 2021 Monte-Carlo TV Festival***
***Golden Nymph Television Nomination – 2021 Monte-Carlo TV Festival***

Streaming Exclusively on Topic Beginning February 17th
*Episodes 1-3 available on 2/17 followed by individual episodes each week*


 Directed by: Hanna Maylett (Sisters Apart, Suburban Virgin)
Produced by: Anita Kurvinen (Kotikatu, Tahdon asia)
Written by: Aino Lappalainen (Mersusta seuraava, Evä), Anna Lappalainen (The Spark, Tokio Baby)
Starring: Lotta Lehtikari (Seitsemän, On the Road to Emmaus), Niina Koponen (Urban Family, Rat King), Martin Bahne (The Border, Korso), Saimi Kahri (Täydellinen joulu, Pahan väri), Vilma Sippola (Flowers of Evil, Aktivistit), Manoel Pinto (Armi Aavikko – siinä välissä olin elossa)


About TOPIC
Topic is the boundary-pushing streaming service from First Look Entertainment for thrillers, mysteries, dramas, and documentaries from around the world, serving viewers who crave entertainment beyond the mainstream. Whether it’s a Nordic-noir crime thriller (The Killing), a back-stabbing, an Italian political drama (The Miracle), or a mind-blowing supernatural mystery from Russia (Dead Mountain), Topic expands your view of the world.

Featuring North American premieres, exclusive TV series and film, and programming from more than 40 countries, Topic showcases an unparalleled collection of creators, perspectives, and experiences. Complemented by our Topic Originals, we prioritize bold storytelling and champion underrepresented voices. Topic Originals and exclusives include Oscar® nominee The Letter Room (starring Oscar Isaac), Lambs of God (starring Ann Dowd), BAFTA® nominee The Virtues (starring Stephen Graham), Emmy® nominee The Accidental Wolf (starring Kelli O’Hara), Dark Woods, Gotham Award winning Philly D.A., and Soul City (directed by Chike & Coodie).

Topic is available to US and Canadian audiences on topic.com, AppleTV & iOS, Roku, Amazon Fire TV, Android & Android TV, Apple TV Channels, Roku Premium Channels, Bell Fibe, and Amazon Prime Video Channels. Topic is part of First Look Entertainment which also includes Topic Studios the award-winning entertainment studio which develops, finances, and produces content for all platforms.


Review: Based on the True Story of Author Karen Blixen (Out of Africa) ‘THE PACT’ is brimming with manipulation and artistry.

THE PACT

It’s 1948 and 63-year-old “Out of Africa” author Karen Blixen (pen name: Isak Dinesen) is a lonely literary sensation devastated by syphilis and mourning her lost love, until she meets talented 30-year-old poet Thorkild Bjørnvig. She offers him a Faustian bargain and promises him stardom if he will obey her unconditionally. As her demands become more and more pernicious, Thorkild must choose between Blixen’s promise of fame or his family. From director Bille August (PELLE THE CONQUEROR) comes this sterling adaptation of Bjørnvig’s bestselling memoir.


The Pact is a study of the eccentricity of art and artist. The Baroness plays emotional chess with the carefully curated people chosen as part of her inner circle. Under the guise of nurturing the artist to greatness, she overtly steers the decisions of each individual, whether they know it or not. Is she some sort of creative seer? Or is this a game of power? Playing with the hearts and minds of people is a dangerous endeavor.

The sets and costumes are sumptuous. The dialogue is delicious and poetic, possessing a gravitational pull that is undeniable. The film’s intentionally steady and emotional momentum works its magic on you. The Pact has a mysterious morality that falls somewhere between manipulation and genius. It’s a surprising debate between free will and the lies we tell ourselves. The Pact is ceaselessly complex and brilliantly acted. As a writer, it’s a piece that will sit with me for quite some time. 


Opening in New York on February 11, 2022
Opening in Los Angeles and San Francisco on February 18, 2022

PLAYDATES
Quad Cinema in New York, NY
Nuart Theatre in Los Angeles, CA
Landmark’s Opera Plaza in San Francisco, CA
Smith San Rafael in San Rafael, CA


Directed by Bille August (Pelle the ConquerorThe Best Intentions)
Produced by Jesper Morthorst and Karin Trolle
Starring Birthe Neumann and Simon Bennebjerg


** Official Selection – 2022 Palm Springs International Film Festival **
** Official Selection – 2021 AFI European Union Films Showcase **


Final Girls Berlin (2022) review: ‘KNOCKING’ vibrates with tension.

KNOCKING

A woman (Molly) who has just experienced a traumatic incident is unnerved by a haunting knocking sound from upstairs in her new apartment building. As the noises become more desperate and increasingly sound like cries for help, she confronts her neighbours but it seems no one else can hear them. In an unsettling quest for truth, Molly soon realises that no one believes her and begins to question if she even believes herself – a realisation that is perhaps even more chilling.


Is this some extensive gaslighting or is Molly still experiencing PTSD from her previous loss? The marrying of these two concepts is here perfection. For Molly, the idea of sitting idly by will drive her mad. A slow-burn mystery with striking cinematography, Knocking will make your head spin. The use of a go-pro-style camera during a climactic confrontation puts you in the manic state of Molly’s brain. It’s a wildly effective choice. Cecilia Milocci‘s performance is truly compelling. You are right there with her on this tumultuous emotional journey. It’s absolutely award-worthy.

I first saw Knocking at Sundance 2021. The film still haunts me, as I continue to second guess the ending. To me, that ultimately makes it a success. It is genuinely unforgettable. Final Girl Berlin 2022 audiences are sure to eat up the tension that director Frida Kempff has curated in her feature-length debut. This can only mean the beginning of a long and successful genre career.



https://www.finalgirlsberlin.com/