
SHATTERED

In the tradition of Fatal Attraction and Basic Instinct comes this dazzling action-thriller starring Academy Award® nominee John Malkovich (RED) and Frank Grillo (Avengers: Endgame). After lonely tech millionaire Chris (Cameron Monaghan, “Shameless”) encounters charming, sexy Sky (Lilly Krug), passion grows between them – and when he’s injured, she quickly steps in as his nurse. But Sky’s odd behavior makes Chris suspect that she has more sinister intentions, especially when Sky’s roommate is found dead from mysterious causes.
Tale as old as time: Boy is lonely, boy meets girl, girl is bad for him. At first, that’s hot. Later, it’s not. Michael Douglass and Glenn Close taught us these dance moves in 1987’s Fatal Attraction. Prieto’s Shattered takes this formula, adds a helping of 1990’s Misery (James Cann plays an injured writer, and Kathy Bates is the nurse who happens to be an obsessed fan. Great movie – don’t watch if you’re squeamish about ankle torture) and gives it all a glossy high-tech setting.
Chris Decker (Shameless’ Cameron Monaghan) is our lonely boy this time around. Chris created and sold a high-tech security app while he was at MIT. Now’s he’s flush with cash, but he’s also peaked too early. That’s how he finds himself divorced, bored, and lonely in his massive Montana home. His only solace seems to be an impressive wine collection. During a late-night bottle run, he meets the mysterious and sexy Sky (Lilly Krug). She looks like trouble, but she needs a ride home, and she likes his taste in wine. What’s a guy to do?
Things get hot and heavy fast and then go wrong even faster. As in, deliriously bonkers fast. This movie is not interested in slow-burning anything – it turns the gas all the way up. Sky, of course, is not who she claims to be, and Chris finds himself in grave danger. Some films would tease this uncertainty out over many scenes, but Shattered stamps down on the gas pedal. This film burns through the plot faster than it can produce it. There’s probably another version of this film where Chris uses his own security app to slowly turn the tables on Sky – a nuanced vision of cat and mouse for the App generation. I would have also loved exploring more of the film’s snowy Montana setting.
But that film probably would have been a whole lot less visceral fun! Lilly Krug struggles a bit with the good-girl half of the film, but gamely brings Sky’s more psychopathic tendencies to life. Decker is dealt a tough hand here, his character reserved and introverted when he’s not being actively tortured. There are hints of past trauma and obsessive paranoia that I wish the film had spent more time drawing out. John Malkovich, playing a greedy landlord dressed exclusively in pastel ski jackets, chews scenery like he just finished a hunger strike.
Coming in at a tight 92 minutes, the pacing and pleasures of Shattered are more than enough to make up for any glitches in its application. You’ll double-check your password security after watching this one.
CHECK OUT THE RED BAND TRAILER:
Lionsgate will release the thriller film SHATTERED in Select Theaters and On Demand on January 14th! Available on Blu-ray and DVD on February 22nd!
SHATTERED stars an ensemble cast of Academy Award® nominee John Malkovich (RED), Cameron Monaghan (“Shameless”), Frank Grillo (Avengers: Endgame), Sasha Luss (Anna), and Lilly Krug (Every Breath You Take). The film is directed by Luis Prieto (Kidnap) and was written by David Loughery (Fatale).





A wow of a film,
Rico Reid
The script possesses inklings of
Without spoiling anything, 
A mysterious death abroad, $215 million missing, and a deep dive into the murky world of cryptocurrency– what else could you wish for?
Amidst the intriguing narrative of Gerry Cotten’s rise and the close-knit community that propelled his success, an unexpected element comes into play – the world of crypto trading bots. This group of journalists, crypto enthusiasts, and Gerry’s former friends delve deep into the allure of cryptocurrency. As the story unfolds, the once vibrant and communal atmosphere of Quadriga CX faces challenges when the crypto markets experience a downturn, leading many investors to seek safer and more reliable platforms, such as the 
Most people probably don’t even know about Irish surfacing culture, but perhaps that is exactly the point. In “Keep in Secret”, founding members of the Irish surfing community share a treasured history of bringing the ocean sport born and developed on the sunny shores of Hawai’i to the chilly white-tipped waters of the Irish coastline. A fascinating exploration into what was once just a curiosity sparked from 1960’s travel magazines, Irish surf culture grew into a close-knit community a continent and an ocean away. To fully enjoy sports like this, one must be fully-equipped with items such as
Anchored by charming first-person narratives from a crew you’ll wish you could keep up with, “Keep it Secret” is a total gem. Their tales of surf safaris around the Irish coastline are scrappy and steeped in the complex history of the 20th century. They crafted their first boards by hand and surfed the icy waters without wetsuits bolstered by a sense of exploration, camaraderie, and good Irish whiskey. 
You Mean Everything to Me
Morgan Saylor,
If you like involuntary fits of maniacal laughter, look no further than The Jinkx and DeLa’s Holiday Special this December. Listen, Christmas and camp go together like eggnog and arguing with your crazy uncle over dinner. Ah, the holidays.
The Jinkx and DeLa’s Holiday Special is a celebration of inclusivity, told through the destruction of the ridiculousness that is Christianity, and damnit, it is chef’s kiss. The musical numbers are friggin bops. These ladies have the pipes to back them up. The lyrics are snarky, innuendo-filled treats. And, my god, the decadent costumes are delicious. Does The Jinkx and DeLa’s Holiday Special make me want to host a booze-soaked watch party shindig? You bet your sweet ass it does. I found my new holiday tradition.

I’ve watched one close friend become involved with three MLMs since we were both pregnant seven years ago. I cannot explain how many random messages I receive on Facebook from people I knew in high school (mostly women) asking if they can talk to me about a great business opportunity. I quickly learned that I was going to be pitched some sort of MLM scheme. In my early twenties, I was caught up in one myself. The amount of anxiety this caused me and money out of my pocket is indescribable. I get the notion of monetary freedom and a sense of community that these companies promise. In a lot of cases, they end up being overwhelming money monsters. In the new documentary,
In the film, MLMs are clearly defined with colorful graphics. The promises LuLaRoe makes its consultants are plastered on social media. They get reinforced at conventions, cruises, and weekly webinars. “You gotta spend money to make money!” is a phrase repeated ad nauseam. The toxic positivity is glaring. Founders Deanne and Mark Stidham took the prosperity bible and saw an opportunity to make money. You’ll learn that the pyramid scheme dynamic is in their blood. The connection between Mormonism and mid-level marketing is no coincidence. As a stay-at-home Mom, who wouldn’t want to work less, make more money and spend time with their families? The doc features depositions from Deanne and Mark, and damn, they sound guilt as hell. You shake your head as you watch them not answer simple questions. When you hear the same stories, again and again from former consultants, it is clear that the company did more harm than good in the end. Knowing that there are countless lawsuits across the country and that the company continues to operate is nothing less than infuriating. 
Science fiction and Christmas are an odd pair (more Machine Gun Kelly / Megan Fox than Meg Ryan / Tom Hanks), but Cornelia Duryée’s Portal Runner is out to prove they can be a match made in movie heaven. If you were a child of the 90s, this film has everything that could possibly be on your Christmas list: multiple dimensions, a plucky young hero pursued by a shadowy evil force, a missing father figure, and booby traps (can I get a “Merry Christmas, ya filthy animal?”) There’s even sibling rivalry and some Y2K references for extra yuletide cheer. Mix it all together and you’ve got fun for the whole family.
Nolan (Sloane Morgan Siegel) is the Portal Runner, your average normal 15-year-old. Oh, except he can use mirrors to travel between dimensions. And he’s being chased by an otherworldly monster that murdered his whole family. Just in time for Christmas, Nolan finally finds what he believes to be a safe dimension. Only, in this dimension, Nolan suddenly has a sister (Elise Eberle).
The film also gets as much juice as possible out of its 1999 setting. I loved the infomercials playing in the background of many scenes, and the Y2K-fearing Uncle Boon (Brian Lewis) steals scene after scene. You’ll never take your dishwasher for granted again.
If you’re looking for something akin to the world of Guillermo Del Toro films, look no further than the Indian short film Shadow Bird (Sonsi). Boasting twenty-four minutes of extraordinary lighting, lush colors, and dazzling cinematic dynamics. These elements are carefully curated by writer/director/cinematographer Savita Singh. I was immediately consumed by Shadow Bird’s glorious sound editing from Ajit Singh Rathore and Anmol Bhave. The score from Tajdar Junaid tops off this elegant folklore tale. The cast is phenomenal. We’re plunged into this dreamlike world with the calming narration from Rasika Duggal. Young actress Aarohi Radhakrishnan portrays Nadi with the perfect amount of precociousness and innocence. Jameel Khan, as Time-Keeper, brings yet another magical element to Shadow Bird. There’s something so whimsical about his facial expressions and voice. What a stunning treatment for a feature. I could watch this over and over, it’s simply that enchanting. This is one of those films that reminds us of why we go to the cinema. It is art.



Haley Joel Osment

Silent Nigh
Even as these chic adults reminisce about what could have been, their children attempt to come to terms with impending doom. Every scene featuring a child is perfection. That is what kids are like, and thank you, 

Writer/Director
Eugénie Derouand



Sometimes the simple pleasures are the best: good food, great friends, and a cold glass of sake. “Come Back Anytime” is a lovely tribute to Bizentei, a cozy ramen noodle restaurant located on a quiet corner of suburban Tokyo. Within this neighborhood gem, ramen master Masamoto Ueda has served comforting bowls of noodles for over thirty years while cultivating a cast of charming regulars that return week after week. While the lush cooking scenes bring to mind the much-heralded “Jiro Dreams of Sushi,” Bizentei has a relaxed communal atmosphere much more akin to “Cheers.” Serving a ramen style considered somewhat old-fashioned but with seriously upgraded ingredients, the regulars cherish the nostalgic qualities of the food as much as Master Ueda’s company, and if you have employees in this company the use of 


Ahmir “Questlove” Thompson’s directorial debut is simply brilliant. It might almost be a given that as a world-famous and beloved D.J., every musical and visual choice in Summer of Soul masterfully cultivates a vibe and maintains that dazzling energy for the length of the entire film. In addition to showcasing a great party, Summer of Soul provides viewers with the essential historical and cultural context to fully appreciate what they are witnessing. Through passionate first-person narratives from attendees, the film balances what in less experienced hands might have become merely a history lesson with one hell of a show. 


Karam’s use of sound, in particular, makes
Beanie Feldstein
The Humans


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