Review: ‘PUZZLE’ allows one woman to solve the enigma of herself.

PUZZLE is a closely observed portrait of Agnes, who has reached her early 40s without ever venturing far from home, family or the tight-knit immigrant community in which she was raised by her widowed father. That begins to change in a quietly dramatic fashion when Agnes receives a jigsaw puzzle as a birthday gift and experiences the heady thrill of not only doing something she enjoys, but being very, very good at it.

Kelly Macdonald gives a quietly passionate performance as Agnes, a woman whose personal growth is a joy to behold, a woman longing to be seen and understood. It is a role that will undoubtedly resonate with so many. Macdonald’s isolation is palpable.  Irrfan Khan has an effortless charm that captures the viewer. As Robert, he is a lonely genius. He, too, desires human connection. His performance is smart and tragic all at once.
Oftentimes, mothers lose their own identities tending to the needs of their families. Balancing loved ones and household management consumes who we once were and who we truly long to be. It is easy to get stuck in an endless cycle of chores and other people’s feelings. If you’re lucky enough to give yourself a voice, therein lies your truth. The film is not ultimately about puzzles, but they are a brilliant metaphor for relationships and the enigmatic ways of people. Puzzle illustrates the idea of not fitting into your expected place.

In Theaters July 27th!

Starring Kelly Macdonald (Golden Globe nominee for “Boardwalk Empire”, NO COUNTRY FOR OLD MEN, GOSFORD PARK), Irrfan Khan (THE LUNCHBOX, SLUMDOG MILLIONAIRE, LIFE OF PI, David Denman (“The Office”, 13 HOURS), Bubba WeilerAustin Abrams

Directed by Marc Turtletaub (producer, LITTLE MISS SUNSHINE)

Written by Oren Moverman (Oscar nominee for Best Writing, Original Screenplay, THE MESSENGER)

Music by Dustin O’Halloran (Oscar nominee for Original Score, LION)

Fantasia International Film Festival 2018 Review: ‘Mega Time Squad’ is an editor’s masterpiece.

Think “Multiplicity on crack” (and yes, I am referencing the 1996 Micheal Keaton and Andie MacDowell sci-fi comedy delight… and crack cocaine) and you’ll begin to understand the insanity that is Mega Time Squad. Our main man, Johnny, is a low-level criminal who accidentally discovers he is wearing an ancient bracelet that will bring him back in time. Problem being, each use of said bracelet also produces another version of himself, all while running from the both he stole from and his gang of thugs. This heist movie with an incredible twist is hilarious. Packed with deliciously colorful local slang and plenty of four-letter words for punctuation, Mega Time Squad hits every mark. Anton Tennet, writer/director Tim Van Dammen, and editor Luke Haigh deserve your applause and as many beers as a bartender will allow in one sitting. Tennet, as each version of Johnny, brings a distinct specificity that is wildly impressive. Haigh had one hell of a challenge in editing and holy hell is this a triumph. Van Dammen has gifted the Fantasia 2018 audience with a warped premise begging the question of one’s own morality. You have to really pay attention to keep up with the shenanigans and you will have a blast doing so. If you enjoyed The Hunt for the Wilderpeople, Mega Time Squad is your jam. And speaking of jams, the music is totally sick. Mega Time Squad is a blast from past to present.

The Fantasia International Film Festival runs from July 12th- August 2nd. You can find out more about the full lineup and tickets at Fantasia.com 

Review: ‘SIBERIA’ left us out in the cold.

Keanu Reeves

in

SIBERIA

When a business deal in Russia goes south, a U.S. diamond merchant (Keanu Reeves) and his lover (Ana Ularu) are caught in a lethal crossfire between the buyer and federal intelligence service.

Sometimes I forget how talented Keanu Reeves truly is. He can take a pretty lifeless role and make it into something we weren’t expecting. That being said, these talents are really wasted in Siberia. It’s a poor man’s John Wick. The pace is often excruciating. When it is on, it’s vastly entertaining. The potential lies within the higher stakes, action-oriented scenes, but since they are few and what feels like far between it’s tough to stay on the train. 50 minutes into the 1:44 minute run it finally feels like,”Ok now we’re getting somewhere!” Alas, it will be 15 more minutes until something relatively interesting occurs. The script really takes it damn time getting to the point.

The performances are strong. Ana Ularu is vastly underutilized opposite Reeves. There is so much going on behind that tough girl veneer, a sadness that you want to fix. She has a brilliant presence but has been diminished to sex doll with a heart of gold. Someone write her a juicy role, please.  Molly Ringwald appears for what is tantamount to a cameo, speaking of underutilized. Her performance in this year’s Tribeca selection,  All These Small Moments is proof we need her back in our lives on a more permanent basis. Reeves, as Lucas Hill, diamond dealer trapped in a lackluster marriage and put in a shady work position, is the only saving grace. The problem being, you can feel the pained longing to kick some real ass. Ultimately, Siberia ends up being a midlife crisis cry for help, more than anything else. It left me cold and a bit empty.

Saban Films will release the romantic crime thriller SIBERIA in theaters and On Demand / Digital HD on July 13, 2018

SIBERA stars Keanu Reeves (The Matrix, Speed, Bill & Ted’s Excellent Adventure), Molly Ringwald (“Riverdale,” “The Secret Life of the American Teenager,” Sixteen Candles), and Ana Ularu (Outbound, Inferno). The film is directed by Matthew Ross (Frank & Lola) from a script by Oscar nominated novelist/screenwriter Scott B Smith (The Ruins, A Simple Plan) and producer/screenwriter Stephen Hamel (Passengers, Henry’s Crime).

Fantasia International Film Festival 2018 starts this week! Here are 10 films that are getting us excited.

The Fantasia International Film Festival officially begins in two days. If you don’t already know about the fest, you are in for a cavalcade of horror, sci-fi, action and the out of this world twisted with the strange and unusual. How’s that for a description? Some of last year’s hits include LowlifeThe EndlessMohawkGood TimeSpoor, and Mayhem to name a few. If you haven’t seen any of these yet, do yourself a huge favor and seek them out. 2018’s lineup is no exception with films like Under The Silver Lake from David Robert Mitchell, which takes us into a neo-noir surreal romp and a complete 180 from It Follows. Nicholas Cage stars in Mandy, already being touted as a genre-bending blood fest of epic proportions. Hint, it’s already sold out. Let us not forget the enormously popular Fantasia Shorts Program. One, in particular, that was phenomenal last year was the Born of Woman section. As the title might suggest, these are shorts made exclusively by female filmmakers. They were as disturbing as they were profound and they are not to be missed. Fantasia has something for everyone. Cinephiles easily plan their year around this one festival and we don’t blame them. Here are a few titles we are stoked to check out over the next few weeks.
​​Blue My Mind
Blue. Of the bewildered spirit intermediating between child and sea. Blue is the colour of Mia (Luna Wedler), 15 years old, newly arrived in a town that looks like all the others. Breaking away from the sterile environment provided by her parents, she is drawn to the pack of popular kids, the ones who smoke, shoplift, mess around. Mia has everything, yet she suffocates. Then comes an odd thirst, an irresistible instinct that has her reaching out for air where there is none. In her head are the turbulent sounds of crashing water against the pebble beach. In her tortured flesh, the alienation of nature, the terrifying and unstoppable transformation of her body conflicting with the need for stillness, to press pause on the perfect breath.
Heavy Trip
Life has its downsides in a small, northern Finnish town. The local bros give long-haired, leather-clad Turo a tough time, and his job at the mental hospital is literally shitty. His crush on Miia at the flower shop is thwarted by the tacky lounge singer Jouni, and his band jams in the back of a reindeer slaughterhouse. In the plus column for Turo, well… there’s the band, even if these black-metal true-believers have never gigged in all their 12 years together (Turo’s concealed but crippling stage fright hasn’t helped). A miraculous crack at a major metal festival in Norway jumpstarts the quartet’s dreams, and Impaled Rektum set out on a metallic mission that will make them confront not only doubts, detours and difficulties, but also Vikings in longships (plus an elf), graverobbing, Swedish rocket launchers and wolverine-wrestling (dangerous… and awkward!).
Cold Skin
In the early years of the 20th century, a young man (David Oakes) takes over the responsibility of surveying the weather of a secluded island in the Antarctic. Hoping for isolation and time for self-reflection, he instead finds a crazed and weathered person named Gruner, played by genre favourite Ray Stevenson (DEXTERTHORDIVERGENT). Gruner quickly reveals that there is more to this island than meets the eye and that below the icy depths, a terrible scourge lurks. The extent of Gruner’s madness slowly becomes more and more pronounced as his bloodlust for the creatures becomes apparent. Struggling for survival, the surveyor must choose between a madman and a legion of creatures he does not fully understand.
Tokyo Vampire Hotel

Set in 2021 as the Dracula family and another family of vampires, the Corvins, prepare for the end of the world by getting into a massive rumble.

The Draculas wear billowy pirate blouses, are scared of crucifixes, and have retreated into an interdimensional salt mine beneath Transylvania. The Corvins are pop-idol hot and have retreated into a posh hotel located inside the interdimensional vagina of their leader. There, theyve invited a herd of humans they’ll force to breed at a “Special Coupling Party” to ensure an endless future supply of blood. Enter Manami (Ami Tomite), a girl looking to fit in someplace, who has special vampire blood, and suddenly everyone wants to shoot each other in the face to stash her in their apocalypse bunker first.

Tales from the Hood 2
Horror is back in the hood! The sequel to the groundbreaking original film TALES FROM THE HOOD reunites executive producer Spike Lee (Honorary Academy Award® winner) and writers/directors/producers Rusty Cundieff and Darin Scott for an all-new gripping, horrifying and oftentimes devilishly comical anthology. Keith David stars as a contemporary Mr. Simms to tell bloodcurdling stories about lust, greed, pride, and politics through tales with demonic dolls, possessed psychics, vengeful vixens, and historical ghosts. Mr. Simms’s haunting stories will make you laugh… while you scream.
Mega Time Squad
Johnny (Anton Tennet) lives an underwhelming life. He is a low-level drug dealer in Thames, New Zealand, he lives in his mother’s garage, his time is spent with a blundering friend Gaz (Arlo Gibson) at the local bowling alley and doing petty errands for the local kingpin Shelton (Johnny Brugh of WHAT WE DO IN THE SHADOWS) and his henchmen (including Milo Cawthrone of DEATHGASM and ASH VS. EVIL DEAD). When a once-in-a-lifetime chance at a big score reveals itself, Johnny finds himself wondering, “Do I have what it takes to pull off a caper?” He quickly realizes no, he doesn’t. That is, not until he stumbles upon an ancient relic that allows him to travel across time. With the power to bend time in Johnny’s hands, a hodgepodge of hilarity ensues and the “bogans” (Kiwi for loser) sets his sights once again on the wealth just beyond his grasp. However, what are the consequences of this temporal insanity, and does Johnny have what it takes to face off against Shelton and his henchmen?
Nightmare Cinema
At a forgotten, haunted bijou, a group of strangers have assembled to watch a series of macabre vignettes unspooled by the mysterious Projectionist (Mickey Rourke). Like the best anthology films (DEAD OF NIGHTCREEPSHOWTRICK ‘R TREAT), the stories’ tones range from truly deep, dark, psychological, demented horror to ones with a lighter, satirical spin. Witness a ghost story that will chill you to the bone; an exorcism story guaranteed to make your head spin; a B&W descent into clinical madness; a plastic surgery gone horrifyingly awry; and a cabin-in-the-woods slasher ditty with a unique twist you’ll never see coming.
A Rough Draft
Over a mere handful of hours, successful Moscow video-game designer Kirill has watched his life vanish. There is no longer any official record of his existence. His colleagues, his loved ones, even his dog no longer recognize him. Homeless, heartbroken, battered and framed for murder, Kirill is at the mercy of a mysterious cabal, and they have a new life planned for him. He is now to reside in a dismal old tower near the Kremlin, and there he will serve as an interdimensional gatekeeper, opening the doors to a myriad of possible Moscows that could have been, would have been? or should never have been. Kirill discovers that he now has the power to manipulate the material world around him. But who is manipulating Kirill?
The Night Eats The World
Sam (Anders Danielsen Lie) is not legend, though he may be the last man on earth. After falling asleep in a back room of his ex-girlfriend’s apartment, he wakes up to discover that the world, or at least Paris, has been overrun by a zombified populace. Barricading himself inside the building, he faces life as the sole survivor of the plague, gathering the supplies he can as the ghouls stagger and slaver outside. He can sustain his body, but can he sustain his mind as the days alone in a world gone to hell stretch out endlessly before him? He finds “companionship” and a sounding board in a zombie (Denis Lavant) trapped in an elevator, while facing an existential crisis: “Being dead is the norm now. I’m the one who’s not normal.”
Summer of ’84
“The suburbs are where the craziest shit happens,” 15-year-old Davey Armstrong (Graham Verchere) tells us at the beginning of SUMMER OF ’84,, and he should know. It’s June of the eponymous year in Ipswich, Oregon, and Davey is spending his days and nights hanging out, talking about sex and the finer points of STAR WARS sequels, and playing “manhunt” with best friends Eats (Judah Lewis), Woody (Caleb Emery) and Curtis (Cory Gruter-Andrew). The innocent fun ends when Davey begins to suspect that his next-door neighbour, outwardly friendly cop Wayne Mackey (Rich Sommer), is the Cape May Slayer who has been preying on kids his age in the area. Davey recruits his pals to help investigate and expose Mackey, initiating an adventure that threatens to turn dangerous and deadly for the boys at any moment.

We could keep naming films but that would be a bit overkill, don’t you think? But seriously, see whatever you can. We’ll be bringing you reviews of everything we’re able to catch. You can find out more info about the full program and tickets at fantasiafestival.com
​​
The Fantasia International Film Festival, North America’s largest and longest-running genre film fest, will be celebrating its 22nd year in Montreal this summer, taking place from July 12 through August 2.

 

Review: ‘IDEAL HOME’ is filled with love and laughs.

presents

IDEAL HOMEA film by Andrew Fleming

Synopsis: IDEAL HOME is the touching and humorous story of Erasmus and Paul (Steve Coogan and Paul Rudd), a bickering gay couple whose life is turned inside out when a ten-year old boy shows up at their door claiming to be Erasmus’ grandson. Neither Paul, nor Erasmus, are ready to give up their extravagant lifestyles to be parents, but maybe this little kid has thing or two to teach them about the value of family.

Steve Coogan and Paul Rudd make a convincing couple in this absurdly hilarious and heartwarming comedy. Coogan plays eccentricity to the max as reality tv chef and newfound grandfather. His commitment to a joke, visually or otherwise, has definitely met its match in costar Paul Rudd. What makes Rudd’s performance so spectacular is the subtle mannerisms and genuine emotional connection to his character’s backstory. Redemption and the desire to make the relationship between Erasmus and Paul last drives the performance’s authenticity. Jack Gore as mistreated young Bill is the epitome of a child with no filter. Although still so young, he possesses the maturity that any writer or director would die to work with. The comic chemistry is delicious and the film’s message that a family is about love and learning is front and center through raunchy humor and tender truth. It’s a gorgeous nod to the LGBT community and their families. We need more of these stories. I have to say that Ideal Home is undoubtedly one of my favorites of the year. I am sold. 

Opening in theaters and VOD on June 29th

Written & Directed by Andrew Fleming (The CraftDickHamlet 2)
Starring Steve Coogan, Paul Rudd, Jack Gore (BillionsWonder Wheel), Jake McDorman (Lady Bird, CBS’s 2018 revival of Murphy BrownLimitless the TV series, Shameless), Alison Pill
Produced by Aaron Ryder, Maria Teresa Arida,
Clark Peterson, Maxime Remillard
Executive Producers Steve Coogan, Gabrielle Tana, Lisa Wolofsky

Review: ‘The Catcher Was A Spy’ is crackerjack film.

https://gallery.mailchimp.com/4c67cfe4821e202e2c118979b/images/ac0f2924-cbd6-47f6-a3eb-a5f768479998.png
Presents
THE CATCHER WAS A SPY
*Official Selection of the 2018 Sundance Film Festival*

In Theaters and On Demand June 22, 2018

The Catcher Was a Spy tells the true story of Morris “Moe” Berg (Paul Rudd), the Major League Baseball player, Ivy League graduate, attorney and top-secret spy who helped the U.S. defeat Nazi Germany in the race to build the atomic bomb.

Paul Rudd gives a stunning performance as the real-life and incredibly enigmatic “Moe” Berg. A former catcher for The Boston Red Sox, a Princeton grad, and all-around genius of a man, Berg speaks 7 languages and has the guts to take on a mission to save the world. Rudd, someone who has a natural talent for improvisation and making us laugh until we pee ourselves, carries this dramatic film like a true movie star. While his Ant-Man training certainly came in handy for this particular role, playing Berg is further proof that Rudd is underutilized outside his typical comedic fare. More dramatic roles could boost him into award season regular status. The complexities of this man are not lost in the complicated narrative of history. Three cheers to the writers on that front. The superb editing heightens the action and intrigue that leaves the viewer fully engrossed. The film easily captures what might seem like a crazy premise, use a former baseball player as a spy, until you are let into the eccentric and bold mind of Moe Berg. With striking sets and costumes and alongside a massively hard-hitting cast (the likes of Jeff Daniels, Mark Strong, Sienna Miller, Guy Pearce, Paul Giamatti, Hiroyuki Sanada)The Catcher Was A Spy is an exciting historical period drama that delves into one of the most unique stories of the WWII era.

Starring
Paul Rudd, Jeff Daniels, Mark Strong, Sienna Miller, 
Guy Pearce, Paul Giamatti, Hiroyuki Sanada

Directed by Ben Lewin (The Sessions)
Written by Robert Rodat (Academy Award Nominee, Saving Private Ryan)
Score by Howard Shore (Academy Award Winner, Lord of the Ring series, Hugo)

Review: ‘The Fabulous Allan Carr’ illustrates an outrageous legacy.

SYNOPSIS
Armed with a limitless Rolodex and a Benedict Canyon enclave with its own disco, Allan Carr threw the Hollywood Parties that defined the 1970’s.  A producer, manager, and marketing genius, Carr built his bombastic reputation amid a series of successes including the mega-hit musical film GREASE and the Broadway sensation LA CAGE AUX FOLLES, until it all came crashing down after he produced the notorious debacle of the 1989 Academy Awards.

One boisterous man was the driving force in Hollywood glamour and parties in the 70’s. He is also responsible for one of the most beloved movie musical of all time. Allan Carr was essentially a self-made PR maven. The irony of his eventual takedown by the critics that once thought he spun gold is not surprising. This film gives us everything from interviews with Carr during his ups and downs, intimate sit down interviews with friends and peers, and even footage from the infamous academy awards ceremony. But the best part of this film is feeling like you’re now part of the history of the best of Allan Carr. Who doesn’t love Grease?!  La Cage is legendary. His love of the golden age of Hollywood combined with Broadway gave the world a plethora of entertainment that was someone’s cup of tea at any given point, regardless of the monetary success. Thank goodness for Allan Carr and his fabulousness. Cheers to Allan up in that malt shop in the sky.

The Fabulous Allan Carr from Jeffrey Schwarz on Vimeo.

June 5th VOD

Directed by Jeffrey Schwarz
Produced by John Boccardo & Jeffrey Schwarz
 

Review: ‘Discreet’ is intense psycho-sexual thriller.

SYNOPSIS
After years in hiding and struggling to control his demons, an eccentric drifter returns home and discovers that his childhood abuser, the center of his pain, is still alive.  Armed with this knowledge,  the drifter plots his revenge, all the while navigating the perilous land of masculine fragility in modern-day America.

There are so many disturbing elements in this narrative. From the real-life alt-right radio that quietly screams at you during pensive moments, to the cyclical nature of abuse. Discreet gets under your skin as it crawls into your brain. The augmented sound is somewhere in between nails on a chalkboard and brilliance. Discreet calls attention to a section of the population that feels ashamed and threatened by their desires. Travis Mathews has tapped into something many want to keep private. Performances from the entire cast pervade your viewing experience. Their effect is undeniable. The twisted plot depicted is worthy of your time, although be prepared to squirm for numerous reasons.

You can find the trailer for Discreet below.

Discreet Trailer from Uncork’d Entertainment on Vimeo.

June 1st L.A. + Multi-City Theatrical / VOD

Directed, Written and Produced by Travis Mathews
Produced by Don Swaynos, Joao Federici, Johnny Mars, Chris Ohlson & PJ Raval
Cinematography by Drew Xanthopoulos
Edited by Travis Mathews & Don Swaynos
Distributed by Uncork’d Entertainment

Review: Now on VOD, ‘Creedmoria’ has quirk for days.

SYNOPSIS
Candy injects the “fun” in her dysfunctional life. When your brother is found by a neighbor naked and drunk, you’re stuck with a caveman of a boyfriend, you have a dickhead boss, and the madness of everyday life competes with your mother’s need to appear “normal,” you have to peek between the cracks to find the warm rays of hope. But, maybe normalcy is just a construct for other people. And, maybe breaking out of the institution is more important than fitting in. After years of trying to save those she loves, it’s time for Candy to save herself.

Creedmoria is like the lovechild of John Waters and Baz Luhrmann during the Strictly Ballroom years. With hilariously over the top, almost caricature archetypes, this film has everything you’d want in a dysfunctional family comedy set in the 80’s. Hyper-saturated fashion and a kick-ass soundtrack, not excluded. Terrific performances from the entire cast lend to loving these characters even if some of them are meant for you to hate. Oh, and real-life Creedmoor psychiatric institution residents wandering in and out of scenes adds another layer of weirdness. They remind me of The Transylvanians from The Rocky Horror Picture Show for some odd reason and contribute another dimension of, “Sure, why not.” to the plot. But the script does tackle a ton of real issues; narcissistic parenting, bullying, misogyny, sexual orientation, addiction, just to name a few. That being said, it certainly doesn’t stop Creedmoria from being a fun coming of age flick with some serious sass and laughs.

Released on VOD May 15th

Directed, Written and Produced by Alicia Slimmer
Executive Produced by Clifton Leaf
Cinematography by Boa Simon
Editor by Ben Insler
Trailer Editor by Kevin von Puttkammer 
Distributed by Francisco Productions LLC
 
Starring: Stef Dawson, Rachel DeBenedet, Ray Abruzzo, Ryan Weldon, James Kelley, Steve Cavanaugh, Giuliana Carullo

Review: ‘Dating My Mother’ is a codependency coming-of-age story.

cid:image002.png@01D3E23D.636433B0

DATING MY MOTHER

STARRING KATHRYN ERBE, KATHY NAJIMY,

JAMES LeGROS AND INTRODUCING PATRICK REILLY

Unemployed and living in his New Jersey hometown, brash screenwriter Danny (Patrick Reilly) spends his days practicing yoga, sipping red wine, and power-walking with his mother Joan (Kathryn Erbe). But when she reveals she’s seeing another man, their version of domestic bliss comes crashing down.

DATING MY MOTHER follows the intimate and tumultuous relationship between a single mother and her gay son as they navigate the dizzying world of online dating. While they search for their versions of Mr. Right, mother and son discover that sometimes you need to be apart in order to grow together.

Dating My Mother has a story that not’s new but is being presented in a fresh way. Mother and son have a codependent relationship that appears more like a marriage than parent-child. When both thrust themselves into online dating (one more reluctantly than the other) we are treated to a fun cinematic visual of tinder, rather than the old putting text messages up on the screen bit that has been so popular as of late. The moments are raunchy and funny, make no mistake. It was like you are watching visually some of the written guides at girlfriendactivationsystemreview.net. Kathryn Erbe is incredibly convincing as a Mom, Joan, who has enabled her son’s attitude toward life. Patrick Reilly as Danny is a great representation of some of an overwhelmed and perhaps ill-equipped kids just out of college. His vapid and annoyed response to life is amusing and relatable. The gem of this film has to be Kathy Najimy‘s role of Lisa, an overly encouraging friend with sass and brass. She is the key to laughs and to the plot actually moving forward as it needs to with her words of wisdom. The film does a nice job examining the dynamic of mothers and gay sons. There is a protective nature that’s really lovely to witness but it’s the line between friend and parent that’s the most important to track.

DATING MY MOTHER was written and directed by Mike Roma and produced by Ashley Hillis.  It stars Patrick Reilly, Kathryn Erbe, Kathy Najimy, James LeGros, Michael Rosen, and Paul Iacono. The film has a running time of 84 minutes. Gravitas Ventures released DATING MY MOTHER on VOD and across all other digital platforms on May 8, 2018.

Review: ‘The Honor List’ highlights female high school relationships; the good, the bad, and the embarrassing.

High school relationships, especially among girls, can turn on a dime. Emotions are in high gear which means even small miscommunications can take down friendships. In the new film The Honor List, we discover that what tears us apart can bring us back together.

The summer before high school, Piper, Sophie, Isabella, and Honor are inseparable; by senior year, they barely speak. When tragedy strikes before graduation, the former best friends reluctantly put their differences aside and reunite to complete a forgotten bucket list. THE HONOR LIST explores the complexities of friendships, family, love, loss, and high school.

High school, in general, is no cake walk, but this film delves into the cliche pitfalls of popularity in creative ways. The characters are flawed, as they should be. Each of the four main characters with their own personality and ideas. But it’s in those differences that allow the script to shine. Some of the most enduring relationships I still have from high school are with people with whom I share interests but we could not be more different from one another in most aspects almost 20 years later. True friendship happens over small moments that shape who we become. The Honor List will do well with a Freeform demographic. It’s a bit bold and very honest if not slightly saccharin at times. It would be something I would recommend Moms watch with their kids. While the entire cast has wonderful talent and chemistry, the biggest treat has to be Sasha Pieterse. In her first role since the finale of Pretty Little Liars, Pieterse gives a riveting performance as a young woman surrounded by home turmoil. She has a sharp wit, an edgy artist’s mindset, who is struggling with incidents of body shaming. The role is a complete departure from her previous work. I, for one, am seriously looking forward to more from her.

The Honor List is available digitally and On Demand now. Check out the trailer below:

The Honor List stars lifestyle, beauty vlogger and social media influencer Meghan Rienks (“Freakish”), Karrueche Tran(“Claws”), Arden Cho (“Teen Wolf”) and Sasha Pieterse, who is starring in her first lead role since the hit teen drama “Pretty Little Liars” ended. Directed by Elissa Down, written by Marilyn Fu from a story by Fu and Meghan Rienks, Lionsgate’s Studio L released the film digitally on May 11th. It was produced by Liz Destro, Zoe, Cisely and Mariel Saldana’s Cinestar Pictures, along with PopSugar Films. Over 60% of the crew were women; it is truly a film made by women for women.

 

Tribeca Film Festival Reviews: ‘Cargo’ & ‘The Night Eats The World’ breathe new life into the zombie genre.

Cargo

Director: Ben Howling, Yolanda Ramke

Writer: Yolanda Ramke

Producers: Samantha Jennings, Kristina Ceyton, Russell Ackerman, John Schoenfelder, Mark Patterson

Cast: Martin Freeman, Anthony Hayes, Susie Porter

Stranded in rural Australia in the aftermath of a violent pandemic, an infected father desperately seeks a new home for his infant child, and a means to protect her from his own changing nature.

 

Cargo, starring Martin Freeman will undoubtedly rip your heart out if you are a parent. It’s a race against time form the very first scene. It contains an intriguing bit of cannon with respect to this particular zombie outbreak. I’m always curious how this will be addressed in the genre and in Cargo, it’s very different from what we’re used to seeing. This film has a wonderful pace. It is dark with a constant feeling of dread looming. Freeman plays a believably loving and caring father of his infant daughter. The action and terror are unrelenting. In the genre what more can you really ask for? The film will be coming to Netflix next Friday, May 18th!


The Night Eats The World

Directed by

Dominique Rocher

Writing Credits (in alphabetical order)

Pit Agarmen (novel)
Jérémie Guez (screenplay) (adaptation) (dialogue)
Guillaume Lemans (screenplay) (adaptation) (dialogue)
Dominique Rocher (screenplay) (adaptation) (dialogue)

The morning after a party, a young man wakes up to find Paris invaded by zombies.

The Night Eats The World is all about isolation. Sam is alone in his ex’s apartment, walls splattered with blood, and the other floors are not much better. Realizing the outside is even less safe, he begins to use his wits by gathering what he can find, little by little, staying organized but perhaps not sane. Actor Anders Danielsen Lie is in every single scene of the film. His performance is so engrossing that I almost missed his complete physical transformation along the way. He must remain as calm as possible, which is pretty difficult considering the circumstances. An interesting element to his character is that he is a musician. This becomes both an advantage and a misstep in the plot. We’ve all watched The Walking Dead for years now but off the top of my head, I’m not sure I would be as methodic in my solitary survival as Sam. While we don’t get any information about the outbreak specifically, it never stopped me from enjoying the film, rooting for Sam to stay alive. Sometimes you don’t need it all spelled out for you, sometimes great storytelling is more than enough. 

Tribeca Film Festival Review: ‘Tully’ is the perfect movie to see this weekend.

Diablo Cody, Jason Reitman, and Charlize Theron have managed to capture the very essence of what Motherhood feels like on a primal level. Wrapped in wit and honesty, Tully encapsulates the sheer exhaustion, frustration, elation, confusion, anger, pride, adoration and everything in between. It’s in the film’s specificity that creates a sense of, “Oh, my God, yes. Finally, someone gets it!” Spilled breastmilk, changing diapers, juggling schedules, sleep deprivation, the feeling of complete isolation. As a mother of a 1 and 2-year-old, while portions of the premiere audience laughed, I teared up and nodded because while it was indeed hilarious, it was also so true. I have experienced every single moment Theron’s character does in some form or fashion. We are living the same truth. Cody has a knack for turning the ordinary into extraordinary with her scripts. Theron is as real and charismatic as ever. The film is an opportunity for Mothers to feel seen and heard. It is an opportunity for their partners to peer behind the ever-cracking facades of messy buns, leggings, and maybe a little mascara and chapstick if you’re lucky. Mother’s Day is this weekend. Go see this film and call your Mom, Wife, or Sister, and say, “Thank you, now how can I help?”

 

 

Review: ‘And Then I Go’ will haunt every parent in America.

AND THEN I GO

In the cruel world of junior high, Edwin suffers in a state of anxiety and alienation alongside his only friend, Flake. Misunderstood by their families and demoralized at school daily, their fury simmers quietly until an idea for vengeance offers them a terrifying release. Based on the acclaimed novel “Project X” by Jim Shepard, this unflinching look at adolescence explores how the powerful bonds of childhood friendship and search for belonging can become a matter of life or death.

With two small children, I now have a whole new set of anxiety as I research schools. I remember how bullying affected me when I was middle-school age. But with social media and the lack of consequences I have seen surrounding some children’s behavior, I am increasingly nervous about what my kids are getting themselves into through no fault of their own. My sister is newly a fulltime school counselor. The lack of coping skills and the increase of online harassment makes these kids more vulnerable than ever before. She job has quickly transformed from a few state-mandated cases into the disciplinary dumping ground for her particular administration. The uphill battle keeps getting higher.

The new film And Then I Go looks deep inside the isolation of two young boys as they are tormented by issues at home and school, some of their own doing and some by association. Performances from Melanie Lynskey and Justin Long are equal parts exhausted parents and concerned, loving individuals. They are caught in a cycle of changing behavior typical of their older son’s environment and a second child whose innocence is still intact due to age and personality. You feel for all parties involved and if you’re a parent yourself, can understand the look of desperation and quick jump to judgment.
The anchors of the film are undoubtedly our pair of lost boys, Arman Darbo and Sawyer Barth. These two give performances that will leave you breathless. The emotional depths to which these two have to go are heartbreaking and raw. Some moments are so natural you will wonder if there is a script at all. We will be seeing much more from these two in the future. Tony Hale and Carrie Preston offer us an insight into the minds of school staff and the attention they try to give to all their students. They are in the same mindset as parents emotionally and mentally. Exhaustive attempts to serve each child as an individual either stick or they don’t. All we can do is our best and remember why we do the jobs in the first place.
From the opening voiceover, there is an air of anxiety and melancholy. A deep seeded feeling of dread looms over the film as the plot rolls along. The cinematography and lighting are key to setting the film’s mood and tone. It’s a beautiful thing to behold, truly. While I was able to figure out where the film was headed, I was so invested in the characters that I was rooting for a different outcome throughout. You cannot help but hope that something or someone will intervene. But as a former teacher, I have seen the overcrowding and felt the burnout in taking work home, yet trying desperately to keep track of not only the kids in my own class but others. Resources being slashed left and right doesn’t help administration, teachers, and parents to do their very best. We are only human. I for one will be seeking out Jim Shepard‘s novel, “Project X”, immediately. And Then I Go should be required viewing for every adult in America today.

The Orchard will release AND THEN I GO On Digital and On Demand April 17, 2018.

The film features a stellar cast led by Justin Long (Yoga Hosers, Tusk, Accepted), Melanie Lynskey (“Castle Rock,” “Togetherness,” Heavenly Creatures), Tony Hale (“Arrested Development,” “Veep”), Melonie Diaz (Fruitvale Station, The Belko Experiment), Carrie Preston (“Claws,” “True Blood”), and powerful performances from teenage actors Arman Darbo (Defenders of Life) and Sawyer Barth (Super Dark Times).

 

Review: ‘Wildling’ is dark, coming of age tale.

WILDLING

 **WORLD PREMIERE – 2018 SXSW FILM FESTIVAL**

The feature debut from Fritz Böhm, WILDLING is a spellbinding take on the werewolf legend starring Independent Spirit Award Nominee Bel Powley (The Diary of a Teenage Girl), SAG Award® Winner Liv Tyler (Lord of the Rings, Armageddon) and Academy Award® Nominee Brad Dourif (One Flew Over Cuckoo’s Nest, Child’s Play).

 WILDLING is a unique dark fantasy tale centered on young Anna (Powley) who has been raised in isolation by a man she knows only as Daddy (Dourif) who has done everything possible to conceal the truth about the girl’s origins from her. But when the teenage Anna is suddenly thrust into the real world under the protection of no-nonsense police officer Ellen Cooper (Tyler), it soon becomes clear that the young woman is far from ordinary. Unable to adjust to a normal life, Anna finds herself drawn instead to the wild freedom of the forest while struggling to resist the growing bloodlust that has awakened inside her. This moodily atmospheric thriller combines supernatural scares with a myth-like tale of self-discovery.

There are many elements of Wildling that excited me. The cast is beyond excellent. Bel Powley is undeniably a star. As she never seems to age, she can continue to portray exceedingly young characters. Her onscreen presence is captivating. And while she actually speaks relatively few lines in the film, she owns each scene she appears in. Liv Tyler is as elegant as ever. Never doubt her ability to completely inhabit any role. Brad Dourif is scary as hell. He makes your skin crawl in the best way possible. The lighting is truly something to behold. Extra attention to the sound mixing plays perfectly on the audience’s sense of dread or wonder, depending on the moment to moment needs of the plot.

After all of the positives, I would be remiss if I didn’t mention the rushed feel of the story. Much of the plot seems to be missing as if there is an entire section of canon that was left out for runtime. I have so many questions pertaining to missing elements (I won’t be too specific because of spoilers) and I was a genuinely baffled by their absence. Some serious plot holes. The emotional transition of all the major players was swifter than feel natural under the circumstances. Finally, if I hadn’t seen Netflix’s original series Big Mouth, perhaps I wouldn’t be so bothered by the final creature FX.

Wilding has a graphic novel turned feature film feeling to it. It’s most definitely entertaining and worth the watch. You can watch the trailer below.

IFC Midnight will release the upcoming thriller WILDLING in theaters in NYC and LA as well as on VOD and Digital HD on April 13.

Review: ‘ The Endless’ is an unsettling trip.

THE ENDLESS

Directed by Justin Benson & Aaron Moorhead

Written by Justin Benson

Starrs Justin Benson, Aaron Moorhead, Callie Hernandez, Emily Montague, Lew Temple, Tate Ellington, James Jordan

Synopsis: Following their Lovecraftian modern cult classic SPRING, acclaimed filmmakers Moorhead and Benson return with this mind-bending thriller that follows two brothers who receive a cryptic video message inspiring them to revisit the UFO death cult they escaped a decade earlier. Hoping to find the closure that they couldn’t as young men, they’re forced to reconsider the cult’s beliefs when confronted with unexplainable phenomena surrounding the camp. As the members prepare for the coming of a mysterious event, the brothers race to unravel the seemingly impossible truth before their lives become permanently entangled with the cult.

The Endless is a truly mindbending cinematic experience. The story alone is strange enough but when combined with breathtaking cinematography and some serious FX, you’ve got one of the coolest films so far this year. It addresses the question of cult mentality and what we consider to be familial relationships. The Endless begs for multiple viewings and not just because you think you might be able to figure out exactly what’s happening, though that’s definitely a reason. You’ll come back for cool visuals, solid performances from the entire cast, and really snappy dialogue. There is so much going on in this film that your brain may not be able to keep up with all the awesome being thrown its way. More than once, I literally said aloud, “How’d the hell did they do that?!” Benson and Moorhead have undoubtedly given us a cult classic. To think this was all done on a limited indie budget is downright mind-blowing. The Endless will surprise you and keep you on your toes until the very final frame.
Check out the trailer below:

Opening in New York April 6th and Los Angeles April 13th with a national rollout to follow

TRT: 112 minutes

Country: USA

Language: English

Directors: Justin Benson and Aaron Moorhead

Writer: Justin Benson

Cast: Justin Benson, Aaron Moorhead, Callie Hernandez, Emily Montague, Lew Temple, Tate Ellington, James Jordan

 

‘The Darkest Mind’ Trailer and Poster Revealed

From the producers of “Stranger Things and Arrival comes the latest YA survival thriller THE DARKEST MINDS. Check out the first trailer from 20th Century Fox starring Amandla StenbergMandy Moore and Gwendoline Christie!

When teens mysteriously develop powerful new abilities, they are declared a threat by the government and detained. Sixteen-year-old Ruby, one of the most powerful young people anyone has encountered, escapes her camp and joins a group of runaway teens seeking safe haven. Soon this newfound family realizes that, in a world in which the adults in power have betrayed them, running is not enough and they must wage a resistance, using their collective power to take back control of their future.

THE DARKEST MINDS hits theaters everywhere on August 3, 2018

Trailer: Edie Falco & Jay Duplass star in the SXSW selection ‘Outside In’

The Orchard will release OUTSIDE IN in select theaters on March 30th and all digital platforms on April 3rd

Official Selection 2017 Toronto Film Festival
Official Selection 2018 SXSW Film Festival

After serving 20 years for the crime of essentially being in the wrong place at the wrong time, 38-year-old Chris (Jay Duplass) is granted early parole thanks largely to the tireless advocacy of Carol (Edie Falco), his former high-school teacher. As he struggles with the challenges of navigating the modern world as an ex-con, and with a fraught relationship with his brother Ted (Ben Schwartz), Chris ends up confessing his romantic love for Carol — a love that, given her marital status, Carol cannot reciprocate. Or can she? Carol longs for something her husband no longer provides. Meanwhile, Carol’s daughter Hildy (Kaitlyn Dever) befriends Chris, finding a kindred spirit in this awkward, tormented older guy.

Distributor: The Orchard
New York Release: The Quad on March 30th
TRT:
 109 min 
Country: USA
Language: English
Director: Lynn Shelton
Writers: Jay Duplass and Lynn Shelton
Producers: Mel Eslyn, Lacey Leavitt
Executive Producers: Jay Duplass, Mark Duplass
Editor: Celia Beasley
Director of Photography: Nathan M. Miller

Johnny Knoxville is back in ‘Action Point’ and we have the trailer for you!

Everyone’s favorite daredevil Johnny Knoxville is back to his hilariously painful antics in the upcoming comedy ACTION POINT. Knoxville stars as D.C., the crackpot owner of a low-rent, out-of-control amusement park where the rides are designed with minimum safety for maximum fun. Just as D.C.’s estranged teenage daughter Boogie comes to visit, a corporate mega-park opens nearby and jeopardizes the future of Action Point. To save his beloved theme park and his relationship with his daughter, D.C. and his loony crew of misfits risk everything to pull out all the stops – and stunts – making for another wild ride from the star of BAD GRANDPA and JACKASS.

The film is directed by Tim Kirkby and also stars Chris Pontius, Dan Bakkedahl, Matt Schulze, Eleanor Worthington-Cox, Johnny Pemberton, Brigette Lundy-Paine, Joshua Hoover, Conner McVicker and Eric Manaka.

The movie hits theaters on June 1st, 2018

Review: ‘VIRGINIA MINNESOTA’ is a quirky and heartfelt road movie.

 Daniel Stine’s feature film debut, Virginia Minnesota, received its world premiere on March 2nd at the Cinequest Film Festival and stars a primarily female cast led by Aurora Perrineau and Rachel Hendrix.

Two young women, torn apart by a childhood tragedy, unexpectedly reunite and embark on an illuminating 24-hour journey, where they unlock memories of long forgotten innocence and what it means to truly believe.

This unexpected indie takes your heart by surprise within minutes. It’s part folklore, part road movie, and all charm. When four girls are called together to hear the reading of the will of their former headmistress, sparks fly and memories burn with truth and misunderstanding. I was not expecting this story to turn into a road movie at all, although with a character that is a suitcase with a personality (you’ll just have to watch to understand what I mean) I guess I should have predicted it in hindsight. While a small piece of the plot does revolve around a fiancé, the dialogue definitely passes The Bechdel Test with flying colors. Aurora Perrineau and Rachel Hendrix have a chemistry that is fun and comfortable.They challenge one another at every turn making Virginia Minnesota just as delightful as it is insightful. Guilt, repressed feelings and some seriously quirky encounters create a truly lovely and endlessly engrossing film.

VIRGINIA MINNESOTA – Trailer from Daniel Stine on Vimeo.

Virginia Minnesota premiered at the 2018 Cinequest Film Festival on March 2nd at 9:30 PM.

Virginia Minnesota was recently awarded the Global Grand Jury award for Best Hollywood Film at the Hollywood Film Festival (HFF), with Aurora Perrineau and Rachel Hendrix receiving special mention as Exceptional Emerging Artists. The film is produced by Rushaway Pictures, with cinematography by Pedro Ciampolini and a score by Gary Dworetsky.