‘MEADOWLARKS’ (TIFF 50) A meditation on collective grief and healing

tiff-toronto-international-film 2025 posterMEADOWLARKS

meadowlarks_stills_tiff_2.49.2Based in part on her 2017 film BIRTH OF A FAMILY, Tasha Hubbard brings her scripted narrative debut to TIFF 50. MEADOWLARKS stars Michael Greyeyes, Carmen Moore, Alex Rice, and Michelle Thrush as four Cree siblings who were separated by the Sixties Scoop, who are meeting for the first time as adults.
 
Human complexity, set against a stunning backdrop, never overshadows the tragedy in their collective truth. Hubbard dives headfirst into the Scoop’s hideous history, but never shoves our faces in it. Her approach is gentle. For any viewer who somehow has zero knowledge, you’re about to learn the hard way. You will feel compelled to go down a Google search rabbit hole.
 
meadowlarks 2Performances are fantastic. Each character is incredibly nuanced. Four siblings with varying goals for the trip and vastly different personalities. But what links them is far deeper than the ways in which they were raised by white families.
 
Each sibling chooses connection in small ways. Hubbard taps into the unconscious need for space when emotionally overstimulated, and it is awe-inspiring. MEADOWLARKS is an experiment in empathy and grief through shared trauma. The quiet compassion will undoubtedly take you on a journey through sadness and hope.

Director:
Tasha Hubbard is a Cree filmmaker from Peepeekisis Cree Nation, Saskatchewan. She is a director and writer, known for Two Worlds Colliding (04), nîpawistamâsowin: We Will Stand Up (19), and Singing Back the Buffalo (24). Meadowlarks (25) is her feature debut.

Smiling person wearing Arctic Fox winter hat and headset microphone in black and white portrait

 

 

Cast
Michael Greyeyes
Carmen Moore
Alex Rice
Michelle Thrush
Cinematography
James Klopko
Editing
Simone Smith
Executive Producer
Betty Ann Adam
Producers
Tyler Hagan
Julia Rosenberg
Production Companies
Experimental Forest Films
January Media
Production Designer
Louisa Birkin
Costume Designer
Carmen Thompson
Screenplay
Tasha Hubbard
Emil Sher
Sound
Coby DeGroot
Original Score
Todor Kobakov
Publicist
Star PR
Canadian Distributor
Mongrel Media

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‘GRIFFIN IN SUMMER’ (2025) Hilarious as it is heartfelt.

GRIFFIN IN SUMMER

GRIFFIN IN SUMMER - Poster

Filmmaker Nicolas Colia‘s irresistibly funny, semi-autobiographical coming-of-age GRIFFIN IN SUMMER is finally in theaters tomorrow. This massive hit from Tribeca 2025 sets the tone in its opening scene. We find our titular character at a Talent Show. While other kids sing off-key duets, the ambitious and undeniably talented 14-year-old Griffin performs a scene from his latest play, acting out both roles, of course. It is more Tennessee Williams than child’s play. Griffin is in another strosphere.

GRIFFIN IN SUMMER - 2As he prepares to self-fund his hefty two-act drama with his theatre “besties,” Griffin’s theatrical passion is further fueled by a tumultuous homelife. Colia delivers a truly tangible script. Griffin’s mom seems overwhelmed with her go-getter and rather demanding son, but under the surface, something else is simmering. She hires a neighbor’s son to help with yard cleanup. What begins as an annoyance to Griffin transforms into a sexual awakening, a test of relationships, and a piece of art that mirrors his unresolved trauma.

Kathryn Newton, once again, gives us a quirky, memorable character as Brad’s girlfriend. Abby Ryder Fortson is a gem as Griffin’s director friend, Kara. Melanie Lynskey elevates every single project she works on. Playing Helen, she has more depth than at first glance. She can do no wrong in my book.

Griffin in summer 1Owen Teague plays Brad with an initial aloofness that perfectly contrasts Griffin’s overzealous nature. As Teague taps into Brad’s motivation, *no pun intended,* the performance captivates in an entirely unexpected way. Everett Blunck is a star. His portrayal of Griffin feels like a documentary rather than a performance. It is one well beyond his years. He exudes fierce confidence that is infectious. Teague and Blunck have magnetic chemistry. Colia skillfully creates a subtle doppleganger effect between the two. It is an incredibly nuanced balance of characterization and performance.

Griffin is every tenacious theatre kid *cough, cough* who has a creative drive that is their lifesblood. When I was Griffin’s age, a teacher asked me why I liked theatre. Before I could answer, she suggested it is because it’s easier to put on a mask of a character. First, I was insulted. As a neurodivergent adult whose entire existence revolves around creation, art, and performance, she wasn’t wrong.

griffin in summer 3Colia cleverly speaks to art as catharsis, the plight of a tortured artist, and the meaning of authentic friendship. Existing between childhood and adulthood is wrought with emotional chaos, impossible questions, self-loathing, fear, and awkwardness. GRIFFIN IN SUMMER playfully touches on each of these with unfiltered heart and humor.

GRIFFIN IN SUMMER trailer:

Opening In Theaters August 29th

Written & Directed by: Nicholas Colia Griffin in summer



Starring:

Everett Blunck (marking his feature film debut)

Melanie Lynskey (“Yellowjackets”)

Owen Teague (Kingdom of the Planet of the Apes)

Abby Ryder Fortson (Are You There God? It’s Me, Margaret)

Kathryn Newton (Lisa Frankenstein)



Produced by: Juliet Berman, Bobby Hoppey, Camila Mendes, Rachel Matthews, Matthew Miller

Executive Produced by: Fred Bryant, Cullen Conly, Alex Tynion



Griffin Nafly (Everett Blunck) is the most ambitious playwright of his generation. He’s also fourteen years old and living with his parents in a humdrum suburb while dreaming of moving to New York City. When his mom (Melanie Lynskey) hires a handsome 25-year-old handyman (Owen Teague), Griffin’s life and his new play take an inspired turn. Also starring Kathryn Newton and Abby Ryder Fortson. Griffin in Summer



RT: 93 minutes

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‘THE BEARDED GIRL’ (Fantasia 2025) An equally quirky and authentic coming-of-age tale.

Fantasia 2025 posterTHE BEARDED GIRL

THE BEARDED GIRL

Jody Wilson delivers a special film to Fantasia 2025 audiences with THE BEARDED GIRL. Cleo is the heir to a sideshow as the next Bearded Woman. Feeling conflicted about her future, Cleo rejects familial expectations to find herself.

Inheriting a legacy from an overbearing and proud mother, Cleo wants to choose her path. After discovering a secret about her past, Cleo abandons her assigned responsibilities and heads out into the world, much to the chagrin of her bitter mother.

After a bus ride on her way out of town gets cut short by a sighting of her local crush, Cleo’s infatuation becomes a way of life that maybe isn’t what she intended. Her mother, Lady Andre, comes looking for her and mistakes a passing moment for the end of her legacy.

There’s a subplot involving the sale of sideshow land to a greedy developer. If the heir apparent does not sign papers, Andrea loses the land. Cleo begins to understand cyclical trauma, and it doesn’t feel good.

THE BEARDED GIRL 7Jessica Paré delivers a vivacious performance as Lady Andre. She is eccentric and demanding, but is undoubtedly battling unresolved wounds. Skylar Radzion is Josephine, the hairless sibling in the bearded family. She is a spitfire and a slick foil for Cleo.

Anwen O’Driscoll is magnificent. She owns her sass, nails the angsty comedy, and commands your attention in every scene. It helps that she is surrounded by a fantastic ensemble of fully fleshed-out characters. O’Driscoll attacks the role with a beautiful balance between quirk, awkwardness, and authentic innocence.

THE BEARDED GIRLThe production design, from Danny Vermette, deserves all the accolades. The circus tents, trailers, and stages all boast vintage jewel-toned draperies and props. In the outside world, the repeated pops of yellow are striking.

The dialogue is hilarious, particularly set against the nostalgic sweetness of the score. It reminds me of Pee-Wee’s Big Adventure. There is a timeless feeling about the entire film. You can’t pin down a year, and that somehow makes everything more satisfying.

THE BEARDED GIRL is a one-of-a-kind coming-of-age tale. The story is a fantastic metaphor for superficiality and a fierce feminist anthem for self-love.


The Bearded Girl Teaser Trailer:

Director

Jody Wilson

Producer

Amber Ripley

Writer

Jody Wilson

Cast

Anwen O’Driscoll, Jessica Paré

Cinematographer

François Dagenais

Composer

Cayne McKenzie

Editor

Fredrik Thorsen

Production Designer

Danny Vermette


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‘DROWNING DRY’ (2025) A delicate balancing act of style and story.

dekanolog logoDROWNING DRY

drowning dry poster

Filmmaker Laurynas Bareiša brings the Lithuanian-Latvian drama DROWNING DRY to US audiences, beginning this Friday. Winning the Leopard for Best Direction at the Locarno International Film Festival, Bareiša serves as writer, director, and cinematographer. The story revolves around two sisters who plan a weekend getaway with their husbands and children. Following a tragic accident, both women navigate the complexities of trauma.

DROWNING DRY image 2The organic meandering of unplanned vacation time reads entirely authentic. The montage of the kids’ initial shenanigans and their mothers’ choreographed childhood dance are stand-out moments. At this point in the runtime (35 minutes), the audience could easily tap out. But the request for a swim and an innocent act of horseplay trigger a tonal shift.

DROWNING DRY image 7The film’s deliberate observational pace builds discomfort, only exacerbated by non-linear storytelling. The moment you realize what’s happening, it is like a punch to the gut. This decision will either tantalize audiences or turn them off. Performances are outstanding from our cast of only six. Bareiša’s camerawork is perfect for his stylistic choices. DROWNING DRY is a meditation on loss, examining the varying emotional reactions between the sexes. It is a film that will have you talking about it long after the screen goes dark.

Drowning Dry Trailer: 

THEATRICAL SCREENINGS

New York @ IFC Center: July 18-24*
*Opening Weekend Q&As with Filmmaker Laurynas Bareiša Following Screenings
on Friday, July 18 at 7:20pm (moderated by IndieWire’s Ryan Lattanzio)
& Saturday, July 19 at 7:20pm (moderator TBA)


Los Angeles @ Laemmle Theaters: July 30 & August 2-3

Screening in Laemmle Claremont (Claremont, CA), Laemmle Glendale (Glendale, CA), Laemmle Monica (Santa Monica, CA), Laemmle Town Center (Encino, CA) & Laemmle Newhall (Santa Clarita, CA)

Cleveland, OH @ Cleveland Cinematheque: July 31 & August 3

Nantucket, MA @ Nantucket Dreamland: August 6


+ Other Cities & Theaters TBA
[More Info & Updates on Dekanalog Website]

It starts with a kick to the head. Mixed martial arts competitor Lukas has just handily defeated his opponent and celebrates with his wife, child, and friends backstage, setting the scene for a nimble combination of communal bonding and looming horrors. Writer-director Laurynas Bareiša, an ND/NF veteran for his debut feature Pilgrims, takes us on a non-linear journey through the experiences and recollections of those who survived tragedy (and those who didn’t), shot with unceasing patience and formal rigor. DROWNING DRY was the second of Bareiša’s films selected as Lithuania’s entry for the Best International Feature Academy Award. Winner of Locarno’s Best Director and, in recognition of its indispensable ensemble of four, Best Performance awards. A Dekanalog release. –New Directors/New Films 2025

 Main Cast: Gelminė Glemžaitė | Agnė Kaktaitė | Giedrius Kiela | Paulius Markevičius

Writer, Director & Cinematographer: Laurynas Bareiša

Producer: Klementina Remeikaitė

Co-producer: Matiss Kaza

Production Designer: Sigita Šimkūnaitė

Editor: Silvija Vilkaitė

Sound Designer: Julius Grigelionis

 

*WINNER* DROWNING DRY

Best Director Award – Locarno Film Festival

Best Performance Ensemble Award – Locarno FF

Jury Special Mention – Riga Int’l Film Festival

Best Film, Rampa Award – Seville European Film Festival

Best Baltic Director Award – Tallinn Black Nights Film Festival

Best Screenplay Award – Festival de Cinema Europeo Lecce

Best Actor Award (for Paulius Markevičius) – Festival de Cinema Europeo Lecce

Grand Prix – Taipei International Film Festival

 

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‘STAR PEOPLE’ (DWFLA 2025) There is destiny in the stars in Adam Finberg’s compelling debut.

Dances-With-Films-logo 2025STAR PEOPLE


Poster- STAR PEOPLE (Blue Harbor Entertainment)Adam Finberg‘s narrative feature debut, STAR PEOPLE, arrives to engross Dances With Films LA 2025 audiences. The film follows a photographer who receives a tip about the same strange lights she witnessed in childhood. But, a heatwave and tensions between unexpected guests threaten everything.

Star PeopleThe archival news footage sets a brilliant tone for STAR PEOPLE. Combining alien hunting with an immigration story is incredibly clever and entirely seamless. Finberg brilliantly tackles racism and the sick practices of border coyotes and anti-immigration militants. Everything is high stakes as temperatures rise to deadly levels, and the chance to solve Claire and Taylor’s biggest childhood mystery seems less and less likely.

Connor Paolo plays influencer Justin with a precise amount of self-absorption. Similar to his performance in 13 Reasons Why, Paolo elevates his scene partners with his presence. You will love to hate him in this role. Eddie Martinez is the perfect foil for Paolo, playing the dedicated father, Ricardo. He is passionate and kind, leaving the audience in the shoes of a desperate parent.

Star People Eddie Martinez and Adriana Aluna Martinez in STAR PEOPLE (Blue Harbor Entertainment)McCabe Slye is Claire’s junkie brother Taylor. Slye is outstanding, tapping into Taylor’s manic PTSD like a pro. He steals every frame he’s in. Kat Cunning‘s Claire is desperately chasing answers from childhood. Her comfort in front of the camera is unmatched. She and Slye’s chemistry is movie magic.

Aiden Chapparone‘s cinematography is beautiful. Paired with a perfect synth-inspired score from Reza Safinia, each element complements the next. Claire’s visions are a mix of memories and nightmares. To piggyback on her condition, a theory 3/4 of the way through from the rather loathsome Justin is like a gut punch. You’re so emotionally invested in Claire’s arc that you hope he’s wrong.

STAR PEOPLE truly grabs you from the very first frame. It is a film for dreamers, cynics, and stargazers alike. Mulder was right. The truth is out there. STAR PEOPLE embraces humanity at its best and worst.


Star People Trailer:
 
 

WORLD PREMIERE 

Directed and written by: Adam Finberg

Producers: Adam Finberg and Josh Shader 

Starring: Actor and recording artist Kat Cunning (The Deuce, On Swift Horses), McCabe Slye (Destroyer, Fear Street Trilogy), Connor Paolo (The Last Stop in Yuma County, Revenge, Gossip Girl), Eddie Martinez (The Sinner, Night Swim), Bradley Fisher (Westworld), and Adriana Aluna Martinez (Duster).

Inspired by The Phoenix Lights, the largest mass UFO sighting in U.S. history, STAR PEOPLE is a sci-fi thriller that tells the story of a photographer (Kat Cunning) who receives a tip that could finally shed light on her childhood UFO sighting, but a deadly heatwave and unexpected guests threaten to derail her obsessive search for answers. 

Adam Finberg (Writer/Director/Producer)

Adam Finberg grew up in Phoenix, Arizona,, and moved to Southern California to attend the American Film Institute’s directing program. He’s worked the past 20 years as a writer, director, and editor. Star People is his first feature-length narrative film.

Adam began his career directing music videos (Armin van Buuren, Malbec, Otis) before moving on to commercial work (Napoleon Perdis, GoDaddy). His first documentary, After Katrina: Rebuilding St. Bernard Parish, shined a light on the perils and pains of post-Hurricane Katrina New Orleans. 

His first feature documentary, The Business of Recovery, dove into the secret lucrative world of the American addiction treatment industry. The film was featured on Last Week Tonight With John Oliver as it sparked conversations about the rehab industry and was even showcased at the International Drug Policy Reform Conference in Washington, DC to help guide policy decisions.

Through the years, Adam has been a lead editor on numerous unscripted television shows on a variety of networks, including Discovery, WETV, The History Channel, Lifetime, MSNBC, History, TruTV, Oxygen, ABC, CMT, Showtime, VH1, and MTV. 

Running Time: 103 Minutes
Language: English 
Feature Film (USA, 2025)


ABOUT DANCES WITH FILMS

Now in its 28th year, Dances With Films champions the unflinching spirit at the very core of the independent film scene. With most film festivals relying heavily on celebrity, DWF have relied on innovation, talent, creativity, and sweat equity that revolutionized the entertainment industry. And that reliance continues to prove successful with alumni moving on to write, direct, and produce celebrity-studded vehicles, star in blockbuster movies, and television series, produce multi-million-dollar film and create hot TV shows.

Website: https://danceswithfilms.com/about/

@DancesWithFilms #DancesWithFilms

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‘FIRE AT WILL’ (Tribeca 2025) Authentic familial chaos

Tribeca 2025 rainbow logoFIRE AT WILL

Fire at Will (2025) - [www.imdb.com]

Morgan Gruer‘s Tribeca 2025 short FIRE AT WILL is one of the most relatable films to come out of this year’s program. In nine minutes, we witness a mother and father attempting to prepare their four children to sign their will with a notary who will soon be arriving at the house. Blindsided at every turn, the conversation does not go as anticipated. 

fire at will kidsFIRE AT WILL looks fantastic. Jared Levy‘s camerawork is most immersed and intimate. Kyle Moriarty‘s quick-take editing is perfect. The fast-paced dialogue filled with self-absorbed personalities is every kitchen table conversation featuring adult children and their parents. As the firstborn of four loud children in an Irish Italian household, I can attest to the authenticity in the chaos of Gruer’s script, right down to the mother storming out in emotionally exhausted dramatics and the unspoken connection between father and artistic daughter. The cast nails each ping-pong match beat. FIRE AT WILL is a spectacular treatment for a feature. I need to know what happens next.

 

Director: Morgan Gruer
Producer: Sandra Tan
Screenwriter: Morgan Gruer
Cinematographer: Jared Levy
Editor: Kyle Moriarity
Executive Producer: Kerri Mandelbaum, Rob Neft, Morgan Gruer
Associate Producer: Wendy Neft-Sanda, Sarah Zaccardo, Donald Milsten, Teddy Gruer, Hannah Gruer
Co-Producer: Justin Lacob, Nicola Smith, Sam Gruer, Naomi Milsten Gruer
Production Manager: Beatriz Barbieri
Production Company: Prom Creative
Sound Design & Mix: Calvin Pia, Felt Sound

1st Assistant Director: Darcy Thompson
Color Grade: Jared Rosenthal
Cast: Scott Cohen, Amy Stiller, Ellie Sachs, Lucas Zelnick, Rebecca Gever, Julia DiCesare

Tribeca 2025 icon

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‘HORSEGIRLS’ (Tribeca 2025) Heartfelt dramedy.

Tribeca 2025 rainbow logoHORSEGIRLS

Horsegirls

Representation Matters. Filmmaker Lauren Meyering brings Tribeca 2025 audiences a unique and yet wholly relatable story with HORSEGIRLS. The film follows Margarita, a 25-year-old woman with Autism Spectrum Disorder. Margarita lives with her ailing mother at her wits’ end, as her daughter seems entirely unmotivated to find a job. Margarita navigates adulthood, friendship, and stepping out of her comfort zone in a whirlwind of tumultuous circumstances.

Margarita’s energy is infectious. She is lovable, curious, and the perfect amount of sass. Begrudgingly, she gets a job at a Halloween store, but her passion for hobby horses becomes a bit of a distraction when she stumbles upon a competitive troupe of girls in town. Trying her best to juggle her hours at the store, choreography, her mother, and social-emotional dynamics in the group, Margarita must come to terms with this moment in time, for better or worse.

HORSEGIRLS shines in its authentic performances. Iqbal Theba and Matthew Schwab are pure delight as Margarita’s boss and co-worker.  Jerod Haynes plays Coach with genuine passion and kindness. 

Gretchen Mol delivers a heartfelt turn as a cancer-stricken mother, Sandy. She exemplifies the unconditional love, burnout, and relentless fear that special needs parents experience every minute of the day. We worry about how our kids fare when they are out of our sight, how others treat them, and most heavily, who will care for them when we are gone. In truth, our most impossible challenge is letting them go. Mol walks that delicate line of exhaustion and support like a pro. It’s a lived-in performance. 

Lillian Carrier nails the lead role. She steals every second of screen time with her fierce energy, whether through excitement, frustration, or earnest innocence. Margarita is a star-making moment for Carrier. You will not be able to take your eyes off of her. She is pure joy. 

Margarita displays all the same ASD traits as my 9-year-old son: unfiltered honesty, sensitivity to loud sounds, difficulty with figurative language, a fervent work ethic, and empathy that surpasses the average neurotypical individual. Based on the film’s description, HORSEGIRLS might feel like an overwhelming mashup of ideas. In reality, it is an accurate depiction of daily chaos. Cancer has managed to infiltrate every family I know in some way. Grief is universal. The battle over neurodivergence acceptance rages on. I’ll repeat it- Representation Matters.

Natalie Kingston‘s beautifully thoughtful camerawork perfectly encapsulates the spirit of the film. Erin Orr‘s costumes are delightful. “The Fastest Girl In The World” is an uplifting original song you will fall in love with. With stunning moments of magical realism, Meyering creates an undeniable gem. HORSEGIRLS captures the essence of finding your people. If you aren’t crying by the end of this film, check your humanity. Tribeca 2025 audiences are lucky to see it first.


Director
Lauren Meyering
Producer
Michael Sherman, Alix Madigan-Yorkin, Mackenzie Breeden
Screenwriter
Lauren Meyering
Cinematographer
Natalie Kingston
Editor
Stephanie Filo
Composer
Dan Romer
Executive Producer
Rachael Moton, Corie Adjmi, Betsy Sherman
Co-Producer
Blair Skinner
Cast
Gretchen Mol, Jerod Haynes, Lillian Carrier, Tony Hale, Matthew Schwab, Iqbal Theba Horsegirls
Tribeca 2025 icon
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‘HONEYJOON’ (Tribeca 2025) Mother, daughter, mayhem.

Tribeca 2025 rainbow logoHONEYJOON

Honeyjoon-Clean-16x9-01

On the anniversary of the family patriarch, mother-daughter team Lela and June find themselves on a vacation together. Lilian T. Mehrel‘s HONEYJOON arrives at Tribeca 2025 with humor, heart, and healing.

Persian-Kurdish Lela longs to connect in the wake of her grief. American June wants some no strings attached vacation ass. Lela remains deeply connected to her heritage and global events. June is self-absorbed. After booking a private tour, each woman forms a different bond with their guide, João. Lela and June relive their long goodbye through the experiences of his dementia-ridden grandmother. Their relationship organically evolves through sadness, miscommunication, honesty-drenched barbs, and heartfelt laughter. 

honeyjoon 2José Condessa creates a vibrant and charming character. He is sensitive and caring, everything a woman desires in a man. Condessa is dazzling.  Ayden Mayeri gives June a true egocentric millennial with an unresolved emotional trauma vibe, which is precisely what Lilian T. Mehrel intended. Mayeri effortlessly glides into June’s arc. Amira Casar takes on Lela with a lived-in authenticity and passion. She holds each frame with her powerful presence. These two women share gorgeous chemistry. 

Cinematographer Inés Gowland delivers thoughtful framing and takes full advantage of natural light. The work heightens the overall feeling of the film.

HONEYJOON is perfect for adult children and their parents. It is a gorgeous example of generational nuance and the unspoken turmoil within every mother-daughter relationship. Tribeca audiences will undoubtedly connect on every level.

Written & Directed by Lilian T. Mehrel
Producers: Andreia Nunes, Lilian T. Mehrel, Wonder Maria Filmes, Bärli Films
Production Companies: Wonder Maria Filmes, Bärli Films 
Screenwriter: Lilian T. Mehrel

Director of Photography: Inés Gowland

Starring Ayden Mayeri & Amira Casar, José Condessa

Tribeca AT&T Untold Stories Award 2024 Winner

HONEYJOON is a sexy, emotional comedy about… a mother-daughter trip. 

Persian-Kurdish Lela (Amira Casar) and her sensual American daughter June (Ayden Mayeri) travel to a romantic Azorean island, for the one-year anniversary of Dad’s death. They planned this trip to be together, but Lela & June have opposite views about why they’re there, how to grieve, and June’s tiny bikini. Surrounded by honeymooners, doom-scrolling for Woman Life Freedom, and taken on a tour by their hot philosophical guide, João (José Condessa); Lela and June find each other… coming back to life.

 Supported by the SFFILM Rainin Grant.

Script developed at the TorinoFilmLab and Cine Qua Non Lab.

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‘THE END OF QUIET’ (Tribeca 2025) Hardwired disconnection.

Tribeca 2025 rainbow logoTHE END OF QUIET


The end of quiet Poster_WEBFilmmakers Kasper Bisgaard and Mikael Lypinski bring Tribeca 2025 audiences documentary, THE END OF QUIET, a thought-provoking exploration of human connectivity. In an isolated town in West Virginia, the world’s largest radio telescope can pick up the murmurings of signals across the universe. To achieve this, the telescope resides in the Quiet Zone, the only place in the U.S. where Wi-Fi and cell phone signals are not permitted.

Part 1: The Quiet

Through the everyday lives of its residents and the beauty of the sound design by Freja Printz and Mathias Gaarde Mikkelsen, the audience experiences what the world might be like without round-the-clock communication. Dr. Jay Lockman, an astronomer at The Green Bank Observatory, has lived in town for over two decades with his wife. He has accepted that technology could eventually disrupt any messages from beyond our atmosphere.

the end of quiet stillHow do they fight the boredom? Brionna and her gun enthusiast grandfather, David, spend time together shooting his 37 guns and rifles and blowing things up. Choosing to reside in The Quiet Zone due to electromagnetic hypersensitivity, Clover and her dog, Beautiful, live for landline phone calls from her husband, who lives abroad. Her original poetry also serves as beautiful transition audio. A lonely but contented elderly vet named Willard spends his days drinking a lot of coffee and attending local funerals. Kirsten, 17, and Frankie, 23, are a young, engaged couple who dream of having a child.

Part 2: The Noise

Halfway through the film, we jump three years, only to discover that there are 70-80 Wi-Fi Hotspots within 2 miles of the Observatory disrupting the data. Oh, how times have changed. Willard has passed away. Clover is now almost entirely estranged from her long-distance husband. Our young couple now has a tiny toddler, Leo. It is unclear if they are still together. Our grandfather figure has tumbled down the right-wing rabbit hole, beginning a rift between him and his granddaughter, Brionna. It is honestly such a cliche.


The film delves into disconnection and isolation as much as the bleak effects of doom-scrolling. What would happen if the global grid ceased to exist? With so much new technology dependent on Wi-Fi, would society remain civil? A study of connection in every sense, THE END OF QUIET begs some of the most massive questions in the universe and beyond.

World Premiere

The End of Quiet

Documentary Competition

Feature | Denmark | 83 MINUTES | English | English subtitles The end of quiet

the end of quiet brionna and davidTHE FILM IS SUPPORTED BY
DANISH FILM INSTITUTE
THE SWEDISH FILM INSTITUTE
DEN VESTDANSKE FILMPULJE DR

WRITTEN AND DIRECTED BY Kasper Bisgaard & Mikael Lypinski

PRODUCED BY Sara Stockmann
CO-PRODUCED Daniel Pynnönen
CINEMATOGRAPHY BY Mikael Lypinski
MUSIC COMPOSED BY Uno Helmersson
EDITED BY Charlotte Munch Bengtsen, Johan Löfstedt SFK
SOUND DESIGN BY Freja Printz, Mathias Gaarde Mikkelsen

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‘BIRD IN HAND’ (Tribeca 2025) Generational trauma and family secrets.

Tribeca 2025 rainbow logoBIRD IN HAND

bird in hand


Melody C. Roscher’s incredible feature debut comes to Tribeca 2025 audiences. BIRD IN HAND follows a newly engaged young woman returning to her Mom’s house to view a local wedding venue. But, it quickly becomes apparent that Bird has ulterior motives.

Carlotta treats her as an inconvenience, constantly criticizing Bird and being openly hostile if things do not go her way. She controls the narrative. Bird tries her best to connect and longs for an ounce of compassion. But the truth is more complicated than fiction.

An accidental meeting with her mother’s new neighbors sparks a unique relationship and a quest to confront the past. Will hiring a wedding band be the answer to all her childhood hurt?

James Le Gros nails Dennis’ wildly erratic arc. Jeffrey Nordling is entirely charming as Carlotta’s longtime boyfriend, Dale.

Christine Lahti plays Bird’s mother. Self-described as “woo woo,” pretty much covers her untraditional take on life. It’s sort of a miracle Bird survived emotionally with such a kooky narcissist at the helm. Lahti is a force of nature. You have to love/hate her. Alisha Wainwright is spectacular in the titular role. Her vulnerability and ability to slide from wounded creature to absolute badass are impeccable.

Roscher dives headlong into racism, beginning with small-town microaggressions, then boldfaced offensive moments surrounding plantation history, all barreling towards her mother’s heart-shattering feelings. But, deep momma bear instincts and Bird’s unwieldy plan flip the script.

BIRD IN HAND is about healing, identity, and the messy path there and back. Tribeca 2025 audiences are lucky to see it first.


Directed by: Melody C. Roscher

Starring: Alisha Wainwright, Christine Lahti, James Le Gros, Annabelle Dexter-Jones, Jeffrey Nordling, K. Todd Freeman

Written by: Melody C. Roscher

Produced by: Craig Shilowich, Alex Schepsman, Danielle Massie, Cody Ryder, Sam Bisbee, Saba Zerehi

Executive Produced by: Jackie Kelman Bisbee, Lance Acord, John Craighead, Muwaffaq Salti

Bird in Hand follows Bird Rowe, a biracial bride-to-be who arrives unannounced at her charismatic hippie mother Carlotta’s rural home, to plan her wedding. As the two scout wedding venues, their attempts at bonding quickly unravel as buried truths surface, revealing an emotionally complex and fraught relationship. Bird enlists the help of the new neighbors who have recently bought a nearby plantation, sparking an unlikely connection. A darkly comedic and emotionally raw exploration of race, family, and identity, Bird in Hand is a sharp portrait of a young woman’s desperate search for connection—no matter how messy it gets.

 

RT: 87 Minutes

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‘CUERPO CELESTE’ (Tribeca 2025)

Tribeca 2025 rainbow logoCUERPO CELESTE

cuerpo celesteFilmmaker Nayra Ilic Garcia brings Tribeca 2025 audiences CUERPO CELESTE, a film about the inevitability of change, for better or worse.

The film opens on New Year’s Eve on an isolated coastal beach with 15-year-old Celeste, her parents, family, and friends. A warm, lazy day of swimming, lounging, learning to drive, exploring the Atacama Desert landscape for fossils, songs by firelight, and stolen moments with a crush. It is a core childhood memory. The following morning, 1990 begins with a sudden tragedy, and Celeste’s path alters forever.

The story moves through time to almost a year later. An eclipse is coming. Celeste’s now estranged mother plans to sell the house, has given away her father’s life’s work, and thinks she can step back into parenting without the consequences of near abandonment. Celeste challenges the rules, discovering that her mother is not the only vastly different thing since she was last there.

Helen Mrugalski gives Celeste a lived-in maturity. To understand that she was only 14 during filming makes her performance all the more impressive. She is a star.

Cinematographer Sergio Armstrong‘s distinctive style is breathtaking. It is both a celebration of the desert topography and yet maintains stunning intimacy. Roberto Espinoza‘s sound design is revelatory. There is patience in Valerie Hernandez‘s editing. In a post-Pinochet nation, CUERPO CELESTE is a microcosm of the national Chilean political shift. It is a clever parallel. Nayra Ilic Garcia delivers an examination of time, grief, healing, secrets, and change. It is a moving coming-of-age story.


ABOUT THE FILM
Summer, 1990. As Chile’s dictatorship draws to a close, fifteen-year-old Celeste spends the holidays with her family on a remote beach by the Atacama Desert. When an event shatters her adolescence and sends her mother into a downward spiral, their world begins to shift.

Months later, drawn by the promise of a solar eclipse, Celeste returns to that same place, but nothing is the same. In a country on the brink of transformation, she must navigate her own path forward.

WRITTEN & DIRECTED BY Nayra Ilic García
STARRING Helen Mrugalski, Daniela Ramírez, Néstor Cantillana, Mariana Loyola. Nicolás Contreras, Clemente Rodríguez. Erto Pantoja
PRODUCED BY Fernando Bascuñán & Úrsula Budnik
CO-PRODUCED BY Luigi Chimienti, Alessandro Amato, Dominga Ortúzar, Florencia Rodríguez
CINEMATOGRAPHY BY Sergio Armstrong A.C.C.
EDITING BY Valentina Hernández
MUSIC BY David Tarantino

Tribeca 2025 iconFor all things Tribeca, click here!

‘LEMONADE BLESSING’ (Tribeca 2025) In the name of the hormones, holiness, and home life.

Tribeca 2025 rainbow logoLEMONADE BLESSING

LEMONADE BLESSING

Chris Merola brings Tribeca 2025 audiences a film about the communal commiseration of growing up. LEMONADE BLESSING follows the product of divorce, John, as he tries his best to navigate the complexity of raging hormones, an overbearing, devout mother, and Freshman year at a private Catholic School.

Torn between his deeply religious mom, a self-centered father, horny friends, and the rebel girl who pushes his mortality to the brink, John must decide what matters most, who he is, and where to draw the line.

Skye Alyssa Friedman gives Lilith the extravagant sass she requires to exert increasing control over John’s behavior. But in reality, Lily is a feminist. She tells John what she likes and how she feels and dreams beyond the oppressive male-dominated culture that surrounds her. Friedman owns this role with a ferocity that dazzles. Jake Ryan is relentlessly charming. John wavers between guilt, anxiety, and hormone-driven, sacrilegious stunts. Ryan lives in this character. His vulnerability makes him an absolute star. Friedman and Ryan have perfect chemistry. They are deliciously awkward and authentically connected in their side-by-side self-discovery.

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As a product of eight years of Catholic school, I decided early on that my values did not align with the monotonous rituals, ancient books, and the close-minded teachings inside. I saw, even at 14, the misogyny and patriarchal structure, and knew it was not what I wanted. As droves of people of all generations abandon organized religion, LEMONADE BLESSING challenges a system hellbent on rules often ignored by the men in charge of enforcing them.

While the film is definitely about power, your moral compass, and the perversion of religion, LEMONADE BLESSING delves into the chaos and bumbling of teenage years with grace, humor, and lived-in experience as a Catholic kid. Merola deftly tackles blame, manipulation, defiance, honesty, and the complexity of unconditional love, delivering a delightfully nuanced coming-of-age story to Tribeca 2025 audiences.


Feature | United States | 100 MINUTES | English

Director: Chris Merola

Producer: Chris Merola, Raza Rizvi, Aruba Sülzana, Samuel Ashurov

Screenwriter: Chris Merola

Cinematographer: Harrison Kraft

Composer: Daniel Futcher

Editor: Abhineet Kumar, Edouard Fan

Executive Producer: Chris Merola

Associate Producer: Cameron Olsen

Co-Producer: Taryn Gates

Sound Design: Shubhi Sahni

Cast: Jake Ryan, Jeanine Serralles, Skye Alyssa Friedman, Miles J. Harvey, Michael Oloyede, Todd Gearhart, Keith William Richards

Tribeca 2025 iconFor all things Tribeca, click here!

‘RUNA SIMI’ (Tribeca 2025) A beautiful story about inclusion and the preservation of language.

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RUNA SIMI

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Augusto Zegarra‘s heartwarming first feature follows a father who yearns to bring the joy of The Lion King to millions of children in their language, Quechua. RUNA SIMI is a bona fide David and Goliath story.

Voice actor and radio host Fernando Valencia lives in Cusco, Peru, with his young son, Dylan. After his dubbing clips went viral, Fernando embarks on a journey to have Disney agree to let him dub the entirety of Simba’s story. It is an uphill battle.

Quechua has slowly been branded a lower-class language. Some children are still teased for speaking it. In reality, there are approximately 10 million Quechua speakers across six South American countries.

We meet Fernando’s mother. We discover the parallels between his childhood and Simba’s. Fernando tries to call Disney but reaches the legal department’s voicemail again and again. After a barrage of DMs to all corporate arms, it is one message to The Lion King’s director, Rob Minkoff, that finally gets traction. Minkoff gives Fernando the reality check we fear in our gut, but he does think the idea has legs and comes from the right place.

To any Disney fan or parent watching, this idea seems like a no-brainer. If you expose more people to films, your revenue and brand thrive. As a former employee of the company (on the performance side), I can tell you their contracts are ironclad and very lengthy. You will undoubtedly find yourself rooting for Fernando’s mission.

Runa_Simi-Clean-16x9-02Defying all the odds and the lawyers’ advice, Fernando gathers a local Quechua cast, including little Dylan as young Simba, creating a dazzling version of the beloved tale in his studio. The result is a triumph.

I am fully aware of the irony of how I know Cusco. It is the setting for the Disney film The Emperor’s New Groove. Renzo Rivas‘s camerawork is patient and breathtaking. In wide shots of the Peruvian landscape, Fernando honors the spirits of nature and has deep discussions with his son. Fernando is the kind of parent we all strive to be. He imbues the importance of all things, big and small, creating a safe place for empathy and learning.

Fernando is trying to preserve not just the Quechua language but his people’s culture and identity. RUNA SIMI is a celebration of family and the importance of our past. One of the film’s most poignant moments comes at a dubbing conference where Fernando shows clips to an audience of Indigenous speakers. The pure delight on the faces of the viewers is beyond magic.

RUNA SIMI is another stunning example of why representation matters. If a child can see themselves on the screen, they can dream bigger. But it is also about access and equity. Indigenous voices are vital in our quest for authentic storytelling. Tribeca 2025 audiences, get ready for a warm hug of nostalgia while cheering for a genuine hero. “Every child in the world has a right to entertainment.” Full stop.


RUNA SIMI. Peru, 2025, 81 min. In Spanish, Quechua, and English with English
Subtitles.

Written and directed by Augusto Zegarra

Producers: Claudia Chávez Lévano
and Paloma Iturriaga

Executive Producers: Ellen Schneider, Benjamin Bratt, Peter
Bratt, Alpita Patel,Dominique Bravo, Bill and Ruth Ann Harnisch.

 

Production Company: Alaska 88

Director of Photography: Renzo Rivas

Editor: Carlos Rojas Felice

Composer: Pauchi Sasaki.

Main subjects:
Fernando Valencia, Dylan Valencia.

About the Director:

Augusto Zegarra is a Peruvian filmmaker based in Lima with a BFA in Film and Media Arts from the University of Utah. His first short film, Wiñaymanta, was one of the winners of the Ministry of Culture of Peru National Prize in 2014. With a deep passion for storytelling, he uses film as a tool to explore identity, language, and memory. In 2017, he started the research for his first feature-length film Runa Simi, later produced with support from the Ministry of Culture of Peru, the Sundance Institute, the Embassy of Switzerland in Peru, CineLatino of Rencontres Toulouse and Storyboard Collective. Runa Simi has participated at the IDFA Forum (Rough Cut), GLAFF WIP, DocsBarcelona, ChileConecta, ARCA Residency in Cabo de Hornos, and FIFDH Impact Lab.

Tribeca 2025 iconFor all things Tribeca, click here!

 

Tribeca 2025 is almost here. Get ready for the buzz to get loud with world premieres galore.

Tribeca 2025 rainbow logoTribeca 2025

Tribeca is back with a vengeance. This year, the festival features new and exciting storytellers who break barriers, make us laugh, and spark conversations. This year’s fest runs from June 4th to the 15th. 

 

ABOUT THE TRIBECA FESTIVAL
The Tribeca Festival, presented by OKX, brings artists and diverse audiences together to celebrate storytelling in all its forms, including film, TV, music, audio storytelling, games, and immersive. With strong roots in independent film, Tribeca is synonymous with creative expression and entertainment. Tribeca champions emerging and established voices, discovers
award-winning talent, curates innovative experiences, and introduces new ideas through exclusive premieres, exhibitions, conversations, and live performances.

The Festival was founded by Robert De Niro, Jane Rosenthal, and Craig Hatkoff in 2001 to spur the economic and cultural revitalization of lower Manhattan following the attacks on the World
Trade Center. The annual Tribeca Festival will celebrate its 24th year from June 4–15, 2025, in New York City.

In 2019, James Murdoch’s Lupa Systems bought a majority stake in Tribeca Enterprises, bringing together Rosenthal, De Niro, and Murdoch to grow the enterprise.

ABOUT THE 2025 TRIBECA FESTIVAL PARTNERS
The 2025 Tribeca Festival is presented by OKX and with the support of our partners: AT&T, Audible, Bulleit Frontier Whiskey, Canva, CHANEL, City National Bank, Don Julio Tequila, Indeed, KLM Royal Dutch Airlines, NBC4 and Telemundo 47, NYC Mayor’s Office of Media and Entertainment, National CineMedia, New York Magazine, Spring Studios New York, The Wall Street Journal, Variety, Vulture, and Whalar.


Take a look at a few Tribeca 2025 films, long and short, and pilots we’re keeping our eyeballs peeled for. For the entire lineup, click here!



THE BEST YOU CAN – World Premiere – Spotlight Narrative Tribeca 2025
The Best You Can
Directed & written by: Michael J. Weithorn
Starring: Kyra Sedgwick, Kevin Bacon, Judd Hirsch, Brittany O’Grady


Reuniting Kyra Sedgwick and Kevin Bacon on screen for the first time in twenty years, THE BEST YOU CAN is a sharp, touching, and laugh-out-loud exploration of change, losing our bearings, and finding connection in the most unexpected places. This character-driven comedy is a reminder that sometimes the people who understand us best are the ones who are nothing like us.

RT: 103 Minutes


ARE WE GOOD? – New York Premiere – Spotlight+ Tribeca 2025

Are We GoodDirected by: Steven Feinartz
Starring: Marc Maron


An intimate portrait of comedian and podcast pioneer Marc Maron, following the sudden loss of his partner and filmmaker Lynn Shelton. Maron struggles with grief, disillusionment, and a shifting comedy landscape.

RT: 95 Minutes Tribeca 2025


OUR HERO, BALTHAZAR -Viewpoints

Our Hero BalthazarDirector: Oscar Boyson

Cast: Jaeden Martell, Asa Butterfield, Chris Bauer, Jennifer Ehle, Anna Baryshnikov, Noah Centineo, Becky Ann Baker, Avan Jogia, Pippa Knowles

Wealthy New York City teenager Balthazar “Balthy” Malone (Jaeden Martell) has a crush on a classmate who organizes gun control protests. To gain her attention, he creates dramatic social media videos pleading for stricter gun laws. When an online troll (Asa Butterfield) begins mocking his videos, Balthy becomes convinced that he is communicating with a potential mass shooter and impulsively decides to travel to Texas to confront him in person. What starts as a misguided hero’s journey evolves into a complex encounter between two young men from vastly different worlds, each struggling to find their place in a divided America. 

91 MINUTES Tribeca 2025


BIRD IN HAND – World Premiere – US Narrative Competition Tribeca 2025
bird in hand
Directed by: Melody C. Roscher
Starring: Alisha Wainwright, Christine Lahti, James Le Gros, Annabelle Dexter-Jones, Jeffrey Nordling, K. Todd Freeman

Bird in Hand follows Bird Rowe, a biracial bride-to-be who arrives unannounced at her charismatic hippie mother Carlotta’s rural home, to plan her wedding. As the two scout wedding venues, their attempts at bonding quickly unravel as buried truths surface, revealing an emotionally complex and fraught relationship. Bird enlists the help of the new neighbors who have recently bought a nearby plantation, sparking an unlikely connection. A darkly comedic and emotionally raw exploration of race, family, and identity, Bird in Hand is a sharp portrait of a young woman’s desperate search for connection—no matter how messy it gets.

RT: 87 Minutes Tribeca 2025


HORSEGIRLS – World Premiere – US Narrative Competition Tribeca 2025
HorsegirlsDirected by: Lauren Meyering
Starring: Lillian Carrier, Gretchen Mol, Jerrod Haynes
Produced by: Alix Madigan, Michael Sherman, Mackenzie Breeden

After her mother’s illness returns, 22-year-old Margarita, a young woman with autism, discovers the world of hobbyhorsing and sets out to prove her independence to her mother—stick horse and all.

RT: 101 Minutes

“As a mother of neurodivergent children, this film’s authenticity screams off the screen. It is a must-see.”


JIMMY & THE DEMONS – World Premiere – Spotlight Documentary Tribeca 2025

Jimmy and the demons Jimmy & the demonsDirected by: Cindy Meehl

A magical journey into the artistic life and inner mind of celebrated sculptor, James Grashow, who, at age 79, devotes four years to creating his magnum opus.

RT: 93 Minutes

 


DEAD LANGUAGE – Viewpoints

large_Dead_Language-Clean-16x9-0While waiting at the airport for her husband, Aya (Sarah Adler) is mistaken for someone else. Intrigued, she decides to pick up a complete stranger (Ulrich Thomsen) on a whim. Their encounter sparks an unexpected intimacy that unsettles Aya’s sense of certainty and awakens a yearning she neither fully understands nor knows how to fulfill. Her quiet search for meaning unfolds in a hotel room, a customer service chat and in subtle disruptions to her daily routine, as we are taken through a woman’s delicate and honest search for something meaningful.

Director: Mihal Brezis, Oded Binnun

Cast: Sarah Adler, Ulrich Thomsen, Yehezkel Lazarov, Lars Eidinger

110 MINUTES Tribeca 2025


RE-CREATION – World Premiere – Spotlight Narrative
re-creationDirected by: Jim Sheridan & David Merriman
Starring: Vicky Krieps, Jim Sheridan, Aidan Gillen, and Colm Meaney


In a fictitious trial, twelve members of a jury must decide whether British journalist Ian Bailey is guilty of the murder of French filmmaker Sophie Toscan Du Plantier in 1996. Based on real events, the film reconstructs, through the discussions between these twelve people, a case that ultimately invites the viewer to draw their own conclusions.

RT: 89 Minutes


SHE DANCES – World Premiere – Spotlight Narrative Tribeca 2025
She dancesDirected by: Rick Gomez
Starring: Steve Zahn, Audrey Zahn, Mackenzie Ziegler, Ethan Hawke, Sonequa Martin-Green, Rosemarie DeWitt


Forced to reconnect on the road to her final dance competition, a father and daughter must confront their fractured relationship. As they navigate a shared tragedy, the whirlwind of the Young Miss Southeast Regional Dance Finals becomes the backdrop for their journey toward healing. She Dances is a story about rediscovering family and finding yourself—about accepting what is, letting it shape you, and recognizing who you are through the memories of those you love most.

RT: 93 Minutes


LEMONADE BLESSING (Section: US Narrative Competition) Tribeca 2025

LEMONADE BLESSING

WORLD PREMIERE

Directed and written by: Chris Merola

Starring: Jake Ryan, Jeanine Serralles, Skye Alyssa Friedman, Miles J. Harvey, Michael Oloyede, Todd Gearhart, and Keith William Richards

Freshly tossed into a private Catholic high school by his devout mother, John (Jake Ryan) falls head over heels for a devious classmate ready to push his faith (and morals) to the brink with a series of increasingly uncomfortable actions, all in the name of love. ‘

100 MINS

“This former Catholic school product approves of all the messaging and coming-of-age authenticity!”


DEEP COVER – Spotlight Narrative

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Directed by Tom Kingsley

Cast: Bryce Dallas Howard, Orlando Bloom, Nick Mohammed, Paddy Considine, Sonoya Mizuno, with Ian McShane and Sean Bean

DEEP COVER is a fast-paced action comedy starring Bryce Dallas Howard as Kat, an improv comedy teacher beginning to question if she’s missed her shot at success. When an undercover cop (Sean Bean) offers her the role of a lifetime, she recruits two of her students (Orlando Bloom and Nick Mohammed) to infiltrate London’s gangland by impersonating dangerous criminals.

Coming to Prime Video June 12, 2025

109 MINUTES Tribeca 2025


THE WOLF, THE FOX AND THE LEOPARD (International Narrative Competition)

The_Wolf_the_Fox_and_the_L

A film by David Verbeek

 Starring: Jessica Reynolds, Nicholas Pinnock, Marie Jung and Naomi Kawase

A feral young woman raised by wolves is captured and thrust into modern society, only to be rescued by a radical couple who isolate her on an abandoned oil rig. As she uncovers the lies of her new “parents”, she is forced to stand on her own two feet and ultimately decide whether to integrate into society or return to the wild.

124 MINUTES

“This hybrid fairytale about trauma is not to be missed.”


WIZKID: LONG LIVE LAGOSSpotlight+

WIZKID: LONG LIVE LAGOSDirector: Karam Gill 

Subjects: Femi-Anikulapo Kuti, Ayodeji Balogun, Jada Pollock, Julie Adenuga, Seni Saraki, Sunday Are, Matthew Temitope Solomon, Karen Binns, Adosu Segan, Tops Bademosi

From Lagos to London, this powerful documentary follows Wizkid’s rise as a global icon reshaping how Africa is seen — and heard — around the world. Blending intimate moments, explosive performances, and cultural commentary, the film captures how Wizkid is using his platform to change perceptions, reclaim African identity, and inspire a new generation. Directed by Karam Gill. Produced by Karam Gill, Daniel Malikyar. An HBO Documentary Films Release.

83 MINUTES  Tribeca 2025


HONEYJOON (Viewpoints)

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Written & Directed by Lilian T. Mehrel

Starring Ayden Mayeri & Amira Casar, José Condessa

HONEYJOON is a sexy, emotional comedy about… a mother-daughter trip. 

Persian-Kurdish Lela (Amira Casar) and her American daughter June (Ayden Mayeri) take a trip to a romantic Azorean island, for the one-year anniversary of Dad’s death. They planned this trip to be together, but Lela & June have opposite views about why they’re there, how to grieve, and June’s tiny bikini. Surrounded by honeymooners, doom-scrolling for Woman Life Freedom, and taken on a tour by their hot philosophical guide, João (José Condessa); Lela and June find each other… coming back to life.

75 minutes Tribeca 2025


AN EYE FOR AN EYE (Documentary Competition)

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Directors: Tanaz Eshaghian, Farzad Jafari

Convicted of murdering her husband, Tahereh served her sentence and now faces a ticking clock to negotiate with her in-laws who, under Sharia law in Iran, have the legal right to either execute her or forgive her- for a price.

84 MINUTES


THE END OF QUIET (Documentary Competition)

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Directors: Kasper Bisgaard, Mikael Lypinski

A meditative documentary that offers a glimpse into one of the few inhabited places on Earth where Wi-Fi and phone signals are not allowed to reach.

83 MINUTES


TAKE THE MONEY AND RUN- Spotlight Documentary 

TAKE THE MONEY AND RUN- Spotlight Documentary 

Director/Producer: Ole Juncker

Brilliance or bold-faced theft? In 2021, the Kunsten Museum got more than it bargained for when Danish artist Jens Haaning borrowed $83,000 for a commissioned piece—then delivered an empty frame. Titled with brazen wit, Take the Money and Run ignited a global firestorm: was it a scathing critique of capitalism, or the slickest art-world heist in history?

82 MINUTES


COUNTING CROWS: HAVE YOU SEEN ME LATELY? – Spotlight Documentary

COUNTING CROWS: HAVE YOU SEEN ME LATELY? Director: Amy Scott

Subjects: Adam Duritz, Cyndi Lauper, Steve Kerr, Chris Martin, Jeff Ross, Mary-Louise Parker

Catapulted into overnight fame by their massively successful debut album, San Francisco indie rock band Counting Crows and their introspective frontman Adam Duritz were suddenly the biggest rockstars in the world, defiantly facing whatever came next. Counting Crows: Have You Seen Me Lately? captures this pivotal crossroads through revealing interviews and evocative 1990’s archival to craft a rare story of artistic integrity in the spotlight. Directed by Amy Scott. Produced by Brian Morrow, Jonathan Lynch. An HBO Documentary Films Release.

90 MINUTES Tribeca 2025


YANUNI (Closing Night Gala)

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Directed by RICHARD LADKANI 

Produced by ANITA LADKANI, RICHARD LADKANI, JUMA XIPAIA, LEONARDO DICAPRIO, JENNIFER DAVISSON, PHILLIP WATSON

Executive Producers include JOANNA NATASEGARA, LAURA NIX, ERIC TERENA, DAX DASILVA, MARTIN CHOROBA, PHILIPP SCHALL

YANUNI is a cinematic portrait of Juma Xipaia, an Indigenous chief from the Brazilian Amazon who rises from a remote village to the frontlines of climate justice. After surviving six assassination attempts, she is appointed Brazil’s first Secretary of Indigenous Rights—while her husband, a federal IBAMA agent, leads dangerous operations against illegal gold miners. As Juma navigates political power, growing threats, and impending motherhood, she is forced to confront the personal cost of resistance. At once intimate and epic, YANUNI is a powerful story of Indigenous sovereignty, love, and the urgent fight to protect the planet we call home.

112 MINUTES 


SEASONED (World Premiere — Indie Episodic (NOW)

seasoned

Directed by Ewen Wright

Written by Gideon Grody-Patinkin, Ewen Wright

Starring Mandy Patinkin, Kathryn Grody

Synopsis: Based on the real lives of Mandy Patinkin and Kathryn Grody, “Seasoned” follows the delightfully tumultuous relationship and life of this successful, gregarious, deeply committed, slightly insane married couple. They’re each other’s greatest cheerleaders and harshest critics. The source of their unending magic is the same as their unending woe: that they’ve stayed together all these years. They struggle, they fail, they forgive, they learn, they remain bewildered, and most importantly, they hold everything together through love. As they navigate a society that feels as if it’s crumbling around them, will they remain standing?

Pilot Episode “Hangry” Synopsis: When Mandy and Kathryn miss their anniversary dinner reservation, they’re forced to try and find a new place to eat. Wandering New York City in an effort to salvage the occasion, 40 years of marital dynamics are laid bare as everything falls short – first with the food, then with each other.

96 MINUTES


84 MINUTESbeca 2Tribeca 2025 icon

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‘EGGHEAD & TWINKIE’ (2025) The perfect Gen-Z rom-com finally gets a release date!

giant pictures logoEGGHEAD & TWINKIE

Egghead & Twinkie poster

EGGHEAD & TWINKIE is an instant classic. After coming out to her parents, two best friends go on an impromptu road trip to meet a crush. This genre-bending film is one of the most fun selections at Outfest: LA. (Here is our original review from the fest)

Egghead & TwinkieJill Cefalo-Sanders provides quirky animation, giving us adorable hand-drawn anime-inspired visuals for emotions, sounds, and transitions. It’s very Lizzie McGuire, and that’s an absolute compliment. It’s almost its own character in the film. The script kicks close-minded conservatism to the curb, much like a Mini Katana cutting through outdated beliefs with precision and style. Writer-director Sarah Kambe Holland makes Twinkie a total badass. She is funny, brave, awkward, fearless, and (to use a Gen Z word) fire. Holland gives Egghead all the qualities to balance his best friend. He is nerdy, loyal, thoughtful, and unequivocally at Twinkie’s mercy. The script doesn’t shy away from sexual fluidity but directly addresses it in an accessible way. 

Egghead & Twinkie_Still 15_300dpiAsahi Hirano plays Jess with a comfortability that is chef’s kiss. Acting like an LGBTQ+ sensai for Twinkie, Hirano makes the conversation flow easily. She is a delight, someone who could carry a spinoff film. Louis Tomeo as Egghead is fantastic. He is laugh-out-loud funny in his natural delivery. The sass is perfection. Holland allows him to show his comedy chops through the script and hilarious editing from Anna DeFinis and Kristina League. Sabrina Jie-a-fa plays Twinkie with a perfect balance of audaciousness and hesitancy. We see authentic coming-of-age and coming-out stories in her journey. Together, Tomeo and Jie-a-fa are a spectacular duo. You will fall in love with them. 

egghead & Twinkie dinner sceneThe teenage shenanigans ring true. That feeling of invincibility and daring reminds me of my crazy ideas and dumb decisions in the late 90s. Egghead and Twinkie take risks, make mistakes, hurt each other, get their hearts broken, and confess their fears. The film is a helpful guide for parents struggling to understand their kids’ feelings. Regardless of their core beliefs, EGGHEAD & TWINKIE is undeniably relatable. A modern-day romcom-buddy comedy-road movie we all needed to see. It is easily one of the year’s best films. Do not sleep on it!

EGGHEAD & TWINKIE
2023 | USA | 87 min | Color | Narrative Comedy
 RELEASE INFO
Available on Demand April 29 (U.S. & Canada)
*Special Screening in Los Angeles, including Q&A with filmmakers and cast
Thurs, April 24, 7:00pm
Laemmle Glendale, 207 N. Maryland Ave.
Info & Tickets:
https://www.laemmle.com/film/egghead-twinkie

  • Director:
    Sarah Kambe Holland
  • Screenwriter:
    Sarah Kambe Holland
  • Producer:
    Danielle Fountaine, Sarah Kambe Holland, Valerie Starks
  • Executive Producer:
    Simon Holland, Torye Kambe, Dan Pastewka, Kathleen Weldon
  • Cast:
    Sabrina Jie-A-Fa, Louis Tomeo, Asahi Hirano, Ayden Lee
  • Cinematographer:
    Olivia Wilson
  • Editor:
    Kristina League, Anna Definis, Sarah Kambe Holland
  • Animator:
    Jill Cefalo-Sanders
  • Production Design:
    Luke Sanders
  • Composer:
    Ben Thornewill
  • Sound Design:
    Bo Li
  • Music:
    Arielle James Harris
For more LGBTQ films, click here!

‘UNBROKEN’ (2025) Netflix honors Holocaust Remembrance Day with release of astounding doc

greenwich ent logoUnBroken

unbroken poster

Beth Lane’s captivating documentary, UnBroken, tells the story of seven siblings who survived Nazi Germany. Following the arrest of their hero mother and previously imprisoned Catholic father, marked for a concentration camp, Lane’s mother and siblings were smuggled to safety in the back of a truck in the dead of night by their farmer neighbor. A journey of unbelievable resiliency, Lane retraces their steps from Berlin to America and into the pages of history.

unbroken animationLane pieces together the Weber children’s story using archival footage, family photos, letters of eldest brother Alfons, and the foggy memories of the five remaining sisters. She travels to Berlin, stopping at each location where the siblings were hidden and nurtured. Lane discovers her grandfather’s original fascist concentration camp papers and the entry log of all seven children in a nunnery, finding that her mother Bela’s instinct about her middle name was correct.

UNBROKEN-motw-no-logo-800x445Misfit delivers enchanting line-drawn animation to fill in the visual gaps. Aaron Soffin and Dina Guttmann’s editing is award-worthy. Jonathan Snipes’ score is haunting. The film plays out like historical fiction from one moment to the next.

unbroken teensOne particularly intriguing moment happens as Beth runs into a small group of young people listening to music outside the siblings’ old apartment. After she tells them what the film is about, she asks if they would hide her if history repeats itself. Their honesty will burn into your memory. The echoes of trauma and triumph rear their ugly heads in many ways, but the knowledge that in saving seven siblings, there are now 72 thriving Weber family members is something to celebrate.

unbroken searchThe similarities to the systematic dismantling of the United States’ democracy should serve as a stark warning, but UnBroken also shines a light on the goodness of the human heart. One phrase from the film perfectly captures the message. “When you’re faced with adversity, who do you become?”

Here’s the link to the trailer on YouTube
 
 

Streaming on Netflix today!

 

About the film:  
UNBROKEN is the miraculous true story of the seven Weber siblings, ages 6-18, who evaded certain capture and death, and ultimately escaped Nazi Germany relying solely on their youthful bravado and the kindness of strangers, following their mother’s incarceration and murder at Auschwitz. 
 
After being hidden in a laundry hut by a benevolent German farmer, the children spent two years on their own in war torn Germany. Emboldened by their father’s mandate that they ‘always stay together,’ the children used their own cunning instincts to fight through hunger, loneliness, rape, bombings and fear. Climactically separated from their father, the siblings are forced to declare themselves as orphans in order to escape to a new life in America. Unbeknownst to them, this salvation would become what would finally tear them apart, not to be reunited for another 40 years. 
 
Filmmaker Beth Lane, daughter of the youngest Weber sibling, embarks on a quest to retrace their steps, seeking answers to long-held questions about her family’s survival. The film examines the journey of the Weber family as told through conversations with living siblings – now in their eighties and nineties – while Beth and her crew road trip across Germany, following the courageous, tumultuous, and harrowing path taken by her family over seventy years ago.
 
UnBroken is Beth Lane’s feature directorial debut, and it is both a professional milestone and a personal quest to immortalize the incredible story of the Weber siblings’ survival as the only family of seven Jewish siblings living in Nazi Germany known to have survived and emigrated together. 
 
The film had its world premiere at the 23rd Heartland International Film Festival, where it was awarded Best Documentary Feature Film. It also won the Audience Choice award at the River Run Int’l Film FestivalJulien Dubuque Int’l Film Festival and The Berkshire Int’l Film Festival
 
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‘NORA’ (2025) Music and motherhood strike a beautiful cord.

 NORA

Nora poster

The multitalented filmmaker and musician Anna Campbell‘s musical motherhood journey NORA is in theatres now. The film follows a former musician who moves to the burbs to raise her young daughter. With her husband on the road for six weeks, Nora must navigate considerable life changes in the suburban jungle while coming to terms with her deepest dreams. 

NORA_Film Stills1_CuddleSophie Mara Baaden plays six-year-old Sadie with authentic innocence and sass. She has wonderful chemistry with Campbell. Lesley Ann Warren plays Nora’s waspy mother and provides the stereotypical artist’s parent doubtful “I told you so” tone. Nick Fink is fantastic as Sadie’s first-grade teacher Adam. He and Campbell are a striking duo. It doesn’t hurt that his singing voice Is delicious.

Nora still Lesley Ann WarrenThe script nails the loss of personal identity when a woman becomes a mother. The invisible labor and patriarchal structure often lead to isolation and lingering resentment. It delves into self-loathing and body changes. It tackles suburban social pressure, which can be a lot. On the flip side, she also perfectly captures the love-filled hyping up we do for our kids every single day. 

Nora disassociates through musical fantasy sequences. Each one, featuring Noah Harmon‘s undeniably original and catchy song, becomes a spectacular music video that delivers visual surprises and pushes her’s narrative forward like an emotional freight train. Think Veruca Salt, The Breeders, Tori Amos, and Yeah Yeah Yeahs. It is a jolt of feminist rocker joy. 

NORA_Film Stills3_Scream - Cocktail WienersCampbell is ceaselessly charming. She is funny, self-effacing, anxiety-ridden, and pottymouthed, just the way I like my fellow Moms. As a woman who gave up a career performing to be a supportive partner and mother, NORA fills my soul with a knowing. 

Kevin Fletcher‘s cinematography is beautiful. Christoph Baaden’s editing is applause-worthy.  Each cast member gives us precisely what we need from them. NORA manages to be both unique and extraordinarily universal. It is a must-see. 

NORA Trailer:

Releasing in Theaters in Los Angeles on April 11th and in New York on April 18th


The journey of self discovery isn’t always easy. Returning to her hometown after abandoning her music career, Nora finds it difficult to settle into the new demands of suburban motherhood. When her husband goes on tour and leaves her solo-parenting their precocious six-year-old, Nora is forced to evaluate her current circumstances and the dreams she left behind.

 

Directed by:

Anna Campbell

Written by:
Anna Campbell

Starring: 
Anna Campbell
Lesley Ann Warren
Sophie Mara Baaden
Nick Fink
Jay Walker
Max Lesser
Nancy Hale

Running Time:

101 Minutes 

 

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‘GREEN AND GOLD’ (2025) The feel-good, family film with a message is now available on VOD!

GREEN AND GOLD

Green and Gold Poster

 

 

Green and Gold highlights small-town farmers’ vital role as stewards of the land and pillars of their communities. Over the past 5 years alone, America has lost more than 140,000 family farms, but their resilient spirit endures. The film highlights hard work, love for the land, and commitment to preserving legacies for future generations.

Set against the backdrop of the 1990s, Green and Gold celebrates the enduring spirit of family, community, and football focusing on the heartwarming and triumphant journey of a small-town farmer.

Madison Lawlor as Jenny #1 in GREEN AND GOLD, credit Childe Productions.jpgNelson remarked, “This story felt personal to me, I felt a real connection to it because the Nelson family farm has been a working farm in South Dakota since the Civil War, and my wife’s family were also farmers. Green and Gold captures the tenacity of small-town farmers and the strength of family and community. I was honored to play Buck and highlight the dreams defining many lives in America’s heartland.”

Director Anders Lindwall expressed, “Growing up just north of Green Bay as the grandson of a dairy farmer and die-hard Packers fans, my brother Davin and I poured our hearts into this film. It’s our tribute to small-town communities and the values they stand for.”

Packers' Fans Gather in GREEN AND GOLD, credit Childe ProductionsThis meaningful film is presented in collaboration with Culver’s and the Green Bay Packers, the nation’s only community-owned professional football team. Culver’s small-town Wisconsin roots give the restaurant franchise a true heart for agriculture and inspired the creation of its Thank You Farmers® Project, which has donated more than $6.5 million to​​ensure a sustainable food supply for the future.

As for the Green Bay Packers, this marks the team’s first time partnering with a feature film on this level, adding a unique depth to the story. “Green and Gold portrays the story of Packers fans’ devotion to legacy and community—it is a must-see. We are proud to be part of a story celebrating supporting one another and showcasing the critical role that family farms play across our great state of Wisconsin and beyond,” said Packers director of corporate partnership sales & activations, Justin Wolf.

Brandon Sklenar as Billy in GREEN AND GOLD, credit Childe ProductionsGreen and Gold is directed by Anders Lindwall and produced by Davin Lindwall and Aaron Boyd. Dan Visser, Darren Moorman, Scott Pomeroy, Craig Cheek, and Brooks Malberg executive produce the feature film. The screenplay was written by Steven Shafer, Michael Graf, Missy Mareau Garcia, and Anders Lindwall.

Green and Gold was named an Official Selection and Audience Award Winner at the 2024 Austin Film Festival. The film received Official Selection and Audience Choice at the Heartland Film Festival for its compelling storytelling and emotional depth.

About Culver’s and the Thank You Farmers Project

Since its founding in 2013, Culver’s Thank You Farmers® Project has donated over $6.5 million to agriculture, ensuring a sustainable food supply for future generations. Culver’s is a proud partner of the National FFA Foundation, investing in youth leadership and climate-smart agricultural practices. Learn more about the Thank You Farmers® Project at www.culvers.com/thank-you-farmers-project.

Green and Gold still

Gold and Green is an authentic, multigenerational story of family values and self-discovery. The film is a great companion watch with the David Duchovny film REVERSE THE CURSE. Both delve into child/parent relationships that heavily revolve around a sports team. Oh, and Craig T. Nelson never misses. Check out the trailer below.

Gold and Green Trailer:

For more information, visit greenandgoldmovie.com and on social IGFB @greenandgoldmovie
 

‘MOLA: A Tibetan Tale of Love and Loss (SXSW 2025) A thoughtful exploration of grief AND a celebration of life.

SXSW 2025_Website-SEO-3Mola: A Tibetan Tale of Love and Loss

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Filmmakers Martin Brauen and Yangzom Brauen give SXSW 2025 audiences many things in their intimate documentary Mola: A Tibetan Tale of Love and Loss. Kunsang Wangmo is a firecracker. A Tibetan nun exiled from her homeland in 1959 to escape the Chinese occupation turns 100, and her final wish is to die in her homeland. The film explores respect, a stunning cultural snapshot, and generational healing.

The audience gets a boot camp lesson in Buddhism. The religion relies on the concept of embracing life to achieve full consciousness. In this practice, death is more fulfilling. Mola displays respect for all creatures through prayer and everyday gestures, some as small as encouraging flies to feast upon her leftover fruit.

Archival footage from Tibet is equal parts magical and devastating. Mola recalls her life’s journey in voice-over narration. Her harrowing escape to an Indian refugee camp as a young mother is difficult to hear but hauntingly parallels the current global upheaval. Twelve years later, a move to Switzerland with Sonam and Martin changed everything, finally providing well-deserved stability and forty-five years of family life.

Mola_ A Tibetan Tale of Love and Loss_ - [schedule.sxsw.com]However, the underlying generational trauma manifests in a contentious mother-daughter relationship. Mola uses humor and cutting words as shields. Patrick Kirst‘s score captures each beat, whether melancholy or joy. Sonam wishes for her to stay for all the reasons one would expect a loved one to feel.

Mola’s birthday wish is to go home. Martin works diligently toward obtaining a visa for her return to Tibet. After months of back-and-forth emails, Mola begins a new adventure in her homeland, while Sonam starts a new stage of grief. Watching her mother experience pure joy after 40 years is draining. Six months later, the Chinese government denied Mola’s visa renewal, but she is ready to return to Switzerland. Unsurprisingly, Mola’s health rapidly declines upon her return, and a new wave of acceptance falls upon the shoulders of the entire family. Witnessing the decline of a loved one is something you can never prepare yourself for.

There is something peaceful about MOLA. Its quiet, contemplative nature delivers an unexpected universality. It honors the life of a woman whose faith extended until her last breath.

MOLA - A Tibetan Tale of Love and Loss portrait


Kunsang Wangmo – known as “Mola” to her family – is a Tibetan nun exiled from her homeland in 1959 to escape the Chinese occupation. Now 100 years old, and after living with her daughter Sonam in Switzerland for the past 45 years, she decides her last wish is to die in Tibet. This is the story of a mother and daughter coming to terms with this phase in Mola’s life, and Sonam and her husband Martin’s journey to make Mola’s last wish come true.

Molafilm.com

Mola Trailer

Yangzom Brauen

yangzom-brauen-303042 (1)

Yangzom is an award-winning Film & TV Director recognized for her short film Born in Battle, which won UNESCO and audience awards. She has directed over 30 hours of TV, including NCIS LA, Hawaii Five-0, and American Horror Stories. A bestselling author of Across Many Mountains, she’s a passionate Tibetan Freedom advocate, fluent in five languages.

Martin Brauen

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Martin Brauen (b. 1948) is an anthropologist, curator, and author specializing in Tibetan, Nepalese, Bhutanese, and Japanese cultures. Former chief curator of the Rubin Museum in NYC, he has curated nearly 100 exhibitions and authored many works, including The Mandala. A filmmaker, he explores cultural traditions through films and 3D animations.

Credits

Directors:

Yangzom Brauen, Martin Brauen

Executive Producer:

Sonam Brauen, Martin Brauen, Yangzom Brauen, Daniel Stanca-Di Marco, James Haygood, Michael Raimondi

Producer:

Katherine LeBlond

Screenwriter:

Yangzom Brauen, Martin Brauen

Cinematographer:

Martin Brauen, Yangzom Brauen

Editor:

James Haygood, Samir Samperisi

Sound Designer:

Peter von Siebenthal, Arlind Sermaxhaj, Eliot Martig

Music:

Patrick Kirst

Principal Cast:

Kunsang Wangmo, Sonam Dolma Brauen, Martin Brauen

Additional Credits:

Co-Producer: Kevin Merz, Co-Producer: Samir Samperisi, Co-Producer: Silvana Bezzola Rigolini, Co-Producer: Michael Beltrami, Co-Producer: RSI Radiotelevisione Svizzera

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‘TIGER’ (SXSW 2025 short) Tragedy, art, and family legacy bloom in this mesmerizing short.

SXSW 2025_Website-SEO-3TIGER

tiger posterTragedy follows a family of creatives. Dana Tiger‘s artist father was the creator of the t-shirt brand Tiger. After his untimely death, her mother pushed his art into the homes of millions in the 80s. The entire family begins silkscreening orders to JCPenney day and night. When the youngest sibling, Chris, unexpectedly passes the same way, the business halts, and hope fades. But the Tiger story does not end there.

Tiger Dana TigerHome videos, family photographs, original art, and a haunting ancestral voice carry us through the family’s past and present. Dreamlike editing, filled with dynamic choices, creates a mesmerizing 12 minutes. An extraordinary story of resiliency, loyalty, and validation, TIGER is an inspiring short about generational healing and legacy.

Credits

Director:

Loren Waters

Executive Producer:

Loren Waters, Robert L. Hunter

Producer:

Dana Tiger, Loren Waters

Screenwriter:

Loren Waters

Cinematographer:

Robert L. Hunter

Editor:

Amanda Moy, Eva Dubovoy

Sound Designer:

Amanda Moy, Eva Dubovoy

Music:

Trevor Kowalski

Principal Cast:

Dana Tiger, Lisa Tiger

Additional Credits:

Senior Colorist: Andrew Francis, Associate Producer: Dylan Brodie, Post Sound Mixer: James Russell, First Assistant Camera: Marissa Shoemaker, Production Assistant: Serena Jones

sxsw2025_banner_860For all things SXSW, click here!