
- Curb Your Enthusiasm – New Season October 1st
- Jon Stewart to headline 2 comedy specials
- Drama series The Deuce, starring James Franco (x 2) and Maggie Gyllenhaal, debuts Sept. 10
- Documentary lineup for second half of 2017
Curb Your Enthusiasm – New Season October 1st
The Emmy®– and Golden Globe-winning comedy series CURB YOUR ENTHUSIASM, starring Larry David, returns for its ten-episode ninth season SUNDAY, OCT. 1 (10:00-10:30 p.m. ET/PT), on HBO. The show stars “Seinfeld” co-creator David as an over-the-top version of himself in an unsparing but tongue-in-cheek depiction of his life.
The new season brings back cast favorites Cheryl Hines as Cheryl, Jeff Garlin as Jeff, Susie Essman as Susie and J.B. Smoove as Leon, as well as series veterans Richard Lewis, Bob Einstein, Ted Danson and Mary Steenburgen.
Also appearing on CURB YOUR ENTHUSIASM this season are Elizabeth Banks, Ed Begley, Jr., Carrie Brownstein, Bryan Cranston, Lauren Graham, Jimmy Kimmel, Nick Offerman, Nasim Pedrad and Elizabeth Perkins.
Season nine directors include Jeff Schaffer, Larry Charles, Robert B. Weide, Jessie Nelson and Bryan Gordon.
CURB YOUR ENTHUSIASM was created by Larry David; executive produced by Larry David, Jeff Garlin and Jeff Schaffer.
Jon Stewart to headline 2 comedy specials
Jon Stewart is set to headline two HBO comedy specials, it was announced today by Casey Bloys, president, HBO Programming. He will return to HBO for his first stand-up special since the 1996 HBO presentation “Jon Stewart: Unleavened,” with the date and location to be announced as they are confirmed.
Additionally, this fall Stewart will host the latest “Night of Too Many Stars” all-star benefit for NEXT For AUTISM, to be presented live from The Theater at Madison Square Garden in New York on Saturday, Nov. 18. The special will feature stand-up performances, sketches and short films. The comedy event was created by comedy writer and performer Robert Smigel to support autism schools, programs and services. NEXT for AUTISM (formerly New York Collaborates for Autism) is a non-profit organization that strategically designs, launches and supports innovative programs to improve the lives of people living with Autism Spectrum Disorder.
“We’re excited to bring Jon to the network with this pair of specials,” said Bloys. “We’ve all missed his uniquely thoughtful brand of humor.”
“I’m really thrilled to be able to return to stand-up on HBO,” adds Stewart. ”They’ve always set the standard for great stand-up specials. Plus, I can finally use up the last of the Saddam Hussein jokes left over from my first special.”
Jon Stewart became the host of “The Daily Show with Jon Stewart” in 1999, stepping down from the show in 2015. The series received 23 Primetime Emmys® and two Peabody Awards. Stewart hosted the Academy Awards® twice, in 2006 and 2008, and wrote the New York Times bestselling books “Earth (The Book): A Visitor’s Guide to the Human Race” and “America (The Book): A Guide to Democracy Inaction,” which was on the New York Times bestseller list for 18 consecutive weeks. He also wrote and directed the 2014 feature film “Rosewater.”
In addition to “Jon Stewart: Unleavened,” his first HBO stand-up special, his previous HBO credits include hosting the special “George Carlin: 40 Years of Comedy,” “Mr. Show with Bob and David” and a recurring role on “The Larry Sanders Show.”
Drama series The Deuce, starring James Franco (x 2) and Maggie Gyllenhaal, debuts Sept. 10
THE DEUCE chronicles that moment in time when sex went from being a back-alley, brown-paper-bag commodity to a billion-dollar universal in American life, a moment when ground zero for the earliest pioneers in the flesh trade was the midtown heart of the nation’s largest city, New York’s Times Square.
Titled after the local slang for New York’s fabled 42nd Street and starring James Franco and Maggie Gyllenhaal, THE DEUCE begins its eight-episode season SUNDAY, SEPT. 10 (9:00-10:20 p.m. ET/PT), followed by other episodes subsequent Sundays at the same time. The show was created by George Pelecanos and David Simon; George Pelecanos, David Simon, Nina K. Noble and James Franco executive produce.
THE DEUCE follows the rise of the porn culture in New York from the early 1970s through the mid-1980s, exploring the rough-and-tumble world of the sex trade from the moment when both a liberalizing cultural revolution in American sexuality and new legal definitions of obscenity created a billion-dollar industry that is now an elemental component of the American cultural landscape, with sites where you can see naked girls online all the time. Beginning in 1971, the show follows a cast of barkeeps, prostitutes, pimps, police and nightlife denizens as they swirl through a world of sex, crime, high times and violence and the porn business begins its climb from Mafia-backed massage parlors and film labs to legitimacy and cultural permanence.
Documentary lineup for second half of 2017
Upcoming HBO documentaries include (in chronological order):
BRILLO BOX (3¢ OFF) (Aug. 7) blends a humorous family narrative with Pop Art history, following an iconic Andy Warhol work as it makes its way from a New York family’s living room to the contemporary global art market. Exploring the ephemeral nature of art and value and the decisions that shape a family’s history, the film debuts the week of Warhol’s 89th birthday. An official selection of the 54th New York Film Festival. Directed by Lisanne Skyler.
CLINICA DE MIGRANTES (Sept. 25) is an affecting portrait of a volunteer-run health clinic that treats uninsured, undocumented immigrants, many of whom have left their families behind to come to America and perform physically exhausting labor for meager wages. With extraordinary access and moving vérité footage, it highlights these admirable doctors and the patients who have nowhere else to turn for health care. Directed by Max Pozdorovkin (HBO’s “Pussy Riot: A Punk Prayer”).
SPIELBERG (Oct. 7) pulls back the curtain on the remarkable career of Steven Spielberg, one of the most famous filmmakers in the world. Producer-director Susan Lacy conducted nearly 30 hours of interviews with the director for the documentary, as well as interviewing members of Spielberg’s family, close friends and A-list colleagues. The result is a remarkably intimate portrait, combining personal narrative with an in-depth exploration of Spielberg’s creative process and craftsmanship. Directed by Susan Lacy.
ROLLING STONE DOCUMENTARY (untitled) (Nov.) chronicles the last 50 years of American music, politics and popular culture through the story of the magazine that understood rock‘n’roll was more than music – it was a cultural force that re-shaped America. Drawing on previously unheard recordings provided by some of Rolling Stone’s greatest writers, as well as original interviews, rare photos and footage, this two-part special is an inside look at how the magazine helped define the zeitgeist and has endured for a half-century. Directed by Alex Gibney and Blair Foster.
BALTIMORE RISING (Nov.) goes deep behind the scenes of a city on edge in the wake of the 2015 death of Freddie Gray in police custody, which sparked protests and destructive riots. Director Sonja Sohn, one of the stars of the HBO series “The Wire,” follows local activists, police officers, community leaders and gang affiliates, many of whom had previously only seen each other as adversaries, as they fight for change and struggle to hold Baltimore together. Directed by Sonja Sohn.
HAPPENING: A CLEAN ENERGY REVOLUTION (Dec.) follows filmmaker Jamie Redford on a colorful journey to discover the leading edge of clean energy across the U.S. Unlikely entrepreneurs in communities from Georgetown, Tex. to Buffalo, NY reveal pioneering clean energy solutions that are creating jobs, turning profits and making communities stronger and healthier. Reaching beyond a story of technology and innovation, his discoveries underscore issues of human resilience, social justice, embracing the future and finding hope for humanity’s survival. Directed by Jamie Redford.




When a group of 20 something friends plan a New Year’s Eve getaway at an old mansion, things get heated when accusations fly, drugs and alcohol are plenty, and there is no signal for phones or wifi. Oh, and did I mention they start dying one by one? While this may sound like you’ve already seen this movie a hundred times, don’t be fooled by the build up. Le Manoir is one hell of a unique dark comedy horror. This movie is what the Scary Movie franchise could have looked like if they were actually intending on genuinely scaring you. The dialogue is much less punny but seriously over the top. Think Evil Dead meets Scooby Doo in all the best ways possible (and you can add in Scream just for good measure). The cinematography is great and the impact of the music and sound editing is spot on. Not only that, but the cast is shockingly comprised of YouTube stars… and they’re fantastic! The chemistry is beyond and each holds their own and then some. I legitimately laughed out loud during the entire 96-minute run. I highly recommend you seek this film out at and after this year’s Fantasia Festival. Check out the trailer below.




KILLING GROUND marks the debut feature of writer/director Damien Power and stars Australian actors Aaron Pedersen (ABC’s “Jack Irish”), Ian Meadows (Network Ten’s “The Wrong Girl”), Harriet Dyer (Nine Network’s “Love Child”) and Aaron Glenane (Truth).
As a kid, I was an avid camper. After seeing Killing Ground, I may never go again. As a mother, thanks to this film, I’ll never, ever bring my children with me to a remote location where I am more than shouting distance away from lots and lots of other campers… with weapons. Killing Ground is a slow burn of menace that keeps you feeling uneasy and queasy it’s entire 93 min runtime. With a multiple narrative style, you already know something horrible is coming but you’re forced to sit through the time jumps just to get to certain doom. Anything with balls enough to put children in true, murderous harm’s way will get me every time now that I’m a parent. But you don’t have to have kids of your own to be deeply affected by the horrors on screen, you just have to have an ounce more heart than the film’s villains. While last week’s SOLD OUT screening at Fantasia Fest may have left many in the lurch, fear not. Killing Ground actually gets its theatrical and VOD release this week, July 21st. Check out the trailer below.


Footnotes comes at a perfect time in cinema history where the movie musical is once more appreciated and praised. This sweet and relatable story of Julie having to choose between love and loyalty has all the whimsy of a great French musical from the 60’s. From the costumes to the Fosse-esque choreography, Footnotes brings a smile to your face at each turn. It is very reminiscent of The Pajama Game but set this time in a shoe factory. Lead, Pauline Etienne is as charming and awkward as the role of Julie requires. Her airy voice suits the role and is a lovely foil to the gaggle of surprising factory women. With a wonderful, never over the top message of respect in the workplace and equal pay, this gem of a film will have your feet tapping and heart singing, no doubt about it. You can listen to the soundtrack right now on Spotify (link below) but first, check out the trailer. You can catch Footnotes in theaters today!










The film features an all-star ensemble cast including
Once Upon A Time In Venice is one quirky piece of hilarity. While I was not prepared to see Bruce Willis buck naked on a skateboard, I was not mad about it. The film is a bit all over the place but wildly entertaining. In practically every new scene there is a crazy celebrity cameo, aside from the major ensemble cast to begin with. Willis and Goodman are charming as ever. Momoa is almost unrecognizable and Middleditch is genuinely adorable. Everyone is stellar and the script has some huge laugh out loud moments. 


Maudie is the story of two misunderstood people who yearn for physical and emotional connection. Finding one another at their loneliest, Maud and Everett form a seemingly unlikely bond navigating their way from work relationship to honest intimacy. The script has a quiet beauty, with cinematography that is as vibrant as Maud’s unique artwork. Sally Hawkins‘ performance in the titular role is nothing short of award-worthy. While portraying real life folk artist stricken with severe arthritis, each movement seems both physically pained and balletic all at once. Ethan Hawke steps outside his usual cool guy fare to portray a rather rough around the edges fishermonger. Their chemistry on screen is an absolute joy to watch. Maudie is an unusual love story that will capture your heart and touch your soul.






Camera Obscura has an engrossing plot. The script has nods to horror classics like Amityville, Final Destination, and every haunted object film out there. Adding in the element of PTSD allows the audience to further question what is real and what is in the mind’s eye. There are some truly vibrant visuals when those lines are blurred. With a fair number of skin-crawling moments thrown in, Camera Obscura does its job at entertaining and keeping you guessing. I certainly did not see the ending coming. I will also give credit to the fact that the pace is already ramped up in full force before we’re even 20 minutes in. The cast is wonderful with particularly outstanding moments coming from Catherine Curtain and (no stranger to the horror genre) Andrew Sensenig. All while utilizing throwback ideas, Camera Obscura stands on its own as something disturbing and unique. You can catch the trailer below.




Buster’s Mal Heart took everyone by surprise this year. There seemed to be 2 distinct reactions once the credits began to role. 1. That was terrible. 2. That was amazing. I happen to be in the party of the amazing. Rami Malek is the perfect choice for this role. With the incredibly successful run of Mr. Robot, Malek takes on yet another role that is mysterious and mind-bending. Whether you enjoyed the film or not, there was no arguing that it left you wondering what the hell you just watched. The plot is left to the audience’s interpretation at times. There is zero doubt about the talents of Malek in what is a challenging role. Half the film has no dialogue from his character at all. Nuanced and heartbreaking but also filled with innocent humor, you will never be bored and you will be made to think. Buster’s Mal Heart will keep you guessing long after you leave the theater and well, isn’t that what great cinema is all about?
The film is now in theaters and if you’re already a fan of Malek, I highly recommend you catch this film. The 1hr 36min run feels longer but in the best way possible. The film’s themes go full speed ahead, and there is a number of them. From best intentions, living up to other’s expectations, to anarchy and testing one’s own sanity, Buster’s Mal Heart will confuse and provoke you. You’re going to want to watch it over and over. We’d love to hear your thoughts once you’ve seen the film! Check out the madness that is the trailer below.
There is a ton of potential in The Shadow Effect. Stars Cam Gigandet and Jonathan Rhys Meyers are both absolutely on point with their performances. They try very hard with the material provided, so it’s not really their fault that the film’s inconsistent moments of great and not so good cannot match up to the caliber of their talents. The editing is the guilty culprit. There are moments in the first half of the film with stellar use of speed dynamics that set up the plot, but the CG is downright awful. Some of the action sequences, including punches, are ill-timed and/or missing the proper sound effect. It’s incredibly distracting. The Shadow Effect might have been better off as a series on SyFy network. The script is intriguing enough to hold your attention, but I yearned for more. There is so much we’re missing or quickly glazed over that I think multiple episodes would have done a better job at delving into the past of all the characters. Trying to shove everything into about a 95-minute run doesn’t do any one plot line the justice it deserves.



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