I’m Baaaaaack….and Here’s My Top 50 of the Decade

Hello all! It’s been nigh on four years since I last dropped some knowledge on you here at Reel News Daily. I went off and got a Master’s degree, new job and all that, but have still been rocking films from all over the world. I’m happy to be back in the fold here at Reel News Daily and look forward to contributing more this year. Don’t you feel lucky?

So, I figured my phoenix rising from the ashes post should be something that might start a little conversation – my Top 50 films of the last decade. There were so many great films to choose from, which made this list very difficult. After two days of whittling it down and moving films around, I feel confident with what I decided on. I’m sure I missed a few of your favorites, but this is my list so you’ll just have to deal with it.

Here we go:

50) Shoplifters (2018) dir. by Hirokazu Koreeda
49) Spider-Man: Into the Spider-Verse (2018) dir. by Bob Perischetti, Peter Ramsey & Rodney Rothman
48) Gone Girl (2014) dir. by David Fincher
47) A Hidden Life (2019) dir. by Terrence Malick
46) Annihilation (2018) dir. by Alex Garland
45) Under the Skin (2013) dir. by Jonathan Glazer
44) Her (2013) dir. by Spike Jonze
43) The Favourite (2018) dir. by Yorgos Lanthimos
42) Take Shelter (2011) dir. by Jeff Nichols
41) Leviathan (2012) dir. by Lucien Castaing-Taylor & Verena Paravel
40) Upstream Color (2013) dir. by Shane Carruth
39) Death of Stalin (2017) dir. by Armando Iannucci
38) Columbus (2017) dir. Kogonada
37) Holy Motors (2012) dir. by Leos Carax
36) Shame (2011) dir. by Steve McQueen
35) Scott Pilgrim Vs. the World (2010) dir. by Edgar Wright
34) Midnight in Paris (2011) dir. by Woody Allen
33) Stories We Tell (2012) dir. by Sarah Polley
32) Cold War (2018) dir. by Pawel Pawlikowski
31) Mad Max: Fury Road (2015) dir. by George Miller
30) Inside Llewyn Davis (2013) dir. by Ethan & Joel Coen
29) The Look of Silence (2015) dir. by Joshua Oppenheimer
28) We Need to Talk About Kevin (2011) dir. by Lynne Ramsay
27) BlacKkKlansman (2018) dir. by Spike Lee
26) First Reformed (2017) dir. by Paul Schrader
25) Carol (2015) dir. by Todd Haynes
24) Winter’s Bone (2010) dir. by Debra Granik
23) Citizenfour (2014) dir. by Laura Poitras
22) Animal Kingdom (2010) dir. by David Michôd
21) A Separation (2011) dir. by Asgar Farhadi
20) Meek’s Cutoff (2010) dir. by Kelly Reichardt
19) La La Land (2016) dir. by Damien Chazelle
18) Phantom Thread (2018) dir. by Paul Thomas Anderson
17) The Lobster (2015) dir. by Yorgos Lanthimos
16) Calvary (2014) dir. by John Michael McDonagh
15) Best of Enemies: Buckley Vs. Vidal (2015) dir. by Robert Morgan & Morgan Neville
14) Looper (2012) dir. by Rian Johnson
13) Frances Ha (2013) dir. by Noah Baumbach
12) Beasts of the Southern Wild (2012) dir. by Benh Zeitlin
11) Lady Bird (2018) dir. by Greta Gerwig
10) A Girl Walks Home Alone at Night (2014) dir. by Ana Lily Amirpour
9) Moonlight (2016) dir. by Barry Jenkins
8) Only Lovers Left Alive (2013) dir. by Jim Jarmusch
7) Zero Dark Thirty (2012) dir. by Kathryn Bigelow
6) The Tree of Life (2014) dir. by Terrence Malick
5) You Were Never Really Here (2017) dir. by Lynne Ramsay
4) Ex Machina (2014) dir. by Alex Garland
3) Melancholia (2011) dir. by Lars Von Trier
2) The Act of Killing (2012) dir. by Joshua Oppenheimer

1) The Master (2012) dir. by Paul Thomas Anderson

So there you have it. It was a tough job, but I was happy to do it. Here are a few that nearly made the list: Everybody Wants Some!! (underrated Richard Linklater that more people should watch), Tomas Alfredson’s slow burn spy thriller Tinker Tailor Soldier Spy and Paul Thomas Anderson’s hippie noir adaptation of Thomas Pynchon’s Inherent Vice. Admittedly, it was hard to weave many of the films from 2019 into the list as they’ll need to sit me a longer. I will say that Bong Joon Ho’s Parasite and Noah Baumbach’s Marriage Story nearly edged their way on.

Here’s to hoping that the next ten years brings as many great films as the last ten have.

Netflix News: New teaser for ‘Alias Grace’ – mini-series based on the award-winning novel by Margaret Atwood

Inspired by the historical true story of convicted murderer Grace Marks and based on the award-winning novel by Margaret Atwood, here’s a first look at the new six-hour miniseries Alias Grace:

The series will be broadcast in Canada on CBC and will stream everywhere else globally on Netflix on Friday, November 3.

The story of Alias Grace follows Grace Marks (Sarah Gadon), a poor, young Irish immigrant and domestic servant in Upper Canada who, along with stable hand James McDermott (Kerr Logan), was convicted of the brutal murders of their employer, Thomas Kinnear, and his housekeeper, Nancy Montgomery (Anna Paquin), in 1843. James was hanged while Grace was sentenced to life imprisonment. Grace became one of the most enigmatic and notorious women of 1840s Canada for her supposed role in the sensational double murder, and was eventually exonerated after 30 years in jail. Her conviction was controversial, and sparked much debate about whether Grace was actually involved in the murder, or merely an unwitting accessory.

Alias Grace is written and produced by Sarah Polley (Looking for Alaska, Take this Waltz, Away from Her) and directed by Mary Harron (American Psycho, I Shot Andy Warhol). The series is a co-production with Halfire Entertainment, CBC and Netflix. The executive producers are Polley, Harron, and Noreen Halpern.

Netflix News: 6-hour mini-series adaptation of award-winning novel ‘Alias Grace’ will be your new crime story binge

Netflix

I’m super stoked for this. Sarah Polley, writer/director of one of my favorite films of 2011, Take This Waltz (go watch now on Netflix & Hulu) is writing and producing and Mary Harron, yes, American Psycho director, will direct this mini-series from the novel by Margaret Atwood. Woman, woman, WOMAN.



Halfire Entertainment, CBC and Netflix announced that production will begin on Alias Grace, a six-hour miniseries inspired by the historical true story of convicted murderer Grace Marks and based on the award-winning novel by Margaret Atwood. The miniseries is being written and produced by Sarah Polley (Looking for Alaska, Take this Waltz, Away from Her) and will be directed by Mary Harron (American Psycho, I Shot Andy Warhol), with production scheduled to begin in Ontario in August 2016.  Alias Grace will be broadcast in Canada on CBC and will stream everywhere globally on Netflix.

The story of Alias Grace follows Grace Marks, a poor, young Irish immigrant and domestic servant in Upper Canada who, along with stable hand James McDermott, was convicted of the brutal murders of their employer, Thomas Kinnear, and his housekeeper, Nancy Montgomery, in 1843. James was hanged while Grace was sentenced to life imprisonment. Grace became one of the most enigmatic and notorious women of 1840s Canada for her supposed role in the sensational double murder, and was eventually exonerated after 30 years in jail. Her conviction was controversial, and sparked much debate about whether Grace was actually involved in the murder, or merely an unwitting accessory.

 

“Sarah Polley wrote a stunning six-hour script, based on Margaret Atwood’s award-winning novel, and we are thrilled that CBC and Netflix have joined forces to co-commission this miniseries,” said Noreen Halpern, President of Halfire Entertainment.

“I first read Alias Grace when I was 17 years old and throughout the last 20 years I have read it over and over, trying to get to the bottom of it,” said Polley. “Grace Marks, as captured by Margaret Atwood, is the most complex, riveting character I have ever read. I’m thrilled that Mary Harron has taken the project on. I know that her ability to create suspense, tension, and delve into the dark, unknowable aspects of her characters will bring this piece alive. I can’t wait for us to bring the many versions of Grace’s gripping story, and the questions they raise, to television audiences.”

Both the screen adaptation and the Margaret Atwood novel on which the miniseries is based, introduce a fictional young doctor named Simon Jordan who researches the case and begins to fall in love with Grace. He soon becomes obsessed with her as he seeks to reconcile his perception of the mild-mannered woman he sees with the savage murder of which she has been convicted.

“Sarah Polley has done a brilliant adaptation of Margaret Atwood’s classic novel, which combines the richness of period drama with the tension and mystery of a modern day ‘Serial’,” said Harron. “It is an honour to be chosen to take this captivating story to the screen and to give new audiences the thrill of watching it unfold.”

“We’re beyond thrilled to collaborate with this amazingly talented team of Canadian women to bring Sarah Polley’s stunning script to Canadian audiences,” said Sally Catto, General Manager, Programming, CBC Television. “This important work tells the story of a complex woman, and I can’t imagine a more exceptional team to bring Margaret Atwood’s novel to the screen.”

“The opportunity to be involved with Alias Grace and world class storytellers was an opportunity we could not pass up,” said Elizabeth Bradley, Netflix Vice President of Content. “We are looking forward to working with our partners at Halfire Entertainment and CBC to bring this compelling miniseries to our worldwide audience.”

Alias Grace will be broadcast in Canada on CBC and stream globally on Netflix. executive producers will be Sarah Polley, Mary Harron and Noreen Halpern (Aftermath, Working the Engels, Rookie Blue). Co-producing alongside Polley will be D.J. Carson (Spotlight). Polley was nominated for an adapted screenplay Academy Award for the 2006 drama Away from Her, which was adapted from the Alice Munro short story The Bear Came Over the Mountain.

Published in 1996, Alias Grace was awarded the Giller Prize and was shortlisted for the Booker Prize. Additional books by Atwood that have been adapted for film and television include The Handmaid’s Tale, Payback, The Robber Bride, The Sin Eater and Surfacing. Kids’ CBC recently greenlit an animated series based on Atwood’s children’s book The Wide World of Wandering Wenda.