THE LINE
Director Ethan Berger’s Tribeca 2023 film THE LINE hits theaters this week. The film follows Tom, a scholarship student desperately seeking the approval of his fraternity brothers and the perks that encircle them. After starting a relationship with classmate Annabelle, a girl his peers find unsuitable, Tom finds himself trapped between tradition and danger.
The script never shies away from the cringiest of frat behavior. Don’t feel bad for your repeated eye rolls. The soundtrack is perfect for 2014.
Austin Abrams gives pledge O’Brien a much-needed vulnerability within the hyper-toxic masculinity but also counters with his own brand of hideous aggression. Much like Tom’s, his facade is more nuanced than at first glance. Abrams is great as he challenges the system. Bo Mitchell plays Tom’s roommate Mitch Miller with an infectious exuberance. He’s a hurt kid who overcompensates for not fitting in. Mitchell is spectacular.
Alex Wolff instantly became a legend in Hereditary. As Tom, he plays both sides of the card. Tom is a genuinely good person and a weak sheep, and Wolff pulls it off effortlessly by digging into Tom’s unresolved trauma. He delivers an emotional rollercoaster for the audience.
THE LINE has an authenticity that is infuriating, which is a compliment. It touches on privilege in a marvelously slick manner. The film boasts a finale that is nothing short of perfect. THE LINE is a film that every parent should watch and something every frat brother should acknowledge.
The Line Trailer:
Opens in select theaters on October 18th,
expands on October 23rd
Synopsis
The Line is a campus thriller that plunges into the dangerous world of college fraternities and blind adherence to tradition.
Alex Wolff stars as Tom, a scholarship student desperate to break free from his working-class background who is charmed by the prestigious KNA fraternity’s promises of high social status and alumni connections that open doors. But upon beginning a romance with Annabelle (Halle Bailey), a classmate outside of his social circle, and the manipulative schemes of his fraternity president (Lewis Pullman) unfolding during the hazing of new members, Tom finds himself ensnared in a perilous game of ambition and loyalty.
About the Director
Ethan Berger was born and raised in Los Angeles. He has his B.A. in Film Studies from Wesleyan University. He started his career as an editor before transitioning to writing and directing commercials. He’s made nationally televised spots for brands like Jordan Brand and Stella Artois and web spots for Nike and Intel. He was a writer and a producer on the 8-part mini-series “More Than an Athlete” for ESPN, chronicling the rise of LeBron James, Mav Carter, Rich Paul, and Randy Mims. His debut narrative The Line, which he wrote and directed, premiered at Tribeca Festival in the summer of 2023.
Director: Ethan Berger
Screenwriters: Ethan Berger, Alex Russek
Producers: Alexandre Dauman, Jack Parker, Adam Paulsen, Lije Sarki
Executive Producers: Taylor Grant, Zack Purdo, Ramanan Sivalingam, Dustin Zhang, Magnus Rausing, Ryan Alexander, Stacey Grant, Jay Van Hoy, Marc Porterfield
Cast: Alex Wolff, Lewis Pullman, Halle Bailey, Austin Abrams, Angus Cloud, Bo Mitchell, Cheri Oteri, Scoot McNairy, Denise Richards, John Malkovich
Cinematographer: Stefan Weinberger
Production Designer: Francesca Palombo
Costume Designer: Akua Murray-Adoboe
Editor: Ted Feldman
Composer: Daniel Rossen
Casting Director: Chris Freihofer
Country: United States
Language: English
Runtime: 100 minutes
BUCKY F*CKING DENT
David Duchovny adapts his novel of the same name for the big screen at Tribeca’s 2023. If you grew up a Red Sox fan like I did, the name Buck Dent is akin to “He Who Shall Not Be Named” in Harry Potter. Being a Sox fan, I was constantly aware of the curse. You can spot the mix of joy and anguish on my face throughout the years in a series of photos of little Lizzie propped up against The Green Monster. Duchovny perfectly captures the masochistic nature of born and bread fans in his heartwarming and hilarious film BUCKY F*CKING DENT.
A bit of truth and fiction, the film combines Super 8 recreations of scenes from a novel Marty never intended for anyone to see and the masterminded shenanigans from Ted and Co. The dialogue is pure acerbic deliciousness. The chemistry between Duchovny and Logan Marshall-Green is divine. The back-and-forth between the two feels effortless. I can’t remember the last time I laughed so hard at the inevitability of death.
Filmed in my and Kind’s neighborhood of the Upper West Side, the film takes place as Chloe describes it, making the scenario even funnier. Do I want to see the feature-length version of this? Yup. Is this perhaps the most convincing actual proof of concept ever created? I think it might.
Sunset in the desert. A modern mobile home splashed with paint, the bold hues almost glowing in the half-light. A man with a rifle. A shrill scream. Stuart Gatt’s Catching Dust announces itself by beginning with these enthralling moments. A film centering on a painter, it is interested in the motivations of its character, but also in placing them as figures within beautiful tableaus. The cinematography is gorgeous – there are shots in this film that could be framed and hung on your living room wall. 
Tessa Thompson is in every single frame. The gentleness in her voice is soothing. Her patience is breathtaking. Underneath her job slips a weary face. The emotional investment is palpable. This performance is a master class in measured behavior. Thompson had me in the palm of her hand.
Barbara Crampton, whom I retain the right to declare a Time Lord, plays Dr. Danielle Upton. Had this film been made 20 years ago, she would be Beth. Crampton is as good as it gets. She’s sharp, 100% committed, and slyly comic. Her casting is no accident, and writer Dennis Paoli (Re-Animator) again does her justice. Judah Lewis plays Asa like a pro. His ability to switch characters and match Graham’s energy is astounding. I think it is legitimate to call him a Scream King by now. Graham goes all out, essentially playing three roles in one. She’s feisty and unbridled. Easily keeping up with Crampton’s iconic status, Graham nails the style. 
Luke Evans plays Nicky with a workhorse attitude that comes off as dismissive and arrogant against Billy Porter’s caregiver grace. This dynamic rings authentic for me as the default parent in my marriage. Porter nails every aspect, from his sing-songy tone of voice with Owen to the hesitancy to speak up for his emotional needs. Seeing myself on screen hit hard. While I’ve not had to go through divorce and custody dynamics, I have had these “come to Jesus” moments with my husband. I’ve been lucky.
In the fall of 2021, filmmaker James Gallagher rode across the country with Marc Rebillet on his sold-out Third Dose Tour to capture what it was about the artist, showman, and robe-clad musical alchemist that brought thousands of people out of their homes for the first time.
Young Je’Vida comes to life through the eyes of Agafia Niemenmaa. This personification of innocence is captivating against the stark quiet of Finnish snow and ice. She is a star. Sanna-Kaisa Palo gives present-day Lida a palpable lived-in trauma and definitive rage. Dismissive at the beginning, her healing journey comes with the shedding of shame and reclamation of identity through the next generation.
Jennifer Kim plays Meg with frayed nerves and pent-up trauma on every inch of her skin. She lives inside the mind of someone who survived unspeakable horror. But, her feisty spirit and take-no-shit attitude barrel this unrelentingly intense story onward. Kim owns every second of screen time. 
Directed by John Slattery
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