Liz’s Review: ‘THE LAST FIVE YEARS’ hits every note.

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When I graduated college in 2002, everyone was buzzing about a new musical by one of my favorite lyricists/composers Jason Robert Brown. Not a single person I spoke to about The Last Five Years walked away without some sense of wonder. God only knows how I missed the run, perhaps graduation and surrounding shenanigans got in my way. Needless to say, when I heard that the show was making the jump to the big screen, I leapt at the chance to finally get in on the magic.

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In this adaptation of the hit musical, The Last Five Years is a musical deconstruction of a love affair and a marriage taking place over a five year period. Jamie (Jeremy Jordan), a young, talented up-and-coming Jewish novelist falls in love with Cathy (Anna Kendrick), a Shiksa Goddess and struggling actress. Their story is told almost entirely through song.  All of Cathy’s songs begin at the end of their marriage and move backwards in time to the beginning of their love affair, while Jamie’s songs start at the beginning of their affair and move forward to the end of their marriage. They meet in the center when Jamie proposes.

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The camera work in this film is stunning; voyeuristic without being intrusive. The opening shot is very much an homage to Hitchcock‘s bird’s eye opening shot in Psycho (no story line similarities, I assure you.) The tinted lenses used to represent the good and bad in the relationship are thoughtful and extraordinarily effective for each emotional shift. There is something truly special about this film. It appears absolutely seamless as it bounces from timeline to timeline. Jason Robert Brown‘s lyrics are some of the most accessible in the industry. Think thought provoking, stream of consciousness, meets clever and catchy musical theater for the any audience. Anna Kendrick does some of her strongest work to date as Cathy. The opening ballad, “Still Hurting’ is a killer punch in the gut. This is tough stuff and she nails it. I was thoroughly impressed. The stickler in me wishes her presence had been a tad bit stronger when it came to sharing the screen with Jordan as he sings. There seems to be a slight disconnect when he takes center stage. But, I will say her acting chops on the heavier songs are quite lovely. Jeremy Jordan as Jamie is a stunner. From the moment he appears on screen, from the first note, he owns this character. I could not have asked for more from his performance. He lights up the screen, his voice is delicious, and he is an unapologetic scene-stealer and I am so fine with that. In no way is he obnoxious, or over-the-top. In my pretty harsh musical theater book, he gets an A+. Jeremy Jordan is a star. Standing ovation to director Richard LaGravenese. Successfully adapting a musical is a huge task. This film is so down-to-earth. You do not have to be a musical theater fan to enjoy this movie. That alone, makes it a hit. I highly recommend The Last Five Years and I guarantee you will walk away humming some, if not all, of these gorgeous songs.

The Last Five Years opens today!

 

With or Without Reading the Book, The Shocking Part About ‘Fifty Shades of Grey’ Is That We Liked It

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Liz has read the book, but Melissa hasn’t. Here’s their individual takes on the movie they were totally surprised by.


 

Melissa Hanson aka Dial M For Melissa
Managing Editor / Podcast Producer
Growing up, Melissa’s favorite destination was always the video store and would agonize over whether to watch something new or to rewatch a favorite. Things have not changed.
Follow on Twitter @DialMForMelissa 

I did not read the books. Once the hype started, I pretty much dismissed them and the movie announced. I had a few friends read it, and did try to read it myself, but couldn’t get past a few pages. All I knew was that there’s a “plain,” innocent girl and there’s a rich guy who’s into BDSM. Oh, and people (mostly women) are going nuts over it and it’s already selling out screenings. I didn’t really pay much attention to it and had zero interest in watching, but then, I saw Jamie Dornan is Christian Grey. This piqued my interest because he’s in the Netflix series, The Fall, which I absolutely love. Ok, so I’ll watch Fifty Shades of Grey.

Here’s the big shock: it’s actually a very interesting story of a man and woman who surprisingly talk about their relationship intimacy. It’s just disguised as sex. This could have been shown at a film festival and I wouldn’t have even known the difference.

Although it’s a little drawn out and definitely crawls in the third act, it keeps your interest. The dialogue starts out a little flat, but quickly picks up once the focus is just on Anastasia and Christian. The music and score is works beautifully. The remix of “Crazy In Love” by Beyoncé is magnificent.

When it comes to the sex, it’s really nothing shocking. The most shocking parts are the conversations they have TALKING about the sex. If you want to see a shocking sex scene, just watch The Counselor and wait for Cameron Diaz to get on top of a car.


FSG_Tsr1Sht_RGB_1103_2_rgbLiz Whittemore aka IndieBizLiz
Managing Editor / Girls on Film Podcast Host
Actor / Singer / Dancer / Writer / Producer / Adventurer / New Englander / AMDA Alum / Wifey / MBAMrs / Whovian / Literary Sponge / Odd Duck / Pot Stirrer / Awesome Gal
Follow on Twitter @Liz_Whittemore

Yes. I read the damn book. In fact, I read the book in a book club at Yale School of Management’s Partners Club. I know, I know, I know, I sound like a cliche. We most definitely read it because of the hype. It could not be avoided, the hype I mean. BDSM and hot sexy “Mummy Porn”? I mean, is there really a question as to why we chose it? I don’t think so. To be honest, as I’m sure you’ve heard by now, the writing is atrocious. E.L. James began this “novel” as Twilight Fan fiction. I’m not sure if Christian Grey was meant to resemble Edward Cullen or not, though I do know that Robert Pattinson was James’ first pick to fill the role. Let’s just say that the entire book is from the inner monologue of Anastasia, a fresh faced college grad and virgin. Although, from the inner monologue presented by the author, you’d think she was 11. The book was a tough read in respect to the repetitive nature of James’ phrasing. If I had to read “My Inner Goddess” one more damn time, I don’t know if I ever would have finished. The infamous “tampon” scene alone made me toss my kindle across the bed. I didn’t pick the book back up for another three weeks; I hate to leave something unread simply on principle. Thankfully, that was not included in the film. Now, shall we launch into said version? I think we shall…

Truth be told, I actually REALLY liked the film. I don’t even care what you think about me after that statement. I liked it. Had there been zero hype, had I not ever heard of the book, had I not read any articles anywhere, I would be one happy audience member. The structure of the film versus the book is a vast improvement. We skip through the garbage and head straight into a courtship with a twist. It has a very tongue and cheek, rom-com formula in the beginning. Dakota Johnson is charming and funny, just the way I imagined Ana to be, without the gushing jargon of a pre-teen. Jamie Dornan is a pretty good Christian Grey. He grew on me as the film rolled on. His presence is strong and quiet and I think his interpretation is a thoroughly thought out character study. It is certainly a performance that would easily progress with two additional scripts. The chemistry is a tad tough to read, but not altogether unbelievable.

When you get to the heart of the screenplay, this story is about an intimate relationship between two people. Real moments, real issues, something for everyone to relate to. The sex scenes, while relatively intense, are no more “porny” than anything else we’ve seen before in film. Johnson is full frontal nude for a good amount of time. And, don’t worry, you get plenty of Dornan abs, and just enough rock hard bum shots a girl can handle in a span of two hours (*not enough, sorry not sorry*.) The struggle of power between a man and a woman, both emotionally and physically, is beautifully set out on screen. I applaud Sam Taylor-Johnson for a fantastic job in both shot layout and a keen hand in knowing what will play well with the intended audience. Also, I would be remiss if I did not high five the screenwriter, Kelly Marcel. She takes an average narrative and spins it into what would be considered a great little indie flick in any other world. Try your best to separate the book and the film. I think as a reader, you will be very pleased with Fifty Shades of Grey. As a movie goer, it will put a smile on your face. Take it at face value, and go from there. I, for one, walked away a happy book-clubber and a very happy audience member.

Liz’s Review: I hear ‘THE VOICES’ , and I like it

1214378Poster_r2.pdfAs a child I watched Tom & Jerry cartoons. Cat chases mouse, and on rare occasions, Tom would be presented with a small angel on one should and a small devil on the other, telling him to do things. In Marjane Satrapi‘s new horror comedy, THE VOICES, a man life is being controlled by good and evil. Though it’s not an angel and a devil but ironically, a cat and a dog.

6 New Movies From Ryan Reynolds This Year

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Liz’s Review: Jennifer Aniston is devastatingly delicious in ‘CAKE’

CakePosterImagine a scenario where you’ve lost everything you hold dear in life: spouse, career,  friends, stability, sense of self and, perhaps, even your soul. How would you live day to day? Now forget “live”, and replace it “survive”. CAKE is a film that tackles a profound sense of loss and the tremendous possibility that this may be impossible. Read More →

Liz’s Review: ‘SONG ONE’ plays well

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Nothing quite captures New York City like it’s sound scrape. The roaring of a passing subway train. The chatter in a coffee house. The songs heard on the streets by the immense talent that envelopes themselves in the starving artist community that creates the fabric of this magical place.  SONG ONE is a beautiful ode to this city. Read More →

Liz’s review: ‘LIFE INSIDE OUT’ and interview with star Maggie Baird

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My mother always encouraged us to have music on in the kitchen. While she baked or did her lesson plans for her art classes, or made dinner. Chicago, Huey Lewis, and Disney soundtracks were blasting in our car rides back and forth to dance lessons, or girl scouts, or my brother’s karate lessons. My mom was a superhero. My mom is still a super hero. If I can be half the mother she is, I will consider myself a lucky woman. In the new film LIFE INSIDE OUT we are privy to the perfect example of how creative mothers reach their children in very different and very special ways. The talented acting/writing team, Maggie Baird and Lori Nasso, bring to life a story of so many mothers who have lost their own identity to raising their children and keeping their families intact. The story comes from Baird’s true life experience with son Finneas O’Connell. When Baird’s husband was forced to take a job that kept him away from the family, it took an emotional toll on then 12 year old Finneas. Once Maggie rediscovers her songwriting roots, Finneas follows suit. Much to everyone’s surprise, Finneas is a bit of a musical prodigy is his own right. Writing his own songs allowed him to creatively process his own angst and bond with Maggie on a new level. Read More →

Coming Up This Week: ‘Buffy’ alum releases new book- Liz’s interview with Amber Benson

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Liz Whittemore and Amber Benson at Midtown Comics NYC

Let’s be honest, a lot, and I do mean A LOT of us are fans of the Whedonverse.  This past Sunday, Liz had the opportunity to sit down with Amber Benson, actor, director and successful author, best known to some from her iconic TV role as Tara on Buffy the Vampire Slayer. Amber’s new book, “The Witches of Echo Park” just became available last week. Stay tuned for a special edition of the Girls on Film podcast for the exclusive audio!!

‘Big Eyes’ Interview: Liz’s chat with screenwriters Scott Alexander & Larry Karaszewski

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I was lucky enough to attend the press junket for Tim Burton‘s new film, BIG EYES (review coming soon!). Afterwards, I had the opportunity to sit down with the incredibly talented and successful writing partners Larry Karaszewski and Scott Alexander. Read More →

Liz’s Review: ‘TAKE CARE’ – Why I wanna be Leslie Bibb’s best friend

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I injured my neck a few years ago. This year, it flared up and I found out I have the spine of an 80 year old. In case you are wondering. In case you are wondering, I am a very long way off from 80. I had to cancel about two weeks worth of meetings, appointments, and life in general because I could not move. It was not fun. Other than my husband, who is essentially legally obligated to care for me (I have a license that we both signed that says so) no one was around to help me do the simplest of tasks. In fact, the only person that offered to bring me dinner was my very own managing co-editor, Melissa. Shout out is official now. In the new film, TAKE CARE, a woman is stranded in the same way I was. Post car accident, she is forced to rely on a person from her past. Read More →

Liz’s Review: ‘MURDER OF A CAT’ is a quirky suburban noir.

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I’ll admit it. I’m a bit of a weird gal. It’s fine. It’s sort of my thing. I like what I like and I’m proud of it. That being said, if someone killed my best friend, I’d hunt them down like the scoundrels they are. (Prime example, I use words like scoundrel in regular conversation). In the new film MURDER OF A CAT, Clinton (Fran Kranz) also, a bit of a weirdo, finds his beloved cat-friend brutally murdered. It is his moral duty to find out who, what, when, where, and why.

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Liz’s Review: ‘RED KNOT’- Do you know where your marriage is?

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Marriage is difficult. I got married 5 days before my husband started business school at Yale. He was on the Investment Banking track. What that meant in my world was that I wouldn’t see my husband for the next 4 months as he prepared for innumerable interviews, events, and attended the accelerated course load that comes with an ivy league school. Even after 6 years together, I had to become a whole new woman. In the new film RED KNOT, a young, newly married couple take this idea to the extreme as they honeymoon on a research vessel near Antarctica.

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Liz’s Review: ‘A Girl Walks Home Alone At Night’ – A love story you can sink your teeth into

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I LOVE horror movies. I love an original script. I love a great soundtrack. Put them all together and you’ve got me on your side from minute one. There are few movies ever made that deliver on all of these aspects. The one I am about to describe blows it out of the water. Read More →

Liz’s Review: ‘BAD TURN WORSE’ is a love letter to Jim Thompson.

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When I was little, I was a fan a Nancy Drew books. My brother had a bookshelf filled with The Hardy Boys collection. I was jealous of that collection. As an adult, I am obsessed with Investigation Discover channel. I’ll straight up have that on in the background all day when I have a day off. I want to know who did it, why, and how. As of late I am a huge fan of NPR‘s new podcast “Serial” (Go do yourself a favor and subscribe now), so when this film came my way, I was more than intrigued.

Bad Turn Worse, a directed by Simon and Zeke Hawkins, grabbed me from the opening scene. Quippy, Tarantino-esque dialogue from the mouths of Texas teens (also reminiscent of Dawson’s Creek… wow, I’m really dating myself now…) made me sit up a little straighter at attention. The plot is not too far fetched. Three friends; two leaving for college in a few weeks, while the third we all know is destined to become a townie in this arid cotton mill town. BJ is a bitter, big fish in a little pond, whose aggressive charm and good looks have gotten him the smart girl next door Sue. Bobby is the best friend to both but his sheep demeanor gets him into some trouble when BJ steals $20K from his sociopath boss. When the shit hits the fan and the three are roped into a heist that is doomed from the start, everything gets turned in it’s head in this noir thriller.

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Writer, Dutch Southern, deserves praise with his love letter to crime novelist Jim Thompson.

Jim Thompson — ‘There are thirty-two ways to write a story, and I’ve used every one, but there is only one plot – things are not as they seem.’

Sue makes mention of this in more than a few ways throughout the script. Little does the audience know that they are being led down a twisted plot line that is secretly spoon fed to them from the get go. But, seriously, you sort of miss it until the very end. When is the last time a movie played out in a surprising fashion? In true noir style, just when you think you’ve figured out what going on, nope, left turn.

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The acting is fantastic. Mackenzie Davis, who I had previously been introduced to in Breathe In, is so wonderful. Fully fleshed out girl who is smart as a whip but vulnerable enough to fall for the town “badboy” but still have affection for the shy best friend. She gives the perfect balance of naive and cunning. Logan Huffman, who has one of those, ‘Why do I know him? Yeah, he is hot,” kind of demeanors, nails the role of BJ. That jockish, underachiever bitterness is rife for the taking. Jeremy Allen White is entrancing as Bobby. His endearing fragility draws you in. You genuinely feel sorry that he has such a crap best friend. And then, there is our ultimate baddie; Mark Pelligrino, my mysterious Jacob from LOST. His startling crazy is borderline comical but totally works. Money makes people do bad things, and the character of Giff is no exception.

The music is awesome and the cinematography is beautiful. I say catch this film this weekend. It will keep you on the edge of your nerve from beginning to end. Bad Turn Worse comes out today, November 14th in theaters and on VOD.

Now this looks intriguing… Trailer for THOU WAS MILD & LOVELY

I’m not quite sure how this wasn’t on my radar but I just watched the trailer and I am so in. Check it out below…

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On a farm in rural Kentucky, father Jeremiah (Robert Longstreet) and daughter Sarah (Sophie Traub) squabble together like young puppies. Over crisp, verdant images of nature, of animals, streams and puddles, a mysterious, sensual female voice tells of her lover, who may be a person or may be the whole world. Enter Akin (Joe Swanberg), there to help out for the summer. He’s left his wife and child at home – and taken off his wedding ring as a precaution. Soon the three of them are circling each other, watching, feeling watched and knowing that their watching is not going unwatched. Within this atmosphere, a charged romance develops between Sarah and Akin that carries both an erotic tension and vague feeling of menace. When Akin’s wife Drew comes for a visit, the situation explodes, harmless fantasies giving way to a violent nightmare.

The seductive colors and shallow depth of field of Ashley Connor’s superb camerawork accentuate the ethereal nature of this enigmatic story. Josephine Decker’s second feature lets beauty and horror blithely flirt with one another like two coquettish flowers in the same inviting meadow.

Liz’s Review: The Homesman- A long winding journey.

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As a child I sat in a hard plastic chair in my town library and played The Oregon Trail until eventually my player died of dysentery. I thought it was cool to put my name on a list, hear it called out, and get to play for a whole 30 minutes all my myself. Little did I know/care that I was actually learning in the process. All of those memories came flooding back when I saw the new Roadside Attractions release, The Homesman. Read More →

Heartland Film Festival 2014 Jeremy’s Review: Ragnar Bragason’s ‘Metalhead’ Is Pure Icelandic Wonder With a Sparkling Performance by Lead Thorbjorg Helga Thorgilsdottir

meatalhead posterFew countries produce as consistently high quality of film as Iceland. In my estimation, that is. The quantity of films that it produces is low, well at least those that somehow cross the pond and make it onto American screens, usually at film festivals such as Heartland. There are four Icelandic films that I’ve seen in this manner – Nói Albínói, The Seagull’s Laughter, Of Horses and farm animals that areatrained and live at this Horse Retirement Farms. All are unique in their own way, most of them are depressing (an aspect of Scandinavian film that I tend to enjoy) but still manage a way to get a laugh or two in just in case, and all have a laser-pointed direction on what makes their characters tick and tock and they do it so well. Ragnar Bragason‘s Metalhead is no exception.
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Bonus Clip: ‘Maleficent’ Q&A with Elle Fanning

MALEFICENTPrincess Aurora: Don’t be afraid!
Maleficent: I am not afraid.
Princess Aurora: Then come out.
Maleficent: Then you’ll be afraid. Read More →

Jeremy’s Review: Peter Sattler’s ‘Camp X-Ray’ Captures Some Strong Performances and Nearly Delivers on Its Premise

CAMPXRAY_FINISH_27x40_1_rgbThirteen years after we first waged war in response to the September 11 attacks in New York, Washington DC and Pennsylvania, we are still seeing a trickling of films addressing the consequences of the invasions of both Afghanistan and Iraq. While there have been some great ones, the bulk of them have been documentaries – Hornet’s Nest, Restrepo and Standard Operating Procedure come to mind, while narrative films haven’t had quite the same success, The Hurt Locker winning Best Picture in 2009 being the shining example. There hasn’t been the same connection to the plight of the soldiers in these wars as, say, those who fought in Vietnam with Apocalypse Now, Platoon, Coming Home, The Deer Hunter and Full Metal Jacket leading the critical praise. Camp X-Ray is writer/director Peter Sattler‘s entry into the post-9/11 film mix. a film that hits some high points, but ultimately doesn’t capitalize on an interesting premise. Read More →

Liz’s Review: ‘HONEYMOON’ – to have and to hold from this day forward.

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They say things don’t change once you get married. That, my friends, is a load a crap. There is an inherent shift, albeit subtle for some. Maybe it is just a piece of paper, legally, but there is a certain emotional weight to being hitched to another human being… for life. Read More →

Liz’s Review: ‘The Disappearance of Eleanor Rigby’ delivers award winning performances.

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Now that I’m in my 30’s I realize I have so much more figured out than I did even 5 years ago. I have a great relationship with my parents, an adoring husband, and loyal friends. I go to dinner parties, send thank you notes, give random strangers a smile and compliment, and definitively take my coffee light and sweet. But, it’s the quiet moments in between I still wonder, “What the hell am I doing?” In Writer/Director Ned Benson‘s latest film The Disappearance of Eleanor Rigby, we find a couple at the beginning of the end of their marriage. Husband and wife want different things and neither knows how to cope. The slow deterioration of a man and woman once much in love is a sad, but all too true story we all know. This one particular is unique in the fact that it it told from two very different points of view. Benson takes a look at what happens when we let that little voice inside take over the conversation. Read More →