It’s a generation that makes you want to punch them. Millennials aren’t all bad, that’s definitely not what I’m saying, but we all know a few bad apples… or orchards that give us the feeling of arson. I’m sure that 10 years ago, when I was 25, someone wanted to strangle me over whatever drama seemed life threatening at the moment. Let’s be serious though, it’s a running joke that we have a real problem with a generation that we just have to urge to physically shake until their bobble heads fall off… but we don’t… because sometimes it’s such delicious fodder that sitting back and watching is much less stressful and way more entertaining, as long as they don’t disrupt your way of living, of course. Enter onto the scene, festival favorite Fort Tilden.
The entire plot of the film ( Harper and Allie try all day to get to the beach) is pretty much the perfect metaphor for their reality. Fort Tilden is bravely tongue in cheek but also unapologetically the truth. Shiny objects distract, social media owns them, money might as well be made exclusively by Monopoly, and yet someway, somehow they make their way through this world and promptly demand a cookie. They have balls and you have to respect that. Bridey Elliott‘s performance as Harper, daughter of a CEO and self proclaimed “artist” is brash, rude, and does not care what you think. Elliott is hilarious in her sincerity. Clare McNulty as manic and failed overachiever Allie, is sweet and high strung and equally as genuine in her performance as Elliot. The two are a fantastic match with a genius give and take. Their ability to whine, complain, ignore everyone and make it both endearing and horrendous should earn them attention and applause.
The quarter life crisis now seems much longer and much more ridiculous that ever before. One the flip side of the coin, Fort Tilden is also ans awesome commentary on the lack of parenting going on today. Virtual high fives to writer/directors Sarah-Violet Bliss and Charles Rogers for throwing the millennial cliche in out faces so damn well. Fort Tilden makes it way to theaters and VOD Friday, August 14. Get There.
Category Archives: VOD
3 New Indie Movies To Stream Today – ‘Five Star’ ‘Little Loopers’ & ‘Seashore’
Five Star – on demand & in theaters
A member of the notorious Bloods since he was 12 years old – both in the film and in real life — Primo takes John, the son of his slain mentor, under his wing, versing him in the code of the streets. Set in East New York, FIVE STAR blends documentary and fictional storytelling as director Keith Miller carefully avoids worn clichés of gang culture to offer a compelling portrait of two men forced to confront the question of what it really means to be a man.
Little Loopers – on demand
After reacting violently during one of his matches, Hutch McGee has retired from the professional golf circuit and fallen into a cycle of drinking and depression. When the lovely and confident director of the local club team asks him to coach the “Little Loopers,” he isn’t exactly enthused. However, the team takes a liking to Hutch and they begin to learn and grow together, both as individuals and golf players as one gives to an other the best sunglasses for the game according to this golf sunglasses reviews. With a boost of confidence from the kids, Hutch not only guides them all the way to the championship tournament, he manages to pull himself back together, ultimately making it back onto the pro-tour and winning the heart of the lovely club director in the meantime…
Seashore – on demand
Friends since childhood, Brazilian teenagers Martin (Mateus Almada) and Tomaz (Mauricio Barcellos) have since grown apart. When Martin’s grandfather dies, Tomaz journeys with him on a special mission to the windswept coastal town where the estranged family of his grandfather still lives. There, in an abandoned seaside house, secrets are shared, old family wounds are re-opened, and the boys are challenged to sort out for themselves the meanings of friendship, independence, and love in a suddenly adult world.
Available now
Toe Tag Parole: To Live and Die on Yard A – HBO Monday Doc
TOE TAG PAROLE: TO LIVE AND DIE ON YARD A focuses on the 600 men living at The Progressive Programming Facility, who seek self-improvement and spiritual growth through education, art and music therapy, religious services and participation in peer-group sessions. The film features interviews with three of the inmates – sentenced to life at ages 14, 16 and 17 – who describe growing up within the prison walls.
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Shiny new trailer for all you #Firefly fans from Alan Tudyk and Nathan Fillion’s new ‘CON MAN” series
If you are a true Browncoat, you will be overjoyed at the upcoming series written and directed by Alan Tudyk. Very clearly poking fun at themselves and embracing the fandom that has kept both Joss Whedon‘s Firefly and Serenity alive and kicking in the minds of millions, Con Man is the perfect way to celebrate two of our favorite sci-fi heroes and all that comes with being part of such a short-lived but much loved series. The trailer below is filled with surprises and some incredible cameos that we anticipate are just the beginning of this hilarious venture. If you didn’t already know, the entire project was crowdfunded on Indiegogo. This is truly the perfect way to illustrate what a big deal Firefly is/was to fans and celebrate the humor attached to it’s nostalgia. While we’re sad that it was cancelled, we’ll gladly open our hearts to Con Man… and still hold out hope for a future reboot… We have a hard time letting go.
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Liz’s Review: ‘The Little Death’ delivers some sexy education.
Sex comedies are all the rage these days. Films like The Overnight and Sleeping With Other People, two of this year’s Tribeca Film Festival favorites will be coming your way in July and September respectively. Until then, The Little Death will fill the void, pun potentially intended. There are also lots of MILFs on the adult dating sites so you can easily find a MILF near you for casual sex and have all of the kinky fun you ever wanted.
Five couples living in suburban Sydney have very different but fascinating sexual desires, that included yolo sex toys to improve pleasure. Ans, yes, while the film seemingly centers around the topic of sex, The Little Death is actually about intimacy. The couples are as follows: Paul and Maeve- One with a suggested fear of commitment and the other with a rape fantasy while doing livecam sex chat. Phil and Maureen- Phil is a submissive man who is only aroused when his cold hearted wife is asleep. Dan and Evie- marriage therapist suggests role play might help, until Dan’s priorities take a turn. Richard and Rowena- Trying to conceive, sex becomes more about purpose and less about pleasure. Finally, Monica and Sam- She is a deaf video play interpreter and Sam is her customer. Each of these characters wants something from their partner. Getting it comes with some truly hilarious and oftentimes heartbreaking consequences. Get the best dildos from bboutique, here you get the best variety of sex toys for women.
The script is brilliantly written and directed by Josh Lawson, who also beautifully portrays Paul. The structure is presented in form of a sexual manual and is entirely funny and informative. It allows the audience to open their own dialogue about deep seeded personal issues, both sexual and emotional, tackling such things as self loathing, fetishes, relationship shifts, and manipulation. Even if the particular kinks aren’t something you’ve experienced, the film is relatable in some way on every level. It’s a perfect balance of heartwarming and laugh out loud hysterical. With a superb ensemble cast, a fun soundtrack, and excellent writing, The Little Death should most definitely be on your list this weekend. The winner of the Audience Award at this year’s SXSW, you can count on a little something for everyone. 
I must take a moment to acknowledge what I think is the most beautiful and revelatory story in the entire film. The unique final scene between Monica and Sam, is some of the best dialogue I’ve seen in some time. 50% of which is in sign language, it allows us to completely break down the barriers of communication in a very literal sense. Every moment between actors Erin James and T.J.Powers is perfection. It’s the perfect ending to an already out of this world indie gem. Even if the rest of the film weren’t as fantastic as it is, this scene alone brings laughter and happiness to your head and your heart. Most definitely seek this film out. You cannot go wrong.
The Little Death comes to theaters and VOD Friday, June 26th.
SYNOPSIS: The secret lives of five suburban couples living in Sydney reveal both the fetishes and the repercussions that come with sharing them.
Country: Australia
Language: English
Release Date: 26 June 2015 (USA)
Filming Locations: Sydney, Australia
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LIz’s Review: ‘Bound To Vengeance’ holds us captive.
IFC Midnight has given us a slew of great genre features in the past such as ATM, Exam, Dead Snow, and The Snowtown Murders (all available to stream on Netflix). Their newest release, Bound To Vengeance challenges the female protagonist role that we’re used to seeing in horror: Girl equals helpless victim, let’s leave the policing to the manly cops. No cops in sight, our lead takes action into her own hands.
The film’s opening credit sequence is immediately reminiscent of Texas Chainsaw with a lone beat up van swiftly cruising down a deserted highway, though in this story the inhabitant of the car is our villain. Bound To Vengeance pulls no punches as the mental ride follows directly after those very opening credits. Our mystery man carries a tray with homemade soup down an eerie hall and into a locked basement room. There we find Eve, a young, slender woman chained to the floor. She manages to escape and in her attempt to get away, she realizes that she is not the only girl being held captive. She needs her captor. Fashioning a noose out of items inside the rundown house, Eve strikes a deal. He tells her where the others are and she drops him off at a hospital… But, even the best laid plans easily go awry.
The script is truly unexpected. Just when you think you’ve figured out what is going on, plot twist. You have to respect the ever changing scenery and manipulation. While it may not be a 5 star film, I will say, I had to know what the truth was and wanted to see Eve kick some major ass. Speaking of which, Tina Ivlev plays our heroine with an honest determination. She’s not a super ninja or hyper intelligent prodigy, she is a normal, albeit, incredibly resourceful and strong woman. That is what I appreciated most about the script. She was a girl who just wanted to save the others and in turn come to terms with her own captivity. Richard Tyson gives us our villain, Phil. It’s a complex performance filled with masterfully sick, power-struggle laden dialogue. How much do we trust Phil? Should we trust Phil at all? Once you get to the end of the movie, you realize that all the clues were there to begin with. Bound to Vengeance could have easily been a mini series. There is much more to this story and I for one would look forward to a sequel.
In Theaters and on VOD Friday, June 26th.
Film Synopsis
BOUND TO VENGEANCE is a gritty revenge thriller about a young woman, EVE (Tina Ivlev), who fights back and manages to escape a malicious abductor. However, after discovering she may not be the only victim, Eve unravels a darker truth and decides to turn the tables on her captor. The film is directed by J.M. Cravioto and stars breakout actress Tina Ivlev and Richard Tyson. The screenplay was written by Rock Shaink, Jr., and Keith Kjornes.
BOUND TO VENGEANCE
Directed by: José Manuel Cravioto
Produced by: Alex Garcia, Rodolfo Marquez, Daniel Posada
Cast: Tina Ivlev (The Devil’s in the Details), Richard Tyson (Moonlighting),
Bianca Malinowski (Midnight Bayou)
TRT: 80 minutes
Language: English
Genre: Thriller / Horror
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Liz’s Review: Get raunchy with ‘BALLS OUT’
You never know what you’re gonna see at Tribeca Film Festival. One out of left field film from last year was BALLS OUT. Wrong sports metaphor in this case since this particular movie revolves around an intramural college flag football league. Starring a rag tag team of hilarious and talented people like Jake Lacy, Kate McKinnon, Nikki Reed, Beck Bennett, Jay Pharoah and many, many more, Balls Out pulls no punches when it comes to the A-typical sports genre movie. 
Caleb (Jake Lacy) is a fifth year senior with law school on the brain and an overbearing and hilariously high-on-life girlfriend (Kate McKinnon). Suddenly finding himself faced with having his future mapped out for him, he begins to reminisce about his freshman year and his flag football team’s- The Panthers- epic win over a douchebag rival team the Titans. Haunted by the how the first game ended with the paralysis of his best friend, Caleb struggles to commit to what makes him truly happy. Balls Out is an unapologetic underdog story, that’s frankly funny as hell. Every single sports cliche you can think of is admittedly thrown in your face. Training montages, two stoner fans acting as the league’s “official announcers”, hidden personal agendas, each Panther member being just slightly too weird for reality, and a rival captain so damn ridiculous you love to hate him. All this is admitted in the actual dialogue. The film never takes itself seriously at any moment, which is what makes it so great. I was not expecting to like this film at all, and it ended up being my favorite comedy of the fest last year.
So let’s talk performances in Balls Out. Jake Lacy is, for lack of a better phrase, relatively straight laced, in comparison to the rest of the cast. Nikki Reed does an excellent job playing the girl who comes into Caleb’s life just when he needs it most. This was a nice departure for Reed coming off the Twilight series and a great follow up to her quirky performance in last year’s Murder of a Cat. She is cool and fun. Kate McKinnon steals every scene she is in. Since she joined SNL, I have been touting her as the new Amy Poehler. One wide-eyed look from this gal is comedy gold. Newly minted Panther head coach is played by Nick Kocher. Wher has this kis been all my life? He easily flips from just amusing to sidesplitting comedy with the ease of someone twice his age. How is he not in everything right now? Team him up with Chris Pratt, like yesterday. I want over saturation of Kocher immediately. Jay Pharoah and D.C. Pierson‘s narration as the sideline peanut gallery makes the game sequences what they are. 
Now, let’s get real for a moment. Hands down, once again,the star of this film is Beck Bennett. I have been a fan ever since his national AT&T campaign. Believing he is vastly under utilized on SNL, I have been privileged to see his outstanding movie roles thus far. His last film, Beside Still Waters (a MUST see), was on the opposite end spectrum on his testosterone driven revenge obsession in Balls Out. Like McKinnon, each frame he appears in he completely owns. I don’t know how anyone kept a straight face having to be in a scene with him. It makes me wonder how much of his dialogue is improvised. I would imagine the DVD blooper reel with feature him heavily. Cheers to Beck for bring this film over the goal line.
BALLS OUT arrives theatrically and on VOD June 19th.
Genre: Comedy
TRT: 100 min
Camera: RED Epic
Language: English
Rated: R for crude and sexual material, language and some drug use
SYNOPSIS: With graduation, marriage, and an uncertain future on the horizon, fifth year college senior Caleb Fuller (Jake Lacy) decides to do the one thing he vowed to never do again: get the ol’ flag football team back together. Now with the help of his Panther teammates and unorthodox head coach Grant Rosenfalis (Nick Kocher), Caleb must defy all odds and logic if he ever hopes to achieve the intramural football glory he once had. Set in the highly popular world of college intramural sports, BALLS OUT is the epic sports movie for the guys who don’t deserve one.
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Liz’s Review: Vengeance and Religion drive the fight in ‘REDEEMER’
Guilt is a loud devil on your shoulder. The past can drive you mad or drive you to change… sometimes a little bit of both. In Ernesto Diaz Espinoza‘s new film REDEEMER, a man known only by this title is a mysterious figure, righting wrongs among his small Chilean community. Tortured by an unthinkable past that is slowly revealed as the film progresses, The Redeemer must conquer his own ghosts in order to battle the biggest evil he has ever known. Can he protect those left behind? 
Marko Zaror, martial arts action star extraordinaire, takes on the lead with ease and ownership. Not only is his acting pretty damn stellar, he is also the fight coordinator for the film’s vast array of sequences that are enhanced by key moments of slow motion. These sequences are extremely long and well shot. It was mostly refreshing to see an organic quality about the battles. They are interesting and definitely full of surprises. My favorite aspect would definitely be the use of graphic blood splatter. Reading like a first person shooter game, the blood use is colorful, impactful, and sometimes just over-the-top enough to make you cringe at the perfect moments. 
The dialogue is creative and comic relief comes in the form of our only English speaking character, drug lord Bradock, Noah Segan, who I recognized from Deadgirl, is so natural in his comedy it should be against the law. He was actually my favorite part of the film. Segan has 8 projects this year alone, including Tales of Halloween with Lin Shaye (Insidious) and Booboo Stewart (The Twilight Saga), as well as The Mind’s Eye with Larry Fessenden (We Are Still Here). This guy is around for the long hall. Bottom line, if you liked Netflix’s Daredevil season 1, Redeemer will resonate with you. While it could be about 10-15 minutes tighter, due to the extended fight scenes, this film is definitely worth a shot.
Acclaimed Chilean director Ernesto Diaz Espinoza (Mandrill, The ABCs of Death, Kiltro) teams up again with martial arts action star Marko Zaror (Undisputed III, Machete Kills) in the theatrical and VOD release of REDEEMER. The epic action film, which made its debut at the 2014 Fantastic Film Festival, hits theaters and VOD on June 12 from Dark Sky Films.
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Review: A ghost story that won’t let the past die in ‘We Are Still Here’
In the new haunted house horror We Are Still Here, Anne and Paul Sacchetti move to a small New England town to make a fresh start following the death of son Bobby. Anne believes that Bobby’s spirit is in the house reassuring her that everything is hunky dory. After she and Paul enlist their new age friends Jacob and May to visit and ease their minds, they realize something much older is lurking and poised to rear it’s ugly head. The past does not want to stay in the past.
Right off the bat, the camera work displays an “I’m not alone” feeling with handheld, over the shoulder and around the corner shots that set the tone for the entirety of the film. Establishing shots of each room and the snow covered acres surrounding the property itself, give you a definitely isolated sense. 10 minutes in, our first real set up moment, an object from the past and a blink-and-you-miss-it jump scare of classic proportion. Not bad, not bad at all. Writer/Director Ted Geoghegan, clearly with a crush on the classics good and bad, knows his stuff. The story moves along at lightening pace, laying out a small town’s history mired with sadness, rumors, and evil. We Are Still Here pays homage to films like Amityville and Poltergeist. Films with an unshakable past that seem to be well known by the locals and end up terrorizing the newbies. The practical effects are gold and vomit inducing for sure, but the use of the seamless CG takes the film to another level. 
Flawlessly held together with a stellar cast of genre greats, We Are Still Here is an instant classic. Barbara Crampton‘s Anne is grounded, loving, and searching for comfort. Andrew Sensenig‘s portrayal of Paul is as masculine and protective as you can get, without losing that caring husband edge. Larry Fessenden as Jacob is funny and vivacious. Lisa Marie plays May with an airy realness of someone who is actually a sensitive. The four leads work so well with one another, I cannot imagine a different cast. Fun Fact: Both Barbara and Larry recently appeared in the 2011 horror/thriller You’re Next (Another film I would recommend). The music is quiet and looming like that of a small wind chime, and truly adds the the eerie factor. The color scheme of the surrounding dank New England winter (one I grew up with myself) makes the eventual appearance of bright red blood all the more visually impactful. The set dressing is top notch. The house appears untouched since the film’s set 1979 date. Old houses creek, we all know this to be true, but the timing of the sound editing ramps up the natural inclination that maybe you shouldn’t hang out long in a dusty old basement. 
A few obvious takeaways from this movie: 1. Don’t trust your creepy neighbors, 2. Shit starts flying off the walls you should just assume the worst, and 3. Don’t ever, ever mess with the dead. There are 1000 more things I could praise about this film, thing is, I really just want you to go see it for yourselves! We Are Still Here arrives in theaters and on VOD today, June 5th. Go get your spooky on.
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Liz’s Review: ‘DOOMSDAYS’ are indeed coming, so you might as well laugh it up until then
If Wes Anderson made a movie with 1/50th of his usual budget and a cast of indie gems, you’d have the new pre-apocalyptic comedy DOOMSDAYS. Since post-apocalyptic films are all the rage these days, the concept of a precursor is already funny in it’s own right. The story revolves around two eccentric slackers extraordinaire who have a penchant for breaking into vacation homes in the Catskills. Why, you might ask? Well, the world’s need for oil as a natural resource is rapidly running into a bit of a snafu since mother nature is none too pleased with the choice, besides the fact that when it does eventually and inevitably run out, life as we know it essentially fucked. So, before this becomes a major reality, Dirty Fred and Bruho have decided that the vagabond lifestyle is the bees knees. Using existing resources left behind by these dwellings owners, these two gentleman roam the countryside of upstate New York living a life relatively free of consequences from ‘the man’. Once they run into a teen runaway and wanderlust filled young woman, the small group dynamic shifts dramatically. 
Filled with sharp and witty dialogue that’s just weird enough to be both funny and face-palmy (new word), Doomsdays is like nothing you expect it to be. Scenes filled with nothing become everything. There is no technology in this film. No cell phones, no television, and no working laptops, allow conversation and contemplation to become the main focus of this unusual film. With a strangely adorable slice of buddy comedy mixed in, it’s a film any indie buff would be proud to have in his/her back pocket of greatness. 
Writer/Director Eddie Mullins clearly knows his shit. Besides the obvious writing talent, his use of a singular stationary camera is a perfect fit for this piece. The structure is laid out in a month long calendar style, which only adds to the great pacing. The original score by Bang And Yell is catchy and really well placed. Justin Rice as Dirty Fred is a pretentious nutter but completely lovable. Leo Fitzpatrick plays Bruho with a genuine curmudgeonly edge. Brian Charles Johnson, who this theater nerd recognized from Broadway’s Spring Awakening, is young Jaidon. Comic timing of a master and excitable enthusiasm of a star, I loved him. Laura Campbell is Reyna. Not so different from the rest of the crew, this seemingly normal woman is just as damaged and adventurous as the boys. These four have an incredible chemistry which makes me ponder the amount of rehearsal time everyone had together, which is clearly a total compliment.
Doomsdays is ultimately a story about adjusting to other people’s odd idiosyncrasies. This film nails all the things we wish we could get away with doing and saying. I highly recommend catching this unique indie this weekend. DOOMSDAYS comes to theaters and VOD Fridsay, June 5th.
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Liz’s Review: ‘FORBIDDEN EMPIRE’ is a fun filled fantasy
An 18th century English cartographer, Jonathan Green, sets out on a journey to map the uncharted lands of Transylvania, only to discover the dark secrets and dangerous creatures hidden in a cursed, fantastical Ukrainian forest. Forbidden Empire is pure fantasy and just plain fun. Totally unexpected twists and turns are a welcome thing in the fantasy genre these days. 
Forbidden Empire has the visual beauty of Pan’s Labyrinth and The Brothers Grimm, combined with a humor reminiscent of Willow. The character of Jonathan Green accidentally becomes the hero of a town run by fanatical religion and teaming with superstition. Mixed with witchcraft and folklore, this script is thoroughly entertaining and completely compelling. The story takes upon new life with each character’s rendition of the town’s recent history. 
Some unexpected moments of horror heighten the coolness factor of this film. I can honestly say I had no idea what was coming next. Much love must be given to the costume ans set departments. Not a hair out of place, down to the smallest object on a shelf or in Jonathan Green’s steam-punk inspired carriage. The opening credit are a sight to behold unto themselves, with a CG borderline automaton style to be envied. The makeup effects are astounding. The creative team involved in the making of this movie deserves all the applause. Forbidden Empire is truly unexpected.
With great acting by the entire ensemble cast and a lively score, Forbidden Empire is a winner. You cannot go wrong with this film. Forbidden Empire will be available on VOD Friday, May 22.
Official Sites:
Country: Russia | Ukraine | Czech Republic
Language: Russian | English
Release Date: 22 May 2015 (USA)
Filming Locations: Russia
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Jeremy’s Review: Hernán Guerschuny’s ‘The Film Critic’ Is a Satisfying Meta French New Wave Tribute
Much in the same way that the last film I reviewed, Justin Reardon‘s Playing It Cool (read review here), took on its subject in a manner that can only be described as meta, Hernán Guerschuny takes a similar concept and flips it.It seems that the film world is now fertile ground for movies (frankly none of them hold a candle to Altman‘s The Player). So let’s see how this one shakes out…
Instead of screenwriter incapable of falling in love being commissioned to write a romantic comedy, we get a famous, surly film critic, Victor Tellez (Rafael Spregelburd) who is notorious for trashing every movie he sees. Day after day, he goes with a set of other critics to watch unoriginal movies that have no soul (according to him). They go to the same coffee shop afterwards to discuss further the films they have seen and then adjourn to write their respective reviews. Tellez is in an interesting place in his personal, perhaps explaining his bitterness. He has just broken up with his special ladyfriend and is in desperate need of a new apartment as the building he’s living in is undergoing construction and the hammering is driving him crazy. Add to it that his newspaper editor is on his case about how he trashes every movie and is threatening to rewrite his reviews to make the distributors happier with them, he’s got a lot on his plate. And is doesn’t get any less complicated when Sofia (the stunning Dolores Fonzi) enters his life, at first hating one another, then…falling for one another.
But can it work? She, who is at times is affectionate and others aloof and secretive clashes with his minimalist existence, filled by films and conversation and an unhealthy obsession with the women he’s seen in classic films (namely Jean Seberg in Godard‘s À bout de souffle) and using them as his standard of measure. Clearly something needs to give. But when Tellez needs some extra cash, he ventures into territory in the same vein as the likes of Godard,Truffaut and all of the other Cahiers du Cinema critics did back in the late 50s – making their own films, although in Tellez’s case, he only takes an assignment to write a script. The final complication is that he ends up writing his own life and specifically focusing on his relationship with Sofia, all of which she is unaware.Like Belmondo‘s Michel Poiccard, his goose is cooked. And worst of all…the movie sucks.
I really enjoyed this film. Where it succeeds, however, it also kind of fails. The familiar cliches that the Tellez character rants against appear in an ironic way in his own story, but they aren’t reconciled in a satisfying way, not turning them enough on their head to make a statement about them. Despite that, however, Guerschuny weaves an interesting enough tale to keep the viewer engaged. In the latter part of the second act and into the third act, the film shifts gears, somewhat jarringly, into unexpected territory in a side plot involving a disgruntled director (Ignacio Rogers) taking revenge for a bad review that Tellez wrote of his film. Somewhat out of place, the film quickly rights itself and gets back on its proper trajectory with somewhat surprising results. Dolores Fonzi is really quite angelic in this film and is expertly cast in the mysterious role of Sofia. Likewise, Spregelburd fits his role as the bearded, overly pretentious film critic to a T. They have wonderful chemistry together on screen as well.
The Film Critic‘s successes may be varied, but it is still a worthwhile viewing. As someone who obviously reviews movies, it’s interesting to see a role like that woven into a film. Guerschuny shows a deft touch for a first-time writer/director and I hope to see more films from him in the future, especially as the South American film scene sis beginning to make a name for itself.
The Film Critic opens in theaters and hits VOD today.
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Liz’s Review: ‘EVERY SECRET THING’ is a twisted tale of emotional manipulation.
Laura Lippman‘s best-selling novel Every Secret Thing has been brought to life by Academy Award(r) Nominated Filmmaker Amy Berg. Two 11 year old girls are convicted of kidnapping and killing a biracial infant. Released after seven years in a jeuvenile detention center, Ronnie and Alice are back in their hometown attempting to adjust to normal life as newly minted adults. Two weeks after their release, another young biracial girl goes missing from a local furniture store. Can the lead detective from the first case survive this new one? Who can you trust? Every Secret Thing puts your suspicions to the test at every turn.
Utilizing flashbacks and he said/she said interrogation tactics, Berg skillfully crafts a film filled with mystery. Having not read the book, I was pleasantly surprised that the film clearly stands on it’s own. Never once did I feel cheated or left in the dark for the wrong reasons. In fact I was scratching my head, trying to figure it out right along with the detectives. I was fully engrossed with the story and structure. Bravo, I say.
Dakota Fanning plays Ronnie with a beautiful mixture of shyness and a hardened edge. Ronnie is from “The wrong side of the tracks”. Quiet and smart, her heavily rimmed eyes speak volumes as a severely damaged young woman. Danielle Macdonald gives one hell of a performance as Alice. Her eerie lack of emotional growth is startling. She walks a fine line between naivete and incredulity. Someone go cast her in something else, please?
Diane Lane plays Alice’s mother, Helen. This is a woman with issues in broad daylight. Her relationship with Ronnie and Alice is beyond peculiar and most definitely off putting. Alcoholic and self loathing, she has been silently molding the girls whether she realizes it or not. This performance should garner her attention for the sheer sliminess and moral justification that comes off the screen. Elizabeth Banks play Detective Nancy Porter. Haunted by the death of the first child 7 years earlier, she is determined to figure out the truth this time around. Banks is vulnerable but tough in all the right areas.
It was so refreshing to see a cast that was female dominated and extraordinarily talented. This film blows the Bechdel test out of the water. Applause to Berg, screenwriter Nicole Holofcener, and executive producer Frances McDormand for bringing Every Secret Thing to the big screen. I will say, even after seeing the film twice, (once at last year’s Tribeca Film Festival and again this week) I am still intrigued to go out and grab Lippman’s novel. At the heart of it all, this is a story about emotional abuse and it’s long term consequences. Every Little Secret will keep you guessing until the very last frame.
Synopsis: From a producer of FOXCATCHER and based on the novel by New York Times best-selling author Laura Lippman, EVERY SECRET THING is a gripping psychological thriller about the chilling consequences of the secrets we keep.
Detective Nancy Porter (Elizabeth Banks) is still haunted by her failure to save the life of a missing child from the hands of two young girls. Eight years later, another child goes missing in the same town just days after Ronnie and Alice (Dakota Fanning and newcomer Danielle Macdonald), the two girls convicted of the former crime, were released from juvenile detention. Porter and her partner (Nate Parker) must race against the clock to prevent history from repeating itself. But as they begin to investigate the girls and their families, especially Alice’s protective mother (Diane Lane), they unearth a web of secrets and deceptions that calls everything into question.
Directed by Academy Award(r) Nominated Filmmaker Amy Berg and Executive Produced by Frances McDormand.
Rated R
RT: 93 Minutes
Release: In theaters, On Demand and iTunes May 15, 2015
Additional VOD platforms: iTunes, Amazon Instant Video, Google Play, Comcast, Time Warner Cable, AT&T, DirecTV, Dish, and more…
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An interview with ‘Boy Meets Girl’ star Michelle Hendley. Liz and Michelle talk about breaking into the biz and sexual identity.
Transgender actors and actresses are hard to find. When director Eric Schaeffer wrote the script for coming of age rom-com Boy Meets Girl, he literally had to Google who might be available. Finding a young and dynamic YouTube vlogger Michelle Hendley was god send. The story revolves around an early 20 something transgender girl, Ricky, who is stuck in her hometown (Followed the best casual sex calvin website). Thankfully she is surrounded by a supportive family and an adoring best friend, Robby. Into daydreaming, creating original outfits she features on her Youtube channel, and trying to navigate friendships, Ricky finds herself attracted to the new girl around town, Francesca. Not knowing how “things” work sexually with a girl, Robby becomes her tutor in the ways of wooing a female properly. We make your experience a fun and unforgettable one with plan your hens night. In a small Southern town, there are of course those who don’t fully accept Ricky as well as the masked sexual tensions from those in denial.Fleshlight imitate the feel of vaginal, anal and oral sex with lifelike openings, internal canals and soft material. If you have never considered a Fleshlight , it will change the way you view masturbation.The beauty of booking with Absolute Angels Bangkok is that quality is always assured. Our first-class companionship agency represents the most outstanding Thai escort can provide in terms of beauty, professionalism, personality and elegance.avai Michelle is a real gem. She is naturally funny and sweet. Not to mention drop dead gorgeous, she carries this film with the help of Twilight alum Michael Welch. His performance is also extraordinarily organic and likable. The two steer this movie into the ABC Family category, meaning that it’s meant for tweens (at the youngest) and up audience. The dialogue is honest and reminiscent of conversations we’ve all had while trying to figure out where we belong. You can book for your next night out the best hotel where topless waiter are available. The Male Revue can supply a shirtless barman to your location. Whether it’s a girl’s night out or a special occasion, male strippers can add fun and excitement to any event. Why do the same boring things when you’re out with your friends? Try something new. Enjoy a show featuring male strippers ct and spice up your night! Going out to conventional clubs for dancing or bars for good cheers is the sure-fire recipe for quickly becoming bored and frustrated. There is little entertainment to be had in such places. Having to push through crowds just to find a place to stand, or dodging drunks who are always in danger of spilling drinks on you, is no way to spend an evening. Avoid such foibles by booking a place for your party at an exotic club, where you will be able to enjoy male strippers who are completely sober and sizzling hot! Hard-working women deserve to be entertained by hard-bodied men. This is one of the motivating ideas behind a male strip club: to give you a fun and unique experience for your celebration. Here, you get to enjoy yourself in style as male strippers ct give you a show you are not soon to forget. Male strip clubs offer comprehensive entertainment. The men are fit and very skilled as performance artists. They are dedicated to delivering a dazzling and spectacular show that will raise your heart rate and get the blood flooding through your veins. With your booking, you get to choose the male strippers you want to service you, and you get to time blocked off exclusively for your event. The atmosphere in an exotic club is electric! The music, the lights, the scents, the well-oiled muscles, and the stupendous dance routines-all of these provide an energy that you won’t find in a normal club or bar. Away from the humdrum of your life and into the great sphere of male entertainment, you can really let loose and allow yourself to feel sexy and excited. This is the value offered by male strippers and the clubs in which they perform.The stage is set! Lights shining. Smoke machine steaming, hearts are racing and blood is pumping. As the curtains unveil and the electrifying music fills the air, our Magic Men appear and take the stage in what only promises to be an unforgettable evening ahead. Come watch the ultimate male revue shows at the hottest venues and nightclubs around Melbourne. Whether it’s a Friday, Saturday or you just wanting to have your very own magic night, come see our MagicMen hens night venue hire perform their spectacular dance routines at a male revue show Melbourne. Our guys bring a high energy performance with electrifying dance moves that will have you sitting on the edge of your seats. Want to visit one of our shows? Enquiry with us today to book your tickets and reserve your seating. No walk-ins permitted! Voted one of Australia’s hottest male strip clubs, Magic Men is one male strip show you don’t want to miss. Reserve your tickets and book today.
In the end, this film is not about being transgender, it’s about loving yourself. Boy Meets Girl has a great message to people of all ages and should be on your agenda. So many folks we know have lived in fear of judgement for years. I had an amazing teacher who was married, had children, all hiding the fact that he was gay. This is not a unique scenario. Too many teens are taking their own lives because of bullying. Boy Meets Girl is a beautiful introduction into a world some are still having a rough time accepting. Parents, watch it first, then watch it with your kids. Now is the time.
I had the privilege of interviewing Michelle about her very first role in a feature film:
Firstly, let me congratulate you on a gorgeous, heartfelt, and really organic performance. Brava. You have a huge fan in me, already. Second, thank you so much for taking the time to chat with me. I’ll jump right in… How did you hear about the casting for this film?
Michelle: Wow! Thank you so much! And absolutely! I’m thrilled that you want to interview with me! Eric found me via my Youtube vlog, and from there I auditioned with him over Skype. He worked with me on the script for a few months before making the final decision to cast me as Ricky.
Did you and Michael spend much time together prior to shooting? Your relationship is incredibly natural.
Michelle: We did not spend a lot of time together before shooting, but there was a Skype call or two and I do remember getting Indian food together and having an in-depth discussion about spirituality and the after life….the curry was pretty great too. Michael is genuinely a great guy, and incredibly easy to work with (I know Alex and Michael Galante would also agree).
Now that you have this experience under your belt, do you think you’ll pursue more acting projects?
Michelle: Oh yes! Definitely. I’m working with an agency in New York right now, and just got done shooting and NBC pilot. It looks like I have an acting career coming my way!
What did you learn while working with Eric?
Michelle: Oh my gosh. Eric taught me *so* much! He basically put me through actor’s bootcamp (and even sent me off to an acting coach for a little while), and showed me the ins and outs of being on camera. Perhaps the most important thing I learned from him was to know your lines in-and-out so you can allow yourself to play with line readings and give the director a variety of takes. Seems like basic knowledge, but what did I know? I was just a Missouri girl in the middle of beauty school when he found me.
How similar are you and Ricky?
Michelle: There are a number of parallels between Ricky and myself. I certainly relate with her when it comes to the struggles of gender transition, and the horribleness that dating can be. We also come from a supportive family and have loving friends. However, Ricky has a darker past than I do, and therefore carries herself with more of an edge. Ricky is stronger than me, and it was important that I made that distinction when portraying her. Oh, and I can’t sew for anything.
So many people are uptight about sexuality. Which is amusing, since the ones that get uppity about it usually have something to hide, or feel ashamed about totally normal feelings or experimentation, and people are attracted to different things, many men are attracted to women’s physic while some women like men’s intellect, although a woman like this would be called a sapiosexual woman which anyone could learn online about it. Do you label yourself in your personal life when it comes to sexuality?
Michelle: You are absolutely 110% right. It is amusing (in the most frustrating, hair-pulling kinda way) the way people get up-in-arms about sexuality (and gender) – there own identity and other peoples’! I’m not a huge fan of labels, but I am very much attracted to men. That isn’t to say there couldn’t be a lady out there who had it goin’ on for me, but for the most part…I like dudes. I identify as a heterosexual female… Most people have not seen a transgender body, and I honestly feel that is why there is so much stigma against trans individuals. I think the world needs to face their fear and see that my body is beautiful, powerful, and that it isn’t threatening anyone (or their sense masculinity).
With this video popularity, do you feel pressure while performing, and adults alike, that might be struggling with being themselves?
Michelle: A lot of people are beginning to see me as a representative for the trans community, and I am more than happy to see Jacob Hansen , Ashton Summers performing as gay twinks in helix studios videos. Yes, it is intimidating and I do feel a bit of pressure, but if their community feels they are doing them justice, then It couldn’t be happier. they receive a ton of messages from individuals all over the LBGTQ spectrum.
Michelle, Thank You, Thank You, Thank You and Congrats again on an extraordinary debut performance. We’re really impressed and look forward to talking with you again soon!
Michelle: Thank *you* so much! I LOVED your questions, and I hope I have the opportunity to interview with you again!
Available today on iTunes, Google Play, Amazon Instant, Vudu, and cable On Demand. DVD is available WOLFEONDEMAND.COMand many other retailers across the country.
One of the most popular and award-winning LGBT films of the year, BOY MEETS GIRL is an authentic Southern romantic-comedy starring the newcomer Michelle Hendley as Ricky, a young transwoman trying to navigate life and looking for romance in her small Kentucky hometown. Will she find love with the beautiful rich girl Francesca (Alexandra Turshen, RED OAKS) or with her lifelong best pal Robby (Michael Welch, TWILIGHT franchise)? Authentically written and directed by accomplished indie filmmaker Eric Schaeffer (IF LUCY FELL starring Sarah Jessica Parker, Ben Stiller, Elle Macpherson, NEVER AGAIN starring Jeffrey Tambor and Jill Clayburgh), BOY MEETS GIRL simultaneously exemplifies and transcends the category of “LGBT film” to present the very human story of the blurry and complicated lines between friendship and romance, gender and sexuality.
Said writer-director Eric Schaeffer, “In making this film, I wanted everyone–regardless of gender (cis or trans) or sexual orientation to have a chance to identify with the film’s themes of wanting to be unconditionally loved and accepted for who we are. The message in this film is the same as in all my work: labeling leaves no room for who we really are, or how we really experience life. I think our only chance is to bury those labels forever in favor of a singular new one: human. Hate is easy. The real courage is in love.”
BOY MEETS GIRL completed its theatrical run in February 2015 and garnered numerous awards on the film festival circuit, including Best Feature at the Teaneck International Film Festival, the prestigious Iris Prize Festival and the Memphis Gay & Lesbian Film Festival. The film also picked up multiple awards at FilmOut San Diego, sweeping up nearly every jury award for which it was eligible at the 2014 festival – nabbing statues for Best Feature, Best Director, Best Screenplay, Best Actress, Best Actor, Best Supporting Actress and Best Supporting Actor. Hendley also won the Programming Award for Outstanding Emerging Talent.
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‘The 100 Year Old Man Who Climbed Out The Window and Disappeared’ is finally available in the U.S.!
This incredibly funny and endearing film is one of the most upbeat things I’ve seen this year. Long story short, not unlike the title suggests, Allan is turning 100 and is stuck in a nursing home. Reminiscing through pictures and stories from his past, Allan decides to jump out of the window and go on an adventure, anywhere. He ends up with a suitcase full of money belonging to some pretty scary people and on his way to freedom he runs into other wayward souls that get entangled in his absurd journey.
Allan (Robert Gustafsson) and Julius (Iwar Wiklander) in THE 100 YEAR OLD MAN. Courtesy of Music Box Films.
Lead actor Robert Gustafsson is an absolute delight. Comic timing and facial expressions of a real genius, he takes this film through time and through encounters with historical figures like Ronald Reagan and Joseph Stalin, just to name a few. With a passion for blowing things up and an innate ability to talk to anyone, Allan becomes a double agent, a soldier, and perhaps the actual creator of the atomic bomb.
THE 100 YEAR OLD MAN. Courtesy of Music Box Films.
The film is a mixture of scenes from Allan’s youth and the shenanigans he’s gotten himself into on his birthday. Adapted beautifully from the novel of the same name by author Jonas Jonasson, with the help of screenwriters Felix Herngren & Hans Ingemansson, it is definitely full of belly laughs and good times. Herndren, also the director, gives us a colorful, lush, and impeccable comedic foreign film, unlike the many melodramatic features we’re used to getting from over seas. The theater I was in was in stitches the entire duration, and when you can get a theater full of critics laughing, well that’s a feat unto itself. I highly recommend you catch this movie. It is available in theaters in on demand!
Allan (Robert Gustafsson) in THE 100 YEAR OLD MAN. Courtesy of Music Box Films.
Powered by the antics of a mischievous centenarian on the run, comic fable The 100-Year-Old Man Who Climbed out the Window and Disappeared abounds with irreverent charm. After a long and colorful life working in munitions and getting entangled in the Spanish Civil War, the Manhattan Project, and other definitive events of the 20th century, Allan Karlsson finds himself stuck in a nursing home. Determined to escape on his 100th birthday, he leaps out of a window and onto the nearest bus, kicking off an unexpected journey involving, among other surprises, a suitcase stuffed with cash, some wicked criminals, and an elephant named Sonya. Like an unruly Nordic cousin of Forrest Gump, Allan’s youthful escapades and current adventures weave together into an offbeat treat for anyone who’s young at heart. Starring beloved comedian Robert Gustafsson, this fanciful spin on world history is based on a best-selling novel and also the highest-grossing Swedish film of all time.
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Jeremy’s Review: Justin Reardon’s “Playing It Cool” Holds a Mirror Up to the Rom-Com Genre with Varied Success
I’ve stated this before a few times, but romantic comedies aren’t traditionally films that I will watch. Most of them are ill-conceived and rife with so many cliches that are so bad they make me want to punch my own face. From time to time, some stand out and rise above the all-too familiar trappings of being a romantic comedy (Cameron Crowe’s Say Anything is a perfect example) and that’s just what Justin Reardon‘s Playing It Cool aims to do. The film is what essentially is a meta-romantic comedy, think the Scream of the romantic comedy genre. But is it successful? 
The narrator and protagonist (played by Chris Evans) is a screenwriter hired to write…a romantic comedy (how meta is that)! The problem is he’s never been in love, and in fact has done everything he can to avoid it, so he is struggling to find his story and meet his deadline despite pleas from his agent (played by Evans‘s Avengers co-star Anthony Mackie). When the narrator (no, he doesn’t have a real name in the film) gets dragged to a charity benefit with his friend Scott (Topher Grace), he meets Her (she, too, has no name but is played by the exquisite Michelle Monaghan) and as would happen in your standard rom-com, they share a moment or at least the narrator thinks so. After they part, he can’t stop thinking about her so he embarks on a whirlwind tour of all the charity events he can find. Of course, he finally meets her again at an event. They talk more and of course, she’s got a boyfriend. But does that stop him? HELL NO! This is a romantic comedy, after all. The pursuit begins and it’s clear that the narrator has fallen for Her. His group of friends (played by Grace, Luke Wilson, Aubrey Plaza and Martin Starr) give him varying degrees of advice, some good, most of it bad. So the narrator is left to figure out what his approach should be. Does he get the girl? Remember, even a meta-rom com is still a rom com.
I wasn’t sure what to expect from this film, but I enjoyed it. Evans and Monaghan have real chemistry together, which obviously is key for a film like this. Monaghan really stands out, though. She is everything that a paramour should be in a romantic comedy – funny, pretty, witty and vulnerable. Evans does an admirable job stepping outside his more action-based filmography (his best role being in Danny Boyle‘s Sunshine). A lot hinges on how these two actors interact and they pull it off well. Writers Chris Shafer and Paul Vicknair did a fantastic job deconstructing the romantic comedy genre and employing its more ridiculous conventions in funny ways right down to using the same cafe/diner that appears in every other romantic comedy. Honestly, I wish they would have eviscerated it a bit more, but I guess that may be too much to ask. The scenes with the narrator and his group of friends are the absolute highlight of the film, although I would liked to have seen more Martin Starr. Luke Wilson gets back to his early Wes Anderson-film form, which is nice to see since he been in a pile of shitty movies since Idiocracy.
All in all, Playing It Cool is a satisfying experience and one that may well surprise you. This film opens today in theaters and will be the perfect antidote to the universally panned and borderline offensive Hot Pursuit. Monaghan‘s infectious performance is worth the price of admission. Here is the list of theaters where it is playing and it is also available On Demand as well.
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‘I AM BIG BIRD’ hugs your heart and soul. Liz talks childhood flashbacks and this touching documentary.
When I was a very small child, my mother would set me up each morning on my little wooden and plastic potty with a tray of cheerios and Sesame Street. Every night, I listened to the likes of Bert and Ernie, Telly and Grover, but I as I think back to a voice that was so distinct, I always think of one in particular. A tall, endearing, yellow fellow named Big Bird. When I was a preschool teacher I played my students the songs of my past and I fully intend to share the same memories with my own children. Chad Walker and Dave LaMattina bring us the joyous new documentary about the man inside the bird, Caroll Spinney. I AM BIG BIRD is a fascinating look into how this beloved character came to fruition.
Caroll Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.
From humble beginnings, a volatile relationship with his father, and a supportive mother, Caroll fell in love with puppetry early on. As a young boy this did not necessarily make school an easy environment, but he soldiered on in his passion. Caroll was discovered at a 1969 Puppet Festival by none other than Jim Henson and fate. The two had a very special relationship, with Jim being a less of a boss and more of a friend and mentor to Caroll. Navigating through bouts of depression and low self worth, work was his saving grace as was his second wife Debra. Her love brought him back to life and has sustained the magic both on screen and behind the scenes ever since. The Big Bird we know now what not always this childlike. Initially, he was a very skinny yokel type. Thankfully, with more self confidence and encouragement from the entire Sesame Street family, Caroll gave us the magical creature we adore today.
Caroll Spinney and Debra Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.
Walker and LaMattina had a gold mine of footage from Sesame Workshop but the jackpot came from Caroll and Deb’s years of home video footage. Mixed with Caroll’s own art work, intimate sit down interviews with his children, Sesame cast members, and even Jim’s daughter, we are privileged as an audience to see how moments of time came to be. From Follow The Bird to Big Bird in China and many other Muppet specials, we see the good and the bad. There are no kid gloves when it comes to talking about Caroll and company. One of innumerable interesting things we learn is that Caroll also plays Oscar the Grouch. You learn how this has become the perfect counter balance to our big yellow friend and Caroll alike. Their memories become your own and tear at your heartstrings. You feel so special as you see past the feather into Caroll’s soul.
Caroll Spinney and Jim Henson in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.
We all have an innate love for Kermit and Big Bird. The Muppets and Sesame Street have molded millions of minds all over the globe since their inception. You will watch this film with tears in your eyes and laughter in your heart. There is no escaping the love that engulfs this movie. This is a timeless classic you will want to show your children down the line. I AM BIG BIRD is nothing short of extraordinary.
Caroll Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.
Stay tuned for an interview with directors Chad Walker and Dave LaMattina in the next few days!
Release Date
VOD: Available on iTunes & VOD: May 5, 2015
Theatrical: Select theatrical release beginning May 6, 2015
New York: IFC Center – opens May 6, 2015
May 15:
Boston: Brattle Theater – opens May 15, 2015
Chicago: Gene Siskel Film Center – opens May 15, 2015
Columbus: Gateway Film Center – opens May 15, 2015
Detroit: Cinema Detroit – opens May 15, 2015
Los Angeles area:
– Los Angeles: Royal – opens May 15, 2015
– Santa Ana, CA: South Coast Village – opens May 15, 2015
Minneapolis: St Anthony Main – opens May 15, 2015
New Orleans: Zeitgeist Theater – opens May 15, 2015
Philadelphia: PFS at Roxy Theater – opens May 15, 2015
Portland: Living Room Theaters – opens May 15, 2015
San Diego: Digital Cinema – opens May 15, 2015
Santa Fe: CCA – opens May 15, 2015
San Francisco area:
– Berkeley: Rialto Cinemas Elmwood – opens May 15, 2015
– San Francisco: Balboa Theater – opens May 15, 2015
– Sonoma: Sebastopol Rialto Cinemas – opens May 15, 2015
Scottsdale: Shea 14 – opens May 15, 2015
May 22:
Eugene, OR: Metro Cinemas – opens May 22, 2015
Gainesville, FL: The Wooly – opens May 22, 2015
Louisville: Village 7 – opens May 22, 2015
Miami area:
– Coral Gables: Cosford Cinema – May 22,2015
– Miami: O-Cinema – opens May 22,2015
Palm Springs: Camelot – opens May 22, 2015
Pittsburgh: Hollywood Theater – opens May 22, 2015
Sedona, AZ: Mary Fischer Theater – opens May 22, 2015
May 29:
Denver: Sie Film Center – opens May 29, 2015
June 10:
Boulder, CO: Boedicker Theater – opens June 10, 2015
June 12:
Seattle: SIFF Cinema – opens June 12, 2015
Bellingham, WA: Pickford – opens June 12, 2015
Pelham, NY: Picturehouse – opens June 12, 2015
Director
Dave LaMattina and Chad N. Walker
Screenwriter
Dave LaMattina
Producer(s)
Dave LaMattina and Chad N. Walker
Cast
Caroll Spinney
Runtime
87 minutes
SYNOPSIS
For 45 years, Caroll Spinney has been beloved by generations of children as the man behind Sesame Street’s Big Bird and Oscar the Grouch – and at 80 years old, he has no intention of stopping. A loving portrait of the man in the yellow suit, I Am Big Bird features extraordinary footage of Spinney’s earliest collaborations with Jim Henson as it traces his journey from bullied child to childhood icon. And as the yellow feathers give way to grey hair, it is the man, not the puppet, who will steal your heart.
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NBC to Release Entire Series ‘Aquarius’ Online Following Premiere
To offer viewers the same binge-viewing experience they now enjoy on streaming platforms, NBC will make the unprecedented move of releasing all 13 episodes of David Duchovny’s new series “Aquarius” on NBC.com and the NBC app after the show’s two-hour linear network premiere on May 28, 2015. The entire series will also be offered to all other video-on-demand platforms for release at that time as well.
In making the announcement, NBC Entertainment Chairman Bob Greenblatt said, “With ‘Aquarius’ we have the opportunity to push some new boundaries to give our audience something no broadcast network has done before. We are fully aware how audiences want to consume multiple episodes of new television series faster and at their own discretion, and we’re excited to offer our viewers this same experience since all 13 episodes of this unique show have been produced and are ready to be seen. I appreciate the enthusiasm we’ve gotten from the producers of the show and our partner Marty Adelstein of Tomorrow Studios to launch this series in a new, forward-thinking way.”
One of the key points of the arrangement is that the show will be available to only a handful of certain advertising partners so the linear broadcast on NBC will mirror the commercial load on the VOD platforms. This will result in limited interruption — both on-air and off — giving viewers and advertising partners an enhanced and innovative experience.
The full 13 episodes will remain up on the various digital platforms for a four-week period, while each new one-hour episode will continue to premiere, as planned, each week in the 9 p.m. Thursday timeslot on NBC.
Los Angeles. 1967. Sam Hodiak (David Duchovny, “Californication,” “The X-Files”), a decorated World War II vet and homicide detective, barely recognizes the city he’s now policing. Long hair, cheap drugs, rising crime, protests, free love, police brutality, Black Power and the Vietnam War are radically remaking the world he and the Greatest Generation saved from fascism 20 years ago.
So when Emma Karn (Emma Dumont, “Salvation,” “Bunheads”), the 16-year-old daughter of an old girlfriend, goes missing in a sea of hippies and Hodiak agrees to find her, he faces only hostility, distrust and silence. He enlists the help of Brian Shafe (Grey Damon, “True Blood,” “Friday Night Lights”) — a young, idealistic undercover vice cop who’s been allowed to grow his hair out — to infiltrate this new counterculture and find her.
The generational conflict between the two is immediate and heated, yet they’re both dedicated officers and soon realize the need to bring Emma home is more urgent than they foresaw. The immediacy arises because she has joined a small, but growing, band of drifters under the sway of a career criminal who now dreams of being a rock star: Charles Manson (Gethin Anthony, “Game of Thrones”).
Ringing with the unparalleled music of the era, “Aquarius” is a sprawling work of historical fiction that begins two years before the 1969 Tate-LaBianca murders. It’s a shocking thriller, a nuanced character drama and, in the end, the story of how we became who we are today.
Writer John McNamara serves as executive producer with Marty Adelstein (“Prison Break”), David Duchovny, Becky Clements and Melanie Greene. “Aquarius” is a production of Tomorrow Studios, a joint partnership between Marty Adelstein and ITV Studios.
Please visit the official show site at: http://www.nbc.com/Aquarius
For the latest “Aquarius” news, videos, and photos, please like us on Facebook and follow us on Twitter.
https://www.facebook.com/NBCAquarius
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‘The Ladies of the House’ serves up the smart and sexy. Liz talks flipping the script on genre protagonists.
Typical horror gene fair has the protagonist as a weak young woman who is constantly running up the stairs only to get stabbed during sex or in the shower. While I am not making a dig at Psycho, because we all know that is will always be some brilliant and sick stuff, I am bringing up the obvious that women in horror tend to be the victims. Refreshingly, in John Stuart Wildman‘s The Ladies of the House, this couldn’t be further from the truth. The premise seems relatively simple; brothers Kai and Jacob, and friend Derek, go to a strip club for Kai’s birthday. But, when they decide to follow one of the strippers as she departs, they are in for quite the surprise. This house is home to a group of lovely cannibals.
Performances by our leading ladies are strong and quirky due to the smart writing from husband and wife team of Wildman and Justina Walford. The often funny moments come from vitriolic insults they sling at the men and one another. Each character is fully fleshed out, most likely making it a blast to perform. Michelle Sinclair plays Ginger. Perhaps best known as former adult actress Belladonna, Michelle does a great job on screen as newest housemate. Farah White plays Lin (our June Cleaver mommy monster, whose patience and civility are balanced on a razor thin edge) is fully settled into this role. The “Lady of the House,” Getty, is played stupendously by Melodie Sisk. This “take no shit” gal is pretty much my favorite performance of the entire film. Brina Palencia is our sex-crazed, emotionally-stunted lovely. Keeping men for play is her game. But can this family survive these feisty gentlemen? Speaking of which, Samrat Chakrabarti, as Derek, is real douchebag. No love lost for this total asshole, which in its own right, is a compliment. Gabriel Horn, as Jacob, plays the classic, submissive peacemaker. Doomed or not, the passive manner doesn’t help his character’s cause in this film. Finally, we have Kai. Clearly a little bit (or a lot) of a simpleton, RJ Hanson‘s portrayal is sickening… which is a good word here. This gentle giant has a sexually charged trigger that gets him into some hot water. Every beat is well thought out and I couldn’t take my eyes off of him.
The ladies each have their own specific color they sport throughout the film. Their pin-up style radiates from their wardrobe to the impeccable set design by Winona Yu. The majority of the house is like Pee-Wee Herman‘s Playhouse only scarier, and I do mean that as a compliment. Not a tchotchke out of place, it is filled with delicious details top to bottom. The super cool cinematography from Beau Ethridge is a funky combination of fly on wall, handheld closeups, and my favorite shots in the film, super high angles that are akin to surveillance footage. The biggest practical effect is vomit inducing, no doubt, something Eli Roth would be proud to call his own and a dinner table scene that is surely a fandom nod to The Texas Chainsaw Massacre with dialogue Taratino would pen in a heartbeat. I was truly impressed with the gore factor as it was just enough to make a point. The music is incredible. A rockabilly tune here, to classic 50’s make out sounding mix tape there, I want it all for my very own. 
While, yes, we’re talking about a grindhouse indie film about lady cannibals, we cannot overlook the empowerment factor so often thrown to the wind in the horror genre. When women kick some serious ass, and are cleverly written, how can we not stand up and cheer? This film’s undertone is blatantly about love and protection… with a little bit of the kooky macabre thrown in for good measure. Not since Robert Rodríguez/Tarantino‘s 2007 GRINDHOUSE with Planet Terror and Death Proof, which flung the exploitation genre back into the spotlight, has there been a film where the ladies are the winner-winner, this time human dinner. Or perhaps more fitting a comparison in this case would be 2003 release High Tension, which if you haven’t yet seen, for shame. My only gripe is that I might trim the length 15-20 minutes to tighten up the story’s flow, but that’s being nit-picky. Anytime I can watch my favorite genre hold a candle to a bygone era of kitsch, I give Wildman and Walford major props for putting it all out there and for giving us something that can easily be shown as a drive-in cult classic in the future. Now I want to know, what’s next?
The Ladies of the House comes to VOD platforms on May 1.
You can preorder the film on iTunes.
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Tribeca Film Festival interview: Kevin Pollak talks his new doc ‘Misery Love Comedy’ with expected hilarity.
Some of my fondest memories as a kid are family game nights, Sunday breakfasts, and dancing in the kitchen. All of these things we still do. We try to outplay each other. We make fun of the everyone’s ever changing diets. We choreograph the best and worst dance moves in the universe. Being the first of 4 children ignites a fire that never quite goes away. ‘Look At Me Syndrome” is something I live and die by. Young performers are like sponges. They listen to every word as a kid. They are bright and observant, perhaps not coming alive at that age, but letting it all seep into what shapes their humor. *And yes, I did just allude to how awesome I have always been. But enough about me.* Kevin Pollak has created one hell of a documentary to share with the planet, MISERY LOVES COMEDY. Rounding up over 60 comedians, both stand up or just plain funny people in the industry, including the likes of Amy Schumer, Tom Hanks, Judd Apatow, Kevin Smith, Christopher Guest, Lisa Kudrow, Bob Saget, Chris Hardwick, and Kathleen Madigan, just to name a few. Pollak poses the question that performers know to be true; “Do you have to be miserable to be funny?” The answers comes in form of intimate sit down interviews with a cast only someone with Pollak’s clout could get to say yes so quickly. Filmed over the course of 4 weeks in L.A. and NYC, we are privy to family photos, childhood inspirations, and all the mess in between. Pollak even edited the film himself, sharing that experience was eye-opening and surprisingly enjoyable. This film is non-stop funny. I loved every moment of it. Jim Gaffigan sums up the need to entertain others perfectly, it’s a ‘Narcissists Fantasy’. Question it, accept it, then own it. I do. It’s the only way to live.
When Kevin Pollak offers to take a picture with you, you take a picture. Because Kevin Pollak.
In honor of the masterful director himself, and the over 600 hours of interviews he had conducted, in true Kevin Pollak Chat Show style, I give you the audio from our roundtable with this comic genius. Welcome to a slice of MISERY LOVES COMEDY.
Misery Loves Comedy is available on iTunes !! *Ps- it’s #1 right now* Opens today in NYC (IFC Center) with a national release to follow.
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