‘The Sublime and Beautiful’- Liz’s interview with writer/director/star Blake Robbins

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Grief is a very personal experience. Some of us cry, some lash out at loved ones, some shut down. A few even look at a loss as an excuse to reassess their lives. Either way, it is a loss. Five years ago yesterday, I lost someone very special to me. I had experienced the loss of family members before, but this, this was something altogether different. Tyler was a beloved friend. I guess I never actually knew how close we were until after he was ripped from my life without real explanation. The hole gets smaller each day but just barely. There are moments, songs, pictures, that still take the wind out of me. It’s the most horrible feeling. Grief owns me at times. It’s still a process. In Blake Robbins new film, The SUBLIME and BEAUTIFUL, all those feelings rush back into my brain and heart. Read More →

Michael’s Review: ‘The Imitation Game’- This is One Game You Must See to Believe

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Alan Turing was a key figure in helping the allies win World War II. Known for his expertise as a mathematician, logician, cryptanalyst, and philosopher, he was a pioneering computer scientist who created the template for what would become the computers we use today. However, his accomplishments were never publicly known due to his criminal prosecution for being a homosexual. Read More →

Santa Claus, King Moonracer and Most of the Other Reindeer Are Giant A-holes – A Reflection on Rudolph the Red-Nosed Reindeer at 50

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For fifty years now, families have gathered together to sit and watch the children’s classic movie Rudolph, the Red Nosed Reindeer. As I have again started to watch this with my own children, I’ve always been struck by one thing – Santa the slave-driving fascist, King Moonracer of the Island of Misfit Toys and the bulk of the other reindeer surrounding Rudolph, including his father Donner, are just outright assholes.

From the day of Rudolph’s birth, Santa is on his ass about his nose. When Santa visits to see the new buck and Rudolph’s nose starts to glow (as the ubiquitous song points out), Santa says, “Great bouncing icebergs! Let’s hope [it stops] if he wants to make the sleigh team some day.” As if having a red nose somehow prohibits his ability to fly a damn sleigh. And his bastard of a father shows what backbone he’s got (none) by agreeing with Santa. So what does he do? He first covers Rudolph’s nose with mud and when that doesn’t work, he puts on a cap making him sound like a kid with an allergy to cats who gets locked in an animal shelter. Not exactly setting him up for success, are they?

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Despite this auspicious beginning, Rudolph goes to try out for the sleigh team on the day of the Reindeer Games. There he meets Fireball and despite his ridiculous sounding voice (courtesy of the stupid nose cap), he and Fireball hit it off. When they see a couple of does nearby, the mack is on. Fireball prods Rudolph into talking to one exceptionally cute doe named Clarice. After throwing out his smooth lines and getting her to agree to walk home with him, Clarice tells him she thinks he’s cute. This literally sends him into orbit and he jumps into the sky and flies better than all of the other mean ass reindeer at the games.

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But when he and Fireball engage in a little reindeer fun, his nose cap comes off. And that’s when the shit hits the fan. Fireball immediately yells at Rudolph to get away from him and that’s when the other lemming reindeer come in and start the insults. Instead of stopping the nonsense, Santa scolds his father. “Donner, you should be ashamed of yourself. What a pity.” And to add insult to the injury, Comet the coach, dick that he is, announces to all of the other bucks as they head back to practice, “Oh no, not you. You better go home with your folks. From now on gang, we won’t let Rudolph join in any Reindeer Games, right?” Clarice is the only stand up deer in the bunch as she is still interested in Rudolph despite his “malady”. Of course, her assfaced father comes and busts them up because he doesn’t want any doe of his with a red-nosed reindeer.

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When Rudolph meets Hermey the Dentist Elf, he at least finds a kindred spirit. Hermey, like Rudolph, was run out of Christmastown because he didn’t want to be like every other single-minded toy slave that the other elves were. He probably didn’t dig Santa bagging on the elves for their singing either. They pal up and along their way, they pick up Yukon Cornelius, a precious metals prospector and loner himself. The triumvirate, in escaping the terrible Abominable Snow Monster, Bumble, end up on the Island of Misfits Toys where they, misfits in their own right, hope to stay. Of course, King Moonracer isn’t having any of it stating that the island is only for toys, stating, “Unlike playthings, a living creature cannot hide himself on an island.” I guess he missed the part where he is a living damn creature. After denying them asylum, Moonracer has the balls to ask them a favor! This guy. He asks them when they return to Christmastown, would they ask Santa to come pick up all of the misfit toys and get them to children? Uhhh, Moonracer – Santa basically consented to Rudolph being run out of town, much in the same way you did. Why would they ever go back let alone do you a favor?

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The last turn of assholishness occurs at the end of the movie when Santa declares Christmas is canceled because of some storm. Now, did it not occur to Santa that Christmas could be delayed? That he would rather just ruin the lives of every child on earth who celebrate the holiday rather than reschedule is insane to me. Talk about tunnel vision. Perhaps the most insulting thing he does the entire movie is when he literally sees the light (of Rudolph’s nose to be exact). Only when he figures out that Rudolph can be of any use to him in this exact moment does he embrace him. “That nose. That beautiful, wonderful nose of yours!” Wait a minute – you told his father he should be ashamed of him because of that nose, now it’s beautiful and wonderful? Fuck that. And Donner in true fashion says, “I knew that nose would be useful someday. I knew it all along!” No you didn’t. You were as much of a dick to him as Santa was, Donner, you sycophantic ass, so cut the shit. You see a chance to capitalize on your son’s new status, no different than Honey Boo-Boo‘s mom.

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It’s no wonder kids who grow up watching this turn into assholes, too. This is the blueprint on how to be racist, afraid of “others” (poor Bumble), tyrannical, indifferent and cruel. Get ’em while they’re young, I guess. I don’t know what their intentions were, but maybe the writers and director were using the film as a mirror for American society to look at itself as a way to change these behaviors. I seriously doubt that, though.

My kids love this movie and I remember it with fondness from my childhood as well. That doesn’t mean there isn’t some bad shit in there, though. It’s a wonder kids love Santa at all after watching this. His dickheadedness is hardly subtle. The only thing he doesn’t seem to do is punch his wife or kick a dog. Maybe Tarantino will direct a grindhouse version of it and we’ll get those two elements taken care of. Fifty years on, Rudolph the Red-Nosed Reindeer is still a staple in American households. My questions is, should it be?

Michael’s Review: ‘Exodus: Gods and Kings’- This One’s Not Heaven Sent

Exodus_Ver2_Wave PosterWhen I first heard of director Ridley Scott’s willingness to make a feature length interpretation of the story of Moses and his quest to lead the Israelites out of Egypt, I had my doubts of the outcome. Scott has not had a very good track record of making historically epic films with duds like 1492: Conquest of Paradise and Kingdom of Heaven in his resume. Armed with a  cast of white actors to play the lead roles of Hebrew and ancient Egyptian characters,  Ridley Scott sets out to retell the story of Moses no matter what the cost and what audience he alienates in the process. The portrayal of Moses which will no doubt leave religious audiences scratching their heads and others with little more than a visually stunning movie with little substance. Read More →

Michael’s Review: ‘After The Fall’- What Would You Do to Survive?

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What would you do if your life was suddenly thrown into turmoil and you could no longer support your family? That’s the premise of the new film from first time director Saar Klein who explores the basic human needs and survival instincts of a man on the brink and the mental toll that the subject experiences throughout his change. Can you justify your actions when you know that what you are doing is wrong? After The Fall will leave you wondering what you would do. Read More →

Jeremy’s Review: Igal Hecht’s ‘The Sheik’ About Wrestler The Iron Sheik Puts Jabronis in The Camel Clutch

the sheik posterI will admit to being one of the more nostalgic people that I know. Perhaps it is a flaw, but I think it serves a great purpose. While I’m happy to live in the moment, the things that I’m nostalgic for, and reflection upon them, help keep that past as close as possible, which can’t be all bad, right? Especially when we are talking about people like The Iron Sheik, the former WWF bad guy who helped usher in the era of Hulkamania and the golden age of wrestling as entertainment. While many people today only know The Sheik from his exceedingly humorous Twitter feed, his backstory, which Hecht draws out in this film, has remained largely uncovered. The Sheik gives us the whole gamut of the wrestler’s life, up to and including his foray into becoming a social media star. Read More →

Melissa’s Review: ‘The Last Impresario’ – the perfect Saturday night movie

Step into the life of Michael White, a fearless, charming producer of stage and screen, lived the celebrity lifestyle in the 70s and 80s. He’s that guy who knows everyone at the party, stays out until the wee hours of the morning, and loves every minute of it. He has an amazing list of successful productions and features. He’s The Last Impresario. Read More →

Liz’s Review: ‘TAKE CARE’ – Why I wanna be Leslie Bibb’s best friend

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I injured my neck a few years ago. This year, it flared up and I found out I have the spine of an 80 year old. In case you are wondering. In case you are wondering, I am a very long way off from 80. I had to cancel about two weeks worth of meetings, appointments, and life in general because I could not move. It was not fun. Other than my husband, who is essentially legally obligated to care for me (I have a license that we both signed that says so) no one was around to help me do the simplest of tasks. In fact, the only person that offered to bring me dinner was my very own managing co-editor, Melissa. Shout out is official now. In the new film, TAKE CARE, a woman is stranded in the same way I was. Post car accident, she is forced to rely on a person from her past. Read More →

Liz’s Review: ‘MURDER OF A CAT’ is a quirky suburban noir.

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I’ll admit it. I’m a bit of a weird gal. It’s fine. It’s sort of my thing. I like what I like and I’m proud of it. That being said, if someone killed my best friend, I’d hunt them down like the scoundrels they are. (Prime example, I use words like scoundrel in regular conversation). In the new film MURDER OF A CAT, Clinton (Fran Kranz) also, a bit of a weirdo, finds his beloved cat-friend brutally murdered. It is his moral duty to find out who, what, when, where, and why.

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Liz’s Review: ‘RED KNOT’- Do you know where your marriage is?

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Marriage is difficult. I got married 5 days before my husband started business school at Yale. He was on the Investment Banking track. What that meant in my world was that I wouldn’t see my husband for the next 4 months as he prepared for innumerable interviews, events, and attended the accelerated course load that comes with an ivy league school. Even after 6 years together, I had to become a whole new woman. In the new film RED KNOT, a young, newly married couple take this idea to the extreme as they honeymoon on a research vessel near Antarctica.

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Liz’s Review: ‘PIONEER’ is a thriller based on true events.

PioneerposterSometimes reality is stranger than fiction. In Magnolia Pictures new release, PIONEER, we find a story based on true events that is both disturbing and heart-pounding. The film is based upon the scientific and political race to get a group of deep sea divers to 500 meters; a feet never even attempted prior. An American Team and a Norwegian team train side by side and the best men win, or so they think. Petter (Aksel Hennie) and his brother are part of the Norwegian team chosen to pursue the dive which would ultimately allow Norway to build an oil pipeline. After a tragedy during their first real attempt to dive, Petter is thrust into a conspiracy so deep, it is astounding to think that any of this actually happened. Though, if you know anything about international politics, you might think twice.

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Jeremy’s Review: Robert May’s ‘Kids for Cash’ is Heartbreaking, Infuriating and Incredibly Important

kids for cash - posterI’m going to put this bluntly – this film pissed me off, made me incredibly angry. I don’t know how it couldn’t. This isn’t a reaction to the technical merits of the film, which are quite well presented, nor is it the narrative focus itself. This is a story that needed to be told. The fact that what happened in this movie happened at all is what angers me. The abuse of power that is so prevalent in the world today – taking advantage of others so that a select group of already well-off people can get more – turns my stomach. Robert May‘s Kids for Cash details one of these scenarios and it is heartbreaking. Read More →

Jeremy’s Review: Anthony Powell’s ‘Antarctica: A Year on Ice’ Gives Us a First Person View at Life During Winter on the Loneliest Continent

antarctica_a_year_on_ice posterI have always found Antarctica to be a profoundly interesting place. From the fact that it (or the Atacama Desert in Perru, depending on the source) has the driest place on earth (the Dry Valleys), that it’s the home of five breeding species of penguins or that it has just two season, winter and summer in which winter has 24 hours of dark for 6 straight months and summer has 24 hours of daylight for the other six months. Couple that with the harshest landscape and weather on earth, one might ask why in the hell does anyone ever go there. That’s precisely what Anthony Powell does in his fantastic documentary Antarctica: A Year on Ice. Read More →

Jeremy’s Review: ‘Touch the Wall’ Is an Awe-Inspiring Profile of Swimmers Kara Lynn Joyce and Missy Franklin Run at the 2012 Olympics + Interview with Kara Lynn Joyce & Directors Grant Barbeito and Christo Brock

Passing the torch. Rise and fall. Student bests teacher. All of these are oft repeated themes in films, especially in sports films from He Got Game to Hoop Dreams to Bull Durham. Sometimes these themes bring out the best in people, other times they bring out the worst. In a cutthroat world like sports, where ego, money and self-promotion usually trump all, it’s rare to see a film of any kind run counter to these notions. But in Grant Barbeito & Christo Brock‘s documentary Touch the Wall, we see the best of the relationship between two athletes, Olympic swimmers Kara Lynn Joyce and Missy Franklin, who are at opposite ends of their career spectrum – one a champion trying to hold on and the other a phenom up and comer trying to make her mark. What unfolds over the multiple year filming is heartfelt, emotional and really a triumphant journey of these two women who, in and out of the pool, exemplify how best to deal with adversity, fame, victory and defeat. Read More →

Jeremy’s Review: Frederick Wiseman’s ‘National Gallery’ a Brilliant Follow-Up to ‘At Berkeley’

national gallery posterIf you’ve never seen one of Frederick Wiseman‘s many documentaries (I think the total rests somewhere near 40 now), watching National Gallery, his latest opus, might throw you off. He has been called a filmmaker who works in observational cinema or cinema verité, although he detests the term, but it’s easy to see why some people may call it so. Unlike most documentaries these days, Wiseman never veers into Errol Morris territory, meaning that he doesn’t interview the subjects present in his films. He captures them as they are in real time doing what they do. There are no interviews, no “talking heads” and no clever witticisms spoken directly into the camera and this takes getting used to. But it works, this technique. It allows us as the viewer to participate, something that many documentaries can’t do as they are too busy addressing us with a certain (biased?) viewpoint. We get none of that here. We, like the patrons and staff of the National Gallery in London, are free to move around in the space and address what it is that we want while taking in what Wiseman has shot. Read More →

Melissa’s Review: ‘The Mule’ shows the gross inventiveness of desperation

TheMule_Poster_5What an awesome poster. It conveys the movie perfectly. I first saw The Mule at this year’s SXSW Film Festival, covering for Cinemit.com. It was one of the films that I had on my watchlist that I was able to see and I was delighted by it’s odd deliver and captivating journey. Star, co-writer and co-director, Angus Sampson is Ray Jenkins, a man who’s got himself in quite a predicament. He must not poop. Read More →

Michael’s Review: ‘The Hunger Games Mockinjay Part 1’- Prelude to the End

f13719f8-6b3d-4bd5-ab18-4afe1651d211The Hunger Games film franchise has been one of the most popular in recent memory. From the first film on, the film’s premise has centered around murder and class warfare, but at the center of that bleakness was a beacon of hope, Katniss Everdeen, however, in Mockingjay Part 1, that hope takes a turn for the worse. Centered around the aftermath of the events of Catching Fire, we find our heroine at her darkest point, surrounded by a colony of freedom fighters and lost without the man whom she has grown to care for, Peeta. There’s a shadow looming over Katniss and a growing weigh upon her shoulders. The penultimate film in this franchise has moved on from the games and into the war. Read More →

Liz’s Review: ‘A Girl Walks Home Alone At Night’ – A love story you can sink your teeth into

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I LOVE horror movies. I love an original script. I love a great soundtrack. Put them all together and you’ve got me on your side from minute one. There are few movies ever made that deliver on all of these aspects. The one I am about to describe blows it out of the water. Read More →

Liz’s Review: ‘THE KING AND THE MOCKINGBIRD’ is a classic brought back to life

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When I was a child I revelled in my mother and father reading bedtime stories.  I grew up on classic Disney fairytales and Tom & Jerry reruns. As an adult, nothing makes me happier than reliving those moments and sharing that joy with the next generation. At this year’s New York Film Festival, I was treated to a film that has been around for ages, but for me was a brand new tale to pass down. Read More →

Jeremy’s Review: Aoife Kelleher’s ‘One Million Dubliners’ an Absolutely Touching Portrait of Ireland’s Glasnevin Cemetery

OMD Portrait 2 1800pxIn the opening sequence of Aoife Kelleher‘s One Million Dubliners a funeral is being set and there is an incredibly pertinent quote from James Joyce‘s Ulysses: “In the midst of death, we are in life,” which is a careful reminder to us that even though we are inching closer to death with each day, there is still life to be lived. While pertinent, it may not make much sense to us in the beginning of the film as we allow ourselves to be taken on the journey that Kelleher takes us on in chronicling the history, the energy, the pulse of Glasnevin Cemetery in Dublin, Ireland. Read More →