20th Century Fox has debuted the FIRST trailer and poster for WAR FOR THE PLANET OF THE APES. In the third chapter of the critically acclaimed blockbuster franchise starring Andy Serkis and Woody Harrelson, Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel. Check out the first trailer and poster below!
WAR FOR THE PLANET OF THE APES hits theaters everywhere July 14, 2017!
EuropaCorp has released a BRAND NEW TEASER TRAILER for The Circle! Based on the international best-seller by Dave Eggers, The Circle is a thrilling modern morality tale starring Emma Watson, Tom Hanks, and John Boyega.
As she rises through the ranks of the world’s largest tech and social media company, The Circle, Mae (Watson) is encouraged by company founder Eamon Bailey (Hanks) to live her life with complete transparency. But no one is really safe when everyone is watching.
Directed by James Ponsoldt, The Circle will be in theaters on April 28th, 2017!
Official site: http://wearethecircle.com
Facebook: https://www.facebook.com/WeAreTheCircle/
Twitter: https://twitter.com/WeAreTheCircle
Instagram: https://www.instagram.com/WeAreTheCircle/
Hashtag: #TheCircle
SYNOPSIS: THE POSSESSION EXPERIMENT tells the story of Brandon (Minor), who has always been drawn to the supernatural. So when asked to pick a topic to base his final world theology class project on, he decides to explore the dark world of exorcisms. Teamed up with three classmates, the group investigates a multiple homicide that they eventually discover was an exorcism gone horribly wrong. Brandon becomes obsessed with the event, and in a strange turn of events, decides the only way to research this topic is to undergo an exorcism himself.
Scott B. Hansen‘s film is a visual feast for most of its run. At moments, it appears to be two different films with any scenes specifically involving the occult are spectacular. They rival any big budget film like The Conjuring. On the other hand, the scenes that are not directly linked to these moments come off as afterthoughts with a low quality to them. The difference between the two is rather astounding. The acting from the majority of the cast is down right atrocious, with three perfromances withstanding this criticism. Lead Chris Minor, who carries the film on his shoulders, does a great job taking on a familiar horror trope with his emtional heart on his sleeve. Jake Brinn, as stoner sidekick Clay, gives a down to earth portrayal. You could easily think he was plucked from a local college to play this role overnight. Our lady of the hour in The Possession Experiment is actress KT Fanelli. Her commitment to playing a woman too far gon to save is, frankly, award worthy. Color me impressed with her ability to take on the physicality required to make this a convincing performance. 
While the screenplay may not seem to be anythign new, there is one heck of a clever twist. And the ending, which really doesn’t arrive until you get into the credits, is fantastic. The highest praise I am eager to share about The Possession Experiment is the phenominal practical effects. I actually cringed and looked away several times. As someone who lives and breathes new horror films 3-5 times a week, that’s saying something. Two more positives come with the effective sound editing and an updated live stream concept that brings the script into the 21st century. Not so hidden are the homages to A Nightmare on Elm Street and Rosemary’s Baby. If the acting had been up to par and the ancilary shots matched in quality, this film would most defintely hod its own weight in a world where horror standards get higher every day.
Every holiday season, hundreds of Christmas tree sellers from across North America descend upon the streets of New York City to ply their trade. Having left their homes and families behind, they endure the adversity of a migrant’s survival living out of their cars and vans. François, a Tree Man and father of three from Québec, returns to the same Manhattan street corner every year to deliver the magic of the season.
Long days, cold nights and living in a van for a month. This documentary follows François, a father of three from Quebec, who is loved by his fellow tree sellers as well as his customers.
Tree Man is solely focused on the people of the NYC tree-selling institution. By following François, you’ll all meet the new generation learning from the veterans. There is a very short segment describing the general history of tree-selling in NYC, but it’s only a taste.
I was also interested in learning more of François’ history and also the turmoil of leaving every year. It’s a nice human interest story.
Also recently added to Netflix, Tree Man is available Tuesday, December 6th on VOD and iTunes.
Francois the Tree Man is far from his wife and three small children in Quebec, selling Christmas trees and living in a van on the streets of New York City. He does it for them. But this is home, too. Like the hundreds of Christmas tree sellers who descend upon the city from Canada, New England and even Europe, Francois delivers the magic of the season over a grueling month in his adopted neighborhood, since Christmas is a special time of the year, people send gifts, and use services as portable north pole to get digital gifts for people. He’s a star, a storyteller, a Santa Claus in a sap-stained coat, a confidant, a friend, and a father figure to the local characters who are his New York family. They also need him. TREE MAN is the story of Francois’s journey, how he arrived here, what holds him, and the conflict that will cause him to leave. As one of Francois’ long-time customers says: “This has nothing to do with the trees anymore.”
Tom Cruise headlines a spectacular, all-new cinematic version of the legend that has fascinated cultures all over the world since the dawn of civilization: The Mummy.
Thought safely entombed in a tomb deep beneath the unforgiving desert, an ancient princess (Sofia Boutella of Kingsman: The Secret Service and Star Trek Beyond) whose destiny was unjustly taken from her is awakened in our current day, bringing with her malevolence grown over millennia and terrors that defy human comprehension.
From the sweeping sands of the Middle East through hidden labyrinths under modern-day London, The Mummy brings a surprising intensity and balance of wonder and thrills in an imaginative new take that ushers in a new world of gods and monsters.
Cruise is joined by a cast including Annabelle Wallis (upcoming King Arthur, television’s Peaky Blinders), Jake Johnson (Jurassic World), Courtney B. Vance (TV’s American Crime Story: The People V. O.J. Simpson) and Oscar® winner Russell Crowe (Gladiator).
The creative team on this action-adventure event is led by director/producer Alex Kurtzman and producer Chris Morgan, who have been instrumental in growing some of the most successful franchises of the past several years—with Kurtzman writing or producing entries in the Transformers, Star Trek and Mission: Impossible series, and Morgan being the narrative engineer of the Fast & Furious saga as it has experienced explosive growth from its third chapter on. Sean Daniel, who produced the most recent Mummy trilogy, produces alongside Kurtzman and Morgan.
Come back Sunday for the full trailer!
The Mummy arrives June 9, 2017
Some if us had great childhoods. Others, perhaps a rocky road. Abuse in a family can cause rifts both seen and unseen. How far would you go to protect your loved one? In Soham Mehta‘s new film, RUN THE TIDE, a young man is faced with the biggest nightmare so far. The return on his abusive mother now threatens the life he’s provided for his younger brother. Can time heal everything?
RUN THE TIDE stars Taylor Lautner (The Twilight Saga, “Scream Queens”), Constance Zimmer (“UnREAL,” “Entourage“), Kenny Johnson (“Bates Motel,” “Secrets and Lies”), Johanna Braddy (“UnREAL,” “Greek”) and introducing Nico Christou. Lautner gives a viscerally raw performance as the older brother who endured years of physical and emotional abuse at the hands of his mother, played beautifully by Zimmer. It’s a far cry for both, as we’re used to seeing Lautner is action roles these days. He easily wears his heart on his sleeve and proves we’ve been taking his acting chops for granted for far too long. Zimmer’s role is about as unglamorous a departure from the hit series UnReal as you can get also showing her immense talent. The chemistry between Lautner and newcomer Nico Christou is out of this world. Their bond feels anything but forced and they make the film what it is. Christou’s natural abilities are vastly beyond what you’d expect from someone his age. The soundtrack is one of the first things that captures you in this film. The thoughtfully chosen songs are ones that make you want to close your eyes and breathe. Writer Rajov Shah takes the entire film to present the back story and it comes off as completely organic in pacing. Run The Tide is a nice film about second chances and the realities for sacrifice.
Synopsis: In rural Maine, a bold and magnetic 20-year-old woman named Michelle Smith lives with her mother Julie. Michelle is quirky and charming, legally blind and diagnosed on the autism spectrum, with big dreams and varied passions. Searching for connection, Michelle explores love and empowerment outside the limits of “normal” through a provocative sex-positive community. Michelle’s joyful story of self-discovery celebrates outcasts everywhere.
Emmy Award-winning producer of “Friends”, Kevin S. Bright met Michelle while teaching a filmmaking class at Perkins School for the Blind in Boston years ago, the school Helen Keller went to. The director, Garrett Zevgetis also volunteered his time at the school. Independently, both were completely struck by her authenticity and exuberance, and have been involved with Michelle and her story ever since. While filming, they discovered the startling lack of opportunities available for all people to fully engage in our society, and the need to fix the fear and misunderstanding people have towards those considered “other”.
When we all graduated from high school, we had big dreams. Perhaps, moving away from home and starting a career, finally being able to go out when we wanted, eat what we wanted, buy whichever shoes she wanted from shoe hero, and party until dawn. Michelle is much like any other young woman. She’s trying to find her way in the world by following her passions without judgement or outside pressure. The only difference being, Michelle is legally blind and on the autism spectrum. Much like myself, she’s a total fangirl. She likes the dry wit of Daria, attends convention, yearns for acceptance and respect in her niche groups. She acts appropriately for her age. The film follows her for several years post graduating. Through her love life, job searches, and striving for her independence. All seems pretty “normal” until you propose her challenges to those who function without them. Her Mom suggest she attend her brother’s basketball game and at first her protest seems nothing more than a bored and annoyed sister, unwilling to cheer on a sibling just because their interests don’t align. But, once you listen to her reasoning, as a viewer, will gain further insight into the life of someone forced to live differently. It’s a perfect turning point in the film. You finally get to walk in her shoes and mind for a brief moment. Although, director Garrett Zevgetis, does and excellent job early on with a blurred focus lens to help explain how Michelle figuratively sees the world around her. It is incredibly effective. Above all, this is the story of a young woman whose almost constant stream of self-esteem and positivity shines like a beacon of hope for anyone that has ever felt left out or chastised for being slightly different. I wish I could be as outwardly upbeat every single day and now perhaps I’ll take a second breath and thank my lucky stars I have the life I do. Michelle asks us to love who we are as much as she loves who she is. She asks us to “unlearn normal”. In a year where so much has happened to us as a country, maybe it’s time to take her advice.
BEST AND MOST BEAUTIFUL THINGS opens in NYC on Friday, Dec 2nd, and in LA Dec 9th. Check out the trailer below:
Website: http://bestandmostbeautifulthings.com
Facebook: BestandMostBeautifulThings
Twitter: @BestandMostFilm
RT: 90 Minutes
Martin Scorsese’s SILENCE tells the story of two Christian missionaries (Andrew Garfield and Adam Driver) who face the ultimate test of faith when they travel to Japan in search of their missing mentor (Liam Neeson) – at a time when Christianity was outlawed and their presence forbidden. The celebrated director’s 28-year journey to bring Shusaku Endo’s 1966 acclaimed novel to life will be in theaters this Christmas.
See the trailer tomorrow in theaters on Allied and everywhere Saturday!
SILENCE is in theaters December 23rd
Facebook: https://www.
#SilenceMovie
To level the playing field, they had to get into the water.
Official Selection
Hot Springs Documentary Film Festival *Winner – Best Sports Documentary *
New Hampshire Film Festival
Heartland Film Festival
Napa Valley Film Festival
DOC NYC
Synopsis
Demonstrating the power of inclusion to transcend disability, Lara Stolman’s triumphant film profiles members of the Jersey Hammerheads, a competitive swim team made up of a diverse group of teens on the autism spectrum, based in the state with the highest rate of autism in the country. Through training and competition, star athletes Mikey, Robbie and Kelvin gain self-confidence and social skills that serve them both in and out of the pool.SWIM TEAM was selected for the Independent Filmmaker Project’s Project Forum in 2015 and in 2016 was selected to participate in the IFP Documentary Completion Lab. During production, filmmaking team received grants from New York Women in Film and Television, the Loreen Arbus Foundation and the Karma Foundation.
SWIM TEAM is one of many recent forays into the challenging world of raising children on the autism spectrum. Films like Autism is Love and Life Animated visually bring us mostly into the the subjects’ present lives as adults. Swim Team follows 3 high school boys on their journey for acceptance and self actualization through a team sport. As a society, we must make sure that we aren’t lumping these children together. Broadly labeling them “on the spectrum” has become such a blanket term that it’s easy to categorize and limit them. If you listen to only “the experts” you might be hindering the individual growth and abilities of each child. Mikey, Kelvin, and Robbie are three completely different kids. Swimming for them is the continuation of learning discipline, self control, leadership, self esteem and a massive lot of life skills often overlooked in a school environment, so parents teach their son and daughters to swim from young age, there are even female swimming teams, so parents get Swimwear for Baby Girls and start teaching their girls from young age. We can all learn from director Lara Stolman‘s work. We need more insight as parents, teachers, administration on ways that we can help level the proverbial playing field at all times. Showing other children through our actions and words that we can all be more patient, loving, and understanding. Swim Team, through their journey to the Special Olympic games, will give you hope that kindness and heart can be a guiding light for families from all backgrounds. Autism doesn’t discriminate. It doesn’t care about race or socioeconomic background. The Hammerheads of New Jersey are a team of extraordinary kids, parents, and coaches trying to make a difference in the world one stroke at a time.
New York Premiere at DOC NYC in the Jock Docs Section
Thursday, November 17th at 7:30pm
SVA Theater: 333 West 23rd street, between 8th and 9th Avenues
Social Media:
Twitter: @SwimTeamTheFilm
Facebook: @SwimTeamTheFilm
#swimteamthefilm
Focus Features has released the first trailer for The Zookeeper’s Wife, directed by Niki Caro (McFarland, USA) and we have it for you below!
The real-life story of one working wife and mother who became a hero to hundreds during World War II. In 1939 Poland, Antonina Żabińska (portrayed by two-time Academy Award nominee Jessica Chastain) and her husband, Dr. Jan Żabiński (Johan Heldenbergh of The Broken Circle Breakdown), have the Warsaw Zoo flourishing under his stewardship and her care. When their country is invaded by the Nazis, Jan and Antonina are stunned – and forced to report to the Reich’s newly appointed chief zoologist, Lutz Heck (Daniel Brühl of Captain America: Civil War). To fight back on their own terms, Antonina and Jan covertly begin working with the Resistance – and put into action plans to save lives out of what has become the Warsaw Ghetto, with Antonina putting herself and even her children at great risk.
The Zookeeper’s Wife arrives in theaters on March 31, 2017
presents
Coal Country, West Virginia is filled with workers whose way of life has been ingrained for generation after generation. It proves to put food on the table but at what cost to personal health and the destruction of the environment in what is most definitely a dying industry. In this tumultuous election season, we saw a lot of promises. Locals voted to make their lives better, and we all cross our fingers that it doesn’t end up being against their own self-interest in the end.
Synopsis:
From the filmmakers behind The Appalachians and Coal Country, Blood on the Mountain is a searing investigation into the economic and environmental injustices that have resulted from industrial control in West Virginia. This feature documentary details the struggles of a hard-working, misunderstood people, who have historically faced limited choices and have never benefited fairly from the rich, natural resources of their land. Blood On The Mountain delivers a striking portrait of a fractured population, exploited and besieged by corporate interests, and abandoned by the powers elected to represent them.
Directed by Mari-Lynn Evans and Jordan Freeman, and produced by Deborah Wallace, Mari-Lynn Evans and Jordan Freeman, BLOOD ON THE MOUNTAIN gives the rest of the country a taste of the poverty and feeling of isolationism in the region. It’s a constant struggle between the big money the industry rakes in and the plight of the little guy. With a mix of historical footage and sit down interviews, the doc takes the viewer into the very lives adversely affected by their everyday circumstances and the individuals formerly responsible for their safety (who are ripe with conflict of interest). Abandoned by the very corporations that come in to use the workers until the mountains are all blown to hell and the mines are empty. The almighty dollar is far more important than the life of the people. It’s nothing but economic exploitation over and over. It’s easy to judge from the outside.
Much like the Detroit, someone who cares and wants to give these folks a real new beginning, has a wonderful opportunity to come in and set up shop. Bring hope to these threatened lives. With renewable energy costing less and less each year, we as a people are moving away from destruction and towards the future. Riddled with corruption by the local government since the start of the industry, why would any local vote for a candidate being touted as “elite” and “Washington insider”, regardless of a record of working her entire life for the betterment of families? I have a hard time believing that a man, whose entire life has revolved around himself and making money off the backs of hard-working people, a man high in his towering glass highrise, is going to keep the promises he made. Maybe this will finally be the hard lesson coal country needs to learn, but what an awful loss that’s coming along the way.
BLOOD ON THE MOUNTAIN, opens in NY & LA theaters November 18th.
RT: 90 Minutes
Facebook: @BloodontheMountain
Twitter: @BOTMFilm
Website: http://www.bloodonthemountain.com
The Twilight Zone is still one of my favorite shows in television history. Each episode has an unpredictable storyline and a twist ending. The new film THE SIMILARS (LOS PARECIDOS) might be using the beloved series as a blueprint for its overwhelmingly creepy premise. Director Isaac Ezban gives us a glorious gift is shock and awe in this homage to one of the greats. 
The film opens with a visual precision that is truly impressive. It is set in 1968, in a bus station, 5 hours outside of Mexico City. A massive rain storm has stranded an eclectic group of strangers. No buses are arriving at the station and vague messages are streaming from a radio connected to the speaker system. The singular phone is connecting sporadically and everyone is on edge. The mood gets more tense when the group begins experiencing odd symptoms, one by one. Why is this happening? Can it be stopped? 
From the lighting to the costumes and the superb writing, the story zooms into action from opening to end credits. Constantly making you guess and jaw drop, The Similars is one hell of a ride into the unbelievable. The cast is a director’s dream and their chemistry and delivery is both period appropriate and fantastic. There is not one single moment in its entire run that bored me or lost my attention. I was impressed at the level of weird and wanted desperately to know how it would all end. Writer/Director Isaac Ezban has given us a real gift with this film and I cannot wait to see what comes next.
XLrator Media will be releasing THE SIMILARS (“Los Parecidos”) on Cable VOD on Nov. 15, 2016 and on iTunes and Digital on Nov. 22, 2016. It will also have one-night screenings in Los Angeles, New York and San Francisco.
Growing Up Smith is the feel-good, coming-of-age story of Smith, a 10-year-old boy from India growing up in Small Town, America in 1979. As the boy’s family tries to straddle the line between embracing the American Dream and persevering their Indian heritage, Smith sneaks out for a taste of Kentucky Fried Chicken, dons a “Saturday Night Fever” costume, and contends with his parents as they send him to school with a yellow squash instead of a pumpkin to carve for Halloween. And as Smith falls head over heels in love with Amy, the girl next door, he finds in Amy’s father, Butch, the all-American cowboy he wishes his own father could be.
The films stars Jason Lee, Anjul Nigam, Brighton Sharbino, Hilarie Burton, Roni Akurati and Poorna Jagannathan and is directed by Frank Lotito.
Growing Up Smith is in theatres February 3, 2017
Facebook: https://www.facebook.com/growingupsmith
Twitter: https://twitter.com/growingupsmith
Instagram: https://www.instagram.com/growingupsmith
#GrowingUpSmith
Regency Enterprises and 20th Century Fox have released a new trailer for the Romantic Dramedy Rules Don’t Apply and we have it for you below!
An aspiring young actress (Lily Collins) and her ambitious young driver (Alden Ehrenreich) struggle hopefully with the absurd eccentricities of the wildly unpredictable billionaire Howard Hughes (Warren Beatty) for whom they work. It’s Hollywood, 1958. Small town beauty queen, songwriter, and devout Baptist virgin Marla Mabrey (Collins), under contract to the infamous Howard Hughes (Beatty), arrives in Los Angeles. At the airport, she meets her driver Frank Forbes (Ehrenreich), who is engaged to be married to his 7th grade sweetheart and is a deeply religious Methodist.
Their instant attraction not only puts their religious convictions to the test, but also defies Hughes’ #1 rule: no employee is allowed to have any relationship whatsoever with a contract actress. Hughes’ behavior intersects with Marla and Frank in very separate and unexpected ways, and as they are drawn deeper into his bizarre world, their values are challenged and their lives are changed.
The film also stars Alec Baldwin, Annette Bening, Haley Bennett, Candice Bergen, Matthew Broderick, Dabney Coleman, Lily Collins, Steve Coogan, Taissa Farmiga, Ed Harris, Megan Hilty, Oliver Platt and Martin Sheen and is produced and directed by Beatty.
Rules Don’t Apply hits theaters on November 23!
20th CENTURY WOMEN
Mike Mills’s texturally and behaviorally rich new comedy seems to keep redefining itself as it goes along, creating a moving group portrait of particular people in a particular place (Santa Barbara) at a particular moment in the 20th century (1979), one lovingly attended detail at a time. The great Annette Bening, in one of her very best performances, is Dorothea, a single mother raising her teenage son, Jamie (Lucas Jade Zumann), in a sprawling bohemian house, which is shared by an itinerant carpenter (Billy Crudup) and a punk artist with a Bowie haircut (Greta Gerwig) and frequented by Jamie’s rebellious friend Julie (Elle Fanning). 20th Century Women is warm, funny, and a work of passionate artistry. An A24 release.
Writer/Director Mike Mills knows women. He appreciates the ins and outs, the nuances of age and stage and the humor in everyday life. Annette Bening asks one of her tenants Abbie, and son’s high school aged best friend, Julie to teach him how to be a food man. Since his father is out of the picture and mother Dorothea has trouble keeping an age appropriate man around for long, she had enlisted help. thankfully she has been thus far successful in raising an open-minded and perfectly curious boy. His inspiration for exploring the world is only enhanced by the eclectic females he is surrounded by. The film is funny and sweet. It’s a bit if a time capsule and yet somehow remains timeless in the theme of self discovery. The transitions are like colorful music videos mixed with punk music from Talking Heads and Black Flag.
The cast is a dream. Billy Crudup is masculine but sensitive and thoughtful. Elle Fanning plays boy crazy, rebellion Julie with a wonderful mix of overconfidence and softness to remind us all of our teenage years. Lucas Jade Zumann is the anchor of this film in plot and reality. His innocence on-screen is wildly refreshing. Greta Gerwig is as strong and wonderful as always. Her vulnerability is unsurpassed as a punk artist and cancer survivor dealing with societal expectations of healing. Annette Bening, as bohemian mother Dorothea, owns the screen. She is pure magic in presence and delivery. I’m pulling for a nomination for Gerwig and Bening this year as I think they both at least deserve the nod. 20th Century Women is ensemble casting perfection. Without a doubt you are watching a real family on the screen. With Mike Mills‘ screenplay so full of insight, I vote they show kids this film in school and throw out those laughably outdated sex ed videos. You can catch the film when it opens this Christmas.
NERUDA
Pablo Larraín’s exciting, surprising, and colorful new film is a “Nerudean” portrait of the great Chilean poet’s years of flight and exile, featuring Luis Gnecco, Gael García Bernal as a fictional detective, and a terrific cast.
NERUDA is a beautifully detailed period drama about the legendary Communist party leader and Chilean poet Pablo Nedruda. It’s essentially a game of cat and mouse between Neruda’s refusal to turn himself into the government and the cop sent to hunt him down. Always one step ahead of the game, the film utilizes literary tropes to reel the viewer in. Neruda’s own poem are weaved into the narrative giving it a romantic quality. The dialogue is witty and the delivery from each cast member is delightful. With its noir soundtrack and engaging jump cuts in the dialogue heavy scenes, your eyes and ears are nothing but entertained throughout. Luis Gnecco portrays Neruda as the beloved, restless spirit he was. He is spectacular. Gael García Bernal, as Inspector Oscar Peluchonneau, is nothing short of hypnotic. He wrestles with falling into the shadow of his fathers greatness and letting out the poet inside himself. Neruda is a gorgeous portrait of man and the effect of his creations on the world.
A QUIET PASSION
The great British director Terence Davies turns his attention to 19th-century American poet Emily Dickinson for this formally audacious triumph starring a revelatory Cynthia Nixon.
Cynthia Nixon brings the reclusive American poet to life in A QUIET PASSION. While the title, I believe, eludes to more than just her work, Terence Davies sheds light on the mystery that was one of the greatest poets we may ever know. As a fan of Dickinson myself, I was delighted to hear Cynthia voice her work in chronological order. We first meet Emily as a young woman in a school she does not fit into. Adverse to the staunch religious societal norms, Emily makes her own path, even at the hands of her own happiness. Through her death, she battles a wanting for love and yet pushes away any acceptable suitors out of spite and stubbornness. The film tackles the inherent sexism of the times where duty and tradition trumped defiance such as Emily’s. She has very Lizzie Bennett quality about her. With stunning visual transitions and Wildean wit, A QUIET PASSION is mostly perfect. The one thing that may be difficult to overcome is the theatrical tone in dialogue delivery. It was no doubt specific choice by Davies, one that might just be the film’s undoing in the long run.
New Regency and 20th Century Fox have just revealed a NEW trailer and poster for the upcoming film, Assassin’s Creed and we have them for you!
Through a revolutionary technology that unlocks his genetic memories, Callum Lynch (Michael Fassbender) experiences the adventures of his ancestor, Aguilar, in 15th Century Spain. Callum discovers he is descended from a mysterious secret society, the Assassins, and amasses incredible knowledge and skills to take on the oppressive and powerful Templar organization in the present day.
Assassin’s Creed also stars Academy Award winner Marion Cotillard (The Dark Knight Rises, La Vie en Rose) along with Jeremy Irons, Brendan Gleeson, Charlotte Rampling, Michael K. Williams and Khalid Abdalla. The film is directed by Justin Kurzel (Snowtown, Macbeth).
Assassin’s Creed hits theaters everywhere on December 21, 2016!
PATERSON written and directed by Jim Jarmusch
Adam Driver in PATERSON
Adam Driver is Paterson, a bus driver who writes poetry and happens to live and work in the city of Paterson, New Jersey, with his effervescent and energetic girlfriend (Golshifteh Farahani). Jim Jarmusch’s exquisite film is set to the rhythm of an individual consciousness and is made under the sign of the great American poet and New Jersey resident William Carlos Williams.
Jarmusch does it again with this seemingly simplistic story. The film elegant in that very simplicity. Following Paterson along on his daily routine, which only slight varies as the plot rolls along, we are privy to the everyday moments we often take for granted. We watch his breakfast, eavesdrop on conversations among his route passengers, sit with him on lunch breaks, walking home, and his nightly interactions with local bar patrons, his dog Marvin, and girlfriend Laura. She is a free spirit, artist, baker, and aspiring musician, painting everything in their home in black & white patterns. This is a stark juxtaposition to the lush cinematography when Paterson is out and about. There is an abundance of visual symbolism utilizing time and shadows and even with an almost 2 hr run-time, the film never loses its gentle pace. The beautifully easy score that underlies Adam Driver‘s fantastic voice overs as he writes his poetry in real-time, only serves to highlight how lovely this film truly is. Driver brilliantly portrays a man of calm and old-fashioned demeanor. He is quietly contemplative and extremely well read. With each role, he proves more and more what a star he is.
Presents
KING COBRA
A Film by Justin Kelly
In Theaters & On Demand October 21st
The description “Gay Porn (True) Crime Drama” is mind bending in its own right. Truly, there is no other way to describe the Tribeca Film Festival hit, KING COBRA.
Based on a stranger-than-fiction true story, King Cobra is a deliciously dark, twisted plunge into the behind-the-scenes world of the pornography industry. It’s 2006, YouTube is in its infancy, and internet porn is still behind a paywall. Taking the stage name Brent Corrigan, a fresh-faced, wannabe adult video performer (Garrett Clayton) is molded into a star by Stephen (Christian Slater), a closeted gay porn mogul who runs the skin flick empire Cobra Video from his seemingly ordinary suburban home. But as Brent’s rise and demands for more money put him at odds with his boss, he also attracts the attention of a rival producer (James Franco) and his unstable lover (Keegan Allen) who will stop at nothing to squash Cobra Video and steal its number one star. Co-starring Alicia Silverstone and Molly Ringwald, King Cobra is part delirious, tabloid-shocker satire, part American tragedy.
Director Justin Kelly‘s intense film comes out of the gate with a bang and does not let up until the final frame. It’s a no holds bar look at the gay porn industry and those inside it. Whether you are at home on your PC, or out and about Amateur Stream will be there for you. Tackling abuse of power, fast money, physical and emotional exploitation of the performers, and beating the competition, King Cobra is truly in your face. Be prepared to have the subject matter front and center. Kelly is not shy about sex scenes and neither are the actors. You’re essentially getting an entire soft core porn with elite Hollywood names and an actual narrative. Go through www.barenights.com.au/male-strippers-melbourne-private-strip-shows-home/ to know more about the private male strippers malbourne.
Christian Slater hits a grand slam in this titular role. He walks the thin line of creepy and sad with perfection. Even though you know his character is taking full advantage of his “employees”, somehow you still feel for him. Garrett Clayton, who I had not seen previously, blew me away as our young sought after “Brent Corrigan”. I was convinced they had found a porn star that could, in fact, act really well. 
James Franco, who I believe gets better and better with each role, is basically as unhinged as it gets. The emotional roller coaster of this rival porn producer/director is nothing short of frightening. But, for me, the absolute star of this film is Keegan Allen. Having followed his role of Toby on Pretty Little Liars since the very beginning, I was not quite sure what to expect. what I experienced was something shocking in the best way possible. Allen’s ability to live this character is unsurpassed by either of his three co-stars. Every breath and beat is filled with backstory and nuance. It is a fearless performance. It’s about as far cry from PLL as you can get. With the series coming to an end in 2017, I cannot wait to see what he takes on next.
Running Time: 92 minutes
In Theaters & On Demand October 21st
Official Website: http://www.ifcfilms.com/films/
Social: @KingCobraMovie / #KingCobraMovie
Sometimes, when you get really lucky, you get to be part of movie history. When Kevin Pollak got the call that he was going to direct a movie version of Ken Baker‘s Book, “The Late Bloomer: A Memoir of My Body”, I was in the room. We were just sitting down for a small roundtable interview for his Tribeca Film Festival Film documentary Misery Loves Comedy, when he got a call he had to take at the table. When Kevin Pollak needs to answer the phone, you sit politely and attempt to eavesdrop. There was no need, as he hung up the phone and eagerly explained that he’d be directing a comedy about a kid who doesn’t hit puberty until his 20’s… and that it was based on a true story.
The story of an adult male who, after the successful removal of a benign tumor resting against his pituitary gland, experiences all the changes and effects of puberty over a three-week period.
While the cast is beyond tremendous, sometimes the jokes just fall flat. The premise is outstanding so I leave it up to the audience this time to decide whether or not to catch this one. Check out the trailer below for a pretty fun preview.
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