Review: ‘SIBERIA’ left us out in the cold.

Keanu Reeves

in

SIBERIA

When a business deal in Russia goes south, a U.S. diamond merchant (Keanu Reeves) and his lover (Ana Ularu) are caught in a lethal crossfire between the buyer and federal intelligence service.

Sometimes I forget how talented Keanu Reeves truly is. He can take a pretty lifeless role and make it into something we weren’t expecting. That being said, these talents are really wasted in Siberia. It’s a poor man’s John Wick. The pace is often excruciating. When it is on, it’s vastly entertaining. The potential lies within the higher stakes, action-oriented scenes, but since they are few and what feels like far between it’s tough to stay on the train. 50 minutes into the 1:44 minute run it finally feels like,”Ok now we’re getting somewhere!” Alas, it will be 15 more minutes until something relatively interesting occurs. The script really takes it damn time getting to the point.

The performances are strong. Ana Ularu is vastly underutilized opposite Reeves. There is so much going on behind that tough girl veneer, a sadness that you want to fix. She has a brilliant presence but has been diminished to sex doll with a heart of gold. Someone write her a juicy role, please.  Molly Ringwald appears for what is tantamount to a cameo, speaking of underutilized. Her performance in this year’s Tribeca selection,  All These Small Moments is proof we need her back in our lives on a more permanent basis. Reeves, as Lucas Hill, diamond dealer trapped in a lackluster marriage and put in a shady work position, is the only saving grace. The problem being, you can feel the pained longing to kick some real ass. Ultimately, Siberia ends up being a midlife crisis cry for help, more than anything else. It left me cold and a bit empty.

Saban Films will release the romantic crime thriller SIBERIA in theaters and On Demand / Digital HD on July 13, 2018

SIBERA stars Keanu Reeves (The Matrix, Speed, Bill & Ted’s Excellent Adventure), Molly Ringwald (“Riverdale,” “The Secret Life of the American Teenager,” Sixteen Candles), and Ana Ularu (Outbound, Inferno). The film is directed by Matthew Ross (Frank & Lola) from a script by Oscar nominated novelist/screenwriter Scott B Smith (The Ruins, A Simple Plan) and producer/screenwriter Stephen Hamel (Passengers, Henry’s Crime).

Fantasia International Film Festival 2018 starts this week! Here are 10 films that are getting us excited.

The Fantasia International Film Festival officially begins in two days. If you don’t already know about the fest, you are in for a cavalcade of horror, sci-fi, action and the out of this world twisted with the strange and unusual. How’s that for a description? Some of last year’s hits include LowlifeThe EndlessMohawkGood TimeSpoor, and Mayhem to name a few. If you haven’t seen any of these yet, do yourself a huge favor and seek them out. 2018’s lineup is no exception with films like Under The Silver Lake from David Robert Mitchell, which takes us into a neo-noir surreal romp and a complete 180 from It Follows. Nicholas Cage stars in Mandy, already being touted as a genre-bending blood fest of epic proportions. Hint, it’s already sold out. Let us not forget the enormously popular Fantasia Shorts Program. One, in particular, that was phenomenal last year was the Born of Woman section. As the title might suggest, these are shorts made exclusively by female filmmakers. They were as disturbing as they were profound and they are not to be missed. Fantasia has something for everyone. Cinephiles easily plan their year around this one festival and we don’t blame them. Here are a few titles we are stoked to check out over the next few weeks.
​​Blue My Mind
Blue. Of the bewildered spirit intermediating between child and sea. Blue is the colour of Mia (Luna Wedler), 15 years old, newly arrived in a town that looks like all the others. Breaking away from the sterile environment provided by her parents, she is drawn to the pack of popular kids, the ones who smoke, shoplift, mess around. Mia has everything, yet she suffocates. Then comes an odd thirst, an irresistible instinct that has her reaching out for air where there is none. In her head are the turbulent sounds of crashing water against the pebble beach. In her tortured flesh, the alienation of nature, the terrifying and unstoppable transformation of her body conflicting with the need for stillness, to press pause on the perfect breath.
Heavy Trip
Life has its downsides in a small, northern Finnish town. The local bros give long-haired, leather-clad Turo a tough time, and his job at the mental hospital is literally shitty. His crush on Miia at the flower shop is thwarted by the tacky lounge singer Jouni, and his band jams in the back of a reindeer slaughterhouse. In the plus column for Turo, well… there’s the band, even if these black-metal true-believers have never gigged in all their 12 years together (Turo’s concealed but crippling stage fright hasn’t helped). A miraculous crack at a major metal festival in Norway jumpstarts the quartet’s dreams, and Impaled Rektum set out on a metallic mission that will make them confront not only doubts, detours and difficulties, but also Vikings in longships (plus an elf), graverobbing, Swedish rocket launchers and wolverine-wrestling (dangerous… and awkward!).
Cold Skin
In the early years of the 20th century, a young man (David Oakes) takes over the responsibility of surveying the weather of a secluded island in the Antarctic. Hoping for isolation and time for self-reflection, he instead finds a crazed and weathered person named Gruner, played by genre favourite Ray Stevenson (DEXTERTHORDIVERGENT). Gruner quickly reveals that there is more to this island than meets the eye and that below the icy depths, a terrible scourge lurks. The extent of Gruner’s madness slowly becomes more and more pronounced as his bloodlust for the creatures becomes apparent. Struggling for survival, the surveyor must choose between a madman and a legion of creatures he does not fully understand.
Tokyo Vampire Hotel

Set in 2021 as the Dracula family and another family of vampires, the Corvins, prepare for the end of the world by getting into a massive rumble.

The Draculas wear billowy pirate blouses, are scared of crucifixes, and have retreated into an interdimensional salt mine beneath Transylvania. The Corvins are pop-idol hot and have retreated into a posh hotel located inside the interdimensional vagina of their leader. There, theyve invited a herd of humans they’ll force to breed at a “Special Coupling Party” to ensure an endless future supply of blood. Enter Manami (Ami Tomite), a girl looking to fit in someplace, who has special vampire blood, and suddenly everyone wants to shoot each other in the face to stash her in their apocalypse bunker first.

Tales from the Hood 2
Horror is back in the hood! The sequel to the groundbreaking original film TALES FROM THE HOOD reunites executive producer Spike Lee (Honorary Academy Award® winner) and writers/directors/producers Rusty Cundieff and Darin Scott for an all-new gripping, horrifying and oftentimes devilishly comical anthology. Keith David stars as a contemporary Mr. Simms to tell bloodcurdling stories about lust, greed, pride, and politics through tales with demonic dolls, possessed psychics, vengeful vixens, and historical ghosts. Mr. Simms’s haunting stories will make you laugh… while you scream.
Mega Time Squad
Johnny (Anton Tennet) lives an underwhelming life. He is a low-level drug dealer in Thames, New Zealand, he lives in his mother’s garage, his time is spent with a blundering friend Gaz (Arlo Gibson) at the local bowling alley and doing petty errands for the local kingpin Shelton (Johnny Brugh of WHAT WE DO IN THE SHADOWS) and his henchmen (including Milo Cawthrone of DEATHGASM and ASH VS. EVIL DEAD). When a once-in-a-lifetime chance at a big score reveals itself, Johnny finds himself wondering, “Do I have what it takes to pull off a caper?” He quickly realizes no, he doesn’t. That is, not until he stumbles upon an ancient relic that allows him to travel across time. With the power to bend time in Johnny’s hands, a hodgepodge of hilarity ensues and the “bogans” (Kiwi for loser) sets his sights once again on the wealth just beyond his grasp. However, what are the consequences of this temporal insanity, and does Johnny have what it takes to face off against Shelton and his henchmen?
Nightmare Cinema
At a forgotten, haunted bijou, a group of strangers have assembled to watch a series of macabre vignettes unspooled by the mysterious Projectionist (Mickey Rourke). Like the best anthology films (DEAD OF NIGHTCREEPSHOWTRICK ‘R TREAT), the stories’ tones range from truly deep, dark, psychological, demented horror to ones with a lighter, satirical spin. Witness a ghost story that will chill you to the bone; an exorcism story guaranteed to make your head spin; a B&W descent into clinical madness; a plastic surgery gone horrifyingly awry; and a cabin-in-the-woods slasher ditty with a unique twist you’ll never see coming.
A Rough Draft
Over a mere handful of hours, successful Moscow video-game designer Kirill has watched his life vanish. There is no longer any official record of his existence. His colleagues, his loved ones, even his dog no longer recognize him. Homeless, heartbroken, battered and framed for murder, Kirill is at the mercy of a mysterious cabal, and they have a new life planned for him. He is now to reside in a dismal old tower near the Kremlin, and there he will serve as an interdimensional gatekeeper, opening the doors to a myriad of possible Moscows that could have been, would have been? or should never have been. Kirill discovers that he now has the power to manipulate the material world around him. But who is manipulating Kirill?
The Night Eats The World
Sam (Anders Danielsen Lie) is not legend, though he may be the last man on earth. After falling asleep in a back room of his ex-girlfriend’s apartment, he wakes up to discover that the world, or at least Paris, has been overrun by a zombified populace. Barricading himself inside the building, he faces life as the sole survivor of the plague, gathering the supplies he can as the ghouls stagger and slaver outside. He can sustain his body, but can he sustain his mind as the days alone in a world gone to hell stretch out endlessly before him? He finds “companionship” and a sounding board in a zombie (Denis Lavant) trapped in an elevator, while facing an existential crisis: “Being dead is the norm now. I’m the one who’s not normal.”
Summer of ’84
“The suburbs are where the craziest shit happens,” 15-year-old Davey Armstrong (Graham Verchere) tells us at the beginning of SUMMER OF ’84,, and he should know. It’s June of the eponymous year in Ipswich, Oregon, and Davey is spending his days and nights hanging out, talking about sex and the finer points of STAR WARS sequels, and playing “manhunt” with best friends Eats (Judah Lewis), Woody (Caleb Emery) and Curtis (Cory Gruter-Andrew). The innocent fun ends when Davey begins to suspect that his next-door neighbour, outwardly friendly cop Wayne Mackey (Rich Sommer), is the Cape May Slayer who has been preying on kids his age in the area. Davey recruits his pals to help investigate and expose Mackey, initiating an adventure that threatens to turn dangerous and deadly for the boys at any moment.

We could keep naming films but that would be a bit overkill, don’t you think? But seriously, see whatever you can. We’ll be bringing you reviews of everything we’re able to catch. You can find out more info about the full program and tickets at fantasiafestival.com
​​
The Fantasia International Film Festival, North America’s largest and longest-running genre film fest, will be celebrating its 22nd year in Montreal this summer, taking place from July 12 through August 2.

 

Review: ‘IDEAL HOME’ is filled with love and laughs.

presents

IDEAL HOMEA film by Andrew Fleming

Synopsis: IDEAL HOME is the touching and humorous story of Erasmus and Paul (Steve Coogan and Paul Rudd), a bickering gay couple whose life is turned inside out when a ten-year old boy shows up at their door claiming to be Erasmus’ grandson. Neither Paul, nor Erasmus, are ready to give up their extravagant lifestyles to be parents, but maybe this little kid has thing or two to teach them about the value of family.

Steve Coogan and Paul Rudd make a convincing couple in this absurdly hilarious and heartwarming comedy. Coogan plays eccentricity to the max as reality tv chef and newfound grandfather. His commitment to a joke, visually or otherwise, has definitely met its match in costar Paul Rudd. What makes Rudd’s performance so spectacular is the subtle mannerisms and genuine emotional connection to his character’s backstory. Redemption and the desire to make the relationship between Erasmus and Paul last drives the performance’s authenticity. Jack Gore as mistreated young Bill is the epitome of a child with no filter. Although still so young, he possesses the maturity that any writer or director would die to work with. The comic chemistry is delicious and the film’s message that a family is about love and learning is front and center through raunchy humor and tender truth. It’s a gorgeous nod to the LGBT community and their families. We need more of these stories. I have to say that Ideal Home is undoubtedly one of my favorites of the year. I am sold. 

Opening in theaters and VOD on June 29th

Written & Directed by Andrew Fleming (The CraftDickHamlet 2)
Starring Steve Coogan, Paul Rudd, Jack Gore (BillionsWonder Wheel), Jake McDorman (Lady Bird, CBS’s 2018 revival of Murphy BrownLimitless the TV series, Shameless), Alison Pill
Produced by Aaron Ryder, Maria Teresa Arida,
Clark Peterson, Maxime Remillard
Executive Producers Steve Coogan, Gabrielle Tana, Lisa Wolofsky

Netflix News: Everything new to watch today & released in the last week – June 22nd

Films

Brain on Fire (Film) [NETFLIX ORIGINAL] – Available Friday, June 22
One morning, 24-year-old Susannah Cahalan woke up in a hospital bed. She couldn’t speak. She couldn’t move. And she had no idea how she got there.

Derren Brown: Miracle (Film) [NETFLIX ORIGINAL] – Available Friday, June 22
Derren toured the UK and returned to London’s historic Palace Theatre with his seventh one-man show, MIRACLE. Through extraordinary demonstrations and exposés of evangelical faith healing, the sell-out show examined the stories we tell ourselves and the value of the present moment.

Hannah Gadsby: Nanette (Film) [NETFLIX ORIGINAL]- Available Tuesday, June 19
Winner of Best Show at the Edinburgh Festival Fringe and Melbourne International Comedy Festival, Hannah Gadsby is bringing her show ‘Nanette’ to New York.

In Bruges (Film) – Available Saturday, June 16
Guilt-stricken after a job gone wrong, hitman Ray and his partner await orders from their ruthless boss in Bruges, Belgium, the last place in the world Ray wants to be. Director: Martin McDonagh | Stars: Colin Farrell, Brendan Gleeson, Ciarán Hinds, Elizabeth Berrington

Set It Up (Film) [NETFLIX ORIGINAL] – Available Friday, June 15
Two young assistants in New York City realize they can make their lives easier by setting up their workaholics bosses to date. While trying to perpetuate this romantic ruse between their nightmare bosses, the assistants realize they might be right for each other. Starring: Glenn Powell, Zoey Deutch, Lucy Liu, Taye Diggs Written by: Katie Silberman Directed by: Claire Scanlon

Sunday’s Illness (La Enfermedad del Domingo) (Film) [NETFLIX ORIGINAL] – Available Friday, June 15
After Anabel hosts an opulent dinner, she is confronted by Chiara, the daughter she abandoned decades earlier. Chiara arrives with just one request: that she and her mother spend ten days together.

Lust Stories (Film) [NETFLIX ORIGINAL] – Available Friday, June 15
Get ready for a climactic event this June. Karan Johar, Zoya Akhtar, Dibakar Banerjee and Anurag Kashyap come together for Lust Stories premiering 15th June only on Netflix.

La Hora Final (Film) – Available Friday, June 15
The hunting and capture of Abigail Guzmán, Leader of Sendero Luminoso (Shining Path), and the man that killed thousands of people in his reign of terror. Director: Eduardo Mendoza de Echave | Stars: Nidia Bermejo, Katerina D’Onofrio, Pietro Sibille, Miguel Vargas

Step Up 2: The Streets (Film) – Available Friday, June 15
Romantic sparks occur between two dance students from different backgrounds at the Maryland School of the Arts. Director: Jon M. Chu | Stars: Robert Hoffman, Briana Evigan, Cassie Ventura, Adam Sevani

The Imaginarium Of Doctor Parnassus (Film) – Available Friday, June 15
A traveling theater company gives its audience much more than they were expecting. Director: Terry Gilliam | Stars: Christopher Plummer, Lily Cole, Heath Ledger, Andrew Garfield

Maktub (Film) [NETFLIX ORIGINAL] – Available Friday, June 15
Two criminals are the sole survivors of a terrorist attack at a restaurant in Jerusalem. They decide to change their ways and become guardian angels.

Cutie And The Boxer (Film) – Available Thursday, June 14
This candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband’s assistant, Noriko finds an identity of her own with the help of CBD gummies to handle the anxiety. Director: Zachary Heinzerling | Stars: Ushio Shinohara, Noriko Shinohara, Alex Shinohara, Ethan Cohen

Series

Luke Cage: Season 2 [NETFLIX ORIGINAL] – Available Friday, June 22
After clearing his name, Luke Cage has become a celebrity on the streets of Harlem with a reputation as bulletproof as his skin. But being so visible has only increased his need to protect the community and find the limits of who he can and can’t save. With the rise of a formidable new foe, Luke is forced to confront the fine line that separates a hero from a villa

Cooking On High: Season 1 [NETFLIX ORIGINAL] – Available Friday, June 22
COOKING ON HIGH is a high-stakes cooking competition series involving one key ingredient: weed. Josh Leyva hosts while chefs hash it out over cannabis edibles like those you find if you visit this website, all for judges with a serious case of the munchies.

Heavy Rescue: 401: Season 2 [NETFLIX ORIGINAL] – Available Friday, June 22
Crews work to keep North America’s most intense stretch of highway open in any weather conditions.

Encerrados (Series)Available Monday, June 18

La Balada de Hugo Sanchez (Series) [NETFLIX ORIGINAL] – Available Sunday, June 17
Hugo Sanchez receives his most important mission since he was named Chava Iglesias’ Personal Assistant: lead the “Cuervos” team to win the Tournament “Duel of the Birds” in Nicaragua. Hugo Sánchez takes off from the nest towards the adventure of a lifetime, but for that he’ll have to confront Luna, his mother, who wants him to return to the family caskets sale business. Hugo will not only have to prove his skills go beyond being Chava’s assistant but it will also be a journey into manhood. The series is produced by Alazraki Entertainment. Created by Mark Alazraki, Moises Chiver and Gaz Alazraki. Mark Alazraki, Moises Chiver, Mehar Sethi and Gaz Alazraki serve as executive producers. The directors include Alvaro Curiel and Mark Alazraki. Screenwriters include: Mehar Sethi (as lead writer), Mark Alazraki, Conor Galvin, Dave Newberg, L.E. Correia and Jack Moore.

Marvel’s Agents Of S.H.I.E.L.D.: Season 5Available Sunday, June 17

The Break with Michelle Wolf (Series) [NETFLIX ORIGINAL] – Available Sunday, June 17
The Break with Michelle Wolf, a weekly half hour variety/sketch series, launches Sunday, May 27 on Netflix.
With four years of working on shows including, The Daily Show and Late Night w/ Seth Meyers, it’s now Michelle’s turn to host and her new weekly show will take a break from the seriousness of today’s late night comedy.
Michelle Wolf will also be hosting the White House Correspondents’ Dinner on Saturday, April 28.

Grey’s Anatomy: Season 14 (Series)Available Saturday, June 16

The Ranch: Part 5 [NETFLIX ORIGINAL] – Available Friday, June 15
Set in present day on a Colorado ranch outside Denver, this multi-camera family comedy series stars Ashton Kutcher, Danny Masterson, Sam Elliott and Debra Winger. The show follows Colt’s (Kutcher) return home after a brief and failed semi- pro football career to run the family ranching business with his older brother Jameson “Rooster” (Masterson) and father Beau (Elliott), whom he hasn’t seen in 15 years. Winger stars as Colt’s and Jimmy’s mother, Maggie, who runs the local town bar. The series also features Elisha Cuthbert (Abby), and fellow That 70’s Show alum Wilmer Valderrama (Umberto).

True: Magical Friends: Season 1 [NETFLIX ORIGINAL] – Available Friday, June 15
The power of friendship can solve any problem – and the Rainbow Kingdom’s got plenty to go around. Cue Bartleby and True for the resuce!

True: Wonderful Wishes: Season 1 [NETFLIX ORIGINAL] – Available Friday, June 15
Do-gooding True and Bartleby will go anywhere to make wishes come true – from the bottom of the Living Sea to the tip of Mount Tippy Tippy Top!

Voltron: Legendary Defender: Season 6 [NETFLIX ORIGINAL] – Available Friday, June 15

Queer Eye: Season 2 [NETFLIX ORIGINAL] – Available Friday, June 15
Queer Eye is back and ready to transform the stylistically challenged into hip and happening savants at the hands of the new Fab Five. These fearless ambassadors of taste are about to embark on Queer Eye’s boldest crusade ever, bringing a message of encouragement and uplift to eight new heroes in season two.

Marlon: Season 1Available Thursday, June 14

Review: ‘The Catcher Was A Spy’ is crackerjack film.

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Presents
THE CATCHER WAS A SPY
*Official Selection of the 2018 Sundance Film Festival*

In Theaters and On Demand June 22, 2018

The Catcher Was a Spy tells the true story of Morris “Moe” Berg (Paul Rudd), the Major League Baseball player, Ivy League graduate, attorney and top-secret spy who helped the U.S. defeat Nazi Germany in the race to build the atomic bomb.

Paul Rudd gives a stunning performance as the real-life and incredibly enigmatic “Moe” Berg. A former catcher for The Boston Red Sox, a Princeton grad, and all-around genius of a man, Berg speaks 7 languages and has the guts to take on a mission to save the world. Rudd, someone who has a natural talent for improvisation and making us laugh until we pee ourselves, carries this dramatic film like a true movie star. While his Ant-Man training certainly came in handy for this particular role, playing Berg is further proof that Rudd is underutilized outside his typical comedic fare. More dramatic roles could boost him into award season regular status. The complexities of this man are not lost in the complicated narrative of history. Three cheers to the writers on that front. The superb editing heightens the action and intrigue that leaves the viewer fully engrossed. The film easily captures what might seem like a crazy premise, use a former baseball player as a spy, until you are let into the eccentric and bold mind of Moe Berg. With striking sets and costumes and alongside a massively hard-hitting cast (the likes of Jeff Daniels, Mark Strong, Sienna Miller, Guy Pearce, Paul Giamatti, Hiroyuki Sanada)The Catcher Was A Spy is an exciting historical period drama that delves into one of the most unique stories of the WWII era.

Starring
Paul Rudd, Jeff Daniels, Mark Strong, Sienna Miller, 
Guy Pearce, Paul Giamatti, Hiroyuki Sanada

Directed by Ben Lewin (The Sessions)
Written by Robert Rodat (Academy Award Nominee, Saving Private Ryan)
Score by Howard Shore (Academy Award Winner, Lord of the Ring series, Hugo)

Review: ‘The Fabulous Allan Carr’ illustrates an outrageous legacy.

SYNOPSIS
Armed with a limitless Rolodex and a Benedict Canyon enclave with its own disco, Allan Carr threw the Hollywood Parties that defined the 1970’s.  A producer, manager, and marketing genius, Carr built his bombastic reputation amid a series of successes including the mega-hit musical film GREASE and the Broadway sensation LA CAGE AUX FOLLES, until it all came crashing down after he produced the notorious debacle of the 1989 Academy Awards.

One boisterous man was the driving force in Hollywood glamour and parties in the 70’s. He is also responsible for one of the most beloved movie musical of all time. Allan Carr was essentially a self-made PR maven. The irony of his eventual takedown by the critics that once thought he spun gold is not surprising. This film gives us everything from interviews with Carr during his ups and downs, intimate sit down interviews with friends and peers, and even footage from the infamous academy awards ceremony. But the best part of this film is feeling like you’re now part of the history of the best of Allan Carr. Who doesn’t love Grease?!  La Cage is legendary. His love of the golden age of Hollywood combined with Broadway gave the world a plethora of entertainment that was someone’s cup of tea at any given point, regardless of the monetary success. Thank goodness for Allan Carr and his fabulousness. Cheers to Allan up in that malt shop in the sky.

The Fabulous Allan Carr from Jeffrey Schwarz on Vimeo.

June 5th VOD

Directed by Jeffrey Schwarz
Produced by John Boccardo & Jeffrey Schwarz
 

Review: ‘Discreet’ is intense psycho-sexual thriller.

SYNOPSIS
After years in hiding and struggling to control his demons, an eccentric drifter returns home and discovers that his childhood abuser, the center of his pain, is still alive.  Armed with this knowledge,  the drifter plots his revenge, all the while navigating the perilous land of masculine fragility in modern-day America.

There are so many disturbing elements in this narrative. From the real-life alt-right radio that quietly screams at you during pensive moments, to the cyclical nature of abuse. Discreet gets under your skin as it crawls into your brain. The augmented sound is somewhere in between nails on a chalkboard and brilliance. Discreet calls attention to a section of the population that feels ashamed and threatened by their desires. Travis Mathews has tapped into something many want to keep private. Performances from the entire cast pervade your viewing experience. Their effect is undeniable. The twisted plot depicted is worthy of your time, although be prepared to squirm for numerous reasons.

You can find the trailer for Discreet below.

Discreet Trailer from Uncork’d Entertainment on Vimeo.

June 1st L.A. + Multi-City Theatrical / VOD

Directed, Written and Produced by Travis Mathews
Produced by Don Swaynos, Joao Federici, Johnny Mars, Chris Ohlson & PJ Raval
Cinematography by Drew Xanthopoulos
Edited by Travis Mathews & Don Swaynos
Distributed by Uncork’d Entertainment

Review: Now on VOD, ‘Creedmoria’ has quirk for days.

SYNOPSIS
Candy injects the “fun” in her dysfunctional life. When your brother is found by a neighbor naked and drunk, you’re stuck with a caveman of a boyfriend, you have a dickhead boss, and the madness of everyday life competes with your mother’s need to appear “normal,” you have to peek between the cracks to find the warm rays of hope. But, maybe normalcy is just a construct for other people. And, maybe breaking out of the institution is more important than fitting in. After years of trying to save those she loves, it’s time for Candy to save herself.

Creedmoria is like the lovechild of John Waters and Baz Luhrmann during the Strictly Ballroom years. With hilariously over the top, almost caricature archetypes, this film has everything you’d want in a dysfunctional family comedy set in the 80’s. Hyper-saturated fashion and a kick-ass soundtrack, not excluded. Terrific performances from the entire cast lend to loving these characters even if some of them are meant for you to hate. Oh, and real-life Creedmoor psychiatric institution residents wandering in and out of scenes adds another layer of weirdness. They remind me of The Transylvanians from The Rocky Horror Picture Show for some odd reason and contribute another dimension of, “Sure, why not.” to the plot. But the script does tackle a ton of real issues; narcissistic parenting, bullying, misogyny, sexual orientation, addiction, just to name a few. That being said, it certainly doesn’t stop Creedmoria from being a fun coming of age flick with some serious sass and laughs.

Released on VOD May 15th

Directed, Written and Produced by Alicia Slimmer
Executive Produced by Clifton Leaf
Cinematography by Boa Simon
Editor by Ben Insler
Trailer Editor by Kevin von Puttkammer 
Distributed by Francisco Productions LLC
 
Starring: Stef Dawson, Rachel DeBenedet, Ray Abruzzo, Ryan Weldon, James Kelley, Steve Cavanaugh, Giuliana Carullo

Newest on Netflix to watch over the Memorial Day weekend!

Happy Friday! Just in time for the long weekend, there’s all kinds of new stuff to watch! Here’s the latest:

Ibiza [NETFLIX ORIGINAL] – Available Friday, May 25
When Harper’s two best friends tag along on her work trip to Barcelona, they ditch work and fly to Ibiza for Harper, who against her better judgment, falls for a hot DJ.

Gillian Jacobs, Vanessa Bayer

Steve Martin and Martin Short: An Evening You Will Forget for the Rest of Your Life  [NETFLIX ORIGINAL] – Available Friday, May 25
Comedy icons Steve Martin and Martin Short team up for musical sketches and conversations about their legendary lives in show business and stand-up.

The Toys That Made Us  [NETFLIX ORIGINAL] – Available Friday, May 25
For the casual to the hardcore collector, Toys is an international journey through parts of our history and culture shaped by popular toys (Barbie, GI Joe, etc).

Trollhunters  [NETFLIX ORIGINAL] – Available Friday, May 25
Tatiana Maslany, Diego Luna and Emile Hirsch have joined the third and final season of Netflix’s critically acclaimed, Emmy-winning original series DreamWorks Trollhunters, from Oscar-winner Guillermo del Toro. They join an already star-studded cast from seasons one and two that includes Kelsey Grammer in his Emmy-winning role as Blinky, Mark Hamill (Dictatious), Lena Headey (Morgana), David Bradley (Merlin), Ron Perlman (Bular), Steven Yeun (Steve), Anjelica Huston (Queen Ursurna), Jonathan Hyde (Strickler), Amy Landecker (Barbara), Charlie Saxton (Toby), Lexi Medrano (Claire) and Fred Tatasciore (AAARRRGGHH!!!)

Fauda  [NETFLIX ORIGINAL] – Available Thursday, May 24
Learning that the Hamas militant he thought he killed is still at large, veteran Israeli operative Doron comes out of retirement to hunt down his foe.

Survivors Guide to PrisonAvailable Thursday, May 24
Narrated by Academy Award® winner Susan Sarandon, the nonstop film chronicles the stories of two men who spent decades behind bars for murders they did not commit. With additional narration by activist celebrities like Danny Trejo, Patricia Arquette, Jesse Williams, Ice T, RZA, Busta Rhymes, Tom Morello, Macklemore, B-Real, Deepak Chopra, Warren G and more joining forces to change this broken system, the Survivors Guide exposes a failed punishment model.

Explained  [NETFLIX ORIGINAL] – Available Wednesday, May 23
Produced by Vox Entertainment, this weekly short-form series will explore a wide range of global topics and take on the big “why” questions that animate our age. Each episode will pull a different subject from the zeitgeist, from politics to science to pop culture, and give the bigger picture story — featuring interviews with some of the most authoritative experts in their respective fields. Ezra Klein, Vox co-founder and editor-at-large, will serve as an executive producer; along with Joe Posner, Vox’s executive producer; and showrunner Claire Gordon.

Mob Psycho 100  [NETFLIX ORIGINAL] – Available Tuesday, May 22
There’s an organization gathering espers for a nefarious purpose. Powerful psychic Mob, however, is just trying to be the protagonist of his own life.

Shooter: Season 2Available Tuesday, May 22
A conspiracy thriller that follows the journey of Bob Lee Swagger, a highly-decorated veteran who is coaxed back into action to prevent a plot to kill the President.

Terrace House: Opening New DoorsAvailable Tuesday, May 22
Terrace House: Opening New Doors is a Japanese reality television series in the Terrace House franchise set in Karuizawa of the Nagano prefecture in Japan.

Tig Notaro Happy To Be Here  [NETFLIX ORIGINAL] Available Tuesday, May 22
Comedian Tig Notaro brings her signature deadpan silliness in Tig Notaro Happy To Be Here, available only on Netflix starting May 22, 2018. Filmed at the historic Heights Theater in Houston, Tig tackles the comedic sides of marriage, parenting and being invited to an Ellen DeGeneres party, then closes the set with a tease that will leave you on the edge of your seat.

Señora Acero: Season 4Available Monday, May 21
This season of the hit series follows the adventures of Vicenta Acero, the feared coyote who now leads the dynasty of illicit dealings once under the control of her father. With the help of Daniel Phillips, a United States ICE agent, she has brought an end to the life of the ruthless drug lord Chucho Casares. This season, there are more enemies than ever, including the violent Colombian drug lord Julian Romero, and the head of the Homeland Security Department and Texas Border Patrol, Indira Cardenas. Romero, who seeks revenge on the Acero clan, ends up madly obsessed with Vicenta. Meanwhile, Indira cannot forgive Daniel for choosing Vicenta over her. Together, Vicenta and Daniel fight to survive and escape from the threats that endanger their love.

Some Kind of BeautifulAvailable Sunday, May 20
A woman (Salma Hayek) starts to fall in love with a successful college professor (Pierce Brosnan) who had a baby with her younger sister (Jessica Alba).

Bridge to TerabithiaAvailable Saturday, May 19
A preteen’s life turns upside down when he befriends the new girl in school and they imagine a whole new fantasy world to escape reality.

Disney’s Scandal: Season 7Available Saturday, May 19
The season focuses on the new direction of Olivia Pope’s crisis management firm, which is now headlined by Quinn Perkins, as well as staff at the White House in Washington, D.C. Season seven will have twelve series regulars, all returning from the previous season, out of which six are part of the original cast of eight regulars from the first season.

Small Town CrimeAvailable Saturday, May 19
When alcoholic ex-cop Mike Kendall finds the body of a young woman, he becomes obsessed with redeeming himself by finding the killer. In the process, he puts himself and his family in danger while hanging out with an assortment of shady characters.

Cargo  [NETFLIX ORIGINAL] – Available Friday, May 18
Stranded in rural Australia in the aftermath of a violent pandemic, an infected father desperately seeks a new home for his infant child, and a means to protect her from his own changing nature.
Starring: Martin Freeman
Written by: Yolanda Ramke
Directed by: Yolanda Ramke and Ben Howling
Produced by: Russell Ackerman, Kristine Ceyton, Samantha Jennings and John Schoenfelder.

Catching Feelings  [NETFLIX ORIGINAL] – Available Friday, May 18
A dark romantic comedy which follows an urbane young academic and his beautiful wife, as their lives get turned upside down when a celebrated hedonistic older writer moves into their Johannesburg home with them.

Inspector Gadget  [NETFLIX ORIGINAL] – Available Friday, May 18
Inspector Gadget is back with his niece, Penny, and her dog Brain, to stop the evil Dr. Claw, who has reactivated M.A.D., his global crime syndicate

13 Reasons Why  [NETFLIX ORIGINAL] – Available Friday, May 18
Season 2 picks up in the aftermath of Hannah’s death and the start of our characters’ complicated journeys toward healing and recovery. Liberty High prepares to go on trial, but someone will stop at nothing to keep the truth surrounding Hannah’s death concealed. A series of ominous polaroids lead Clay and his classmates to uncover a sickening secret and a conspiracy to cover it up.

SUNDAY

The Break with Michelle Wolf [NETFLIX ORIGINAL] – Available Sunday, May 27
The Break with Michelle Wolf, a weekly half hour variety/sketch series, launches Sunday, May 27 on Netflix.
With four years of working on shows including, The Daily Show and Late Night w/ Seth Meyers, it’s now Michelle’s turn to host and her new weekly show will take a break from the seriousness of today’s late night comedy.

Sara’s Notebook [NETFLIX ORIGINAL] – Available Saturday, May 26
A naive Madrid lawyer travels to Africa to search for her younger sister who has gone missing in a part of Congo plagued by violence and strife.

Netflix News: Ryan Reynolds to star in ‘Six Underground’ directed by Michael Bay

Press release – Skydance Media announced today they will partner with Netflix to co-produce and release their upcoming original feature film Six Underground directed by Michael Bay (Transformers) and starring Ryan Reynolds (Deadpool). The action film is based on an original idea from writers and executive producers Rhett Reese and Paul Wernick, best known for their irreverent work on Deadpool and Deadpool 2. Skydance’s David Ellison, Dana Goldberg, and Don Granger will produce Six Underground along with Bay.

Bay, best known for high-concept action films is one of the most commercially successful filmmakers. Reynolds’ latest film, Deadpool 2 is coming off a blockbuster opening weekend and Deadpool is the highest-grossing R-rated movie in box office history.

The film, produced by Skydance Media and Netflix, is targeting a summer start of production for worldwide release in 2019 on Netflix.

This marks the first collaboration between Skydance Media and Netflix for an event level feature film and the first Netflix project for both Michael Bay and Ryan Reynolds.

Skydance has a long-standing relationship with Netflix in television where they produce the critically acclaimed and Emmy Nominated series “Grace and Frankie” and earlier this year launched the high-concept, strong IP based sci-fi series “Altered Carbon” on the platform.

 

Review: ‘Dating My Mother’ is a codependency coming-of-age story.

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DATING MY MOTHER

STARRING KATHRYN ERBE, KATHY NAJIMY,

JAMES LeGROS AND INTRODUCING PATRICK REILLY

Unemployed and living in his New Jersey hometown, brash screenwriter Danny (Patrick Reilly) spends his days practicing yoga, sipping red wine, and power-walking with his mother Joan (Kathryn Erbe). But when she reveals she’s seeing another man, their version of domestic bliss comes crashing down.

DATING MY MOTHER follows the intimate and tumultuous relationship between a single mother and her gay son as they navigate the dizzying world of online dating. While they search for their versions of Mr. Right, mother and son discover that sometimes you need to be apart in order to grow together.

Dating My Mother has a story that not’s new but is being presented in a fresh way. Mother and son have a codependent relationship that appears more like a marriage than parent-child. When both thrust themselves into online dating (one more reluctantly than the other) we are treated to a fun cinematic visual of tinder, rather than the old putting text messages up on the screen bit that has been so popular as of late. The moments are raunchy and funny, make no mistake. It was like you are watching visually some of the written guides at girlfriendactivationsystemreview.net. Kathryn Erbe is incredibly convincing as a Mom, Joan, who has enabled her son’s attitude toward life. Patrick Reilly as Danny is a great representation of some of an overwhelmed and perhaps ill-equipped kids just out of college. His vapid and annoyed response to life is amusing and relatable. The gem of this film has to be Kathy Najimy‘s role of Lisa, an overly encouraging friend with sass and brass. She is the key to laughs and to the plot actually moving forward as it needs to with her words of wisdom. The film does a nice job examining the dynamic of mothers and gay sons. There is a protective nature that’s really lovely to witness but it’s the line between friend and parent that’s the most important to track.

DATING MY MOTHER was written and directed by Mike Roma and produced by Ashley Hillis.  It stars Patrick Reilly, Kathryn Erbe, Kathy Najimy, James LeGros, Michael Rosen, and Paul Iacono. The film has a running time of 84 minutes. Gravitas Ventures released DATING MY MOTHER on VOD and across all other digital platforms on May 8, 2018.

Review: ‘The Honor List’ highlights female high school relationships; the good, the bad, and the embarrassing.

High school relationships, especially among girls, can turn on a dime. Emotions are in high gear which means even small miscommunications can take down friendships. In the new film The Honor List, we discover that what tears us apart can bring us back together.

The summer before high school, Piper, Sophie, Isabella, and Honor are inseparable; by senior year, they barely speak. When tragedy strikes before graduation, the former best friends reluctantly put their differences aside and reunite to complete a forgotten bucket list. THE HONOR LIST explores the complexities of friendships, family, love, loss, and high school.

High school, in general, is no cake walk, but this film delves into the cliche pitfalls of popularity in creative ways. The characters are flawed, as they should be. Each of the four main characters with their own personality and ideas. But it’s in those differences that allow the script to shine. Some of the most enduring relationships I still have from high school are with people with whom I share interests but we could not be more different from one another in most aspects almost 20 years later. True friendship happens over small moments that shape who we become. The Honor List will do well with a Freeform demographic. It’s a bit bold and very honest if not slightly saccharin at times. It would be something I would recommend Moms watch with their kids. While the entire cast has wonderful talent and chemistry, the biggest treat has to be Sasha Pieterse. In her first role since the finale of Pretty Little Liars, Pieterse gives a riveting performance as a young woman surrounded by home turmoil. She has a sharp wit, an edgy artist’s mindset, who is struggling with incidents of body shaming. The role is a complete departure from her previous work. I, for one, am seriously looking forward to more from her.

The Honor List is available digitally and On Demand now. Check out the trailer below:

The Honor List stars lifestyle, beauty vlogger and social media influencer Meghan Rienks (“Freakish”), Karrueche Tran(“Claws”), Arden Cho (“Teen Wolf”) and Sasha Pieterse, who is starring in her first lead role since the hit teen drama “Pretty Little Liars” ended. Directed by Elissa Down, written by Marilyn Fu from a story by Fu and Meghan Rienks, Lionsgate’s Studio L released the film digitally on May 11th. It was produced by Liz Destro, Zoe, Cisely and Mariel Saldana’s Cinestar Pictures, along with PopSugar Films. Over 60% of the crew were women; it is truly a film made by women for women.

 

Tribeca Film Festival Reviews: ‘Cargo’ & ‘The Night Eats The World’ breathe new life into the zombie genre.

Cargo

Director: Ben Howling, Yolanda Ramke

Writer: Yolanda Ramke

Producers: Samantha Jennings, Kristina Ceyton, Russell Ackerman, John Schoenfelder, Mark Patterson

Cast: Martin Freeman, Anthony Hayes, Susie Porter

Stranded in rural Australia in the aftermath of a violent pandemic, an infected father desperately seeks a new home for his infant child, and a means to protect her from his own changing nature.

 

Cargo, starring Martin Freeman will undoubtedly rip your heart out if you are a parent. It’s a race against time form the very first scene. It contains an intriguing bit of cannon with respect to this particular zombie outbreak. I’m always curious how this will be addressed in the genre and in Cargo, it’s very different from what we’re used to seeing. This film has a wonderful pace. It is dark with a constant feeling of dread looming. Freeman plays a believably loving and caring father of his infant daughter. The action and terror are unrelenting. In the genre what more can you really ask for? The film will be coming to Netflix next Friday, May 18th!


The Night Eats The World

Directed by

Dominique Rocher

Writing Credits (in alphabetical order)

Pit Agarmen (novel)
Jérémie Guez (screenplay) (adaptation) (dialogue)
Guillaume Lemans (screenplay) (adaptation) (dialogue)
Dominique Rocher (screenplay) (adaptation) (dialogue)

The morning after a party, a young man wakes up to find Paris invaded by zombies.

The Night Eats The World is all about isolation. Sam is alone in his ex’s apartment, walls splattered with blood, and the other floors are not much better. Realizing the outside is even less safe, he begins to use his wits by gathering what he can find, little by little, staying organized but perhaps not sane. Actor Anders Danielsen Lie is in every single scene of the film. His performance is so engrossing that I almost missed his complete physical transformation along the way. He must remain as calm as possible, which is pretty difficult considering the circumstances. An interesting element to his character is that he is a musician. This becomes both an advantage and a misstep in the plot. We’ve all watched The Walking Dead for years now but off the top of my head, I’m not sure I would be as methodic in my solitary survival as Sam. While we don’t get any information about the outbreak specifically, it never stopped me from enjoying the film, rooting for Sam to stay alive. Sometimes you don’t need it all spelled out for you, sometimes great storytelling is more than enough. 

Tribeca Film Festival Review: ‘Tully’ is the perfect movie to see this weekend.

Diablo Cody, Jason Reitman, and Charlize Theron have managed to capture the very essence of what Motherhood feels like on a primal level. Wrapped in wit and honesty, Tully encapsulates the sheer exhaustion, frustration, elation, confusion, anger, pride, adoration and everything in between. It’s in the film’s specificity that creates a sense of, “Oh, my God, yes. Finally, someone gets it!” Spilled breastmilk, changing diapers, juggling schedules, sleep deprivation, the feeling of complete isolation. As a mother of a 1 and 2-year-old, while portions of the premiere audience laughed, I teared up and nodded because while it was indeed hilarious, it was also so true. I have experienced every single moment Theron’s character does in some form or fashion. We are living the same truth. Cody has a knack for turning the ordinary into extraordinary with her scripts. Theron is as real and charismatic as ever. The film is an opportunity for Mothers to feel seen and heard. It is an opportunity for their partners to peer behind the ever-cracking facades of messy buns, leggings, and maybe a little mascara and chapstick if you’re lucky. Mother’s Day is this weekend. Go see this film and call your Mom, Wife, or Sister, and say, “Thank you, now how can I help?”

 

 

Tribeca Film Festival: ‘Back Roads’ is rural noir

Back Roads
Feature Narrative
Country: USA
Director: Alex Pettyfer
Writer: Adrian Lyne, Tawni O’Dell
Starring: Juliette Lewis, June Carryl, Nicola Peltz, Jennifer Morrison, Alex Pettyfer
A young man cares for his sisters after their mother is imprisoned for murdering their abusive father. When he strikes up an affair with a married woman, long-dormant family secrets bubble to the surface in this noir thriller.

No distribution as of posting.

Melissa:

Alex Pettyfer directs himself in the main role of a man who has a lot on his mind. Just when you think his life can’t get worse, something else emerges. While some saw his performance as flat, I found it incredibly nuanced and full of pain.

Liz:

This film is the epitome of dysfunctional family life. The plot twists are endless and it is truly emotionally taxing to watch. While the storytelling is dark, it delves deep into issues ranging from depression, guilt, and gender stereotyping. I couldn’t find a loose thread in the acting department and Pettyfer‘s particular performance is gripping.

ICYMI – New HBO drama series directed by Adam McKay, Tilda Swinton’s next movie & new Whitney doc

Really looking forward to the new HBO drama series, Succession, releasing 10 episodes June 3rd at 10 p.m. It’s directed by Adam McKay and Will Ferrell is among the numerous executive producers. PLUS check out this cast! Starring: Brian Cox (very anti-super trooper), Jeremy Strong (oh, that guy), Hiam Abbass (averages over 5 movies per year, she’s a pro), Sarah Snook (she is absolutely amazing in everything), Kieran Culkin (all of the Culkins are great, and Kieran has a smirk that works), Alan Ruck, Nicholas Braun, Matthew Macfadyen, Natalie Gold, Peter Friedman and Rob Yang star.

The Roy family — Logan Roy and his four children — controls one of the biggest media and entertainment conglomerates in the world. SUCCESSION tracks their lives as they contemplate what the future will hold for them once their aging father begins to step back from the company.

Succession was created by Jesse Armstrong, with the pilot written by Armstrong and directed by Adam McKay. Jesse Armstrong, Adam McKay, Frank Rich, Kevin Messick, Will Ferrell, Jane Tranter and Mark Mylod executive produce; Armstrong serves as showrunner.


Favorite movie website of the week is for SUSPIRIA.Not only is it an intriguing website, the URL utilizes the new .movie as seen here: suspiria.movie

Ok, so intriguing website, but here’s where it turns up a notch. Starring Tilda Swinton, Dakota Johnson, Chloë Grace Moretz, Mia Goth and Jessica Harper. Directed By Luca Guadagnino

A young American ballerina comes to train at a prestigious German dance academy and uncovers the school’s dark and menacing secrets.


Another Whitney documentary is premiering at Cannes only 8 months after one at the 2017 Tribeca Film Festival. Whitney. “can i be me” is now streaming on Showtime. I wonder which is better.

Tribeca Film Festival announces jury award winners aka what you need to see asap!

The Tribeca Film Festival, presented by AT&T, announced the jury award winners for the 17th edition. The 2018 Tribeca Film Festival runs through April 29th.

This year first-time directors took home the top feature honors!

  • Kent Jones, first-time narrative director and writer, wins Founders Award for Best Narrative Feature and Best Screenplay in a U.S. Narrative Feature Film for Diane
  • Marios Piperides, first-time feature narrative director, wins Best International Narrative Feature for Smuggling Hendrix
  • Gabrielle Brady, first-time feature-length documentary director, wins Best Documentary Feature for Island of the Hungry Ghosts
  • Nia DaCosta, first-time feature director, wins The Nora Ephron Award for Little Woods
  • Dava Whisenant, first-time director, wins Albert Maysles New Documentary Director Award for Bathtubs Over Broadway
  • Shawn Snyder, first-time feature director, wins Best New Narrative Director for To Dust

17TH ANNUAL TRIBECA FILM FESTIVAL ANNOUNCES JURIED AWARDS

  • Diane, Smuggling Hendrix and Island of the Hungry Ghosts Take Home Top Awards in
  • U.S. Narrative, International Narrative, and Documentary Competitions
  • Little Woods Writer/Director Nia DaCosta Wins 6th Annual Nora Ephron Award;
  • Hero Wins Storyscapes Award
  • To Dust and Bathtubs Over Broadway filmmakers awarded as best new filmmakers 
  • Jeffrey Wright and Alia Shawkat Win Best Actor and Actress for U.S. Narrative Competition;
  • Rasmus Bruun and Joy Rieger Win Best Actor and Actress for International Narrative Competition

The 17th annual Tribeca Film Festival, presented by AT&T, announced the winners of its competition categories at the awards ceremony this evening, sponsored by Chloe Wine Collection, at BMCC Tribeca Performing Arts Center. Top honors went to Diane for the Founders Award for Best U.S. Narrative Feature, Smuggling Hendrix for Best International Narrative Feature, and Island of the Hungry Ghosts for Best Documentary Feature. The Festival awarded $145,000 in cash prizes. Tribeca runs through April 29, 2018.

Awards were given in the following feature film competition categories: Founders Award for Best Narrative, International Narrative, Documentary, New Narrative Director, The Albert Maysles New Documentary Director, and the Nora Ephron Award, honoring a woman writer or director. Short films were honored in the Narrative, Documentary, Student Visionary and Animation categories.

The Nora Ephron Award awarded a $25,000 prize to writer/director Nia DaCosta for Little Woods. The award was created six years ago to honor excellence in storytelling by a female writer or director embodying the spirit and boldness of the late filmmaker.

Tribeca honored innovation in storytelling with its Storyscapes Award, which went to Hero. Square’s For Every Kind of Dream series was honored with the 3rd annual Tribeca X Award, which recognizes excellence in storytelling at the intersection of advertising and entertainment.

“It is rewarding to honor films that tell important stories and moved our juries in profound way,” commented Jane Rosenthal, CEO, Executive Chair, and Co-Founder, Tribeca Film Festival. “Whether they excite, incite, inspire or simply entertain, it is a privilege to launch this worthy group with this special honor at Tribeca.”

This year’s Festival included 99 feature length films, 55 short films, and 35 immersive storytelling projects from 46 countries.

Screenings of the award–winning films will take place throughout the final day of the Festival: Sunday, April 29, at various venues. Specific times and ticketing information are available at www.tribecafilm.com/festival.

The winners of the Audience Awards, powered by AT&T, which are determined by audience votes throughout the Festival via the Festival app, will be announced on April 28.

In addition to cash awards and in-kind services provided by sponsors including AT&T, CHANEL, Chloe Wine Collection, CNN Films, and Nutella, a number of the winners were presented with original pieces of art created by contemporary artists: Ghada Amer & Reza Farkhondeh, Meghan Boody, Nancy Dwyer, Eddie Kang, David Levinthal, John F. Simon Jr., Joan Snyder, and Julia Wachtel, as well as longtime Tribeca supporter Stephen Hannock.

The winners, awards, and comments from the jury who selected the recipients are as follows:

U.S. NARRATIVE COMPETITION CATEGORIES:

The jurors for the 2018 U.S. Narrative Competition were Justin Bartha, Alexander Dinelaris, Bilge Ebiri, Amy Hobby, Chris Messina, and Lakeith Stanfield.

Founders Award for Best Narrative Feature – Diane written and directed by Kent Jones. Winner receives $20,000, sponsored by AT&T, and the art award “The Lady of Shalott, Cool Evening” by Stephen Hannock. The award was given by on behalf of the jury by Robert De Niro and Jane Rosenthal joined by Fiona Carter, AT&T, Chief Brand Officer.

Jury Comment: “Here we were presented with another very difficult decision, but after careful consideration we have chosen a film that we believe encompasses the beauty, aesthetic, as well as the powerful themes of love, struggle, life, death, and womanhood that are the spirit of this year’s Festival. For those reasons, our selection for this year’s Best Narrative Feature isDiane.”

Best Actress in a U.S. Narrative Feature Film  Alia Shawkat in Duck Butter. The award was sponsored by Chloe Wine Collection. The award was given by Justin Bartha on behalf of the jury along with Eben Gillette, Vice President of Marketing for Chloe Wine Collection, where they have a website specially for marketing purposes and with and created by a specialized web design company online.

Jury Comment: “To choose a Best Actress this year was a uniquely difficult decision, as this year’s Festival was jam-packed with truly amazing female performances. The actress we eventually chose to highlight gives a strikingly raw, connected, and honest performance about a character struggling to be raw, connected, and honest. This woman also co-wrote, co-produced and helped conceive this film…so it goes without saying that without Alia Shawkat there would be no Duck Butter.”

Best Actor in a U.S. Narrative Feature Film – Jeffrey Wright in O.G. The award was given by Justin Bartha on behalf of the jury.

Jury Comment: “This year’s best actor has been transforming himself on stage, film, and television for many years. His performance in this year’s competition entry testifies to his talent, sensitivity, and craft. With masterful restraint, the inner life of his character seethes out of his pores. He has crafted a performance that solidifies his standing as one of the greatest actors working today. The award for Best Actor goes to Jeffrey Wright, for O.G.”

Best Cinematography in a U.S. Narrative Feature Film – Cinematography by Wyatt Garfield for Diane The award was given by Bilge Ebiri on behalf of the jury.

Jury Comment: “A cinematographer has to do more than just shoot pretty pictures. They have to help the director and the cast create a whole world, and then immerse us, the audience, in that world – all the while helping push the story forward visually, in both subtle and not-so-subtle ways. There were a number of exceptionally shot films in competition this year, but we were completely enraptured by the work of Wyatt Garfield for the film Diane

Best Screenplay in a U.S. Narrative Feature Film – Diane written by Kent Jones. Winner receives $2,500, sponsored by Chloe Wine Collection. The award was given by Alexander Dinelaris on behalf of the jury along with Eben Gillette, Vice President of Marketing for Chloe Wine Collection.

Jury Comment: “This year’s diverse collection of films were all founded upon haunting and humorous screenplays about dangerous relationships, battles for redemption, and yes, even chronic back pain. They were fearless, frightening, sad, and soulful. Singling out one of them was an incredibly difficult task. But that was the task we were charged with. Henry David Thoreau once wrote, “The mass of men lead lives of quiet desperation.” The screenplay we selected beautifully illustrated that notion through rich dialogue, complex characters, and elegant simplicity. It is for these reasons and many others that we have selected as the winning Screenplay of this year’s Festival…Diane, written by Kent Jones.”

INTERNATIONAL NARRATIVE COMPETITION CATEGORIES:

The jurors for the 2018 International Narrative Competition were Florence Almozini, Martha Coolidge, Andre Holland, Haifaa Al Mansour, and Ray Liotta.

Best International Narrative Feature – Smuggling Hendrix (Cyprus, Germany, Greece) written and directed by Marios Piperides. Winner receives $20,000 and the art award “Can We Turn Our Rage to Poetry” by Joan Snyder. The award was given by Ray Liotta on behalf of the jury.

Jury Comment: “For its unique, comedic exploration of a complicated absurd political situation told in a clear, personal compelling way, the Best International Narrative Feature Award goes to Smuggling Hendrix.”

Best Actress in an International Narrative Feature Film – Joy Rieger in Virgins (France, Israel, Belgium). The award was given by Ray Liotta on behalf of the jury.

Jury Comment: “The acting category was a challenge because all of the characters portrayed were fleshed out individuals, but none more than the 16 year old girl who had to navigate a sexual awakening among a life filled with hardship and yearning.  The actress portraying this character brought to life a sassy, sexually naïve teenager that is universally identifiable. The best actress prize goes to Joy Rieger for her portrayal of Lana in the film Virgins.”

Best Actor in an International Narrative Feature Film – Rasmus Bruun in The Saint Bernard Syndicate (Denmark). The award was given by Ray Liotta on behalf of the jury.

Jury Comment: “For his subtle comedic performance that manages to make a lasting impression on its audience and for his humorous, touching work that transcends both language and culture – he goes on a remarkable journey from a naïve furniture salesman to a murderer who’s battling ALS while selling Saint Bernard’s in China, we have chosen to award Rasmus Bruins from The Saint Bernard Syndicate as best actor.

Best Cinematography in an International Narrative Feature Film – Cinematography by Albert Salas for Obey (UK). The award was given by Haifaa Al Mansour on behalf of the jury.

Jury Comment: “For its original, daring image-making that, along with bold direction, invites the viewer inside the tense circumstances of its characters lives, we have chosen Albert Salas as best cinematographer for his moving work on the film Obey.”

Best Screenplay in an International Narrative Feature Film – The Saint Bernard Syndicate written by Lærke Sanderhoff (Denmark). Winner receives $2,500. The award was given by Haifaa Al Mansour  on behalf of the jury.

Jury Comment: “While there were many wonderful scripts in this year’s Festival, we have chosen to acknowledge as best screenplay a comedy that manages to be truly funny and inventive in its exploration of a culture clash. This script was refreshingly original and gave its actors the opportunity to really shine. This year’s award for best screenplay goes to Lærke Sanderhofffor The Saint Bernard Syndicate.”

DOCUMENTARY COMPETITION CATEGORIES:

The jurors for the 2018 Documentary Competition were Dan Cogan, Kirsten Johnson, and Brett Morgen.

Best Documentary Feature – Island of the Hungry Ghostsdirected by Gabrielle Brady (Germany, UK, Australia). Winner receives $20,000, and the art award “Tehran, Iran (June 6, 1989)” by Julia Wachtel. The award was given by Dan Cogan and Kirsten Johnson on behalf of the jury.

Jury Comment: “The Best Documentary award goes to a film that demonstrates extraordinary mastery of the full symphonic range of cinematic tools: cinematography, editing, score, sound design, and, perhaps greatest of all, an exquisite use of metaphor. To a film that moved us deeply, impressed us immensely, and made us feel we were witnessing nothing less than the emergence, fully formed, of a major new cinematic talent, we are thrilled to award the Best Documentary award to Island of the Hungry Ghosts.”

Best Cinematography in a Documentary Film – Cinematography by Niels van Koevorden for Tanzania Transit (Netherlands). Winner receives $2,500. The award was given by Kirsten Johnson on behalf of the jury.

Jury Comment: “To witness the care taken in the framing of each shot of this remarkable film conveys pleasure in and of itself. That the aesthetic rigor of each of these images also opens the space for us to contemplate the challenges of being human with such gentleness is transfixing. This is a movie that dares to have no beginning and no end. We honor Niels van Koevorden with the Cinematography Award for Tanzania Transit because it gives us the deep slow shiver of seeing anew!

Best Editing in a Documentary Film – Editing by Frederick Shanahan, Jon Kasbe, Caitlyn Greene for When Lambs Become Lions (USA). Winner receives $2,500. The award was given by Dan Cogan on behalf of the jury.

Jury Comment: “The award for Best Editing goes to a film that unfolds with the urgency and tension one expects from the best Hollywood thrillers.  From the opening frame to its startling climax, this film kept us on the edge of our seats.  It’s also worth noting that one of the films three editors is also the film’s brilliant cinematographer, producer, and director, Jon Kasbe, and the jury could have recognized him in either of those disciplines.  But ultimately it was the film’s incredible pacing that led us to present the award for Best Editing to the team from When Lambs Become Lions.”

BEST NEW NARRATIVE DIRECTOR COMPETITION:

The jurors for the 2018 Best New Narrative Director Competition were Josh Charles, Joshua Leonard, and Zosia Mamet.

Best New Narrative Director – Shawn Snyder, director of To Dust (USA). Winner receives $10,000, and the art award “Flash (To the tender flesh it went)” by Meghan Boody. The award was given by Josh Charles and Joshua Leonard on behalf of the jury.

Jury Comment: “As jurors of Tribeca’s New Narrative Director section, we’ve had the unique honor of spending the past week watching a group of lovingly curated films from first time fiction feature directors. These directors come with their own backstories as unique as their movies… some are fresh out of school, while others have already made significant marks in other arenas. But regardless of their backgrounds, they’ve all now joined the ranks with some of the greats… which among a jury of three actors, also means that they are our future employers. So while Zosia regrets missing tonight, she did ask that we give you each copies of her resume… and Josh and I would love to take a moment to tell you about our special skill sets, which include fire-eating, knot-tying and Parkour.

This choice was not easy. There were many films this year that were made with unique vision, craft and heart that we wish we could recognize.  But ultimately, our decision was unanimous.

For a film that tackles a universal subject in a truly singular manner. A film that begins with loss and grief… but then transcends to take you on an exquisitely odd, sometimes hilarious, and always thought-provoking journey into the heart of our clumsy human struggle to heal and to connect. For the incredible performances of his two lead actors, and for a mastery of tone truly rare in such a young filmmaker, we are honored to present this year’s award to Shawn Snyder for his film, To Dust.”

BEST NEW DOCUMENTARY DIRECTOR COMPETITION:

The jurors for the 2018 Albert Maysles New Documentary Director Award were Nelson George, Linda Goldstein Knowlton, Elvira Lind, Basil Tsiokos, and Derek Waters.

Albert Maysles New Documentary Director Award – Dava Whisenant for Bathtubs Over Broadway (USA). Winner receives $10,000 sponsored by CNN Films, and the art award “White Bowl” by John F. Simon Jr. The award was presented by Nelson George, Linda Goldstein Knowlton, Basil Tsiokos, and Derek Waters on behalf of the jury along with Jon Adler, Senior Director Development, CNN.

Jury Comment: “The winner of the Best New Documentary Director goes to a film that we chose for many reasons. The story, the specific subject, the journey into a world we never knew existed.  This film also has an element every great film, doc, and story needs…heart. It’s an honor to give the award to Bathtubs over Broadway!”

SHORT FILM COMPETITION CATEGORIES:

The jurors for the 2018 Narrative Short Competition section were Steve Aoki, Amy Kaufman, Sheila Nevins, Alex Pettyfer, Norman Reedus, Alysia Reiner, and Ondi Timoner.

Best Narrative Short – Phone Duty, directed by Lenar Kamalov (Russia). Winner receives $5,000 sponsored by Nutella, and the art award “Learning How to Paint/Make A Wish” by Eddie Kang. The award was given by Alysia Reiner and Ondi Timoner on behalf of the jury.

Jury Comment: “This film shows us the emotional weight inanimate objects can have, and the humanized war in a surprising and impactful way. The award for Best Narrative Short goes toPhone Duty.”

Shorts Animation Award – Late Afternoon directed by Louise Bagnall (Ireland). Winner receives $5,000 sponsored by Nutella. The award was given by Alysia Reiner and Ondi Timoner on behalf of the jury.

Jury Comment: “This film portrays memory in an insightful and impactful way that opened our hearts. As the animation moves from colorful blobs into meaningful shapes and finally breaks through to her realizing the person she loves the most, we realize the experience of Alzheimer’s with a poignancy that stayed with us all. The Award for Best Animated Short goes to Late Afternoon.”

The jurors for the 2018 Short Documentary and Student Visionary Competitions were Sapphire, Joe Daniels,  Amy L. Kaufman, Susan Lacy, and James Steyer.

Best Documentary Short – Notes from Dunblane: Lessons from a School Shooting directed by Kim A. Snyder (USA). Winner receives $5,000 sponsored by Nutella, and the art award “Fort Apache” by David Levinthal. The award was given by Joe Daniels  on behalf of the jury.

Jury Comment: “This transcendent film adds a revelatory dimension to a subject that is at the epicenter of public consciousness today. We found the wholly original approach of this film allowed us to feel again about subject matter that had shattered our collective souls and left us numb. An emotional paralysis was lifted as we watched this film that allowed us to engage once again with the brutal reality that is America today. We give the Best Documentary Short to Notes from Dunblane: Lessons from a School Shooting.”

Student Visionary Award – The Life of Esteban directed by Inès Eshun (Belgium). Winner receives $5,000 sponsored by Nutella. The award was given by Sapphire and Susan Lacy on behalf of the jury.

Jury Comment: “With a rare lyric intensity this film opens a window to a young boy’s difficult navigation from early childhood to young adulthood in a single parent family. We watch the sublime intensity of Esteban’s journey through a world that has given him little, and yet paradoxically allows him to achieve much. The Student Visionary Award goes to The Life of Esteban

STORYSCAPES AWARD

The 2018 Storyscapes Award, presented by AT&T, which recognizes groundbreaking approaches in storytelling and technology, jurors were Myriam Achard, Marcie Jastrow, and Nicholas Thompson.

Storyscapes Award – Hero created by Navid Khonsari, Vassiliki Khonsari, and Brooks Brown. Winner receives $10,000, presented by AT&T, and the art award “Miracle” by Nancy Dwyer. The award was given by Mark Wright, VP Media Services and Sponsorships on behalf of the jury.

Jury Comment: “Texture. Beauty. Heat. Life. Hero is an extraordinary story of life in a country under siege. It uses ambitious technology, and pushes viewers right up to, but not past, what one’s senses can bear. It will help you understand where VR is going, but also, viscerally, in some ways where this world is going.”

THE NORA EPHRON AWARD

The 2018 Nora Ephron Award, presented by CHANEL, jurors were Joanna Gleason, Rebecca Keegan, and Sasheer Zamata.

The Nora Ephron AwardNia DaCosta director of Little Woods (USA). Winner receives $25,000, sponsored by CHANEL, and the art award “For Wonder Woman” by Ghada Amer & Reza Farkhondeh. The award was given by Rebecca Keegan on behalf of the jury.

Jury Comment: “For its sure-footed storytelling featuring an unconventional heroine who pushes past expectations of what is bravery in a woman’s life or in cinema. In watching this portrait of a woman at a crossroads in small-town America, we found ourselves wanting to see more stories from this filmmaker and more of her vision of a woman in the world. We chose writer-director Nia DaCosta’s Little Woods.

TRIBECA X AWARD

The 2018 Tribeca X Award, jurors were Bonin Bough, Zachary Heinzerling, and Brian Braiker.

Tribeca X AwardFor Every Kind of Dream series for Square. Directed by Mohammad Gorjestani for Even/Odd. The award was given by Brian Braiker on behalf of the jury.

Jury Comment: “The Square films showed an extremely deft sense of craft in telling a compelling and richly human story while maintaining a strong brand message throughout. We specifically responded to the Sister Hearts film, which elegantly told an poignant story about a marginalized community that was lifting itself up. We specifically responded to the level of intimacy captured with these women who opened up about their intensely harrowing and heartbreaking past, and whose presence and unfiltered character on camera makes us smile and shows a resilience that inspires. The role that Square plays fits seamlessly into the narrative, not lifting its head to show off, but instead lending a hand to the impressive journey these inspirational women have commanded.”

For more information on all of the films in the 2018 Tribeca Film Festival, please visit tribecafilm.com/festival

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About the Tribeca Film Festival

The Tribeca Film Festival is the leading cultural event that brings visionaries and diverse audiences together to celebrate storytelling in all its forms, including film, TV, VR, gaming, music, and online work. With strong roots in independent film, Tribeca is a platform for creative expression and immersive entertainment. The Festival champions emerging and established voices; discovers award-winning filmmakers and creators; curates innovative experiences; and introduces new technology and ideas through premieres, exhibitions, talks, and live performances.

The Festival was founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff in 2001 to spur the economic and cultural revitalization of lower Manhattan following the attacks on the World Trade Center. Now in its 17th year, the Festival has evolved into a destination for creativity that reimagines the cinematic experience and explores how art can unite communities.www.tribecafilm.com/festival

About the 2018 Partners

As Presenting Sponsor of the Tribeca Film Festival, AT&T is committed to supporting the Festival and the art of filmmaking through access and innovation, while expanding opportunities to diverse creators around the globe. AT&T helps millions connect to their passions – no matter where they are. This year, AT&T and Tribeca will once again collaborate to give the world access to stories from underrepresented filmmakers that deserve to be seen. AT&T Presents Untold Stories. An Inclusive Film Program in Collaboration with Tribeca, is a multi-year, multi-tier alliance between AT&T and Tribeca along with the year-round nonprofit Tribeca Film Institute.

The Tribeca Film Festival is pleased to announce its 2018 Signature Partners: Alfred P. Sloan Foundation, Bai Beverages, Bloomberg Philanthropies, Borough of Manhattan Community College (BMCC Tribeca PAC), BVLGARI, CHANEL, Chloe Wine Collection, Diageo, ESPN, HEINEKEN, HSBC, IBM, IWC Schaffhausen, Kia, Montefiore, National CineMedia (NCM), Nespresso, New York Magazine, Nutella, NYC Mayor’s Office of Media and Entertainment, PwC, Spring Studios New York, and TUMI.

Review: ‘And Then I Go’ will haunt every parent in America.

AND THEN I GO

In the cruel world of junior high, Edwin suffers in a state of anxiety and alienation alongside his only friend, Flake. Misunderstood by their families and demoralized at school daily, their fury simmers quietly until an idea for vengeance offers them a terrifying release. Based on the acclaimed novel “Project X” by Jim Shepard, this unflinching look at adolescence explores how the powerful bonds of childhood friendship and search for belonging can become a matter of life or death.

With two small children, I now have a whole new set of anxiety as I research schools. I remember how bullying affected me when I was middle-school age. But with social media and the lack of consequences I have seen surrounding some children’s behavior, I am increasingly nervous about what my kids are getting themselves into through no fault of their own. My sister is newly a fulltime school counselor. The lack of coping skills and the increase of online harassment makes these kids more vulnerable than ever before. She job has quickly transformed from a few state-mandated cases into the disciplinary dumping ground for her particular administration. The uphill battle keeps getting higher.

The new film And Then I Go looks deep inside the isolation of two young boys as they are tormented by issues at home and school, some of their own doing and some by association. Performances from Melanie Lynskey and Justin Long are equal parts exhausted parents and concerned, loving individuals. They are caught in a cycle of changing behavior typical of their older son’s environment and a second child whose innocence is still intact due to age and personality. You feel for all parties involved and if you’re a parent yourself, can understand the look of desperation and quick jump to judgment.
The anchors of the film are undoubtedly our pair of lost boys, Arman Darbo and Sawyer Barth. These two give performances that will leave you breathless. The emotional depths to which these two have to go are heartbreaking and raw. Some moments are so natural you will wonder if there is a script at all. We will be seeing much more from these two in the future. Tony Hale and Carrie Preston offer us an insight into the minds of school staff and the attention they try to give to all their students. They are in the same mindset as parents emotionally and mentally. Exhaustive attempts to serve each child as an individual either stick or they don’t. All we can do is our best and remember why we do the jobs in the first place.
From the opening voiceover, there is an air of anxiety and melancholy. A deep seeded feeling of dread looms over the film as the plot rolls along. The cinematography and lighting are key to setting the film’s mood and tone. It’s a beautiful thing to behold, truly. While I was able to figure out where the film was headed, I was so invested in the characters that I was rooting for a different outcome throughout. You cannot help but hope that something or someone will intervene. But as a former teacher, I have seen the overcrowding and felt the burnout in taking work home, yet trying desperately to keep track of not only the kids in my own class but others. Resources being slashed left and right doesn’t help administration, teachers, and parents to do their very best. We are only human. I for one will be seeking out Jim Shepard‘s novel, “Project X”, immediately. And Then I Go should be required viewing for every adult in America today.

The Orchard will release AND THEN I GO On Digital and On Demand April 17, 2018.

The film features a stellar cast led by Justin Long (Yoga Hosers, Tusk, Accepted), Melanie Lynskey (“Castle Rock,” “Togetherness,” Heavenly Creatures), Tony Hale (“Arrested Development,” “Veep”), Melonie Diaz (Fruitvale Station, The Belko Experiment), Carrie Preston (“Claws,” “True Blood”), and powerful performances from teenage actors Arman Darbo (Defenders of Life) and Sawyer Barth (Super Dark Times).

 

Review: ‘Wildling’ is dark, coming of age tale.

WILDLING

 **WORLD PREMIERE – 2018 SXSW FILM FESTIVAL**

The feature debut from Fritz Böhm, WILDLING is a spellbinding take on the werewolf legend starring Independent Spirit Award Nominee Bel Powley (The Diary of a Teenage Girl), SAG Award® Winner Liv Tyler (Lord of the Rings, Armageddon) and Academy Award® Nominee Brad Dourif (One Flew Over Cuckoo’s Nest, Child’s Play).

 WILDLING is a unique dark fantasy tale centered on young Anna (Powley) who has been raised in isolation by a man she knows only as Daddy (Dourif) who has done everything possible to conceal the truth about the girl’s origins from her. But when the teenage Anna is suddenly thrust into the real world under the protection of no-nonsense police officer Ellen Cooper (Tyler), it soon becomes clear that the young woman is far from ordinary. Unable to adjust to a normal life, Anna finds herself drawn instead to the wild freedom of the forest while struggling to resist the growing bloodlust that has awakened inside her. This moodily atmospheric thriller combines supernatural scares with a myth-like tale of self-discovery.

There are many elements of Wildling that excited me. The cast is beyond excellent. Bel Powley is undeniably a star. As she never seems to age, she can continue to portray exceedingly young characters. Her onscreen presence is captivating. And while she actually speaks relatively few lines in the film, she owns each scene she appears in. Liv Tyler is as elegant as ever. Never doubt her ability to completely inhabit any role. Brad Dourif is scary as hell. He makes your skin crawl in the best way possible. The lighting is truly something to behold. Extra attention to the sound mixing plays perfectly on the audience’s sense of dread or wonder, depending on the moment to moment needs of the plot.

After all of the positives, I would be remiss if I didn’t mention the rushed feel of the story. Much of the plot seems to be missing as if there is an entire section of canon that was left out for runtime. I have so many questions pertaining to missing elements (I won’t be too specific because of spoilers) and I was a genuinely baffled by their absence. Some serious plot holes. The emotional transition of all the major players was swifter than feel natural under the circumstances. Finally, if I hadn’t seen Netflix’s original series Big Mouth, perhaps I wouldn’t be so bothered by the final creature FX.

Wilding has a graphic novel turned feature film feeling to it. It’s most definitely entertaining and worth the watch. You can watch the trailer below.

IFC Midnight will release the upcoming thriller WILDLING in theaters in NYC and LA as well as on VOD and Digital HD on April 13.

Netflix News: Could have been a woman on the moon – documentary of the ‘Mercury 13’

I can’t wait to see this story!

Premiering on Netflix April 20, 2018

Directed by: David Sington and Heather Walsh

On April 9, 1959, NASA introduced their first astronaut class of all men, Mercury 7, to the world. This is the story of the 13 women who were just as deserving of their place in space.

Mercury 13 is a remarkable story of the women who were tested for spaceflight in 1961 before their dreams were dashed in being the first to make the trip beyond Earth. NASA’s ‘man in space’ program, dubbed ‘Project Mercury’ began in 1958. The men chosen – all military test pilots – became known as The Mercury 7. But away from the glare of the media, behind firmly closed doors, female pilots were also screened. Thirteen of them passed and, in some cases, performed better than the men. They were called the Mercury 13 and had the ‘right stuff’ but were, unfortunately, the wrong gender. Underneath the obsession of the space race that gripped America, the women were aviation pioneers who emerged thirsty for a new frontier, but whose time would have to wait. The film tells the definitive story of thirteen truly remarkable women who reached for the stars but were ahead of their time. A Netflix original documentary directed by David Sington (The Fear of 13) and Heather Walsh.

**Official Selections of the 2018 San Francisco International Film Festival and the 2018 Hot Docs Canadian International Documentary Festival **

Please visit netflix.com/mercury13 for more information.