Review: ‘COSMIC DAWN’ is a whirlwind of conspiracy and otherworldly imaginings.

COSMIC DAWN

After witnessing an alien abduction as a child (and subsequently being told she’s crazy for most of her life) Aurora, now a young woman, joins the UFO cult The Cosmic Dawn after discovering a book written by the group’s leader, Elyse. Aurora’s time at the cult’s remote island compound is marked by miraculous revelations, consciousness expanding flowers, and a burgeoning friendship with Tom, the resident cook. When a fellow cult member starts to display increasingly bizarre behavior, Aurora begins to question Elyse’s sanity (and her own) and starts looking for a way out.


Boasting spectacular visuals alongside a riveting script from writer-director Jefferson MoneoCosmic Dawn is one of those films I’ve been hearing about for quite some time. With throwback sci-fi elements, get ready for a wild ride into the world of cults and the cosmos.  

Joshua Burge is always so present in a scene. Cosmic Dawn is another indie gem he can add to his resume, alongside Relaxer and Buzzard. There’s just something cool about his demeanor that captivates me. Emmanuelle Chriqui, as Natalie, is sweet and passionate about her experiences and the group. A true believer, she breathes life into this role.

As Cosmic Dawn guru Elyse, Antonia Zegers perfectly melds leadership and manipulation qualities that keep the viewer on their toes. Her (mostly) zen nature is quite unsettling. Camille Rowe as Aurora is vulnerable yet strong, open but wary. Her anxiety comes through the screen and directly affects the audience.

The editing forces you to pay attention as we jump from past to present, wading through ever-present trauma. The score elicits an eerie and almost visceral reaction. The soundtrack is hippy-dippy, space-aged perfection. The trippy moments in the script will have you second-guessing everything you think you know. As a believer, Cosmic Dawn lands somewhere between colorfully quirky and incredibly intense. It’s going to vibe with genre fans.


Jefferson Moneo’s
COSMIC DAWN
Debuts Theatrically + On Demand February 11th

Final Girls Berlin (2022) review: ‘KNOCKING’ vibrates with tension.

KNOCKING

A woman (Molly) who has just experienced a traumatic incident is unnerved by a haunting knocking sound from upstairs in her new apartment building. As the noises become more desperate and increasingly sound like cries for help, she confronts her neighbours but it seems no one else can hear them. In an unsettling quest for truth, Molly soon realises that no one believes her and begins to question if she even believes herself – a realisation that is perhaps even more chilling.


Is this some extensive gaslighting or is Molly still experiencing PTSD from her previous loss? The marrying of these two concepts is here perfection. For Molly, the idea of sitting idly by will drive her mad. A slow-burn mystery with striking cinematography, Knocking will make your head spin. The use of a go-pro-style camera during a climactic confrontation puts you in the manic state of Molly’s brain. It’s a wildly effective choice. Cecilia Milocci‘s performance is truly compelling. You are right there with her on this tumultuous emotional journey. It’s absolutely award-worthy.

I first saw Knocking at Sundance 2021. The film still haunts me, as I continue to second guess the ending. To me, that ultimately makes it a success. It is genuinely unforgettable. Final Girl Berlin 2022 audiences are sure to eat up the tension that director Frida Kempff has curated in her feature-length debut. This can only mean the beginning of a long and successful genre career.



https://www.finalgirlsberlin.com/


SXSW ANNOUNCES 2022 FILM FESTIVAL SLATE

SOUTH BY SOUTHWEST ANNOUNCES 2022 FILM FESTIVAL SLATE

EVERYTHING EVERYWHERE ALL AT ONCE TO OPEN FEST
CLOSING NIGHT: ATLANTA SEASON 3 PREMIERE


South by Southwest® (SXSW®) Conference and Festivals (March 11-20, 2022) announced the full program for the 29th edition of the SXSW Film Festival. This year, the acclaimed program will be in-person with select films available online. SXSW draws thousands of fans, filmmakers, press, and industry leaders to immerse themselves in the smartest, most innovative and entertaining new films of the year, as well as giving access to hundreds of Conference Sessions, Music and Comedy Showcases, Creative Industry Exhibitions, Mentoring, Meetups and Special Events that define the cross-industry event. The 2022 Art Program Installations were also announced.

The 2022 Film Festival program includes 99 features including 76 World Premieres, 4 International Premieres, 4 North American Premieres, 2 U.S. Premieres, 13 Texas Premieres + 111 Short Films including 24 Music Videos, 11 Episodic Premieres, 6 Episodic Pilots, 29 XR Experience projects (formerly Virtual Cinema), and 19 Title Design Competition entries.

“The last two years have been complicated, and full of uncharted new waters for all of us. While there’s been innovation in building community in isolation and figuring out how to pivot, we’ve intensely missed being able to gather together,” said Janet Pierson, VP, Director of Film. “For our 29th edition of SXSW Film Festival, we are thrilled to share a bounty of creative work to experience together, in-person, with some virtual possibilities, as well. There are fantastic new projects to enjoy from a variety of voices, with, as always, surprising new discoveries.”

Every film will have an in-person Premiere. There will be additional in-person screenings for most films. Films that have opted-in will also have an online screening for badgeholders only, starting at 9:00am the next day with a 48 hour viewing window. Online screenings are subject to geoblocking and capacity limits at rightsholder, filmmaker or distributor discretion. While SXSW is a global event, most films will be restricted to access in the United States and their online availability may change.

Several platforms will be integrated to create the SXSW 2022 experience across web, mobile and TV. A dedicated SXSW TV app can be accessed via Apple TV, Roku, Fire TV, and Android TV. This is a dynamic way to experience video content, freeing up your smartphone, tablet and computer to connect with registrants or browse the schedule. Want to watch on the go? SXSW TV is now available on iOS and Android. Live content, including Keynotes, Featured Sessions and Music Showcases, can be found in each of the 24-hour channels. Channels will be active during the SXSW 2022 event dates, March 11 – March 20, 2022.

Films in the SXSW 2022 lineup screen in the following categories: Headliners; Narrative Feature Competition presented by Panavision; Documentary Feature Competition; Narrative Spotlight; Documentary Spotlight; Visions; Midnighters; Global presented by MUBI; 24 Beats Per Second; and Festival Favorites. The Episodic program consists of Episodic Premieres and the Episodic Pilot Competition. The SXSW 2022 Shorts Film Program presented by IMDbPro will present seven competitive sections. Our XR Experience Competition, Spotlight and Special Events programming will be in-person with a selection of works in our XR Experience World in VRChat, presented by Non-Fungible Labs. All Categories with the exception of Special Events will be eligible for section-specific Audience Awards.

Feature Highlights include: Opening Night: Everything Everywhere All At Once directed by Daniels; Closing Night: Atlanta directed by Hiro Murai; Bodies, Bodies, Bodies directed by Halina Reijn; Lost City of D directed by Adam and Aaron NeeThe Unbearable Weight of Massive Talent directed by Tom Gormican; Apollo 10 ½: A Space Age Childhood directed by Richard Linklater;  Spin Me Round directed by Jeff Baena; More Than Robots directed by Gillian Jacobs; Gabby Giffords Won’t Back Down directed by Julie Cohen and Betsy West, directed by Ti West, The Locust directed by Faeze Azizkhani; The Return of Tanya Tucker directed by Kathlyn Horan; Sheryl directed by Amy Scott; Descendant directed by Margaret Brown; and Fire of Love directed by Sara Dosa.

Episodic Highlights include: Brené Brown: Atlas of the Heart directed by Paul DugdaleDMZ directed by Ava DuVernay; The Last Movie Stars directed by Ethan Hawke; The Man Who Fell To Earth directed by Alex Kurtzman, Shining Girls directed by Michelle MacLaren; WeCrashed directed by John Requa and Glenn Ficcara; and Untitled Magic Johnson Documentary Series directed by Rick Famuyiwa.



The SXSW 2022 Program:

HEADLINERS
Big names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film events with major and rising names in cinema.

Apollo 10 1/2: A Space Age Childhood
Director/Screenwriter: Richard Linklater, Producers: Richard Linklater, Tommy Pallotta, Mike Blizzard, Femke Wolting, Bruno Felix
A coming-of-age story set in the suburbs of Houston, Texas in the summer of 1969, centered around the historic Apollo 11 moon landing. Cast List: Jack Black, Zachary Levi, Glen Powell, Josh Wiggins, Milo Coy, Lee Eddy, Bill Wise, Natalie L’Amoreaux, Jessica Brynn Cohen, Sam Chipman, Danielle Guilbot (World Premiere)

Atlanta
Director: Hiro Murai, Producers: Donald Glover, Stephen Glover, Hiro Murai, Stefani Robinson, Paul Simms and Dianne McGunigle
Taking place almost entirely in Europe, Season 3 of FX’s Atlanta finds Earn, Alfred ‘Paper Boi,’ Darius and Van in the midst of a successful European tour, as the group navigates their new surroundings as outsiders, and struggle to adjust to the newfound success they had aspired to. Cast List: Donald Glover, Brian Tyree Henry, LaKeith Stanfield, Zazie Beetz (World Premiere)(Closing Night)

Bodies Bodies Bodies
Director: Halina Reijn, Screenwriters: Kristen Roupenian, Sarah Delappe, Chloe Okuno, Joshua Sharp, Aaron Jackson, Producers: David Hinojosa, Ali Herting, Lara Costa-Calzado, Tatiana Bears
When a group of rich 20-somethings plan a hurricane party at a remote family mansion, a party game turns deadly in this fresh and funny look at backstabbing, fake friends, and one party gone very, very wrong. Cast List: Amandla Stenberg, Maria Bakalova, Pete Davidson, Rachel Sennott, Myha’la Herrold, Chase Sui Wonders, Lee Pace (World Premiere)

Everything Everywhere All At Once
Directors/Screenwriters: Daniel Kwan, Daniel Scheinert, Producers: Joe Russo, Anthony Russo, Mike Larocca, Daniel Kwan, Daniel Scheinert and Jonathan Wang
Everything Everywhere All At Once is a hilarious and big-hearted sci-fi action adventure about an exhausted Chinese American woman (Michelle Yeoh) who can’t seem to finish her taxes. Cast List: Michelle Yeoh, Stephanie Hsu, Ke Huy Quan, Jenny Slate, Harry Shum JR., James Hong, Jamie Lee Curits (World Premiere) (Opening Night)

The Lost City
Directors: Adam Nee, Aaron Nee, Screenwriters: Oren Uziel, Dana Fox, Adam Nee, Aaron Nee
Producers: Liza Chasin, Sandra Bullock, Seth Gordon
Sandra Bullock, Channing Tatum, and Daniel Radcliffe star in the action adventure comedy The Lost CityCast List: Sandra Bullock, Channing Tatum, Daniel Radcliffe, Da’Vine Joy Randolph, Oscar Nuñez, Patti Harrison, Bowen Yang (World Premiere)

The Unbearable Weight of Massive Talent
Director: Tom Gormican, Screenwriters: Tom Gormican, Kevin Etten, Producers: Nicolas Cage, Mike Nilon, Kristin Burr, Kevin Turen
In this delirious action-comedy, Nicolas Cage plays…Nick Cage. Caught between a dangerous superfan (Pedro Pascal) and a CIA operative (Tiffany Haddish), Cage must reflect upon the legacy of his career to save himself and his loved ones. Cast List: Nicolas Cage, Pedro Pascal, Sharon Horgan, Ike Barinholtz, Alessandra Mastronardi, Jacob Scipio, Lily Sheen, Neil Patrick Harris, Tiffany Haddish (World Premiere)


NARRATIVE FEATURE COMPETITION Presented by Panavision
Panavision, the global provider of optics, cameras, and end-to-end services that power the creative vision of filmmakers, is sponsoring the Narrative Feature Competition. Eight world premieres, and eight unique ways to celebrate the art of storytelling.

A Lot of Nothing
Director: Mo McRae, Screenwriters: Sarah Kelly Kaplan, Mo McRae, Producers: Mo McRae, Inny Clemons, Jason Tamasco, Zak Kristofek
An upper middle class married couple find their lives spiraling out of control when they decide to take justice into their own hands and seek retribution against their neighbor. Cast List: Y’lan Noel, Cleopatra Coleman, Shamier Anderson, Lex Scott Davis, Justin Hartley (World Premiere)

I Love My Dad
Director/Screenwriter: James Morosini, Producers: Bill Stertz, Patton Oswalt, Sean O’Grady, Dane Eckerle, Phil Keefe, Daniel Brandt, Sam Slater
A hopelessly estranged father catfishes his son in an attempt to reconnect. Inspired by a true story. Like, this literally happened to me. Cast List: Patton Oswalt, James Morosini, Claudia Sulewski, Rachel Dratch, Ricky Velez, Lil Rel Howery, Amy Landecker (World Premiere)

It Is In Us All (Ireland)
Director/Screenwriter: Antonia Campbell-Hughes, Producers: Emma Foley, Tamryn Reinecke,
A formidable man who cares for nothing, is forced to confront his self-destructive core, when a violent car crash involving a sexually charged boy who epitomises life, challenges him to face his truth. Cast List: Cosmo Jarvis, Rhys Mannion, Claes Bang, Antonia Campbell-Hughes, Lalor Roddy (World Premiere)

Linoleum
Director/Screenwriter: Colin West, Producers: Chad Simpson, Dennis Masel, Chadd Harbold
When the host of a failing children’s science show tries to fulfill his childhood dream of becoming an astronaut by building a rocket ship in his garage, a series of bizarre events occur that cause him to question his own reality. Cast List: Jim Gaffigan, Rhea Seehorn, Katelyn Nacon, Gabriel Rush, Amy Hargreaves, West Duchovny, Michael Ian Black, Tony Shalhoub, Elisabeth Henry, Roger Hendricks Simon (World Premiere)

Nika (Russia)
Director: Vasilisa Kuzmina, Screenwriters: Yulia Gulyan, Vasilisa Kuzmina, Producers: Yulia Gulyan, Antonina Lee
A child prodigy, the youngest Soviet poetess, and by the age of 27 a completely lost girl Nika Turbina is struggling with her past and for her future at the turn of the century. Cast List: Elizaveta Yankovskaya, Anna Mikhalkova, Ivan Fominov, Vita Korneenko (World Premiere)

Seriously Red (Australia)
Director: Gracie Otto, Screenwriter: Krew Boylan, Producers: Jessica Carrera, Sonia Borella, Timothy White, Robyn Kershaw
Find out who you are and do it on purpose. Cast List: Rose Byrne, Krew Boylan, Bobby Cannavale, Daniel Webber, Celeste Barber, Thomas Campbell (World Premiere)

Slash/Back (Canada)
Director: Nyla Innuksuk, Screenwriters: Nyla Innuksuk, Ryan Cavan, Producers: Dan Bekerman, Christopher Yurkovich, Alex Ordanis, Nyla Innuksuk, Stacey Aglok McDonald, Alethea Arnaquq-Baril, Ethan Lazar
In a remote Arctic community, a group of Inuit girls fight off an alien invasion, all while trying to make it to the coolest party in town. Cast List: Tasiana Shirley, Alexis Wolfe, Chelsea Prusky, Frankie Vincent-Wolfe, Nalajoss Ellsworth (World Premiere)

Soft & Quiet
Director/Screenwriter: Beth de Araújo, Producers: Josh Peters, Saba Zerehi, Joshua Beirne-Golden, Beth de Araújo
Playing out in real time, Soft & Quiet is a runaway train that follows a single afternoon in the life of a female white supremacist as she indoctrinates a group of alt-right women, and together they set out to harass two mixed-raced Asian sisters. Cast List: Stefanie Estes, Olivia Luccardi, Eleanore Pienta, Dana Millican, Melissa Paulo, Jon Beavers, Cissy Ly (World Premiere)


DOCUMENTARY FEATURE COMPETITION
Eight world premieres: Eight non-fiction stories that demonstrate integrity, energy and unique voices.

Bad Axe
Director: David Siev, Producers: Jude Harris, Katarina Vasquez, David Siev
A real-time portrait of 2020 unfolds as an Asian-American family in Trump’s rural America fights to keep their restaurant and American dream alive in the face of a pandemic, Neo-Nazis, and generational scars from the Cambodian Killing Fields. (World Premiere)

Clean (Australia)
Director: Lachlan McLeod, Producers: David Elliot-Jones, Charlotte Wheaton
A fly-on-the-wall insight into the world of trauma cleaning through the journey of larger-than-life business owner Sandra Pankhurst and the workers at Melbourne’s Specialised Trauma Cleaning Services. (World Premiere)

It’s Quieter in the Twilight
Director: Billy Miossi, Producers: Alissa Shapiro, Matt Reynolds
In an unremarkable office space, a select group of aging engineers find themselves at the leading edge of discovery. Fighting outdated technology and time, Voyager’s flight-team pursues humankind’s greatest exploration. (World Premiere)

Mama Bears
Director: Daresha Kyi, Producers: Laura Tatham, Daresha Kyi
Mama Bears is an intimate exploration of two “mama bears”—conservative, Christian mothers who have become fierce advocates for LGBTQ+ people—and a young lesbian whose struggle for self-acceptance exemplifies why the mama bears are so important. (World Premiere)

Master of Light
Director: Rosa Ruth Boesten, Producers: Roger Ross Williams, Anousha Nzume, Ilja Roomans
George Anthony Morton, a classical painter who spent ten years in federal prison travels to his hometown to paint his family members. Going back forces George to face his past in his quest to rewrite the script of his life. (World Premiere)

Spaz
Director/Producer: Scott Leberecht
Steve ‘Spaz’ Williams is a pioneer in computer animation. His digital dinosaurs of Jurassic Park transformed Hollywood in 1993, but an appetite for anarchy and reckless disregard for authority may have cost him the recognition he deserved. (World Premiere)

The Pez Outlaw
Directors/Producers: Amy Bandlien Storkel, Bryan Storkel
Steve Glew spent the 1990s smuggling rare pez dispensers into the USA from Eastern Europe, making millions of dollars. It was all magical until his arch-nemesis, The Pezident decided to destroy him. (World Premiere)

The Thief Collector
Director: Allison Otto, Screenwriter: Mark Monroe, Producers: Caryn Capotosto, Jill Latiano Howerton, Joshua Kunau
It was one of the most audacious and puzzling crimes of a generation. The Thief Collector unravels the mystery of the infamous 1985 heist of Willem de Kooning’s seminal painting, “Woman-Ochre.” (World Premiere)


NARRATIVE SPOTLIGHT
High profile narrative features receiving their World, International, North American, or U.S. premieres at SXSW.

Lover, Beloved
Director: Michael Tully, Screenwriter: Suzanne Vega, Producers: Alan Berg, Rachael Trigg
Lover, Beloved is a film adaptation of the one woman show by Suzanne Vega. Music by Duncan Sheik.
Featuring the life and work of LGBTQ Southern author Carson McCullers. Cast List: Suzanne Vega (World Premiere)

Me Little Me
Director/Screenwriter: Elizabeth Ayiku, Producers: Elizabeth Ayiku, Niki J. Crawford
Slice of life film about Mya, an ambitious young woman who learns the hard way that life doesn’t pause when one decides it’s time to heal; and it will take everything she has to save her job, relationships, and most importantly herself. Cast List: A’Keyah Dasia Williams, Shamar Philippe, Tamir Elbassir, Niki J. Crawford, Frania Dueñas, Mariel Flores, Kristian Flores, Clark Moore, Sardia Robinson (World Premiere)

Millie Lies Low (New Zealand)
Director: Michelle Savill, Screenwriters: Michelle Savill, Eli Kent, Producers: Desray Armstrong, Angela Littlejohn
When a broke and anxiety-ridden architecture grad misses her flight to New York for a prestigious internship, she decides to fake having made it to New York, while lying low in her hometown, scrounging for another ticket. Cast List: Ana Scotney, Rachel House, Sam Cotton, Jillian Nguyen, Chris Alosio (North American Premiere)

Pirates (United Kingdom)
Director/Screenwriter: Reggie Yates, Producers: Kate Norrish, Polly Leys
Pirates is an exuberant comedy about three friends driving from North to South London on New Year’s Eve 1999 in search of tickets to the hottest party in town, set to a soundtrack of the biggest UK Garage hits of the 90s. Cast List: Elliot Edusah, Jordan Peters, Reda Elazouar, Kassius Nelson, Youssef Kerkour, Rebekkah Murrell, Shiloh Coke, Tosin Cole, Aaron Shosanya (International Premiere)

Pretty Problems
Director: Kestrin Pantera, Screenwriters: Michael Tennant, Britt Rentschler, Charlotte Ubben, Producers: Katya Alexander, Britt Rentschler, Charlotte Ubben, Michael Tennant
A comedy that follows a flailing couple on a getaway trip with affluent strangers: down the rabbit hole, and into the most unhinged weekend of their lives. Smash a glass, take the ride. Cast List: Britt Rentschler, Michael Tennant, JJ Nolan, Graham Outerbridge, Charlotte Ubben, Alex Klein, Clayton Froning, Katrina Hughes, Vanessa Chester, Amy Maghera (World Premiere)

Spin Me Round (Italy, U.S.)
Director: Jeff Baena, Screenwriters: Jeff Baena, Alison Brie, Producers: Mel Eslyn, Jeff Baena, Alison Brie, Dylan Sellers, Chris Parker
When the manager of an Italian restaurant chain wins the opportunity to attend the franchise’s educational immersion program in Italy, what she thought would be a romantic getaway devolves into chaos and catastrophe. Cast List: Alison Brie, Alessandro Nivola, Aubrey Plaza, Molly Shannon, Zach Woods, Ayden Mayeri, Ben Sinclair, Tim Heidecker, Debby Ryan, Fred Armisen (World Premiere)

Stay The Night (Canada)
Director/Screenwriter: Renuka Jeyapalan, Producers: Brian Robertson, Glenn Cockburn
A failed work opportunity prompts chronically single Grace to pursue a one night stand with a stranger. Turns out he’s an on-the-outs professional athlete in town with a problem of his own. Maybe they can help each other. Cast List: Andrea Bang, Joe Scarpellino, Humberly González, Ray Ablack (World Premiere)

The Cow
Director: Eli Horowitz, Screenwriters: Eli Horowitz, Matthew Derby, Producers: Raphael Margules, JD Lifshitz, Shaun Sanghani, Russ Posternak
When her boyfriend runs off with a younger woman, Kath (Winona Ryder) attempts to move on with her life — but she begins to suspect his disappearance is not what it seems. Cast List: Winona Ryder, Dermot Mulroney, John Gallagher Jr, Owen Teague, Brianne Tju (World Premiere)

The Prank
Director: Maureen Bharoocha, Screenwriters: Becca Flinn-White, Zak White, Producer: Steven J. Wolfe
Ben, and his slacker friend, Tanner play a prank on their high school physics professor when she fails them on a test. They teach the imperious, demanding instructor a lesson by falsely accusing her of the murder of a missing student on social media. Cast List: Connor Kalopsis, Ramona Young, Rita Moreno, Keith David, Kate Flannery, Meredith Salenger, Johnathan Kimmel, Nathan Janak, Betsy Sodaro, Romel De Silva (World Premiere)

To Leslie
Director: Michael Morris, Screenwriters: Ryan Binaco, Producers: Claude Dal Farra, Brian Keady, Kelsey Law, Ceci Cleary, Philip Waley, Jason Shuman, Eduardo Cisneros
A West Texas single mother wins the lottery and drinks it away just as fast, leaving behind a world of heartbreak. Years later, with her charm running out and nowhere to go, she returns home to confront her past, her choices, and her future. Cast List: Andrea Riseborough, Allison Janney, Marc Maron, Andre Royo, Owen Teague, Stephen Root, James Landry Hebert, Matt Lauria, Catfish Jean (World Premiere)


DOCUMENTARY SPOTLIGHT
Shining a light on new documentary features receiving their World, International, North American or U.S. premieres at SXSW.

Crows are White
Director: Ahsen Nadeem, Screenwriters: Ahsen Nadeem, Matt H. Mayes, Producers: Riel Roch-Decter, Sebastian Pardo, Ahsen Nadeem, Ben Renzon, Ryan Ahrens, Jill Ahrens
After decades of living a secret life, a filmmaker travels to a strict Japanese monastery in search of guidance but the only monk who will help him prefers ice cream and heavy metal over meditation. Crows are White is an exploration of truth through faith and love, from the top of a mountain to the bottom of a sundae. (World Premiere)

Diamond Hands: The Legend of WallStreetBets
Directors: Drea Cooper, Zackary Canepari, Producers: Gary Kout, Myles Estey, Drea Cooper, Zackary Canepari, Molly O’Brien
When the smart money was betting GameStop would go under, an army of irreverent traders tried to take Wall Street down instead. Diamond Hands is their story. This is the legend of the subreddit, r/WallStreetBets. (World Premiere)

Facing Nolan
Director: Bradley Jackson, Producer: Russell Wayne Groves
In the world of Major League Baseball no one has created a mythology like Nolan Ryan. Told from the point of view of the hitters who faced him and the teammates who revered him, Facing Nolan is the definitive documentary of a Texas legend. (World Premiere)

Gabby Giffords Won’t Back Down
Directors: Julie Cohen, Betsy West, Producers: Lisa Erspamer, Sam Jinishian
A gunman ended her skyrocketing political career, but didn’t stop Congresswoman Gabby Giffords. With total access to her rehab, work fighting gun violence, and marriage to Sen. Mark Kelly, the film brings us inside Gabby’s extraordinary journey back. (World Premiere)

Kids In The Hall: Comedy Punks (Canada)
Director: Reginald Harkema, Producers: Nick McKinney, Kim Creelman
Through never before-seen archive material, interviews with celebrities, industry insiders, rabid fans and the Kids In The Hall themselves – this documentary tells the wild story of this cult-famous comedy troupe from the 1980s to the present day. (World Premiere)

Mickey: The Story of a Mouse
Director: Jeff Malmberg, Producers: Morgan Neville, Meghan Walsh, Chris Shellen
Mickey Mouse is one of the most enduring symbols in our history. This film explores Mickey’s significance, getting to the core of what Mickey’s cultural impact says about each of us and about our world. (World Premiere)

More Than Robots
Director: Gillian Jacobs, Producers: Jason Sterman, David Gelb, Brian McGinn
Four teams of teenagers from around the world prepare for the 2020 First Robotics Competition, but in a year like no other, the kids learn that there is more to the competition than just robots. (World Premiere)

Nothing Lasts Forever
Director: Jason Kohn, Producers: Amanda Branson Gill, Jared Goldman
When filmmaker Jason Kohn infiltrates the secretive diamond industry, he uncovers a massive criminal conspiracy that threatens not only the value of every diamond ever mined but also the universal symbol of love – the engagement ring. (North American Premiere)

Shouting Down Midnight
Director: Gretchen Stoeltje, Producers: Kristi Frazier, Katy Drake Better
Both cautionary tale and rallying cry, Shouting Down Midnight recounts how the Wendy Davis filibuster of 2013 galvanized a new generation of activists and reveals what is at stake for us all in the struggle for reproductive freedom. (World Premiere)

Skate Dreams
Director: Jessica Edwards, Producers: Erin Owens, Jessica Edwards
Skate Dreams, the first feature documentary about the rise of women’s skateboarding, profiles a group of women whose pursuit of self-expression, equality, and freedom have created an international movement of independence and empowerment. Featuring Kouv ‘Tin’ Chansangva, Nicole Hause, Mimi Knoop, Nora Vasconcellos (World Premiere)

Split At The Root
Director: Linda Goldstein Knowlton, Producers: Maria Grasso, Linda Goldstein Knowlton, Miranda Bailey
When a Guatemalan mother seeking asylum was separated from her kids under Zero Tolerance Policy, a group of women sprang into action. Our film focuses on immigrant mothers navigating US bureaucracy and the volunteer group reuniting separated families. (World Premiere)

Still Working 9 to 5
Directors/Producers: Camille Hardman, Gary Lane
Still Working 9 to 5 explores why workplace inequality is no laughing matter in the 40 years since the seminal comedy, 9 to 5 was released in 1980 starring Jane Fonda, Lily Tomlin, Dabney Coleman and Dolly Parton. (World Premiere)

Tony Hawk: Until the Wheels Fall Off
Director/Producer: Sam Jones
An intimate, revealing and visceral deep dive into the life of skateboarder Tony Hawk. (World Premiere)

Under the Influence
Director: Casey Neistat, Producers: Christine Vachon, Casey Neistat, Mason Plotts, Screenwriter: Mark Monroe
The rise and fall of the biggest YouTuber in the world whose feel-good videos masked the dark and reckless new ethos of online celebrity culture. (World Premiere)

We Are Not Ghouls
Director: Chris James Thompson, Producers: Jessica Farrell, Jack Turner, Andrew Swant
US Air Force JAG Attorney Yvonne Bradley was assigned to defend a man held at Guantanamo Bay. Believing Guantanamo held ‘the worst of the worst’, her world was turned upside down once she arrived in Cuba and began to untangle an unimaginable case. (World Premiere)

We Feed People
Director: Ron Howard, Producers: Brian Grazer, Ron Howard, Sara Bernstein, Justin Wilkes, Meredith Kaulfers, Walt Matteson
We Feed People spotlights renowned chef José Andrés and his nonprofit World Central Kitchen’s evolution over a 10 year period. (World Premiere)

What We Leave Behind
Director: Iliana Sosa, Producers: Emma D. Miller, Iliana Sosa, Isidore Bethel (co-producer)
After a lifetime of bus rides to the US to visit his children, Julián quietly starts building a house in rural Mexico. In filming his work, his granddaughter crafts a gentle love letter to farmworkers, mutual caregivers, and transnational families. (World Premiere)

A Woman on the Outside
Directors: Lisa Riordan Seville, Zara Katz, Producers: Kiara C. Jones, Zara Katz, Lisa Riordan Seville
Kristal is a young, ambitious Philadelphian driven to keep families connected to their incarcerated loved ones. But when her father and brother return from prison, she confronts the ultimate question: can she reunite her own family? (World Premiere)

Your Friend, Memphis
Director: David Zucker, Producers: Luke Terrell, Benjamin Edelman
Memphis DiAngelis, a young man with cerebral palsy, is caught between the world’s expectations and his own ambitions. His story is an odyssey of dogged determination: a search for work, love, and freedom – no matter what. (World Premiere)


MIDNIGHTERS
Scary, funny, sexy, controversial – eight provocative after-dark features for night owls and the terminally curious.

Bitch Ass
Director: Bill Posley, Screenwriters/Producers: Bill Posley, Jonathan Colomb
In 1999 a gang initiation goes wrong when recruits break into the deadly game house of cinema’s first Black masked serial killer. Think Don’t Breathe meets Squid Games, but… black. Cast List: Tony Todd, Sheaun McKinney, Tunde Laleye, Me’Lisa Sellers, Teon Kelly (World Premiere)

Deadstream
Directors/Screenwriters: Vanessa Winter, Joseph Winter, Producers: Vanessa Winter, Joseph Winter, Jared Cook, Melanie Stone
When a washed up internet personality attempts to win back his followers by live streaming a haunted house, he accidentally pisses off a vengeful spirit and his big comeback event becomes a fight for his life (and social relevance). Cast List: Joseph Winter, Melanie Stone (World Premiere)

Hypochondriac
Director/Screenwriter: Addison Heimann, Producers: Bay Dariz, John Humber
A young potter’s life devolves into chaos as he loses function of his body while being haunted by the physical manifestation of his childhood trauma. Cast List: Zach Villa, Devon Graye, Madeline Zima, Yumarie Morales, Marlene Forte, Chris Doubek, Paget Brewster, Adam Busch, Michael Cassidy, Peter Mensah, Debra Wilson (World Premiere)

No Looking Back (Russia)
Director/Screenwriter: Kirill Sokolov, Producers: Artem Vasilyev, Igor Mishin
Family dysfunction reaches boiling point as three generations of warring women face-off. Cast List: Victoria Korotkova, Anna Mikhalkova, Sofia Krugova (North American Premiere)

Sissy (Australia)
Director/Screenwriter: Hannah Barlow, Kane Senes, Producers: Lisa Shaunessy, John De Margheriti, Jason Taylor, Bec Janek
Invited away on a bachelorette weekend, Sissy is stuck in a remote cabin with her high school bully…and a taste for revenge. #triggered Cast List: Aisha Dee, Hannah Barlow, Emily De Margheriti, Daniel Monks, Yerin Ha, Lucy Barrett, Shaun Martindale, Amelia Lule, April Blasdall, Camille Cumpston (World Premiere)

The Cellar (Belgium, Ireland)
Director/Screenwriter: Brendan Muldowney, Producers: Conor Barry, Richard Bolger, Benoît Roland, Keira Woods’ daughter mysteriously vanishes in the cellar of their new house. She soon discovers there is an ancient and powerful entity controlling their home that she will have to face or risk losing her family’s souls forever. Cast List: Elisha Cuthbert, Eoin Macken, Abby Fitz, Dylan Fitzmaurice-Brady (World Premiere)

Watcher (United Arab Emirates, U.S.)
Director: Chloe Okuno, Screenwriters: Zachary Ford, Chloe Okuno, Producers: Mason Novick, John Finemore, Aaron Kaplan, Sean Perrone, Roy Lee, Steven Schneider, Derek Dauchy
A Young woman moves into a new apartment and is tormented by the feeling that she is being watched. Cast List: Maika Monroe, Karl Glusman, Burn Gorman (Texas Premiere)

X
Director/Screenwriter: Ti West, Producers: Jacob Jaffke, Kevin Turen, Harrison Kreiss, Ti West
In 1979, a group of young filmmakers set out to make an adult film in rural Texas, but when their reclusive, elderly hosts catch them in the act, the cast find themselves fighting for their lives. Cast List: Mia Goth, Jenna Ortega, Martin Henderson, Brittany Snow, Owen Campbell, Stephen Ure, Scott Mescudi (World Premiere)


 

VISIONS
Visions filmmakers are audacious, risk-taking artists in the new cinema landscape who defy traditional categorization in documentary and narrative filmmaking.

A Vanishing Fog (Colombia, Czech Republic, Norway)
Director//Screenwriter/Producer: Augusto Sandino
In the middle of the staggering and endangered Paramo of Sumapaz; F, a solitary explorer and guardian of the mountains, condemned by his fate, strives to protect the mystical and fragile ecosystem he inhabits, while caring for his ailing father. Cast List: Sebastian Pii, Mario de Jesús Viana, Christian Ballesteros (International Premiere)

Chee$e (Trinidad and Tobago, U.S.)
Director/Screenwriter: Damian Marcano, Producer: Alexa Marcano
A young man comes up with a plan after news that he’s gotten a girl pregnant. Cast List: Akil Gerard Williams, Lou Lyons, Ayanna Cezanne, Yidah Leonard, Binta Ford, Julio Prince, Trevison Pantin, Kevin Ash, Omar Jarra, Damian Marcano (World Premiere)

Jethica
Director/Producer: Pete Ohs, Screenwriters: Ashley Denise Robinson, Callie Hernandez, Andy Faulkner, Will Madden, Pete Ohs
When Jessica’s stalker surprises her in New Mexico, she must seek help from beyond the grave to get rid of him for good. Cast List: Callie Hernandez, Will Madden, Ashley Denise Robinson, Andy Faulkner (World Premiere)

Self-Portrait (Canada)
Director/Screenwriter/Producer: Joële Walinga
A portrait of humanity as captured by its surveillance cameras. (World Premiere)

Sell/Buy/Date
Director: Sarah Jones, Screenwriters: Sarah Jones, David Goldblum, Producers: Sarah Jones, David Goldblum, Julie Parker Benello
Sell/Buy/Date is a heartfelt, witty doc/narrative hybrid following Tony-winning performer/comedian Sarah Jones and her multicultural characters on a journey exploring her personal relationship to the sex industry through a social justice lens. (World Premiere)

Shadow (Australia)
Director: Bruce Gladwin, Screenwriters: Michael Chan, Mark Deans, Bruce Gladwin, Simon Laherty, Sarah Mainwaring, Scott Price, Sonia Teuben, Producers: Alice Fleming, Meret Hassenen
A group of activists hold a public meeting, desperate to save the world. As the meeting unravels, they discover the greatest threat to their future is already in the room. Cast List: Mark Deans, Sarah Mainwaring, Scott Price, Simon Laherty, Belinda McClory, Breanna Deleo (World Premiere)

The Blind Man Who Did Not Want To See Titanic (Finland)
Director/Screenwriter: Teemu Nikki, Producers: Jani Pösö, Teemu Nikki
An intense movie, shot from a blind man’s perspective. An atypical action/thriller film about a man who has to go through hell to reach his loved one. Cast List: Petri Poikolainen, Marjaana Maijala, Samuli Jaskio, Rami Rusinen, Hannamaija Nikander, Matti Onnismaa (North American Premiere)

The Unknown Country
Director/Screenwriter: Morrisa Maltz, Producers: Laura Heberton, Lainey Bearkiller Shangreaux, Katherine Harper, Vanara Taing, Tommy Heitkamp
An unexpected invitation launches a grieving young woman on a solitary road trip through the American Midwest as she struggles to reconcile the losses of her past with the dreams of her future. Cast List: Lily Gladstone, Raymond Lee, Richard Ray Whitman, Lainey Bearkiller Shangreaux, Devin Shangreaux, Jasmine “Jazzy” Bearkiller Shangreaux, Pam Richter, Dale Leander Toller, Florence R. Perrin, Teresa Boyd (World Premiere)


 

24 BEATS PER SECOND
Showcasing the sounds, culture and influence of music and musicians, with an emphasis on documentary.

Anonymous Club (Australia)
Director/Screenwriter: Danny Cohen, Producers: Philippa Campey, Samantha Dinning
The antithesis of a rock biography, Anonymous Club paints a raw and intimate picture of enigmatic singer-songwriter, Courtney Barnett -an anti-influencer who is a powerful voice for our times, a recluse acclaimed by audiences the world over. (International Premiere)

Cesária Évora (Cabo, Verde, Portugal)
Director/Screenwriter: Ana Sofia Fonseca, Producers: Ana Sofia Fonseca, Irina Calado
World renowned performer Cesária Évora’s voice took her from poverty to stardom. With previously unseen footage and insights into the singer’s life, the film follows her struggles and success. (World Premiere)

Cypher
Director/Screenwriter: Chris Moukarbel, Producers: John Hodges, Tony Hernandez, Lilly Burns, Chris Moukarbel, Tierra Whack, Anthony Seyler, Sanjay Sharma, Roya Rastegar
A psychological thriller about and starring the artist Tierra Whack that delves into fame and the conspiracy theories surrounding the music industry. The film takes the form of a music documentary. Cast List: Tierra Whack, Johnny Medina, Kenete Simms, Jamila Curry, Camille Fleming, Natalia Leigh Brown, Bionca Bradley, Chris Anthony, Nyla Naveah, Vanja Asher (World Premiere)

DIO Dreamers Never Die
Directors: Don Argott, Demian Fenton, Producers: Don Argott, Sheena M. Joyce
The definitive career spanning documentary on heavy metal legend, Ronnie James Dio. (World Premiere)

Getting It Back: The Story Of Cymande (United Kingdom)
Director: Tim Mackenzie-Smith, Producers: Tim Mackenzie-Smith, Matt Wyllie
They are the unsung heroes whose message of peace, love and funk sailed beyond Britain’s shores and helped shape music for five decades. Long after they stopped playing, the music played on, so they returned to play some more. (World Premiere)

I Get Knocked Down (United Kingdom)
Directors: Sophie Robinson, Dunstan Bruce, Screenwriter: Dunstan Bruce, Producer: Sophie Robinson
The story of Chumbawamba’s ex-front man Dunstan Bruce. A burnt-out, middle-aged, ex pop star in search of his long lost anarchist mojo. (International Premiere)

In the Court of the Crimson King (United Kingdom)
Director: Toby Amies, Producers: Toby Amies, Nicholas Jones
What began as a traditional documentary about the legendary band King Crimson as it turned 50, mutated into an exploration of time, death, family, and the transcendent power of music to change lives; but with jokes. (World Premiere)

Jazz Fest: A New Orleans Story
Directors: Frank Marshall, Ryan Suffern, Producers: Frank Marshall, Sean Stuart, Ryan Suffern
This soulful and heartfelt celebration of 50 years of the funky and fabulous New Orleans Jazz & Heritage Festival invites you to bliss out on New Orleans’ unique culture, featuring Jimmy Buffett, Bruce Springsteen, Katy Perry, Earth, Wind & Fire, and many others. (World Premiere)

Look At Me!
Director: Sabaah Folayan, Producer: Darcy McKinnon, Chloe Campion
Look At Me! explores how Jahseh Onfroy tapped raw talent, a gift for connecting with disaffected youth, and a mastery of social media to fashion himself into SoundCloud rapper XXXTentacion – one of the most streamed artists on the planet. (World Premiere)

Omoiyari: A Song Film by Kishi Bashi
Directors: Kaoru Ishibashi, Justin Taylor Smith, Producer: JJ Gerber
Violinist and songwriter Kishi Bashi travels on a musical journey to understand WWII era Japanese Incarceration, assimilation, and what it means to be a minority in America today. (World Premiere)

Really Good Rejects
Director: Alice Gu, Producers: Alice Gu, Jose Nuñez, Robert Fyvolent, David Dinerstein
The muted tones of rubber bridge guitars have delighted listeners the world over- from Wilco to Taylor Swift’s Folklore. Modern-day luthier Reuben Cox demystifies his process of creating some of rock’s most sought-after guitars. (World Premiere)

Santos–Skin to Skin
Director: Kathryn Golden, Producers: Ashley James, Kathryn Golden
A film portrait of community activist and seven-time Grammy nominee John Santos, a “keeper of the Afro-Caribbean flame.” Rich in musical performances, Santos links the rhythms of his ancestors to contemporary struggles of identity and social justice. (World Premiere)

Sheryl
Director: Amy Scott, Producers: Van Toffler, Scooter Weintraub, Brian Morrow, Jonathan Lynch
An intimate story of song and sacrifice—musically gifted superstar Sheryl Crow navigates an iconic yet arduous musical career battling sexism, ageism, depression, cancer, and the price of fame, before harnessing the power of her gift. (World Premiere)

The Mojo Manifesto: The Life and Times of Mojo Nixon
Director: Matt Eskey, Producers: Sal Owen, Eva Radke
On a bicycle trip across the country, a young Neill Kirby McMillan Jr. experiences The Mojo Revelation. After teaming up with the enigmatic Skid Roper, he unexpectedly finds mainstream success but faces a decision that could jeopardize his career. (World Premiere)

The Return of Tanya Tucker
Director: Kathlyn Horan, Producers: Kathlyn Horan, Julie Goldman, Christopher Clements, Carolyn Hepburn
The story of trailblazing country music legend Tanya Tucker’s return to the spotlight after nearly 20 years. Rising star Brandi Carlile writes an album for her hero based on Tanya’s life, spurring the greatest comeback in country music history. (World Premiere)

This Much I Know To Be True (United Kingdom)
Director: Andrew Dominik, Producers: Amy James, Isaac Hoff
Shot over five days at Battersea Arts Centre and on location in London and Brighton, This Much I Know To Be True captures Nick Cave and Warren Ellis’ exceptional creative relationship as they bring to life songs from albums Ghosteen and Carnage. (US Premiere)

GLOBAL Presented by MUBI
Also new for this year, MUBI — the curated streaming platform that presents a new hand-picked film every day — is sponsoring the Global section. A diverse selection of international filmmaking talent, featuring innovative narratives, artful documentaries, premieres, festival favorites and more.

Amansa Tiafi (Public Toilet Africa) (Ghana)
Director/Screenwriter/Producer: Kofi Ofosu-Yeboah
When an African girl gifted to a white art-collector as a child shows up in town, her quest to settle an old debt quickly goes on a tailspin. Cast List: Brigitte Appiah, David Klu, Ricky Kofi Adelayitar, Brimah Watara, Paa George (U.S. Premiere)

The Locust (Iran, Germany)
Director/Screenwriter: Faeze Azizkhani, Producers: Manijeh Hekmat, Mahshid Ahangarani Farahani, Every woman needs a room of her own… A young woman would be thrown out of her room. In reality and dreams, she must justify herself when confronting the director, the cast, the crew, her mother, her brothers, the ghost of her father and a rooster! Cast List: Hanieh Tavassoli, Pegah Ahangarani Farahani, Pedram Sharifi, Ramin Sedighi, Ali Mosaffa, Amaneh Agharezakashi (World Premiere)

Raquel 1:1 (Brazil)
Director/Screenwriter: Mariana Bastos, Producers: Fernando Sapelli, Morena Koti, Igor Bonatto
During her first days in a small town, Raquel, a religious teenager, has a mysterious experience that leads her to take on a challenging and controversial mission related to the Bible. Cast List: Valentina Herszage, Emilio de Mello, Priscila Bittencourt, Eduarda Samara, Ravel Andrade (World Premiere)

Without Prescription (Puerto Rico)
Director: Juliana Maite, Screenwriter: Marietere Vélez, Producer: Vilma Liella
During Christmas Eve festivities in Puerto Rico, Olivia searches for her OCD pills without a prescription. She finds herself trapped inside a dealer’s apartment due to a rainstorm, forcing two strangers to start developing an unexpected connection. Cast List: Marietere Vélez, Gabriel Leyva, Carola García, Junior Álvarez, Mariana Monclova, Yussef Soto (World Premiere)

Women Do Cry (Bulgaria, France)
Directors/Screenwriters: Mina Mileva, Vesela Kazakova, Producers: Mina Mileva, Vesela Kazakova, Christophe Bruncher
After Cat in the Wall (Locarno 2019 Competition, SXSW 2020) the activist duo Mina Mileva and Vesela Kazakova (nicknamed the ‘demonic duo’) expose with Borat 2 breakthrough star Maria Bakalova the absurd yet sadly realistic contradictions in Bulgaria. Cast List: Maria Bakalova, Ralitsa Stoyanova, Katia Kazakova, Bilyana Kazakova, Iossif Surchadjiev, Rositca Gevrenova, Diana Spasova, Dobriela Popova, Yavor Kostov, Jerome Godfrey (Texas Premiere)


 

FESTIVAL FAVORITES
Acclaimed standouts from festivals around the world.

2nd Chance
Director/Screenwriter: Ramin Bahrani, Producers: Daniel Turcan, Johnny Galvin, Charles Dorfman, Ramin Bahrani, Jacob Grodnick
An exploration of the rise and fall of Richard Davis, the charming and brash inventor of the modern-day bulletproof vest who shot himself 192 times to prove his product worked. (Texas Premiere)

32 Sounds
Director: Sam Green, Producer: Josh Penn, ArKtype/Thomas O. Kriegsmann
An immersive documentary and profound sensory experience from filmmaker Sam Green featuring music by JD Samson. The film is a meditation on the power of sound to bend time, cross borders, and profoundly shape our perception of the world around us. (Texas Premiere)

Aftershock
Directors/Producers: Paula Eiselt, Tonya Lewis Lee
Following the preventable deaths of their partners due to childbirth complications, two bereaved fathers galvanize activists, birth-workers and physicians to reckon with one of the most pressing crises of our time – the US maternal health crisis. (Texas Premiere)

Boycott
Director: Julia Bacha, Producers: Suhad Babaa, Daniel J. Chalfen, Julia Bacha
When a news publisher in Arkansas, an attorney in Arizona and a speech therapist in Texas are told to choose between their jobs and their political beliefs, they launch legal battles that expose an attack on freedom of speech in 33 states in America. (Texas Premiere)

Descendant
Director: Margaret Brown, Producers: Kyle Martin, Essie Chambers, Margaret Brown
Descendant follows the search for and discovery of The Clotilda, the last known ship to illegally carry enslaved Africans in the United States. Guided by the voices of their ancestors, descendants of The Clotilda’s survivors reclaim their past and examine what justice looks like today. (Texas Premiere)

Emergency
Director: Carey Williams, Screenwriter: KD Davila, Producers: Issac Klausner, John Fischer, Marty Bowen
Ready for a night of partying, a group of college students must weigh the pros and cons of calling the police when faced with an unusual emergency. Cast List: Rj Cyler, Donald Elise Watkins, Sebastian Chacon, Sabrina Carpenter, Maddie Nichols, Madison Thompson, Diego Abraham (Texas Premiere)

Fire of Love
Director/Screenwriter: Sara Dosa, Producers: Ina Fichman, Shane Boris, Sara Dosa
Intrepid scientists and lovers Katia and Maurice Krafft died in a volcanic explosion doing the very thing that brought them together: unraveling the mysteries of volcanoes by capturing the most explosive imagery ever recorded. A doomed love triangle between Katia, Maurice and volcanoes, told through their archival footage. (Texas Premiere)

Marcel The Shell With Shoes On
Director: Dean Fleischer-Camp, Screenwriters: Dean Fleischer-Camp, Jenny Slate, Nick Paley,
Producers: Elisabeth Holm, Andrew Goldman, Caroline Kaplan, Paul Mezey
Marcel, a one-inch-tall shell, lives a miniature life with his grandma Connie and their pet lint, Alan. When the trio goes viral, they get millions of fans and new hope for finding their long-lost family, in this big-hearted big-screen adventure. Cast List: Jenny Slate, Isabella Rossellini, Dean Fleischer-Camp (Texas Premiere)

Master
Director/Screenwriter: Mariama Diallo, Producers: Joshua Astrachan, Brad Becker-Parton, Andrea Roa
Three women strive to find their place at an elite New England university. As the insidious specter of racism haunts the campus in increasingly supernatural fashion, each fights for survival in this space of privilege. Cast List: Regina Hall, Zoe Renee, Talia Ryder, Talia Balsam, Amber Gray (Texas Premiere)

The Art of Making It
Director: Kelcey Edwards, Producer: Debi Wisch
The film follows a diverse group of young artists on the brink of unimaginable success or failure as they challenge systems, break barriers and risk it all with the goal of making it in an industry where all the rules are currently being rewritten. (Texas Premiere)

TikTok, Boom.
Director: Shalini Kantayya, Producers: Ross M. Dinerstein, Danni Mynard, Shalini Kantayya
With TikTok now crowned the world’s most downloaded app, these are the personal stories of a cultural phenomenon, told through an ensemble cast of Gen-Z natives, journalists and experts alike. (Texas Premiere)


EPISODIC PROGRAM

EPISODIC PREMIERES
Presenting world premieres of prestige serials slated for release.

61st Street
Showrunners: Peter Moffat, J. David Shanks, Director: Marta Cunningham, Screenwriter: Peter Moffat, Producers: Annie Rhodes, Frank Baldwin, Allison Davis
61st Street is a propulsive thriller coursing through the dark heart of the infamous Chicago criminal justice system as police and prosecutors investigate a deadly drug bust that threatens to unravel the police department’s code of silence. Cast List: Courtney B. Vance, Aunjanue Ellis, Mark O’Brien, Holt McCallany, Tosin Cole, Andrene Ward-Hammond, Bentley Green (World Premiere)

Brené Brown: Atlas of the Heart
Showrunner: Meaghan Rady, Director: Paul Dugdale, Producer: Alex Hiegel
Researcher and #1 New York Times bestselling author Dr. Brené Brown takes us on an interactive journey through the emotions and experiences that define what it means to be human and provides a new framework for cultivating meaningful connection. (World Premiere)

DMZ
Showrunner: Roberto Patino, Director/Producer: Ava DuVernay
Set in the midst of a new American Civil War, DMZ leaps off the pages of the acclaimed graphic novel into the visual landscape of a war-torn Manhattan as one woman navigates a dangerous and distorted demilitarized zone in a harrowing quest to find her lost son. Cast List: Rosario Dawson, Benjamin Bratt, Hoon Lee, Freddy Miyares and Mamie Gummer (World Premiere)

Halo
Showrunner: Steven Kane, Director: Otto Bathurst, Producers: Steven Spielberg, Steven Kane, Kiki Wolfkill, Frank O’Connor, Bonnie Ross, Justin Falvey, Darryl Frank, Otto Bathurst, Toby Leslie, Kyle Killen, Scott Pennington
Dramatizing an epic 26th-century conflict between humanity and an alien threat known as the Covenant, Halo the series will weave deeply drawn personal stories with action, adventure and a richly imagined vision of the future. Cast List: Pablo Schreiber, Natascha McElhone, Jen Taylor, Bokeem Woodbine, Shabana Azmi, Natasha Culzac, Olive Gray, Yerin Ha, Bentley Kalu, Kate Kennedy (World Premiere)

Shining Girls
Showrunner/Screenwriter: Silka Luisa, Director: Michelle MacLaren, Producers: Kirsa Rein, Joshua Levey
Years after a brutal attack left her in a constantly shifting reality, Kirby Mazrachi learns that a recent murder is linked to her assault. She teams with veteran reporter Dan Velazquez to understand her ever-changing present and confront her past. Cast list: Elisabeth Moss, Wagner Moura, Jamie Bell, Phillipa Soo, Amy Brenneman (World Premiere)

Swimming with Sharks
Showrunners: Kathleen Robertson, Liz Destro, Director: Tucker Gates, Screenwriter: Kathleen Robertson
Serialized drama chronicling the rise of a young female assistant who is at the center of a movie studio filled with manipulators, schemers and intrigue. Little do they know she is poised to outwit them all. Cast List: Kiernan Shipka, Diane Kruger, Donald Sutherland, Thomas Dekker, Finn Jones, Erica Alexander, Ross Butler, Gerardo Celasco (World Premiere)

The Girl From Plainville
Showrunners/Screenwriters: Liz Hannah, Patrick Macmanus, Director: Lisa Cholodenko, Producers: Liz Hannah, Patrick Macmanus, Elle Fanning, Brittany Kahan Ward
Hulu’s limited series The Girl From Plainville is inspired by the true story of Michelle Carter’s unprecedented “texting-suicide” case. Cast List: Elle Fanning, Chloë Sevigny, Colton Ryan, Cara Buono, Kai Lennox and Norbert Leo Butz (World Premiere)

The Last Movie Stars
Director: Ethan Hawke, Producers: Emily Wachtel, Lisa Long Adler, Adam Gibbs, Ryan Hawke
The Last Movie Stars: this epic 6-chapter film chronicles Paul Newman and Joanne Woodward’s iconic careers and decades-long partnership. Director Ethan Hawke brings life and color to this definitive history of their love, lives, and philanthropy. Cast List: Laura Linney, Melanie Griffith, Sam Rockwell, Billy Crudup, Sally Field, Zoe Kazan, Karen Allen, Steve Zahn, LaTanya Richardson Jackson, Oscar Isaac (World Premiere)

The Man Who Fell To Earth
Showrunners: Alex Kurtzman, Jenny Lumet, John Hlavin, Director: Alex Kurtzman, Screenwriters: Alex Kurtzman, Jenny Lumet, Producers: Alex Kurtzman, Jenny Lumet, John Hlavin, Sarah Timberman, Carl Beverly, Heather Kadin, Aaron Baiers, Chiwetel Ejiofor, Rola Bauer and Françoise Guyonnet.
Based on the Walter Tevis novel and the iconic 1976 film starring David Bowie, The Man Who Fell to Earth follows a new alien character who arrives on Earth at a turning point in human evolution and must confront his own past to determine our future. Cast List: Chiwetel Ejiofor, Naomie Harris, Jimmi Simpson, Rob Delaney, Sonya Cassidy, Joana Ribeiro, Annelle Olaleye, Kate Mulgrew and Clarke Peters. (World Premiere)

Untitled Magic Johnson Documentary Series
Director: Rick Famuyiwa, Producers: Jeremy Allen, Jordan Fudge, Bryn Mooser, John Terzian, Christina Arquette, Christina Francis, Rafael Marmor, Brian Toll
An illuminating, never-before-seen look into the life of Earvin “Magic” Johnson, one of the world’s most iconic sports figures, that paints a holistic portrait of the man who left his mark on history and continues to impact our culture today. (World Premiere)

WeCrashed
Showrunners/Screenwriters: Drew Crevello, Lee Eisenberg, Directors: John Requa, Glenn Ficcara
The series is inspired by actual events — and the love story at the center of it all. WeWork grew from a single coworking space into a global brand worth $47 billion in under a decade. Then, in less than a year, its value plummeted. What happened? Cast List: Jared Leto, Anne Hathaway, Kyle Marvin, America Ferrera, O-T Fagbenle (World Premiere)


EPISODIC PILOT COMPETITION
A pilot showcase introducing fresh work from bright new talent, many with an eye towards finding production, completion funds, or a release platform.

Awayy
Directors/Screenwriters: Aqsa Altaf, John X. Carey, Producers: Amina Nada, Aqsa Altaf and John X. Carey
On the eve of a small-town waitress moving to New York City, a solar flare disrupts her plans. Cast List: Denny Love, Annelise Cepero (World Premiere)

Brownsville Bred
Showrunner/Director/Screenwriter: Elaine Del Valle, Producers: Adrienne Lovette, Elaine Del Valle, Leslie Cohen, Debbie Esko-Gold, Eddie Frente
Set in 1980’s Brownsville, Brooklyn, NY–A spunky Latina must find her own path as she comes of age to face the grim realities of the musician father she once idolized and the deteriorating neighborhood she calls home. Cast List: Summer Rose Castillo, Javier Muñoz, Karina Ortiz, Suzanna Guzman, Kevin Chacon, Neo Vela, Kimora Cuadrado, Gabriela Amerth, Jon Freda, Byron Clohessy (World Premiere)

Hidden Kingdom
Directors: Sunny Lee, Jacqueline Davis, Producer: Emily Backerman
An unconventional and intimate documentary web series that explores the lives of five different New York dancers. Cast List: Karon White AKA Robin, Kouadio Davis, Régine Bellinger, Smarlin Fabian, Yamini Kalluri (Texas Premiere)

My Year of Dicks
Showrunner: Pamela Ribon, Directors: Sara Gunnarsdóttir, Pamela Ribon, Screenwriter: Pamela Ribon, Producer: Jeanette Jeanenne
Hilarious and genre-mashing, a retro-romantic, animated comedy about one girl’s determination to lose her virginity despite the pathetic pickings in the outskirts of Houston. Created by Pamela Ribon from her critically-acclaimed memoir for FX’s CakeCast List: Brie Tilton, Jackson Kelly, Sterling Howard, Klarissa Hernandez, Dylan Darwish, D Ribon Upton, Chris Kelman, Pamela Ribon, Laura House, Mical Trejo (World Premiere)

Something Undone (Canada)
Director: Nicole Dorsey, Screenwriters: Michael Musi, Madison Walsh, Producers: Max Topplin, Jordan Hayes
When a foley artist goes home to settle her late mother’s estate, she discovers a dark family secret and becomes obsessed with finding the truth. Cast List: Madison Walsh, Michael Musi, Kyra Harper, Bryn McAuley, Maria Vacratsis, Astrid Van Wieren, Shaun Majumder (U.S. Premiere)

We’re Doing Good
Showrunner/Director/Screenwriter: Elvira Ibragimova, Producers: Lana Link, Rob Pfaltzgraff
When a couple decides to be better people, they spend a day driving around LA looking for a nonexistent compost bin while their frozen food scraps melt in the backseat. Web series stars Emily Pendergast (Veep) and Jonathan Braylock (Astronomy Club). Cast List: Emily Pendergast, Jonathan Braylock, Michael Ruesga, Olivia Choate, Tim de la Motte (World Premiere)


SHORTS PROGRAM Presented by IMDbPro
New this year, IMDbPro is sponsoring the lineup of short films across seven competitive sections. The SXSW 2022 Shorts Film Program presented by IMDbPro will include a selection of original, well-crafted films that take advantage of the short form and exemplify distinctive and genuine storytelling. Celebrating its 20th anniversary, IMDbPro is the essential resource for entertainment industry professionals.

NARRATIVE SHORTS COMPETITION
A selection of original, well-crafted films that take advantage of the short form and exemplify distinctive and genuine storytelling.

All the Crows in the World (Hong Kong)
Director/Screenwriter: Tang Yi, Producer: Haozheng Li
18-year-old Shengnan enters a night of adventures in the adults’ world. (North American Premiere)

Aspirational Slut
Director/Screenwriter: Caroline Lindy, Producers: Kate Hamilton, Ellyn Jameson, Maddy Nimoy, Emily Wolfe
A newly heartbroken woman, on the advice of a pizza guy, learns to separate love from sex. And over a series of wild random hookups, she learns to put them back together. (World Premiere)

Brutalia, days of labour (Belgium, Greece)
Director/Screenwriter: Manolis Mavris, Producers: Annabelle Aronis, George Tsokopoulos, Mando Stathi, Myrto Stathi, Valérie Bournonville, Joseph Rouschop, Katerina Helioti
A matriarchal family. An oligarchic society…what would happen if we replace bees with humans? (North American Premiere)

Censor of Dreams (France)
Directors/Screenwriters: Leo Berne, Raphael Rodriguez, Producer: Mourad Belkeddar
Night after night The Censor and his team mould Yoko’s memories into fantastical dreams. Tonight nothing happens as planned. (US Premiere)

Clare
Director/Screenwriter: Lauren Minnerath, Producer: Carlos Valdivia, Julia Kennelly, Karine Benzaria
At a high school talent show, 17-year-old Clare tries to confront her teacher over a private matter, leading to unexpected consequences. (World Premiere)

Daddy’s Girl
Director/Screenwriter: Lena Hudson, Producers: Clea DeCrane, Thomas Matthews, Lena Hudson
A young woman’s charming but overbearing father helps her move out of her wealthy, older boyfriend’s apartment. (Texas Premiere)

Datsun (New Zealand)
Director: Mark Albiston, Screenwriters: Mark Albiston, J.Patrick McElroy, Producers: Sharlene George, Andy Mauger
A fourteen-year-old boy, whose Mum plans on selling his deceased Dad’s Datsun, decides to take his best friend and little brother on one last joyride. (North American Premiere)

Dear Mama…
Director: Winter Dunn, Screenwriter: Charmaine Cleveland, Producer: Nicole Mairose Dizon, Xin Li
The death of Tupac draws different reactions from a father and his young daughter, forcing them to confront the emotional aftermath of their own tragedy. (World Premiere)

El Carrito
Director/Screenwriter: Zahida Pirani, Producers: Zahida Pirani, Mauricio Piratova, Ran Yan
After a harrowing event, an untrusting street vendor discovers the embrace of community. (Texas Premiere)

Everything Will Be All Right (Canada)
Director/Screenwriter/Producer: Farhad Pakdel
Amidst the outbreak of the pandemic in Montreal, a young drama teacher who has been keeping a secret from her family finds herself in a predicament after her father falls ill of COVID-19 and she is called back home to the Middle East. (World Premiere)

For Love (United Kingdom)
Director/Screenwriter: Joy Gharoro-Akpojotor, Producer: Emily Morgan
Illegal immigrant, Nkechi, lives happily in the shadows with her partner Martha, but when immigration turns up unexpectedly, they have to make difficult decisions about their future together. (North American Premiere)

Glitter Ain’t Gold
Director/Screenwriter: Christian Nolan Jones, Producers: Maia Miller, T. Popps, O. Valerie Nicolas
A sixth grader takes a trip with his best friend to a local flea market to buy his first fake chain in order to impress his crush. (World Premiere)

Homesick
Director/Screenwriter: Will Seefried, Producer: Hannes Otto
An unhappy man attends a retreat offering adults a second chance at a happy childhood. (World Premiere)

If I Go Will They Miss Me
Director/Screenwriter: Walter Thompson-Hernández, Producer: Stuart McIntyre
IIGWTMM explores the relationship between a boy’s imagination and the realities that affect his community. (Texas Premiere)

Monsieur Le Butch
Director/Screenwriter: Jude Dry, Producers: Jude Dry, Jacob Blumberg
Jude wants top surgery, Mom wants an “old lady pass” on the whole pronouns thing. As the two butt heads about gender, language, and body image at Monsieur le Butch’s al fresco salon, they both must navigate the hairiness of being seen. (World Premiere)

Radical Honesty
Director: Bianca Poletti, Screenwriter: Allison Goldfarb, Producer: Shayna Gianelli
A good date quickly goes south as two young people’s attempts to construct a new definition of relationships takes a turn for the absurd. (World Premiere)

Roommates
Director: Ashley Eakin, Screenwriter: Ashley Eakin, Kelsey Johnson, Producer: Jesy Odio
When two disabled college students get placed together as dorm roommates, they embark on a quest to experience a hangover. (Texas Premiere)

The Voice Actress (Japan, U.S.)
Director/Screenwriter: Anna J. Takayama, Producer: Joe Skinner
Kingyo, a veteran voice actress working in Tokyo, possesses a unique ability to see the soul in all things, living and inanimate. The voice acting world is changing and she must find a way to reconcile her way of living with the modern industry. (World Premiere)

Too Rough (United Kingdom)
Director/Screenwriter: Sean Lionadh, Producers: Alfredo Covelli, Ross McKenzie
After a night of intoxication in Glasgow, a hungover and hysterical Nick wakes up next to his boyfriend Charlie and must conceal him from his own homophobic and dysfunctional family. (North American Premiere)

Warsha (Lebanon)
Director/Screenwriter: Dania Bdeir, Producers: Coralie Dias, Pierre Sarraf
A Syrian migrant working as a crane operator in Beirut volunteers to cover a shift on one of the most dangerous cranes, where he is able to find his freedom. (Texas Premiere)

We Should Get Dinner!
Directors: Eliza Jiménez Cossio, Lexi Tannenholtz, Screenwriters: Written by Eliza Jiménez Cossio, Story by Lexi Tannenholtz and Eliza Jiménez Cossio, Producers: Lexi Tannenholtz
After their parents divorce, ex-step-siblings Abby and Sean are forced to confront if they were ever really family. (World Premiere)

West by God
Director: Scott Lazer, Screenwriter: Juli Blachowiak, Producers): Jefferis Gray, Talia Cohen
A West Virginia teenager goes on a first date with a local drug dealer. (North American Premiere)


DOCUMENTARY SHORTS COMPETITION
Slices of life from across the documentary spectrum.

Backstage (Poland)
Director/Screenwriter: Ada Smyk, Producers: Jerzy Kapuściński, Ewa Jastrzębska
Backstage workers of the National Opera in Warsaw create costumes and theatrical scenery for the upcoming premiere of the most important show of the season. (International Premiere)

Belle River (Canada, U.S.)
Directors/Screenwriters: Guillaume Fournier, Samuel Matteau, Yannick Nolin, Producer: Jean-Pierre Vézina
Belle River is a film about Louisiana and its peaceful inhabitants, both threatened with extinction by the emergence of the climate crisis. (US Premiere)

Big Water Summer: A Creation Story
Director: Sophie Harris, Producers: Sophie Harris, Marlo Lopez
Cherilyn has returned to her grandparents’ farm on the Navajo Nation to grow produce for the community. Big Water Summer follows her as she navigates a changing climate and devastating family loss during a summer where nothing goes as planned. (World Premiere)

Coming Home
Directors: Naim Naif, Margot Bowman, Producers: Meghan Doherty, Naim Naif, Margot Bowman
A collective of Palestinian-American dancers living in Bay Ridge, Brooklyn connect to their community and homeland through Dabka. (World Premiere)

Dress A Cow
Director: Dawn Luebbe, Screenwriters: Dawn Luebbe, Margaret Miller, Producer: Natalie Metzger
A meditation on cows…in costumes. (World Premiere)

Long Line of Ladies
Directors: Rayka Zehtabchi, Shaandiin Tome, Producers: Garrett Schiff, Pimm Tripp-Allen, Rayka Zehtabchi, Sam Davis, Dana Kurth
A girl and her community prepare for her Ihuk, the once-dormant coming of age ceremony of the Karuk tribe of Northern California. (Texas Premiere)

My Duduś
Director: Tom Krawczyk, Producer: Nick J. Santore
My Duduś follows a Polish mother with empty nest syndrome as she raises a baby squirrel. (Texas Premiere)

Nalujuk Night (Canada)
Director/Screenwriter: Jennie Williams, Producers: Latonia Hartery, Kat Baulu, Rohan Fernando
Run as fast as you can, the Nalujuit are here! Filmmaker Jennie Williams brings us the story of an exhilarating and sometimes terrifying Nunatsiavut tradition in Nalujuk Night. (Texas Premiere)

not even for a moment do things stand still
Director: Jamie Meltzer, Producers: Annie Marr, Jamie Meltzer, Suzanne Brennan Firstenberg
Visitors from across the nation gather at a sea of white flags to honor loved ones lost to COVID-19. As they mourn en masse, we witness their many expressions of loss and humanity. (World Premiere)

Nuisance Bear (Canada, U.S.)
Directors: Jack Weisman, Gabriela Osio Vanden, Producer: Jack Weisman
Churchill, Manitoba is famous as an international destination for photographing polar bears. We’ve seen the majestic images and the classic wildlife TV programs – but what does the bear see of us? (Texas Premiere)

Stranger Than Rotterdam with Sara Driver
Directors: Lewie Kloster, Noah Kloster, Screenwriter: Sara Driver
In 1982, the completion of Jim Jarmusch’s sophomore film, Stranger Than Paradise, hinged on producer Sara Driver’s willingness to smuggle one of the world’s rarest and most controversial films across the Atlantic Ocean. (Texas Premiere)

The Sentence of Michael Thompson
Directors: Kyle Thrash, Haley Elizabeth Anderson, Producers: W. Ian Ross, Kyle Thrash
Michael Thompson is the longest serving non-violent offender in the history of Michigan and he is finally up for clemency. After 25 years, 3 appeals, and 2 denied applications for clemency it seems like Michael may finally have a chance at freedom. (World Premiere)

The Trails Before Us
Director: Fritz Bitsoie, Producer: Emma Hsu Jackson
Through revitalizing old sheep and livestock trails on his grandparents’ land, 17-yr-old Nigel James and his friends prepare to host the first Enduro bike race in the Navajo Nation. (Texas Premiere)

Video Visit
Director/Producer: Malika Zouhali-Worrall
Each week, scores of people visit the Brooklyn Public Library to see their incarcerated loved ones via a free video call. Video Visit tells the story of two mothers and their sons, and the librarians who negotiate daily to keep the families connected


ANIMATED SHORTS COMPETITION
An assortment of stories told using traditional animation, computer-generated effects, stop-motion, and everything in between.

Angakuksajaujuq – The Shaman’s Apprentice (Canada)
Director: Zacharias Kunuk, Screenwriters: Zacharias Kunuk, Jonathan Frantz, Producers: Nadia Mike, Neil Christopher, Zacharias Kunuk, Jonathan Frantz
A young shaman must face her first test—a trip underground to visit Kannaaluk, The One Below, who holds the answers to why a community member has become ill. (U.S. Premiere)

Anxious Body (France, Japan)
Director: Yoriko Mizushiri, Screenwriters: Yoriko Mizushiri, Producers: Emmanuel-Alain Raynal, Pierre Baussaron, Nobuaki Doi
Living things, artificial things, geometry shapes, and lines. When these different things encounter, a new direction is born. (Texas Premiere)

Bestia (Chile)
Director: Hugo Covarrubias, Screenwriters: Martín Erazo, Hugo Covarrubias, Producers: Tevo Díaz, Hugo Covarrubias
Based on true events, Bestia explores the life of a secret police agent during the military dictatorship in Chile. Her relationship with her dog, her body, her fears and frustrations reveals a grim fracture of her mind and of the country. (Texas Premiere)

Five Cents
Director/Screenwriter/Producer: Aaron Hughes
A consumer finds himself in over his head after a string of purchases gets out of control. (World Premiere)

Les larmes de la Seine (France)
Directors/Screenwriters: Yanis Belaid, Eliott Benard, Producer: Carlos De Carvalho
17 October 1961, “Algerian workers” get down in the streets to manifest against the mandatory curfew imposed by the Police prefecture. (US Premiere)

Life Is A Particle Time Is A Wave
Director/Screenwriter/Producer: Daniel Zvereff
A widowed watchmaker spends his remaining days in solitude distracting himself with chores and pastimes. Like a prisoner, alone in his cell, he looks for meaning in the memories of his past life, but the clock is ticking, and his life nears its end. (World Premiere)

Local Middle Schooler
Director/Screenwriter/Producer: Sanjna Bharadwaj
A girl with magic eyelashes is exploited for them by her school, her community, and eventually the government. She battles the weight of the world with the weight of being a middle schooler. (Texas Premiere)

Soft Animals (United Kingdom)
Director: Renee Zhan, Producer: Jesse Romain
Two ex-lovers cross paths at a train station. (Texas Premiere)

Something in the Garden (Chile)
Director/Screenwriter/Producer: Marcos Sánchez
An unexpected Journey into the depths of the neighbor’s backyard. (US Premiere)

Steakhouse (France, Germany, Slovenia)
Director: Špela Čadež, Screenwriter: Gregor Zorc, Producers: Tina Smrekar, Špela Čadež, Fabian Driehorst, Emmanuel-Alain Raynal, Pierre Baussaron
The steak has been marinating for a few days now. The pan is heated. Franc’s stomach is rumbling. But Liza’s co-workers surprise her with a birthday party. Will she be home on time? (Texas Premiere)

Tennis Ball on His Day Off
Director: Julian Glander, Producer: Cody Dematteis
A tennis ball reflects on aging, self-improvement, hustle culture, and his own impending mortality. But in a cute way!

Wet (France)
Directors: Marianne Bergeonneau, Lauriane Montpert, Mélina Mandon, Cloé Peyrebrune, Elvira Taussac, Screenwriter: Marianne Bergeonneau, Producer: Julien Deparis
A lady’s vaporous dream in a land of soft and peachy flesh where her affection for her masseur transpires. (Texas Premiere)


MIDNIGHT SHORTS
Bite-sized bits for all of your sex, gore, and hilarity cravings.

Blink
Director: Spenser Cohen, Screenwriter: Spenser Cohen, Anna Halberg, Producers: Scott Glassgold, Anna Halberg
A young woman awakes in a hospital to discover her injuries are the least of her concerns. (World Premiere)

Don’t Go Where I Can’t Find You (Ireland)
Director/Screenwriter): Rioghnach Ni Ghrioghair, Producer: Claire McCabe
A haunted composer uses music to connect with the ghost of her dead lover but her mind starts to spiral into chaos. (North American Premiere)

Horse Brothers (Canada)
Directors/Screenwriters/Producers Milos Mitrovic, Fabian Velasco
Two paranoid brothers are consumed with murderous fantasies after a horse convinces them that they are each others’ enemies. Starring Guy Maddin (My Winnipeg, Forbidden Room) and Milos Mitrovic (Tapeworm, Stump the Guesser). (World Premiere)

Moshari (Bangladesh)
Director/Screenwriter: Nuhash Humayun, Producers: Bushra Afreen, Nuhash Humayun
The end of the world forces two sisters together, inside a mosquito net, just to live on—but first they must survive each other. (World Premiere)

Night Breakers (Spain)
Directors/Screenwriters: Gabriel Campoy, Guillem Lafoz, Producers: Joan Coca, Valentina Attalla, Gabriel Campoy, Guillem Lafoz, Tito Coca
On the hard journey to the illuminated city, a group of migrants make their way in their light suits. On their journey they will have to face the dangers that lurk in the dark and what’s worse: themselves. (International Premiere)

OMI
Director(: Kelly Fyffe-Marshall, Screenwriters: Tamar Bird, Kelly Fyffe-Marshall, Producers: Tamar Bird
A father-son fishing trip is unexpectedly flipped. (World Premiere)

Tank Fairy (Taiwan, U.S.)
Director/Screenwriter: Erich Rettstadt, Producers: Anita Tung, C.K. Hugo Chung
Once upon a time, the magical Tank Fairy delivered tanks of gas (with plenty of sass) to the home of young Jojo, a lonely dreamer in need of a glittery godmother… (Texas Premiere)

White Devil
Directors/Screenwriters: Mariama Diallo, Benjamin Dickinson, Producers: Brad Becker-Parton, Andrea Roa, Matthew Cherchio
A horror satire set during the summer of 2020 in New York City during quarantine and the protests, White Devil tells the tale of a black woman held captive with whiteness as it mutates into monstrosity. (Texas Premiere)

Wild Bitch
Directors/Screenwriters: Kate Nash, Rebekka Johnson, Producer: Lauren Bancroft
When a local reporter interviews a mousy housewife about her life-changing encounter with a coyote, their eerie trek in the woods leaves them forever bonded with each other… and the beast. (World Premiere)


TEXAS SHORTS
An offshoot of our regular shorts program, composed of work shot in, about, or somehow relating to the Lone Star state.

Act of God
Directors/Screenwriters: Spencer Cook, Parker Smith, Producer: Matthew Harrington
A disabled man’s commute is interrupted by a $100 bill lying on the sidewalk, just out of reach. It flutters away as soon as he moves towards it, leading him on a chase that forces him to reconsider his toxic ideal of self-sufficiency. (World Premiere)

Birds
Director/Screenwriter: Katherine Propper, Producer: Sophia Loffreda
Moments in the lives of Austin teenagers during the heat of Texas summer. (Texas Premiere)

Far West
Directors: Grace Potter, Emily Potter, Screenwriters: Grace Potter, C. Bailey Werner, Producers: C. Bailey Werner, Grace Potter, Emily Potter
Two friends get stuck in the desert after finding a mysterious briefcase that they hope will change their lives. (World Premiere)

Folk Frontera
Directors: Alejandra Vasquez, Sam Osborn
Folk Frontera is a magical-realist portrait of life in the borderlands. The film follows two fronteriza women as they struggle to find their place in the vast Chihuahuan Desert which is bisected by the U.S.-Mexico border.

Gay Haircut
Director: Jude Harris, Screenwriter: Krista Fatka, Producers: Krista Fatka, Jude Harris
A bisexual stand up comic must decide between the dick jokes of her past or committing to the bit and going full-queer. (World Premiere)

How We Found Our Sound
Director: Alan Berg, Producer: Scott Hamilton
An experimental documentary featuring found footage and Ray Benson describing the origins of Asleep at the Wheel and the band’s intersection with the beginnings of Austin’s Cosmic Cowboy scene in the early 1970s. (World Premiere)

Memory Builds The Monument
Director: Isaac Yowman, Producers: Miriam Heads, Greg Carter
Memory Builds the Monument uncovers the music, social challenges, and community of Houston’s historic 5th Ward as told first hand by aging community members who were there to experience one of the South’s most important music venues – Club Matinee. (Austin Premiere)

More Than I Remember
Director: Amy Bench, Producers: Amy Bench, Carolyn Merriman
One night at her home in southeastern Congo, 14-year-old Mugeni awakes to the sounds of bombs. As her family scatters to the surrounding forests to save themselves, Mugeni finds herself completely alone. (World Premiere)


TEXAS HIGH SCHOOL SHORTS
A preview of the next filmmaking generation, as Texas High Schoolers present shorts of five minutes or less.

Before
Director/Screenwriter: Felicity Anderson
After beginning to experience moments of time travel, a high school student attempts to understand what’s happening to him and gain control of his traveling. (World Premiere)

Football.
Director: William Herff, Screenwriters/Producers: William Herff, Nicholas Campos, Peyton Randolph
Aspiring drama student William Herff attempts to learn the inner secrets of football by following around the team in an attempt to make a hype reel. Through interviews and impromptu interactions, William uncovers the mysteries of the sport. Sort of. (World Premiere)

Freedom
Director/Screenwriter/Producer: Jeremiah Sudarmanto
Four students from Texas offer their own perspective on what Freedom means to them, how it relates to their struggles, interests, and identity.

Gone
Director/Screenwriter/Producer: Kyle Ward
As development encroaches on a farming community, they struggle with the loss of their heritage and land. (World Premiere)

Good Night
Director/Screenwriter: Adam Van Wagoner, Producers: Lusinda Garcia, Joseph Ho-Shing
Sara, through childhood and adulthood, comes to face the uncertainties that plague her life. She ultimately finds that she must rely on the things that are certain in order to persevere and accept the unknown.

Home
Director/Screenwriter/Producer: Sarah DeWitt
A Japanese immigrant finds her home in the U.S. (World Premiere)

Honeybee
Director/Screenwriter/Producer: Emilio Vazquez Reyes
An undocumented immigrant receives a heartwarming yet heartbreaking phone call from his daughter across the border. (World Premiere)

I’m Here
Director/Screenwriter: Grace Eitrheim
A ghost tries to be noticed by a person who is still grieving them. (World Premiere)

In Person Learning
Director/Screenwriter: Makayla Esparza
Emmis was a middle school girl who’s first year of high school is taken away from her because of COVID. This year she arrives at school in-person, worried and unsure if she’s ready to return.

It’s Getting Bad Again
Director/Screenwriter: Sarah Reyes, Producers: Sarah Reyes, Kenneth Rogers
An unnamed young woman comically navigates her declining mental health in the wake of an oncoming depressive episode. (Austin Premiere)

Little Big Shot
Director: Henry Segal
A profile of five-year-old table tennis prodigy, Allen Mao, with expert commentary.

Moonlight Exigent
DirectorsScreenwriters/Producers: Risa Darlington-Horta, Eli Dawkins
By the shadow, Witches stir (U.S. Premiere)

Out of the Blue
Director: August Jaeggli
A walk through the woods ends in a story told by a tree. (World Premiere)

Peanut
Director/Screenwriter/Producer: Mayra Estrada
A man, exhausted by his normal routine, encounters an unusual distraction in the form of an atypical creature. (International Premiere)

Rock Rockman’s Redemption
Directors/Screenwriters: Uday Narayanan, Jeb Brown
Rock Rockman, aspiring rockstar, hacks into a rhythm game and uploads his consciousness, hoping to break the world record and become a legend.

SB8
Director/Screenwriter/Producer: Grace McGrath
A teenage girl unexpectedly gets pregnant after the passing of the SB8 legislature in Texas.

Soles
Director/Screenwriter: William Herff, Producers: William Herff, Sofia Mauri
An elderly businessman encounters an uninvited houseguest intent on claiming their ultimate prize. (World Premiere)

Spud
Directors/Screenwriters/Producers: Will McDonald, Gavin Bell
A film about potatoes

Story Time
Director/Screenwriter: Stanley Turner, Producers: Stanley Turner, CJ Camot
TV personality Walt Trebek hosts his famous children’s special, Story Time, reading the classic fairy tales we all know so well. But little does Walt know, great dangers lurk within the pages of the storybook and even behind the camera. (Austin Premiere)

The Face Off
Director/Screenwriter: Jose Martinez-McIntosh
Cletus Abernathy, a profiteering, washed-up, sheriff must call upon his past training as a deputy in order to face a man named Crenshaw later in the morning. (World Premiere)

Vegetable
Director/Screenwriter: Angel Ruiz
Vegetable is an experimental animated short that visualizes the psychological effects of medication relapse. (World Premiere)

Waiting for Divine Intervention
Director: Bella Muñoz, Screenwriters: Bella Muñoz, William Herff, Emi Kosterlitzky, Producers: Annie Schroeder, Sofia Mauri
A struggling professional in New York meets an interesting new friend (from Hell) that changes her life forever. (World Premiere)


MUSIC VIDEO COMPETITION 
A range of classic, innovative, and stylish work showcasing the scope of music video culture.

Baby Tate – ‘Pedi’ / Director/Screenwriter: Norton

Boys Noize & Kelsey Lu – ‘Ride Or Die feat. Chilly Gonzales’ / Directors: Art Camp, Danae Gosset, Danica Tan

Conditioner – ‘Terms of Surrender’ / Directors/Screenwriters: Cady Buche, Travis Barron

Dave East, Jay Electronica, Tavis Eaton – ‘No Hoodie’ / Directors: Sean Wehrli, Mayukh Goswami

David Lindmer feat. Johanson – ‘Omen’ (United Kingdom) / Director/Screenwriter: DRUST

Delta Spirit – ‘What’s Done Is Done’ / Director/Screenwriter: Michael Parks Randa

Desirée Dawson – ‘Meet You At The Light’ (Canada) / Director/Screenwriter: Alexander Farah

Dumbfoundead – ‘Secret Menu’ / Director: Sean Wang

Hana Vu – ‘Keeper’ / Director: Maegan Houang

Hrishikesh Hirway – ‘Between There and Here (feat. Yo-Yo Ma)’ / Directors: Hrishikesh Hirway, Prashanti Aswani, Screenwriters: Hrishikesh Hirway, Jonny Son

Julia Stone – ‘Dance’ (Australia) / Director/Screenwriter: Jessie Hill

Kiko – ‘Ka Puta’ (New Zealand) / Directors/Screenwriters: Francis Baker, Rewi McLay

Lil Nas X – ‘Montero’ / Director: Tanu Muino

MYD – ‘Let you Speak’ (France) / Director/Screenwriter: Dan Carr

Number One Popstar – ‘I Hate Running’ / Director/Screenwriter: Kate Jean Hollowell

Peaches – ‘Pussy Mask’ (Germany, U.S.) / Director: Leah Shore

Peter $un – ‘Work’ / Director: Chris Scholar, Bevin Brown, Screenwrite: Bevin Brown, Chris Scholar

Pop Smoke ft Dua Lipa – ‘Demeanor’ / Director: Nabil

Run The Jewels ft. 2 Chainz – ‘Out of Sight’ (United Kingdom) / Directors: Ninian Doff, Colin Read (2nd Unit)

SCH ft. Freeze Corleone – ‘Mannschaft’ (France) / Director: Greg Ohrel

Sharon Van Etten, Angel Olsen – ‘Like I Used To’ / Director: Kimberly Stuckwisch, Screenwriters: Kimberly Stuckwisch, Sharon Van Etten

The Burning Young – ‘Quiet Nights’ / Director: Paola Ossa

Tyler, The Creator – ‘Corso’ / Director: Wolf Haley

Unknown Mortal Orchestra – ‘That Life’ / Directors: Lydia Fine, Tony Blahd


EXCELLENCE IN TITLE DESIGN
Inspired by an essential part of the theatrical experience, these are works of art in their own right. The 19 sequences selected represent the very best and most original selections.

ADM #Unseen Title Sequence (Singapore) / Company: Semicolon / Title Designer: Daniel Lee, Jonathan Law

Black Widow Title Sequence / Company: Perception / Creative Director: John LePore

‘Blade Runner: Black Lotus’ Title Sequence / Company: CO3/Method Made / Creative Director: John Likens

Cowboy Bebop Title Sequence / Company: Imaginary Forces / Title Designer: Karin Fong

Daughter from Another Mother Title Sequence (Mexico) / Company: Diecinueve36 / Creative Director: Maribel  Martínez

Don’t Breathe 2 Title Sequence / Company: Filmograph / Title Designer: Aaron Becker

Foundation Title Sequence / Company: Imaginary Forces / Title Designer: Ronnie Koff

Hawkeye Title Sequence (Episode 1) / Company: Perception / Creative Director: John LePore

I Expect You To Die 2 Title Sequence / Company: Schell Games / Title Designer: Jeff Hoffman

Pervasive Title Sequence / Company: Ringling College of Art and Design / Title Designer: Jordan McBarnett

Power Book IV: Force Title Sequence / Company: Shine / Creative Director: Michael Riley

Queens of Mystery 2 Title Sequence (United Kingdom) / Company: Sly Fox Productions / Title Designer: Ian Emes

‘See’ Season 2 Title Sequence / Company: CO3/Method Made / Creative Director: John Likens

TEDx REAL Title Sequence (Australia) / Company: Substance / Creative Director: Scott Geersen

The Harder They Fall Title Sequence / Company: Shine / Creative Director: Michael Riley

The Haunting of Bly Manor Title Sequence / Company: Filmograph / Title Designer: Aaron Becker

The Retro Squad Title Sequence (United Kingdom) / Company: Bottletop / Title Designer: Mark Pyper

The White Lotus Title Sequence / Company: Plains of Yonder / Title Designers: Katrina Crawford, Mark Bashore

WandaVision Main On End Title Sequence / Company: Perception / Creative Director: John LePore


XR EXPERIENCE
The immersive arts are redefining how we experience the world around us. The 29 projects presented in our XR Experience Competition, XR Experience Spotlight and XR Experience Special Event sections emphasize storytelling, ingenuity and also showcase how artists of all types are embracing this new medium.

XR Experience Competition
World Premieres of exciting immersive work.

Black Ice VR
Director/Screenwriter/Producer: Arif Khan
In the cyberpunk future, a young woman visits a memory editor in an effort to suppress a dark memory of a murder she committed. However, the more she alters the memory, the more she finds herself wanting to kill again. (World Premiere)

Choctaw Code Talkers 1918
Directors/Screenwriters/Producers: Catherine Eng, Kilma Lattin
While many have heard of the Navajo Code Talkers of World War II, far less known is the story of the original Code Talkers– the 19 Choctaw soldiers who served in World War I France. Developed as a geolocated XR360º™ experience for the Our Worlds app. (World Premiere)

Gumball Dreams
Director: Deirdre V. Lyons, Screenwriters: Deirdre V. Lyons, Christopher Lane Davis, Producers Ferryman Collective
On a foreign planet, you have been sent on a mission to help an alien creature transition. Falling through memories, Onyx reveals the music of the spheres and the nature of existence, as you fly through worlds both inner and outer. Greetings, traveler. (World Premiere)

(Hi)story of a Painting: The Light in the Shadow (United Kingdom)
Directors: Quentin Darras, Gaëlle Mourre, Screenwriter: Gaëlle Mourre, Producers: Charlotte Mikkelborg, Gaëlle Mourre
Journey into Artemisia Gentileschi’s chiaroscuro world and discover how this self-portrait shines a light on her life as a survivor, an internationally celebrated artist and a woman in 17th Century Italy. (World Premiere)

Ihyangjeong: Carving with Memories (Republic of Korea)
Director/Screenwriter: Sunghwan Lee, Producers: Rene Hyewon Lee, Mina Hyeon
The purpose of this project is to ask tired modern people what a house is through the main character’s memory of a traditional Korean House called Ihyangjeong which is located in Yangdong village, Korea. (World Premiere)

Komez Alef O (Germany)
Director: Ioulia Isserlis, Screenwriters: Ioulia Isserlis and Victor Isserlis, Producers: Ioulia Isserlis, Max Sacker
Komez Alef O is a deeply personal VR journey into the memories of a Holocaust survivor. It is a story of despair and hope during the most terrifying time in modern history, told in his own voice and visually reimagined by his daughter. (World Premiere)

Lustration VR – Series 1 (Australia, U.S.)
Director: Ryan Griffen, Screenwriters: Ryan Griffen, Nayuka Gorrie. Producers: Carolina Sorensen, Taryne Laffar
Life is Hard. Life after death is harder. (World Premiere)

On the Morning You Wake (To the End of the World) (France, United Kingdom, U.S.)
Directors: Dr. Jamaica Heolomeleikalani Osorio, Mike Brett, Steve Jamison, Pierre Zandrowicz, Arnaud Colinart, Screenwriters: Mike Brett, Steve Jamison, Jamaica Heolimeleikalani Osorio, Producers: Arnaud Colinart, Mike Brett, Steve Jamison, Jo-Jo Ellison, Kurban Kassam
On the morning of January 13th 2018, as people in Hawai’i went about their daily routines, they received an SMS from the Hawai’i Emergency Management Agency: “Ballistic Missile Threat Inbound to Hawaii. Seek immediate shelter. This is not a drill.” (World Premiere)

Paradise (United Kingdom, U.S.)
Directors: Gabo Arora, David Rosenberg, Glen Neath, Screenwriter: Glen Neath, Producers: Victoria Eyton, Barry Pousman, Rachael Turner
An AI powered immersive audio experience designed for couples, exploring why we stay together or fall apart. (World Premiere)

Red Antz VR
Director: Peter Nichols, Producer: Lawra Suits-Clark
An interactive music video, with the experimental punk band Palberta. Put the ants on your body. No one hears the song the same way. (World Premiere)

Weird Times
Directors: Ryan Hartsell, Ruby Wang, Screenwriters: Rachel Hastings (“#HappyFAIL”), Rick Cisario (“BrainFAIL”), Producers: Jen Cadic, Julia Gibson
Through an appropriately surreal animated lens, Weird Times is an honest and irreverent VR series that takes you into the mind and perspective of modern teenagers growing up in a beautiful and brutal world that’s unlike anything experienced before. (World Premiere)


XR Experience Spotlight
Shining a spotlight on acclaimed immersive projects.

Beatday – The Beginning – Mini VR Concert (Taiwan)
Directors: Cheng Chih-Jen, Liu Szu-Ming, Producers: Gunter Lee, Ruby Liu, Nina Weng
Beatday: The Beginning – Mini VR Concert is the first VR experience of the Beatday franchise. It is a LBE multi-player experience that allows audiences to participate in the concert from VR devices. (World Premiere)

Breonna’s Garden
Director: Lady PheØnix, Producers: Lady PheØnix, Alison Lucker
Breonna’s Garden honors the life and memory of Breonna Taylor while cultivating a safe healing space for anyone to plant a message of hope for Breonna’s family or a personal message in remembrance of someone they miss. (World Premiere)

Composition (Canada)
Director: Vincent Morisset, Producer: AATOAA
By manipulating cubes on the table, Composition becomes at the same time a world, a sculpture, an instrument, and a multi-handed dance. (U.S. Premiere)

Genesis (Germany)
Director/Screenwriter: Joerg Courtial, Producer: Maria Courtial
Genesis embarks on an emotionally intense virtual reality journey to experience the dramatic milestones in the evolution of earth and mankind. (North American Premiere)

Goliath: Playing with Reality (France)
Directors: Barry Gene Murphy, May Abdalla, Screenwriter: Barry Gene Murphy, Producer: Anetta Jones
Goliath: Playing with Reality is a 25 minute animated VR experience about schizophrenia, gaming and connection. (Texas Premiere)

Gondwana (Australia)
Director: Ben Joseph Andrews, Producer: Emma Roberts
A durational VR experience that unfurls over 24 hours, Gondwana is a constantly-evolving virtual ecosystem chronicling the possible futures of the world’s oldest tropical rainforest, the Daintree. (Texas Premiere)

Liminal Lands (Denmark, France, U.S.)
Director: Jakob Kudsk Steensen, Producers: Erratic Animist, Liz Kircher
Part fiction and part documentation, Liminal Lands is a journey from the sea to the soil, a trip through wetlands at the edges of the Mediterranean. Up to four people morph into elemental energies, journeying through the Camargue nature reserve. (North American Premiere)

LIPs (Taiwan)
Director/Screenwriter: Peiying Lin, Producer: C.K. Hugo Chung
A woman has two pairs of lips: her mouth, and her vulva. LIPs is an interactive virtual reality experience inviting the audience to enter a female body to awaken her desire, resulting in an immersive journey of eroticism. (International Premiere)

Madame Pirate: Becoming a Legend (Taiwan)
Directors/Screenwriters: Morgan Ommer, Dan-Chi Huang, Producers: Estela Valdivieso Chen, Adam Cullen Young, Lin Jin-Yao
The untold story of Madame Ching, the greatest pirate of all time. (International Premiere)

Minimum Mass (New Zealand)
Directors/Screenwriters: Raqi Syed, Areito Echevarria, Producers: Raqi Syed, Katayoun Dibamehr, Avi Amar
A couple experience a series of miscarriages and come to believe their children are being born in another dimension. (Texas Premiere)

Paper Birds Part II (Argentina)
Directors: German Heller, Federico Carlini, Screenwriter: Germán Heller, Producers: Federico Carlini, Germán Heller, Averie Timm
Paper Birds is a 30 minute interactive story about a young musician in search of true inspiration. Starring Ed Norton, Joss Stone and Archie Yates, this VR film offers a unique way of interactivity with hand tracking as it has never seen before.

Persuasion Machines
Directors: Karim Amer, Guvenc Ozel, Screenwriters: Karim Amer, Daniel Claridge, Bits Sola, Producers: Ricky Berrin, Elizabeth Woodward, Jess Engel, Danielle Oexmann
Enter a smart living room that asks the question: are we in control of our devices or are they in control of us? Using mixed reality, Persuasion Machines makes visible the invisible process of personal data collection and targeted marketing (Texas Premiere)

Surviving 9/11 – 27 hours under the rubble (France)
Directors: Chloé Rochereuil, Victor Agulhon, Producer: Victor Agulhon
Discover the extraordinary story of Genelle Guzman-McMillan, the last survivor rescued from the rubble at Ground Zero. Featuring never-seen-before 360° images of the World Trade Center, this experience is a unique virtual reality dive into her story.

The Choice (Canada, Poland)
Director: Joanne Popinska, Producers: Joanne Popinska, Tom C. Hall
Behind every decision is a human story. (North American Premiere)

The Green Planet AR Experience (United Kingdom)
Director: Jamie Davies, Screenwriters: Jamie Davies, Martin Williams, Producers: Sucharita Ghosh Stephenson, Lou Garrod
Join David Attenborough, through the magic of augmented reality, on an immersive journey into the secret kingdom of plants. Inspired by the new BBC series, explore our green planet as you never have before in this ground-breaking experience. (North American Premiere)

The Sick Rose (Taiwan)
Directors/Screenwriters: Tang, Zhi-Zhong, Huang, Yun-Hsien, Producers: Liu Szu-Ming, Jack Huang, Rose had a quarrel with her mother. Despite being ill, Rose still wants to apologize to her mother. However, the pandemic has made the way to the hospital difficult. Sick and lost, how can Rose find her mother who works in the hospital? (U.S. Premiere)


XR Experience Special Events

SXSW NFT Gallery
Blending the IRL and digital, marcel.art XR showcase explores the future of creative content. Across eight exhibitions with rotating showtimes, sixty four emerging artists of multiple disciplines connect with eight creative curators. (International Premiere)


2022 ART PROGRAM INSTALLATIONS

The SXSW Art Program showcases experiential and conceptual visual artworks that apply emerging technologies and immersive environments to spark discovery, inspiration, and connection. Incorporated into the broader ecosystem of creativity and innovation at SXSW, the SXSW Art Program serves as a launching point for collaborations and discussions around the role of visual and digital media arts in culture, technology, and the public realm.

Offer Them Comfort. Offer Them Rest by Desiree Vaniecia 
This title derives from a poem written by author Nayyirah Waheed regarding fear. In this exhibition, Desiree is documenting her fears of motherhood and coming to terms with situations she has no control over. Desiree Vanieciais a contemporary painter who lives and works in Dallas, Texas. Raised in a matriarchal home, her work pays homage to her family and their legacy. Her distinctive personal style challenges a stereotype of Black women constructed by the media. Her portraits evoke both vulnerability and strength though posture, physical interaction, or compositional format. Gestures and poses are presented as powerful, whether through sexuality or assurance, while facial expressions and anatomical detail are left reduced and neutral within the empty or vague settings.

ORDER OF MAGNITUDE by Ben Grosser
Called “freakish” by Boing Boing, “literal art” by Fast Company, and “a hilarious satire on 24/7 overlords” by The Guardian, ORDER OF MAGNITUDE is an epic Mark Zuckerberg supercut that chronicles Silicon Valley’s 21st century obsession with growth.
Ben Grosser creates interactive experiences, machines, and systems that examine the cultural, social, and political effects of software. Recent exhibition venues include the Barbican Centre in London, Museum Kesselhaus in Berlin, Rijksmuseum Twenthe in the Netherlands, and Centre Pompidou in Paris. His works have been featured in The New YorkerWiredThe AtlanticThe Washington PostEl PaísLibération, and Der Spiegel. Grosser is an associate professor in the School of Art + Design, and co-founder of the Critical Technology Studies Lab at the National Center for Supercomputing Applications, both at the University of Illinois at Urbana-Champaign.

Server: Checks on The Block by Ciara Elle Bryant
Server: Checks on the Block, takes a deep dive look at where Nike Air Force 1’s exist in present day culture. The replica wall of all white boxes and piles of used, worn, dirty, and fresh pairs of Forces provide a space for a celebration of culture to happen. Server: Checks on the Block, takes up space and is a visual bibliography of the impact of Blackness in the world of art and streetwear.Ciara Elle Bryant is a interdisciplinary creative working and residing in Dallas, TX. Bryant holds a Masters of Fine Art from Southern Methodist University. Through photography, video, mixed media, and installations,Bryant discusses blackness by focusing on how identity and culture exist in the new millennium. Bryant also teaches and facilitates artist workshops for youth and adults while working as a practicing artist. Bryant’s approach to research and curatorial practice has been integral to her process of furthering conversations surrounding black culture in art as well as historical studies.


COMPETITION AWARDS 
The Narrative Feature Competition, the Documentary Feature Competition, Design Awards, and Special Awards will be announced on Tuesday, March 15 along with all the Short Film Program winners, which are eligible for Jury Awards within their respective screening categories. All film categories, except Special Events, will be eligible for category-specific Audience Awards, which will be certified by the accounting firm of Maxwell Locke & Ritter and announced via sxsw.com the following week.

SXSW is proud to be an official qualifying festival for the Academy Awards® Short Film competition. Winners of our Best Animated, Best Narrative and Best Documentary Short Film categories become eligible for Academy of Motion Picture Arts and Sciences awards (Oscars). Any British Short Film or British Short Animation that screens at SXSW is eligible for BAFTA nomination. Films are also eligible for the Independent Spirit Awards, more information on eligibility here.

Covid -19 Guidelines for SXSW

In addition to film festival screenings, passholders also have access to the full range of content available during SXSW including Conference Keynotes, Featured Speakers, Mentor Sessions, Networking Meet Ups, Music Showcases, Comedy Festival Showcases, Exhibitions and Professional Development. For more information on everything SXSW Online has to offer, please visit sxsw.com.

About SXSW Film Festival
Now in its 29th year, SXSW Film Festival brings together creatives of all stripes over nine days to experience a diverse lineup and access to the SXSW Music and Comedy Festivals plus SXSW Conference sessions with visionaries from all corners of the entertainment, media, and technology industries.

About SXSW
SXSW dedicates itself to helping creative people achieve their goals. Founded in 1987 in Austin, Texas, SXSW is best known for its conference and festivals that celebrate the convergence of tech, film, music, education, and culture. An essential destination for global professionals, the annual March event features sessions, music and comedy showcases, film screenings, exhibitions, professional development and a variety of networking opportunities. SXSW proves that the most unexpected discoveries happen when diverse topics and people come together. SXSW 2022 will take place March 11 – 20, 2022. For more information, please visit sxsw.com. To register for the event, please visit sxsw.com/attend.
SXSW 2022 is sponsored by White Claw, Blockchain Creative Labs, Porsche and The Austin Chronicle.


 

Final Girls Berlin (2022) review: ‘HERE BEFORE’ is a masterpiece in manipulating maternal instincts.

HERE BEFORE

Haunted by the death of her young daughter, a distraught woman develops an all-consuming obsession with a girl she believes is her reincarnated child.


Writer-Director Stacey Gregg‘s debut feature film is haunting and thoroughly unexpected. Entrenched in grief, Laura feels a kindred connection with the new neighbors’ daughter. When young Megan begins to say things reminiscent of the little girl Laura lost, the grey areas between life and death become more complicated. 

Niamh Dornan as Megan is stunning. What a captivating young lady. Her ability to play each beat is beyond her years. Andrea Riseborough‘s performance as Laura is extraordinary. A woman on the edge of grief and sanity, she brings every ounce of her soul to this role. The chemistry between Dornan and Riseborough is electric. There’s an ease and complexity that keeps your pulse quickened. 

Trauma and deceit are two dominant themes that run through the script. I could not have been more intrigued. Here Before is overflowing with gaslighting and cleverly written twists and turns. Utilizing memory and maternal manipulation, there is no way you’ll be able to guess how this story ends. Gregg had me second-guessing until the final frame. What an intoxicating gem for Final Girls Berlin 2022 audiences.


While features will only be screened in person, the majority of shorts will be available to watch virtually internationally — with tickets available HERE


https://www.finalgirlsberlin.com/


Sundance (2022) capsule reviews: ‘The Dark Heart’ series & feature ‘Leonor Will Never Die’

THE DARK HEART

Sweden: in a mythological landscape, search parties roam through forests of spruce, secret conversations are whispered in open fields, and verbal duels fought on narrow country roads. A story of family feuds, inheritances, and forbidden love.


Sweden’s true crime game is above and beyond. The US had already remade series like The Killing and The Bridge. Sundance 2022 audiences can dive headfirst into The Dark Heart. The series is a five-part psychological drama-thriller about how an old family feud clashes with a young, forbidden love story, leading to a tragedy with a deadly outcome, ultimately solved by a private investigator who gets obsessed with the case. The series is based on journalist Joakim Palmkvist’s book “The Dark Heart: A True Story of Greed, Murder, and an Unlikely Investigator”, which delves into the story about how a mysterious missing person’s case is investigated and solved by a local Missing People-volunteer involved in the searches. Think Broadchurch and Mare of East Town vibes. Small town politics and mystery with enough breadcrumbs and insinuation to keep you guessing. You will not be able to look away.

Cast: Aliette Opheim, Clara Christiansson Drake, Gustav Lindh, Peter Andersson.

World Premiere. Fiction. 


LEONOR WILL NEVER DIE

Fiction and reality blur when Leonor, a retired filmmaker, falls into a coma after a television lands on her head, compelling her to become the action hero of her unfinished screenplay.


As a writer, this script is essentially a dream, pun intended. Leading lady, Sheila Francisco is an absolute joy to watch and her energetic narration/script reading is a blast. In her coma, she is living inside her story. The recreations of 80s action films are astounding from the perfectly hokey score to the fight sequences. The visual jumps from these, to real-life, to memories, keeps you on your toes. The semiautobiographical nature of Leonor’s writing makes for a haunting present circumstance. The nonchalance in which her son and ex-husband converse with their lost loved one is bizarre. But that’s only half of the wackiness that ensues. Leonor is weird meta fun. You cannot help but adore the heart behind it.

Cast: Sheila Francisco, Bong Cabrera, Rocky Salumbides, Anthony Falcon.

World Premiere.


For more information and the complete lineup for Sundance 2022 film, click here!


Sundance (2022) review: ‘WATCHER’ is a slow-burn story of gaslighting and daily dread.

WATCHER

Julia joins her husband when he relocates to his family’s native Romania for a new job. Having recently abandoned her acting career, she finds herself frequently alone and unoccupied.


Maika Monroe has solidified herself as a genre darling. If you somehow missed her It Follows or Villains, she’s a captivating performer. In Watcher writer-director, Chloe Okuno introduces us to a young couple’s international move to Bucharest takes a terrifying turn. A string of local murders haunts Julia as she spends her days alone and becomes aware of a neighbor staring at her from his apartment each night. Watcher takes you on a journey of cultural clash, instinct, and terror.

The film echoes the ingrained fear that women endure daily. We constantly live in a heightened state of awareness and anxiety that is exhausting. But it’s not only that aspect; it’s the gaslighting that might be more impactful than anything else and, its ensuing isolation can feel all-consuming. Monroe is in almost every frame. Her mindset will be all too familiar for the female audience. The sense that someone is a bit too close, looking at you a moment too long, and in many cases, we are helpless. What Monroe brings bravery to Julia that allows the viewer to be cautiously optimistic about her safety. Okuno and Zach Ford‘s script gives her a sense of action while maintaining fragility. It’s the moments of courage that we get to root for while simultaneously biting our nails. It’s a beautiful balance. Benjamin Kirk Nielsen‘s cinematography combined with Okuno’s blocking also put the viewer in Julia’s state of peril. Accompanied by a string-heavy score is everything we need it to be. The emotional manipulation in this film is sheer brilliance. While it’s not necessarily a new storyline, it is the bold approach that sets it apart. Watcher will have you maniacally screaming at the screen in terror and frustration. Sundance audiences are in for a ride.


To find out more about the entire Sundance 2022 lineup, click here!


Sundance 2022: Some of what we’ll be watching at this year’s festival, and it’s a lot.

Having switched from in-person to completely virtual, audiences of Sundance 2022 will have the opportunity to see a plethora of entertainment that will terrify, tantalize, and remind you of why we love storytelling so much. From horror to drama, television series to shorts, documentaries to VR experiences, we’ll be watching as much as our eyes can consume from January 20-30th. Things are finding distribution left and right, with is always great news. That means even if you miss something during the festival, it will most likely be coming to a theater or streaming platform very soon.

There is something for everyone. Genre favorite filmmakers, writers, actors, and wearers of all the hats,  Aaron Moorhead and Justin Benson, are bringing their latest film Something In The Dirt. Cooper Raif‘s newest Cha Cha Real Smooth is one we’re stoked for. His debut feature Shithouse was one of the most accurate films about college life I’ve ever seen. The shorts lineup this year is bound to blow you away. Do not overlook them, I beg you. There are feature documentaries on Kanye West and Princess Diana, the rise of TikTok, and Slave to Sirens (the first and only all-woman thrash metal band in the Middle East).

Without further ado, here is a list of some of the amazing content we’re excited about this year.


 U.S. DRAMATIC COMPETITION

Cha Cha Real Smooth / U.S.A. (Director and Screenwriter: Cooper Raiff, Producers: Dakota Johnson, Ro Donnelly, Erik Feig, Jessica Switch, Cooper Raiff) — A directionless college graduate embarks on a relationship with a young mom and her teenage daughter while learning the boundaries of his new bar mitzvah party-starting gig. Cast: Dakota Johnson, Cooper Raiff, Vanessa Burghardt, Evan Assante, Brad Garrett, Leslie Mann. World Premiere.

Besides Raiff being an obvious phenom, I suspect this one will hit harder for those with children on the spectrum. I’m particularly excited for Vanessa Burghardt’s performance, as she is on the spectrum herself. Representation matters, across the board.

Dual / U.S.A. (Director and Screenwriter: Riley Stearns, Producers: Nate Bolotin, Aram Tertzakian, Lee Kim, Riley Stearns, Nick Spicer, Maxime Cottray) — After receiving a terminal diagnosis, Sarah commissions a clone of herself to ease the loss for her friends and family. When she makes a miraculous recovery, her attempt to have her clone decommissioned fails, and leads to a court-mandated duel to the death. Cast: Karen Gillan, Aaron Paul, Beulah Koale. World Premiere.

This plot sounds like something out of West World and Doctor Who. Did I just mention those because of Paul and Gillan? Happy coincidence.


U.S. DOCUMENTARY COMPETITION

I Didn’t See You There / U.S.A. (Director: Reid Davenport, Producer: Keith Wilson) — Spurred by the spectacle of a circus tent that goes up outside his Oakland apartment, a disabled filmmaker launches into an unflinching meditation on freakdom, (in)visibility, and the pursuit of individual agency. World Premiere.

I fell into advocacy for those with disabilities when my son was diagnosed on the autism spectrum. I have a feeling that this film will give me a deeper understanding of not only my son’s perspective on society but the ever-present need for awareness and empathy.


WORLD CINEMA DRAMATIC COMPETITION

Brian And CharlesU.K. (Director: Jim Archer, Screenwriters: David Earl, Chris Hayward, Producer: Rupert Majendie)  — A story of friendship, love, and letting go. And a 7ft tall robot that eats cabbages. A comedy shot in documentary format. Cast: David Earl, Chris Hayward, Louise Brealey, Jamie Michie, Lowri Izzard, Mari Izzard. World Premiere.

Prediction: Brian And Charles will be one of the most endearing films of the entire festival. This unlikely buddy comedy is sure to capture everyone’s heart.

 

Leonor Will Never DiePhilippines (Director and Screenwriter: Martika Ramirez Escobar, Producers: Monster Jimenez, Mario Cornejo)  — Fiction and reality blur when Leonor, a retired filmmaker, falls into a coma after a television lands on her head, compelling her to become the action hero of her unfinished screenplay. Cast: Sheila Francisco, Bong Cabrera, Rocky Salumbides, Anthony Falcon. World Premiere.

As a writer, I’m selfishly looking forward to this. There’s always a bit of myself in my fiction, and who wouldn’t want to become an action hero?


WORLD CINEMA DOCUMENTARY COMPETITION

Calendar GirlsSweden (Directors, Screenwriters, and Producers: Maria Loohufvud, Love Martinsen) — A coming-of-golden-age look at Florida’s most dedicated dance team for women over 60, shaking up the outdated image of “the little old lady,” and calling for everyone to dance their hearts out, while they still can. World Premiere.

Dancing since the age of three, this 41-year-old is looking for a few new role models.

 

Nothing Compares / Ireland, U.K. (Director: Kathryn Ferguson, Producers: Eleanor Emptage, Michael Mallie) — The story of Sinéad O’Connor’s phenomenal rise to worldwide fame and subsequent exile from the pop mainstream. Focusing on Sinéad’s prophetic words and deeds from 1987 to 1993, the film reflects on the legacy of this fearless trailblazer through a contemporary feminist lens. World Premiere.


NEXT

Something In The Dirt / U.S.A. (Directors: Justin Benson, Aaron Moorhead, Screenwriter: Justin Benson, Producers: David Lawson, Aaron Moorhead, Justin Benson)  — When neighbors John and Levi witness supernatural events in their Los Angeles apartment building, they realize documenting the paranormal could inject some fame and fortune into their wasted lives. An ever-deeper, darker rabbit hole, their friendship frays as they uncover the dangers of the phenomena, the city, and each other. Cast: Justin Benson, Aaron Moorhead. World Premiere. Fiction.

Genre fans will recognize these household names for their spellbinding skills. I’ve yet to watch away from their films without chills or an audible “WTF.”

The Cathedral / Italy, U.S.A. (Director and Screenwriter: Ricky D’Ambrose, Producer: Graham Swon) — An only child’s account of an American family’s rise and fall over two decades. Cast: Brian d’Arcy James, Monica Barbaro, Mark Zeisler, Geraldine Singer, William Bednar-Carter. North American Premiere. Fiction.


MIDNIGHT

Hatching / Finland (Director: Hanna Bergholm, Screenwriter: Ilja Rautsi, Producers: Mika Ritalahti, Nico Ritalahtit) — While desperately trying to please her demanding mother, a young gymnast discovers a strange egg. She tucks it away and keeps it warm, but when it hatches, what emerges shocks everyone. Cast: Jani Volanen, Siiri Solalinna, Sophia Heikkilä, Saija Lentonen, Reino Nordin, Oiva Ollila. World Premiere. Fiction.

 

PIGGY / Spain (Director and Screenwriter: Carlota Pereda, Producers: Merry Colomer, David Atlan-Jackson) — Sara deals with constant teasing from girls in her small town. But it comes to an end when a stranger kidnaps her tormentors. Sara knows more than she’s saying and must decide between speaking up and saving the girls or saying nothing to protect the strange man who spared her. Cast: Laura Galán. World Premiere. Fiction.

Speak No Evil / Denmark (Director and Screenwriter: Christian Tafdrup, Screenwriter: Mads Tafdrup, Producer: Jacob Jarek) — A Danish family visits a Dutch family they met on a holiday. What was supposed to be an idyllic weekend slowly starts unraveling as the Danes try to stay polite in the face of unpleasantness. Cast: Morten Burian, Sidsel Siem Koch, Fedja van Huêt, Karina Smulders, Liva Forsberg, Marius Damslev. World Premiere. Fiction.


KIDS

Maika / Vietnam (Director and Screenwriter: Ham Tran, Producers: Jenni Trang Le, Duy Ho, Anderson Le, Bao Nguyen) — After a meteor falls to earth, 8-year-old Hung meets an alien girl from the planet Maika, searching for her lost friend. As Hung helps her otherworldly friend search, the alien inadvertently helps Hung make new friends and heal a broken heart. But danger lurks everywhere… Cast: Phu Truong, Diep Anh Tru, Tin Tin, Ngoc Tuong, Kim Nha. World Premiere. Fiction.


INDIE EPISODIC PROGRAM

The Dark Heart / Sweden (Director: Gustav Möller, Screenwriter: Oskar Söderlund, Producers: Anna Carlsten, Caroline Landerberg) — Sweden: in a mythological landscape, search parties roam through forests of spruce, secret conversations are whispered in open fields, and verbal duels fought on narrow country roads. A story of family feuds, inheritances, and forbidden love. Cast: Aliette Opheim, Clara Christiansson Drake, Gustav Lindh, Peter Andersson. World Premiere. Fiction. 

Sweden’s true crime game is above and beyond. The US had already remade series like The Killing and The Bridge. Sundance 2022 audiences can dive headfirst into The Dark Heart. The series is a five-part psychological drama-thriller about how an old family feud clashes with a young, forbidden love story, leading to a tragedy with a deadly outcome, ultimately solved by a private investigator who gets obsessed with the case. The story is based on journalist Joakim Palmkvist’s book “The Dark Heart: A True Story of Greed, Murder, and an Unlikely Investigator”, which delves into the story about how a mysterious missing person’s case is investigated and solved by a local Missing People-volunteer involved in the searches.


INTERNATIONAL LIVE ACTION SHORT FILMS

Warsha / France/Lebanon (Director and Screenwriter: Dania Bdeir, Producer: Coralie Dias) — A Syrian migrant working as a crane operator in Beirut volunteers to cover a shift on one of the most dangerous cranes, where he is able to find his freedom. Cast: Khansa. World Premiere.

Once in a blue moon, a short film takes your breath away and Warsha might be that film in 2022.


U.S LIVE ACTION SHORT FILMS

Huella / U.S.A. (Director and Screenwriter: Gabriela Ortega, Producers: Helena Sardinha, Rafael Thomaseto) — When the death of her grandmother unleashes a generational curse, a disenchanted flamenco dancer resigned to a desk job is forced to experience the five stages of grief through a visit from her female ancestors. Cast: Shakira Barrera, Denise Blasor, Carla Valentine. 


U.S. NONFICTION SHORT FILMS

Long Line of Ladies / United States (Directors: Rayka Zehtabchi, Shaandiin Tome, Producers: Garrett Schiff, Pimm Tripp-Allen, Rayka Zehtabchi, Sam Davis, Dana Kurth) — A girl and her community prepare for her Ihuk, the once-dormant coming of age ceremony of the Karuk and Yurok tribes of Northern California. World Premiere. DAY ONE


For Sundance 2022 full line-up, tickets, and more click here!


 

Review: ‘SHATTERED’ mixes ‘Fatal Attraction’ and ‘Misery’ into a thriller for the tech era.

SHATTERED

In the tradition of Fatal Attraction and Basic Instinct comes this dazzling action-thriller starring Academy Award® nominee John Malkovich (RED) and Frank Grillo (Avengers: Endgame). After lonely tech millionaire Chris (Cameron Monaghan, “Shameless”) encounters charming, sexy Sky (Lilly Krug), passion grows between them – and when he’s injured, she quickly steps in as his nurse. But Sky’s odd behavior makes Chris suspect that she has more sinister intentions, especially when Sky’s roommate is found dead from mysterious causes.


Tale as old as time: Boy is lonely, boy meets girl, girl is bad for him. At first, that’s hot. Later, it’s not. Michael Douglass and Glenn Close taught us these dance moves in 1987’s Fatal Attraction. Prieto’s Shattered takes this formula, adds a helping of 1990’s Misery (James Cann plays an injured writer, and Kathy Bates is the nurse who happens to be an obsessed fan. Great movie – don’t watch if you’re squeamish about ankle torture) and gives it all a glossy high-tech setting.

Chris Decker (Shameless’ Cameron Monaghan) is our lonely boy this time around. Chris created and sold a high-tech security app while he was at MIT. Now’s he’s flush with cash, but he’s also peaked too early. That’s how he finds himself divorced, bored, and lonely in his massive Montana home. His only solace seems to be an impressive wine collection. During a late-night bottle run, he meets the mysterious and sexy Sky (Lilly Krug). She looks like trouble, but she needs a ride home, and she likes his taste in wine. What’s a guy to do?

Things get hot and heavy fast and then go wrong even faster. As in, deliriously bonkers fast. This movie is not interested in slow-burning anything – it turns the gas all the way up. Sky, of course, is not who she claims to be, and Chris finds himself in grave danger. Some films would tease this uncertainty out over many scenes, but Shattered stamps down on the gas pedal. This film burns through the plot faster than it can produce it. There’s probably another version of this film where Chris uses his own security app to slowly turn the tables on Sky – a nuanced vision of cat and mouse for the App generation. I would have also loved exploring more of the film’s snowy Montana setting.

But that film probably would have been a whole lot less visceral fun! Lilly Krug struggles a bit with the good-girl half of the film, but gamely brings Sky’s more psychopathic tendencies to life. Decker is dealt a tough hand here, his character reserved and introverted when he’s not being actively tortured. There are hints of past trauma and obsessive paranoia that I wish the film had spent more time drawing out. John Malkovich, playing a greedy landlord dressed exclusively in pastel ski jackets, chews scenery like he just finished a hunger strike.

Coming in at a tight 92 minutes, the pacing and pleasures of Shattered are more than enough to make up for any glitches in its application. You’ll double-check your password security after watching this one.


CHECK OUT THE RED BAND TRAILER: 

Lionsgate will release the thriller film SHATTERED in Select Theaters and On Demand on January 14th! Available on Blu-ray and DVD on February 22nd!

SHATTERED stars an ensemble cast of Academy Award® nominee John Malkovich (RED), Cameron Monaghan (Shameless), Frank Grillo (Avengers: Endgame)Sasha Luss (Anna), and Lilly Krug (Every Breath You Take). The film is directed by Luis Prieto (Kidnap) and was written by David Loughery (Fatale).


 

Review: From stage to screen, the verdict is in for ‘Who is Amos Otis?’

WHO IS AMOS OTIS?

SYNOPSIS

After assassinating the President, Amos Otis pleads self-defense and must convince the jury that America was not only under attack by its unhinged ruler – but that his actions saved the country and the world. The assassin’s provocative testimony and ingenious defense turns the proceedings upside down and puts our country on trial. 


A wow of a film, Who Is Amos Otis? is like a swift punch in the throat. Written, produced, and directed by Greg Newberry, the story has us follow the President’s assassin and his subsequent trial. If you think this is a mere courtroom drama, think again. You’re in for one of the year’s most surprising and controversial films. It’s a hell of a way to end the year. 

Rico Reid as Amos’ court-appointed attorney Jason, is confident and brave. He brings a levelheadedness that superbly matches the ever-evolving energy in the room. Josh Katawick, as Amos, has a presence reminiscent of the late great Phillip Seymour Hoffman. He’s three steps ahead of everyone. It is an incredibly nuanced performance.

The script possesses inklings of The Life of David Gail and The Terminator. The writing is whip-smart. It keeps you guessing, all while prodding you with a steady stream of information. The script is thick with wordplay, snark, and wit. It dares to ask the questions many of us have been thinking over the past five years. You immediately recognize the theatricality of Newberry’s dialogue. The project moves from stage to screen, with Reid and Katawick starring in their original roles. It explains the perfect chemistry between them. I would have loved to feel that live energy in which the audience was the jury during its 2019 run. I am formally requesting a New York run. Everyone I know would vie for a chance to be a jury member.

Without spoiling anything, Who is Amos Otis? takes a sharp left turn roughly 45 minutes in, obliterating the genre you think you’re consuming. Compounding the political thriller are the hottest and most controversial topics front and center. It is a film that people will either love or hate, but the brightest viewers will respect it for its audacity and artistry. Who is Amos Otis? is a fearless and enthralling film. It’s not only a conversation starter. Who is Amos Otis? is a conversation igniter.


Official Trailer for Who is Amos Otis? on Vimeo.


WHO IS AMOS OTIS? a searing, mind-bending, SCI-FI political thriller based on the Pulitzer Prize nominated play from Cincinnati playwright and award-winning filmmaker GREG NEWBERRY (Beemer Baby, Homefree) will be released by Gravitas Ventures on Digital | VOD on December 28th.


Starring an ensemble cast of strong characters JOSH KATAWICK  (“Glengarry Glen Ross” “A Few Good Men”), RICO REID (ToleranceAll Wars),  MICHAEL G. BATH (Miles Ahead, Healing River, Notzilla)A.J. FORD (One Flew Over the Cuckoo’s Nest, Of Mice and Men, All The Way), CHRISTINE BRUNNER (The New Detectives, The Life Project), DEREK SNOW (The Shawshank Redemption, The Old Man & the Gun, Extremely Wicked, Shocking Evil and Vile), CHRISTINE JONES (Carol, Healing River, Promises to Keep)MIKE DENNIS (Carol, Miles Ahead, Surviving Compton), DONALD VOLPENHEIN (Gotti, “The Kill Point”), PEGGY ALLEN (Hourglass – A Smallville Story, Sphragida,  2 Mars), DENISE DAL VERA (Dark Waters, “Tell Me a Story”), CAROL BRAMMER (Hands Down).


Review: ‘Death Of A Telemarketer’ is a cleverly written double entendre.

DEATH OF A TELEMARKETER

Ace telemarketer Kasey (Lamorne Morris) is in a close sales contest with newbie employee, Barry (Woody McClain), and must score a big sale by midnight or he’ll lose the largest commission to date. Out of desperation, Kasey waits until everyone leaves the office and finds the Do Not Call list. He thinks he’s found the perfect mark, but instead finds himself held hostage and at the mercy of Asa (Jackie Earle Haley), the man he tried to swindle. Now Kasey must pass Asa’s twisted test on ethics if he wants to live to sell another day.


The title alone makes your ears perk up. Death Of A Telemarketer is revenge porn for all those dinnertime phone calls in to his pbx system for small office. Half the time, a caller doesn’t even get your name right. Or, maybe they’ll ask if your husband is home. Really? You have to respect the people who work these jobs. I cannot imagine anyone choosing this as their life’s passion, but as this film’s leading man Kasey comes to explain, when you’re good at something, it makes you feel accomplished. But, knowing that their goal often involves a scam makes things a bit more complicated. On the other hand, life is never as simple as we want it to be. Death Of A Telemarketer tackles all that and more. It’s a surprisingly nuanced story and funny as hell. 

Haley Joel Osment makes everything better. I have loved watching his career spring back to life through meaty indie roles. He is meant to do this for a long time. Jackie Earle Haley, as Asa, knocks it out of the park. Haley’s career is eclectic, and his talents never fail to shine. As Asa, you kind of love to hate him. Lamorne Miller, as Kasey, is a bonafide star. You’re buying what he’s selling, pun 100% intended. His comic timing is something you can’t teach. He begs your attention in every frame. Death of a Telemarketer is a whirlwind of jokes and an unexpected emotional rollercoaster. Writer/Director Khaled Ridgeway draws from personal experience, and it shows. He nails the absurdity that accompanies this profession but never lets the genuine humanity of his characters slip past the audience. It’s a breezy watch that will make you laugh and maybe make you want to call your Dad.


DEATH OF A TELEMARKETER

In theaters and VOD December 3, 2021


Directed by Khaled Ridgeway

Starring Lamorne Morris, Jackie Earle Haley, Haley Joel Osment

Release Date: 12/3/21


Shudder original review: ‘THE ADVENT CALENDAR’ is the holiday horror gift that keeps on giving.

THE ADVENT CALENDAR

Eva (Eugénie Derouand, Paris Police 1900), an ex-dancer, is now using a wheelchair, unable to walk. When her friend Sophie (Honorine Magnier, Tomorrow is Ours) gives her an old wooden antique advent calendar before Christmas, she realizes each window contains a surprise that triggers repercussions in real life. Some of them are good, but most of them are bad, really bad. Now Eva will have to choose between getting rid of the calendar or walking again – even if it causes death and destruction to everyone she holds dear around her.


Writer/Director Patrick Ridremont gives Shudder audiences enough horror to rude into the holidays with The Advent Calendar. Think of it as a Christmas-themed Pandora’s box. Eva’s life is pretty sad. Isolated by the insensitivity of people who only see her wheelchair, combined with the declining health of her beloved father, Eva trudges through day-to-day life. When given a unique birthday gift, each day brings the unexpected. For better, and most certainly, for worse.

There’s an immediate and visceral Wow factor that occurs when the box first appears. The design is intricate. It’s simultaneously inviting and terrifying. It also allows for a brilliant screenplay structure as we know there are more surprises to come counting down the days with Eva. The Advent Calendar could have been an entire series on Shudder. 

Eugénie Derouand, as Eva, is outstanding. You can see the gears turning as her moral compass disintegrates. It’s an emotional rollercoaster. Derouand makes it look easy, and you cannot help but root for her. 

The practical fx and makeup are unsettling and grotesque. I found myself unable to look away, quite frankly. The tropes are consuming, and they’ll send a shiver down your spine. They are relentless. Overall, The Advent Calendar is a gift that keeps on giving, whether you like it or not. Add this one to your annual holiday horror lists immediately. 


Shudder, AMC Networks’ streamer for horror, thrillers and the supernatural will premiere writer/director Patrick Ridremont’s ornate and elegant French horror fantasy The Advent Calendar exclusively on Tuesday, December 2nd. Combining Faustian themes and allusions with European folklore and tense, chilling terror, the Shudder Original film provides some highly original holiday season horror.

The Advent Calendar world premiered earlier this year at London’s Frightfest and was produced by Alain Benguigui, Virginie Ogouz, Jean-Yves Roubin, and Cassandre Warnauts.


Blood In The Snow (2021) review: ‘Woodland Grey’ is a mesmerising tale.

WOODLAND GREY

A man living alone in the deep woods finds Emily, a hiker, unconscious and laying on the forest floor. He brings her back to his home and helps her get back to health so she can leave the forest and get home. After a few tense days coexisting, Emily makes a discovery. She finds a crudely built shed behind the man’s home. When she opens it, she unleashes something truly haunting. As Emily and the man come to terms with what has been released, they also attempt to find a way out of the forest which isn’t exactly what it seems.


Writer-director Adam Reider establishes isolation beautifully in the opening of Woodland Grey. With the sensory engulfing rustling of fall-colored trees, we watch William empty his trapped food and cook it over a campfire in front of his trailer. What appears to be a solitary existence is interrupted when he discovers Emily unconscious in his woods. His attempts to keep a dark secret and his controlled environment are about to go to hell.

The tension between actors Jenny Raven and Ryan Blakely is palpable. Reider, alongside writer Jesse Toufexis, gives these actors opposite personalities to the extreme. But this device keeps things interesting. Each brings a fire and nuanced perspective to the story. When you see it, you’ll understand how meaningful that becomes. They are truly spectacular.

The score helps to build a simmering unease from the very beginning. The structure of the script does not let you get comfortable. You cannot miss the references, directly and indirectly, to “Hansel and Gretel”. It’s all a bit maddening in the most brilliant ways. Could this film be a metaphor for purgatory? Completely possible. Could it be about the emotional stronghold of regret? Easily. I have so many questions and I don’t even care about the answers. I was too mesmerized to care. Woodland Grey is one of the most unique horror films of the year.


For more info on Blood In The Snow 2021 click here!


Blood In The Snow (2021) review: ‘PEPPERGRASS’ is a compelling thriller.

During a pandemic, a pregnant restaurateur tries to rob a priceless truffle from a reclusive veteran.


Peppergrass is a slow-burn thriller that ultimately turns into a survival film. It builds a similar tension that Alone did. Not the horror I was expecting from Blood in The Snow, but it is, nonetheless, intriguing as hell. You must have patience during the first third is heavy character-building. While our two protagonists botch their unusual robbery, the camera continues its handheld intimacy. Forced into the dark woods, Eula attempts to make it to the car in one piece. This goal proves a more complicated task, as the landscape is unkind to a pregnant person.

Chantelle Han gives it her all as Eula. As the plot roles out, in a predominantly real-time fashion, the audience watches her physically and emotionally tap out at points. But it is when she barrels through the cold, darkness, and imminent threat that makes her a total badass. Han is the driving force of Peppergrass.

The score, at times, is this curious mix of ominous whimsy and borderline grating organ tones. It begs your attention. Peppergrass is nothing like I expected. It places you inside the action because there is literally nowhere else to go. The danger and isolation are palpable. It’s a solid film.


Coming to digital June 16 (US/Canada)

 

For more info on BITS 2021 click here!


Review: Ethan Hawke stars in ‘Zeroes and Ones,’ a creatively shot political thriller.

presents

ZEROES AND ONES

Called to Rome to stop an imminent terrorist bombing, a soldier desperately seeks news of his imprisoned brother — a rebel with knowledge that could thwart the attack. Navigating the capital’s darkened streets, he races to a series of ominous encounters to keep the Vatican from being blown to bits.


Zeros and Ones is a surrealistic mash-up from Abel Ferrara – a political and pandemic thriller that is simultaneously thoughtful and baffling. This is a film that invites the viewer in while still keeping them at a distance. The film is bookended by two videos featuring start Ethan Hawke, who speaks candidly to the audience about his excitement and experience relating to the film. Hawke freely admits that he didn’t understand Ferrara’s script when he received it, but that he really liked it. Having just finished “Zeros and Ones”, Hawke’s point resonated.

The film’s achievements are especially impressive given it was filmed in Rome during a rigid COVID lockdown. By nature of these restrictions, the majority of the action is restricted. The camera is limited to claustrophobic rooms and empty nighttime streets, but cinematographer Sean Price Williams makes the most of it. The outdoor scenes, in particular, are quite striking: sanitation workers clad in PPE decontaminating a subway car, mist mingling with the glow of the street lights.

Our protagonist (Ethan Hawke’s “J.J.”) is an enigmatic military man, his face hidden beneath a black mask even when he’s in plain sight. He’s on a journey through Rome, but his objectives (and destination) are murky. He’s trying to locate his twin brother (also Hawke), an imprisoned revolutionary who may hold the key to thwarting a terrorist plot on the Vatican. While this may sound like the plot of a multi-million dollar action film, Ferrara’s vision is wisely more conservative. He is more interested in backroom deals and shadowy government priorities than big explosions.

Hawke offers a game performance in the dual role – although he seems to have far more fun playing the revolutionary brother than the military one (after all, who doesn’t want to spit lines like, “Why is nobody setting themselves on fire?!”)

J.J.’s encounters with other characters throughout the film are always one layer removed – he’s always speaking to them through a phone screen, from behind a layer of glass, or filming them using his own camera. It’s a strong artistic choice, but also puts much more emphasis on the dialogue to drive the action of the film, and contributed to an overall lack of visceral connection to the material.

Ultimately, Zeros and Ones is a wonderful example of artistic vision flourishing under restrictive circumstances. One has to wonder how we will look back historically and evaluate these films against history once the pandemic finally recedes (fingers crossed.) I’m glad Hawke and Ferrara were still willing to act up despite having to mask up.


Zeros and Ones – In Select Theaters, On Demand and Digital on November 19, 2021. Ethan Hawke, Valerio Mastandrea, Cristina Chiriac.


Review: ‘That Cold Dead Look In Your Eyes’ is genre-destroying madness.

Synopsis

Leonard is about to lose his girlfriend, home, and job. Upon that, he’s having strange hallucinations. Is it stress or an after effect of new technology installed all over the city? He must figure it out or he’ll be trapped in this nightmare forever.


I got the email and all I saw was the director’s name. You had me at Onur Tukel, send me the film. If you aren’t familiar with the genre of weird and wonderful that Tukel has put forth into the world of cinema, you’re seriously missing out. From titles like Applesauce to Black Magic for White Boys, if you ever think you know where one of his scripts is headed, you’re sorely mistaken. Enter his newest creation, That Cold Dead Look In Your Eyes.

Leonard blew up his life by cheating on his girlfriend. She is kicking him out. In the meantime, her photographer father that she so clearly adores is visiting at an inopportune time, leaving Leonard to play an awkward host. Dennis is loathsome. He regards himself very highly and cares little for the opinion of others. He’s brash and his attitude seems to be contagious. Leonard is spiraling in every aspect of life. His cooking skills are garbage, he’s running out of money, what’s left of his personal space has been invaded. The entire film seems to be one bashing extravaganza of Leonard, or is it? There is a sadness that consumes him. Maybe it’s the strange new technology that begins appearing around the city. There’s a 5G joke in here, perhaps, and it isn’t subtle. 

Franck Raharinosy as Leonard is just as helpless as you need him to be. Put this man out of his misery in some form or fashion. That’s probably the oddest compliment I could give him. He plays such a convincing sad sack of a man, you feel bad for him. Alan Ceppos is magnificent in his ability to make you cringe. He just doesn’t give a f*ck, for lack of eloquence. This is a performance akin to watching a car crash. You want to look away but you cannot. You are transfixed by Ceppos’ nonchalance. He’s unreal.

The decision to use color for the past and black and white for the present threw me. It became a revelatory choice. Unsurprising for Tukel, whose films tend to center on relationships. You’ll always be taken aback by whatever comes out of his brain next. Tukel can make the mundane hilarious. In Cold Dead Look, we get everything from gaslighting to buffoonery, cruelty to madness, and depression with a side of hideous hallucinations. The film feels like one lengthy Twilight Zone episode in French. Do I have any inkling of what the hell happened once the credits rolled? No, I do not. But, That Cold Dead Look In Your Eyes is unlike anything you’ve seen before, while simultaneously, very obviously being an Onur Tukel film.


The newest film from acclaimed director Onur Tukel (Catfight, Summer of Blood), and featuring Nora Arnezeder (Army of the DeadUpcoming series “The Offer”) and Max Casella (“The Sopranos”, The Tender Bar), THAT COLD DEAD LOOK IN YOUR EYES will release On Demand 11/9.


Review: ‘IDA RED’ – a family crime drama where performances rule all.

Crime boss Ida “Red” Walker (Oscar® winner Melissa Leo*) turns to her son, Wyatt (Josh Hartnett), to pull off one last heist to get out of prison. But with the FBI closing in, Wyatt must choose between family and freedom in this high-octane thriller.


IDA RED opens up with honest to goodness tense action. Come to find out, half of it is a whole lot of bait and switch. The script has plenty of surprising revelations. It is undeniably engaging, from the shocking violence to the keen character building.

Frank Grillo, as Dallas Walker, is as epic and as he is evil, with an IDGAF aura. It’s one hell of a performance. Melissa Leo is Ida. Her uncanny ability to own the screen with nothing but a look gets me every time. This crime family matriarch rules from prison with an iron fist and favoritism. And, damnit, the fact that it’s a woman makes my heart skip a beat. More of this, please.

Sofia Hublitz, who is fantastic on Ozark, plays Darla Walker. She’s the youngest troublemaker of this family unit. Hublitz walks the perfect line between innocence and passionate anger. Josh Hartnett, as Wyatt Walker, is the unwaveringly loyal son. Hartnett’s multiple-year hiatus from the big screen was noticed, especially by those of us who grew up alongside him in movies like The Faculty, Pearl Harbor, and Sin City. Whenever I do see him nowadays, I am reminded immediately of his immense talent. He’s got a coolness to him that you can’t teach. As Wyatt, his familial devotion is palpable, to a fault. IDA RED allows him to play the full spectrum of emotions. 

The soundtrack boasts some of the coolest (and strangest) choices. I was obsessed. IDA RED could have been a limited series. As it stands, it’s a solidly done family crime drama, possessing fully fleshed-out, massively flawed characters with incredible actors breathing life into them. I recommend a watch.


Watch the trailer:

Saban Films will release the action/crime/thriller IDA RED in Theaters, On Digital, and On Demand on November 5, 2021.


IDA RED is written and directed by John Swab (Body Brokers, Let Me Make You a Martyr) and stars Josh Hartnett (Wrath of Man, “Penny Dreadful”), Sofia Hublitz (“Ozark”), William Forsythe (The Devil’s Rejects, Raising Arizona), Deborah Ann Woll (“True Blood”), Frank Grillo (Boss Level, The Purge franchise), and Academy Award winning actress Melissa Leo (The Fighter, Prisoners, Frozen River).


 

Brooklyn Horror Film Festival (2021) review: ‘What Josiah Saw’ is a familial collision course.

 

WHAT JOSIAH SAW


What Josiah Saw the new indie feature from Vincent Grashaw, is one twisted picture. In some ways, I wish the feature had been split up into a 3 episode limited series to slowly spoon-feed the viewer its multiple moments of trauma and dread. Instead, it hits you in a 1 hour 56-minute wallop –  I left the film feeling dispirited and numb, my emotions frayed. This reaction is also a testament to many of the film’s characters, and my desire to spend more time learning about them before they are plunged into terrifying and tragic circumstances.

The film is roughly divided into 3 parts, each following one of the Graham children. The troubled youngest child, Thomas (Scott Haze) still lives on the family farm with his father, Josiah (a sickly-looking but still magnificently creepy Robert Patrick). Part 2 follows older brother Eli (Nick Stahl) is an addict who has been forced into a criminal style. In the final chapter, we meet sister Mary (Kelli Garner), who has married and moved away but still bears obvious trauma and scars from her childhood. When a group of developers tries to buy the farm, the film inevitably sets these 3 siblings and their father on a dramatic collision course.

Each segment of the film has a very different tone. The early scenes on the farm (where, years earlier, Josiah’s wife mysteriously committed suicide) are filled with eerie unease. Josiah and Thomas’ relationship is tense and cold. It feels very much like a haunted house film. I feel like Robert Patrick has been playing supremely creepy characters for my whole lifetime – he slips into these roles without even trying. There’s a scene where Josiah gives Thomas some fatherly advice that is some of Patrick’s most squirm-inducing work to date.

This tone drastically shifts in the second segment, which focuses on Eli trying to steal a trunk of gold from a traveling group of Romani. You read that right. This section works even though it represents a drastic tonal departure from the early plot. It’s the lightest section of the narrative and the only part of the film where the audience gets to have a little fun. Stahl gives an incredibly versatile performance in this film, imbuing Eli with equal parts charisma and self-doubt. They could have made a whole movie focusing on this segment alone.

Mary’s introduction is rushed, and the film’s final chapter is mostly concerned with reuniting the siblings on the family farm. And that’s when things really get weird. The film’s finale is powerful and brutal. It left my head spinning. I can’t say I want to watch this film again, but I know I’ll be thinking about its implications for a long time.


You can read Liz’s #BHFF2021 review of What Josiah Saw here


Brooklyn Horror Film Festival (2021) review: ‘What Josiah Saw’ reigns holy terror on your nerves.

WHAT JOSIAH SAW

After two decades, a damaged family reunite at their remote farmhouse, where they confront long-buried secrets and sins of the past.


As a child forced to attend Catholic school for eight years, I know a little something about the trauma religion imprints on a young mind. Irrational guilt dwells in my brain to this day. Director Vincent Grashaw’s staggering third feature, What Josiah Saw, delves into how zealous behavior and extreme dysfunction go hand in hand. A portrait of a family’s unspeakable darkness and how it haunts them forever. It is a film that will consume your soul.

Kelli Garner‘s vulnerability as Mary is a stunning turn. With a palpable fear, Garner leaves it all on-screen in an unapologetic performance. Her arc is astonishing. Nick Stahl scared the Jesus out of me most recently in Hunter Hunter. As Eli, Stahl maneuvers past sins with an anxious undercurrent. Like Garner, the emotional journey of Eli will leave you blindsided.

Robert Patrick plays Graham family patriarch, Josiah. His monstrous behavior appears superficially enabled by newfound holy retribution that looks a whole hell of a lot like dogmatic abuse. Patrick’s innate ability to intimidate with as little as a whisper is terrifying. This performance drips with brutal vitriol.

Scott Haze hit the ground running in James Franco‘s Child of God. That part was a brilliant warm-up to playing the role of a traumatized, devoted son. Haze’s character is the final human whipping post on that farm. He breathes life into the part of Thomas, as every beat is a complete journey. The chemistry between Patrick and Haze is electric. 

Carlos Ritter‘s cinematography reflects an ominous mood. He takes advantage of shadows and natural light to create a visual eerieness. Robert Pycior‘s score makes your skin crawl. Writer Robert Alan Dilts‘ screenplay unfolds in chapters. What Josiah Saw could have been developed into a series. Dilts created fully fleshed-out characters. There is that much life in this story. The script’s structure also allows the audience to focus on each Graham family member and their demons. Everyone teetering on the edge of a potential psychotic break. The repeated visual of each character gazing out the farmhouse window is striking. Its cyclical pattern is sheer brilliance.

Each of these elements creates a visceral disquiet that is unshakable for the nearly two-hour run. What Josiah Saw was relentlessly unnerving. The stakes get higher and higher. I had to remind myself to breathe. It is impossible to think Brooklyn Horror Film Festival 2021 audiences saw this story coming. The final act is so twisted it will blow your mind, again and again. What Josiah Saw is an unexpected, complex, and shocking watch. It is hands down, the best horror film of the year.


Director:
Vincent Grashaw
Screenwriter:
Robert Alan Dilts
Producer:
Ran Namerode, Vincent Grashaw, Bernie Stern, Angelia Adzic
Cast:
Robert Patrick, Nick Stahl, Scott Haze, Kelli Garner, Tony Hale, Jake Weber


Review: ‘DASHCAM’ makes your palms sweat in anticipation.

DASHCAM

DASHCAM is a psychological thriller following Jake—a timid video editor at a local news channel who fantasizes about becoming a reporter. While editing a piece on a routine traffic stop that resulted in the death of a police officer and a major political official, Jake is inadvertently sent dashcam video evidence that tells a completely different story. Working alone from his small apartment in NYC, Jake uses his skills as an editor to analyze the footage and figure out the truth behind what actually happened. Has Jake uncovered a conspiracy that he can break on the morning news? Or is he seeing things that aren’t really there?


The film’s release comes in the tumultuous aftermath of a bloody year between citizens and police. A large number of incidents were either recorded by bystanders or bodycam footage. Some kept from the public for too long. We’ve all seen these tapes by now. They were impossible to avoid. In writer-director Christian Nilsson’s DASHCAM, we watch a young, ambitious editor become an armchair detective in real-time. Jake is intrigued by the information accidentally sent via email. Could he have uncovered a larger story? Could this be his big break? 

Larry Fessenden plays Former Attorney General Dan Lieberman. He’s a legend, so it’s no surprise that what is essentially equivalent to a radio play for him is an outstanding performance. Zachary Booth, as Jake, has fearless energy and an intoxicating excitement that passes through the screen to the viewer. I would watch him in anything.

Your pulse will be pounding watching this mystery unfold through live, minute-to-minute editing. If you didn’t respect the process of editing before now, DASHCAM changes that. Bow down to these gods. You can thank Terence Krey for this particular film. Nilsson nails the conspiracy theory vibes. DASHCAM plays on our innate need to discover the truth, whatever that means to each of us as individuals. It’s nothing short of riveting.


Dashcam, written and directed by Christian Nilsson, is available On Digital October 19 from Kamikaze Dogfight and Gravitas Ventures.

Grimmfest (2021) review: ‘The Guest Room’ (AKA La Stanza) checks in with trauma.

THE GUEST ROOM

The morning Stella decides to take her own life, a stranger knocks at her door claiming he has booked the guest room for the night. Surprised but charmed by this man who seems to know her very well, Stella decides to let him in. But when Sandro, the man who broke Stella’s heart, joins them at home, this odd situation turns immediately into chaos.


From the very first frame, the audience is consumed by whatever darkness resides in these walls. The colors and set scream haunted house. The score is a thrilling combination of beauty and ear-piercing madness. The camera work adds an extra layer of eeriness. This unexpected guest knows too much. What could he want? Who is he? Pay close attention.

Stella is played by Camilla Filippi with a pang of sadness and desperation that engulfs the viewer. Something is amiss. As details slowly emerge, her energy shifts with every beat. She’s simply captivating. Guido Caprino, as Guilio, the mysterious guest, walks a fine line between suave and scary. His agenda is unclear, and his entire aura is intrusive. Caprino’s intensity grows exponentially as the story progresses. It’s one hell of a performance.

The Guest Room is emotional torture porn and a terrifying, genre-bending story of redemption. I’ve never seen anything like this film before. As a mother, it affected me on another level. It’s surprisingly profound. Stefano Lodovichi has given GRIMMFEST audiences something truly breathtaking and unique.




  • Director:
    Stefano Lodovichi
  • Screenwriter:
    Stefano Lodovichi, Francesco Agostini, Filippo Gili
  • Producer:
    Andrea Occhipinti
  • Cast:
    Guido Caprino, Camilla Filippi, Edoardo Pesce
  • Cinematographer:
    Timoty Aliprandi
  • Editor:
    Roberto Di Tanna