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Category Archives: French

Sundance 2023 capsule review: Anna Hints’ profound documentary ‘SMOKE SAUNA SISTERHOOD’ is a collective sigh of womanhood.

Posted on January 26, 2023 by Liz Whittemore — Leave a reply

SMOKE SAUNA SISTERHOOD

The ancient Estonian ritual of sauna building is a physical and spiritual cleansing. Women gather to share everything from funny childhood stories to earthly, almost guttural chants to intimate confessions with unfiltered honesty. Anna Hints‘ Sundance 2023 documentary Smoke Sauna Sisterhood is a visceral and profoundly deep film.

Mesmerizing closeups of body parts beading with sweat captured with static and handheld camerawork beautifully complement the conversations and place the audience inside the room. Haunting vocals during transition moments captivate the audience. Images of south Estonian matriarchs are projected on the sauna smoke as their voices recall tales from their lives. It is another stunning addition to an already visually sumptuous film.

Topics like cancer, women’s rights, body shaming, unresolved trauma, sex, and sexuality swirl freely. It is a safe space I envy. Smoke Sauna Sisterhood brings a contagious joy. There is a raw elegance I think Sundance 2023 audiences, specifically female viewers, will welcome. This film is a celebration of our complexities, highlighting the tender care we take with one another. It is revelatory to rediscover the interconnectedness of women and our shared experiences, good and bad. It is an astonishingly rewarding emotional catharsis.


Screening Times
In Person
PREMIERE
AddFAVORITE
Jan. 22 6:00PM MST
Prospector Square Theatre

PARK CITY

SECOND SCREENING
AddFAVORITE
Jan. 23 8:30PM MST
Megaplex Theatres at The Gateway 6

SALT LAKE CITY

SECOND SCREENING
AddFAVORITE
Jan. 25 11:45AM MST
Egyptian Theatre

PARK CITY

SECOND SCREENING
AddFAVORITE
Jan. 26 4:00PM MST
Redstone Cinemas – 2

PARK CITY

SECOND SCREENING
AddFAVORITE
Jan. 27 12:00PM MST
Screening Room

SUNDANCE MOUNTAIN RESORT

Online
SECOND SCREENING
AddFAVORITE
Jan. 24 8:00AM MST
Available Until Jan. 29 11:55PM MST


Anna Hints is an Estonian film director with a background in contemporary art and experimental folk music. Having deep roots in the distinct culture of South Estonia, Hints’ second home is in India. As an active dumpster diver, Hints’ short documentary For Tomorrow Paradise Arrives initiated public discussion and growth of new grassroot movements against food waste in Estonia.


 

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Posted in Documentary, Documentary, Estonia, Events, Experimental, Features, Female Filmmaker, Film Festival, Foreign Films, French, Genre, Go To The Movies, Iceland, in theaters, LGBTQ, Liz, News, Reviews, Sundance Film Festival, Virtual Cinemas, What To Watch This Week, Woman Lead, Women in Film | Tagged anna hints, smoke sauna sisterhood, sundance 2023, women in film | Leave a reply

NYJFF 2023 capsule review: ‘SHTTL’ is already one of the year’s best films.

Posted on January 16, 2023 by Liz Whittemore — Leave a reply

SHTTL

Written and directed by Ady Walter, SHTTL takes place in a secluded imaginary Yiddish Ukrainian village on June 21st, 1941. The audience thinks they are watching a film about small-town politics. In actuality, SHTTL highlights a real moment in history. New York Jewish Film Festival 2023 is lucky to have such an extraordinary piece of cinema to share with audiences.

Cinematographer Vladimir Ivanov captures the film in one single take. A technical wonder, SHTTL pulls a visual bait and switch made famous in The Wizard of Oz. In this instance, the use of color distinguishes the past and present. This device is emotionally consuming and undeniably dazzling.

This enormous cast gives us some of the most gut-wrenching performances of the year. Keep in my the film is entirely in Yiddish. Do not let this scare you aware! Star Moshe Lobel starred in the critically-acclaimed Off-Broadway Yiddish version of “Fiddler On The Roof.” As Mendele, Lobel carries you in his pocket in this captivating tale of religious ideology, family, love, and loss. Boasting an ending that will have your heart in your throat, SHTTL is a gem. It is a film that deserves a viewing on the loftiest screen available. This film left me breathless.


SHTTL
Ady Walter
Ukraine/France, 2022, 114 min.
Yiddish and Ukrainian with English subtitles
U.S. Premiere

Monday, January 16, 5:30pm
Tuesday, January 17, 1pm


NYJFF 2023

THE 32nd ANNUAL 
NEW YORK JEWISH FILM FESTIVAL,
 PRESENTED 
JANUARY 12-23, 2023


 

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Posted in Based on True Events, Drama, Events, Features, Film Festival, Foreign Films, French, Genre, Go To The Movies, in theaters, Liz, New York City, New York City, New York Jewish Film Festival, News, Reviews, Top Rated, Ukrainian, What To Watch This Week | Tagged ady walter, fiddler on the roof, Moshe Lobel, NEW YORK JEWISH FILM FESTIVAL, nyjff 2023, SHTTL, Vladimir Ivanov | Leave a reply

Review: Vicky Krieps captivates in ‘HOLD ME TIGHT’

Posted on September 9, 2022 by Liz Whittemore — Leave a reply

HOLD ME TIGHT


Hold Me Tight is the newest film from French actor-director Mathieu Amalric. It centers around the emotional and physical break between a mother, her two children, and her husband. The film is a gripping narrative with your heart in your throat from beginning to end. You are constantly questioning reality. Grief is a monster known only to those who live it. Hold Me Tight journeys through regret with gusto. The editing is an absolute triumph, using fractured storytelling and poetic voiceovers. The dizzying pace is warranted by Amalric’s screenplay structure of time hopping.

The entire cast is breathtaking. Our leading lady, Vicky Krieps, gives a mesmerizing performance as a woman unraveling. Each beat is carefully curated, mired in sadness and pure love. Krieps’ unadulterated vulnerability demands your attention. It is an award-worthy turn. Hold Me Tight is an extraordinary study of grief and moving forward. You cannot walk away from this film unchanged.


Opens September 9 in NY at
Film at Lincoln Center & Angelika Film Center
 
Opens September 16 in LA at Laemmle Royal

 

France | 2021 | 97 min | Color | 1.85:1 | In French and German with English subtitles
 
Directed by Mathieu Amalric. Screenplay by Mathieu Amalric, based on the play by Claudine Galéa, Je reviens de loin. Cinematography by Christophe Beaucarne. Editing by François Gedigier. Production Design by Laurent Baude. Produced by Laetitia Gonzales and Yaël Fogiel with Félix Von Boehm (Les Films du Poisson). A Kino Lorber release.

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Posted in Cannes Film Festival, Drama, Features, Film Festival, Foreign Films, French, Genre, German, Go To The Movies, in theaters, Liz, Poster, Release, Reviews, Trailer, What To Watch This Week, Woman Lead, Women in Film | Tagged drama, hold me tight, kino lorber, loss, Mathieu Amalric., vicky krieps | Leave a reply

Fantasia 2022 review: ‘Incredible But True’ is another ludicrously comical creation from filmmaker Quentin Dupieux.

Posted on July 27, 2022 by Liz Whittemore — Leave a reply

INCREDIBLE BUT TRUE

Quentin Dupieux brings his unique level of absurdity to audiences once again with Fantasia 2022 film Incredible But True. Alain and Marie’s new home comes with one hell of a caveat; a tunnel in the basement that transports the individual 12 hrs forward in time. But that’s not all it does. This sharp comedy manages to be socially relevant through its silliness. 

The meandering dialogue is hilarious and infuriating. Dupieux has characters constantly waiting to get to the damn point already, and you know what? It works like gangbusters. Performances are outstanding across the board. They feel effortless through the profound theme of chasing vanity. His previous films Rubber, Keep An Eye Out, and Mandibles are cult classics. Incredible But True is a brilliantly bizarre addition to his signature storytelling style. You’ll want it in your Dupieux catalog. 


To find out more about Incredible but true screening at Fantasia 2022 click here!

Incredible But True sees a husband and wife move into a suburban house of their dreams only to discover that a mysterious secret is hidden in the basement, which may change their lives forever.
The quirky French comedy stars Alain Chabat (The Science of Sleep, Mood Indigo), Léa Drucker (Custody, The Man of My Life), Benoît Magimel (The Piano Teacher, Thieves) and Anaïs Demoustier (Sweet Evil, Alice and the Mayor).

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Posted in Arrow, Comedy, Events, Experimental, Fantasia International Film Festival, Features, Film Festival, Foreign Films, French, Genre, Go To The Movies, in theaters, Liz, Poster, Reviews, Streaming, What To Watch This Week, Woman Lead, Women in Film | Tagged absurd, Alain Chabat, Anaïs Demoustier, arrow films, Benoît Magimel, cult, Fantasia 2002, incredible but true, Keep An Eye Out, Léa Drucker, mandibles, quentin dupieux, rubber, Time Travel, vanity | Leave a reply

Fantasia 2022 review: Zombies, comedy, remakes, Oh My! ‘Coupez!’ brings bloodbath and laughs.

Posted on July 22, 2022 by Liz Whittemore — Leave a reply

COUPEZ!

*Full disclosure, I have not seen Shinichiro Ueda‘s One Cut of The Dead (Fantasia 2018). This review is solely my take on COUPEZ!*

An eccentric director who activated a curse in order to get the best film possible? Sounds more like an industry documentary than a horror comedy to me. Coupez! turns filmmaking on its head with a structure that keeps on giving. Do not get comfortable because you’re about to enter the world of money, fame, indulgence, and the ridiculous in three distinct acts. 

Coupez! is unafraid to make fun of the collective zombie/ horror genre. At times, it’s like watching Film Twitter arguing with itself. This meta take on the industry will delight to no end. The handheld camera puts the audience into the action in a one-take, real-time unfolding of hilarious chaos. One can only imagine the amount of rehearsal it required to coordinate. The practical FX are cleverly achieved just out of sight. 

These actors give 200% in this splatterfest. The cast’s unwavering commitment sells this film. Romain Duris as Remi is just trying his best to make the movie he created on the page. But, like Hollywood, everyone has their hand/opinion in the proverbial pot. Duris has an upbeat energy that pulls you into his story. In truth, Coupez! is a masterful ensemble film. The double entendre dialogue never misses. It’s kind of like an amped-up version of Shawn of the Dead meets Noises Off. It was a risky move for writer-director Michel Hazanavicius to bring Coupez! to Fantasia 2022, but a massively successful one.


Click here for all things Fantasia 2022!


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Posted in Comedy, Events, Fantasia International Film Festival, Features, Film Festival, Foreign Films, French, Genre, Horror, Trailer | Tagged Bérénice Bejo, Coupez!, fantasia 2022, Final Cut, Finnegan Oldfield, Grégory Gadebois, homage, Matilda Lutz, Michel Hazanavicius, remake, Romain Duris, Shinichiro Ueda, zombie | Leave a reply

Review: Out on Digital tomorrow, ‘LUX ÆTERNA’ is pure Gaspar Noé chaos.

Posted on June 9, 2022 by Liz Whittemore — Leave a reply

LUX ÆTERNA

LUX ÆTERNA takes place backstage of a French film production, often utilizing split-screens to follow two characters at once. Charlotte Gainsbourg, acting as herself, plays the film’s — and the film-within-a-film’s — leading role of an actress taking on the role of a witch burned at the stake while French actress Beatrice Dalle, playing a version of herself as well, takes on the on-screen role of director. The film progresses with mounting tension as the set descends into aggressive chaos— both in style, form, and plot. Actress and model Abbey Lee (The Neon Demon), Karl Glusman (Love), Claude-Emmanuelle Gajan-Maull (Climax), Félix Maritaud (Sauvage / Wild, Knife + Heart), and Clara Deshayes also appear as interpretations of themselves.


Narcissism, gaslighting, sexism, celebrity, the industry as a whole, everything is on the line in this 50 minutes of coordinated chaos. Toxicity and ass-kissing intermingled with personal drama, as each actor in LUX ÆTERNA plays a version of themselves. As the tension mounts, who and how will each player respond when “art” is on the line?

The lighting, which comes with a trigger warning before the film begins, is undeniably jarring. Combined with the incessant ringing of an alarm, it’s a visceral invasion. In tandem with the distress of Charlotte on screen, the viewer slowly finds themselves on sensory overload. 

Charlotte Gainsbourg can do no wrong in my book. She possesses a vulnerability that is unsurpassed. The amount of trust she has in Gaspar Noé astounds me with each additional project. Gainsbourg understood the assignment.

In true Gaspar Noé fashion, LUX ÆTERNA  pushes the boundaries of color, sound, and content. Few filmmakers have a style that screams their name, and Noé has cultivated that skill. In a short runtime, LUX ÆTERNA  has a lot to say. Welcome to one of the most unexpected and raw moments of exploitation.


Following a successful theatrical run across the United States from May into early June that put the film in the top 10 indies at the box office, Yellow Veil Pictures will release Gaspar Noe’s LUX ÆTERNA on digital platforms including Amazon, Google Play, Vudu, and more this Friday, June 10th in North America, followed by a 2-disc Collector’s Edition Blu-Ray available summer 2022. LUX ÆTERNA is currently available for digital pre-order on Vimeo on Demand.


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Posted in Digital, Drama, DVD, Experimental, Features, Film Festival, Foreign Films, French, Genre, Liz, News, On Demand, Reviews, VOD, What To Watch This Week, Woman Lead, Women in Film | Tagged Abbey Lee, beatrice dalle, charlotte gainsbourg, Claude-Emmanuelle Gajan-Maull, Gaspar Noé, LUX ÆTERNA, Yellow Veil Pictures | Leave a reply

Review: ‘BLACK BOX’ is one of the year’s most intense films.

Posted on April 29, 2022 by Liz Whittemore — Leave a reply

BLACK BOX

Mathieu is a young and talented black box analyst on a mission to solve the reason behind the deadly crash of a brand new aircraft. Yet, when the case is closed by the authorities, Mathieu cannot help but sense there is something wrong with the evidence. As he listens to the tracks again, he starts detecting some seriously disturbing details. Could the tape have been modified? Going against his boss’ orders, Mathieu begins his own rogue investigation – an obsessional and dangerous quest for the truth that will quickly threaten far more than his career…


The first thing you’ll notice about Black Box is the sharp cinematography work. It’s unmissable as the film opens in one long take. The camera glides from inside the cockpit, down the aisles, into the rear of the aircraft, to land squarely on the titular object. It’s a stunning and terrifying beginning of a taut thriller. Mathieu is a gifted acoustic engineer tasked with transcribing the audio that leads up to the crash of Atrian 800, where 300 passengers and 16 crew members perished. When details begin to shift, Mathieu’s obsession with the truth spirals. 

Paired with the Netflix documentary Downfall: The Case Against Boeing, Black Box is even more frightening. Aviation insider politics adds an additional layer of suspense. My heart was in my throat every second of this film. Writer-director Yann Gozlan, alongside screenwriter Nicolas Bouvet-Levrard, and collaborator Jérémie Guez (The Night Eats The World, one of my favorite films), cleverly compounds conspiracy theories and intertwine them with raw emotion.

Watching the physical process of removing the voice recording apparatus is fascinating. To understand that such a small piece of equipment contains the key to such pertinent knowledge astounds. But ultimately, it’s a human being that leads to a conclusion. 

Pierre Niney as Matthieu gives a brilliant performance, luring you in with measured intensity. The nuance Niney presents hit differently for me as a mother of a neurodivergent child. Niney presents the physical aspects of an individual with Sensory Processing Disorder. Some people with neurotypical children don’t know that this can actually be a superpower. Ultra-sensitive auditory issues are both a blessing and a curse. Niney also brings emotional trauma, heightening Matthieu’s intention. Niney is, simply put, astonishing. 

The recreations of the crash circumstances and recovered wreckage have a visceral effect. The editing is award-worthy. In a narrative where the audience believes they have the entire picture, tweaking that understanding jars the brain. This evolving monster of a mystery slowly and relentlessly squeezes the air out of your lungs. After watching Black Box, I don’t know when I’ll be comfortable flying again. 


Directed by
Yann Gozlan

 

Cast
Pierre Niney, Lou de Laâge, André Dussollier

Opening

NYC – Village East by Angelika – 4/29/2022

LA – Laemmle Glendale – 5/6/2022


2022- France – Thriller – 129 mins
In French with English subtitles


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Posted in Drama, Features, Foreign Films, French, Genre, Go To The Movies, in theaters, Liz, News, Poster, Release, Reviews, Thriller, Trailer, What To Watch This Week | Tagged André Dussollier, aviation, black box, Jérémie Guez, Lou de Laâge, Nicolas Bouvet-Levrard, Pierre Niney, thriller, Yann Gozlan | Leave a reply

Review: Charlotte Gainsbourg’s directorial debut ‘Jane By Charlotte’ is a beautiful ode to her mother.

Posted on March 17, 2022 by Liz Whittemore — Leave a reply

Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.


A love letter from a daughter to mother, actress Charlotte Gainsbourg‘s directorial debut, Jane By Charlotte, is one of the most intimate looks at the international icon, Jane Birkin. Through photographs, home movies, and quiet, casual sit-down interviews, we learn things about Jane right along with Charlotte. It is as if we are experiencing the same revelations. Seeing Jane and Charlotte perform, you’d never guess they were so soft-spoken in real life. There’s breezy energy about the film that is difficult to describe. As a mother, it touched me in a very personal way. At 41, I’m only just becoming comfortable with questions like Charlotte asks of Jane. As an American, I acknowledge the cultural differences with which we discuss intimacy. In the conversations between Jane and Charlotte, I am in awe of their relationship. Will I be more comfortable having such an open line of communication with my daughter? My daughter, also named Charlotte, is just about to turn five, but it is something I aspire to attain.

Jane and Charlotte find common ground in parenting styles and celebrity. They speak openly about Jane’s lifelong dependency on sleeping pills, inspiration for songs, and her various marriages. The loss of her daughter Kate was perhaps the most impactful event in her life. The grief she carries is palpable. Jane and Charlotte discuss maternal guilt. It’s one of the most poignant through lines in the film. Charlotte’s eye and adoration for her mother are written all over this doc. It’s a lovely ode to a beloved icon from a daughter who continues to idolize her. As a mother, Jane By Charlotte has a revelatory feeling of intimacy. Gainsbourg‘s documentary makes me jealous in the best way possible.


Opens Friday, March 18th at the Quad Cinema in New York and
March 25th at the Landmark Westwood in Los Angeles
Expands to additional cities in April + Available on Digital May 6th (Mother’s Day weekend)


About Jane Birkin
A native of London, Jane Birkin began her career as an actress appearing in Michelangelo Antonioni’s Blowup (1966), and Kaleidoscope (1966). In 1968, she began a years-long working and personal relationship with Serge Gainsbourg; The duo released their debut album Jane Birkin/Serge Gainsbourg in 1969, and Birkin also appeared in the film Je t’aime moi non plus (1976) under Gainsbourg’s direction. Birkin later starred in the Agatha Christie adaptations Death on the Nile (1978), and Evil Under the Sun (1982), and continued to work as both an actress and a singer, appearing in various independent films and recording numerous solo albums. In 1991, she appeared in the miniseries “Red Fox,” and in the American drama film, A Soldier’s Daughter Never Cries in 1998. Having lived primarily in France since the 1970s, Birkin is the mother of photographer Kate Barry, actress and singer Charlotte Gainsbourg, and musician Lou Doillon.

About Charlotte Gainsbourg
Charlotte Gainsbourg grew up on film sets as both of her parents, Jane Birkin and Serge Gainsbourg, were involved in the film industry. At the age of 13, she debuted in her first motion picture playing Catherine Deneuve’s daughter in the film Paroles et Musiques. In 1986, Charlotte won a César Award for Most Promising Actress for An Impudent Girl. That same year she appeared in the film Charlotte For Ever written and directed by Charlotte’s father Serge Gainsbourg. From 1988 until today, Charlotte expanded her career with various projects such as The Cement Garden, Jane Eyre, 21 Grams, Ma Femme Est Actrice, I’m Not There, The Science of Sleep, Golden Door, The Tree, Samba, Mon Chien Stupide, and Lars von Triers’ films Melancholia, Antichrist and Nymphomaniac. In 2009, she won the award for Best Actress at the Cannes Film Festival for Antichrist. While Charlotte has been working on film projects, she led another rich career in Music as a singer and a composer and released several albums: Charlotte for Ever (1986), 5:55 (2006), IRM (2009), Stage Whisper (2011), Rest (2017).


 

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Posted in Cannes Film Festival, Digital, Documentary, Documentary, Events, Family, Features, Female Filmmaker, Film Festival, Foreign Films, French, Genre, Go To The Movies, in theaters, Liz, New York City, News, Poster, Release, Reviews, Trailer, What To Watch This Week, Woman Lead, Women in Film | Tagged charlotte gainsbourg, Jane Birkin, Jane by Charlotte, utopia | Leave a reply

Shudder original review: ‘THE ADVENT CALENDAR’ is the holiday horror gift that keeps on giving.

Posted on December 1, 2021 by Liz Whittemore — Leave a reply

THE ADVENT CALENDAR

Eva (Eugénie Derouand, Paris Police 1900), an ex-dancer, is now using a wheelchair, unable to walk. When her friend Sophie (Honorine Magnier, Tomorrow is Ours) gives her an old wooden antique advent calendar before Christmas, she realizes each window contains a surprise that triggers repercussions in real life. Some of them are good, but most of them are bad, really bad. Now Eva will have to choose between getting rid of the calendar or walking again – even if it causes death and destruction to everyone she holds dear around her.


Writer/Director Patrick Ridremont gives Shudder audiences enough horror to rude into the holidays with The Advent Calendar. Think of it as a Christmas-themed Pandora’s box. Eva’s life is pretty sad. Isolated by the insensitivity of people who only see her wheelchair, combined with the declining health of her beloved father, Eva trudges through day-to-day life. When given a unique birthday gift, each day brings the unexpected. For better, and most certainly, for worse.

There’s an immediate and visceral Wow factor that occurs when the box first appears. The design is intricate. It’s simultaneously inviting and terrifying. It also allows for a brilliant screenplay structure as we know there are more surprises to come counting down the days with Eva. The Advent Calendar could have been an entire series on Shudder. 

Eugénie Derouand, as Eva, is outstanding. You can see the gears turning as her moral compass disintegrates. It’s an emotional rollercoaster. Derouand makes it look easy, and you cannot help but root for her. 

The practical fx and makeup are unsettling and grotesque. I found myself unable to look away, quite frankly. The tropes are consuming, and they’ll send a shiver down your spine. They are relentless. Overall, The Advent Calendar is a gift that keeps on giving, whether you like it or not. Add this one to your annual holiday horror lists immediately. 


Shudder, AMC Networks’ streamer for horror, thrillers and the supernatural will premiere writer/director Patrick Ridremont’s ornate and elegant French horror fantasy The Advent Calendar exclusively on Tuesday, December 2nd. Combining Faustian themes and allusions with European folklore and tense, chilling terror, the Shudder Original film provides some highly original holiday season horror.

The Advent Calendar world premiered earlier this year at London’s Frightfest and was produced by Alain Benguigui, Virginie Ogouz, Jean-Yves Roubin, and Cassandre Warnauts.


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Posted in Features, Film Festival, Folklore, Foreign Films, French, Frightfest, Genre, Horror, Liz, Poster, Release, Reviews, Shudder, Thriller, Trailer, What To Watch This Week, Woman Lead, Women in Film | Tagged AMC Networks, Eugénie Derouand, holiday horror, patrick ridremont, shudder, the advent calendar | Leave a reply

Brooklyn Horror Film Festival (2021) review: ‘AFTER BLUE (Dirty Paradise)’ is intoxicating genre weirdness .

Posted on October 21, 2021 by Liz Whittemore — Leave a reply

AFTER BLUE

A chimeric future on After Blue, a planet from another galaxy, a virgin planet where only women can survive in the midst of harmless flora and fauna. The story is of a punitive expedition.


On a planet filled exclusively with women, a mother and daughter are charged with catching the killer daughter Roxy inadvertently set free. What occurs over the next two-plus hours is a retelling of events, unlike anything we ever experienced before on film.

Brooklyn Horror Film Festival 2021 audiences certainly got more than they bargained for with After Blue. The cast gives it their all from start to finish. This speaks volumes about the trust between writer-director Bertrand Mandico and these actors. An ambitious work, Mandico’s most rewarding aspect is the creation of an entirely new world. Every inch of the set is adorned with eye candy, glitter, and sci-fi western weirdness. It’s a visual feast. The costumes drip with a mix of 70s witch, barbarian, mermaid aesthetics. It’s like watching a really expensive, new wave music video at times. The entire film feels like softcore porn for hardcore genre nerds. In all seriousness, sexual urges motivate each character’s every moment. While the plot is flimsy, the psychosexual energy and gender dismantling make After Blue an intriguing watch. The commentary on class, consumerism, and privilege is, quite literally, written on objects. There’s an Android named Louis Vuitton, guns named Gucci and Chanel. You have to let go of any preconceived notions about After Blue and ride the hypersexual, demented wave of the bizarre.



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Posted in Brooklyn Horror Film Festival, Events, Experimental, Film Festival, Foreign Films, French, Genre, Liz, New York City, Reviews, Sci-Fi, Trailer, Western, Woman Lead, Women in Film | Tagged After Blue, Bertrand Mandico, BHFF, bhff2021, Brooklyn Horror Film Festival | Leave a reply

NBFF 21 review: ‘The Witches Of The Orient’ is an ace.

Posted on July 22, 2021 by Liz Whittemore — Leave a reply

THE WITCHES OF THE ORIENT

Textile workers are transformed into an Olympic level volleyball team by their coach, whose unconventional techniques emphasize speed and aggression. The team has a record-setting winning streak and a triumph in the 1964 Tokyo Olympics.

THE WITCHES OF THE ORIENT manages to simultaneously be exhilarating and endearing. The film is a multimedia celebration of an unforgettable group of women who worked tirelessly for victory and pride. The film works its way through intimate sit-down interviews with team members, now in their 70s, to recreate the journey to the 1964 Olympics. These extraordinary women worked diligently under a coach that was deemed harsh and unconventional. To hear them speak about it now, they saw things very differently. They had respect and adoration for a man who took a chance on a group of women who had the weight of their country’s honor on their shoulders.

The soundtrack is incredible. Even though you know the outcome of the final game, watching the tape makes your palms sweat and your heart race. You’ll stand up, cheer, and cry happy tears alongside the team. It’s simply inevitable. The film could not be more relevant as we roll into this year’s Tokyo Olympics. This team paved the way for female athletes to defy the masses. While it continues to be an uphill battle of sexism and controversy for today’s athletes, The Japanese Volleyball Team in 1964 owned their naysayers. Director Julien Faraut gave NBFF 21 audiences a history lesson that charmed the pants off of audiences.

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Posted in Documentary, Film Festival, Foreign Films, French, Liz, North Bend Film Festival, Poster, Reviews, Trailer, Woman Lead, Women in Film | Tagged doc, Julien Faraut, NBFF 21, North Bend Film Festival, sports doc, The Witches Of The Orient | Leave a reply

Review: ‘Keep An Eye Out (Au Poste!) is an uproarious meta masterpiece.

Posted on March 4, 2021 by Liz Whittemore — 2 Comments ↓

KEEP AN EYE OUT (Au Poste!)

Belgian funnyman Benoît Poelvoorde (Man Bites Dog) is Commissaire Buran, a good, bad cop interrogating Fugain, (Grégoire Ludig), an average Joe who discovered a dead body outside his apartment building. As the film begins, Fugain must, on an empty stomach, explain how and why he happened to leave home seven times in one night before coming across a corpse in a puddle of blood. Since he’s the investigation’s only suspect, Fugain’s anxiety is already sky-high when Buran leaves him alone with Philippe, a one-eyed rookie cop with bizarre speech patterns and a few minutes to live.

The 110% commitment to the absolute absurd is what makes Keep An Eye Out (Au Poste!) so phenomenal. It has an authentic Monty Python level of rapid-fire, totally ridiculous tone to the dialogue. You’re just smirking the entire time. Whatever these guys were selling I was buying. I gutturally laughed out through the entire 73-minute run. Also, can we please normalize these kinds of runtimes? Great, concise storytelling. I’m here for it.

Chief Inspector played by Benoît Poelvoorde is a real prick but in the best way possible. The perfect foil for Ludig. He isn’t really listening to anyone and meanders between genius and complete moron. His presence is commanding. Grégoire Ludig plays the completely unsuspecting Fugain. His character goes on the journey of a lifetime. Ludig is the “straight man” of the cast, which isn’t saying much. In an American version, he’d be played by Paul Rudd; genuine comic timing in an everyman sort of way. His charming panic becomes our panic. It’s a true testament not only to his talents but the magnificent script. The nonchalance of the entire thing will floor you. Enter Philippe, the underling assigned to watch Fugain when the Chief is called away. Actor Marc Fraize was honestly my favorite thing about the entire film. I wanted to put him in my pocket and take him with me. His loveable, quirky oaf delivery was something unto itself. He really completed the circle of greatness for me, personally.

The storytelling style is a mix of interrogation and creative recreations of Fugain’s official statement. All while attempting to hide another matter in plain sight. The cinematography is beautiful; something akin to a Wes Anderson film with its very distinct color palette. The visual gags are to die for. You will not know which end is up. It’s dizzying and meta, and once it takes off it doesn’t let up for a minute. It’s like watching a tennis match of wit and weirdness. I could not recommend KEEP AN EYE OUT more.

KEEP AN EYE OUT (Au Poste!) opens tomorrow in theatres and virtual cinemas nationwide.

A list of theatres and virtual cinemas can be found HERE.

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Posted in Belgian, Fantastic Fest, Features, Film Festival, Foreign Films, French, Go To The Movies, in theaters, Liz, Poster, Release, Reviews, Trailer, Virtual Cinemas, What To Watch This Week | Tagged Au Poste!, Benoît Poelvoorde, Grégoire Ludig, Keep An Eye Out, Marc Fraize, quentin dupieux | 2 Comments ↓

NYFF57 review: ‘Zombi Child’

Posted on October 16, 2019 by Liz Whittemore — Leave a reply

ZOMBI CHILD

  • Bertrand Bonello
  • 2019
  • France
  • 103 minutes
  • Subtitled
  • Opens January 24, 2020

Bertrand Bonello injects urgency and history into the well-worn walking-dead genre with this unconventional plunge into horror-fantasy, moving fluidly between 1962 Haiti, where a young man known as Clairvius Narcisse is made into a zombie by his resentful brother, and a contemporary Paris girls’ boarding school attended by Clairvius’s direct descendant.

This film has a unique narrative style. Long takes establishing backstory are a stark contrast to the teen angst driven by voice-over lover letters. Weaving the strange but true history of zombification and a young girl’s adolescent heartbreak, Zombi Child presents a story about the lengths we’ll go for love. Cinematically beautiful natural light adds to the atmosphere. Performances are everywhere from subtly grounded to flamboyant and frightening. The script is unexpected but the end result is a bit of a fever dream that will hypnotize audiences.

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Posted in Events, Film Festival, Foreign Films, French, Liz, New York City, New York Film Festival, Poster, Reviews, Trailer, Woman Lead, Women in Film | Tagged Bertand Bonello, haiti, new york film festival 57, nyff57, teen, zombi child | Leave a reply

Fantasia International Film Festival review: ‘The Night Eats The World’ breathes new life into the zombie genre.

Posted on August 3, 2018 by Liz Whittemore — Leave a reply

The morning after a party, a young man wakes up to find Paris invaded by zombies.

The Night Eats The World is all about isolation. Sam is alone in his ex’s apartment, walls splattered with blood, and the other floors are not much better. Realizing the outside is even less safe, he begins to use his wits by gathering what he can find, little by little, staying organized but perhaps not sane. Actor Anders Danielsen Lie is in every single scene of the film. His performance is so engrossing that I almost missed his complete physical transformation along the way. He must remain as calm as possible, which is pretty difficult considering the circumstances. Director Dominique Rocher has given us quite the gem here. The Night Eats the World easily sets itself apart from the average zombie film. The film delves into the complexity of human intimacy. This is explored through a relationship with an undead individual trapped inside an elevator (played magnificently by Denis Lavant), an encounter with a fellow survivor, and a cat. An added element of interest that propels the plot is the fact that Sam is a musician. This becomes both an advantage and a misstep along the way. We’ve all watched The Walking Dead for years now but off the top of my head, I’m not sure I would be as methodic in my solitary survival as Sam. While we don’t get any information about the outbreak specifically, it never stopped me from enjoying the film, rooting for Sam to stay alive. Sometimes you don’t need it all spelled out for you, sometimes great storytelling is more than enough.

The Night Eats The World made is Canadian Premiere at this year’s Fantasia International Film festival. The 2018 fest came to a close last night, but we’ll keep you updated on the release dates. As for The Night Eats The World, you can catch it in theaters now and on VOD platforms like Amazon, Google Play, and YouTube.

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Posted in Fantasia International Film Festival, Features, Film Festival, Foreign Films, French, Go To The Movies, in theaters, Poster, Release, Reviews, Trailer, VOD, What To Watch This Week | Tagged Anders Danielsen Lie, Dominique Rocher, Fantasia 2018, fantasia film festival 2018, Fantasia International Film Festival, Fantasia International Film Festival 2018, Film Festival, FilmFestival, foreign langauge film, horror, La Nuit A Devore Le Monde, Liz, Paris, Review, survival, The Night Eats The World, trailer, Tribeca Film Festival, tribeca film festival 2018, zombie | Leave a reply

Tribeca Film Festival Reviews: ‘Cargo’ & ‘The Night Eats The World’ breathe new life into the zombie genre.

Posted on May 11, 2018 by Liz Whittemore — 1 Comment ↓

Cargo

Director: Ben Howling, Yolanda Ramke

Writer: Yolanda Ramke

Producers: Samantha Jennings, Kristina Ceyton, Russell Ackerman, John Schoenfelder, Mark Patterson

Cast: Martin Freeman, Anthony Hayes, Susie Porter

Stranded in rural Australia in the aftermath of a violent pandemic, an infected father desperately seeks a new home for his infant child, and a means to protect her from his own changing nature.

 

Cargo, starring Martin Freeman will undoubtedly rip your heart out if you are a parent. It’s a race against time form the very first scene. It contains an intriguing bit of cannon with respect to this particular zombie outbreak. I’m always curious how this will be addressed in the genre and in Cargo, it’s very different from what we’re used to seeing. This film has a wonderful pace. It is dark with a constant feeling of dread looming. Freeman plays a believably loving and caring father of his infant daughter. The action and terror are unrelenting. In the genre what more can you really ask for? The film will be coming to Netflix next Friday, May 18th!


The Night Eats The World

Directed by

Dominique Rocher

Writing Credits (in alphabetical order)

Pit Agarmen … (novel)
Jérémie Guez … (screenplay) (adaptation) (dialogue)
Guillaume Lemans … (screenplay) (adaptation) (dialogue)
Dominique Rocher … (screenplay) (adaptation) (dialogue)

The morning after a party, a young man wakes up to find Paris invaded by zombies.

The Night Eats The World is all about isolation. Sam is alone in his ex’s apartment, walls splattered with blood, and the other floors are not much better. Realizing the outside is even less safe, he begins to use his wits by gathering what he can find, little by little, staying organized but perhaps not sane. Actor Anders Danielsen Lie is in every single scene of the film. His performance is so engrossing that I almost missed his complete physical transformation along the way. He must remain as calm as possible, which is pretty difficult considering the circumstances. An interesting element to his character is that he is a musician. This becomes both an advantage and a misstep in the plot. We’ve all watched The Walking Dead for years now but off the top of my head, I’m not sure I would be as methodic in my solitary survival as Sam. While we don’t get any information about the outbreak specifically, it never stopped me from enjoying the film, rooting for Sam to stay alive. Sometimes you don’t need it all spelled out for you, sometimes great storytelling is more than enough. 

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Posted in Book to Film, Events, Film Festival, Foreign Films, French, Netflix, New York City, News, Page to Screen, Release, Reviews, Trailer, Tribeca Film Festival, What To Watch This Week | Tagged Anders Danielsen Lie, Anthony Hayes, based on a novel, Ben Howling, Cargo, FilmFestival, Liz, Martin Freeman, May release TFF2018, Netflix, Pit Agarmen, Susie Porter, Tribeca Film Festival, tribeca film festival 2018, Yolanda Ramke | 1 Comment ↓

Fantasia International Film Festival 2017 Review: ‘Le Manior’ (The Mansion) brings a the scares and the one liners.

Posted on July 21, 2017 by Liz Whittemore — Leave a reply

LE MANOIR(“The Mansion”)When a group of 20 something friends plan a New Year’s Eve getaway at an old mansion, things get heated when accusations fly, drugs and alcohol are plenty, and there is no signal for phones or wifi. Oh, and did I mention they start dying one by one? While this may sound like you’ve already seen this movie a hundred times, don’t be fooled by the build up. Le Manoir is one hell of a unique dark comedy horror. This movie is what the Scary Movie franchise could have looked like if they were actually intending on genuinely scaring you. The dialogue is much less punny but seriously over the top. Think Evil Dead meets Scooby Doo in all the best ways possible (and you can add in Scream just for good measure). The cinematography is great and the impact of the music and sound editing is spot on. Not only that, but the cast is shockingly comprised of YouTube stars… and they’re fantastic! The chemistry is beyond and each holds their own and then some. I legitimately laughed out loud during the entire 96-minute run. I highly recommend you seek this film out at and after this year’s Fantasia Festival. Check out the trailer below.

Sponsored by Euro Channel
NORTH AMERICAN PREMIERE
  • France
  • 2017
  • 96 mins
  • French
  • English (subtitles)

SCREENING TIMES

  • July 21 • 7:00 PMThéâtre D.B. Clarke (with International)
    • Add to Calendar
    • Map and Directions
  • August 2 • 3:05 PMSalle J.A. De Sève (with International)
    • Add to Calendar
    • Map and Directions

CREDITS

  • Directed by: Tony T. Datis
  • Cast: Marc Jarousseau, Yvick Letexier, Nathalie Odzierejko, Ludovik Day, Jérôme Niel
  • Company: Gaumont

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Posted in Casting, Fantasia International Film Festival, Film Festival, Foreign Films, French, Reviews, Screenings, Trailer, What To Watch This Week, Woman Lead, Women in Film | Tagged comedy, dark comedy, evil dead, fantasia film festival 2017, Fantasia International Film Festival, FilmFestival, french film, Gaumont, horror, Jérôme Niel, LE MANOIR("The Mansion"), Liz, Ludovik Day, Marc Jarousseau, Nathalie Odzierejko, Review, Scary Movie Franchise, Scooby Doo, scream, Sponsored by Euro Channel, stills, Tony T. Datis, trailer, Yvick Letexier | Leave a reply

Review: ‘Footnotes’ brings the classic 60’s musical into this century.

Posted on July 14, 2017 by Liz Whittemore — Leave a reply

Inspired by the films of Jacques Demy and Stanley Donen, this musical comedy follows a young woman who must dance between a budding romance, a scheming boss, and co-workers on strike at her new job in a luxury shoe factory.

Footnotes comes at a perfect time in cinema history where the movie musical is once more appreciated and praised. This sweet and relatable story of Julie having to choose between love and loyalty has all the whimsy of a great French musical from the 60’s. From the costumes to the Fosse-esque choreography, Footnotes brings a smile to your face at each turn. It is very reminiscent of The Pajama Game but set this time in a shoe factory. Lead, Pauline Etienne is as charming and awkward as the role of Julie requires. Her airy voice suits the role and is a lovely foil to the gaggle of surprising factory women. With a wonderful, never over the top message of respect in the workplace and equal pay, this gem of a film will have your feet tapping and heart singing, no doubt about it. You can listen to the soundtrack right now on Spotify (link below) but first, check out the trailer. You can catch Footnotes in theaters today!

Have a Spotify Account?

Listen to the official Footnotes soundtrack with original songs written by Olivia Ruiz, Clarika, and many more!

FOOTNOTES ON SPOTIFY

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Posted in Foreign Films, French, Go To The Movies, in theaters, Poster, Release, Reviews, Trailer, VOD, What To Watch This Week, Woman Lead, Women in Film | Tagged Directors: Paul Calori, footnotes, Fosse, François More, French cinema, July release, Kostia Testut (screenplay) Stars: Pauline Etienne, Kostia Testut Writers: Paul Calori (screenplay), Liz, musical, Olivier Chantreau, poster, Review, spotify, stills, The Pajama Game, throwback, trailer | Leave a reply

Review: ‘Love At First Child(Ange et Gabrielle) is a charming familial rom com.

Posted on July 10, 2017 by Liz Whittemore — Leave a reply

Opening on VOD Nationwide on Tuesday, July 11 on all major platforms includingiTunes, Google Play, Amazon, Microsoft, Vudu, Comcast, Charter, Cox, Vimeo, and various other cable operators.

Gabrielle (Isabelle Carré) is a single mother, her 17-year-old daughter Claire is pregnant, however the child’s father Simon has no desire to be involved with his future baby. When Gabrielle takes matters into her own hands and asks Simon’s father Ange (Patrick Bruel) for help, an unexpected relationship begins.

Oozing with charm, Love At First Child is heartwarming and funny. The story of a hypochondriac womanizing architect and a down to earth pharmacist coming together over a grandchild couldn’t be more interesting. It’s a story of familial redemption. it’s another chance at living the life these characters always wanted deep down. Isabelle Carré as Gabrielle is a lovely foil for Patrick Bruel‘s stubborn Ange. Revealing much more about the plot would spoil the film. For me, it harkens back to Three Men and a Baby in the best way possible.This script could easily find itself in a position for an American remake with a similar audience as the upcoming Toni Erdmann. Though, trying to recreate the chemistry for both films again doesn’t seem possible. Delightfully scored and beautifully shot, you simply cannot go wrong with this little gem.

 

91mins / Comedy /France /Color / Distributor: Under The Milky Way

DIRECTED BY: ANNE GIAFFERI

In French with English Subtitles

__

ALSO RELEASED BY UNDER THE MILKY WAY ON ALL MAJOR VOD PLATFORMS ON JULY 11 AS A PART OF THIER “COMEDIES À LA CARTE” COLLECTION:

– DYKE HARD (Directed by: Bitte Anderson, Comedy, Sweden, 90 mins)

– NOT MY DAY (Directed by:Peter Thorwarth, Comedy, Germany, 110mins)

– ONE MAN AND HIS COW (Directed by: Mohamed Hamidi, Comedy, France, 91 mins)

– WINWIN (Directed by: Daniel Hoesl, Comedy, Austria, 84 mins)

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Posted in Foreign Films, French, Go To The Movies, News, Poster, Release, Reviews, Trailer, Uncategorized, VOD, What To Watch This Week, Woman Lead, Women in Film | Tagged COMEDIES À LA CARTE, comedy, DIRECTED BY: ANNE GIAFFERI, Foreign Film, French, Isabelle Carré, July release, Liz, love at first child, on demand, Patrick Bruel, poster, Review, rom-com, stills, subtitles, Three men and a baby, toni erdmann, trailer, Under the milky way, vod | Leave a reply

NYFF54 Review: ‘PERSONAL SHOPPER’ shows Kristen Stewart is scary good.

Posted on October 20, 2016 by Liz Whittemore — Leave a reply

nyff54-bannerPERSONAL SHOPPERpersonal-shopper-poster

 

  • Olivier Assayas
  • 2016
  • France
  • French and English with English subtitles
  • 105 minutes

Kristen Stewart is the medium, in more ways than one, for this sophisticated genre exploration from director Olivier Assayas (Clouds of Sils Maria, NYFF 2014). As a fashion assistant whose twin brother has died, leaving her bereft and longing for messages from the other side, Stewart is fragile and enigmatic—and nearly always on-screen. From an opening sequence in a haunted house with an intricately constructed soundtrack to a high-tension, cat-and-mouse game on a trip from Paris to London and back set entirely to text messaging,Personal Shopper brings the psychological and supernatural thriller into the digital age.  An IFC Films release.

kristen-stewart-personal-shopper-stillAfter seeing Stewart and Assayas team up on the NYFF52 film Clouds of Sils Maria, there was doubt that we were in for a unique treat in Personal Shopper. Some might still be skeptical of Stewart’s work if they’ve only been exposed to The Twilight franchise. She admits that it most definitely gave her the option to choose her work. Her indie film roles are nothing short of impressive. Clouds allowed her to be the first American actress to win France’s most prominent Cesar award. Stewart plays Maureen, dealing or not dealing with the death of her twin brother, she floats through life by attending to a spoiled supermodel’s fashion needs all while suspecting her brother is trying to contact her from the beyond. Caught between her own sanity and a murder mystery, Stewart bares all in an emotionally wrought and frightening tale that makes us ponder our own beliefs and life choices. With some of the world’s most beautiful fashion as eye candy, Paris and London as our backgrounds, and the trust Assayas has with his leading lady, I was constantly on edge and intrigued. The pace is great and the use of texting as a major plot point brings technology to the forefront in more than one way. Assasya’ long lingering shots, he admitted in the press conference following the screening, were half by choice and half due to the performance Stewart was giving at any moment in time. Their relationship is very clear as you watch. She is in almost every frame. that is a lot to carry as a young actress, but she 100% owns this film. I was able to ask both Assayas and Stewart if they believed in the paranormal and their answers were perfection. you can watch the footage below. If eerie movies are your thing, then this is most likely one you’re enjoy. If you want to see a gorgeously shot film with a stellar leading lady, this too fits the bill. If you’re open minded about things that are considered other worldly, if nothing else, Personal Shopper begs the question, “Is death the end?”

Press Conference with Olivier Assayas and Kristen Stewart. (I got the final question. Lucky Me.)

Personal Shopper will be in theaters March of 2017 from IFC Films.

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Posted in Events, French, Interviews, New York City, Press Conference, Release, Reviews, Trailer, Woman Lead, Women in Film | Tagged Cannes Film Festival, Cesar award, Clouds of Sils Maria, digital age, FilmFestival, ghost story, ifc films, kristen stewart, Liz, london, murder mystery, New York Film Festival, new york film festival, nyff, nyff 2016 liz, nyff liz, nyff2016, NYFF52, nyff54, Olivier Assayas, Paris, Personal Shopper, poster, Review, stills, supernatural, thrlle, twilight | Leave a reply

Two newly restored gems from AGNÈS VARDA and starring JANE BIRKIN now available on Amazon and on iTunes and Blu-Ray March 8th.

Posted on February 5, 2016 by Liz Whittemore — Leave a reply

Cinelicious Pics Logo

CINELICIOUS PICS & CINE-TAMARIS PRESENT:

JANE B. PAR AGNÈS V.

and

KUNG-FU MASTER! 
Jane B_Poster

JANE B. PAR AGNÈS V.

“I’ll look at you, but not at the camera. It could be a trap,” whispers Jane Birkin shyly into Agnès Varda‘s ear at the start of JANE B. PAR AGNÈS V. The director of CLEO FROM 5 TO 7 and VAGABOND once again paints a portrait of a woman, this time in a marvelously Expressionistic way. “It’s like an imaginary bio-pic,” says Varda. Jane, of course, is the famed singer (“Je t’aime … Moi non plus”), actress (BLOW UP), fashion icon (the Hermes Birkin bag) and longtime muse to Serge Gainsbourg. As Varda implies, JANE B. PAR AGNÈS V. abandons the traditional bio-pic format, favoring instead a freewheeling mix of gorgeous and unexpected fantasy sequences.

Jane Birkin and Serge Gainsbourg in Jane B. par Agnès V. © Cinelicious Pics

Jane Birkin and Serge Gainsbourg in Jane B. par Agnès V.
© Cinelicious Pics

Newly-restored from the original 35mm camera negative, overseen by director Varda herself. The film has a quirky appeal. With a blend of personal narrative juxtaposed with fine art and Greek history, Birkin speaks of her life, fears, future plans. Varda leads her through a wondering maze of musing. It’s an unusual and unique peak into the mind of  both women.

Kung-Fu Master

KUNG-FU MASTER!

A lovely, bittersweet companion piece to JANE B. PAR AGNÈS V., KUNG-FU MASTER! has nothing to do with martial arts – the film’s title comes from an arcade video game played obsessively in the film by a teenaged boy, Julien (played by Varda’s real-life son with husband Jaques Demy). Jane Birkin delivers one of her finest performances as a lonely 40-year old woman who finds herself falling in love with the 14-year old Julien – but is it romance, or a desperate attempt to turn back time in the face of middle age? A real family affair, Birkin’s daughters, Charlotte Gainsbourg and Lou Doillon, her child with well-known filmmaker Jacques Doillon, also appear in the film.

Jane Birkin and Charlotte Gainsbourg in Kung-Fu Master! © Cinelicious Pics

Jane Birkin and Charlotte Gainsbourg in Kung-Fu Master!
© Cinelicious Pics

Long unavailable in the US, the film has been newly-restored from the original 35mm camera negative. The film is a perfect time capsule from 80’s French cinema. Addressing the AIDS crisis through nonchalance and jokes, capturing the effortless sensuality of Birkin, and highlighting the differences in the use of sexuality on screen in Europe Vs America. The performances are, as expected, top notch. The use of Birkin’s children is brilliant. The natural banter, even when the scenario might seem unnatural given the relation, is captivating. As a first time viewer of these pieces, I was glad to have watched KUNG-FU MASTER! first. The two should most definitely been seen back to back. Both titles are currently streaming on Amazon and will be available on Blu-Ray and iTunes March 8  (additional VOD platforms to be announced)

Jane Birkin and Mathieu Demy in Kung-Fu Master! © Cinelicious Pics

Jane Birkin and Mathieu Demy in Kung-Fu Master!
© Cinelicious Pics

 

BLU-RAY SPECIAL FEATURES INCLUDE:

 Video interview with Agnès Varda by Miranda July
 
Essay by Sandy Fitterman-Lewis

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Posted in Bluray/DVD, Foreign Films, French, News, Poster, Release, Reviews, Streaming, Trailer, VOD, Woman Lead, Women in Film | Tagged 35mm, agnes varda, AIDS, amazon, Birkin bag, Blow Up, blu ray, charlotte gainsbourg, French cinema, Hermes, JANE B PAR AGNES V, Jane Birkin, Jaques Demy, KING-FU MASTER!, Liz, Lou Doillon, Mathieu Demy, newly released, newly-restored, sexuality, style icon, vod | Leave a reply

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Netflix Reviews

  • ‘UNBROKEN’ (2025) Netflix honors Holocaust Remembrance Day with release of astounding docLiz Whittemore
  • The Deliverance (2024) | Lee Daniels | Official Trailer | Netflix horror looks terrifyingLiz Whittemore
  • Tribeca 2023 Netflix documentary review: ‘TAKE CARE OF MAYA’ is one family’s fight for justice against a Munchausen syndrome by proxy allegation.Liz Whittemore

To Rent/Buy

  • ‘SOMNIUM’ (2025) Where dreams coming true is a double entendre. August 30, 2025
  • ‘JAMES CAN EAT’ (2025) An eye-opening look into this stomach-churning sport. August 20, 2025
  • ‘DANIELA FOREVER’ (2025) Grief, guilt, and grace. Nacho Vigalondo delivers another stunner. July 11, 2025
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