*Full disclosure, I have not seen Shinichiro Ueda‘s One Cut of The Dead (Fantasia 2018). This review is solely my take on COUPEZ!*
An eccentric director who activated a curse in order to get the best film possible? Sounds more like an industry documentary than a horror comedy to me. Coupez! turns filmmaking on its head with a structure that keeps on giving. Do not get comfortable because you’re about to enter the world of money, fame, indulgence, and the ridiculous in three distinct acts.
Coupez! is unafraid to make fun of the collective zombie/ horror genre. At times, it’s like watching Film Twitter arguing with itself. This meta take on the industry will delight to no end. The handheld camera puts the audience into the action in a one-take, real-time unfolding of hilarious chaos. One can only imagine the amount of rehearsal it required to coordinate. The practical FX are cleverly achieved just out of sight.
These actors give 200% in this splatterfest. The cast’s unwavering commitment sells this film. Romain Duris as Remi is just trying his best to make the movie he created on the page. But, like Hollywood, everyone has their hand/opinion in the proverbial pot. Duris has an upbeat energy that pulls you into his story. In truth, Coupez! is a masterful ensemble film. The double entendre dialogue never misses. It’s kind of like an amped-up version of Shawn of the Dead meets Noises Off. It was a risky move for writer-director Michel Hazanavicius to bring Coupez! to Fantasia 2022, but a massively successful one.