I was lucky enough to attend the press junket for Tim Burton‘s new film, BIG EYES (review coming soon!). Afterwards, I had the opportunity to sit down with the incredibly talented and successful writing partners Larry Karaszewski and Scott Alexander. Read More →
I injured my neck a few years ago. This year, it flared up and I found out I have the spine of an 80 year old. In case you are wondering. In case you are wondering, I am a very long way off from 80. I had to cancel about two weeks worth of meetings, appointments, and life in general because I could not move. It was not fun. Other than my husband, who is essentially legally obligated to care for me (I have a license that we both signed that says so) no one was around to help me do the simplest of tasks. In fact, the only person that offered to bring me dinner was my very own managing co-editor, Melissa. Shout out is official now. In the new film, TAKE CARE, a woman is stranded in the same way I was. Post car accident, she is forced to rely on a person from her past. Read More →
Marriage is difficult. I got married 5 days before my husband started business school at Yale. He was on the Investment Banking track. What that meant in my world was that I wouldn’t see my husband for the next 4 months as he prepared for innumerable interviews, events, and attended the accelerated course load that comes with an ivy league school. Even after 6 years together, I had to become a whole new woman. In the new film RED KNOT, a young, newly married couple take this idea to the extreme as they honeymoon on a research vessel near Antarctica.
I LOVE horror movies. I love an original script. I love a great soundtrack. Put them all together and you’ve got me on your side from minute one. There are few movies ever made that deliver on all of these aspects. The one I am about to describe blows it out of the water. Read More →
When I was little, I was a fan a Nancy Drew books. My brother had a bookshelf filled with The Hardy Boys collection. I was jealous of that collection. As an adult, I am obsessed with Investigation Discover channel. I’ll straight up have that on in the background all day when I have a day off. I want to know who did it, why, and how. As of late I am a huge fan of NPR‘s new podcast “Serial” (Go do yourself a favor and subscribe now), so when this film came my way, I was more than intrigued.
Bad Turn Worse, a directed by Simon and Zeke Hawkins, grabbed me from the opening scene. Quippy, Tarantino-esque dialogue from the mouths of Texas teens (also reminiscent of Dawson’s Creek… wow, I’m really dating myself now…) made me sit up a little straighter at attention. The plot is not too far fetched. Three friends; two leaving for college in a few weeks, while the third we all know is destined to become a townie in this arid cotton mill town. BJ is a bitter, big fish in a little pond, whose aggressive charm and good looks have gotten him the smart girl next door Sue. Bobby is the best friend to both but his sheep demeanor gets him into some trouble when BJ steals $20K from his sociopath boss. When the shit hits the fan and the three are roped into a heist that is doomed from the start, everything gets turned in it’s head in this noir thriller.
Writer, Dutch Southern, deserves praise with his love letter to crime novelist Jim Thompson.
Jim Thompson — ‘There are thirty-two ways to write a story, and I’ve used every one, but there is only one plot – things are not as they seem.’
Sue makes mention of this in more than a few ways throughout the script. Little does the audience know that they are being led down a twisted plot line that is secretly spoon fed to them from the get go. But, seriously, you sort of miss it until the very end. When is the last time a movie played out in a surprising fashion? In true noir style, just when you think you’ve figured out what going on, nope, left turn.
The acting is fantastic. Mackenzie Davis, who I had previously been introduced to in Breathe In, is so wonderful. Fully fleshed out girl who is smart as a whip but vulnerable enough to fall for the town “badboy” but still have affection for the shy best friend. She gives the perfect balance of naive and cunning. Logan Huffman, who has one of those, ‘Why do I know him? Yeah, he is hot,” kind of demeanors, nails the role of BJ. That jockish, underachiever bitterness is rife for the taking. Jeremy Allen White is entrancing as Bobby. His endearing fragility draws you in. You genuinely feel sorry that he has such a crap best friend. And then, there is our ultimate baddie; Mark Pelligrino, my mysterious Jacob from LOST. His startling crazy is borderline comical but totally works. Money makes people do bad things, and the character of Giff is no exception.
The music is awesome and the cinematography is beautiful. I say catch this film this weekend. It will keep you on the edge of your nerve from beginning to end. Bad Turn Worse comes out today, November 14th in theaters and on VOD.
I’m not quite sure how this wasn’t on my radar but I just watched the trailer and I am so in. Check it out below…
On a farm in rural Kentucky, father Jeremiah (Robert Longstreet) and daughter Sarah (Sophie Traub) squabble together like young puppies. Over crisp, verdant images of nature, of animals, streams and puddles, a mysterious, sensual female voice tells of her lover, who may be a person or may be the whole world. Enter Akin (Joe Swanberg), there to help out for the summer. He’s left his wife and child at home – and taken off his wedding ring as a precaution. Soon the three of them are circling each other, watching, feeling watched and knowing that their watching is not going unwatched. Within this atmosphere, a charged romance develops between Sarah and Akin that carries both an erotic tension and vague feeling of menace. When Akin’s wife Drew comes for a visit, the situation explodes, harmless fantasies giving way to a violent nightmare.
The seductive colors and shallow depth of field of Ashley Connor’s superb camerawork accentuate the ethereal nature of this enigmatic story. Josephine Decker’s second feature lets beauty and horror blithely flirt with one another like two coquettish flowers in the same inviting meadow.
As a child I sat in a hard plastic chair in my town library and played The Oregon Trail until eventually my player died of dysentery. I thought it was cool to put my name on a list, hear it called out, and get to play for a whole 30 minutes all my myself. Little did I know/care that I was actually learning in the process. All of those memories came flooding back when I saw the new Roadside Attractions release, The Homesman. Read More →
Few countries produce as consistently high quality of film as Iceland. In my estimation, that is. The quantity of films that it produces is low, well at least those that somehow cross the pond and make it onto American screens, usually at film festivals such as Heartland. There are four Icelandic films that I’ve seen in this manner – Nói Albínói, The Seagull’s Laughter, Of Horses and farm animals that areatrained and live at this Horse Retirement Farms. All are unique in their own way, most of them are depressing (an aspect of Scandinavian film that I tend to enjoy) but still manage a way to get a laugh or two in just in case, and all have a laser-pointed direction on what makes their characters tick and tock and they do it so well. Ragnar Bragason‘s Metalhead is no exception.
Read More →
Princess Aurora: Don’t be afraid!
Maleficent: I am not afraid.
Princess Aurora: Then come out.
Maleficent: Then you’ll be afraid. Read More →
Thirteen years after we first waged war in response to the September 11 attacks in New York, Washington DC and Pennsylvania, we are still seeing a trickling of films addressing the consequences of the invasions of both Afghanistan and Iraq. While there have been some great ones, the bulk of them have been documentaries – Hornet’s Nest, Restrepo and Standard Operating Procedure come to mind, while narrative films haven’t had quite the same success, The Hurt Locker winning Best Picture in 2009 being the shining example. There hasn’t been the same connection to the plight of the soldiers in these wars as, say, those who fought in Vietnam with Apocalypse Now, Platoon, Coming Home, The Deer Hunter and Full Metal Jacket leading the critical praise. Camp X-Ray is writer/director Peter Sattler‘s entry into the post-9/11 film mix. a film that hits some high points, but ultimately doesn’t capitalize on an interesting premise. Read More →
They say things don’t change once you get married. That, my friends, is a load a crap. There is an inherent shift, albeit subtle for some. Maybe it is just a piece of paper, legally, but there is a certain emotional weight to being hitched to another human being… for life. Read More →
Now that I’m in my 30’s I realize I have so much more figured out than I did even 5 years ago. I have a great relationship with my parents, an adoring husband, and loyal friends. I go to dinner parties, send thank you notes, give random strangers a smile and compliment, and definitively take my coffee light and sweet. But, it’s the quiet moments in between I still wonder, “What the hell am I doing?” In Writer/Director Ned Benson‘s latest film The Disappearance of Eleanor Rigby, we find a couple at the beginning of the end of their marriage. Husband and wife want different things and neither knows how to cope. The slow deterioration of a man and woman once much in love is a sad, but all too true story we all know. This one particular is unique in the fact that it it told from two very different points of view. Benson takes a look at what happens when we let that little voice inside take over the conversation. Read More →
I knew going into this film that the trailer alone was NSFW. I was in for a complete surprise when Wetlands as a whole blew the trailer way out of the water. Never have I ever experienced a movie so utterly disgusting and amazing at all once. Read More →
I tend to shy away from horror as it has caused me to have scary dreams like a silly pre-teen. However, I branched out of my comfort zone when it was assumed I might not want to watch this flick due to it’s genre. It was with an open mind that I watch Cam2Cam and I really enjoyed it. P.S. unlike the poster suggests, a topless girl does not wield an axe while running at any point. Read More →
Lucy (written and directed by Luc Besson) may seem comparable to the 2011 movie, Limitless, but their only comparison is the concept of utilizing brain capacity via a drug. In Limitless, Eddie (Bradley Cooper) was a down-on-his luck writer with low motivation who suddenly gets his hands on a drug that allows him to use 100% of his brain capacity, thus making him instantly successful and popular. In Lucy, the title character (Scarlett Johansson) is a college student who is kidnapped to become a drug mule to a new drug when it burst inside of her. As Lucy’s brain capacity increases and the plot seemingly moves forward…oh, I’m not going to give it away. The point is, the action goes downhill. Read More →
Monday, I had the pleasure of participating in the New York press junket for BOYHOOD. In attendance were writer/director Richard Linklater, breakout star, Ellar Coltrane, and industry strongholds Ethan Hawke and Patricia Arquette. With the film’s highly anticipated release, everyone in the theater was eager to get some deeper insight into this innovative new film. Below you will find some of my favorite highlights from the afternoon.
This movie is about growing up. Can you tell us what you remember about your first kiss? Read More →
When Jenny (Anna Kendrick), a hard partying 20-something moves in with Kelly (Melanie Lynskey), a budding novelist, her film director husband (Joe Swanberg) and their two-year-old son after a break up, the family’s idyllic life is shaken. Jenny begins a rocky relationship with their baby sitter-cum-pot dealer (Mark Webber), and she and a friend, Carson (Lena Dunham), bring Kelly to the realization that an evolution in her life, career and relationship is necessary for her happiness. A new comedy from the director of Drinking Buddies.
Written and directed by Joe Swanberg
Starring Anna Kendrick, Melanie Lynskey, Mark Webber, Lena Dunham, Joe Swanberg Read More →
We trust what we see with our eyes. They are our tool to navigate through the world. What happens when your eyes deceive you? In Jane Weinstock’s The Moment, an international photojournalist Lee (Jennifer Jason Leigh) begins an affair with a writer she meets in a rehab center. John (Martin Henderson) has a rough past and after they break up, John mysteriously vanishes. This pushes Lee’s fragile psyche over the edge. Her ex-husband and daughter (Alia Shawkat) admit her to get help. In sessions with her therapist (Marianne Jean-Baptiste) Lee begins to have flashes of what may or may not be memories of the the night before John went missing. Can she trust herself? The film jumps in time and the audience is left with a labyrinthine puzzle to piece together. Jennifer is haunting in her quiet reflection. The photography in the movie is stunning and personal.
I was able to sit down with Jane and discuss the movie. Here are the top 10 highlights from my interview. Read More →
Love that Robin Wright is breaking out again and this looks very interesting with a great cast.
Drafthouse Films will release The Congress on iTunes/On Demand July 24, 2014, in select theaters August 29 2014, and in NY September 5, 2014.
Directed by Ari Folman
More than two decades after catapulting to stardom with The Princess Bride, an aging actress (Robin Wright, playing a version of herself) decides to take her final job: preserving her digital likeness for a future Hollywood. Through a deal brokered by her loyal, longtime agent (Harvey Keitel) and the head of Miramount Studios (Danny Huston), her alias will be controlled by the studio, and will star in any film they want with no restrictions. In return, she receives healthy compensation so she can care for her ailing son and her digitized character will stay forever young. Twenty years later, under the creative vision of the studio’s head animator (Jon Hamm), Wright’s digital double rises to immortal stardom. With her contract expiring, she is invited to take part in “The Congress” convention as she makes her comeback straight into the world of future fantasy cinema.
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